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ACCORDEON
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AUTOHARPE
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CHORALE - CHAN…
CITHARE
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CLARINETTE
CLAVECIN
CLOCHES
COR
CORNEMUSE
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FLUTE A BEC
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FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
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MARIMBA
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ORCHESTRE
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Non classifié
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PIANO & CLAVIERS
Piano seul
990
Orgue
292
Piano, Voix
121
Piano Facile
90
Piano, Voix et Guitare
88
1 Piano, 4 mains
68
2 Pianos, 4 mains
50
Instruments en Do
38
Piano Quatuor: piano, violon, alto, violoncelle
18
Piano Trio: piano, violon, violoncelle
15
Piano Quintette: piano, 2 violons, alto, violoncelle
6
Orgue, Piano (duo)
3
Accordéon
3
Orgue, Trompette (duo)
2
Accompagnement Piano
2
Piano Quatuor: piano, 2 violons, violoncelle
2
2 Pianos, 8 mains
1
Clavecin
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GUITARES
Guitare
107
Guitare notes et tablatures
45
Piano, Guitare (duo)
43
2 Guitares (duo)
31
Ligne De Mélodie, (Paroles) et Accords
23
4 Guitares (Quatuor)
13
Ukulele
5
Ensemble de guitares
4
3 Guitares (trio)
3
Dulcimer
2
Guitare, Violon, Violoncelle (trio)
2
Basse electrique
2
Banjo
2
Ensemble de Ukulélés
1
Guitare (partie séparée)
1
2 Ukuleles
1
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VOIX
Chorale SATB
281
Chorale 3 parties
80
Chorale TTBB
75
Chorale Unison
41
Chorale 2 parties
28
Chorale SSAA
26
Voix Soprano, Piano
12
Voix duo, Piano
6
Voix duo
5
Voix moyenne, Piano
4
Voix haute
4
Voix Alto, Piano
3
Voix basse, Piano
2
Voix Soprano
2
Voix Tenor
1
Voix, Guitare
1
Voix basse
1
Soli, choeur mixte et accompagnement
1
Voix Mezzo-Soprano, Piano
1
Chorale SSAATTBB
1
Chorale SSAB, Piano
1
Voix seule
1
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VENTS
Quatuor de Saxophones: 4 saxophones
393
Quatuor de Clarinettes: 4 clarinettes
335
Flûte traversière et Piano
164
Quatuor de Flûtes : 4 flûtes
163
Hautbois, Piano (duo)
136
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
127
Saxophone Alto et Piano
116
Saxophone Tenor et Piano
99
Clarinette et Piano
98
Clarinette
93
2 Saxophones (duo)
77
Flûte, Hautbois, Clarinette, Basson
68
2 Flûtes traversières (duo)
57
Saxophone Soprano et Piano
51
Flûte traversière
46
Saxophone (partie séparée)
42
Ensemble de Clarinettes
40
Quintette de Saxophone: 5 saxophones
36
2 Clarinettes (duo)
36
Saxophone Alto
33
Saxophone Baryton, Piano
31
Quintette de Clarinettes: 5 clarinettes
29
3 Saxophones (trio)
26
4 Hautbois
23
Hautbois (partie séparée)
19
Cor anglais, Piano
18
Clarinette Basse, Piano
18
2 Hautbois (duo)
18
Ensemble de Flûtes
18
Ensemble de saxophones
16
Hautbois, Basson (duo)
15
Flûte, Violoncelle
13
Clarinette, Basson (duo)
13
Trio de Flûtes: 3 flûtes
12
Flûte, Clarinette (duo)
12
Flûte, Violon
11
Quatuor de Flûtes à bec
11
2 Flûte à bec (duo)
9
Clarinette, Guitare (duo)
9
Flûte, Hautbois (duo)
9
Flûte, Saxophone (duo)
9
3 Clarinettes (trio)
8
Flûte et Guitare
8
Clarinette (partie séparée)
8
Saxophone Tenor
7
Clarinette, Violoncelle (duo)
7
Flûte, Clarinette et Basson
6
Hautbois, Clarinette (duo)
6
Saxophone, Clarinette (duo)
5
Flûte, Trombone (duo)
4
Clarinette, Trompette (duo)
4
Clarinette, Violon (duo)
4
Quintette de Flûte : 5 flûtes
4
Flûte, Violoncelle, Piano (trio)
4
Hautbois, Violoncelle
3
Flûte, Alto (duo)
3
Flûte, Hautbois, Basson
3
Saxophone, Violon (duo)
3
Clarinette et Alto
3
Hautbois, violon (duo)
3
Hautbois, Flûte
3
Piccolo, Piano
3
Hautbois, Clarinette, Basson (trio d'anches)
3
Flûte, Violon, Violoncelle et Piano
2
Flûte à bec Soprano
2
2 Saxophones, Piano
2
Flûte, Violon et Violoncelle
2
Flûte à Bec
2
5 Flûtes à bec
2
Flute (partie séparée)
2
Hautbois
2
Flûte, Trompette (duo)
2
Flûte, Hautbois, Clarinette (trio)
2
3 Flûtes à bec (trio)
2
2 Cors Anglais Et Pianoforte
1
Flûte à bec, Guitare (duo)
1
Clarinette, Trombone (duo)
1
Ensemble De Flûte à bec
1
3 Hautbois
1
2 Clarinettes, Basson
1
Flûte à bec Soprano, Piano
1
Clarinette, Harpe (duo)
1
Flûte, Clarinette, Cor, Basson (Quartet)
1
2 Clarinettes, Piano
1
Flûte traversière, Basse continue
1
Piccolo
1
Cor Anglais
1
Flûte à bec Tenor
1
Clarinette, Contrebasse (duo)
1
2 Flûtes traversières, Piano
1
Ensemble de Hautbois
1
Flûte à bec Alto, Piano
1
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CUIVRES
Trombone et Piano
121
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
118
Quatuor de cuivres: 4 trombones
106
Trompette, Piano
78
Trompette
76
Quatuor de Cuivres : 2 trompettes, trombone, tuba
64
Cor et Piano
50
Quatuor de cuivres: 4 cors
45
Euphonium, Piano (duo)
36
4 Tubas
34
Quatuor de Cuivres: 2 trompettes, Cor, trombone
32
Quatuor de cuivres: 4 trompettes
29
2 Cors (duo)
26
2 Trombones (duo)
25
Tuba et Piano
24
Trompette (partie séparée)
21
Cor anglais, Piano
18
2 Trompettes (duo)
17
Quatuor de Cuivres
16
Ensemble de Trombones
15
Ensemble de Trompettes
14
Trombone
14
Trombone (partie séparée)
14
Cor
12
Trompette, Trombone (duo)
12
3 Trombones (trio)
8
Trompette, Violoncelle (duo)
8
Tuba
8
Trompette, Saxophone (duo)
8
Trompette, violon (duo)
6
Euphonium, Tuba (duo)
6
3 Cors (trio)
5
Trio de Cuivres
5
2 Tubas (duo)
5
Euphonium
4
2 Euphoniums et 2 Tubas
4
3 Trompettes (trio)
4
2 Euphoniums (duo)
3
Trombone, Tuba (duo)
3
Ensemble de Cors
3
Cor, Violoncelle (duo)
3
Trompette, Cor (duo)
2
Cor, Tuba (duo)
2
Trombone basse
2
Cor (partie séparée)
2
2 Cors Anglais Et Pianoforte
1
Cor et Orgue
1
Trombone basse et Piano
1
Cor Anglais
1
Ensemble de Tubas
1
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CORDES
Quatuor à cordes: 2 violons, alto, violoncelle
322
Violon et Piano
161
Violoncelle, Piano
143
Alto, Piano
132
4 Violoncelles
63
Violon
61
Violon, Violoncelle (duo)
54
2 Violons (duo)
48
Violoncelle (partie séparée)
37
Violon, Alto (duo)
36
Trio à Cordes: violon, alto, violoncelle
36
Quatuor à cordes : 4 altos
35
Quatuor à cordes: 4 violons
35
Alto seul
32
2 Violoncelles (duo)
26
2 Altos (duo)
26
Harpe
18
4 Contrebasses
18
Violoncelle, Contrebasse (duo)
16
Violoncelle
15
Contrebasse, Piano (duo)
14
Alto, Violoncelle (duo)
12
Violon, Guitare (duo)
11
Alto (partie séparée)
11
Alto, Guitare (duo)
10
Violoncelle , Guitare (duo)
8
Contre Basse
6
Trio à Cordes: 2 violons, alto
6
Quintette à cordes: 2 violons, alto, violoncelle, basse
5
2 Contrebasses (duo)
5
Trio à Cordes: 3 violoncelles
5
Trio à Cordes: 2 violons, violoncelle
5
Trio à cordes: 3 violins
4
Violon (partie séparée)
4
Harpe, Flûte (duo)
3
Trio à cordes: 3 altos
3
3 Contrebasses
2
Trio à cordes
2
Contrebasse (partie séparée)
2
4 Harpes
2
Violoncelle, Orchestre
2
Harpe, Violon (duo)
1
Ensemble de Violons
1
Quintette à cordes: 2 violons, 2 altos, violoncelle
1
Ensemble d'Altos
1
Alto et Basson
1
Piano Trio: Violon, Alto, Piano
1
Violoncelle, Basse continue
1
Ensemble de Violoncelles
1
Harpe et mandoline
1
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PERCUSSIONS & ORCHESTRES
Orchestre d'harmonie
240
Orchestre à Cordes
157
Ensemble de cuivres
115
Orchestre
83
Orchestre de chambre
69
Ensemble Jazz
42
Jazz combo
26
Cloches
20
Ensemble de Percussions
15
Fanfare
6
Vibraphone
5
Batterie
4
Marimba
4
Percussion (partie séparée)
3
3 Marimbas
2
2 Marimbas
1
Xylophone, Piano
1
Piano et Orchestre
1
Timbales (partie séparée)
1
Batterie (partie séparée)
1
Orchestre, Violon
1
Instrumentations suivantes
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Saxophone Alto et Piano
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Vivaldi: Sonata No. 4 for Alto Sax & Piano
Saxophone Alto et Piano
Alto Saxophone,Piano - Level 3 - Digital Download SKU: A0.550483 Composed by Antoni…
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Alto Saxophone,Piano - Level 3 - Digital Download SKU: A0.550483 Composed by Antonio Vivaldi. Arranged by James M. Guthrie, ASCAP. Baroque,Christmas,Easter,Standards. Score and part. 21 pages. Jmsgu3 #4641559. Published by jmsgu3 (A0.550483). Sonata da Chiesa No. 4 in Bb Major for Alto Sax & Piano by Antonio Vivaldi in Four movements. Duration: ca. 14:41. Score: 15 pages.Antonio Vivaldi was an Italian composer and violinist in the Baroque period, who is widely considered to be one of the greatest composers of all time. He was a major influence on many other composers of the Baroque era, and his influence can still be felt in music today.Vivaldi's most important contribution to music history was his development of the sonata da chiesa, or church sonata. This form of composition was a variation on the Baroque sonata, and was used primarily in sacred music. It was characterized by a more lyrical approach to composition, with a focus on melody and harmonic structure. Vivaldi was one of the first composers to make use of this form, and his works set the standard for future composers. His church sonatas were written in a wide variety of keys and styles, and their influence can be heard in the works of later composers, such as J.S. Bach and Handel.Vivaldi's influence on music history is far-reaching, and his contributions to the development of the sonata da chiesa are among his most important. His compositions are still widely performed and appreciated today, and his legacy continues to shape the music of the modern era.
$32.95
30.15 €
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Saxophone Alto et Piano
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Antonio Vivaldi
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James M
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Vivaldi: Sonata No. 4 for Alto Sax & Piano
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jmsgu3
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SheetMusicPlus
Sonata for Alto Saxophone and Piano, Op. 4
Saxophone Alto et Piano
Instrumental Duet Alto Saxophone,Instrumental Duet,Piano - Digital Download SKU: A0.102…
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Instrumental Duet Alto Saxophone,Instrumental Duet,Piano - Digital Download SKU: A0.1021612 Composed by Tyler J. Holt. Contemporary. Score and parts. 54 pages. TJHoltMusic #6117625. Published by TJHoltMusic (A0.1021612). I was inspired to compose the Sonata for Alto Saxophone and Piano, Op. 4 towards the end of the Snow Pond Composer’s Workshop that I attended in the summer of 2017. I was compelled even further upon learning that the classical saxophone repertoire is limited. This work presented a challenge, as this is the first work I have composed for the saxophone. The first movement resembles a traditional Sonata-Allegro form, with the first theme being inspired by Petrouchka by Igor Stravinsky. All of the themes in this sonata are presented as the movement progresses. The second movement is slow and lyrical, based on quartal harmonies and tonal ambiguity as well as a varying accompanying passage. The third movement is a short, yet frantic interlude based on augmented arpeggios. Henri Tomasi’s Trumpet Concerto serves as an inspiration for the fourth movement, in terms of its spontaneous character.I. Allegro con gioiaII. Andante AppassionatoIII. InterludeIV. ScherzoComposed by Tyler J. Holt Published by TJHoltMusic Copyright © Tyler J. Holt, Composer .
$20.00
18.3 €
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Saxophone Alto et Piano
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Tyler J
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Sonata for Alto Saxophone and Piano, Op. 4
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TJHoltMusic
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SheetMusicPlus
3 Selections from 'Songs Without Words" Op.19 nos. 1,4&6
Saxophone Alto et Piano
Alto Saxophone,Piano - Level 3 - Digital Download SKU: A0.1402919 By Felix Barthold…
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Alto Saxophone,Piano - Level 3 - Digital Download SKU: A0.1402919 By Felix Bartholdy Mendelssohn. By Felix Bartholdy Mendelssohn. Arranged by Ian Fitze. 19th Century,Contest,Festival,Instructional,Romantic Period. Score and part. 12 pages. Ian Fitze #986144. Published by Ian Fitze (A0.1402919). Visit my website at IAN FITZE MUSICAL ARRANGEMENTS for a complete catalogue of my works including FREE DOWNLOADS.This is a somewhat simplified arrangement of 3 of Mendelssohn's 'Songs Without Words for Eb Alto Saxophone and Piano. It would serve as a nice feature for an intermediate soloist.
$1.99
1.82 €
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Saxophone Alto et Piano
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Felix Bartholdy Mendelssohn
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Ian Fitze
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3 Selections from 'Songs Without Words" Op.19 nos. 1,4&6
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Ian Fitze
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SheetMusicPlus
3 Selections from 'Songs Without Words" Op.19 nos. 1, 4&6
Saxophone Alto et Piano
Alto Saxophone,Piano - Level 3 - Digital Download SKU: A0.1363384 Composed by Felix…
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Alto Saxophone,Piano - Level 3 - Digital Download SKU: A0.1363384 Composed by Felix Bartholdy Mendelssohn. Arranged by Ian Fitze. 19th Century,Contest,Festival,Instructional,Romantic Period. Score and part. 10 pages. Ian Fitze #947839. Published by Ian Fitze (A0.1363384). Visit my website at IAN FITZE MUSICAL ARRANGEMENTS for a complete catalogue of my works including FREE DOWNLOADS.This is a simplified arrangement of 3 of Mendelssohn's 'Songs Without Words for Eb Alto Saxophone and Piano. It would serve as a nice feature for an intermediate soloist.
$1.99
1.82 €
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Saxophone Alto et Piano
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Felix Bartholdy Mendelssohn
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Ian Fitze
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3 Selections from 'Songs Without Words" Op.19 nos. 1, 4&6
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Ian Fitze
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SheetMusicPlus
Handel: Largo from Xerxes for Alto Sax & Piano
Saxophone Alto et Piano
Alto Saxophone,Piano - Level 3 - Digital Download SKU: A0.549383 Composed by George…
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Alto Saxophone,Piano - Level 3 - Digital Download SKU: A0.549383 Composed by George Frideric Handel. Arranged by James M. Guthrie, ASCAP. Baroque,Sacred,Standards,Wedding. Score and part. 9 pages. Jmsgu3 #3492297. Published by jmsgu3 (A0.549383). Duration: 4:55, Score: 6 pages, Solo part: 1 page, piano part: 2 pages. A very famous aria (Ombra mai fu) from XerxesSuitable for any venue requiring meditative music. Excellent choice for a recital encore. Xerxes Xerxes is, in fact, an opera seria in three acts by Handel. Moreover, Handel conducted the premiere performance in London in 1738. Handel casts the opera in Persia in 470 BC. The part of Xerxes was indeed originally sung by a soprano castrato. Nowadays, the part is generally sung by a mezzo-soprano or conversely a counter-tenor. In the first place, Xerxes sings an opening aria, Ombra mai fu to a plane tree. Handel sets this aria to one of his most truly famous melodies. Although many refer to it traditionally as Handel’s Largo, Handel has, on the contrary, clearly marked Larghetto in the score. Handel Background George Frideric Handel (1685 - 1759) was born in Germany but eventually became a British citizen. Nonetheless, he was a famous Baroque composer. In fact, he became famous for his operas, oratorios, anthems, and organ concertos. Handel studied music and, by and large, worked as a composer in Germany and Italy before moving to London. On the whole, Handel was very familiar with the contemporary music of Italy and Germany. Career in England It is essential to realize that Italian opera was all the rage in England at the time. Moreover, Handel was really good at writing them. Therefore, he started not one but three opera companies in England. Alexander's Feast was a huge success in 1736, but Handel began composing English choral works. After success with the Messiah in 1742) he certainly never again wrote an Italian opera. Consequently, he died in 1759, a treasured genius. Accordingly, the English government gave him full state honors at his funeral. Hence, he is buried in Westminster Abbey in London. Legacy Music historians agree that Handel was in general one of the greatest composers of the Baroque era.  To demonstrate, his works such as the Messiah, Water Music, and Music for the Royal Fireworks remain consistently popular up to the present time. He especially composed the coronation anthem, Zadok the Priest for the coronation of George II. Nevertheless, it has specifically been performed at every succeeding British coronation since. His oratorio Solomon has by all means also continued to be prevalent. As a matter of fact, Sinfonia from act 3 was featured in the 2012 London Olympics opening ceremony. Handel was particularly prolific. To enumerate, he wrote over forty operas.  Since the late 1960s, we have expressly experienced a revival of baroque music. Similarly, we have especially seen a pique of interest in historically informed musical performances. Since his death in 1779, interest in Handel's music has all in all, expanded. Â
$32.95
30.15 €
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Saxophone Alto et Piano
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George Frideric Handel
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James M
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Handel: Largo from Xerxes for Alto Sax & Piano
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jmsgu3
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SheetMusicPlus
Mussorgsky: Pictures at an Exhibition for Alto Sax & Piano
Saxophone Alto et Piano
Alto Saxophone,Piano - Level 4 - Digital Download SKU: A0.549927 Composed by Modest…
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Alto Saxophone,Piano - Level 4 - Digital Download SKU: A0.549927 Composed by Modest MUSSORGSKY (1839 - 1881). Arranged by James M. Guthrie. Instructional,Romantic Period,Standards. Score and part. 92 pages. Jmsgu3 #4303307. Published by jmsgu3 (A0.549927). A classic selection of epic proportions. Score: 75 pages, Solo part: 16 pages, 924 measures. Duration: 34:30 Pictures at an Exhibition (Картинки Ñ Ð²Ñ‹Ñтавки) by Modest PetroviÄ Musorgskij, 1874 (МодеÑÑ‚ Петрович МуÑоргÑкий) Promenade 1  Allegro giusto, nel modo russico; senza allegrezza, ma poco sostenuto  page 1 1. GNOMUS (The Gnome)  Sempre vivo page 4 Promenade 2  Moderato commodo assai e con delicatezza page 10  2. IL VECCHIO CASTELLO (The Old Castle) Andante molto cantabile e con dolore page 12  Promenade 3 Moderato non tanto, pesamente page 18  3. TUILLERIES Dispute d'enfants après jeux (Children's Quarrel after Games) Allegretto non troppo, capriccioso page 19                                        4. BYDLO (Cattle) Sempre moderato pesante  page 22 Promenade 4 Tranquillo page 26 5. Ballet of the Unhatched Chicks Балет невылупившихÑÑ Ð¿Ñ‚ÐµÐ½Ñ†Ð¾Ð²Â Scherzino  page 27 6. Samuel Goldenberg und Schmuÿle Еврей в меховой шапке. Cандомир  Andante page 30 Promenade 5  Allegro giusto, nel modo russico, poco sostenuto page 36 7. LIMOGES. LE MARCHÉ. (La grande nouvelle) The Market (The Great News) Allegretto vivo, sempre scherzando  page 39 8. CATACOMBAE (Sepulchrum romanum) (Roman Tomb) ПарижÑкие катакомбы  Largo page 46   CON MORTUIS IN LINGUA MORTUA (With the Dead in a Dead Language) Andante non troppo, con lamento page 47 9. The Hut on Hen's Legs (Baba Yaga) Избушка Бабы-Яги на курьих ожках. ЧаÑÑ‹ в руÑÑком Ñтиле Allegro con brio, feroce page 50 10. The Bogatyr Gates (In the Capital in Kiev) Проект городÑких ворот в Киеве. Главный фаÑад The Great Gates of Kiev Allegro alla breve Maestoso con grandezza page 63Mussorgsky is known for his ability to evoke vivid pictures through his music. He creates soundscapes that transport listeners to other places and times. Through the use of complex harmonies and shifting tonalities, Mussorgsky creates sonic paintings that are as diverse and varied as any works of art in a museum. He takes listeners on a journey through different landscapes and environments, ranging from pastoral settings to the depths of the underworld. In his famous suite, Pictures at an Exhibition, Mussorgsky gives each movement a title that references a painting, sculpture, or architectural feature from an art museum. The suite is composed in such a way that it captures the moods and emotions evoked by the artworks. From the bright and energetic Promenade to the somber and mysterious Catacombs, Mussorgsky's Pictures at an Exhibition paints a vivid sonic landscape that brings the listener into the art museum.
$38.95
35.64 €
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Saxophone Alto et Piano
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Modest MUSSORGSKY
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James M
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Mussorgsky: Pictures at an Exhibition for Alto Sax & Piano
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jmsgu3
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SheetMusicPlus
Bach-Gounod: Ave Maria, Schwencke version for Alto Sax & Piano
Saxophone Alto et Piano
Alto Saxophone,Piano - Level 2 - Digital Download SKU: A0.550919 Composed by J. S. …
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Alto Saxophone,Piano - Level 2 - Digital Download SKU: A0.550919 Composed by J. S. Bach - Gounod. Arranged by James M. Guthrie, ASCAP. Christmas,Contemporary,Easter,Wedding. Score and part. 11 pages. Jmsgu3 #4888291. Published by jmsgu3 (A0.550919). This arrangement features the controversial Schwencke measure (ms. 27) that was originally introduced in 1783 by Christian Friedrich Gottlieb Schwencke. The convenient 1st & 2nd endings provide an option for extended performance. Duration with repeat - 4:50. Score: 6 pages. Solo part: 2 pages, piano part: 4 pages. Based on Prelude #1 in C Major from the Well-Tempered Clavier, Book 1. Well suited for church meditations or school programs or recital encores. Ave Maria Ave Maria is a Catholic prayer that consequently asks for the mother of Jesus (Mary) to intercede. Charles Gounod composed a famous version of the Ave Maria. He was a French Romantic composer who overlaid a new melody on an existing Bach chord progression. The progression is from Bach’s Prelude No. 1 from Well-Tempered Clavier I. This version, as well as Schubert’s version, have become essential items at weddings, masses, and funerals. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio.  History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as a court composer.  Style It seems like Bach created an engaging new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival        Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV. Â
$32.95
30.15 €
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Saxophone Alto et Piano
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J
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James M
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Bach-Gounod: Ave Maria, Schwencke version for Alto Sax & Piano
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jmsgu3
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SheetMusicPlus
Bach-Gounod: Ave Maria for Alto Sax & Piano
Saxophone Alto et Piano
Alto Saxophone,Piano - Level 2 - Digital Download SKU: A0.549364 Composed by Bach-G…
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Alto Saxophone,Piano - Level 2 - Digital Download SKU: A0.549364 Composed by Bach-Gounod. Arranged by James M. Guthrie, ASCAP. Christmas,Contemporary,Easter,Wedding. Score and part. 11 pages. Jmsgu3 #3490139. Published by jmsgu3 (A0.549364). This arrangement follows the original Bach prelude and so excludes the extra measure that Schwencke introduced in 1783. If you prefer the extra measure, please see Bach-Gounod: Ave Maria, Schwencke version for Alto Sax & Piano, S0.661763. The convenient 1st & 2nd endings provide an option for extended performance with minimal page turns for the accompanist. The duration with repeat is about 4:50. Score: 6 pages. Solo part: 1 page, piano part: 4 pages. Based on Prelude #1 in C Major from the Well-Tempered Clavier, Book 1. Well suited for church meditations or school programs or recital encores. Ave Maria Ave Maria is a Catholic prayer that consequently asks for the mother of Jesus (Mary) to intercede. Charles Gounod composed a famous version of the Ave Maria. He was a French Romantic composer who overlaid a new melody on an existing Bach chord progression. The progression is from Bach’s Prelude No. 1 from Well-Tempered Clavier I. This version, as well as Schubert’s version, have become essential items at weddings, masses, and funerals. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio.  History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer.  Style It seems like Bach created an engaging new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival        Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV. Â
$32.95
30.15 €
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Saxophone Alto et Piano
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Bach-Gounod
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James M
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Piano, S0
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Bach-Gounod: Ave Maria for Alto Sax & Piano
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jmsgu3
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SheetMusicPlus
Bach: Wachet auf for Alto Sax & Piano
Saxophone Alto et Piano
Alto Saxophone,Piano - Level 2 - Digital Download SKU: A0.549842 Composed by Johann…
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Alto Saxophone,Piano - Level 2 - Digital Download SKU: A0.549842 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Concert,Easter,Sacred,Standards. Score and part. 12 pages. Jmsgu3 #3554821. Published by jmsgu3 (A0.549842). Wachet auf, ruft uns die Stimme (Awake, the voice is calling us) from Cantata BWV 140. Duration: ca. 4:00, Score: 6 pages, solo part 1 page, piano part: 4 pages. Program this for church services during the Easter season, or as a recital encore.Wachet auf, ruft uns die Stimme (Awake, the Voice is calling us) also known as: Sleepers Awake Bach composed his church cantata Wachet auf (BWV 140) as part of his second annual cantata cycle covering the entire annual church calendar. It is based on the hymn of the same name by Philipp Nicolai (1599). The hymn text covers the readings for the 27th Sunday after Trinity. Bach designed the cantata in seven movements, setting the stanzas in various forms. Among these forms are the chorale fantasia, the chorale prelude, and a four-part chorale. He casts the new lyrics as recitatives – in a manner similar to the opera. Fourth Movement Bach writes the fourth movement, Zion hört die Wächter singen (Zion hears the watchmen singing), in the style of a chorale prelude with the chorale phrases performed as a strict cantus firmus. The phrases seem to enter at times erratically against the famous lyrical melody. The violins play this melody in unison as a foil against the cantus phrases. The violin melody is so independent and complete that when the cantus melody appears it catches the listener at times totally off-guard. Bach later transcribed this movement for organ (BWV 645). This transcription became No. 1 of the Six Schübler Chorales. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with the instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and certainly the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio. History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer. Style It seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV. .
$24.95
22.83 €
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Saxophone Alto et Piano
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Johann Sebastian Bach
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James M
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#
Bach: Wachet auf for Alto Sax & Piano
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jmsgu3
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SheetMusicPlus
Beethoven: Adagio from Sonata Pathetique for Alto Sax & Piano
Saxophone Alto et Piano
Alto Saxophone,Piano - Level 3 - Digital Download SKU: A0.549639 Composed by Ludwig…
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Alto Saxophone,Piano - Level 3 - Digital Download SKU: A0.549639 Composed by Ludwig van Beethoven. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Sacred,Standards. Score and part. 16 pages. Jmsgu3 #3516567. Published by jmsgu3 (A0.549639). Duration: ca 5:20, Score: 8 pages, solo part: 3 pages, piano part: 4 pages.One of Beethoven's finest and most famous works. Program for a recital, church meditation or school program.Bring your best espressivo and plan to rehearse the many subtle dynamic changes.Sonata Pathétique Op. 13 First of all, this is an arrangement of the second movement of Beethoven’s Sonata Pathétique. It seems like Beethoven wrote this piece before becoming troubled by deafness. Published in 1799, it consequently remains one of the most celebrated pieces Beethoven ever wrote. As a result of its popularity, the movement was therefore performed by Karl Haas. Hass recorded it for a popular radio show called: Adventures in Good Music. Beethoven Background Ludwig van Beethoven (1770 –1827) was certainly a German pianist. Above all, he was probably one of the greatest composers in history. As a result, he is a pivotal character in the progress between the Classical and Romantic periods. He is certainly one of the most famous and hence important of all composers. Seems like his most familiar and noteworthy works include symphonies 1-9; piano concertos 1-5; and furthermore, the violin concerto. Also, certainly of extreme importance are the noteworthy 32 sonatas for the piano; the string quartets 1-16; the Missa solemnis; and likewise, his only opera, Fidelio. Beethoven Overview First of all, Beethoven was born and consequently raised in Bonn. Upon turning 21 he moved to Vienna probably to study composition with Haydn. That’s when he consequently grew a reputation as a brilliant pianist. Furthermore, he probably stayed in Vienna for the rest of his life. In his late 20s, it seems like his hearing certainly began to decline. It slowly declined until consequently, he was nearly totally deaf probably by the last decade of his life. As a result, he stopped conducting and performing. Nevertheless, he continued to compose. As a result, some of his greatest works probably come from this period. First Period Seems like we often divide Beethoven’s life into three periods. Period 1 begins with Beethoven’s arrival in Vienna. Hence, during this period, he mastered the Viennese style of Haydn & Mozart. He consequently began increasing the size and scale of his works. Furthermore, he experimented with extreme dynamics, and likewise extreme tempi. He worked similarly with chromatic harmony. His First and Second Symphonies, therefore, belong to this period. Other important works also belong here: the first six string quartets and the Sonata Pathétique, Op. 13. Second Period His second period probably began as soon as he realized that he was going deaf. During this period, it seems like he became obsessed with the idea of heroism. His works consequently become even larger and more massive. The most noteworthy of these include the symphonies 3 – 8, piano concertos 5& 6, 5 string quartets, several important piano sonatas (Waldstein and Appassionata), the Kreutzer violin sonata, the violin concerto and his only opera: Fidelio. Third Period In contrast, Beethoven's third period is branded above all by works of incredible intellectual depth, formal innovation, and penetrating expression. It seems like he continued to expand his works. Consequently, the string quartet Op. 131 spills over into seven connected movements. Likewise, in the Ninth Symphony, he adds choral forces to his orchestra probably for the first time in history. Even more, other works from this period include his Missa solemnis, the final 5 string quartets (including the enormous Große Fuge) and the final five sonatas for piano. Register for free lifetime revisions and updates at www.jamesguthrie.co.
$24.95
22.83 €
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Saxophone Alto et Piano
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Ludwig van Beethoven
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James M
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piano concertos 1-5
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Beethoven: Adagio from Sonata Pathetique for Alto Sax & Piano
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jmsgu3
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SheetMusicPlus
Fauré: Élégie Op. 24 for Alto Sax & Piano
Saxophone Alto et Piano
Alto Saxophone,Piano - Level 4 - Digital Download SKU: A0.549727 Composed by Gabrie…
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Alto Saxophone,Piano - Level 4 - Digital Download SKU: A0.549727 Composed by Gabriel Faure. Arranged by James M. Guthrie, ASCAP. Contemporary,Multicultural,Romantic Period,Standards,World. Score and part. 22 pages. Jmsgu3 #3531403. Published by jmsgu3 (A0.549727). Duration: ca. 7:00, Score: 12 pages, solo part: 2 pages, piano: 7 pages. An epic choice for a recital or funeral. Fauré Background: In the first place, Gabriel Fauré 1845 –1924) was a famous French composer, musician, and educator. Furthermore, his musical ideas influenced numerous 20th-century composers. Therefore, historians regard him as one of the leading French composers of his time. Famous Works: Among his most famous compositions, by and large, are the Pavane, Elegie (op. 24), Requiem, Sicilienne, Nocturnes for piano and the songs Après un rêve and Clair de lune. Inasmuch as his early works are well-known and relatively easy to perform, Faure’s music seems to have become gradually more difficult during his later life. In other words, his later works are somewhat esoteric and complex. Early Home Life: Fauré was in fact born into a well-cultivated family. His aptitude for music became particularly clear early on - when he was still a boy. Under these circumstances, his parents sent him to a music institution in Paris. Consequently, the training he received there prepared him for a career as a church organist and choirmaster. Middle Life: It is important to realize that Fauré studied music composition with the French musical mastermind Camille Saint-Saëns, who became his lifelong friend. Fauré eventually graduated from college and earned a living as an organist and educator. During this period, he had, on the whole, little time to compose. He consequently became more successful in his middle age, becoming organist of the Église de la Madeleine and director of the Paris Conservatoire. However, he still needed time on balance for composing. Therefore, given these points, he withdrew to the countryside during the summer to focus on composing. Later Life: Fauré was, in the final analysis, recognized in France as the foremost French composer of his time. The French government held a national musical tribute particularly for him in Paris. The French President notably headed the ceremony. Elsewhere, on the contrary, Fauré's music was slow to become accepted, except of course, in England. Legacy: Historians often describe Fauré's music in general as a transition between the end of Romanticism and the beginning of modernism. As an illustration, when Fauré was born, Chopin was still composing. However, by the time of Fauré's death, jazz and atonal music, in particular, had come to fruition. Fauré, by all means, suffered from increasing deafness in his later years. Some musicologists believe this to be indeed the cause of the esoteric nature of Faure’s final works.
$32.95
30.15 €
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Saxophone Alto et Piano
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Gabriel Faure
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James M
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Fauré: Élégie Op. 24 for Alto Sax & Piano
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jmsgu3
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SheetMusicPlus
Mendelssohn: Wedding March for Alto Sax & Piano
Saxophone Alto et Piano
Alto Saxophone,Piano - Level 3 - Digital Download SKU: A0.549892 Composed by Felix …
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Alto Saxophone,Piano - Level 3 - Digital Download SKU: A0.549892 Composed by Felix Bartholdy Mendelssohn. Arranged by James M. Guthrie, ASCAP. Romantic Period,Standards,Wedding. Score and part. 23 pages. Jmsgu3 #3603399. Published by jmsgu3 (A0.549892). Score: 12 pages, piano part: 6 pages, alto sax part: 4 pages. duration: ca. 5'. This is the famous wedding march from Op. 61 composed in 1842 and commonly performed as a recessional march at the end of a wedding. The piece was originally composed for orchestra then arranged for organ and performed by Mendelssohn himself.Mendelssohn: Wedding March Mendelssohn’s Wedding March is so popular that it’s difficult to imagine a wedding without it. It seems like it’s been around for eternity. In any case, it was only 150 years or so ago that the Wedding March came about. It was performed in Potsdam for the first time in 1842, as a piece of Mendelssohn’s music for the Shakespeare play A Midsummer Night’s Dream. It was first used for a wedding in 1858 Mendelssohn Background Felix Mendelssohn (1809 –1847) was, by all means, a German mastermind composer, musician and orchestra conductor of the Romantic period. Consequently, Mendelssohn composed in the usual forms of the time - symphonies, concertos, oratorios, piano music, and chamber music. To summarize, his most famous works include his music for A Midsummer Night's Dream, the Italian Symphony, the Scottish Symphony, The Hebrides Overture, his later Concerto for Violin & Orchestra, and his Octet for Strings. His most well-known piano pieces, by and large, are the Songs Without Words. Artistic Standing Musical tastes change from time to time. Moreover, just such a change occurred in the late 19th and early 20th centuries. This plus rampant antisemitism brought a corresponding amount of undue criticism. Fortunately, however, his artistic inventiveness has indeed been critically re-evaluated. As a result, Mendelssohn is once again among the most prevalent composers of the Romantic era. Early Family Life Mendelssohn was, in fact, born into a prominent Jewish family. His grandfather was, notably, the philosopher Moses Mendelssohn. Felix was, in fact, raised without religion. At the age of seven, he was all of a sudden baptized as a Reformed Christian. He was, moreover, a child musical prodigy. Nevertheless, his parents did not attempt to exploit his talent. Early Adulthood Mendelssohn was, in general, successful in Germany. He conducted, in particular, a revival of the music of Johann Sebastian Bach, specifically with his presentation of the St Matthew Passion in 1829. Felix was truly in demand throughout Europe as a composer, conductor, and soloist. For example, he visited Britain ten times. There, he premiered, namely, many of his major works. His taste in music was. To be sure, inventive and well-crafted yet markedly conservative. This conservatism separated him by all means from more audacious musical colleagues like Liszt, Wagner, and Berlioz. Mendelssohn founded the Leipzig Conservatoire which, to clarify, became a defender of this conservative viewpoint. Mature Adulthood Schumann notably wrote that Mendelssohn was the Mozart of the nineteenth century, the most brilliant musician, the one who most clearly sees through the contradictions of the age and for the first time reconciles them. This observation points to a couple of features in particular that illustrate Mendelssohn's works and his artistic procedure. Musical Features In the first place, his musical style was fixed in his methodical mastery of the style of preceding masters. This being said, he certainly recognized and even developed early romanticism from the music of Beethoven and Weber. Secondly, it indicates that Mendelssohn sought to strengthen his inherited musical legacy rather than to exchange it with new forms and styles or replace it with exotic orchestration. Consequently, he diverged his contemporaries in the romantic period, such as Wagner, Berlioz, and Liszt. Mendelssohn revered Liszt's virtuos.
$32.95
30.15 €
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Saxophone Alto et Piano
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Felix Bartholdy Mendelssohn
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James M
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Mendelssohn: Wedding March for Alto Sax & Piano
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jmsgu3
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SheetMusicPlus
Mendelssohn: Song Without Words Op. 109 for Alto Sax & Piano
Saxophone Alto et Piano
Alto Saxophone,Piano - Level 3 - Digital Download SKU: A0.549489 Composed by Felix …
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Alto Saxophone,Piano - Level 3 - Digital Download SKU: A0.549489 Composed by Felix Bartholdy Mendelssohn. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and part. 20 pages. Jmsgu3 #3500661. Published by jmsgu3 (A0.549489). ALTO SAX & PIANO - Score: 11 pages, solo part: 3 pages, piano part: 5 pages. Duration: 4:20. This is a popular recital piece that would work well also in church or school programs. Mendelssohn Background Felix Mendelssohn (1809 –1847) was, by all means, a German mastermind composer, musician, and orchestra conductor of the Romantic period. Consequently, Mendelssohn composed in the usual forms of the time - symphonies, concertos, oratorios, piano music, and chamber music. To summarize, his most famous works include his music for A Midsummer Night's Dream, the Italian Symphony, the Scottish Symphony, The Hebrides Overture, his later Concerto for Violin & Orchestra, and his Octet for Strings. His most well-known piano pieces, by and large, are the Songs Without Words. Artistic Standing  Musical tastes change from time to time. Moreover, just such a change occurred in the late 19th and early 20th centuries. This plus rampant antisemitism brought a corresponding amount of undue criticism. Fortunately, however, his artistic inventiveness has indeed been critically re-evaluated. As a result, Mendelssohn is once again among the most prevalent composers of the Romantic era. Early Family Life Mendelssohn was, in fact, born into a prominent Jewish family. His grandfather was, notably, the philosopher Moses Mendelssohn. Felix was, in fact, raised without religion. At the age of seven, he was suddenly baptized as a Reformed Christian. He was, moreover, a child musical prodigy. Nevertheless, his parents did not attempt to exploit his talent. Early Adulthood Mendelssohn was, in general, successful in Germany. He conducted, in particular, a revival of the music of Johann Sebastian Bach, specifically with his presentation of the St Matthew Passion in 1829. Felix was truly in demand throughout Europe as a composer, conductor, and soloist. For example, he visited Britain ten times. There, he premiered, namely, many of his significant works. His taste in music was. To be sure, inventive and well-crafted yet markedly conservative. This conservatism separated him by all means from more audacious musical colleagues like Liszt, Wagner, and Berlioz. Mendelssohn founded the Leipzig Conservatoire which, to clarify, became a defender of this conservative viewpoint. Mature Adulthood Schumann notably wrote that Mendelssohn was the Mozart of the nineteenth century, the most brilliant musician, the one who most clearly sees through the contradictions of the age and for the first time reconciles them. This observation points to a couple of features in particular that illustrate Mendelssohn's works and his artistic procedure. Musical Features In the first place, his musical style was fixed in his systematic mastery of the style of preceding masters. This being said, he certainly recognized and even developed early romanticism from the music of Beethoven and Weber. Secondly, it indicates that Mendelssohn sought to strengthen his inherited musical legacy rather than to exchange it with new forms and styles or replace it with exotic orchestration. Consequently, he diverged his contemporaries in the romantic period, such as Wagner, Berlioz, and Liszt. Mendelssohn revered Liszt's virtuosity at the keyboard but found his music rather insubstantial.
$32.95
30.15 €
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Saxophone Alto et Piano
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Felix Bartholdy Mendelssohn
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James M
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Mendelssohn: Song Without Words Op. 109 for Alto Sax & Piano
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jmsgu3
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SheetMusicPlus
The Wedding Gift
Saxophone Alto et Piano
Alto Saxophone,Piano - Level 3 - Digital Download SKU: A0.1421904 Composed by Dean …
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Alto Saxophone,Piano - Level 3 - Digital Download SKU: A0.1421904 Composed by Dean Wareham, Justin Harwood, and Sean Eden. Arranged by Ian Fitze. Celtic,Folk,Irish,Traditional,Wedding. Score and part. 4 pages. Ian Fitze #1003239. Published by Ian Fitze (A0.1421904). Visit my website at IAN FITZE MUSICAL ARRANGEMENTS for a complete catalogue of my works including FREE DOWNLOADS.Works well as a wedding Processional or Recessional. Has a Celtic, Maritime, and Newfoundland flavour (think Come From Away).Piano SCORE and Eb Alto Sax part included.
$4.99
4.57 €
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Saxophone Alto et Piano
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Dean Wareham, Justin Harwood, and Sean Eden
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Ian Fitze
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The Wedding Gift
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Ian Fitze
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SheetMusicPlus
DvoÅ™ák: Largo from the New World Symphony for Alto Sax & Piano
Saxophone Alto et Piano
Alto Saxophone,Piano - Level 2 - Digital Download SKU: A0.549423 Composed by Antoni…
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Alto Saxophone,Piano - Level 2 - Digital Download SKU: A0.549423 Composed by Antonin Dvorak. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and part. 12 pages. Jmsgu3 #3494005. Published by jmsgu3 (A0.549423). Score: 7 pages, solo part: 2 pages, piano part: 3 pages. Duration: 4:25. Not difficult, but requires sensitivity & dynamic control. Suitable for recitals, church meditations, or school programs. Dvořák Background AntonÃn Dvořák (1841 –1904) was, of course, a composer from Czechoslovakia. As a matter of fact, he was among the first Bohemian composers to attain universal recognition. It is important to realize that the late Romantic Nationalist period featured composers who used traditional and folk elements to portray the character of their nation. In particular, we see this in the music of Grieg (Norway), Finland (Sibelius), and Smetana (Bohemia).  Dvořák relied markedly on rhythms and other characteristics of Moravian and Bohemian folk music. Ascent to Fame Dvořák was truly a child musical prodigy on the violin. The premiere performances of his compositions notably occurred in 1872 and 1873. He submitted his First Symphony in particular to a German competition, but it failed to win. Consequently, in 1874 he presented two more symphonies to the Austrian State Prize for Composition. Johannes Brahms was the principal of the jury and was accordingly very impressed. They forthwith awarded the prize to Dvořák in 1874, 1876, and 1877. At this point, Brahms thereupon endorsed Dvořák to the publisher Simrock. Later, the publisher commissioned Dvořák to compose the Slavonic Dances, Op. 46. These became popular overnight and, as a result, Dvořák's worldwide status was launched. International Status Dvořák visited England upon invitation nine times. On each visit, he frequently conducted performances of his own compositions. He conducted concerts of his music, especially in Moscow and St. Petersburg. Eventually, the Prague Conservatory in fact appointed Dvořák as a professor. There, to be sure, he wrote his famous Dumky Trio. United States Consequently, the National Conservatory of Music of America appointed him as director in 1892. As a result, Dvořák composed his two most famous symphonic works: the Symphony No. 9 (From the New World), which spread his name universally, and his Concerto for Cello and Orchestra, one of the most famous of all cello works. Moreover, he wrote his most celebrated American String Quartet during this time. At the same time, because of his growing recognition in Europe and his homesickness for his own country, he left to return to Bohemia in 1895. Â
$32.95
30.15 €
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Saxophone Alto et Piano
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Antonin Dvorak
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James M
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dynamic control
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DvoÅ™ák: Largo from the New World Symphony for Alto Sax & Piano
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jmsgu3
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SheetMusicPlus
Paul-Agricole Génin: Solo de Concours, Opus 15 for alto saxophone and piano, edited by Paul Wehage
Saxophone Alto et Piano
Woodwind Ensemble,Woodwind Trio (Unison) - Level 4 - Digital Download SKU: A0.533250
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Woodwind Ensemble,Woodwind Trio (Unison) - Level 4 - Digital Download SKU: A0.533250 Composed by Solo de Concours (examination piece at the Paris Conservatory/. Arranged by Paul Wehaeg. Concert,Romantic Period,Standards. 22 pages. Musik Fabrik Music Publishing #2151115. Published by Musik Fabrik Music Publishing (A0.533250). Paul-Agricole Génin was born on 14th February 1832, in Avignon; died 22nd December 1903, in Paris, France. His is often confused with Pierre Génin, who was a flutist who performed mainly in England during the early 20th century.Génin was the Principal flute of the Theatre Italien in Paris, and of the Colonne Orchestra. In addition to writing many works for the flute (he wrote over 60 works for this instrument, he was also one of the first composers to write for the saxophone. He was an Officier de l’Académie des Beaux-ArtsThis work was used as an examination piece at the Paris Conservatory in the class of Adolphe Sax, to whom it is dedicated. After a lyrical introduction which makes use of echo effects, a pastorale theme is presented and then treated in variations. The final variation is a virtuosic valse brillante.
$12.95
11.85 €
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Saxophone Alto et Piano
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Solo de Concours
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Paul Wehaeg
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Paul-Agricole Génin: Solo de Concours, Opus 15 for alto saxophone and piano, edited by Paul Wehage
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Musik Fabrik Music Publishing
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SheetMusicPlus
Ali Ben Sou Alle: Fantaisie sur Robert le Diable for alto saxophone and piano
Saxophone Alto et Piano
Alto Saxophone,Piano - Level 4 - Digital Download SKU: A0.533499 Composed by Ali Be…
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Alto Saxophone,Piano - Level 4 - Digital Download SKU: A0.533499 Composed by Ali Ben Sou Alle. Concert,Romantic Period,Standards. Score and part. 28 pages. Musik Fabrik Music Publishing #3000445. Published by Musik Fabrik Music Publishing (A0.533499). Meyerbeer’s Opera Le Prophète was one of the most influential works of the 19th century, inspiring Verdi, Wagner, Liszt and others with its dramatic score. Caprice sur Le Prophète de Meyerbeer begins with an extended Aria with several cadenzas. The work ends with a Polka in Rondo form which has a brillant variation.One of the most enigmatic figures in the history of Wind Music, Ali Ben Sou Alle (Charles-Valentin Soualle) was born in 1820 in Arras, France. After receiving his first prize in Clarinet at the Paris Conservatory in 1844. he served as the director of music of The French Marine Band in Senegal, and then was named first clarinet solo at the Opéra-Comique in Paris. However, after the Revolution of 1848, Soualle was forced to flee France to England where he settled in London, playing in the Orchestra of the Queen's Theatre. His songs and piano pieces were published in London.While in London, Soualle met another exiled French musician, Louis Antoine Jullien, who conducted a light music series in London. Jullien encouraged Soualle to take up the saxophone, and after modifying the instrument by adding a single octave mechanism (the modern system used today) and keys for the lower register, Soualle became known as a virtuoso and began touring performing solo recitals (or mono-concerts, as they were called at the time) calling his modified saxophone the «turcophone ». He performed in all the European capitals and then traveled to Australia, New Zealand, Manilla, Java, through China and then to India where he finally settled in Mysore, becoming the director of the Royal Music for the Maharadjah. It was during this period that he converted to Islam and changed his nmae to Ali ben Sou Alle (or Ali, son of Soualle). He subsequently travaled to Ile Maurice, to French Polynesia, the Cap of Natal and the Cap of Good Hope. All of these voyages were subjects of musical works which Soualle entitled Souvenirs de... and may perhaps have been part of a collectionknown as The Royal Album which was presented to the Prince of Wales after a royal concert. Soualle returned to Mysore in 1858 and was almost killed in the Indian Revolution.Around 1860, Soualle returned to France for health reasons and began publishing his own music. On March 27 1865, he performed a command performance for the Emperor Napoleon III at the Tuileries Palace in the presence of the entire Imperial Family. After 1865, nothing more is known about him.
$19.95
18.25 €
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Saxophone Alto et Piano
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Ali Ben Sou Alle
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Ali Ben Sou Alle: Fantaisie sur Robert le Diable for alto saxophone and piano
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Musik Fabrik Music Publishing
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SheetMusicPlus
Tchaikovsky: Arabian Dance from Nutcracker Suite for Alto Sax & Piano
Saxophone Alto et Piano
Alto Saxophone,Piano - Level 3 - Digital Download SKU: A0.549750 Composed by Peter …
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Alto Saxophone,Piano - Level 3 - Digital Download SKU: A0.549750 Composed by Peter Ilyich Tchaikovsky. Arranged by James M. Guthrie, ASCAP. Children,Christmas,Romantic Period,Standards. Score and part. 17 pages. Jmsgu3 #3532695. Published by jmsgu3 (A0.549750). Duration: ca. 3:15 Score: 10 pages, solo part: 2 pages, piano part: 4 pages. Tchaikovsky paints a very mysterious mood in this favorite masterpiece from the Nutcracker Suite. It is also a Christmas favorite. Pyotr Ilyich Tchaikovsky Tchaikovsky is probably the most popular of the great composers in America. His music certainly appeals to musicians. Likewise, it appeals even to folks who don’t normally listen to serious music. This is probably because of his most noteworthy melodies. Above all, he writes with great emotion. This certainly makes a most noteworthy if not an unforgettable impact. Education First of all, He attended classes at the Russian Musical Society. Even more, He also attended the St. Petersburg Conservatory. There he studied music theory with Nikolai Zaremba. He also consequently studied composition with Anton Rubenstein. It seems like Rubenstein came under criticism from a group of Russian composers known as the Five. The Five The Five certainly rejected Western musical influences. They rather sought to use elements from Russian music. They furthermore wanted to use more exotic musical materials. Western Techniques More than other Russian composers, Tchaikovsky studied modern Western music. He certainly develops his music like the European masters. So, rather than repeating a motive, he moves to a new key. He then introduces a different theme in the new key. Hence, he maintained his independence from the Five. Even more, he became the first Russian composer of international stature. Influences Tchaikovsky was probably influenced in his ballet scoring by Léo Delibes. Richard Wagner influenced his symphonic writing. Tchaikovsky’s most famous works include the 1812 Overture, The Nutcracker Suite, and Swan Lake. Also famous are the Violin Concerto in D and the six symphonies. The greatest of the six symphonies may be No. 6, the Pathétique. Nutcracker Suite, Op. 71a The Nutcracker Suite is a ballet that was performed for the first time in December 1892 in St. Petersburg. To begin with, the original ballet failed to attract a positive reception. However, the ballet suite became probably one of the most popular of all of Tchaikovsky’s works. The ballet suite became even more famous in the 1960s. It is now performed all over the world, particularly during the Christmas season.
$32.95
30.15 €
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Saxophone Alto et Piano
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Peter Ilyich Tchaikovsky
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James M
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Tchaikovsky: Arabian Dance from Nutcracker Suite for Alto Sax & Piano
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jmsgu3
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SheetMusicPlus
Slumber Song
Saxophone Alto et Piano
Alto Saxophone,Piano - Level 1 - Digital Download SKU: A0.1152293 Composed by Alexa…
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Alto Saxophone,Piano - Level 1 - Digital Download SKU: A0.1152293 Composed by Alexander Tikhonovitch Gretchaninov. Arranged by Jane Frasier. Chamber. Score and part. 4 pages. Jane Frasier #752511. Published by Jane Frasier (A0.1152293). Alexander Gretchaninov (1864-1956) was a Russian composer and he studied composition and orchestration with Rimsky-Korsakov. His works, especially those for voice, achieved considerable success within Russia, while his instrumental works enjoyed even wider acclaim. By 1910, he was considered a composer of such distinction that the Tsar had awarded him an annual pension.
$8.49
7.77 €
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Saxophone Alto et Piano
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1910, he was considered a composer of such distinction that the Tsar had awarded him an annual pension
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Alexander Tikhonovitch Gretchaninov
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Jane Frasier
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Slumber Song
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Jane Frasier
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SheetMusicPlus
Gregory Sullivan Isaacs: Song Without Words for alto saxophone and piano
Saxophone Alto et Piano
Alto Saxophone,Piano - Level 4 - Digital Download SKU: A0.533371 Composed by Gregor…
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Alto Saxophone,Piano - Level 4 - Digital Download SKU: A0.533371 Composed by Gregory Sullivan Isaacs. 20th Century,Concert,Contemporary,Standards. Score and part. 14 pages. Musik Fabrik Music Publishing #2618655. Published by Musik Fabrik Music Publishing (A0.533371). A lyric piece in a typically American style. Perfect for contests and recitals! The American composer Gregory Sullivan Issacs is the author of a catalogue of vocal and instrumental works for both large and chamber ensembles. He has been feted for his “clean, neo-romantic, richly melodic musical idiom†(D Magazine). Nominated for a Pulitzer Prize in composition, he has also received a grant from the American Music Center and an ASCAP award for his commitment to American music. Recent works include his critically acclaimed Henry Faust, a three-act opera for tenor and piano, produced for public television, and a cantata for singers and a chamber ensemble, UNDELIVERED (libretto by Suzanne Calvin), based on President Kennedy’s final, but undelivered speech, which received a highly successful premiere in May 2014. Recent chamber music includes Dance Suite for Violin and Piano (2015) written for Gary Levinson, Senior Associate Concertmaster of the Dallas Symphony. 
$11.95
10.93 €
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Saxophone Alto et Piano
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Gregory Sullivan Isaacs
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Gregory Sullivan Isaacs: Song Without Words for alto saxophone and piano
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Musik Fabrik Music Publishing
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SheetMusicPlus
Louis Mayeur: Grande Fantaisie de Concert sur Rigoletto (de Verdi) for alto saxophone and piano
Saxophone Alto et Piano
Alto Saxophone,Piano - Level 4 - Digital Download SKU: A0.534135 Composed by Louis …
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Alto Saxophone,Piano - Level 4 - Digital Download SKU: A0.534135 Composed by Louis Adolphe Mayeur. Arranged by Paul Wehage. Concert,Opera,Romantic Period,Standards. Score and part. 29 pages. Musik Fabrik Music Publishing #3133401. Published by Musik Fabrik Music Publishing (A0.534135). Louis Adolphe Mayeur (1837 - 1894), was a Belgium clarinetist, saxophonist, composer and conductor who spent most of his musical career in France; Entering the French Military in 1855, he was a clarinetist in the Second Régiment of the Cuirassiers (Mounted Calvary) of the Garde Impériale. A student of Klosé at the Paris Conservatory, he received his First Prize in Clarinet in 1860. One of the inner circle of Adolphe Sax (along with fellow Belgiums Jules Demersseman and Jean-Baptiste Singelée, whose “Quartet for Saxophones“ was premièred with Mayeur playing and Demersseman conducting), Mayeur took up the saxophone and was quickly engaged as the saxophone soloist in the Opera House of Brussels, La Monnaie (the Mint). Sax commissioned a number of works from Mayeur for the saxophone, which were published by his company and used in his class at the Paris Conservatory.By 1871, Mayeur was also named Saxophone Solo with the Paris Opera, performing in opears and ballets by Halévy, Meyerbeer, Thomas, Saint-Saens, Massenet, Délibes and Paladlihe. It would appear that sometime during this period, his relations with Sax became difficult, culminating in his publications of works by Buffet-Crampon, one of Sax’s rival companies and one of the main protagonists in the series of lawsuits which led to Sax’s bankrupcy. Mayeur’s own declining health lead to his death in 1894.The Grande Fantaisie de Concert sur Rigoletto dates from 1877. The contrasting sections use motifs from arias and duets from Verdi’s opera. Florid cadenzas seperate the various sections, but those passages should be played in the manner of “bel canto†ornamentation, always lyrical and songlike. Versions are available from Musik Fabrik for Symhony Orchestra (on rental : 2222/2000/Timp/hp/strings) and for Concert Band (for sale). The score plus solo part for each of the versions is available for sale, as well as the individual parts for the concert band version
$16.95
15.51 €
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Saxophone Alto et Piano
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1871, Mayeur was also named Saxophone Solo with the Paris Opera, performing in opears and ballets by Halévy, Meyerbeer, Thomas, Saint-Saens, Massenet, Délibes and Paladlihe
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Louis Adolphe Mayeur
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Paul Wehage
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Louis Mayeur: Grande Fantaisie de Concert sur Rigoletto
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Musik Fabrik Music Publishing
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SheetMusicPlus
Ange Flégier: Tarantella for alto saxophone and piano
Saxophone Alto et Piano
Alto Saxophone,Piano - Level 4 - Digital Download SKU: A0.534385 Composed by Ange F…
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Alto Saxophone,Piano - Level 4 - Digital Download SKU: A0.534385 Composed by Ange Flégier. Arranged by Paul Wehage. Concert,Romantic Period,Standards. Score and part. 20 pages. Musik Fabrik Music Publishing #3399611. Published by Musik Fabrik Music Publishing (A0.534385). Ange Flégier was a French composer and painter who was born on February 25, 1846 at Marseille et died on Octobre 8, 1927 in Martigues. Flégier is principally known as havng composed the famous song for bass and orchestra “Le Corâ€, but he also wronte more than 300 works for piano, (including a concerto), many songs, an opéra-comique “Fatima, the oratoria Ossian and many chamber works, including the first “dixtuor†for wind quintet and string quintet. 
$11.95
10.93 €
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Saxophone Alto et Piano
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Ange Flégier
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Paul Wehage
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Ange Flégier: Tarantella for alto saxophone and piano
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Musik Fabrik Music Publishing
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SheetMusicPlus
Married Life
Saxophone Alto et Piano
Instrumental Duet,Piano Alto Saxophone,Piano - Level 2 - Digital Download SKU: A0.77063…
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Instrumental Duet,Piano Alto Saxophone,Piano - Level 2 - Digital Download SKU: A0.770634 Composed by Dickon James Hinchliffe. Arranged by Ivan Marini. Contemporary,Film/TV. Score and part. 4 pages. Www.dalsegno.eu #6422163. Published by www.dalsegno.eu (A0.770634). Complete transcription for solo Alto Saxophone.Lead sheet in Concert pitch (melody and chords) provided for accompanying pianists.Duration approx 4 mins., 4 pages. Feel free to contact me at info@dalsegno.eu for any other setting!Please, check my other works at www.sheetmusicplus.com/publishers/3025323or visit www.dalsegno.eu
$4.99
4.57 €
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Saxophone Alto et Piano
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Dickon James Hinchliffe
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Ivan Marini
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Married Life
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www.dalsegno.eu
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SheetMusicPlus
BACH: Sonata in C Major BWV 1033 for Alto Sax & Piano
Saxophone Alto et Piano
Alto Saxophone,Piano - Level 4 - Digital Download SKU: A0.551570 Composed by Johann…
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Alto Saxophone,Piano - Level 4 - Digital Download SKU: A0.551570 Composed by Johann Sebastian Bach. Arranged by James Guthrie, ASCAP. Baroque,Instructional,Standards,Wedding. Score and part. 22 pages. Jmsgu3 #5317583. Published by jmsgu3 (A0.551570). BACH: Sonata in C Major BWV 1033, Duration: 8:30, Score:13 pages.1. Andante - Presto2. Allegro3. Adagio4. Menuet I.5. Menuet II.Johann Sebastian Bach was a German composer, musician, organist, and harpsichordist in the Baroque period of music. He is considered one of the greatest and most influential composers of his time and of all time, and his works form an essential part of the standard concert repertoire. Bach is credited with being largely responsible for the development of the sonata form in the Baroque era. He created several new forms of writing, such as the sinfonia and the prelude, which became popular in the Baroque. Bach also regularly combined two or three voice parts in the form of canons or fugues. His forms were complex and innovative and helped to establish the sonata as a form of composition. He composed some of the most famous and beautiful sonatas in music history. Bach's influence on the sonata form was massive.
$32.95
30.15 €
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Saxophone Alto et Piano
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Johann Sebastian Bach
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James Guthrie, ASCAP
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BACH: Sonata in C Major BWV 1033 for Alto Sax & Piano
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jmsgu3
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SheetMusicPlus
Minuet by Boccherini for Alto Sax
Saxophone Alto et Piano
Alto Saxophone,Piano - Level 1 - Digital Download SKU: A0.1160614 Composed by Luigi…
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Alto Saxophone,Piano - Level 1 - Digital Download SKU: A0.1160614 Composed by Luigi Boccherini. Arranged by Ander. Baroque,Classical,Instructional,Traditional,Wedding. Score and part. 4 pages. Woods Only, Arrangements #760909. Published by Woods Only, Arrangements (A0.1160614). This simple arrangement adapted for alto saxophone and piano was imagined for a group of beginner students who want to start their immersion in classical music, of course with the help of a teacher. Even though the original work is for strings, this did not prevent this beautiful adaptation, where the original essence of the work was maintained, being made only an adaptation of the tonality and some adaptations in the tessitura of the instruments. This piece can be used for professional and academic recitals, didactic material and repertoire for ensemble practice as well, which does not prevent professional musicians and instructors from using it for performances of their preference.Luigi Boccherini was born in the city of Lucca, in northern Italy. He studied cello and became a virtuoso who eventually moved to Spain, where he worked with the Spanish royal family for the rest of his life. His String Quintet in E major, Op. 11, No. 5, G 275, was written in 1771 and published in 1775, and is one of his most famous works.The quintet is famous for its minuet and trio, third movement which is often played as an independent piece outside the context of the full quintet. This is notably the most famous, it is in 3/4 time, in the key of E Major modulating to A Major. This is a beautiful work, and not just the third movement, with good partial writing for all. The lovely, flowing melodies and rhythms are typical of Boccherini. The quintet is suitable for both concerts and home performances.
$1.99
1.82 €
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Saxophone Alto et Piano
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Luigi Boccherini
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Ander
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Minuet by Boccherini for Alto Sax
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Woods Only, Arrangements
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SheetMusicPlus
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