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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Debussy
Non classifié
52
Piano & claviers
Piano seul
79
Piano, Voix
5
Piano, Voix et Guitare
2
1 Piano, 4 mains
1
2 Pianos, 4 mains
1
Piano Trio: piano, violon, violoncelle
1
Orgue
1
+ 2 instrumentations
Retracter
Guitares
2 Guitares (duo)
4
Guitare
4
Ligne De Mélodie, (Paroles) et Accords
1
Guitare notes et tablatures
1
Voix
Chorale SATB
2
Voix Soprano, Piano
1
Voix Baryton, Piano
1
Vents
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
16
Quatuor de Saxophones: 4 saxophones
11
Flûte traversière
8
Flûte traversière et Piano
7
Clarinette
6
Saxophone Alto et Piano
5
Quatuor de Clarinettes: 4 clarinettes
4
Clarinette et Piano
4
Ensemble de Clarinettes
3
Flûte, Hautbois, Clarinette, Basson
3
Hautbois (partie séparée)
2
Saxophone Soprano et Piano
2
Flûte et Guitare
2
Quintette de Saxophone: 5 saxophones
2
Quatuor de Flûtes : 4 flûtes
2
Flûte, Violon
1
Hautbois, Guitare (duo)
1
Quatuor de Flûtes à bec
1
Saxophone Tenor et Piano
1
Saxophone Tenor
1
3 Clarinettes (trio)
1
Clarinette, Violon (duo)
1
Saxophone (partie séparée)
1
Hautbois, Piano (duo)
1
Quintette de Clarinettes: 5 clarinettes
1
Saxophone Alto
1
+ 21 instrumentations
Retracter
Cuivres
Trombone et Piano
8
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
8
Tuba et Piano
6
Trompette
6
Cor et Piano
4
Trombone
2
Cor
2
Euphonium, Piano (duo)
1
Trompette, Piano
1
Quatuor de cuivres: 4 trombones
1
Ensemble de Trombones
1
Trompette (partie séparée)
1
Quatuor de Cuivres: 2 trompettes, Cor, trombone
1
4 Tubas
1
Quatuor de cuivres: 4 cors
1
+ 10 instrumentations
Retracter
Cordes
Alto seul
17
Violon
16
Quatuor à cordes: 2 violons, alto, violoncelle
14
Violoncelle
11
Violon et Piano
8
Harpe
7
Violoncelle, Piano
6
Alto, Piano
5
Violon, Violoncelle (duo)
5
Harpe, Violon (duo)
2
Violon, Guitare (duo)
2
2 Violons (duo)
1
Violoncelle , Guitare (duo)
1
2 Violoncelles (duo)
1
Trio à Cordes: 2 violons, violoncelle
1
+ 10 instrumentations
Retracter
Orchestre & Percussions
Orchestre
12
Orchestre d'harmonie
6
Ensemble de cuivres
6
Orchestre à Cordes
4
Orchestre de chambre
3
Ensemble de Percussions
2
Cloches
1
Quintette à Vent
1
Marimba
1
+ 4 instrumentations
Retracter
Autres
Instruments
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
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Crtitères actifs :
Debussy
expert
Saxophone Alto et Piano
Partitions à imprimer
5 partitions trouvées
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Claude Debussy: Rhapsodie Mauresque for alto saxophone and piano, revised by Robert Orledge
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Saxophone Alto et Piano
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AVANCÉ
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Classique
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Claude Debussy/Robert Orledge
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Claude Debussy: Rhapsodie Maur
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Musik Fabrik Music Publishing
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SheetMusicPlus
Alto Saxophone,Piano - Level 5 - SKU: A0.534687 Composed by Claude Debussy/Robert Orledge. 20th Century,Concert,Standards. Score and part. 55 pages. Mus...
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Alto Saxophone,Piano - Level 5 - SKU: A0.534687 Composed by Claude Debussy/Robert Orledge. 20th Century,Concert,Standards. Score and part. 55 pages. Musik Fabrik Music Publishing #6215665. Published by Musik Fabrik Music Publishing (A0.534687). This new version of the Debussy Saxophone Rapsodie goes back to the two original autograph sources. Dr. Robert Orledge is one of the World's leading Debussy scholars and this new reworking represents his long years of work on Debussy's incomplete scores. This is the piano reduction with solo part. The orchestral score is also available for sale. Parts are on rental from the publisher. With complete performance notes
$19.95
Clair De Lune (Debussy) - alto sax and piano with FREE BACKING TRACK
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Saxophone Alto et Piano
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AVANCÉ
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Classique
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Claude Debussy
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Austin Ralphson
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Clair De Lune
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Austin Ralphson
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SheetMusicPlus
Alto Saxophone,Piano - Level 5 - SKU: A0.1173500 Composed by Claude Debussy. Arranged by Austin Ralphson. 20th Century,Classical,Romantic Period,Wedding...
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Alto Saxophone,Piano - Level 5 - SKU: A0.1173500 Composed by Claude Debussy. Arranged by Austin Ralphson. 20th Century,Classical,Romantic Period,Wedding. Score and part. 12 pages. Austin Ralphson #773645. Published by Austin Ralphson (A0.1173500). Clair de lune means moonlight in French, and Debussy took this title from Verlaine's poem Clair de lune. The beautiful melody works very well for solo instrument with piano and requires good breath control. The rhythms are particularly tricky in this piece, regularly moving from triplets to duplets and back again. Despite this, however, it should always flow smoothly and be played with feeling.This piece can either be played with a live pianist, or can be played along with the free backing track which is available from https://youtu.be/DfLNLG_6ch4 and also in the video screen above.You can also purchase all 5 beautiful solos together in a digital book for $9.99: https://armusiconline.com/b/GbPNz
$3.99
LE PETIT NEGRE – ALTO SAXOPHONE & PIANO
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Saxophone Alto et Piano
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AVANCÉ
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Classique
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Claude Debussy
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BRIAN W
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LE PETIT NEGRE – ALTO SA
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EMK Music
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SheetMusicPlus
Alto Saxophone,Piano - Level 5 - SKU: A0.834103 Composed by Claude Debussy (1862-1918). Arranged by BRIAN W. COPPING. 20th Century,Concert,Standards. Sc...
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Alto Saxophone,Piano - Level 5 - SKU: A0.834103 Composed by Claude Debussy (1862-1918). Arranged by BRIAN W. COPPING. 20th Century,Concert,Standards. Score and part. 8 pages. EMK Music #6559971. Published by EMK Music (A0.834103). Great for exams and Eisteddfods, Le Petit Negre is taken from Debussy’s ‘Children’s Corner’ , a collection of pieces for Piano that he dedicated to his daughter, Claude-Emma, after her death at the age of fourteen. Debussy used language that was in common usage at the time, but some of his titles, including this one, now sound unavoidably racist. In addition to syncopation, Debussy also uses other techniques in this piece that have been adopted by jazz musicians, for example, pentatonic scales and chromaticism.
$9.95
Korsakov: Flight of the Bumblebee for Alto Sax & Piano
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Saxophone Alto et Piano
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AVANCÉ
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Classique
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Contemporain
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Nikolay Andreyevich Rimsky-Kor
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James M
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Korsakov: Flight of the Bumble
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jmsgu3
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SheetMusicPlus
Alto Saxophone,Piano - Level 5 - SKU: A0.549254 Composed by Nikolay Andreyevich Rimsky-Korsakov. Arranged by James M. Guthrie, ASCAP. Instructional,Roma...
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Alto Saxophone,Piano - Level 5 - SKU: A0.549254 Composed by Nikolay Andreyevich Rimsky-Korsakov. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Standards. Score and part. 15 pages. Jmsgu3 #3473685. Published by jmsgu3 (A0.549254). Flight of the Bumblebee Flight of the Bumblebee is, to be sure, an orchestral interlude composed by Nikolai Rimsky-Korsakov for his opera The Tale of Tsar Saltan. Of course, Korsakov intended to portray a bumblebee's chaotic flying pattern musically. Nowadays, this piece is one of the comparatively more famous classical works because it frequently appears occasionally in popular culture. The piece appears notably in the opera at the close of Act III, Tableau 1. This is when the magic Swan-Bird changes the Prince (the son of the Tsar) into a bee so he can fly away to visit his father. Interestingly, at this point in the drama, his father, in effect, does not know that he is alive. Korsakov Background Nikolai Rimsky-Korsakov (1844 –1908) was a uniquely famous composer from Russia. He was likewise a member of an infamous assembly of composers called The Five. Korsakov was furthermore an expert in orchestration. His correspondingly most famous orchestral compositions- Capriccio Espagnol, the Russian Easter Festival Overture, and the Scheherazade suite- are essential monuments of the standard music repertoire. Also comparatively very important are his suites and excerpts from his 15 operas. Korsakov used Russian folklore and fairy tales, such as Scheherazade, in his music. Nationalistic Style Like fellow outspoken composer Balakirev, Korsakov believed in creating a nationalistic, Russia-centric style of classical music. The new style was called Orientalism. It similarly relied on native Russian materials, exotic scales, and experimental harmonic, melodic, and rhythmic procedures. This practice, conversely, ran counter to the developments in Western musical culture. Musical Developments Nevertheless, Korsakov developed an appreciation of Western musical techniques after he became a professor of musical composition, harmony, and orchestration at the Saint Petersburg Conservatory in 1871. Moreover, he undertook a rigorous three-year program of self-education. He mastered Western methods, incorporating them with the influences of Mikhail Glinka and other members of The Five. His techniques of composition and orchestration were additionally enriched by his exposure to the works of Richard Wagner. Naval Service Korsakov combined his music career accordingly with a career in the Russian military. He was in the first place an officer in the Russian Navy. In due time, he was appointed a civilian Inspector of Naval Bands. As a result, Korsakov expanded his knowledge of woodwind and brass playing, which heightened his orchestration capabilities. Legacy In due time, Korsakov contributed a significant number of Russian nationalist works. He also prepared, occasionally, compositions by The Five for presentation. This brought their works straightaway into the active classical repertoire as well. He also shaped an entire generation of younger composers as a music educator. Therefore, music historians consider Korsakov the foremost engineer of what the public considers the Russian composition style. He served as a transitional figure between The Five and the classically trained composers who became the norm over time. In addition to the Russians, he influenced non-Russian composers such as Ravel, Debussy, Dukas, and Respighi. Â
$32.95
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Debussy 
