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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
About Time
Non classifié
1 474
Piano & claviers
Piano seul
4 614
Piano, Voix
2 780
Piano, Voix et Guitare
523
Piano Facile
370
Accompagnement Piano
109
Piano grosses notes
58
Orgue
54
1 Piano, 4 mains
50
Instruments en Do
38
Piano Trio: piano, violon, violoncelle
21
Piano Quatuor: piano, 2 violons, violoncelle
7
Accordéon
7
2 Pianos, 4 mains
6
Piano Quatuor: piano, violon, alto, violoncelle
4
Piano (partie séparée)
4
Piano Quintette: piano, 2 violons, alto, violoncelle
3
Orgue, Piano (duo)
2
Clavecin
2
1 Piano, 6 mains
1
+ 14 instrumentations
Retracter
Guitares
Guitare
83
Guitare notes et tablatures
52
Basse electrique
23
2 Guitares (duo)
19
Ligne De Mélodie, (Paroles) et Accords
19
Ukulele
9
Guitare (partie séparée)
6
Mandoline
6
Piano, Guitare (duo)
4
Paroles et Accords
4
4 Guitares (Quatuor)
2
Ensemble de guitares
2
Banjo
1
Mandoline, Guitare (duo)
1
2 Ukuleles
1
Guitare, Violon, Violoncelle (trio)
1
+ 11 instrumentations
Retracter
Voix
Chorale SATB
1 131
Chorale 2 parties
179
Chorale 3 parties
168
Chorale Unison
69
Voix Tenor, Piano
63
Chorale TTBB
57
Voix duo, Piano
48
Voix Soprano, Piano
42
Voix Alto, Piano
41
Chorale SSAA
39
Voix duo
30
Voix Baryton, Piano
28
Voix Tenor
9
Voix seule
7
Voix haute
7
Voix moyenne, Piano
3
Chorale SSAATTBB
1
Chorale SAATB A Cappella
1
Voix Soprano
1
+ 14 instrumentations
Retracter
Vents
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
134
Flûte traversière et Piano
104
Quintette de Saxophone: 5 saxophones
85
Hautbois, Piano (duo)
83
Clarinette et Piano
78
Saxophone Alto et Piano
75
Flûte traversière
73
Clarinette
67
Quatuor de Saxophones: 4 saxophones
65
Flûte, Hautbois, Clarinette, Basson
60
2 Saxophones (duo)
53
Saxophone Soprano et Piano
49
Saxophone Alto
46
Saxophone
43
Saxophone Tenor et Piano
42
Quatuor de Clarinettes: 4 clarinettes
40
2 Clarinettes (duo)
33
Hautbois
29
2 Flûtes traversières (duo)
29
Saxophone Baryton, Piano
28
Flûte, Clarinette (duo)
27
Hautbois (partie séparée)
25
Saxophone (partie séparée)
25
3 Saxophones (trio)
22
Quatuor de Flûtes : 4 flûtes
19
Ensemble de Clarinettes
19
Saxophone Tenor
18
2 Hautbois (duo)
18
Saxophone, Clarinette (duo)
14
Clarinette Basse, Piano
12
Ensemble de saxophones
12
Clarinette, Violon (duo)
11
Flûte, Hautbois, Clarinette (trio)
11
Cor anglais, Piano
11
Clarinette, Trompette (duo)
10
Quintette de Clarinettes: 5 clarinettes
10
Quintette de Flûte : 5 flûtes
10
Hautbois, Basson (duo)
10
Ensemble de Flûtes
10
Hautbois, Clarinette (duo)
9
Hautbois, Clarinette, Basson (trio d'anches)
8
Flute (partie séparée)
8
Flûte à Bec
8
Flûte, Violon
8
Saxophone Soprano
8
Harmonica
8
Trio de Flûtes: 3 flûtes
8
Hautbois, Flûte
7
Flûte à bec Soprano
7
Quatuor de Flûtes à bec
5
3 Clarinettes (trio)
5
Saxophone Baryton
5
Flûte, Saxophone (duo)
4
Clarinette et Alto
4
Flûte, Trompette (duo)
4
Clarinette (partie séparée)
3
Ensemble De Flûte à bec
3
2 Flûtes traversières, Piano
3
2 Flûte à bec (duo)
3
3 Flûtes à bec (trio)
3
2 Clarinettes, Piano
3
Flûte, Violon, Piano
3
Flûte, Alto (duo)
3
Flûte, Hautbois, Piano (trio)
3
Flûte à bec Tenor
3
Clarinette, Guitare (duo)
2
Flûte et Guitare
2
Flûte, Clarinette et Basson
2
Flûte, Violoncelle, Piano (trio)
2
Flûte à bec Alto
2
Ensemble à vent
2
Clarinette, Basson (duo)
1
Flûte, Violon et Violoncelle
1
Cor anglais, Guitare (duo)
1
Clarinette Basse
1
Piccolo
1
Flûte à Bec, Piano
1
Flûte, Hautbois, Basson
1
Saxophone et Piano
1
Flûte, Clarinette, Piano (trio)
1
Flûte, Violoncelle
1
2 Hautbois, Piano
1
Saxophone et Orgue
1
Clarinette, Harpe (duo)
1
Flûte à bec Soprano, Piano
1
Flûte traversière, Orchestre
1
4 Hautbois
1
Piccolo, Piano
1
Hautbois, Guitare (duo)
1
Clarinette, Violoncelle, Piano (trio)
1
2 Saxophones, Piano
1
Cor anglais et Harpe (duo)
1
Flûte, Clarinette, Violon (trio)
1
+ 88 instrumentations
Retracter
Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
167
Trombone et Piano
83
Trompette
75
Trompette, Piano
72
Quatuor de Cuivres : 2 trompettes, trombone, tuba
67
Cor et Piano
58
Trombone
55
Tuba et Piano
46
Cor
42
Tuba
32
Quatuor de Cuivres: 2 trompettes, Cor, trombone
24
Euphonium, Piano (duo)
21
2 Trompettes (duo)
20
Trompette, Trombone (duo)
19
2 Trombones (duo)
17
Trombone (partie séparée)
16
Trompette (partie séparée)
16
Quatuor de Cuivres
16
Trompette, Cor (duo)
16
Ensemble de Trombones
15
2 Cors (duo)
12
Cor anglais, Piano
11
Trompette, Saxophone (duo)
10
Cor (partie séparée)
7
Quatuor de cuivres: 4 trombones
6
Trio de Cuivres
5
Euphonium
5
2 Tubas (duo)
4
Tuba (partie séparée)
4
Ensemble de Trompettes
4
Quatuor de cuivres: 4 cors
3
Trombone basse et Piano
3
Tuba et Orgue
3
3 Trombones (trio)
1
Cor anglais, Guitare (duo)
1
Ensemble de Cors
1
2 Cors, Piano
1
Trombone basse
1
4 Tubas
1
Ensemble de Tubas
1
Quatuor de cuivres: 4 trompettes
1
Cor anglais et Harpe (duo)
1
+ 37 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
252
Violon
138
Violon et Piano
116
Violon, Violoncelle (duo)
109
Trio à Cordes: violon, alto, violoncelle
98
Alto, Piano
85
Quintette à cordes: 2 violons, alto, violoncelle, basse
85
Violoncelle, Piano
83
Violoncelle
75
Alto seul
56
Harpe
36
2 Violons (duo)
32
Violon, Alto (duo)
30
2 Violoncelles (duo)
21
Trio à Cordes: 2 violons, violoncelle
21
Contrebasse, Piano (duo)
18
2 Altos (duo)
17
Alto, Violoncelle (duo)
11
Contre Basse
11
Piano Trio: Violon, Alto, Piano
10
Alto (partie séparée)
8
Violon (partie séparée)
7
Ensemble de Violons
7
Contrebasse (partie séparée)
7
Trio à Cordes: 2 violons, alto
6
Trio à cordes: 3 violins
6
Trio à Cordes: 3 violoncelles
6
Ensemble d'Altos
5
Harpe, Flûte (duo)
4
Violoncelle , Guitare (duo)
3
2 Altos, Piano
3
2 Harpes (duo)
2
4 Violoncelles
2
Quintette à cordes : 2 violons, alto et 2 violoncelles
2
Quintette à cordes: 2 violons, 2 altos, violoncelle
1
Violoncelle (partie séparée)
1
Violon, Guitare (duo)
1
2 Contrebasses (duo)
1
Violon, Clarinette, Piano (trio)
1
4 Harpes
1
Harpe, Voix
1
Violoncelle, Contrebasse (duo)
1
+ 37 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
353
Orchestre à Cordes
103
Orchestre
95
Ensemble de cuivres
65
Ensemble Jazz
56
Batterie
37
Orchestre de chambre
31
Cloches
25
Jazz combo
20
Fanfare
13
Ensemble de Percussions
7
Quintette à cordes : 2 Violons, Alto, Violoncelle, Contrebasse, Clavier
5
Ensemble d'École
4
Batterie (partie séparée)
3
Percussion (partie séparée)
3
Quintette de Cuivres: autres combinaisons
1
Xylophone
1
+ 12 instrumentations
Retracter
Autres
Instruments
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ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
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TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
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TRI ET FILTRES
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
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FLAMENCO
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FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
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Crtitères actifs :
About Time
Saxophone Alto et Piano
Partitions à imprimer
75 partitions trouvées
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1
26
51
Arirang Two Times (아리랑)
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Saxophone Alto et Piano
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FACILE
#
Folklorique/Traditionel
#
Traditional
#
Christian Morris
#
Arirang Two Times
#
Hoopla Sheet Music
#
SheetMusicPlus
Alto Saxophone,Piano - Level 2 - SKU: A0.1129508 Composed by Traditional. Arranged by Christian Morris. Folk. Score and part. 5 pages. Hoopla Sheet Musi...
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Alto Saxophone,Piano - Level 2 - SKU: A0.1129508 Composed by Traditional. Arranged by Christian Morris. Folk. Score and part. 5 pages. Hoopla Sheet Music #729956. Published by Hoopla Sheet Music (A0.1129508). “Arirang†(아리랑) is a popular folk song in both North and South Korea. It is estimated to be more than 600 years old. There are about 3,600 variations of 60 different versions of the song. This arrangement juxtaposes a refrain in a different time signature (4/4) which is then played against the original tune in its original time (3/4).
$5.99
Only Time
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Saxophone Alto et Piano
#
INTERMÉDIAIRE
#
Celtique/Irlandais
#
Enya
#
Kenneth D
#
Only Time
#
KFS Publishing
#
SheetMusicPlus
Alto Saxophone,Piano - Level 3 - SKU: A0.700517 By Enya. By Enya, Nicky Ryan, and Roma Ryan. Arranged by Kenneth D. Friedrich. Celtic,New Age. Score and...
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Alto Saxophone,Piano - Level 3 - SKU: A0.700517 By Enya. By Enya, Nicky Ryan, and Roma Ryan. Arranged by Kenneth D. Friedrich. Celtic,New Age. Score and part. 6 pages. KFS Publishing #6266907. Published by KFS Publishing (A0.700517). To quote the artist herself, ‘Only Time’ talks about the fact that time will heal. It won’t get rid of the wound, but time will bring back a sense of normality that is important to your life.' My hope is this arrangement will have the same effect instrumentally.
$14.95
Time To Say Goodbye
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Saxophone Alto et Piano
#
AVANCÉ
#
Opera
#
Classique
#
Andrea Bocelli & Sarah Brightm
#
Austin Ralphson
#
Time To Say Goodbye
#
Austin Ralphson
#
SheetMusicPlus
Alto Saxophone,Piano - Level 5 - SKU: A0.563302 By Andrea Bocelli & Sarah Brightman. By Francesco Sartori. Arranged by Austin Ralphson. Opera. Score and...
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Alto Saxophone,Piano - Level 5 - SKU: A0.563302 By Andrea Bocelli & Sarah Brightman. By Francesco Sartori. Arranged by Austin Ralphson. Opera. Score and part. 9 pages. Austin Ralphson #3538105. Published by Austin Ralphson (A0.563302). This is probably one of the most beautiful melodies I have ever heard. This song was popular in 1994, and the lyrics are often misinterpreted. The song is about saying goodbye to an old life on the eve of something new, e.g. wedding, birth etc. It is very popular to perform at weddings and also in recital and always goes down very well indeed.
$7.99
There's Something About That Name
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Saxophone Alto et Piano
#
FACILE
#
Contemporain
#
Bill Gaither
#
Stephen DeCesare
#
There's Something About That N
#
Exultet Music
#
SheetMusicPlus
Alto Saxophone,Piano - Level 2 - SKU: A0.630739 Composed by Bill Gaither. Arranged by Stephen DeCesare. Contemporary. Score and part. 7 pages. Exultet M...
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Alto Saxophone,Piano - Level 2 - SKU: A0.630739 Composed by Bill Gaither. Arranged by Stephen DeCesare. Contemporary. Score and part. 7 pages. Exultet Music #6473921. Published by Exultet Music (A0.630739). The tender Contemporary Christian / Praise and Worship anthem associated with the Bill Gaither Trio has now been freshly arranged for an Alto Saxophone solo with Piano accompaniment. Accessible and appropriate for any church or concert setting. Can be used at many times throughout the liturgical year.
$4.99
Bach: Bist du bei mir BWV 508 for Alto Sax & Piano
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Saxophone Alto et Piano
#
FACILE
#
Classique
#
Johann Sebastian Bach
#
James M
#
Bach: Bist du bei mir BWV 508
#
jmsgu3
#
SheetMusicPlus
Alto Saxophone,Piano - Level 2 - SKU: A0.549235 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Easter,Standards,Wedding...
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Alto Saxophone,Piano - Level 2 - SKU: A0.549235 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Easter,Standards,Wedding. Score and part. 9 pages. Jmsgu3 #3468804. Published by jmsgu3 (A0.549235). J. S. Bach BWV 508. Bist du bei mir Bach adapted this aria from a lost Stölzel opera called Diomedes. He changed the original orchestral instrumentation to soprano, strings, and continuo.  He also modified the voice-leading making it sound more like a Bach composition. The work appears as BWV 508 No. 25 in the Anna Magdalena Notebook No. 2.  Source Only a few remnants of the original opera have survived. Historians speculate that Anna Magdalena got the song from the Leipzig Opera after the bankruptcy of 1720. Chances are good, though, that the tune was a favorite of everyone in Leipzig at the time.  Lyrics When thou art near, I go with joyTo death and to my rest.O how joyous would my end be,If your fair hands      Would close my faithful eyes. - Unknown Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and certainly the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy are the St. John Passion, and indeed the Christmas Oratorio.  History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer.  Style It seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival        Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV.  Voyager NASA launched two Voyager spacecraft in 1977. Onboard are phonograph records with sounds, music, and images of life on Earth. The purpose of the launch was to inform intelligent extraterrestrial life forms about conditions on Earth. The music on the disc is varied. There is Bach, Mozart, Beethoven, and Stravinsky among others. However, because Bach is so important in our music history, it contains three times more Bach than all the others combined.
$32.95
Saint-Saëns: The Swan for Alto Sax & Piano
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Saxophone Alto et Piano
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INTERMÉDIAIRE
#
Classique
#
Camille Saint-Saens
#
James M
#
Saint-Saëns: The Swan for
#
jmsgu3
#
SheetMusicPlus
Alto Saxophone,Piano - Level 3 - SKU: A0.1314328 Composed by Camille Saint-Saens. Arranged by James M. Guthrie. 19th Century,Chamber,Contest,Festival,Hi...
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Alto Saxophone,Piano - Level 3 - SKU: A0.1314328 Composed by Camille Saint-Saens. Arranged by James M. Guthrie. 19th Century,Chamber,Contest,Festival,Historic,Romantic Period. Score and part. 11 pages. Jmsgu3 #903072. Published by jmsgu3 (A0.1314328). Saint-Saëns: The Swan (Le Cygne) movement 13 from the Carnival of the Animals Suite. One of his most popular and widely recognized works, it is the only movement from the Carnival Suite that Saint-Saëns permitted to be performed publicly during his lifetime. This is an excellent recital encore to demonstrate melodic playing and strategic phrasing.The Carnival of the AnimalsThe Carnival of the Animals is an entertaining musical suite of fourteen movements by Camille Saint-Saëns. The work was composed for private performance by an ensemble of two pianos and solo instruments. The Swan (No. 13) is among the fourteen most famous movements. In its entirety, it lasts about 25 minutes.Saint-Saëns BackgroundCharles-Camille Saint-Saëns 1835 – 1921) was, by all means, in particular, a famous French composer, brilliant organist, and significant musical mastermind of the Romantic era. Indeed, his most famous compositions, in the long run, include his Piano Concerto No. 2 (1868), Cello Concerto No. 1 (1872), and the Danse macabre (1874). Notwithstanding, we must also add Violin Concerto No. 3 (1880), Symphony No. 3 (the Organ Symphony, 1886), and, it must be remembered, Carnival of the Animals (1886) to the list.ChildhoodIt is essential to realize that Saint-Saëns was undoubtedly, in fact, a child musical prodigy. Consequently, with this in mind, he made his concert debut, albeit at ten years old. Another critical point to remember is that he expressly studied at the Paris Conservatoire, then, despite reality, conversely followed a traditional career path as a church organist. Nevertheless, twenty years later, on the other hand, he left to become a successful freelance pianist and composer despite, as has been noted, his former employment situation. Furthermore, his performances were, after all, markedly in demand - not only in Europe but, above all, in the Americas all in all as well.YouthA point often overlooked is that in his youth, Saint-Saëns was undoubtedly excited about the modern music of the day. He was, in essence, fond of the music of his contemporaries, particularly Schumann, Liszt, and, for the most part, Wagner. In contrast, however, his compositions seemed, in fact, primarily confined within the conservative classical tradition. Be that as it may, he was, at the same time, nevertheless, a scholar of musical history.CriticismOn the whole, his conservatism, in fact, ultimately brought him into frequent conflict in his later years with composers of the impressionist and, in particular, the dodecaphonic schools of musical thought. A point often overlooked is that he included neoclassical elements in his music, contrary to some critics. Furthermore, in so doing, he provided the most compelling evidence that he predicted the techniques and works by Stravinsky and Les Six. To put it another way, given these points, he was regarded, perhaps for the most part unfairly, as a non-progressive reactionary henceforth around the time of his passing.LegacySaint-Saëns taught briefly in Paris, where his students included Gabriel Fauré. Maurice Ravel later studied with Fauré. In conclusion, both Ravel and Fauré were powerfully influenced by Saint-Saëns, whom they respected as a musical mastermind.
$32.95
Away In A Manger: for Alto Sax & Piano
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Saxophone Alto et Piano
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DÉBUTANT
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Noël
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the 1880’s the cradle s
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Mueller
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James M
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piano
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Away In A Manger: for Alto Sax
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jmsgu3
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SheetMusicPlus
Alto Saxophone,Piano - Level 1 - SKU: A0.548472 Composed by Mueller. Arranged by James M. Guthrie. Christian,Christmas. Score and part. 3 pages. Jmsgu3 ...
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Alto Saxophone,Piano - Level 1 - SKU: A0.548472 Composed by Mueller. Arranged by James M. Guthrie. Christian,Christmas. Score and part. 3 pages. Jmsgu3 #3386519. Published by jmsgu3 (A0.548472). Traditional Christmas song arranged for alto sax & piano. Final verse features an alternate harmonization.Score: 2 pages. Part: 1 page.Away in a Manger – Alto Sax Away in a Manger is a popular Christmas song published originally sometime in the later 19th century and performed throughout the world. In England, it is considered one of the two most popular carols of all time; a 1996 poll ranked it as a tie for second place. To begin with, many thought it was written by Martin Luther, but now the song is considered to be absolutely American. The most common musical arrangements are by William Kirkpatrick (1895) and James R. Murray (1887). The melody was first published, as Luther's Cradle Hymn, by James R. Murray. Then, came a confusing series of explanations about how Martin Luther wrote the song. Murray even went so far as to suggest that Luther wrote it for his children. As a result, the song has become known as simply Mueller. Nobody knows who this Mueller actually is, but the name stuck. Popularity By the 1880’s the cradle song was being performed in church. By the 1990’s the song was becoming the most popular Christmas song of all time. It was sung in school, in church, and at home by nearly everyone. Other musical settings The first musical setting published with the lyrics appeared in the Little Children's Book for Schools and Families (1885). The title was Away in a Manger. This edition is the first one not to attribute the song to Martin Luther. Charles H. Gabriel was the first arranger to present the third verse. He also composed and published a large number of different arrangements of the song. In one of his settings, he supplies a chorus for each verse with asleep sung in canon. Another prevalent preparation uses the lyrics to the melody Flow Gently, Sweet Afton. Yet another arrangement dating uses the lyrics to an old Normandy Carol.
$24.95
Mendelssohn: Wedding March for Alto Sax & Piano
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Saxophone Alto et Piano
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INTERMÉDIAIRE
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Classique
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Felix Bartholdy Mendelssohn
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James M
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Mendelssohn: Wedding March for
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jmsgu3
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SheetMusicPlus
Alto Saxophone,Piano - Level 3 - SKU: A0.549892 Composed by Felix Bartholdy Mendelssohn. Arranged by James M. Guthrie, ASCAP. Romantic Period,Standards,...
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Alto Saxophone,Piano - Level 3 - SKU: A0.549892 Composed by Felix Bartholdy Mendelssohn. Arranged by James M. Guthrie, ASCAP. Romantic Period,Standards,Wedding. Score and part. 23 pages. Jmsgu3 #3603399. Published by jmsgu3 (A0.549892). Score: 12 pages, piano part: 6 pages, alto sax part: 4 pages. duration: ca. 5'. This is the famous wedding march from Op. 61 composed in 1842 and commonly performed as a recessional march at the end of a wedding. The piece was originally composed for orchestra then arranged for organ and performed by Mendelssohn himself.Mendelssohn: Wedding March Mendelssohn’s Wedding March is so popular that it’s difficult to imagine a wedding without it. It seems like it’s been around for eternity. In any case, it was only 150 years or so ago that the Wedding March came about. It was performed in Potsdam for the first time in 1842, as a piece of Mendelssohn’s music for the Shakespeare play A Midsummer Night’s Dream. It was first used for a wedding in 1858 Mendelssohn Background Felix Mendelssohn (1809 –1847) was, by all means, a German mastermind composer, musician and orchestra conductor of the Romantic period. Consequently, Mendelssohn composed in the usual forms of the time - symphonies, concertos, oratorios, piano music, and chamber music. To summarize, his most famous works include his music for A Midsummer Night's Dream, the Italian Symphony, the Scottish Symphony, The Hebrides Overture, his later Concerto for Violin & Orchestra, and his Octet for Strings. His most well-known piano pieces, by and large, are the Songs Without Words. Artistic Standing Musical tastes change from time to time. Moreover, just such a change occurred in the late 19th and early 20th centuries. This plus rampant antisemitism brought a corresponding amount of undue criticism. Fortunately, however, his artistic inventiveness has indeed been critically re-evaluated. As a result, Mendelssohn is once again among the most prevalent composers of the Romantic era. Early Family Life Mendelssohn was, in fact, born into a prominent Jewish family. His grandfather was, notably, the philosopher Moses Mendelssohn. Felix was, in fact, raised without religion. At the age of seven, he was all of a sudden baptized as a Reformed Christian. He was, moreover, a child musical prodigy. Nevertheless, his parents did not attempt to exploit his talent. Early Adulthood Mendelssohn was, in general, successful in Germany. He conducted, in particular, a revival of the music of Johann Sebastian Bach, specifically with his presentation of the St Matthew Passion in 1829. Felix was truly in demand throughout Europe as a composer, conductor, and soloist. For example, he visited Britain ten times. There, he premiered, namely, many of his major works. His taste in music was. To be sure, inventive and well-crafted yet markedly conservative. This conservatism separated him by all means from more audacious musical colleagues like Liszt, Wagner, and Berlioz. Mendelssohn founded the Leipzig Conservatoire which, to clarify, became a defender of this conservative viewpoint. Mature Adulthood Schumann notably wrote that Mendelssohn was the Mozart of the nineteenth century, the most brilliant musician, the one who most clearly sees through the contradictions of the age and for the first time reconciles them. This observation points to a couple of features in particular that illustrate Mendelssohn's works and his artistic procedure. Musical Features In the first place, his musical style was fixed in his methodical mastery of the style of preceding masters. This being said, he certainly recognized and even developed early romanticism from the music of Beethoven and Weber. Secondly, it indicates that Mendelssohn sought to strengthen his inherited musical legacy rather than to exchange it with new forms and styles or replace it with exotic orchestration. Consequently, he diverged his contemporaries in the romantic period, such as Wagner, Berlioz, and Liszt. Mendelssohn revered Liszt's virtuos.
$32.95
Mignon
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Saxophone Alto et Piano
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FACILE
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Classique
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Fanny Cecile Mendelssohn
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Jane Frasier
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Mignon
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Jane Frasier
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SheetMusicPlus
Alto Saxophone,Piano - Level 2 - SKU: A0.1099747 Composed by Fanny Cecile Mendelssohn. Arranged by Jane Frasier. Chamber,Classical,Romantic Period. Scor...
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Alto Saxophone,Piano - Level 2 - SKU: A0.1099747 Composed by Fanny Cecile Mendelssohn. Arranged by Jane Frasier. Chamber,Classical,Romantic Period. Score and part. 5 pages. Jane Frasier #703622. Published by Jane Frasier (A0.1099747). This is an arrangement for alto sax and piano of an art song by Fanny Mendelssohn Hensel, a German composer of the early Romantic era. Her brother was Felix Mendelssohn and because of social conventions at the time about the roles of women, six of her songs were published under her brother's name in his Opus 8 and 9 collections. She composed more than 250 lieder, most of the unpublished during her lifetime.
$4.50
Scriabin: Prelude Op. 11 No. 2 for Alto Sax & Piano
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Saxophone Alto et Piano
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INTERMÉDIAIRE
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Alexander Scriabin
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James M
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Scriabin: Prelude Op. 11 No. 2
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jmsgu3
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SheetMusicPlus
Alto Saxophone,Piano - Level 3 - SKU: A0.549467 Composed by Alexander Scriabin. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Peri...
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Alto Saxophone,Piano - Level 3 - SKU: A0.549467 Composed by Alexander Scriabin. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Sacred,Standards. Score and part. 12 pages. Jmsgu3 #3499755. Published by jmsgu3 (A0.549467). Score: 8 pages, solo part: 2 pages, piano part: 2 pages. Duration: 3:10. An introspective and meditative work with a lot of dynamic and phrasing nuance. Works well for church meditations or recital encores.Background Op.11/2 Alto Clarinet version. First of all, Scriabin composed mostly for the solo piano and also the orchestra. This is probably because he was a gifted pianist and therefore certainly appreciated the piano. Scriabin grew up in the late Romantic period, consequently, he was fond of the great piano masters of the time. As a result, he wrote his first noteworthy compositions in the manner of Chopin and Liszt. Forms Likewise, Scriabin used many of the same forms as Chopin. These certainly include the étude, prelude, nocturne, and even the mazurka. In contrast, as he developed his own sense of style his music became more and more unusual. So, the last five of his Piano Sonatas do not have a key signature and therefore lean towards atonality. Philosophy Scriabin also developed a keen interest in philosophy and likewise poetry. He was above all particularly fascinated by Nietzsche, Delville, and Blavatsky. Consequently, he finally established his own ideas about metaphysics and certainly mysticism. Scriabin consequently advanced theories about the relationship between color and musical keys. Synesthesia He also may have experienced a condition called synesthesia where he could probably sense a response created from a different stimulus. Therefore, it was almost as if he could see music and hear colors. Scriabin, therefore, arranged the colors in a circle similar to the circle-of-fifths and assigned each key area a color. Finally, he assigned the key of C to the color red, while the key of G was orange. Similarly, he assigned D to yellow, A to green, and so forth. Strangely, he did not differentiate between major and minor key colors. Multimedia Hence, his ability to translate colors into music certainly gave Scriabin a most noteworthy interest in creating multimedia events. Furthermore, He designed his biggest work, the Mysterium, to last an entire week. Even more, Scriabin made plans not only for music, but also colored lights, incense, and dancing. He designed the performance to occur in the foothills of the Himalaya mountains. The Mysterium was never performed, and only sketches of the work remain. Modern Performances In modern times, we often experience performances of Scriabin’s most famous completed works accompanied by colored laser lights and incense. These are the Poem of Ecstasy (completed in 1908) and the Poem of Fire (completed in 1910). The lighting effects for these early performances were accomplished by the clavier à lumiéres. It was a keyboard instrument that projected colored light onto a screen.
$19.95
Gavotte en Rondeau
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Saxophone Alto et Piano
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INTERMÉDIAIRE
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Classique
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Johann Sebastian Bach
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Robert Stevens
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Gavotte en Rondeau
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SAXpress.com
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SheetMusicPlus
Alto Saxophone,Piano - Level 3 - SKU: A0.1401535 Composed by Johann Sebastian Bach. Arranged by Robert Stevens. Baroque,Chamber,Classical. Score and par...
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Alto Saxophone,Piano - Level 3 - SKU: A0.1401535 Composed by Johann Sebastian Bach. Arranged by Robert Stevens. Baroque,Chamber,Classical. Score and part. 20 pages. SAXpress.com #984718. Published by SAXpress.com (A0.1401535). Gavotte en Rondeau (1720) from Violin Partita No. 3, BWV 1006 J. S. Bach (1685 – 1750) Alto or Tenor Saxophone Solo with piano Gavotte en Rondeau by J.S. Bach arranged for Alto or Tenor Saxophone solo with piano. This piece is the third movement from the Partita #3 for Solo Violin by Johann Sebastian Bach. It is one of Bach’s most instantly recognizable pieces. Playful and lively, this movement is based off the leaping French gavotte rhythm but presented here en rondeau, or in a Rondo style, with the main theme returning in multiple variations. It has been recorded dozens of times and used in many film and TV scores. A recording of Gavotte en Rondeau was included on the Voyager Golden Record, attached to the Voyager spacecraft launched in 1977, as a sample of the culture of Earth.This arrangement of Gavotte en Rondeau is for Alto or Tenor Saxophone Solo with piano. It is transposed to the key of E flat (the original is in the key of E). As the gavotte repeats several times, an optional alternate ending for a shorter and less technically demanding performance is indicated at the end of the third statement of the rondeau. The performance time of the short version is about 1′:15″ as opposed to 2′:30″ for the full version.
$11.95
Wichita Lineman
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Saxophone Alto et Piano
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INTERMÉDIAIRE
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Glen Campbell
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James M
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Wichita Lineman
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jmsgu3
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SheetMusicPlus
Alto Saxophone,Piano - Level 3 - SKU: A0.1078294 By Glen Campbell. By Jimmy Webb. Arranged by James M. Guthrie. Country,Jazz,Pop,Standards,Wedding. Scor...
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Alto Saxophone,Piano - Level 3 - SKU: A0.1078294 By Glen Campbell. By Jimmy Webb. Arranged by James M. Guthrie. Country,Jazz,Pop,Standards,Wedding. Score and part. 12 pages. Jmsgu3 #682500. Published by jmsgu3 (A0.1078294). Score: 7 pages. Duration: 2:34Wichita Lineman is a 1968 song by the American singer-songwriter Jimmy Webb. The song has since been praised as one of the most influential and greatest recordings in popular music history. The song has been widely praised by critics and has been called a masterpiece of American music. In 2004, it was ranked number 201 on Rolling Stone's list of The 500 Greatest Songs of All Time. The song has also been praised for its poetic lyrics, as well as its use of electric guitar and strings to create a unique sound. The song has been covered by numerous artists, including Glen Campbell, who recorded a version that reached the top of the US Billboard Hot Country Songs chart in 1968. The song has also been featured in numerous films and television shows and has been referenced in popular culture. Wichita Lineman has been praised for its universal appeal, and its ability to connect with listeners.Wichita Lineman is a timeless classic that has become synonymous with loneliness. The song is about a telephone lineman who is alone in his work and in his life, looking out at the vast landscape in search of something he cannot find. The melancholy and longing of the song evoke the loneliness that many people feel, especially in a society that can often feel disconnected and isolated. Webb's lyrics and Campbell's vocals combine to create a song that is as beautiful as it is heartbreaking. It is a timeless song that captures the loneliness of many, and its enduring popularity over the years is a testament to its power.
$149.95
Precious Lord, Take My Hand (Alto Saxophone and Piano)
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Saxophone Alto et Piano
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FACILE
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Musique Sacrée
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Christian contemporain
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George Nelson Allen
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Stephen DeCesare
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Precious Lord, Take My Hand
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Exultet Music
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SheetMusicPlus
Alto Saxophone,Piano - Level 2 - SKU: A0.628493 Composed by George Nelson Allen. Arranged by Stephen DeCesare. Christian,Contemporary,Praise & Worship,S...
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Alto Saxophone,Piano - Level 2 - SKU: A0.628493 Composed by George Nelson Allen. Arranged by Stephen DeCesare. Christian,Contemporary,Praise & Worship,Sacred. Score and part. 7 pages. Exultet Music #6140313. Published by Exultet Music (A0.628493). One of the most favorite and requested hymns of all time when the topic is about trusting in God or for a funeral, has now been freshly arranged for an Alto Saxophone solo with Piano accompaniment. Accessible and appropriate for any church or concert setting. Can be used many times throughout the liturgical year. An accompaniment track is also available.
$4.99
Jingle Bells • Christmas Song | alto saxophone sheet music w/ piano accompaniment [chords]
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Saxophone Alto et Piano
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FACILE
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purchasing our edition, You'll
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James Lord Pierpoint
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Benzaiten Editions
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Jingle Bells • Christmas
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Benzaiten Editions
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SheetMusicPlus
Alto Saxophone,Piano - Level 2 - SKU: A0.1457137 Composed by James Lord Pierpoint. Arranged by Benzaiten Editions. 19th Century,Christmas,Holiday,Multic...
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Alto Saxophone,Piano - Level 2 - SKU: A0.1457137 Composed by James Lord Pierpoint. Arranged by Benzaiten Editions. 19th Century,Christmas,Holiday,Multicultural,Traditional,World. Score and part. 3 pages. Benzaiten Editions #1036170. Published by Benzaiten Editions (A0.1457137). Hey there, music enthusiast! Ready to get into the festive spirit with the cheerful melodies of the timeless classic Jingle Bells? Let the Christmas magic unfold with our sheet music edition! 🎵 Jingle Bells • Christmas Song | alto saxophone sheet music w/ piano accompaniment [chords]Perfect for beginners, holiday concerts, family gatherings, or simply enjoying the festive season, this easy arrangement brings the cheerful spirit of Jingle Bells to your fingertips. Spread holiday cheer and make your Christmas merry and bright! Our 'Jingle Bells' arrangement | Benzaiten Editions By purchasing our edition, You'll be able to download:• Full score with all instruments of the arrangement• Alto saxophone part About 'Jingle Bells' Jingle Bells, written by James Lord Pierpont in 1857, was originally titled One Horse Open Sleigh and was intended for Thanksgiving. Over time, it became a beloved Christmas classic. Its lively rhythm and catchy melody capture the fun and excitement of the holiday season.
$4.99
Jingle Bells • Christmas Song | alto saxophone sheet music w/ piano accompaniment
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Saxophone Alto et Piano
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FACILE
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purchasing our edition, You'll
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James Lord Pierpoint
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Benzaiten Editions
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Jingle Bells • Christmas
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Benzaiten Editions
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SheetMusicPlus
Alto Saxophone,Piano - Level 2 - SKU: A0.1457136 Composed by James Lord Pierpoint. Arranged by Benzaiten Editions. 19th Century,Christmas,Holiday,Multic...
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Alto Saxophone,Piano - Level 2 - SKU: A0.1457136 Composed by James Lord Pierpoint. Arranged by Benzaiten Editions. 19th Century,Christmas,Holiday,Multicultural,Traditional,World. Score and part. 3 pages. Benzaiten Editions #1036169. Published by Benzaiten Editions (A0.1457136). Hey there, music enthusiast! Ready to get into the festive spirit with the cheerful melodies of the timeless classic Jingle Bells? Let the Christmas magic unfold with our sheet music edition! 🎵 Jingle Bells • Christmas Song | alto saxophone sheet music w/ piano accompanimentPerfect for beginners, holiday concerts, family gatherings, or simply enjoying the festive season, this easy arrangement brings the cheerful spirit of Jingle Bells to your fingertips. Spread holiday cheer and make your Christmas merry and bright! Our 'Jingle Bells' arrangement | Benzaiten Editions By purchasing our edition, You'll be able to download:• Full score with all instruments of the arrangement• Alto saxophone part About 'Jingle Bells' Jingle Bells, written by James Lord Pierpont in 1857, was originally titled One Horse Open Sleigh and was intended for Thanksgiving. Over time, it became a beloved Christmas classic. Its lively rhythm and catchy melody capture the fun and excitement of the holiday season.
$4.99
LUNA for violin, alto saxophone and piano
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Saxophone Alto et Piano
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AVANCÉ
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Contemporain
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Daniel Cueto
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LUNA for violin, alto saxophon
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Daniel Cueto
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SheetMusicPlus
Instrumental Duet,Piano Alto Saxophone,Instrumental Duet,Piano,Violin - Level 5 - SKU: A0.876578 Composed by Daniel Cueto. 20th Century,Concert,Contempo...
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Instrumental Duet,Piano Alto Saxophone,Instrumental Duet,Piano,Violin - Level 5 - SKU: A0.876578 Composed by Daniel Cueto. 20th Century,Concert,Contemporary. Score and parts. 17 pages. Daniel Cueto #4980495. Published by Daniel Cueto (A0.876578). ABOUT THIS WORK:In 2016, the Russian Space Corporation announced its newest long-term project: a plan to establish a permanent human colony on the Moon by the year 2030. Several other nations - including Japan, China and the USA - have announced similar projects over the years. I began to think about this idea and its possible implications for human culture. An intriguing question came to mind: if a human settlement on the Moon is developed, would art works be created there? Would there be composers there, writing music?After enough time had passed, what would the music made by inhabitants of such remote colonies sound like?I started to imagine a music that combined well-known elements of the Western tradition with new patterns and concepts, these being an expression of the profoundly different daily-life experiences of living on the Moon. I heard, in my mind, a lonesome chant, performed with a view of a lunar night sky. After the song, a strange pulsating music, maybe a subtle depiction of a process of lunar tectonics. Connecting between these two elements, a third one emerged: a mysterious, oscillating motive, perpetually shifting back and forth between two harmonies; swaying, gently and forever, until lost to a cosmic silence…From these resonant impressions, a primitive sketch started to emerge; a voyage into an unexplored compositional region. A musical fantasy about a distant - yet still human - reality.
$14.99
Waltz in A Minor (Chopin) - Alto Saxophone and Piano - Chamber music
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Saxophone Alto et Piano
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INTERMÉDIAIRE
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Classique
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Frederic Chopin
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Raymond Fenech
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Waltz in A Minor
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Raymond Fenech
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SheetMusicPlus
Alto Saxophone,Piano - Level 3 - SKU: A0.760536 Composed by Frederic Chopin. Arranged by Raymond Fenech. Christmas,Classical,Easter,Holiday,Instructiona...
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Alto Saxophone,Piano - Level 3 - SKU: A0.760536 Composed by Frederic Chopin. Arranged by Raymond Fenech. Christmas,Classical,Easter,Holiday,Instructional,Love. Score and part. 9 pages. Raymond Fenech #4622013. Published by Raymond Fenech (A0.760536). Waltz in A minor, often designated as No. 19, is a waltz for solo piano composed by Frédéric Chopin. The waltz was written sometime between 1843 and 1848, but was not published until 1860, after the composer's death. The piece shows great sadness, while enclosing some episodes that hint at happiness and hope. The first theme of the piece uses a simple but effective melody, conveying a sad portrait, with decorative ornaments used throughout. The second theme is more interesting and lively, although it still has a certain sadness. About halfway through the piece, there is a modulation into A major, featuring a happy and joyful melody. The piece concludes with the main theme, followed by a short coda. The Level is Intermediate/Advanced Intermediate and the duration is approximately 2.01 minutes. It could be played in any type of recital/concert.
$3.99
Clair de Lune - Alto Sax & Piano
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Saxophone Alto et Piano
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Claude Debussy
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Clair de Lune - Alto Sax &
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Music-Scores.com
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SheetMusicPlus
Alto Saxophone,Piano - Level 4 - SKU: A0.721268 Composed by Claude Debussy. Arranged by Anne L Christopherson GRSM ARCM. Concert,Contemporary,Wedding. S...
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Alto Saxophone,Piano - Level 4 - SKU: A0.721268 Composed by Claude Debussy. Arranged by Anne L Christopherson GRSM ARCM. Concert,Contemporary,Wedding. Score and part. 8 pages. Music-Scores.com #4286815. Published by Music-Scores.com (A0.721268). Clair de Lune, the 3rd movement from Suite Bergamasque, depicts the light of the moon. Sometimes mystical, sometimes stirring, and always atmospheric. For Alto Sax and Piano.About 4 minutes.Arranged by Anne L Christopherson GRSM ARCM at www.music-scores.com
$6.95
Rag in Fourths
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Saxophone Alto et Piano
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Jazz
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Sam Spear
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Rag in Fourths
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Sam Spear Music
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SheetMusicPlus
Instrumental Duet Alto Saxophone,Instrumental Duet,Piano and Keyboard - Interactive Download SKU: A0.479220 Composed by Sam Spear. This edition: Interact...
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Instrumental Duet Alto Saxophone,Instrumental Duet,Piano and Keyboard - Interactive Download SKU: A0.479220 Composed by Sam Spear. This edition: Interactive Download. Jazz. Score and parts. 9 pages. Duration 96. Published by Sam Spear Music (A0.479220). A duet for alto sax and piano inspired by Ragtime rhythms and quartal harmony. Listen to a recording here: https://samspearmusic.bandcamp.com/track/rag-in-fourths Learn more about my Ragtime Project here: https://samspearmusic.com/ragtime-project-2/.
$9.99
The Daisy Bell for Solo Alto Saxophone and Piano
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Saxophone Alto et Piano
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DÉBUTANT
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Harry Dacre
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Tim Curd
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The Daisy Bell for Solo Alto S
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Tim Curd
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SheetMusicPlus
Alto Saxophone,Piano - Level 1 - SKU: A0.717106 Composed by Harry Dacre. Arranged by Tim Curd. Film/TV,Romantic Period,Traditional,Video Game. Score and...
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Alto Saxophone,Piano - Level 1 - SKU: A0.717106 Composed by Harry Dacre. Arranged by Tim Curd. Film/TV,Romantic Period,Traditional,Video Game. Score and part. 4 pages. Tim Curd #5791231. Published by Tim Curd (A0.717106). The Daisy Bell for Solo Alto Saxophone and PianoThis old time tune was written by Harry Dacre in 1892 and been used in many films and TV programs. The Daisy Bell was also the first song to be sung by a computer!Piano score and solo part included.About ABRSM Grade 1 standard.A piano accompaniment/backing track MP3 is available here:https://www.sheetmusicplus.com/title/the-daisy-bell-for-solo-alto-saxophone-and-piano-play-along-bac...
$3.99
Ali Ben Sou Alle: Fantaisie sur Don Giovanni de Mozart for alto saxophone and piano
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Saxophone Alto et Piano
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INTERMÉDIAIRE
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Ali Ben Sou Alle, Wolfgang Ama
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Paul Wehage
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Ali Ben Sou Alle: Fantaisie su
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Musik Fabrik Music Publishing
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SheetMusicPlus
Alto Saxophone,Piano - Level 3 - SKU: A0.533347 Composed by Ali Ben Sou Alle, Wolfgang Amadeus Mozart. Arranged by Paul Wehage. Concert,Opera,Romantic P...
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Alto Saxophone,Piano - Level 3 - SKU: A0.533347 Composed by Ali Ben Sou Alle, Wolfgang Amadeus Mozart. Arranged by Paul Wehage. Concert,Opera,Romantic Period,Standards. Score and part. 22 pages. Musik Fabrik Music Publishing #2348197. Published by Musik Fabrik Music Publishing (A0.533347). One of the most enigmatic figures in the history of the Saxophone, Ali Ben Sou Alle (Charles-Valentin Soualle) was born in 1820 in Arras, France. After receiving his first prize in Clarinet at the Paris Conservatory in 1844. he served as the director ofmusic of The French Marine Band in Senegal, and then was named first clarinet solo at the Opéra-Comique in Paris. However, after the Revolution of 1848, Soualle was forced to flee France to England where he settled in London, playing in the Orchestra of the Queen's Theatre. His songs and piano pieces were published in London. While in London, Soualle met another exiled French musician, Louis Antoine Jullien, who conducted a light music series in London. Jullien encouraged Soualle to take up the saxophone, and after modifying the instrument by adding a single octave mechanism (the modern system used today) and keys for the lower register, Soualle became known as a virtuoso and began touring performing solo recitals (or mono-concerts, as they were called at the time) calling his modified saxophone the «turcophone ». He performed in all the European capitals and then traveled to Australia, New Zealand, Manilla, Java, through China and then to India where he finally settled in Mysore, becoming the director of the Royal Music for the Maharadjah. It was during this period that he converted to Islam and changed his nmae to Ali ben Sou Alle (or Ali, son of Soualle). He subsequently travaled to Ile Maurice, to French Polynesia, the Cap of Natal and the Cap of Good Hope. All of these voyages were subjects of musical works which Soualle entitled Souvenirs de... and may perhaps have been part of a collection known as The Royal Album which was presented to the Prince of Wales after a royal concert. Soualle returned to Mysore in 1858 and was almost killed in the Indian Revolution. Around 1860, Soualle returned to France for health reasons and began publishing his own music. On March 27 1865, he performed a command performance for the Emperor Napoleon III at the Tuileries Palace in the presence of the entire Imperial Family. After 1865, nothing more is known about him. Soualle not only performed on the clarinet, saxophone and piano, but also frequently sang during his concerts. He also wrote songs while he was in London. His opera fantasies are usually written for the Alto saxophone and are generally in the form of an introductory aria with cadenza, a theme with one or more variations and then a final waltz movement in rondo form with a final brillant variation. This specific work opens with motives from the Opera‘s overture, leading to Donna Anna’s 1st act aria Or sai, chi l'onore. The duet Là ci darem la mano is the subject of two variations followed by a brief interlude using Zerlina’s aria Batti, batti, o bel Masetto and then the final section is the duo Andiam’ Andiam ‘ Mio Bene between Don Giovanni and Zerlina which ends the Act I duet. The work ends with a brillant coda
$11.95
Silent Night (Stille Nacht)
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Saxophone Alto et Piano
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INTERMÉDIAIRE
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Noël
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Franz Xaver Gruber
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Henrique F Mangoni
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Silent Night
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Henrique Franke Mangoni
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SheetMusicPlus
Alto Saxophone,Piano - Level 3 - SKU: A0.1141809 Composed by Franz Xaver Gruber. Arranged by Henrique F Mangoni. Children,Christian,Christmas,Holiday,Tr...
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Alto Saxophone,Piano - Level 3 - SKU: A0.1141809 Composed by Franz Xaver Gruber. Arranged by Henrique F Mangoni. Children,Christian,Christmas,Holiday,Traditional. Score and part. 2 pages. Henrique Franke Mangoni #742196. Published by Henrique Franke Mangoni (A0.1141809). Silent Night (Stille Nacht) by Franz Xaver Gruber. Intermediate arrangement for alto sax and piano accompaniment. Learn how to play Silent Night (Stille Nacht) on the alto sax! This traditional christmas carol is perfect for Christmas time. This edition includes the chords of the song. Subscribe to my YouTube channel to know more about my work! silent night alto sax sheet music, stille nacht alto sax sheet music, silent night piano sheet music, stille nacht piano sheet music, silent night piano chords, stille nacht piano chords, how to play silent night on the alto sax, how to play stille nacht on the alto sax, how to play silent night on the piano, how to play stille nacth on the piano, christmas carols alto sax sheet music, christmas carols on the alto sax for beginners, alto sax christmas songs, christmas alto sax sheet music.
$2.99
Ali Ben Sou Alle: Fantaisie sur le Barbier de Séville de Rossin for alto saxophone and piano
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Saxophone Alto et Piano
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INTERMÉDIAIRE/AVANCÉ
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Ali Ben Sou Alle, Gioachino Ro
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Paul Wehage
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Ali Ben Sou Alle: Fantaisie su
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Musik Fabrik Music Publishing
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SheetMusicPlus
Alto Saxophone,Piano - Level 4 - SKU: A0.533354 Composed by Ali Ben Sou Alle, Gioachino Rossini. Arranged by Paul Wehage. Concert,Opera,Romantic Period,...
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Alto Saxophone,Piano - Level 4 - SKU: A0.533354 Composed by Ali Ben Sou Alle, Gioachino Rossini. Arranged by Paul Wehage. Concert,Opera,Romantic Period,Standards. Score and part. 30 pages. Musik Fabrik Music Publishing #2363209. Published by Musik Fabrik Music Publishing (A0.533354). One of the most enigmatic figures in the history of the Saxophone, Ali Ben Sou Alle (Charles-Valentin Soualle) was born in1820 in Arras, France. After receiving his first prize in Clarinet at the Paris Conservatory in 1844. he served as the director ofmusic of The French Marine Band in Senegal, and then was named first clarinet solo at the Opéra-Comique in Paris. However, after the Revolution of 1848, Soualle was forced to flee France to England where he settled in London, playing in the Orchestra of the Queen's Theatre. His songs and piano pieces were published in London.While in London, Soualle met another exiled French musician, Louis Antoine Jullien, who conducted a light music series inLondon. Jullien encouraged Soualle to take up the saxophone, and after modifying the instrument by adding a single octavemechanism (the modern system used today) and keys for the lower register, Soualle became known as a virtuoso and begantouring performing solo recitals (or mono-concerts, as they were called at the time) calling his modified saxophone the«turcophone ». He performed in all the European capitals and then traveled to Australia, New Zealand, Manilla, Java, throughChina and then to India where he finally settled in Mysore, becoming the director of the Royal Music for the Maharadjah. It wasduring this period that he converted to Islam and changed his nmae to Ali ben Sou Alle (or Ali, son of Soualle). Hesubsequently travaled to Ile Maurice, to French Polynesia, the Cap of Natal and the Cap of Good Hope. All of these voyageswere subjects of musical works which Soualle entitled Souvenirs de... and may perhaps have been part of a collection knownas The Royal Album which was presented to the Prince of Wales after a royal concert. Soualle returned to Mysore in 1858 and was almost killed in the Indian Revolution.Around 1860, Soualle returned to France for health reasons and began publishing his own music. On March 27 1865, heperformed a command performance for the Emperor Napoleon III at the Tuileries Palace in the presence of the entire ImperialFamily. After 1865, nothing more is known about him.Fantaisie sur Le Barbier de Séville begins with the Count's 1st act cavatina Ecco ridente in cielà This is followed by a seriesof variations sur Rosina's Cabaletta Io sono docile. The second act finale Fredda ed immobile is then presented in a number of variations. Finally, the second part of the Count and Figaros first act duo (Ah che d'amore) brings the work to a brilliant finish.
$19.95
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