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Saxophone Alto et Piano
Partitions à imprimer
4 partitions trouvées
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Korsakov: Flight of the Bumblebee for Alto Sax & Piano
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Saxophone Alto et Piano
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AVANCÉ
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Classique
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Contemporain
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Nikolay Andreyevich Rimsky-Kor
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James M
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Korsakov: Flight of the Bumble
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jmsgu3
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SheetMusicPlus
Alto Saxophone,Piano - Level 5 - SKU: A0.549254 Composed by Nikolay Andreyevich Rimsky-Korsakov. Arranged by James M. Guthrie, ASCAP. Instructional,Roma...
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Alto Saxophone,Piano - Level 5 - SKU: A0.549254 Composed by Nikolay Andreyevich Rimsky-Korsakov. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Standards. Score and part. 15 pages. Jmsgu3 #3473685. Published by jmsgu3 (A0.549254). Flight of the Bumblebee Flight of the Bumblebee is, to be sure, an orchestral interlude composed by Nikolai Rimsky-Korsakov for his opera The Tale of Tsar Saltan. Of course, Korsakov intended to portray a bumblebee's chaotic flying pattern musically. Nowadays, this piece is one of the comparatively more famous classical works because it frequently appears occasionally in popular culture. The piece appears notably in the opera at the close of Act III, Tableau 1. This is when the magic Swan-Bird changes the Prince (the son of the Tsar) into a bee so he can fly away to visit his father. Interestingly, at this point in the drama, his father, in effect, does not know that he is alive. Korsakov Background Nikolai Rimsky-Korsakov (1844 –1908) was a uniquely famous composer from Russia. He was likewise a member of an infamous assembly of composers called The Five. Korsakov was furthermore an expert in orchestration. His correspondingly most famous orchestral compositions- Capriccio Espagnol, the Russian Easter Festival Overture, and the Scheherazade suite- are essential monuments of the standard music repertoire. Also comparatively very important are his suites and excerpts from his 15 operas. Korsakov used Russian folklore and fairy tales, such as Scheherazade, in his music. Nationalistic Style Like fellow outspoken composer Balakirev, Korsakov believed in creating a nationalistic, Russia-centric style of classical music. The new style was called Orientalism. It similarly relied on native Russian materials, exotic scales, and experimental harmonic, melodic, and rhythmic procedures. This practice, conversely, ran counter to the developments in Western musical culture. Musical Developments Nevertheless, Korsakov developed an appreciation of Western musical techniques after he became a professor of musical composition, harmony, and orchestration at the Saint Petersburg Conservatory in 1871. Moreover, he undertook a rigorous three-year program of self-education. He mastered Western methods, incorporating them with the influences of Mikhail Glinka and other members of The Five. His techniques of composition and orchestration were additionally enriched by his exposure to the works of Richard Wagner. Naval Service Korsakov combined his music career accordingly with a career in the Russian military. He was in the first place an officer in the Russian Navy. In due time, he was appointed a civilian Inspector of Naval Bands. As a result, Korsakov expanded his knowledge of woodwind and brass playing, which heightened his orchestration capabilities. Legacy In due time, Korsakov contributed a significant number of Russian nationalist works. He also prepared, occasionally, compositions by The Five for presentation. This brought their works straightaway into the active classical repertoire as well. He also shaped an entire generation of younger composers as a music educator. Therefore, music historians consider Korsakov the foremost engineer of what the public considers the Russian composition style. He served as a transitional figure between The Five and the classically trained composers who became the norm over time. In addition to the Russians, he influenced non-Russian composers such as Ravel, Debussy, Dukas, and Respighi. Â
$32.95
Nocturne for Alto Saxophone and Piano
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Saxophone Alto et Piano
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AVANCÉ
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Contemporain
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Brian S
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Nocturne for Alto Saxophone an
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G. Meredith Publications
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SheetMusicPlus
Alto Saxophone,Piano - Level 5 - SKU: A0.998208 Composed by Brian S. Wilson. 20th Century. Score and part. 20 pages. G. Meredith Publications #603865. P...
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Alto Saxophone,Piano - Level 5 - SKU: A0.998208 Composed by Brian S. Wilson. 20th Century. Score and part. 20 pages. G. Meredith Publications #603865. Published by G. Meredith Publications (A0.998208). Nocturne for Alto Saxophone and Piano is a tour de force for the alto saxophone. Makes a great festival competition piece. The work was commissioned by friend and colleague in Wroclaw, Poland, Richard Zoledziewski. Score and Part.
$18.00
Temporal Physics
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Saxophone Alto et Piano
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AVANCÉ
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Craig Wadley
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Temporal Physics
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Wadley Publications
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SheetMusicPlus
Alto Saxophone,Piano - Level 5 - SKU: A0.983170 Composed by Craig Wadley. 20th Century,Concert,Contemporary,Standards. Score and part. 29 pages. Wadley ...
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Alto Saxophone,Piano - Level 5 - SKU: A0.983170 Composed by Craig Wadley. 20th Century,Concert,Contemporary,Standards. Score and part. 29 pages. Wadley Publications #3434687. Published by Wadley Publications (A0.983170). Commissioned by Dr. Brent Bristow of Arkansas State University (Beebe), Temporal Physics is a single-movement sonatina for alto saxophone and piano. Featuring a cornucopia of meter changes, the piece explores various stylistic treatments of two brief melodic motifs. Temporal Physics drops hints of different musical eras while remaining a truly contemporary display of soloistic virtuosity.
$19.99
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