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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
All Out of Time
Non classifié
2 928
Piano & claviers
Piano seul
1 940
Piano, Voix
1 261
Piano Facile
642
Piano, Voix et Guitare
577
Accompagnement Piano
166
Instruments en Do
161
Orgue
70
Piano grosses notes
58
Piano Trio: piano, violon, violoncelle
53
1 Piano, 4 mains
39
2 Pianos, 4 mains
23
Piano Quatuor: piano, violon, alto, violoncelle
11
Piano Quatuor: piano, 2 violons, violoncelle
6
Clavecin
3
Piano Quintette: piano, 2 violons, alto, violoncelle
3
Piano (partie séparée)
3
1 Piano, 6 mains
2
Accordéon
2
Orgue, Piano (duo)
2
2 Pianos, 8 mains
1
Orgue, Trompette (duo)
1
2 Accordéons
1
+ 17 instrumentations
Retracter
Guitares
Guitare
131
Guitare notes et tablatures
105
Ligne De Mélodie, (Paroles) et Accords
33
2 Guitares (duo)
28
Ukulele
25
Basse electrique
16
4 Guitares (Quatuor)
11
Piano, Guitare (duo)
7
Dulcimer
6
Mandoline
6
3 Guitares (trio)
6
Banjo
6
Guitare (partie séparée)
4
Paroles et Accords
4
Ensemble de guitares
3
Guitare, Violon, Violoncelle (trio)
2
2 Ukuleles
1
Mandoline, Piano (duo)
1
+ 13 instrumentations
Retracter
Voix
Chorale SATB
686
Chorale 3 parties
149
Chorale 2 parties
110
Chorale TTBB
82
Chorale Unison
64
Voix Tenor, Piano
56
Chorale SSAA
52
Voix Soprano, Piano
41
Voix Alto, Piano
38
Voix Baryton, Piano
19
Voix duo, Piano
19
Voix haute
13
Voix seule
9
Voix Tenor
7
Chorale SSAB, Piano
2
Voix duo
2
Chorale SSAATTBB
2
Voix moyenne, Piano
1
Voix basse
1
Voix Soprano
1
+ 15 instrumentations
Retracter
Vents
2 Saxophones (duo)
687
2 Clarinettes (duo)
266
2 Flûtes traversières (duo)
264
Saxophone, Clarinette (duo)
261
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
259
Flûte traversière et Piano
244
Hautbois, Piano (duo)
215
Clarinette et Piano
207
Quatuor de Saxophones: 4 saxophones
197
Saxophone Alto et Piano
190
Clarinette, Violon (duo)
172
Quintette de Saxophone: 5 saxophones
168
Flûte, Hautbois, Clarinette, Basson
166
Clarinette
164
2 Hautbois (duo)
150
Clarinette, Trompette (duo)
146
Flûte, Clarinette (duo)
137
Flûte traversière
124
Hautbois, Clarinette (duo)
117
Quatuor de Clarinettes: 4 clarinettes
116
Saxophone Tenor et Piano
111
Saxophone Alto
110
Saxophone Soprano et Piano
110
2 Flûte à bec (duo)
106
Hautbois, Basson (duo)
96
Flûte, Saxophone (duo)
90
Flûte, Violon
89
Saxophone (partie séparée)
86
Clarinette et Alto
84
Saxophone Tenor
84
Hautbois, Flûte
79
Flûte, Trompette (duo)
73
Flûte, Alto (duo)
67
Saxophone Baryton, Piano
66
Hautbois (partie séparée)
59
3 Saxophones (trio)
49
Hautbois
45
Ensemble de Clarinettes
43
Quatuor de Flûtes : 4 flûtes
35
Flûte à bec Soprano
32
Ensemble de Flûtes
31
Cor anglais, Piano
29
Quintette de Clarinettes: 5 clarinettes
28
Clarinette Basse, Piano
27
3 Clarinettes (trio)
26
Ensemble de saxophones
25
Cor Anglais
23
Trio de Flûtes: 3 flûtes
23
Quintette de Flûte : 5 flûtes
20
Flûte, Clarinette et Basson
17
Flûte, Hautbois (duo)
17
Saxophone Soprano
16
Saxophone Baryton
16
Flûte à Bec
12
Flûte et Guitare
11
Clarinette, Trombone (duo)
10
Flûte, Hautbois, Piano (trio)
10
Flûte, Violon, Piano
10
Quatuor de Flûtes à bec
10
Hautbois, Clarinette, Basson (trio d'anches)
9
Harmonica
8
Clarinette, Violoncelle (duo)
8
Flûte, Hautbois, Basson
8
Clarinette, Basson (duo)
8
Flûte irlandaise
7
3 Flûtes à bec (trio)
7
Flûte, Violoncelle
6
Clarinette, Guitare (duo)
6
Flute (partie séparée)
6
Hautbois, violon (duo)
6
Clarinette Basse
6
Flûte, Hautbois, Clarinette (trio)
6
2 Flûtes traversières, Piano
5
Flûte, Clarinette, Piano (trio)
5
Hautbois, Violoncelle
4
5 Flûtes à bec
4
Clarinette, Violoncelle, Piano (trio)
4
Flûte à bec Alto, Piano
4
Flûte, Violon et Violoncelle
3
Flûte, Violoncelle, Piano (trio)
3
Hautbois, Guitare (duo)
2
Ensemble à vent
2
2 Clarinettes, Piano
2
Flûte à bec Soprano, Piano
2
Flûte, trombone et piano
2
Clarinette, Harpe (duo)
2
4 Hautbois
1
Hautbois et alto (duo)
1
2 Hautbois, Piano
1
Saxophone et Piano
1
Flûte à bec Alto
1
Ensemble De Flûte à bec
1
Cor anglais, Guitare (duo)
1
Clarinette, Contrebasse (duo)
1
Flûte, Trombone (duo)
1
Clarinette, trompette et piano
1
Saxophone et Orgue
1
Flûte à bec Tenor
1
Flûte, Clarinette, Violon (trio)
1
Flûte à bec Alto, Basse continue
1
Cor anglais et Harpe (duo)
1
Flûte, Alto et Piano
1
Hautbois, trombone (duo)
1
Saxophone et Guitare
1
Piccolo, Piano
1
+ 100 instrumentations
Retracter
Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
269
Trompette, Piano
186
Trompette, Saxophone (duo)
183
Cor et Piano
160
2 Trombones (duo)
154
Trombone et Piano
153
2 Trompettes (duo)
148
Quatuor de Cuivres : 2 trompettes, trombone, tuba
139
Trompette
125
Trompette, Trombone (duo)
120
Tuba et Piano
102
Trombone
96
Cor
88
Tuba
80
Quatuor de Cuivres: 2 trompettes, Cor, trombone
69
2 Cors (duo)
47
Euphonium, Piano (duo)
32
Cor anglais, Piano
29
2 Tubas (duo)
28
Quatuor de Cuivres
27
Trompette (partie séparée)
24
Ensemble de Trombones
23
Cor Anglais
23
Ensemble de Trompettes
19
Trompette, Cor (duo)
16
Euphonium
12
Trio de Cuivres
11
2 Euphoniums (duo)
10
Trombone (partie séparée)
9
Quatuor de cuivres: 4 trombones
8
Quatuor de cuivres: 4 cors
8
Tuba et Orgue
6
4 Tubas
4
3 Trombones (trio)
4
Ensemble de Cors
4
Cor (partie séparée)
3
Trombone, Orgue
2
Tuba (partie séparée)
2
Instruments en Sib
2
2 Euphoniums et 2 Tubas
2
Cor, Violoncelle (duo)
1
Quatuor de cuivres: 2 trompettes, 2 trombones
1
Trompette, Euphonium (duo)
1
Cor anglais, Guitare (duo)
1
Trompette, Trombone, Piano
1
Cor, Violoncelle et Piano
1
Ensemble de Tubas
1
Trombone basse et Piano
1
Cor anglais et Harpe (duo)
1
Quatuor de cuivres: 4 trompettes
1
Quintette de Cuivres: 2 trompettes, Cor, 2 trombones
1
3 Euphoniums
1
2 Cors, Piano
1
Trombone basse
1
+ 49 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
492
Violon et Piano
283
Violon, Violoncelle (duo)
271
Alto, Piano
238
Violoncelle, Piano
203
Violon
198
2 Violons (duo)
194
2 Violoncelles (duo)
158
2 Altos (duo)
157
Violoncelle
155
Violon, Alto (duo)
150
Trio à Cordes: violon, alto, violoncelle
126
Quintette à cordes: 2 violons, alto, violoncelle, basse
125
Alto seul
99
Contre Basse
83
Contrebasse, Piano (duo)
78
Trio à Cordes: 2 violons, violoncelle
62
Harpe
43
2 Contrebasses (duo)
29
Alto (partie séparée)
17
Alto, Violoncelle (duo)
15
Trio à cordes: 3 violins
13
Ensemble de Violons
13
Trio à Cordes: 3 violoncelles
13
Ensemble d'Altos
11
Harpe, Flûte (duo)
10
4 Violoncelles
9
Trio à Cordes: 2 violons, alto
8
2 Harpes (duo)
7
Piano Trio: Violon, Alto, Piano
7
Violon (partie séparée)
6
Quintette à cordes : 2 violons, alto et 2 violoncelles
6
Quatuor à cordes : 4 altos
6
Contrebasse (partie séparée)
5
Trio à cordes: 3 altos
5
Quatuor à cordes: 4 violons
4
Violon, Guitare (duo)
4
2 Violons, Piano
3
Quintette à cordes: 2 violons, 2 altos, violoncelle
3
Violon, Basson (duo)
3
Harpe, Voix
3
Alto et Basson
2
2 Violoncelles, Piano
2
2 Altos, Piano
2
4 Contrebasses
2
Violoncelle , Guitare (duo)
2
Violon, Clarinette, Piano (trio)
2
Alto et Harpe
1
Violoncelle, Orchestre
1
3 Harpes
1
4 Harpes
1
Violoncelle, Contrebasse (duo)
1
Flûte, Contrebasse (duo)
1
+ 48 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
467
Orchestre à Cordes
192
Orchestre
149
Ensemble Jazz
111
Ensemble de cuivres
85
Fanfare
75
Orchestre de chambre
61
Cloches
39
Jazz combo
34
Marimba
25
Ensemble de Percussions
22
Quintette à cordes : 2 Violons, Alto, Violoncelle, Contrebasse, Clavier
21
Xylophone, Piano
16
Xylophone
13
Batterie
11
Ensemble d'École
4
Batterie (partie séparée)
3
Vibraphone
3
2 Marimbas
1
Percussion
1
Piano et Orchestre
1
+ 16 instrumentations
Retracter
Autres
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Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
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BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
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PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
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VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
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LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
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All Out of Time
Saxophone Alto et Piano
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Ali Ben Sou Alle: Fantaisie sur Don Giovanni de Mozart for alto saxophone and piano
Saxophone Alto et Piano
Alto Saxophone,Piano - Level 3 - Digital Download SKU: A0.533347 Composed by Ali Be…
(+)
Alto Saxophone,Piano - Level 3 - Digital Download SKU: A0.533347 Composed by Ali Ben Sou Alle, Wolfgang Amadeus Mozart. Arranged by Paul Wehage. Concert,Opera,Romantic Period,Standards. Score and part. 22 pages. Musik Fabrik Music Publishing #2348197. Published by Musik Fabrik Music Publishing (A0.533347). One of the most enigmatic figures in the history of the Saxophone, Ali Ben Sou Alle (Charles-Valentin Soualle) was born in 1820 in Arras, France. After receiving his first prize in Clarinet at the Paris Conservatory in 1844. he served as the director ofmusic of The French Marine Band in Senegal, and then was named first clarinet solo at the Opéra-Comique in Paris. However, after the Revolution of 1848, Soualle was forced to flee France to England where he settled in London, playing in the Orchestra of the Queen's Theatre. His songs and piano pieces were published in London. While in London, Soualle met another exiled French musician, Louis Antoine Jullien, who conducted a light music series in London. Jullien encouraged Soualle to take up the saxophone, and after modifying the instrument by adding a single octave mechanism (the modern system used today) and keys for the lower register, Soualle became known as a virtuoso and began touring performing solo recitals (or mono-concerts, as they were called at the time) calling his modified saxophone the «turcophone ». He performed in all the European capitals and then traveled to Australia, New Zealand, Manilla, Java, through China and then to India where he finally settled in Mysore, becoming the director of the Royal Music for the Maharadjah. It was during this period that he converted to Islam and changed his nmae to Ali ben Sou Alle (or Ali, son of Soualle). He subsequently travaled to Ile Maurice, to French Polynesia, the Cap of Natal and the Cap of Good Hope. All of these voyages were subjects of musical works which Soualle entitled Souvenirs de... and may perhaps have been part of a collection known as The Royal Album which was presented to the Prince of Wales after a royal concert. Soualle returned to Mysore in 1858 and was almost killed in the Indian Revolution. Around 1860, Soualle returned to France for health reasons and began publishing his own music. On March 27 1865, he performed a command performance for the Emperor Napoleon III at the Tuileries Palace in the presence of the entire Imperial Family. After 1865, nothing more is known about him. Soualle not only performed on the clarinet, saxophone and piano, but also frequently sang during his concerts. He also wrote songs while he was in London. His opera fantasies are usually written for the Alto saxophone and are generally in the form of an introductory aria with cadenza, a theme with one or more variations and then a final waltz movement in rondo form with a final brillant variation. This specific work opens with motives from the Opera‘s overture, leading to Donna Anna’s 1st act aria Or sai, chi l'onore. The duet Là ci darem la mano is the subject of two variations followed by a brief interlude using Zerlina’s aria Batti, batti, o bel Masetto and then the final section is the duo Andiam’ Andiam ‘ Mio Bene between Don Giovanni and Zerlina which ends the Act I duet. The work ends with a brillant coda
$11.95
11.02 €
#
Saxophone Alto et Piano
#
Ali Ben Sou Alle, Wolfgang Amadeus Mozart
#
Paul Wehage
#
Ali Ben Sou Alle: Fantaisie sur Don Giovanni de Mozart for alto saxophone and piano
#
Musik Fabrik Music Publishing
#
SheetMusicPlus
Ali Ben Sou Alle: Fantaisie sur La Favorita de Donizetti for alto saxophone and piano
Saxophone Alto et Piano
Alto Saxophone,Piano - Level 3 - Digital Download SKU: A0.533348 Composed by Ali Be…
(+)
Alto Saxophone,Piano - Level 3 - Digital Download SKU: A0.533348 Composed by Ali Ben Sou Alle, Gaetano Donizetti. Arranged by Paul Wehage. Concert,Opera,Romantic Period,Standards. Score and part. 23 pages. Musik Fabrik Music Publishing #2348199. Published by Musik Fabrik Music Publishing (A0.533348). One of the most enigmatic figures in the history of the Saxophone, Ali Ben Sou Alle (Charles-Valentin Soualle) was born in 1820 in Arras, France. After receiving his first prize in Clarinet at the Paris Conservatory in 1844. he served as the director ofmusic of The French Marine Band in Senegal, and then was named first clarinet solo at the Opéra-Comique in Paris. However, after the Revolution of 1848, Soualle was forced to flee France to England where he settled in London, playing in the Orchestra of the Queen's Theatre. His songs and piano pieces were published in London. While in London, Soualle met another exiled French musician, Louis Antoine Jullien, who conducted a light music series in London. Jullien encouraged Soualle to take up the saxophone, and after modifying the instrument by adding a single octave mechanism (the modern system used today) and keys for the lower register, Soualle became known as a virtuoso and began touring performing solo recitals (or mono-concerts, as they were called at the time) calling his modified saxophone the «turcophone ». He performed in all the European capitals and then traveled to Australia, New Zealand, Manilla, Java, through China and then to India where he finally settled in Mysore, becoming the director of the Royal Music for the Maharadjah. It was during this period that he converted to Islam and changed his nmae to Ali ben Sou Alle (or Ali, son of Soualle). He subsequently travaled to Ile Maurice, to French Polynesia, the Cap of Natal and the Cap of Good Hope. All of these voyages were subjects of musical works which Soualle entitled Souvenirs de... and may perhaps have been part of a collection known as The Royal Album which was presented to the Prince of Wales after a royal concert. Soualle returned to Mysore in 1858 and was almost killed in the Indian Revolution. Around 1860, Soualle returned to France for health reasons and began publishing his own music. On March 27 1865, he performed a command performance for the Emperor Napoleon III at the Tuileries Palace in the presence of the entire Imperial Family. After 1865, nothing more is known about him.Soualle not only performed on the clarinet, saxophone and piano, but also frequently sang during his concerts. He also wrotesongs while he was in London. His opera fantasies are usually written for the Alto saxophone. This particular fantasy usesthemes from the Third and fourth act sung by the hero et heroine which are marked in the score.
$11.95
11.02 €
#
Saxophone Alto et Piano
#
Ali Ben Sou Alle, Gaetano Donizetti
#
Paul Wehage
#
Ali Ben Sou Alle: Fantaisie sur La Favorita de Donizetti for alto saxophone and piano
#
Musik Fabrik Music Publishing
#
SheetMusicPlus
Ali Ben Sou Alle: Souvenir de Natal for alto saxophone and piano
Saxophone Alto et Piano
Alto Saxophone,Piano - Level 3 - Digital Download SKU: A0.533491 Composed by Ali Be…
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Alto Saxophone,Piano - Level 3 - Digital Download SKU: A0.533491 Composed by Ali Ben Sou Alle. Concert,Romantic Period,Standards. Score and part. 6 pages. Musik Fabrik Music Publishing #3000183. Published by Musik Fabrik Music Publishing (A0.533491). A lyric piece, celebrating Ali Ben Sou Alle's visit to Natal, which is now part of South Africa.One of the most enigmatic figures in the history of the Saxophone, Ali Ben Sou Alle (Charles-Valentin Soualle) was born in1820 in Arras, France. After receiving his first prize in Clarinet at the Paris Conservatory in 1844. he served as the director ofmusic of The French Marine Band in Senegal, and then was named first clarinet solo at the Opéra-Comique in Paris. However, after the Revolution of 1848, Soualle was forced to flee France to England where he settled in London, playing in the Orchestra of the Queen's Theatre. His songs and piano pieces were published in London.While in London, Soualle met another exiled French musician, Louis Antoine Jullien, who conducted a light music series inLondon. Jullien encouraged Soualle to take up the saxophone, and after modifying the instrument by adding a single octavemechanism (the modern system used today) and keys for the lower register, Soualle became known as a virtuoso and begantouring performing solo recitals (or mono-concerts, as they were called at the time) calling his modified saxophone the«turcophone ». He performed in all the European capitals and then traveled to Australia, New Zealand, Manilla, Java, throughChina and then to India where he finally settled in Mysore, becoming the director of the Royal Music for the Maharadjah. It wasduring this period that he converted to Islam and changed his nmae to Ali ben Sou Alle (or Ali, son of Soualle). Hesubsequently travaled to Ile Maurice, to French Polynesia, the Cap of Natal and the Cap of Good Hope. All of these voyageswere subjects of musical works which Soualle entitled Souvenirs de... and may perhaps have been part of a collection knownas The Royal Album which was presented to the Prince of Wales after a royal concert. Soualle returned to Mysore in 1858 and was almost killed in the Indian Revolution.Around 1860, Soualle returned to France for health reasons and began publishing his own music. On March 27 1865, heperformed a command performance for the Emperor Napoleon III at the Tuileries Palace in the presence of the entire ImperialFamily. After 1865, nothing more is known about him.
$9.95
9.17 €
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Saxophone Alto et Piano
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Ali Ben Sou Alle
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Ali Ben Sou Alle: Souvenir de Natal for alto saxophone and piano
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Musik Fabrik Music Publishing
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SheetMusicPlus
Ali Ben Sou Alle: Adieu, Valse de Concert for alto saxophone and piano
Saxophone Alto et Piano
Alto Saxophone,Piano - Level 3 - Digital Download SKU: A0.533505 Composed by Ali Be…
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Alto Saxophone,Piano - Level 3 - Digital Download SKU: A0.533505 Composed by Ali Ben Sou Alle. Concert,Romantic Period,Standards. Score and part. 21 pages. Musik Fabrik Music Publishing #3001087. Published by Musik Fabrik Music Publishing (A0.533505). The concert waltz Adieu begins with an introduction in the style of a Bel Canto aria. The Valse which follows is divided into several sections of contrasting styles and tonalites. The coda brings the piece to a calm and quiet close which is broken by a final fortissimo outburst.One of the most enigmatic figures in the history of the Saxophone, Ali Ben Sou Alle (Charles-Valentin Soualle) was born in 1820 in Arras, France. After receiving his first prize in Clarinet at the Paris Conservatory in 1844. he served as the director of music of The French Marine Band in Senegal, and then was named first clarinet solo at the Opéra-Comique in Paris. However, after the Revolution of 1848, Soualle was forced to flee France to England where he settled in London, playing in the Orchestra of the Queen's Theatre. His songs and piano pieces were published in London. While in London, Soualle met another exiled French musician, Louis Antoine Jullien, who conducted a light music series in London. Jullien encouraged Soualle to take up the saxophone, and after modifying the instrument by adding a single octave mechanism (the modern system used today) and keys for the lower register, Soualle became known as a virtuoso and began touring performing solo recitals (or mono-concerts, as they were called at the time) calling his modified saxophone the «turcophone ». He performed in all the European capitals and then traveled to Australia, New Zealand, Manilla, Java, through China and then to India where he finally settled in Mysore, becoming the director of the Royal Music for the Maharadjah. It was during this period that heconverted to Islam and changed his nmae to Ali ben Sou Alle (or Ali, son of Soualle). He subsequently travaled to Ile Maurice, to French Polynesia, the Cap of Natal and the Cap of Good Hope. All of these voyages were subjects of musical works which Soualle entitled Souvenirs de... and may perhaps have been part of a collection known as The Royal Album which was presented to the Prince of Wales after a royal concert. Soualle returned to Mysore in 1858 and was almost killed in the Indian Revolution. Around 1860, Soualle returned to France for health reasons and began publishing his own music. On March 27 1865, he performed a command performance for the Emperor Napoleon III at the Tuileries Palace in the presence of the entire Imperial Family. After 1865, nothing more is known about him.
$12.95
11.94 €
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Saxophone Alto et Piano
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Ali Ben Sou Alle
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Ali Ben Sou Alle: Adieu, Valse de Concert for alto saxophone and piano
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Musik Fabrik Music Publishing
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SheetMusicPlus
Ali Ben Sou Alle: Fantaisie sur le Barbier de Séville de Rossin for alto saxophone and piano
Saxophone Alto et Piano
Alto Saxophone,Piano - Level 4 - Digital Download SKU: A0.533354 Composed by Ali Be…
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Alto Saxophone,Piano - Level 4 - Digital Download SKU: A0.533354 Composed by Ali Ben Sou Alle, Gioachino Rossini. Arranged by Paul Wehage. Concert,Opera,Romantic Period,Standards. Score and part. 30 pages. Musik Fabrik Music Publishing #2363209. Published by Musik Fabrik Music Publishing (A0.533354). One of the most enigmatic figures in the history of the Saxophone, Ali Ben Sou Alle (Charles-Valentin Soualle) was born in1820 in Arras, France. After receiving his first prize in Clarinet at the Paris Conservatory in 1844. he served as the director ofmusic of The French Marine Band in Senegal, and then was named first clarinet solo at the Opéra-Comique in Paris. However, after the Revolution of 1848, Soualle was forced to flee France to England where he settled in London, playing in the Orchestra of the Queen's Theatre. His songs and piano pieces were published in London.While in London, Soualle met another exiled French musician, Louis Antoine Jullien, who conducted a light music series inLondon. Jullien encouraged Soualle to take up the saxophone, and after modifying the instrument by adding a single octavemechanism (the modern system used today) and keys for the lower register, Soualle became known as a virtuoso and begantouring performing solo recitals (or mono-concerts, as they were called at the time) calling his modified saxophone the«turcophone ». He performed in all the European capitals and then traveled to Australia, New Zealand, Manilla, Java, throughChina and then to India where he finally settled in Mysore, becoming the director of the Royal Music for the Maharadjah. It wasduring this period that he converted to Islam and changed his nmae to Ali ben Sou Alle (or Ali, son of Soualle). Hesubsequently travaled to Ile Maurice, to French Polynesia, the Cap of Natal and the Cap of Good Hope. All of these voyageswere subjects of musical works which Soualle entitled Souvenirs de... and may perhaps have been part of a collection knownas The Royal Album which was presented to the Prince of Wales after a royal concert. Soualle returned to Mysore in 1858 and was almost killed in the Indian Revolution.Around 1860, Soualle returned to France for health reasons and began publishing his own music. On March 27 1865, heperformed a command performance for the Emperor Napoleon III at the Tuileries Palace in the presence of the entire ImperialFamily. After 1865, nothing more is known about him.Fantaisie sur Le Barbier de Séville begins with the Count's 1st act cavatina Ecco ridente in cielà This is followed by a seriesof variations sur Rosina's Cabaletta Io sono docile. The second act finale Fredda ed immobile is then presented in a number of variations. Finally, the second part of the Count and Figaros first act duo (Ah che d'amore) brings the work to a brilliant finish.
$19.95
18.39 €
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Saxophone Alto et Piano
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Ali Ben Sou Alle, Gioachino Rossini
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Paul Wehage
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Ali Ben Sou Alle: Fantaisie sur le Barbier de Séville de Rossin for alto saxophone and piano
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Musik Fabrik Music Publishing
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SheetMusicPlus
Ali Ben Sou Alle: Grande Fantaisie Variée sur "Lucia di Lammermoor" for alto saxophone and piano
Saxophone Alto et Piano
Alto Saxophone,Piano - Level 4 - Digital Download SKU: A0.533508 Composed by Ali Be…
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Alto Saxophone,Piano - Level 4 - Digital Download SKU: A0.533508 Composed by Ali Ben Sou Alle. Concert,Romantic Period,Standards. Score and part. 35 pages. Musik Fabrik Music Publishing #3002551. Published by Musik Fabrik Music Publishing (A0.533508). This fantasy uses motifs from Donizetti's opera. After the opening which uses motives from the Overture, the main melody of the famous Sextet is presented. The tenor aria from the last act is presented with several vrariations. Finally, motifs form the fmaous mad scene end the work in a brilliant valse.One of the most enigmatic figures in the history of the Saxophone, Ali Ben Sou Alle (Charles-Valentin Soualle) was born in 1820 in Arras, France. After receiving his first prize in Clarinet at the Paris Conservatory in 1844. he served as the director of music of The French Marine Band in Senegal, and then was named first clarinet solo at the Opéra-Comique in Paris. However, after the Revolution of 1848, Soualle was forced to flee France to England where he settled in London, playing in the Orchestra of the Queen's Theatre. His songs and piano pieces were published in London. While in London, Soualle met another exiled French musician, Louis Antoine Jullien, who conducted a light music series in London. Jullien encouraged Soualle to take up the saxophone, and after modifying the instrument by adding a single octave mechanism (the modern system used today) and keys for the lower register, Soualle became known as a virtuoso and began touring performing solo recitals (or mono-concerts, as they were called at the time) calling his modified saxophone the «turcophone ». He performed in all the European capitals and then traveled to Australia, New Zealand, Manilla, Java, through China and then to India where he finally settled in Mysore, becoming the director of the Royal Music for the Maharadjah. It was during this period that heconverted to Islam and changed his nmae to Ali ben Sou Alle (or Ali, son of Soualle). He subsequently travaled to Ile Maurice, to French Polynesia, the Cap of Natal and the Cap of Good Hope. All of these voyages were subjects of musical works which Soualle entitled Souvenirs de... and may perhaps have been part of a collection known as The Royal Album which was presented to the Prince of Wales after a royal concert. Soualle returned to Mysore in 1858 and was almost killed in the Indian Revolution. Around 1860, Soualle returned to France for health reasons and began publishing his own music. OnMarch 27 1865, he performed a command performance for the Emperor Napoleon III at the Tuileries Palace in the presence of the entire Imperial Family. After 1865, nothing more is known about him.
$19.95
18.39 €
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Saxophone Alto et Piano
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Ali Ben Sou Alle
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Ali Ben Sou Alle: Grande Fantaisie Variée sur "Lucia di Lammermoor" for alto saxophone and piano
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Musik Fabrik Music Publishing
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SheetMusicPlus
Ali Ben Sou Alle: Caprice sur La Prophète de Meyerbeer for alto saxophone and piano
Saxophone Alto et Piano
Alto Saxophone,Piano - Level 3 - Digital Download SKU: A0.533497 Composed by Ali Be…
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Alto Saxophone,Piano - Level 3 - Digital Download SKU: A0.533497 Composed by Ali Ben Sou Alle. Concert,Romantic Period,Standards. Score and part. 19 pages. Musik Fabrik Music Publishing #3000441. Published by Musik Fabrik Music Publishing (A0.533497). Meyerbeer’s Opera Le Prophète was one of the most influential works of the 19th century, inspiring Verdi, Wagner, Liszt andothers with its dramatic score. Caprice sur Le Prophète de Meyerbeer begins with an extended Aria with several cadenzas. The work ends with a Polka in Rondo form which has a brillant variation.One of the most enigmatic figures in the history of Wind Music, Ali Ben Sou Alle (Charles-Valentin Soualle) was born in 1820 in Arras, France. After receiving his first prize in Clarinet at the Paris Conservatory in 1844. he served as the director of music of The French Marine Band in Senegal, and then was named first clarinet solo at the Opéra-Comique in Paris. However, after the Revolution of 1848, Soualle was forced to flee France to England where he settled in London, playing in the Orchestra of the Queen's Theatre. His songs and piano pieces were published in London.While in London, Soualle met another exiled French musician, Louis Antoine Jullien, who conducted a light music series in London. Jullien encouraged Soualle to take up the saxophone, and after modifying the instrument by adding a single octave mechanism (the modern system used today) and keys for the lower register, Soualle became known as a virtuoso and began touring performing solo recitals (or mono-concerts, as they were called at the time) calling his modified saxophone the «turcophone ». He performed in all the European capitals and then traveled to Australia, New Zealand, Manilla, Java, through China and then to India where he finally settled in Mysore, becoming the director of the Royal Music for the Maharadjah. It was during this period that he converted to Islam and changed his nmae to Ali ben Sou Alle (or Ali, son of Soualle). He subsequently travaled to Ile Maurice, to French Polynesia, the Cap of Natal and the Cap of Good Hope. All of these voyages were subjects of musical works which Soualle entitled Souvenirs de... and may perhaps have been part of a collectionknown as The Royal Album which was presented to the Prince of Wales after a royal concert. Soualle returned to Mysore in 1858 and was almost killed in the Indian Revolution.Around 1860, Soualle returned to France for health reasons and began publishing his own music. On March 27 1865, he performed a command performance for the Emperor Napoleon III at the Tuileries Palace in the presence of the entire Imperial Family. After 1865, nothing more is known about him.
$11.95
11.02 €
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Saxophone Alto et Piano
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Ali Ben Sou Alle
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Ali Ben Sou Alle: Caprice sur La Prophète de Meyerbeer for alto saxophone and piano
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Musik Fabrik Music Publishing
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SheetMusicPlus
Ali Ben Sou Alle: Fantaisie sur Robert le Diable for alto saxophone and piano
Saxophone Alto et Piano
Alto Saxophone,Piano - Level 4 - Digital Download SKU: A0.533499 Composed by Ali Be…
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Alto Saxophone,Piano - Level 4 - Digital Download SKU: A0.533499 Composed by Ali Ben Sou Alle. Concert,Romantic Period,Standards. Score and part. 28 pages. Musik Fabrik Music Publishing #3000445. Published by Musik Fabrik Music Publishing (A0.533499). Meyerbeer’s Opera Le Prophète was one of the most influential works of the 19th century, inspiring Verdi, Wagner, Liszt and others with its dramatic score. Caprice sur Le Prophète de Meyerbeer begins with an extended Aria with several cadenzas. The work ends with a Polka in Rondo form which has a brillant variation.One of the most enigmatic figures in the history of Wind Music, Ali Ben Sou Alle (Charles-Valentin Soualle) was born in 1820 in Arras, France. After receiving his first prize in Clarinet at the Paris Conservatory in 1844. he served as the director of music of The French Marine Band in Senegal, and then was named first clarinet solo at the Opéra-Comique in Paris. However, after the Revolution of 1848, Soualle was forced to flee France to England where he settled in London, playing in the Orchestra of the Queen's Theatre. His songs and piano pieces were published in London.While in London, Soualle met another exiled French musician, Louis Antoine Jullien, who conducted a light music series in London. Jullien encouraged Soualle to take up the saxophone, and after modifying the instrument by adding a single octave mechanism (the modern system used today) and keys for the lower register, Soualle became known as a virtuoso and began touring performing solo recitals (or mono-concerts, as they were called at the time) calling his modified saxophone the «turcophone ». He performed in all the European capitals and then traveled to Australia, New Zealand, Manilla, Java, through China and then to India where he finally settled in Mysore, becoming the director of the Royal Music for the Maharadjah. It was during this period that he converted to Islam and changed his nmae to Ali ben Sou Alle (or Ali, son of Soualle). He subsequently travaled to Ile Maurice, to French Polynesia, the Cap of Natal and the Cap of Good Hope. All of these voyages were subjects of musical works which Soualle entitled Souvenirs de... and may perhaps have been part of a collectionknown as The Royal Album which was presented to the Prince of Wales after a royal concert. Soualle returned to Mysore in 1858 and was almost killed in the Indian Revolution.Around 1860, Soualle returned to France for health reasons and began publishing his own music. On March 27 1865, he performed a command performance for the Emperor Napoleon III at the Tuileries Palace in the presence of the entire Imperial Family. After 1865, nothing more is known about him.
$19.95
18.39 €
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Saxophone Alto et Piano
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Ali Ben Sou Alle
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Ali Ben Sou Alle: Fantaisie sur Robert le Diable for alto saxophone and piano
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Musik Fabrik Music Publishing
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SheetMusicPlus
Ali Ben Sou Alle: Caprice sur "Jenny L'Ouvrière" for alto saxophone and piano
Saxophone Alto et Piano
Alto Saxophone,Piano - Level 3 - Digital Download SKU: A0.533506 Composed by Ali Be…
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Alto Saxophone,Piano - Level 3 - Digital Download SKU: A0.533506 Composed by Ali Ben Sou Alle. Concert,Romantic Period,Standards. Score and part. 13 pages. Musik Fabrik Music Publishing #3002369. Published by Musik Fabrik Music Publishing (A0.533506). Jenny L'Ouvrière is a popular romance from 1845 with music by Étienne Arnaud and words by Emile Barateau. The song speaks of an hardworking weaver who is poor, but also courageous and good. The pastorale-like theme is also presented in a more varied form.One of the most enigmatic figures in the history of the Saxophone, Ali Ben Sou Alle (Charles-Valentin Soualle) was born in 1820 in Arras, France. After receiving his first prize in Clarinet at the Paris Conservatory in 1844. he served as the director of music of The French Marine Band in Senegal, and then was named first clarinet solo at the Opéra-Comique in Paris. However, after the Revolution of 1848, Soualle was forced to flee France to England where he settled in London, playing in the Orchestra of the Queen's Theatre. His songs and piano pieces were published in London. While in London, Soualle met another exiled French musician, Louis Antoine Jullien, who conducted a light music series in London. Jullien encouraged Soualle to take up the saxophone, and after modifying the instrument by adding a single octave mechanism (the modern system used today) and keys for the lower register, Soualle became known as a virtuoso and began touring performing solo recitals (or mono-concerts, as they were called at the time) calling his modified saxophone the «turcophone ». He performed in all the European capitals and then traveled to Australia, New Zealand, Manilla, Java, through China and then to India where he finally settled in Mysore, becoming the director of the Royal Music for the Maharadjah. It was during this period that heconverted to Islam and changed his nmae to Ali ben Sou Alle (or Ali, son of Soualle). He subsequently travaled to Ile Maurice, to French Polynesia, the Cap of Natal and the Cap of Good Hope. All of these voyages were subjects of musical works which Soualle entitled Souvenirs de... and may perhaps have been part of a collection known as The Royal Album which was presented to the Prince of Wales after a royal concert. Soualle returned to Mysore in 1858 and was almost killed in the Indian Revolution. Around 1860, Soualle returned to France for health reasons and began publishing his own music. OnMarch 27 1865, he performed a command performance for the Emperor Napoleon III at the Tuileries Palace in the presence of the entire Imperial Family. After 1865, nothing more is known about him.
$10.35
9.54 €
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Saxophone Alto et Piano
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Ali Ben Sou Alle
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Ali Ben Sou Alle: Caprice sur "Jenny L'Ouvrière" for alto saxophone and piano
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Musik Fabrik Music Publishing
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SheetMusicPlus
Ali Ben Sou Alle: Fantaisie sur la Somnambule de Bellini for alto saxophone and piano
Saxophone Alto et Piano
Alto Saxophone,Piano - Level 4 - Digital Download SKU: A0.533353 Composed by Ali Be…
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Alto Saxophone,Piano - Level 4 - Digital Download SKU: A0.533353 Composed by Ali Ben Sou Alle, Vincenzo Bellini. Arranged by Paul Wehage. Concert,Opera,Romantic Period,Standards. Score and part. 28 pages. Musik Fabrik Music Publishing #2363203. Published by Musik Fabrik Music Publishing (A0.533353). One of the most enigmatic figures in the history of the Saxophone, Ali Ben Sou Alle (Charles-Valentin Soualle) was born in1820 in Arras, France. After receiving his first prize in Clarinet at the Paris Conservatory in 1844. he served as the director ofmusic of The French Marine Band in Senegal, and then was named first clarinet solo at the Opéra-Comique in Paris. However, after the Revolution of 1848, Soualle was forced to flee France to England where he settled in London, playing in the Orchestra of the Queen's Theatre. His songs and piano pieces were published in London.While in London, Soualle met another exiled French musician, Louis Antoine Jullien, who conducted a light music series inLondon. Jullien encouraged Soualle to take up the saxophone, and after modifying the instrument by adding a single octavemechanism (the modern system used today) and keys for the lower register, Soualle became known as a virtuoso and begantouring performing solo recitals (or mono-concerts, as they were called at the time) calling his modified saxophone the«turcophone ». He performed in all the European capitals and then traveled to Australia, New Zealand, Manilla, Java, throughChina and then to India where he finally settled in Mysore, becoming the director of the Royal Music for the Maharadjah. It wasduring this period that he converted to Islam and changed his nmae to Ali ben Sou Alle (or Ali, son of Soualle). Hesubsequently travaled to Ile Maurice, to French Polynesia, the Cap of Natal and the Cap of Good Hope. All of these voyageswere subjects of musical works which Soualle entitled Souvenirs de... and may perhaps have been part of a collection knownas The Royal Album which was presented to the Prince of Wales after a royal concert. Soualle returned to Mysore in 1858 and was almost killed in the Indian Revolution.Around 1860, Soualle returned to France for health reasons and began publishing his own music. On March 27 1865, heperformed a command performance for the Emperor Napoleon III at the Tuileries Palace in the presence of the entire ImperialFamily. After 1865, nothing more is known about him.This fantasy begins with motifs from the 1st act chorus « Sempre Felc’Amina » ». The Count’s first act aria « Vi ravisso, o loughi ameni » is followed by an extended cadenza and leads to Amina and Elvino’s first act duo « Prendi l’amel ti dono ». Amina’s second act aria « Ah non guige! » is presented with a brilliant variation to bring the work to a close.
$16.95
15.63 €
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Saxophone Alto et Piano
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Ali Ben Sou Alle, Vincenzo Bellini
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Paul Wehage
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Ali Ben Sou Alle: Fantaisie sur la Somnambule de Bellini for alto saxophone and piano
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Musik Fabrik Music Publishing
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SheetMusicPlus
Five Ragtime Solos by Scott Joplin for Alto Saxophone and Piano
Saxophone Alto et Piano
Alto Saxophone,Piano - Level 3 - Digital Download SKU: A0.1118286 Composed by Scott…
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Alto Saxophone,Piano - Level 3 - Digital Download SKU: A0.1118286 Composed by Scott Joplin. Arranged by David McKeown. 20th Century,Jazz,Ragtime. Score and part. 33 pages. David McKeown #719804. Published by David McKeown (A0.1118286). Scott Joplin is celebrated as the United States’ first well-known black composer, making his name as a writer of piano rags. His life was a constant struggle with adversity, and Joplin died relatively young in 1917, at the dawn of the recording age. Few remembered Joplin’s music until a revival in the 1970s brought The Entertainer and others to the world’s attention. Nowadays Scott Joplin has taken his rightful place in the gallery of great American composers. The Rags included in this collection are, The Entertainer, The Maple Leaf Rag, The Easy Winners, The Elite Syncopations and The Favorite. They have been arranged as solos for one Alto Saxophone with piano accompaniment, and include all sections of the original compositions. You will download one pdf file that contains both 22 pages of piano score and the 10 page solo part. These pieces are suitable for players at an intermediate and advanced intermediate level. Musicians will find these Ragtime solos ideal for formal and informal performances, light and fun, yet still a serious and vitally important part of the American musical heritage. The overall performance time for all five is around 25 minutes. Teachers will enjoy using these arrangements as a fun way to help with phrasing, syncopated rhythms and light articulation. Click on the YouTube link to see and hear samples from the collection. There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$9.99
9.21 €
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Saxophone Alto et Piano
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Scott Joplin
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David McKeown
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Five Ragtime Solos by Scott Joplin for Alto Saxophone and Piano
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David McKeown
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SheetMusicPlus
Luther: Out of the Depths for Alto Sax & Piano
Saxophone Alto et Piano
Alto Saxophone,Piano - Level 1 - Digital Download SKU: A0.548709 Composed by Martin…
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Alto Saxophone,Piano - Level 1 - Digital Download SKU: A0.548709 Composed by Martin Luther. Arranged by James M. Guthrie. Easter,Instructional,Standards. Score and part. 4 pages. Jmsgu3 #3411721. Published by jmsgu3 (A0.548709). Out of the Depths I Cry to You by Martin Luther arranged for alto sax & piano. The first verses feature modified counterpoint and harmony proceeding at quarter = 82. The final verse is reharmonized for maximum dramatic effect at a more contemplative tempo such as quarter = 64. Features the entire range of the instrument. Very powerful selection for Lent or Easter. Duration (3 verses) 3:05, 36 ms. Score: 3 pg. Solo part: 1 pg. The piano reads from the score. Out of the Depths Aus tiefer Not schrei ich zu dir (From deep affliction I cry out to you), is, of course, a hymn composed by Martin Luther. Moreover, Luther also wrote the lyrics, essentially a paraphrase of Psalm 130. First published in 1524, it is also one of eight songs in the original Lutheran hymnal. It appears likewise in many hymnals and in different translations. The lyrics furthermore stimulated compositions from the Renaissance to the contemporary. Consequently, composers such as Johann Sebastian Bach built an entire chorale cantata on it. Other composers similarly contributed pieces, such as Felix Mendelssohn and Max Reger. Luther Background Martin Luther, (1483 –1546) was a German professor of theology, composer, priest, and moreover, an influential character in the Protestant Reformation. Luther had a momentous impact on church and society due to his contributions to the musical arts. He wanted to disseminate the gospel among mankind and with this intention thought that the best way to do that was through music. Influence It is important to realize that other musicians, and their descendants, were encouraged by Luther’s songs and wrote their own hymns. Luther, to be sure, had a thorough musical education. For example, he knew secular and sacred songs from an early age. He, in particular, played the lute well and sang in the monastery when he was a monk. That is to say, music was an essential part of his life. He in fact first began writing songs in 1523, sometimes writing the melody as well as the lyrics. Luther was certainly able to evaluate the composers of his time. He thought especially highly of Josquin des and Ludwig Senfl. He was also acquainted, with this in mind, with other composers and their works. Legacy The Lutheran musical ethos soon covered all of Germany and later significantly fashioned Protestant musical culture. Heinrich Schütz and Johann Sebastian Bach are the most compelling evidence of this Protestant musical culture. Additionally, as a point often overlooked, the pedal organ, first refined in northern Germany, became universally prevalent. As a matter of fact, Dieterich Buxtehude established a regular evening organ concert series in Lübeck. Another key point is that this concert series, in turn, spread North German Musical ideas worldwide. Luther was especially convinced that music is a beautiful and exclusive offering of the divine.
$24.95
23 €
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Saxophone Alto et Piano
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Martin Luther
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James M
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piano
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Luther: Out of the Depths for Alto Sax & Piano
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jmsgu3
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SheetMusicPlus
O Come All Ye Faithful for Alto Sax & Piano
Saxophone Alto et Piano
Alto Saxophone,Piano - Level 1 - Digital Download SKU: A0.548508 Composed by Wade. …
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Alto Saxophone,Piano - Level 1 - Digital Download SKU: A0.548508 Composed by Wade. Arranged by James M. Guthrie, ASCAP. Christian,Christmas. Score and part. 4 pages. Jmsgu3 #3388099. Published by jmsgu3 (A0.548508). O Come All Ye Faithful arranged with new harmony for the final verse. Score: 3 pages. Part: 1 pageO Come, All Ye Faithful O Come, All Ye Faithful is an English translation of the Latin Christmas carol Adeste Fideles. No one knows exactly who wrote it, but one theory is that it was originally composed by King John IV of Portugal (1604–1656) and revised by John F. Wade and John Reading. Nowadays, we usually attribute it to John Wade. The oldest manuscript from 1751, is owned by Stonyhurst College in Lancashire. Lyrics The English translation O Come, All Ye Faithful was certainly written by Frederick Oakeley, a Catholic priest in 1841. This translation is the most common in English speaking states. To begin with, the hymn had only four verses. Later, the verses grew to eight. Often, various verses are omitted because otherwise, the song is just too long. Some believe the first Latin lyrics were written by St. Bonaventure (13th century) or King John IV of Portugal in the 17th. Though others think it was written by the Cistercian monks. King John IV King John IV of Portugal was called The Musician King. He became king in 1640. In addition to performing the duties of a king, he was also a composer and music journalist. King John built a very large music library. Unfortunately, the library was ruined in 1755 because of the massive earthquake of Lisbon. In addition to his library, the king started a Music School that produced many accomplished musicians. The king also worked diligently to get instrumental music approved by the Vatican for use in his churches. Aside from his authorship of Adeste Fideles, he is famous for another popular choral setting of the Crux Fidelis, a prevalent Lenten hymn. Performance in Context As mentioned above, verses are sometimes left out because all eight verses would take too long to perform. More to the point though, some of the verses may be unsuitable for whatever of the church calendar they are intended. The eighth verse deals with the Epiphany, so it makes sense to sing this on Epiphany Sunday, but not other Sundays. Similarly, other verses are used according to whether the event is Midnight Mass or regular daytime Mass.
$24.95
23 €
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Saxophone Alto et Piano
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Wade
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James M
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O Come All Ye Faithful for Alto Sax & Piano
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jmsgu3
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SheetMusicPlus
It's Been A Long, Long Time
Saxophone Alto et Piano
Alto Saxophone,Piano - Level 3 - Digital Download SKU: A0.592548 Composed by Jule S…
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Alto Saxophone,Piano - Level 3 - Digital Download SKU: A0.592548 Composed by Jule Styne. Arranged by David McKeown. Contemporary. Score and part. 6 pages. David McKeown #6366359. Published by David McKeown (A0.592548). It’s Been a Long Long Time is arranged as a solo for one Alto Saxophone with Piano accompaniment. It’s Been a Long Long Time is best known to modern audiences as the song at the end of The Avengers, Endgame, where Steve Rogers, after seventy years, finally gets his dance with Peggy Carter. The song of course, is much older. Two versions of It’s Been a Long Long Time topped the charts in late 1945, and as US servicemen returned from Europe and the Pacific, it perfectly caught the mood of the times. One version was by Bing Crosby, and the other by the Harry James Orchestra featuring Kitty Kallen on vocals. It is the latter version that is heard in Endgame and the one that forms the basis of this arrangement.Musicians at an intermediate standard will find It’s Been a Long Long Time ideal for formal and informal concert performances. with both solo instrument and piano enjoying plenty of melodic interest. The separate solo part is included with the piano score in the same pdf file. The overall performance time is just over two and a half minutes. Click the link above to listen to a full performance of the clarinet version on YouTube.To keep up with new titles, search for Dave McKeown Sheet Music Downloads on Facebook.There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$5.99
5.52 €
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Saxophone Alto et Piano
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Jule Styne
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David McKeown
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It's Been A Long, Long Time
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David McKeown
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SheetMusicPlus
Christmas Time Is Here
Saxophone Alto et Piano
Alto Saxophone,Piano - Level 1 - Digital Download SKU: A0.1316243 Composed by Lee M…
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Alto Saxophone,Piano - Level 1 - Digital Download SKU: A0.1316243 Composed by Lee Mendelson and Vince Guaraldi. Arranged by Rodrigo Faleiros. Children,Christmas,Film/TV,Holiday,Jazz. Score and part. 3 pages. Rodrigo Faleiros #904976. Published by Rodrigo Faleiros (A0.1316243). Embrace the enchantment of the holiday season with our special alto sax solo arrangement of Christmas Time Is Here from the beloved A Charlie Brown Christmas soundtrack. This arrangement is tailored for alto sax players seeking to capture the timeless magic of the Peanuts gang's holiday adventures.Key Features: Beginner and Intermediate Level: Easy to follow for newcomers and a delightful challenge for those with some experience. Instant Digital Download: Begin your holiday journey instantly with our convenient PDF download. Piano accompaniment: The sheet music includes a piano accompaniment, allowing for harmonic creativity and festive musicality. Immerse yourself in the warmth and nostalgia of this classic melody with your alto sax. Whether you're performing for a holiday gathering, a recital, or simply for your own holiday enjoyment, this arrangement encapsulates the essence of the season.And don't forget to check out my other christmas and holiday music arrangements by clicking here!
$4.99
4.6 €
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Saxophone Alto et Piano
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Lee Mendelson and Vince Guaraldi
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Rodrigo Faleiros
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Christmas Time Is Here
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Rodrigo Faleiros
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SheetMusicPlus
Christmas Time Is Here
Saxophone Alto et Piano
Alto Saxophone,Piano - Level 1 - Digital Download SKU: A0.1316140 Composed by Lee M…
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Alto Saxophone,Piano - Level 1 - Digital Download SKU: A0.1316140 Composed by Lee Mendelson and Vince Guaraldi. Arranged by Rodrigo Faleiros. Children,Christmas,Film/TV,Holiday,Jazz. Score and part. 3 pages. Rodrigo Faleiros #904774. Published by Rodrigo Faleiros (A0.1316140). Embrace the enchantment of the holiday season with our special alto sax solo arrangement of Christmas Time Is Here from the beloved A Charlie Brown Christmas soundtrack. This arrangement is tailored for alto sax players seeking to capture the timeless magic of the Peanuts gang's holiday adventures.Key Features: Beginner and Intermediate Level: Easy to follow for newcomers and a delightful challenge for those with some experience. Instant Digital Download: Begin your holiday journey instantly with our convenient PDF download. Piano accompaniment with chord symbols: The sheet music includes a piano accompaniment with chord symbols, allowing for harmonic creativity and festive musicality. Immerse yourself in the warmth and nostalgia of this classic melody with your alto sax. Whether you're performing for a holiday gathering, a recital, or simply for your own holiday enjoyment, this arrangement encapsulates the essence of the season.And don't forget to check out my other christmas and holiday music arrangements by clicking here!
$4.99
4.6 €
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Saxophone Alto et Piano
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Lee Mendelson and Vince Guaraldi
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Rodrigo Faleiros
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Christmas Time Is Here
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Rodrigo Faleiros
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SheetMusicPlus
Korsakov: Flight of the Bumblebee for Alto Sax & Piano
Saxophone Alto et Piano
Alto Saxophone,Piano - Level 5 - Digital Download SKU: A0.549254 Composed by Nikola…
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Alto Saxophone,Piano - Level 5 - Digital Download SKU: A0.549254 Composed by Nikolay Andreyevich Rimsky-Korsakov. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Standards. Score and part. 15 pages. Jmsgu3 #3473685. Published by jmsgu3 (A0.549254). Flight of the Bumblebee Flight of the Bumblebee is, to be sure, an orchestral interlude composed by Nikolai Rimsky-Korsakov for his opera The Tale of Tsar Saltan. Of course, Korsakov intended to portray a bumblebee's chaotic flying pattern musically. Nowadays, this piece is one of the comparatively more famous classical works because it frequently appears occasionally in popular culture. The piece appears notably in the opera at the close of Act III, Tableau 1. This is when the magic Swan-Bird changes the Prince (the son of the Tsar) into a bee so he can fly away to visit his father. Interestingly, at this point in the drama, his father, in effect, does not know that he is alive. Korsakov Background Nikolai Rimsky-Korsakov (1844 –1908) was a uniquely famous composer from Russia. He was likewise a member of an infamous assembly of composers called The Five. Korsakov was furthermore an expert in orchestration. His correspondingly most famous orchestral compositions- Capriccio Espagnol, the Russian Easter Festival Overture, and the Scheherazade suite- are essential monuments of the standard music repertoire. Also comparatively very important are his suites and excerpts from his 15 operas. Korsakov used Russian folklore and fairy tales, such as Scheherazade, in his music. Nationalistic Style Like fellow outspoken composer Balakirev, Korsakov believed in creating a nationalistic, Russia-centric style of classical music. The new style was called Orientalism. It similarly relied on native Russian materials, exotic scales, and experimental harmonic, melodic, and rhythmic procedures. This practice, conversely, ran counter to the developments in Western musical culture. Musical Developments Nevertheless, Korsakov developed an appreciation of Western musical techniques after he became a professor of musical composition, harmony, and orchestration at the Saint Petersburg Conservatory in 1871. Moreover, he undertook a rigorous three-year program of self-education. He mastered Western methods, incorporating them with the influences of Mikhail Glinka and other members of The Five. His techniques of composition and orchestration were additionally enriched by his exposure to the works of Richard Wagner. Naval Service Korsakov combined his music career accordingly with a career in the Russian military. He was in the first place an officer in the Russian Navy. In due time, he was appointed a civilian Inspector of Naval Bands. As a result, Korsakov expanded his knowledge of woodwind and brass playing, which heightened his orchestration capabilities. Legacy In due time, Korsakov contributed a significant number of Russian nationalist works. He also prepared, occasionally, compositions by The Five for presentation. This brought their works straightaway into the active classical repertoire as well. He also shaped an entire generation of younger composers as a music educator. Therefore, music historians consider Korsakov the foremost engineer of what the public considers the Russian composition style. He served as a transitional figure between The Five and the classically trained composers who became the norm over time. In addition to the Russians, he influenced non-Russian composers such as Ravel, Debussy, Dukas, and Respighi. Â
$32.95
30.38 €
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Saxophone Alto et Piano
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Nikolay Andreyevich Rimsky-Korsakov
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James M
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Korsakov: Flight of the Bumblebee for Alto Sax & Piano
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jmsgu3
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SheetMusicPlus
Mendelssohn: Song Without Words Op. 109 for Alto Sax & Piano
Saxophone Alto et Piano
Alto Saxophone,Piano - Level 3 - Digital Download SKU: A0.549489 Composed by Felix …
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Alto Saxophone,Piano - Level 3 - Digital Download SKU: A0.549489 Composed by Felix Bartholdy Mendelssohn. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and part. 20 pages. Jmsgu3 #3500661. Published by jmsgu3 (A0.549489). ALTO SAX & PIANO - Score: 11 pages, solo part: 3 pages, piano part: 5 pages. Duration: 4:20. This is a popular recital piece that would work well also in church or school programs. Mendelssohn Background Felix Mendelssohn (1809 –1847) was, by all means, a German mastermind composer, musician, and orchestra conductor of the Romantic period. Consequently, Mendelssohn composed in the usual forms of the time - symphonies, concertos, oratorios, piano music, and chamber music. To summarize, his most famous works include his music for A Midsummer Night's Dream, the Italian Symphony, the Scottish Symphony, The Hebrides Overture, his later Concerto for Violin & Orchestra, and his Octet for Strings. His most well-known piano pieces, by and large, are the Songs Without Words. Artistic Standing  Musical tastes change from time to time. Moreover, just such a change occurred in the late 19th and early 20th centuries. This plus rampant antisemitism brought a corresponding amount of undue criticism. Fortunately, however, his artistic inventiveness has indeed been critically re-evaluated. As a result, Mendelssohn is once again among the most prevalent composers of the Romantic era. Early Family Life Mendelssohn was, in fact, born into a prominent Jewish family. His grandfather was, notably, the philosopher Moses Mendelssohn. Felix was, in fact, raised without religion. At the age of seven, he was suddenly baptized as a Reformed Christian. He was, moreover, a child musical prodigy. Nevertheless, his parents did not attempt to exploit his talent. Early Adulthood Mendelssohn was, in general, successful in Germany. He conducted, in particular, a revival of the music of Johann Sebastian Bach, specifically with his presentation of the St Matthew Passion in 1829. Felix was truly in demand throughout Europe as a composer, conductor, and soloist. For example, he visited Britain ten times. There, he premiered, namely, many of his significant works. His taste in music was. To be sure, inventive and well-crafted yet markedly conservative. This conservatism separated him by all means from more audacious musical colleagues like Liszt, Wagner, and Berlioz. Mendelssohn founded the Leipzig Conservatoire which, to clarify, became a defender of this conservative viewpoint. Mature Adulthood Schumann notably wrote that Mendelssohn was the Mozart of the nineteenth century, the most brilliant musician, the one who most clearly sees through the contradictions of the age and for the first time reconciles them. This observation points to a couple of features in particular that illustrate Mendelssohn's works and his artistic procedure. Musical Features In the first place, his musical style was fixed in his systematic mastery of the style of preceding masters. This being said, he certainly recognized and even developed early romanticism from the music of Beethoven and Weber. Secondly, it indicates that Mendelssohn sought to strengthen his inherited musical legacy rather than to exchange it with new forms and styles or replace it with exotic orchestration. Consequently, he diverged his contemporaries in the romantic period, such as Wagner, Berlioz, and Liszt. Mendelssohn revered Liszt's virtuosity at the keyboard but found his music rather insubstantial.
$32.95
30.38 €
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Saxophone Alto et Piano
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Felix Bartholdy Mendelssohn
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James M
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Mendelssohn: Song Without Words Op. 109 for Alto Sax & Piano
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jmsgu3
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SheetMusicPlus
The Carnival of the Animals - 13. The Swan
Saxophone Alto et Piano
Alto Saxophone,Piano - Level 3 - Digital Download SKU: A0.948140 Composed by Camill…
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Alto Saxophone,Piano - Level 3 - Digital Download SKU: A0.948140 Composed by Camille Saint-Saens. Arranged by Sam Bateman. Children,Contemporary,Romantic Period. Score and part. 10 pages. Sam Bateman #3434245. Published by Sam Bateman (A0.948140). And so we come to the second-to-last movement, which is The Swan. This was the only movement performed publicly during Saint-Saëns's lifetime, as he considered the rest of the suite too frivolous, or too silly, for his career as a serious composer. Understandably so, as it is considered by many to be one of the most beautiful pieces of music ever written, depicting a swan gracefully paddling across the surface of the water, with a calm, gentle mood. Quite ironically, the piece is in G major, which has gained a completely different meaning in Internet culture. But in any case, if you'd like to perform this piece on the alto saxophone, here it is for just 10 US dollars!If you'd like to hear some of my other arrangements, feel free to check out my YouTube channel, Sam Bateman's Music. If you would like to contact me for any inquiries or requests, feel free to email me at sambateman.music@gmail.com, and I'll respond back to you as soon as possible.
$10.00
9.22 €
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Saxophone Alto et Piano
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Camille Saint-Saens
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Sam Bateman
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The Carnival of the Animals - 13. The Swan
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Sam Bateman
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SheetMusicPlus
Jesu, Joy of Man's Desiring - Alto Sax and Piano (Individual Parts)
Saxophone Alto et Piano
Alto Saxophone,Piano - Level 3 - Digital Download SKU: A0.1222330 Composed by Johan…
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Alto Saxophone,Piano - Level 3 - Digital Download SKU: A0.1222330 Composed by Johann Sebastian Bach. Arranged by César Madeira. Baroque,Children,Early Music,Multicultural,Wedding,World. Score and part. 5 pages. Sheet Music To Play Editions #818595. Published by Sheet Music To Play Editions (A0.1222330). Jesu, Joy of Man's Desiring, music derived from a chorale setting of the cantata Herz und Mund und Tat und Leben, BWV 147 by Johann Sebastian Bach. Arrangement for Alto Sax and Piano. Individual Parts with Chords. Enjoy it!This file DOES NOT contain Full Score. Individual Parts only.Johann Sebastian Bach (1685 - 1750) was a German composer and musician of the Baroque period. He is known for instrumental compositions such as the Brandenburg Concertos and the Goldberg Variations, and for vocal music such as the St Matthew Passion and the Mass in B minor. Since the 19th-century Bach Revival, he has been generally regarded as one of the greatest composers of all time.For Tutorials, Play Alongs or request New Arrangements, visit the YouTube Channel: Sheet Music To Play
$4.99
4.6 €
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Saxophone Alto et Piano
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Johann Sebastian Bach
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César Madeira
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Jesu, Joy of Man's Desiring - Alto Sax and Piano
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Sheet Music To Play Editions
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SheetMusicPlus
Jesu, Joy of Man's Desiring - Alto Sax and Piano (Full Score)
Saxophone Alto et Piano
Alto Saxophone,Piano - Level 3 - Digital Download SKU: A0.1222331 Composed by Johan…
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Alto Saxophone,Piano - Level 3 - Digital Download SKU: A0.1222331 Composed by Johann Sebastian Bach. Arranged by César Madeira. Early Music,Praise & Worship,Religious,Sacred,Wedding. Score and part. 4 pages. Sheet Music To Play Editions #818596. Published by Sheet Music To Play Editions (A0.1222331). Jesu, Joy of Man's Desiring, music derived from a chorale setting of the cantata Herz und Mund und Tat und Leben, BWV 147 by Johann Sebastian Bach. Arrangement for Alto Sax and Piano. Full Score with Chords. Enjoy it!This file DOES NOT contain Individual Parts. Full Score only.Johann Sebastian Bach (1685 - 1750) was a German composer and musician of the Baroque period. He is known for instrumental compositions such as the Brandenburg Concertos and the Goldberg Variations, and for vocal music such as the St Matthew Passion and the Mass in B minor. Since the 19th-century Bach Revival, he has been generally regarded as one of the greatest composers of all time.For Tutorials, Play Alongs or request New Arrangements, visit the YouTube Channel: Sheet Music To Play
$4.99
4.6 €
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Saxophone Alto et Piano
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Johann Sebastian Bach
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César Madeira
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Jesu, Joy of Man's Desiring - Alto Sax and Piano
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Sheet Music To Play Editions
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SheetMusicPlus
Jesu, Joy of Man's Desiring - Alto Sax and Piano (Full Score and Parts)
Saxophone Alto et Piano
Alto Saxophone,Piano - Level 3 - Digital Download SKU: A0.1178092 Composed by Johan…
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Alto Saxophone,Piano - Level 3 - Digital Download SKU: A0.1178092 Composed by Johann Sebastian Bach. Arranged by César Madeira. Baroque,Children,Early Music,Renaissance,Wedding. Score and part. 8 pages. Sheet Music To Play Editions #778053. Published by Sheet Music To Play Editions (A0.1178092). Jesu, Joy of Man's Desiring, music derived from a chorale setting of the cantata Herz und Mund und Tat und Leben, BWV 147 by Johann Sebastian Bach. Arrangement for Alto Sax and Piano. Full Score and Individual Parts with Chords. Enjoy it!Johann Sebastian Bach (1685 - 1750) was a German composer and musician of the Baroque period. He is known for instrumental compositions such as the Brandenburg Concertos and the Goldberg Variations, and for vocal music such as the St Matthew Passion and the Mass in B minor. Since the 19th-century Bach Revival, he has been generally regarded as one of the greatest composers of all time.For Tutorials, Play Alongs or request New Arrangements, visit the YouTube Channel: Sheet Music To Play
$8.99
8.29 €
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Saxophone Alto et Piano
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Johann Sebastian Bach
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César Madeira
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Jesu, Joy of Man's Desiring - Alto Sax and Piano
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Sheet Music To Play Editions
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SheetMusicPlus
THE ENTERTAINER (a ragtime two-step) - easy version for Alto Sax and Piano
Saxophone Alto et Piano
Alto Saxophone,Piano - Level 1 - Digital Download SKU: A0.770594 Composed by Scott …
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Alto Saxophone,Piano - Level 1 - Digital Download SKU: A0.770594 Composed by Scott Joplin. Arranged by Ivan Marini. Folk,Standards. Score and part. 4 pages. Www.dalsegno.eu #6332549. Published by www.dalsegno.eu (A0.770594). Easy transcription of the most beloved ragtime ever!Really useful for instrumental classes, to build a repertoire, for concerts, recitals...Complete set of Piano and Alto Sax part. Free backing track available on YouTube (https://youtu.be/0Hd9F-ox__c).Other transpositions or custom settings available at simply request.Duration: ca. 2 minutes, 4 pages.Feel free to contact me at info@dalsegno.eu for any other setting!Please, check my other works at www.sheetmusicplus.com/publishers/3025323or visit www.dalsegno.eu
$1.99
1.83 €
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Saxophone Alto et Piano
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Scott Joplin
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Ivan Marini
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THE ENTERTAINER
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www.dalsegno.eu
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SheetMusicPlus
In the Hall of the Mountain King - Alto Saxophone & Piano with Chord Notation
Saxophone Alto et Piano
Alto Saxophone,Piano - Level 2 - Digital Download SKU: A0.1387660 Composed by Edvar…
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Alto Saxophone,Piano - Level 2 - Digital Download SKU: A0.1387660 Composed by Edvard Grieg. Arranged by Glauco Fernandes. Chamber,Classical,Film/TV,Romantic Period,Wedding. Score and part. 4 pages. Glauco Fernandes #971517. Published by Glauco Fernandes (A0.1387660). Discover the magic and enchantment of classical music with our exclusive sheet music arrangement of the famous composition In the Hall of the Mountain King by Edvard Grieg. This arrangement has been carefully crafted to cater to musicians ranging from easy to intermediate levels, ensuring a rewarding and enjoyable learning experience. Perfect for students looking to enhance their musical skills, teachers in search of inspiring teaching material, and professionals seeking to add an impressive piece to their repertoire for various events, including weddings.Our sheet music is the ideal choice for those who value practicality without compromising quality. With a clear and easy-to-follow formatting, musicians of all levels can benefit, making learning this classical masterpiece accessible and gratifying. Whether you're a student refining your techniques, a teacher looking for teaching resources that captivate and motivate your students, or a professional seeking to diversify your repertoire with a classic piece that is guaranteed to be a success at any event, our sheet music is the solution you're looking for.In the Hall of the Mountain King is one of the most recognized and beloved pieces in the classical repertoire, known for its ability to capture the listener's imagination, taking them on an exciting journey through music. Our sheet music makes performing this iconic work easier while maintaining the essence and dynamics of Grieg's original composition, but adapted to make it accessible to non-advanced musicians.In addition to being an excellent addition to the repertoire of musicians performing at weddings and various events, this sheet music serves as a valuable teaching resource, helping to develop technical and expressive skills in music students. Through this piece, students can explore themes such as dynamics, articulation, and musical expression while becoming familiar with one of the most thrilling works in the classical repertoire.Get your copy of the In the Hall of the Mountain King arrangement today and dive into the beauty of this timeless composition. We offer an unforgettable musical experience, combining practicality, accessibility, and the highest quality. Ideal for musicians looking to enrich their musical journey, whether in educational, professional settings, or memorable performances.
$6.99
6.44 €
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Saxophone Alto et Piano
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Edvard Grieg
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Glauco Fernandes
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In the Hall of the Mountain King - Alto Saxophone & Piano with Chord Notation
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Glauco Fernandes
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SheetMusicPlus
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