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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Wagner Romantic
Non classifié
187
Piano & claviers
Piano seul
88
Piano Facile
80
Piano, Voix
74
Piano Trio: piano, violon, violoncelle
17
Orgue
9
Instruments en Do
8
1 Piano, 4 mains
4
Accompagnement Piano
3
Piano Quatuor: piano, violon, alto, violoncelle
3
Piano, Voix et Guitare
2
Piano grosses notes
1
Orgue, Trompette (duo)
1
2 Pianos, 4 mains
1
Clavier
1
+ 9 instrumentations
Retracter
Guitares
Guitare notes et tablatures
12
Guitare
12
2 Guitares (duo)
8
Ukulele
4
Basse electrique
3
Piano, Guitare (duo)
2
4 Guitares (Quatuor)
1
Ligne De Mélodie, (Paroles) et Accords
1
+ 3 instrumentations
Retracter
Voix
Chorale SATB
11
Voix seule
6
Chorale TTBB
3
Chorale 3 parties
3
Chorale SSAA
2
Voix Soprano, Piano
2
+ 1 instrumentations
Retracter
Vents
Quatuor de Saxophones: 4 saxophones
45
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
43
Flûte traversière et Piano
43
Clarinette et Piano
35
Hautbois, Piano (duo)
25
Quatuor de Clarinettes: 4 clarinettes
24
Saxophone Alto et Piano
21
Flûte, Hautbois, Clarinette, Basson
21
Saxophone Soprano et Piano
20
Clarinette
17
Quatuor de Flûtes : 4 flûtes
15
Saxophone Tenor et Piano
15
Quintette de Saxophone: 5 saxophones
14
Saxophone Alto
11
Cor anglais, Piano
11
2 Saxophones (duo)
11
2 Flûtes traversières (duo)
11
Saxophone Baryton, Piano
10
Flûte traversière
9
Clarinette Basse, Piano
8
Flûte, Clarinette, Cor, Basson (Quartet)
7
Piccolo
7
Quatuor de Flûtes à bec
6
2 Clarinettes (duo)
6
Flûte, Clarinette (duo)
6
Saxophone
4
5 Flûtes à bec
4
Flûte, Violoncelle, Piano (trio)
4
Harmonica
3
Hautbois
3
Hautbois (partie séparée)
3
Flûte et Guitare
3
Saxophone, Clarinette (duo)
2
Clarinette, Guitare (duo)
2
Flûte, Clarinette, Piano (trio)
2
3 Saxophones (trio)
2
Saxophone (partie séparée)
2
Ensemble de saxophones
2
Ensemble de Clarinettes
2
Flûte, Violon, Piano
2
2 Saxophones, Piano
2
Flûte, Violon, Guitare
2
Flûte, Violon
2
Flûte à bec Soprano, Piano
2
Cor Anglais
2
Flûte à bec Alto
2
Trio de Flûtes: 3 flûtes
2
3 Clarinettes (trio)
2
2 Flûte à bec (duo)
2
Flute (partie séparée)
2
2 Clarinettes, Basson
1
2 Flûtes à bec, Guitare
1
Quintette de Clarinettes: 5 clarinettes
1
Flûte, Clarinette et Basson
1
Flûte, Hautbois, Violon
1
Clarinette, Violon (duo)
1
2 Flûtes traversières, Piano
1
Clarinette Basse
1
Flûte à bec Soprano
1
Flûte à Bec
1
Clarinette, Trompette (duo)
1
Ensemble de Flûtes
1
Flûte à bec, Guitare (duo)
1
Flûte, Saxophone (duo)
1
+ 59 instrumentations
Retracter
Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
43
Trombone et Piano
27
Trompette, Piano
24
Quatuor de Cuivres : 2 trompettes, trombone, tuba
20
Euphonium, Piano (duo)
19
Cor et Piano
18
Quatuor de cuivres: 4 cors
16
Ensemble de Trombones
15
Trompette
14
Cor
13
Quatuor de cuivres: 4 trombones
13
Ensemble de Cors
13
Cor anglais, Piano
11
Quatuor de Cuivres: 2 trompettes, Cor, trombone
11
Trombone
10
Tuba et Piano
9
Quatuor de Cuivres
8
Tuba
8
2 Trompettes (duo)
5
Quatuor de cuivres: 4 trompettes
4
Trompette, Trombone (duo)
3
2 Trompettes, Clavier (piano ou orgue)
2
2 Trombones (duo)
2
2 Cors (duo)
2
Cor Anglais
2
3 Trombones (trio)
2
Trompette, Saxophone (duo)
1
3 Trompettes (trio)
1
Trombone (partie séparée)
1
Euphonium, Tuba (duo)
1
Euphonium
1
Trombone, Orgue
1
Trompette, Cor (duo)
1
4 Tubas
1
+ 29 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
93
Violon et Piano
42
Violoncelle, Piano
37
Alto, Piano
33
Violon
24
Violon, Violoncelle (duo)
17
Violoncelle
11
2 Violons (duo)
9
Harpe
8
Alto seul
7
2 Violoncelles (duo)
6
Quintette à cordes: 2 violons, alto, violoncelle, basse
6
Contre Basse
6
Violon, Guitare (duo)
5
Trio à Cordes: violon, alto, violoncelle
5
Quatuor à cordes : 4 altos
5
4 Violoncelles
5
Quatuor à cordes: 4 violons
4
Contrebasse, Piano (duo)
4
Violon (partie séparée)
3
2 Altos (duo)
3
Violon, Alto (duo)
3
Violoncelle , Guitare (duo)
3
2 Violons, Piano
3
Alto, Guitare (duo)
2
Harpe et Piano
1
Violon, Orgue
1
Trio à Cordes: 2 violons, violoncelle
1
Violoncelle, Contrebasse (duo)
1
Contrebasse (partie séparée)
1
Violoncelle (partie séparée)
1
Alto (partie séparée)
1
+ 27 instrumentations
Retracter
Orchestre & Percussions
Ensemble de cuivres
37
Orchestre à Cordes
24
Orchestre d'harmonie
18
Orchestre de chambre
12
Orchestre
11
Quatuor à Vent : 4 instruments à vents
3
Quintette à cordes : 2 Violons, Alto, Violoncelle, Contrebasse, Clavier
2
Fanfare
1
+ 3 instrumentations
Retracter
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ACCORDEON
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AUTRES INST…
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BANJO
BASSE
BASSON
BATTERIE
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BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
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VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
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TRI ET FILTRES
TRI ET FILTRES
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
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CELTIQUE - IRISH - S…
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CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
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ENFANTS : EVEIL - IN…
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LATIN - BOSSA - WORL…
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MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
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Vous avez sélectionné:
Wagner Romantic
Saxophone Alto et Piano
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Bridal Chorus from Lohengrin - Alto Saxophone & Piano by Richard Wagner - Instrumental Parts
Saxophone Alto et Piano
Richard Wagner - Treulich gefuhrt Digital Sheetmusic plus an interactive, downloadable dig…
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Richard Wagner - Treulich gefuhrt Digital Sheetmusic plus an interactive, downloadable digital sheet music file (this arrangement does not contain lyrics), scoring: Solo & Accompaniment;Instrumental Parts, instruments: Alto Saxophone;Piano Accompaniment; 9 pages -- Classical~~Romantic~~Wedding~~Special Use~~Opera
$5.25
4.83 €
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Saxophone Alto et Piano
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Alto Saxophone & Piano by Richard Wagner
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Musicnotes
Saint-Saëns: The Swan for Alto Sax & Piano
Saxophone Alto et Piano
Alto Saxophone,Piano - Level 3 - Digital Download SKU: A0.1314328 Composed by Camil…
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Alto Saxophone,Piano - Level 3 - Digital Download SKU: A0.1314328 Composed by Camille Saint-Saens. Arranged by James M. Guthrie. 19th Century,Chamber,Contest,Festival,Historic,Romantic Period. Score and part. 11 pages. Jmsgu3 #903072. Published by jmsgu3 (A0.1314328). Saint-Saëns: The Swan (Le Cygne) movement 13 from the Carnival of the Animals Suite. One of his most popular and widely recognized works, it is the only movement from the Carnival Suite that Saint-Saëns permitted to be performed publicly during his lifetime. This is an excellent recital encore to demonstrate melodic playing and strategic phrasing.The Carnival of the AnimalsThe Carnival of the Animals is an entertaining musical suite of fourteen movements by Camille Saint-Saëns. The work was composed for private performance by an ensemble of two pianos and solo instruments. The Swan (No. 13) is among the fourteen most famous movements. In its entirety, it lasts about 25 minutes.Saint-Saëns BackgroundCharles-Camille Saint-Saëns 1835 – 1921) was, by all means, in particular, a famous French composer, brilliant organist, and significant musical mastermind of the Romantic era. Indeed, his most famous compositions, in the long run, include his Piano Concerto No. 2 (1868), Cello Concerto No. 1 (1872), and the Danse macabre (1874). Notwithstanding, we must also add Violin Concerto No. 3 (1880), Symphony No. 3 (the Organ Symphony, 1886), and, it must be remembered, Carnival of the Animals (1886) to the list.ChildhoodIt is essential to realize that Saint-Saëns was undoubtedly, in fact, a child musical prodigy. Consequently, with this in mind, he made his concert debut, albeit at ten years old. Another critical point to remember is that he expressly studied at the Paris Conservatoire, then, despite reality, conversely followed a traditional career path as a church organist. Nevertheless, twenty years later, on the other hand, he left to become a successful freelance pianist and composer despite, as has been noted, his former employment situation. Furthermore, his performances were, after all, markedly in demand - not only in Europe but, above all, in the Americas all in all as well.YouthA point often overlooked is that in his youth, Saint-Saëns was undoubtedly excited about the modern music of the day. He was, in essence, fond of the music of his contemporaries, particularly Schumann, Liszt, and, for the most part, Wagner. In contrast, however, his compositions seemed, in fact, primarily confined within the conservative classical tradition. Be that as it may, he was, at the same time, nevertheless, a scholar of musical history.CriticismOn the whole, his conservatism, in fact, ultimately brought him into frequent conflict in his later years with composers of the impressionist and, in particular, the dodecaphonic schools of musical thought. A point often overlooked is that he included neoclassical elements in his music, contrary to some critics. Furthermore, in so doing, he provided the most compelling evidence that he predicted the techniques and works by Stravinsky and Les Six. To put it another way, given these points, he was regarded, perhaps for the most part unfairly, as a non-progressive reactionary henceforth around the time of his passing.LegacySaint-Saëns taught briefly in Paris, where his students included Gabriel Fauré. Maurice Ravel later studied with Fauré. In conclusion, both Ravel and Fauré were powerfully influenced by Saint-Saëns, whom they respected as a musical mastermind.
$32.95
30.32 €
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Saxophone Alto et Piano
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Camille Saint-Saens
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James M
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Saint-Saëns: The Swan for Alto Sax & Piano
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jmsgu3
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SheetMusicPlus
Wagner - Bridal Chorus in B-flat Major - Intermediate
Saxophone Alto et Piano
Alto Saxophone,Piano - Level 2 - Digital Download SKU: A0.847778 Composed by Richar…
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Alto Saxophone,Piano - Level 2 - Digital Download SKU: A0.847778 Composed by Richard Wagner. Arranged by Piacere Music Sheets. Romantic Period,Standards,Wedding. Score and part. 9 pages. Piacere Music Sheets #6501521. Published by Piacere Music Sheets (A0.847778). Opus/Catalog Number: WWV 75
$6.95
6.4 €
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Saxophone Alto et Piano
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Richard Wagner
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Piacere Music Sheets
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Wagner - Bridal Chorus in B-flat Major - Intermediate
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Piacere Music Sheets
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SheetMusicPlus
Ali Ben Sou Alle: Caprice sur La Prophète de Meyerbeer for alto saxophone and piano
Saxophone Alto et Piano
Alto Saxophone,Piano - Level 3 - Digital Download SKU: A0.533497 Composed by Ali Be…
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Alto Saxophone,Piano - Level 3 - Digital Download SKU: A0.533497 Composed by Ali Ben Sou Alle. Concert,Romantic Period,Standards. Score and part. 19 pages. Musik Fabrik Music Publishing #3000441. Published by Musik Fabrik Music Publishing (A0.533497). Meyerbeer’s Opera Le Prophète was one of the most influential works of the 19th century, inspiring Verdi, Wagner, Liszt andothers with its dramatic score. Caprice sur Le Prophète de Meyerbeer begins with an extended Aria with several cadenzas. The work ends with a Polka in Rondo form which has a brillant variation.One of the most enigmatic figures in the history of Wind Music, Ali Ben Sou Alle (Charles-Valentin Soualle) was born in 1820 in Arras, France. After receiving his first prize in Clarinet at the Paris Conservatory in 1844. he served as the director of music of The French Marine Band in Senegal, and then was named first clarinet solo at the Opéra-Comique in Paris. However, after the Revolution of 1848, Soualle was forced to flee France to England where he settled in London, playing in the Orchestra of the Queen's Theatre. His songs and piano pieces were published in London.While in London, Soualle met another exiled French musician, Louis Antoine Jullien, who conducted a light music series in London. Jullien encouraged Soualle to take up the saxophone, and after modifying the instrument by adding a single octave mechanism (the modern system used today) and keys for the lower register, Soualle became known as a virtuoso and began touring performing solo recitals (or mono-concerts, as they were called at the time) calling his modified saxophone the «turcophone ». He performed in all the European capitals and then traveled to Australia, New Zealand, Manilla, Java, through China and then to India where he finally settled in Mysore, becoming the director of the Royal Music for the Maharadjah. It was during this period that he converted to Islam and changed his nmae to Ali ben Sou Alle (or Ali, son of Soualle). He subsequently travaled to Ile Maurice, to French Polynesia, the Cap of Natal and the Cap of Good Hope. All of these voyages were subjects of musical works which Soualle entitled Souvenirs de... and may perhaps have been part of a collectionknown as The Royal Album which was presented to the Prince of Wales after a royal concert. Soualle returned to Mysore in 1858 and was almost killed in the Indian Revolution.Around 1860, Soualle returned to France for health reasons and began publishing his own music. On March 27 1865, he performed a command performance for the Emperor Napoleon III at the Tuileries Palace in the presence of the entire Imperial Family. After 1865, nothing more is known about him.
$11.95
11 €
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Saxophone Alto et Piano
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Ali Ben Sou Alle
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Ali Ben Sou Alle: Caprice sur La Prophète de Meyerbeer for alto saxophone and piano
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Musik Fabrik Music Publishing
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SheetMusicPlus
Mendelssohn: Wedding March for Alto Sax & Piano
Saxophone Alto et Piano
Alto Saxophone,Piano - Level 3 - Digital Download SKU: A0.549892 Composed by Felix …
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Alto Saxophone,Piano - Level 3 - Digital Download SKU: A0.549892 Composed by Felix Bartholdy Mendelssohn. Arranged by James M. Guthrie, ASCAP. Romantic Period,Standards,Wedding. Score and part. 23 pages. Jmsgu3 #3603399. Published by jmsgu3 (A0.549892). Score: 12 pages, piano part: 6 pages, alto sax part: 4 pages. duration: ca. 5'. This is the famous wedding march from Op. 61 composed in 1842 and commonly performed as a recessional march at the end of a wedding. The piece was originally composed for orchestra then arranged for organ and performed by Mendelssohn himself.Mendelssohn: Wedding March Mendelssohn’s Wedding March is so popular that it’s difficult to imagine a wedding without it. It seems like it’s been around for eternity. In any case, it was only 150 years or so ago that the Wedding March came about. It was performed in Potsdam for the first time in 1842, as a piece of Mendelssohn’s music for the Shakespeare play A Midsummer Night’s Dream. It was first used for a wedding in 1858 Mendelssohn Background Felix Mendelssohn (1809 –1847) was, by all means, a German mastermind composer, musician and orchestra conductor of the Romantic period. Consequently, Mendelssohn composed in the usual forms of the time - symphonies, concertos, oratorios, piano music, and chamber music. To summarize, his most famous works include his music for A Midsummer Night's Dream, the Italian Symphony, the Scottish Symphony, The Hebrides Overture, his later Concerto for Violin & Orchestra, and his Octet for Strings. His most well-known piano pieces, by and large, are the Songs Without Words. Artistic Standing Musical tastes change from time to time. Moreover, just such a change occurred in the late 19th and early 20th centuries. This plus rampant antisemitism brought a corresponding amount of undue criticism. Fortunately, however, his artistic inventiveness has indeed been critically re-evaluated. As a result, Mendelssohn is once again among the most prevalent composers of the Romantic era. Early Family Life Mendelssohn was, in fact, born into a prominent Jewish family. His grandfather was, notably, the philosopher Moses Mendelssohn. Felix was, in fact, raised without religion. At the age of seven, he was all of a sudden baptized as a Reformed Christian. He was, moreover, a child musical prodigy. Nevertheless, his parents did not attempt to exploit his talent. Early Adulthood Mendelssohn was, in general, successful in Germany. He conducted, in particular, a revival of the music of Johann Sebastian Bach, specifically with his presentation of the St Matthew Passion in 1829. Felix was truly in demand throughout Europe as a composer, conductor, and soloist. For example, he visited Britain ten times. There, he premiered, namely, many of his major works. His taste in music was. To be sure, inventive and well-crafted yet markedly conservative. This conservatism separated him by all means from more audacious musical colleagues like Liszt, Wagner, and Berlioz. Mendelssohn founded the Leipzig Conservatoire which, to clarify, became a defender of this conservative viewpoint. Mature Adulthood Schumann notably wrote that Mendelssohn was the Mozart of the nineteenth century, the most brilliant musician, the one who most clearly sees through the contradictions of the age and for the first time reconciles them. This observation points to a couple of features in particular that illustrate Mendelssohn's works and his artistic procedure. Musical Features In the first place, his musical style was fixed in his methodical mastery of the style of preceding masters. This being said, he certainly recognized and even developed early romanticism from the music of Beethoven and Weber. Secondly, it indicates that Mendelssohn sought to strengthen his inherited musical legacy rather than to exchange it with new forms and styles or replace it with exotic orchestration. Consequently, he diverged his contemporaries in the romantic period, such as Wagner, Berlioz, and Liszt. Mendelssohn revered Liszt's virtuos.
$32.95
30.32 €
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Saxophone Alto et Piano
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Felix Bartholdy Mendelssohn
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James M
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Mendelssohn: Wedding March for Alto Sax & Piano
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jmsgu3
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SheetMusicPlus
Korsakov: Flight of the Bumblebee for Alto Sax & Piano
Saxophone Alto et Piano
Alto Saxophone,Piano - Level 5 - Digital Download SKU: A0.549254 Composed by Nikola…
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Alto Saxophone,Piano - Level 5 - Digital Download SKU: A0.549254 Composed by Nikolay Andreyevich Rimsky-Korsakov. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Standards. Score and part. 15 pages. Jmsgu3 #3473685. Published by jmsgu3 (A0.549254). Flight of the Bumblebee Flight of the Bumblebee is, to be sure, an orchestral interlude composed by Nikolai Rimsky-Korsakov for his opera The Tale of Tsar Saltan. Of course, Korsakov intended to portray a bumblebee's chaotic flying pattern musically. Nowadays, this piece is one of the comparatively more famous classical works because it frequently appears occasionally in popular culture. The piece appears notably in the opera at the close of Act III, Tableau 1. This is when the magic Swan-Bird changes the Prince (the son of the Tsar) into a bee so he can fly away to visit his father. Interestingly, at this point in the drama, his father, in effect, does not know that he is alive. Korsakov Background Nikolai Rimsky-Korsakov (1844 –1908) was a uniquely famous composer from Russia. He was likewise a member of an infamous assembly of composers called The Five. Korsakov was furthermore an expert in orchestration. His correspondingly most famous orchestral compositions- Capriccio Espagnol, the Russian Easter Festival Overture, and the Scheherazade suite- are essential monuments of the standard music repertoire. Also comparatively very important are his suites and excerpts from his 15 operas. Korsakov used Russian folklore and fairy tales, such as Scheherazade, in his music. Nationalistic Style Like fellow outspoken composer Balakirev, Korsakov believed in creating a nationalistic, Russia-centric style of classical music. The new style was called Orientalism. It similarly relied on native Russian materials, exotic scales, and experimental harmonic, melodic, and rhythmic procedures. This practice, conversely, ran counter to the developments in Western musical culture. Musical Developments Nevertheless, Korsakov developed an appreciation of Western musical techniques after he became a professor of musical composition, harmony, and orchestration at the Saint Petersburg Conservatory in 1871. Moreover, he undertook a rigorous three-year program of self-education. He mastered Western methods, incorporating them with the influences of Mikhail Glinka and other members of The Five. His techniques of composition and orchestration were additionally enriched by his exposure to the works of Richard Wagner. Naval Service Korsakov combined his music career accordingly with a career in the Russian military. He was in the first place an officer in the Russian Navy. In due time, he was appointed a civilian Inspector of Naval Bands. As a result, Korsakov expanded his knowledge of woodwind and brass playing, which heightened his orchestration capabilities. Legacy In due time, Korsakov contributed a significant number of Russian nationalist works. He also prepared, occasionally, compositions by The Five for presentation. This brought their works straightaway into the active classical repertoire as well. He also shaped an entire generation of younger composers as a music educator. Therefore, music historians consider Korsakov the foremost engineer of what the public considers the Russian composition style. He served as a transitional figure between The Five and the classically trained composers who became the norm over time. In addition to the Russians, he influenced non-Russian composers such as Ravel, Debussy, Dukas, and Respighi. Â
$32.95
30.32 €
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Saxophone Alto et Piano
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Nikolay Andreyevich Rimsky-Korsakov
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James M
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Korsakov: Flight of the Bumblebee for Alto Sax & Piano
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jmsgu3
#
SheetMusicPlus
Jupiter Chorale from The Planets - Alto Sax and Piano (Full Score and Parts)
Saxophone Alto et Piano
Alto Saxophone,Piano - Level 3 - Digital Download SKU: A0.1333880 Composed by Gusta…
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Alto Saxophone,Piano - Level 3 - Digital Download SKU: A0.1333880 Composed by Gustav Holst. Arranged by César Madeira. 19th Century,20th Century,Children,Classical,Romantic Period. Score and part. 7 pages. Sheet Music To Play Editions #920159. Published by Sheet Music To Play Editions (A0.1333880). Jupiter Chorale from The Planets, Op.32 by Gustav Holst. Arrangement for Alto Sax and Piano. With Full Score and Individual Parts. Enjoy it!Gustav Holst (1874 – 1934) was an English composer, arranger and teacher. Best known for his orchestral suite The Planets, he composed many other works across a range of genres, although none achieved comparable success. His distinctive compositional style was the product of many influences, Richard Wagner and Richard Strauss being most crucial early in his development.For Tutorials, Play Alongs or request New Arrangements, visit the YouTube Channel: Sheet Music To Play
$6.99
6.43 €
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Saxophone Alto et Piano
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Gustav Holst
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César Madeira
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Jupiter Chorale from The Planets - Alto Sax and Piano
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Sheet Music To Play Editions
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SheetMusicPlus
Ali Ben Sou Alle: Fantaisie sur Robert le Diable for alto saxophone and piano
Saxophone Alto et Piano
Alto Saxophone,Piano - Level 4 - Digital Download SKU: A0.533499 Composed by Ali Be…
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Alto Saxophone,Piano - Level 4 - Digital Download SKU: A0.533499 Composed by Ali Ben Sou Alle. Concert,Romantic Period,Standards. Score and part. 28 pages. Musik Fabrik Music Publishing #3000445. Published by Musik Fabrik Music Publishing (A0.533499). Meyerbeer’s Opera Le Prophète was one of the most influential works of the 19th century, inspiring Verdi, Wagner, Liszt and others with its dramatic score. Caprice sur Le Prophète de Meyerbeer begins with an extended Aria with several cadenzas. The work ends with a Polka in Rondo form which has a brillant variation.One of the most enigmatic figures in the history of Wind Music, Ali Ben Sou Alle (Charles-Valentin Soualle) was born in 1820 in Arras, France. After receiving his first prize in Clarinet at the Paris Conservatory in 1844. he served as the director of music of The French Marine Band in Senegal, and then was named first clarinet solo at the Opéra-Comique in Paris. However, after the Revolution of 1848, Soualle was forced to flee France to England where he settled in London, playing in the Orchestra of the Queen's Theatre. His songs and piano pieces were published in London.While in London, Soualle met another exiled French musician, Louis Antoine Jullien, who conducted a light music series in London. Jullien encouraged Soualle to take up the saxophone, and after modifying the instrument by adding a single octave mechanism (the modern system used today) and keys for the lower register, Soualle became known as a virtuoso and began touring performing solo recitals (or mono-concerts, as they were called at the time) calling his modified saxophone the «turcophone ». He performed in all the European capitals and then traveled to Australia, New Zealand, Manilla, Java, through China and then to India where he finally settled in Mysore, becoming the director of the Royal Music for the Maharadjah. It was during this period that he converted to Islam and changed his nmae to Ali ben Sou Alle (or Ali, son of Soualle). He subsequently travaled to Ile Maurice, to French Polynesia, the Cap of Natal and the Cap of Good Hope. All of these voyages were subjects of musical works which Soualle entitled Souvenirs de... and may perhaps have been part of a collectionknown as The Royal Album which was presented to the Prince of Wales after a royal concert. Soualle returned to Mysore in 1858 and was almost killed in the Indian Revolution.Around 1860, Soualle returned to France for health reasons and began publishing his own music. On March 27 1865, he performed a command performance for the Emperor Napoleon III at the Tuileries Palace in the presence of the entire Imperial Family. After 1865, nothing more is known about him.
$19.95
18.36 €
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Saxophone Alto et Piano
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Ali Ben Sou Alle
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Ali Ben Sou Alle: Fantaisie sur Robert le Diable for alto saxophone and piano
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Musik Fabrik Music Publishing
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SheetMusicPlus
Bridal March
Saxophone Alto et Piano
Alto Saxophone,Piano - Level 2 - Digital Download SKU: A0.639128 Composed by Richar…
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Alto Saxophone,Piano - Level 2 - Digital Download SKU: A0.639128 Composed by Richard Wagner. Arranged by Kaiserin Rebecca. Instructional,Romantic Period,Standards,Wedding. Score and part. 2 pages. Kaiserin Rebecca #3407317. Published by Kaiserin Rebecca (A0.639128). For alto saxophone solo and piano accompaniment with chords.Key: B flat majorDuration: 1'27.
$4.99
4.59 €
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Saxophone Alto et Piano
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Richard Wagner
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Kaiserin Rebecca
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Bridal March
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Kaiserin Rebecca
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SheetMusicPlus
Tchaikovsky: Arabian Dance from Nutcracker Suite for Alto Sax & Piano
Saxophone Alto et Piano
Alto Saxophone,Piano - Level 3 - Digital Download SKU: A0.549750 Composed by Peter …
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Alto Saxophone,Piano - Level 3 - Digital Download SKU: A0.549750 Composed by Peter Ilyich Tchaikovsky. Arranged by James M. Guthrie, ASCAP. Children,Christmas,Romantic Period,Standards. Score and part. 17 pages. Jmsgu3 #3532695. Published by jmsgu3 (A0.549750). Duration: ca. 3:15 Score: 10 pages, solo part: 2 pages, piano part: 4 pages. Tchaikovsky paints a very mysterious mood in this favorite masterpiece from the Nutcracker Suite. It is also a Christmas favorite. Pyotr Ilyich Tchaikovsky Tchaikovsky is probably the most popular of the great composers in America. His music certainly appeals to musicians. Likewise, it appeals even to folks who don’t normally listen to serious music. This is probably because of his most noteworthy melodies. Above all, he writes with great emotion. This certainly makes a most noteworthy if not an unforgettable impact. Education First of all, He attended classes at the Russian Musical Society. Even more, He also attended the St. Petersburg Conservatory. There he studied music theory with Nikolai Zaremba. He also consequently studied composition with Anton Rubenstein. It seems like Rubenstein came under criticism from a group of Russian composers known as the Five. The Five The Five certainly rejected Western musical influences. They rather sought to use elements from Russian music. They furthermore wanted to use more exotic musical materials. Western Techniques More than other Russian composers, Tchaikovsky studied modern Western music. He certainly develops his music like the European masters. So, rather than repeating a motive, he moves to a new key. He then introduces a different theme in the new key. Hence, he maintained his independence from the Five. Even more, he became the first Russian composer of international stature. Influences Tchaikovsky was probably influenced in his ballet scoring by Léo Delibes. Richard Wagner influenced his symphonic writing. Tchaikovsky’s most famous works include the 1812 Overture, The Nutcracker Suite, and Swan Lake. Also famous are the Violin Concerto in D and the six symphonies. The greatest of the six symphonies may be No. 6, the Pathétique. Nutcracker Suite, Op. 71a The Nutcracker Suite is a ballet that was performed for the first time in December 1892 in St. Petersburg. To begin with, the original ballet failed to attract a positive reception. However, the ballet suite became probably one of the most popular of all of Tchaikovsky’s works. The ballet suite became even more famous in the 1960s. It is now performed all over the world, particularly during the Christmas season.
$32.95
30.32 €
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Saxophone Alto et Piano
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Peter Ilyich Tchaikovsky
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James M
#
Tchaikovsky: Arabian Dance from Nutcracker Suite for Alto Sax & Piano
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jmsgu3
#
SheetMusicPlus
Wedding March (Bridal Chorus) - Alto Sax and Piano (Full Score and Parts)
Saxophone Alto et Piano
Alto Saxophone,Piano - Level 2 - Digital Download SKU: A0.1283626 Composed by Richa…
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Alto Saxophone,Piano - Level 2 - Digital Download SKU: A0.1283626 Composed by Richard Wagner. Arranged by César Madeira. 19th Century,Children,Classical,Multicultural,Romantic Period,World. Score and part. 8 pages. Sheet Music To Play Editions #874818. Published by Sheet Music To Play Editions (A0.1283626). Wedding March (Bridal Chorus from Lohengrin) by Wagner. Arrangement for Alto Sax and Piano. With Full Score and Individual Parts. Enjoy it!Richard Wagner (1813 – 1883) was a German composer, theatre director, polemicist, and conductor who is chiefly known for his operas. His major works included The Flying Dutchman, Tannhäuser, Lohengrin, Tristan und Isolde, Parsifal, and his great tetralogy, The Ring of the Nibelung.For Tutorials, Play Alongs or request New Arrangements, visit the YouTube Channel: Sheet Music To Play
$6.99
6.43 €
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Saxophone Alto et Piano
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Richard Wagner
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César Madeira
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Wedding March
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Sheet Music To Play Editions
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SheetMusicPlus
Bridal Chorus "Here Comes The Bride" for Alto Saxophone and Piano
Saxophone Alto et Piano
Alto Saxophone,Piano - Level 2 - Digital Download SKU: A0.1161771 Composed by Richa…
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Alto Saxophone,Piano - Level 2 - Digital Download SKU: A0.1161771 Composed by Richard Wagner. Arranged by David Burndrett. Romantic Period. Score and part. 5 pages. David Burndrett #762150. Published by David Burndrett (A0.1161771). This is an easy arrangement of the Bridal Chorus for alto saxophone and piano. Download includes the score and both of the parts.
$4.95
4.56 €
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Saxophone Alto et Piano
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Richard Wagner
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David Burndrett
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Bridal Chorus "Here Comes The Bride" for Alto Saxophone and Piano
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David Burndrett
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SheetMusicPlus
Tchaikovsky: Scene 10 from Swan Lake for Alto Sax & Piano
Saxophone Alto et Piano
Alto Saxophone,Piano - Level 3 - Digital Download SKU: A0.549597 Composed by Peter …
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Alto Saxophone,Piano - Level 3 - Digital Download SKU: A0.549597 Composed by Peter Ilyich Tchaikovsky. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Standards. Score and part. 16 pages. Jmsgu3 #3512825. Published by jmsgu3 (A0.549597). Duration: 2:30, score: 8 pages, solo part: 2 pages, piano part: 5 pages. A well-known favorite masterpiece suitable for a recital or school program. Pyotr Ilyich Tchaikovsky Tchaikovsky is probably the most popular of the great composers in America. His music certainly appeals to musicians. Likewise, it appeals even to folks who don’t normally listen to serious music. This is probably because of his most noteworthy melodies. Above all, he writes with great emotion. This certainly makes a most noteworthy if not an unforgettable impact. Education First of all, He attended classes at the Russian Musical Society. Even more, He also attended the St. Petersburg Conservatory. There he studied music theory with Nikolai Zaremba. He also consequently studied composition with Anton Rubenstein. It seems like Rubenstein came under criticism from a group of Russian composers known as the Five. The Five The Five certainly rejected Western musical influences. They rather sought to use elements from Russian music. They furthermore wanted to use more exotic musical materials. Western Techniques More than other Russian composers, Tchaikovsky studied modern Western music. He certainly develops his music like the European masters. So, rather than repeating a motive, he moves to a new key. He then introduces a different theme in the new key. Hence, he maintained his independence from the Five. Even more, he became the first Russian composer of international stature. Influences Tchaikovsky was probably influenced in his ballet scoring by Léo Delibes. Richard Wagner influenced his symphonic writing. Tchaikovsky’s most famous works include the 1812 Overture, The Nutcracker Suite, and Swan Lake. Also famous are the Violin Concerto in D and the six symphonies. The greatest of the six symphonies may be No. 6, the Pathétique. Swan Lake Op. 20 Tchaikovsky composed Swan Lake in 1875-76. To begin with, most noteworthy the ballet failed to attract a positive reception. Over time, however, the ballet became probably one of the most popular of all of Tchaikovsky’s works. The ballet was certainly first performed by the Bolshoi Ballet in Moscow.
$32.95
30.32 €
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Saxophone Alto et Piano
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Peter Ilyich Tchaikovsky
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James M
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Tchaikovsky: Scene 10 from Swan Lake for Alto Sax & Piano
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jmsgu3
#
SheetMusicPlus
Mendelssohn: Song Without Words Op. 109 for Alto Sax & Piano
Saxophone Alto et Piano
Alto Saxophone,Piano - Level 3 - Digital Download SKU: A0.549489 Composed by Felix …
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Alto Saxophone,Piano - Level 3 - Digital Download SKU: A0.549489 Composed by Felix Bartholdy Mendelssohn. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and part. 20 pages. Jmsgu3 #3500661. Published by jmsgu3 (A0.549489). ALTO SAX & PIANO - Score: 11 pages, solo part: 3 pages, piano part: 5 pages. Duration: 4:20. This is a popular recital piece that would work well also in church or school programs. Mendelssohn Background Felix Mendelssohn (1809 –1847) was, by all means, a German mastermind composer, musician, and orchestra conductor of the Romantic period. Consequently, Mendelssohn composed in the usual forms of the time - symphonies, concertos, oratorios, piano music, and chamber music. To summarize, his most famous works include his music for A Midsummer Night's Dream, the Italian Symphony, the Scottish Symphony, The Hebrides Overture, his later Concerto for Violin & Orchestra, and his Octet for Strings. His most well-known piano pieces, by and large, are the Songs Without Words. Artistic Standing  Musical tastes change from time to time. Moreover, just such a change occurred in the late 19th and early 20th centuries. This plus rampant antisemitism brought a corresponding amount of undue criticism. Fortunately, however, his artistic inventiveness has indeed been critically re-evaluated. As a result, Mendelssohn is once again among the most prevalent composers of the Romantic era. Early Family Life Mendelssohn was, in fact, born into a prominent Jewish family. His grandfather was, notably, the philosopher Moses Mendelssohn. Felix was, in fact, raised without religion. At the age of seven, he was suddenly baptized as a Reformed Christian. He was, moreover, a child musical prodigy. Nevertheless, his parents did not attempt to exploit his talent. Early Adulthood Mendelssohn was, in general, successful in Germany. He conducted, in particular, a revival of the music of Johann Sebastian Bach, specifically with his presentation of the St Matthew Passion in 1829. Felix was truly in demand throughout Europe as a composer, conductor, and soloist. For example, he visited Britain ten times. There, he premiered, namely, many of his significant works. His taste in music was. To be sure, inventive and well-crafted yet markedly conservative. This conservatism separated him by all means from more audacious musical colleagues like Liszt, Wagner, and Berlioz. Mendelssohn founded the Leipzig Conservatoire which, to clarify, became a defender of this conservative viewpoint. Mature Adulthood Schumann notably wrote that Mendelssohn was the Mozart of the nineteenth century, the most brilliant musician, the one who most clearly sees through the contradictions of the age and for the first time reconciles them. This observation points to a couple of features in particular that illustrate Mendelssohn's works and his artistic procedure. Musical Features In the first place, his musical style was fixed in his systematic mastery of the style of preceding masters. This being said, he certainly recognized and even developed early romanticism from the music of Beethoven and Weber. Secondly, it indicates that Mendelssohn sought to strengthen his inherited musical legacy rather than to exchange it with new forms and styles or replace it with exotic orchestration. Consequently, he diverged his contemporaries in the romantic period, such as Wagner, Berlioz, and Liszt. Mendelssohn revered Liszt's virtuosity at the keyboard but found his music rather insubstantial.
$32.95
30.32 €
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Saxophone Alto et Piano
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Felix Bartholdy Mendelssohn
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James M
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Mendelssohn: Song Without Words Op. 109 for Alto Sax & Piano
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jmsgu3
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SheetMusicPlus
Tchaikovsky: Chinese Dance from Nutcracker Suite for Alto Sax & Piano
Saxophone Alto et Piano
Alto Saxophone,Piano - Level 3 - Digital Download SKU: A0.549772 Composed by Peter …
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Alto Saxophone,Piano - Level 3 - Digital Download SKU: A0.549772 Composed by Peter Ilyich Tchaikovsky. Arranged by James M. Guthrie, ASCAP. Children,Christmas,Romantic Period,Standards. Score and part. 11 pages. Jmsgu3 #3534981. Published by jmsgu3 (A0.549772). Duration: ca 1:00 Score: 5 pages, Solo part: 2 pages, piano part: 3 pages. Short but fascinating Chinese Dance from the Nutcracker Suite. Program this for a recital encore or Christmas pageant. Pyotr Ilyich Tchaikovsky Tchaikovsky is probably the most popular of the great composers in America. His music certainly appeals to musicians. Likewise, it appeals even to folks who don’t normally listen to serious music. This is probably because of his most noteworthy melodies. Above all, he writes with great emotion. This certainly makes a most noteworthy if not an unforgettable impact. Education First of all, He attended classes at the Russian Musical Society. Even more, He also attended the St. Petersburg Conservatory. There he studied music theory with Nikolai Zaremba. He also consequently studied composition with Anton Rubenstein. It seems like Rubenstein came under criticism from a group of Russian composers known as the Five. The Five The Five certainly rejected Western musical influences. They rather sought to use elements from Russian music. They furthermore wanted to use more exotic musical materials. Western Techniques More than other Russian composers, Tchaikovsky studied modern Western music. He certainly develops his music like the European masters. So, rather than repeating a motive, he moves to a new key. He then introduces a different theme in the new key. Hence, he maintained his independence from the Five. Even more, he became the first Russian composer of international stature. Influences Tchaikovsky was probably influenced in his ballet scoring by Léo Delibes. Richard Wagner influenced his symphonic writing. Tchaikovsky’s most famous works include the 1812 Overture, The Nutcracker Suite, and Swan Lake. Also famous are the Violin Concerto in D and the six symphonies. The greatest of the six symphonies may be No. 6, the Pathétique. Nutcracker Suite, Op. 71a The Nutcracker Suite is a ballet that was performed for the first time in December 1892 in St. Petersburg. To begin with, the original ballet failed to attract a positive reception. However, the ballet suite became probably one of the most popular of all of Tchaikovsky’s works. The ballet suite became even more famous in the 1960s. It is now performed all over the world, particularly during the Christmas season.
$32.95
30.32 €
#
Saxophone Alto et Piano
#
Peter Ilyich Tchaikovsky
#
James M
#
Tchaikovsky: Chinese Dance from Nutcracker Suite for Alto Sax & Piano
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jmsgu3
#
SheetMusicPlus
Bridal March, "Here Comes The Bride", for Solo Alto Saxophone and Piano
Saxophone Alto et Piano
Alto Saxophone,Piano - Level 3 - Digital Download SKU: A0.587578 Composed by Richar…
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Alto Saxophone,Piano - Level 3 - Digital Download SKU: A0.587578 Composed by Richard Wagner. Arranged by David McKeown. Concert,Instructional,Romantic Period,Standards,Wedding. Score and part. 5 pages. David McKeown #4365478. Published by David McKeown (A0.587578). The Bridal March was written by Richard Wagner in 1850, scored for orchestra and chorus, and opening the third act of his opera, Lohingren. It is best known in the English-speaking world as Here Comes the Bride. Queen Victoria’s daughter used the music for her marriage in 1858, and its popularity has endured ever since. This version is arranged as a solo for Alto Saxophone and Piano.Musicians at an intermediate level and above will find this ideal for formal and informal performances, especially at weddings. The melody is mainly in the solo part. The performance time is a little more than one minute. The short sample here and the full length version on the youtube link are from the Clarinet version of this arrangement.Teachers will enjoy using this arrangement as a fun way to help with phrasing and expressive playing. The rhythms are straightforward though there are unexpected accidentals in the middle section which might pose a challenge for finger coordination and reading. There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$4.60
4.23 €
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Saxophone Alto et Piano
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Richard Wagner
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David McKeown
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Bridal March, "Here Comes The Bride", for Solo Alto Saxophone and Piano
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David McKeown
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SheetMusicPlus
Album Leaf
Saxophone Alto et Piano
Alto Saxophone,Piano - Level 3 - Digital Download SKU: A0.647523 Composed by Richar…
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Alto Saxophone,Piano - Level 3 - Digital Download SKU: A0.647523 Composed by Richard Wagner. Arranged by Nick Lacanski. Romantic Period. Score and part. 12 pages. Theupperstaff #1936221. Published by theupperstaff (A0.647523). Album Leaf is a beautiful and intimate setting for alto sax and piano full of Wagnerisms. This is a solid choice for the upcoming recital. Thanks for taking a look.
$4.99
4.59 €
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Saxophone Alto et Piano
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Richard Wagner
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Nick Lacanski
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Album Leaf
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theupperstaff
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SheetMusicPlus
Bridal Chorus (Wedding March): Alto Sax and Piano
Saxophone Alto et Piano
Alto Saxophone,Piano - Level 3 - Digital Download SKU: A0.522589 Composed by Richar…
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Alto Saxophone,Piano - Level 3 - Digital Download SKU: A0.522589 Composed by Richard Wagner. Arranged by John A. Dempsey. Contemporary,Film/TV,Romantic Period,Traditional,Wedding. Score and part. 6 pages. John A. Dempsey #1749137. Published by John A. Dempsey (A0.522589). In this sparkling alto sax and piano arrangement, the sax has the melody; the piano part is varied and embellished. Â A romantic reimagining of traditional music recommended for a once-in-a-lifetime wedding day, this arrangement is also versatile in terms of length: if a shorter rendition is required, simply end at the first chord of measure 13. Concert Key (Piano): F major. Â Alto Sax Key: D major. Â 4 pages of music (that includes a one-page alto sax part).
$6.99
6.43 €
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Saxophone Alto et Piano
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Richard Wagner
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John A
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Bridal Chorus
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John A. Dempsey
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SheetMusicPlus
The Wedding Album, for Solo Alto Saxophone and Piano
Saxophone Alto et Piano
Alto Saxophone,Piano - Level 3 - Digital Download SKU: A0.587624 Composed by Variou…
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Alto Saxophone,Piano - Level 3 - Digital Download SKU: A0.587624 Composed by Various. Arranged by David McKeown. Baroque,Concert,Romantic Period,Standards,Wedding. Score and part. 24 pages. David McKeown #4594683. Published by David McKeown (A0.587624). The Wedding Album is a collection of four beautiful and timeless wedding favourites, arranged for Solo Alto Saxophone with Piano accompaniment. Whether for that Special Day, for a recital, or for your own entertainment, these arrangements are ideal for players at an intermediate level or higher. The 24-page file includes the piano accompaniments and the separate solo parts at the end. Ave Maria was written by Franz Schubert in 1825 as the sixth song in his song cycle based on Walter Scott’s poem The Lady of the Lake. It is perhaps the best known of all his melodies, adapted for piano by Franz Liszt, and for orchestra many times since. It is often sung with the Latin lyrics of the Catholic hymn of the same name and has been heard everywhere from the Disney movie Fantasia to the funeral of J.F. Kennedy. The Bridal March was written by Richard Wagner in 1850, scored for orchestra and chorus, and opening the third act of his opera, Lohingren. It is best known in the English-speaking world as Here Comes the Bride. Queen Victoria’s daughter used the music for her marriage in 1858, and its popularity has endured ever since.The Prince of Denmark’s March is better known nowadays as the Trumpet Voluntary and is often used in wedding ceremonies. It was in fact written for organ, with the melody played on thetrumpet stop. Written around 1700, for many years this piece was mistakenly attributed to Henry Purcell. Only recently has it been established that the composer was Jeremiah Clarke, organist at St Paul’s Cathedral. It is somewhat ironic that this composer of a wedding mainstay was himself a victim of unrequited love. He consequently shot himself in the cathedral graveyard. Felix Mendelssohn’s Wedding March was originally written in 1842 as incidental music to Shakespeare’s famousplay, Midsummer Night’s Dream. When Queen Victoria’s daughter used the music for her marriage in 1858, it became instantly popular and has remained a wedding favourite ever since.These four arrangements are also available as single titles for $3.99 each. You can find these along with many more top quality arrangements and compositions by David McKeown at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$9.99
9.19 €
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Saxophone Alto et Piano
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Various
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David McKeown
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The Wedding Album, for Solo Alto Saxophone and Piano
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David McKeown
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SheetMusicPlus
Bridal Chorus (Here Comes the Bride) for Solo Alto Sax and Piano
Saxophone Alto et Piano
Alto Saxophone,Piano - Level 3 - Digital Download SKU: A0.694351 Composed by Richar…
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Alto Saxophone,Piano - Level 3 - Digital Download SKU: A0.694351 Composed by Richard Wagner. Arranged by B. C. Dockery. Classical,Romantic Period,Wedding. Score and part. 6 pages. Ben Dockery #6369125. Published by Ben Dockery (A0.694351). Perhaps the most well-known wedding processional, Richard Wagner's Bridal Chorus from Lohengrin is arranged for solo alto sax with piano accompaniment.
$3.99
3.67 €
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Saxophone Alto et Piano
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Richard Wagner
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B
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Bridal Chorus
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Ben Dockery
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SheetMusicPlus
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