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TRI ET FILTRES
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ACCORDEON
ALTO
AUTOHARPE
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45
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26
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22
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17
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16
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16
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15
Saxophone Alto et Piano
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14
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Clarinette
9
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9
3 Saxophones (trio)
6
Cor anglais, Piano
6
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6
Hautbois (partie séparée)
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4
Clarinette, Violoncelle, Piano (trio)
4
Clarinette Basse, Piano
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Flûte, Violon et Violoncelle
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2 Clarinettes, Piano
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2 Saxophones (duo)
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3 Clarinettes (trio)
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Trombone et Piano
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
11
Euphonium, Piano (duo)
10
Trompette
7
Cor et Piano
7
Cor anglais, Piano
6
Cor
4
Quatuor de Cuivres: 2 trompettes, Cor, trombone
3
Trombone
2
Ensemble de Trombones
2
Trompette, Violoncelle et Piano
2
Trompette (partie séparée)
2
Cor Anglais
2
Tuba et Piano
2
Quatuor de Cuivres : 2 trompettes, trombone, tuba
2
Quatuor de cuivres: 4 trompettes
2
Trombone (partie séparée)
1
3 Trombones (trio)
1
2 Euphoniums et 2 Tubas
1
Quatuor de cuivres: 4 trombones
1
Trio de Cuivres
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Tuba
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Cor anglais et Harpe (duo)
1
Trombone basse et Piano
1
Cor (partie séparée)
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CORDES
Violon et Piano
37
Quatuor à cordes: 2 violons, alto, violoncelle
36
Alto, Piano
23
Violoncelle, Piano
19
Violon
13
Trio à Cordes: violon, alto, violoncelle
11
Violoncelle
8
Alto seul
6
Violon (partie séparée)
5
Harpe
4
2 Violoncelles (duo)
4
Trio à Cordes: 3 violoncelles
3
4 Violoncelles
3
Contrebasse, Piano (duo)
3
Trio à Cordes: 2 violons, violoncelle
3
Violon, Violoncelle (duo)
3
Harpe, Flûte (duo)
2
Alto (partie séparée)
2
Violon, Guitare (duo)
2
Contrebasse (partie séparée)
2
Contre Basse
2
Quatuor à cordes: 4 violons
2
Violoncelle (partie séparée)
2
Violon, Clarinette, Piano (trio)
2
Alto, Violoncelle (duo)
1
Violon, Alto (duo)
1
Violoncelle , Guitare (duo)
1
Harpe (partie séparée)
1
Quintette à cordes: 2 violons, alto, violoncelle, basse
1
Piano Trio: Violon, Alto, Piano
1
Alto, Guitare (duo)
1
Harpe, Voix
1
Trio à cordes: 3 violins
1
2 Violons (duo)
1
2 Violons, Piano
1
4 Contrebasses
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PERCUSSIONS & ORCHESTRES
Orchestre à Cordes
22
Orchestre d'harmonie
16
Orchestre
10
Cloches
5
Ensemble de cuivres
3
Orchestre de chambre
2
Ensemble Jazz
1
Percussion (partie séparée)
1
Marimba
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Jazz combo
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AUTRES
Vous avez sélectionné:
A Minor Prelude
Saxophone Alto et Piano
Partitions à imprimer
15 partitions trouvées
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Prelude in C minor - BWV 999 - Alto Sax
Saxophone Alto et Piano
Alto Saxophone,Piano - Level 5 - Digital Download SKU: A0.1386050 By Johann Sebasti…
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Alto Saxophone,Piano - Level 5 - Digital Download SKU: A0.1386050 By Johann Sebastian Bach. By Johann Sebastian Bach. Arranged by Ygor Nunes. Baroque,Classical. Score and part. 11 pages. Ygor Nunes #969996. Published by Ygor Nunes (A0.1386050). BWV 999, Johann Sebastian Bach's Prelude in C minor, is a solo keyboard piece characterized by its intricate polyphony, Baroque style, and moderate tempo. Keywords: Bach, Prelude, D minor, solo keyboard, Baroque, polyphony, moderate tempo, Alto Sax.
$4.99
4.47 €
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Saxophone Alto et Piano
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Johann Sebastian Bach
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Ygor Nunes
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Prelude in C minor - BWV 999 - Alto Sax
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Ygor Nunes
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SheetMusicPlus
"Prelude In E Minor" by Frederic Chopin for Alto Sax and Piano-Jazz/Pop Version-Video
Saxophone Alto et Piano
Instrumental Duet,Piano Alto Saxophone,Baritone Saxophone,Instrumental Duet,Piano - Level …
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Instrumental Duet,Piano Alto Saxophone,Baritone Saxophone,Instrumental Duet,Piano - Level 4 - Digital Download SKU: A0.634086 Composed by Frederic Chopin. Arranged by Fishel Pustilnik. Film/TV,Jazz,Pop,World. Score and parts. 7 pages. F & N Enterprise #3509437. Published by F & N Enterprise (A0.634086). An excellent arrangement of the famous Song Prelude in E Minor by Chopin for Alto Sax and Piano-Jazz/Pop Version. Video for Violin and Piano:https://www.youtube.com/watch?v=cnD79GxaX4oThe composition is easy to read, fun to play and sound professional when performed. Arranged by Fishel Pustilnik, very well known as Composer/Publisher. His books Jazz & Pop Piano Paradise (Volumes 1-5) have become a commercial success and a hit with music teachers and students in Canada. (Thousands books already sold in Canada). They are also starting to enter the US, Brazil, Norway, Russia, Holland, Israel, Belgium, Sweden, Finland, Greece, Latvia and UK markets. This is a wonderful new publication. These pieces offer much appeal for the young pianist and excellent choice for a supplementary book for students from Grade 3 to 8. Lore Ruschiensky, Editor, (from review in The Canadian Music Teacher) Yesterday I spent at least two pleasure filled hours playing through your imaginatively inventive compositions. Congratulations! I trust students will decide to program your well crafted and entertaining works on recitals and examinations. Review from Dr. Jack Behrens, B.Sc. (Julliard), PH.D (Harvard), Director of Academic Studies, The Glenn Gould School I liked this book the best so far. Great work! You have a gift for melody and your arrangements are very playable. Congratulations on the 3rd Volume. Mark Carlstein, Hal Leonard, Keyboard Publications.Additional Information regarding my arrangements at SheetMusicPlus: https://www.facebook.com/arrangementsofsheetmusic/
$1.99
1.78 €
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Saxophone Alto et Piano
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Frederic Chopin
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Fishel Pustilnik
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"Prelude In E Minor" by Frederic Chopin for Alto Sax and Piano-Jazz/Pop Version-Video
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F & N Enterprise
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SheetMusicPlus
"Prelude In E Minor" by Chopin-Piano Background for Alto Sax and Piano-Jazz/Pop Version
Saxophone Alto et Piano
Instrumental Duet,Piano Alto Saxophone,Baritone Saxophone,Instrumental Duet,Piano - Level …
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Instrumental Duet,Piano Alto Saxophone,Baritone Saxophone,Instrumental Duet,Piano - Level 4 - Digital Download SKU: A0.634107 Composed by Frederic Chopin. Arranged by Fishel Pustilnik. Film/TV,Jazz,Pop,World. Score and parts. 7 pages. F & N Enterprise #3510579. Published by F & N Enterprise (A0.634107). Piano Background for famous Song Prelude InE Minor by Frederic Chopin for Alto Sax & Piano (Jazz/Pop Version)Plus Version at SMP: S0.352317 The composition is easy to read, fun to play and sound professional when performed. Arranged by Fishel Pustilnik, very well known as Composer/Publisher. His books Jazz & Pop Piano Paradise (Volumes 1-5) have become a commercial success and a hit with music teachers and students in Canada. (Thousands books already sold in Canada). They are also starting to enter the US, Brazil, Norway, Russia, Holland, Israel, Belgium, Sweden, Finland, Greece, Latvia and UK markets. This is a wonderful new publication. These pieces offer much appeal for the young pianist and excellent choice for a supplementary book for students from Grade 3 to 8. Lore Ruschiensky, Editor, (from review in The Canadian Music Teacher) Yesterday I spent at least two pleasure filled hours playing through your imaginatively inventive compositions. Congratulations! I trust students will decide to program your well crafted and entertaining works on recitals and examinations. Review from Dr. Jack Behrens, B.Sc. (Julliard), PH.D (Harvard), Director of Academic Studies, The Glenn Gould School I liked this book the best so far. Great work! You have a gift for melody and your arrangements are very playable. Congratulations on the 3rd Volume. Mark Carlstein, Hal Leonard, Keyboard Publications.Additional Information regarding my arrangements at SheetMusicPlus: https://www.facebook.com/arrangementsofsheetmusic/
$1.99
1.78 €
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Saxophone Alto et Piano
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Frederic Chopin
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Fishel Pustilnik
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"Prelude In E Minor" by Chopin-Piano Background for Alto Sax and Piano-Jazz/Pop Version
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F & N Enterprise
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SheetMusicPlus
Prelude in E minor by Chopin - Alto Sax and Piano (Full Score and Parts)
Saxophone Alto et Piano
Alto Saxophone,Piano - Level 3 - Digital Download SKU: A0.1179910 Composed by Frede…
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Alto Saxophone,Piano - Level 3 - Digital Download SKU: A0.1179910 Composed by Frederic Chopin. Arranged by César Madeira. 19th Century,Children,Multicultural,Romantic Period,Wedding,World. Score and part. 5 pages. Sheet Music To Play Editions #779858. Published by Sheet Music To Play Editions (A0.1179910). Prelude Op.28 No.4 in E minor. Arrangement for Alto Sax and Piano. With Full Score and Individual Parts. Enjoy it!Frédéric François Chopin (1810 - 1849), was a Polish composer and virtuoso pianist of the Romantic era who wrote primarily for solo piano. He has maintained worldwide renown as a leading musician of his era, one whose poetic genius was based on a professional technique that was without equal in his generation.For Tutorials, Play Alongs or request New Arrangements, visit the YouTube Channel: Sheet Music To Play
$7.99
7.16 €
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Saxophone Alto et Piano
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Frederic Chopin
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César Madeira
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Prelude in E minor by Chopin - Alto Sax and Piano
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Sheet Music To Play Editions
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SheetMusicPlus
Prelude in E Minor, Op. 28, No. 4 - Alto Saxophone and Piano
Saxophone Alto et Piano
Alto Saxophone,Piano - Level 3 - Digital Download SKU: A0.735043 Composed by Freder…
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Alto Saxophone,Piano - Level 3 - Digital Download SKU: A0.735043 Composed by Frederic Chopin. Arranged by Andrew Middleton. Romantic Period. Score and part. 3 pages. Andrew Middleton #3218575. Published by Andrew Middleton (A0.735043). Chopin's Prelude in E Minor, Op. 28, No. 4, arranged for Clarinet in B Flat and Piano.For more updates on new arrangements follow my Facebook page on https://www.facebook.com/a.middletonmusic/ Or subscribe to my Youtube page at https://www.youtube.com/channel/UCClIYqddA2wMpdaxSq3BKEw?view_as=subscriber
$4.99
4.47 €
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Saxophone Alto et Piano
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Frederic Chopin
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Andrew Middleton
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Prelude in E Minor, Op. 28, No. 4 - Alto Saxophone and Piano
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Andrew Middleton
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SheetMusicPlus
Bach Prelude in C# Minor (BWV 849) for Alto Saxophone and Piano
Saxophone Alto et Piano
Alto Saxophone,Piano - Level 4 - Digital Download SKU: A0.1292959 Composed by Johan…
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Alto Saxophone,Piano - Level 4 - Digital Download SKU: A0.1292959 Composed by Johann Sebastian Bach. Arranged by Nancy Frese Tabb. Baroque,Chamber,Classical,Contest,Festival. Score and part. 10 pages. Nancy Frese Tabb #883564. Published by Nancy Frese Tabb (A0.1292959). This haunting melody of Bach's Prelude in C# Minor from the Well-Tempered Klavier is scored as an Alto Saxophone Solo with Piano Accompaniment. This arrangement keeps all of Bach's original Baroque ornaments and displays them in both the Saxophone and Piano parts. Great period piece and perfect for a contest, competition or recital!
$5.00
4.48 €
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Saxophone Alto et Piano
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Johann Sebastian Bach
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Nancy Frese Tabb
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Bach Prelude in C# Minor
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Nancy Frese Tabb
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SheetMusicPlus
Scriabin: Prelude Op. 11 No. 2 for Alto Sax & Piano
Saxophone Alto et Piano
Alto Saxophone,Piano - Level 3 - Digital Download SKU: A0.549467 Composed by Alexan…
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Alto Saxophone,Piano - Level 3 - Digital Download SKU: A0.549467 Composed by Alexander Scriabin. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Sacred,Standards. Score and part. 12 pages. Jmsgu3 #3499755. Published by jmsgu3 (A0.549467). Score: 8 pages, solo part: 2 pages, piano part: 2 pages. Duration: 3:10. An introspective and meditative work with a lot of dynamic and phrasing nuance. Works well for church meditations or recital encores.Background Op.11/2 Alto Clarinet version. First of all, Scriabin composed mostly for the solo piano and also the orchestra. This is probably because he was a gifted pianist and therefore certainly appreciated the piano. Scriabin grew up in the late Romantic period, consequently, he was fond of the great piano masters of the time. As a result, he wrote his first noteworthy compositions in the manner of Chopin and Liszt. Forms Likewise, Scriabin used many of the same forms as Chopin. These certainly include the étude, prelude, nocturne, and even the mazurka. In contrast, as he developed his own sense of style his music became more and more unusual. So, the last five of his Piano Sonatas do not have a key signature and therefore lean towards atonality. Philosophy Scriabin also developed a keen interest in philosophy and likewise poetry. He was above all particularly fascinated by Nietzsche, Delville, and Blavatsky. Consequently, he finally established his own ideas about metaphysics and certainly mysticism. Scriabin consequently advanced theories about the relationship between color and musical keys. Synesthesia He also may have experienced a condition called synesthesia where he could probably sense a response created from a different stimulus. Therefore, it was almost as if he could see music and hear colors. Scriabin, therefore, arranged the colors in a circle similar to the circle-of-fifths and assigned each key area a color. Finally, he assigned the key of C to the color red, while the key of G was orange. Similarly, he assigned D to yellow, A to green, and so forth. Strangely, he did not differentiate between major and minor key colors. Multimedia Hence, his ability to translate colors into music certainly gave Scriabin a most noteworthy interest in creating multimedia events. Furthermore, He designed his biggest work, the Mysterium, to last an entire week. Even more, Scriabin made plans not only for music, but also colored lights, incense, and dancing. He designed the performance to occur in the foothills of the Himalaya mountains. The Mysterium was never performed, and only sketches of the work remain. Modern Performances In modern times, we often experience performances of Scriabin’s most famous completed works accompanied by colored laser lights and incense. These are the Poem of Ecstasy (completed in 1908) and the Poem of Fire (completed in 1910). The lighting effects for these early performances were accomplished by the clavier à lumiéres. It was a keyboard instrument that projected colored light onto a screen.
$19.95
17.88 €
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Saxophone Alto et Piano
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Alexander Scriabin
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James M
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Scriabin: Prelude Op. 11 No. 2 for Alto Sax & Piano
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jmsgu3
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SheetMusicPlus
Bach: Wachet auf for Alto Sax & Piano
Saxophone Alto et Piano
Alto Saxophone,Piano - Level 2 - Digital Download SKU: A0.549842 Composed by Johann…
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Alto Saxophone,Piano - Level 2 - Digital Download SKU: A0.549842 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Concert,Easter,Sacred,Standards. Score and part. 12 pages. Jmsgu3 #3554821. Published by jmsgu3 (A0.549842). Wachet auf, ruft uns die Stimme (Awake, the voice is calling us) from Cantata BWV 140. Duration: ca. 4:00, Score: 6 pages, solo part 1 page, piano part: 4 pages. Program this for church services during the Easter season, or as a recital encore.Wachet auf, ruft uns die Stimme (Awake, the Voice is calling us) also known as: Sleepers Awake Bach composed his church cantata Wachet auf (BWV 140) as part of his second annual cantata cycle covering the entire annual church calendar. It is based on the hymn of the same name by Philipp Nicolai (1599). The hymn text covers the readings for the 27th Sunday after Trinity. Bach designed the cantata in seven movements, setting the stanzas in various forms. Among these forms are the chorale fantasia, the chorale prelude, and a four-part chorale. He casts the new lyrics as recitatives – in a manner similar to the opera. Fourth Movement Bach writes the fourth movement, Zion hört die Wächter singen (Zion hears the watchmen singing), in the style of a chorale prelude with the chorale phrases performed as a strict cantus firmus. The phrases seem to enter at times erratically against the famous lyrical melody. The violins play this melody in unison as a foil against the cantus phrases. The violin melody is so independent and complete that when the cantus melody appears it catches the listener at times totally off-guard. Bach later transcribed this movement for organ (BWV 645). This transcription became No. 1 of the Six Schübler Chorales. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with the instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and certainly the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio. History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer. Style It seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV.  .
$24.95
22.37 €
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Saxophone Alto et Piano
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Johann Sebastian Bach
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James M
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Bach: Wachet auf for Alto Sax & Piano
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jmsgu3
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SheetMusicPlus
Rise Up, Shepherd and Follow (Alto Sax and Piano)
Saxophone Alto et Piano
Alto Saxophone,Piano - Level 3 - Digital Download SKU: A0.524929 Composed by Tradit…
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Alto Saxophone,Piano - Level 3 - Digital Download SKU: A0.524929 Composed by Traditional Spiritual. Arranged by John A. Dempsey. Christian,Christmas,Holiday,Sacred,Spiritual. Score and part. 13 pages. John A. Dempsey #6490511. Published by John A. Dempsey (A0.524929). This duet for alto sax and piano of Rise Up, Shepherd and Follow has been reimagined to accentuate the message of hope, everlasting joy and intense emotion that's at the heart of this tuneful, traditional spiritual celebrating Jesus' birth.  Recommended for Christmas plays, pageants and programs as well as traditional Christmas church services and other seasonal worship events, as a prelude, postlude, an offertory or special music.  Also makes a festive selection for holiday recitals and Christmas concerts.  Concert Key: A minor. 9 pages of music (that includes a separate two-page alto sax part).  Alto Sax Level: Intermediate.  Piano Level: Late Intermediate There's a star in the East on Christmas morn,Rise up shepherd, and followIt will lead to the place where the Christ was bornRise up, shepherd and follow.Follow, followRise up, shepherd and followFollow the Star of BethlehemRise up, shepherd and follow.     .
$6.99
6.27 €
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Saxophone Alto et Piano
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Traditional Spiritual
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John A
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Rise Up, Shepherd and Follow
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John A. Dempsey
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SheetMusicPlus
Bach-Gounod: Ave Maria for Alto Sax & Piano
Saxophone Alto et Piano
Alto Saxophone,Piano - Level 2 - Digital Download SKU: A0.549364 Composed by Bach-G…
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Alto Saxophone,Piano - Level 2 - Digital Download SKU: A0.549364 Composed by Bach-Gounod. Arranged by James M. Guthrie, ASCAP. Christmas,Contemporary,Easter,Wedding. Score and part. 11 pages. Jmsgu3 #3490139. Published by jmsgu3 (A0.549364). This arrangement follows the original Bach prelude and so excludes the extra measure that Schwencke introduced in 1783. If you prefer the extra measure, please see Bach-Gounod: Ave Maria, Schwencke version for Alto Sax & Piano, S0.661763. The convenient 1st & 2nd endings provide an option for extended performance with minimal page turns for the accompanist. The duration with repeat is about 4:50. Score: 6 pages. Solo part: 1 page, piano part: 4 pages. Based on Prelude #1 in C Major from the Well-Tempered Clavier, Book 1. Well suited for church meditations or school programs or recital encores. Ave Maria Ave Maria is a Catholic prayer that consequently asks for the mother of Jesus (Mary) to intercede. Charles Gounod composed a famous version of the Ave Maria. He was a French Romantic composer who overlaid a new melody on an existing Bach chord progression. The progression is from Bach’s Prelude No. 1 from Well-Tempered Clavier I. This version, as well as Schubert’s version, have become essential items at weddings, masses, and funerals. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio.  History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer.  Style It seems like Bach created an engaging new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival        Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV. Â
$32.95
29.54 €
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Saxophone Alto et Piano
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Bach-Gounod
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James M
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Piano, S0
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Bach-Gounod: Ave Maria for Alto Sax & Piano
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jmsgu3
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SheetMusicPlus
Bach-Gounod: Ave Maria, Schwencke version for Alto Sax & Piano
Saxophone Alto et Piano
Alto Saxophone,Piano - Level 2 - Digital Download SKU: A0.550919 Composed by J. S. …
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Alto Saxophone,Piano - Level 2 - Digital Download SKU: A0.550919 Composed by J. S. Bach - Gounod. Arranged by James M. Guthrie, ASCAP. Christmas,Contemporary,Easter,Wedding. Score and part. 11 pages. Jmsgu3 #4888291. Published by jmsgu3 (A0.550919). This arrangement features the controversial Schwencke measure (ms. 27) that was originally introduced in 1783 by Christian Friedrich Gottlieb Schwencke. The convenient 1st & 2nd endings provide an option for extended performance. Duration with repeat - 4:50. Score: 6 pages. Solo part: 2 pages, piano part: 4 pages. Based on Prelude #1 in C Major from the Well-Tempered Clavier, Book 1. Well suited for church meditations or school programs or recital encores. Ave Maria Ave Maria is a Catholic prayer that consequently asks for the mother of Jesus (Mary) to intercede. Charles Gounod composed a famous version of the Ave Maria. He was a French Romantic composer who overlaid a new melody on an existing Bach chord progression. The progression is from Bach’s Prelude No. 1 from Well-Tempered Clavier I. This version, as well as Schubert’s version, have become essential items at weddings, masses, and funerals. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio.  History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as a court composer.  Style It seems like Bach created an engaging new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival        Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV. Â
$32.95
29.54 €
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Saxophone Alto et Piano
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J
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James M
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Bach-Gounod: Ave Maria, Schwencke version for Alto Sax & Piano
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jmsgu3
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SheetMusicPlus
We Three Kings (Alto Sax and Piano)
Saxophone Alto et Piano
Alto Saxophone,Piano - Level 3 - Digital Download SKU: A0.522977 Composed by Enriqu…
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Alto Saxophone,Piano - Level 3 - Digital Download SKU: A0.522977 Composed by Enrique Granados, John Henry Hopkins, Jr. Arranged by John A. Dempsey. Christian,Christmas,Holiday,Sacred,Traditional. Score and part. 15 pages. John A. Dempsey #3056971. Published by John A. Dempsey (A0.522977). Arranged here as a festive duet for alto sax and piano, the warm, evocative Christmas carol We Three Kings of Orient Are follows a musical path that merges with the wintry road leading to Enrique Granados' delicately beautiful Oriental.  A bit of holiday serendipity!  Recommended for Christmas concerts and holiday recitals as well as traditional Christmas church services and other worship events, including Christmas plays, pageants and programs.  Suggested worship uses: a prelude, postlude, an offertory, interlude, Christmas play overture, silent prayer accompaniment and special music.  11 pages of music (that includes a two-page alto sax part).  Concert Key (Piano): G minor.  Alto Sax Key: E minor.     We three kings of Orient are: bearing gifts we traverse afar   Field and fountain, moor and mountain - following yonder star.   O star of wonder, star of night; star with royal beauty bright,   Westward leading, still proceeding, guide us to Thy perfect light.
$6.99
6.27 €
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Saxophone Alto et Piano
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Enrique Granados, John Henry Hopkins, Jr
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John A
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We Three Kings
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John A. Dempsey
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SheetMusicPlus
Ten Romantic Solos for Alto Saxophone and Piano
Saxophone Alto et Piano
Alto Saxophone,Piano - Level 3 - Digital Download SKU: A0.735655 Composed by Variou…
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Alto Saxophone,Piano - Level 3 - Digital Download SKU: A0.735655 Composed by Various. Arranged by Andrew Middleton. Romantic Period. Score and part. 56 pages. Andrew Middleton #5318259. Published by Andrew Middleton (A0.735655). Ten solos of varying difficulty from the Romantic Period arranged for alto saxophone and piano accompaniment. All pieces are sold separately but buying all 10 together means each piece only costs $1! The collection includes:Anitra’s Dance from Peer Gynt by Edvard GriegChanson nuit by Edward ElgarDanse Macabre by Camille Saint-SaensVoices of Spring by Johann Strauss Jr.Gnossienne No. 1 by Erik SatieMazurka in F Minor by Anatoly LyadovPavane Op. 50 by Gabriel FaurePrelude in E Minor by Fredric ChopinRomance Op. 17 by Carl ReineckeValse Impromtu by Edvard GreigThis collection of pieces is also available for: flute, oboe, cor anglais clarinet, soprano sax, tenor sax and bassoon.For more updates on new arrangements follow my Facebook page on https://www.facebook.com/a.middletonmusic/ Or subscribe to my Youtube page at https://www.youtube.com/channel/UCClIYqddA2wMpdaxSq3BKEw?view_as=subscriber
$8.00
7.17 €
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Saxophone Alto et Piano
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Various
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Andrew Middleton
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Ten Romantic Solos for Alto Saxophone and Piano
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Andrew Middleton
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SheetMusicPlus
Summer Dreamscape (Alto Sax and Piano)
Saxophone Alto et Piano
Alto Saxophone,Piano - Level 3 - Digital Download SKU: A0.1278820 Composed by John …
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Alto Saxophone,Piano - Level 3 - Digital Download SKU: A0.1278820 Composed by John A. Dempsey. Arranged by John A. Dempsey. Classical,Contemporary,New Age,Pop,Wedding. Score and part. 12 pages. John A. Dempsey #870384. Published by John A. Dempsey (A0.1278820). Half-forgotten memories of past summers come floating back on a sea of serenity beneath a nighttime sky of hazy pastel colors in this tranquil nocturne, a duet for alto sax and piano. Â Recommended for weddings and other multiple venues as a prelude and more. 8 pages of music (that includes a two-page alto sax part) Concert Key: C minor.
$7.99
7.16 €
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Saxophone Alto et Piano
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John A
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John A
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Summer Dreamscape
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John A. Dempsey
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SheetMusicPlus
Bach-Gounod: Ave Maria for Alto Saxophone and Piano
Saxophone Alto et Piano
Composed by J. S. Bach - C. Gounod. Arranged by Colin Kirkpatrick. Praise & Wors…
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Composed by J. S. Bach - C. Gounod. Arranged by Colin Kirkpatrick. Praise & Worship, Easter, Wedding, Bar or Bat Mitzvah, Funeral. Score, Solo Part. 6 pages. Published by Colin Kirkpatrick Publications
This ever-popular piece is often performed at weddings, funerals and many other solemn<br> <br> ceremonial events. It has always been a favorite among instrumental players and often used in<br> <br> recitals or concert encores. This arrangement by Colin Kirkpatrick has been transposed into B<br> <br> flat to feature the middle to upper range of the saxophone. In is ideal for the intermediate<br> <br> player who can manage a top “b” with confidence.<br> In 1853, the well-known French composer Charles Gounod added his own melody over a rippling<br> <br> keyboard accompaniment which was a slightly adapted version of the Prelude No. 1 in C major,<br> <br> BWV846, from Book I of J. S. Bach's The Well-Tempered Clavier, published in 1722. The title of<br> <br> the “combined” piece was Méditation sur le Premier Prélude de Piano de S. Bach. Gounod’s<br> <br> original arrangement transposed Bach’s keyboard part from C major into F major and it was<br> <br> scored for violin (or cello), organ and piano. In 1859, the French music publishing company<br> <br> Jacques-Léopold Heugel brought out a vocal version based on the familiar Latin text. Ave Maria<br> <br> (Hail Mary) is a traditional Catholic prayer addressed to the Virgin Mary, the mother of Jesus.<br> The version of Bach's prelude which Gounod used included the so-called "Schwencke measure" (m.<br> <br> 27 in this arrangement), a measure (bar) allegedly added by the German composer and pianist<br> <br> Christian Friedrich Gottlieb Schwencke (1767-1822) in an attempt to correct what was considered<br> <br> a harmonic weakness in the original. Whether there actually was a “harmonic weakness” (or<br> <br> possibly an error in the manuscript) remains a matter of conjecture but the fact remains that<br> <br> the most familiar-sounding version of this piece, recorded countless times by both singers and<br> <br> instrumentalists includes this Schwencke measure. It is therefore included in this arrangement.<br> Some published arrangements show minor inconsistencies in the rhythm of the melody. This<br> <br> arrangement uses the familiar rhythm of the Ave Maria version as it appeared in the 1859<br> <br> edition.
$7.95
7.13 €
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Saxophone Alto et Piano
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J
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Colin Kirkpatrick
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Bach-Gounod: Ave Maria for Alto Saxophone and Piano
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Colin Kirkpatrick Publications
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SheetMusicPlus
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