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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Ally Cho
Non classifié
2 875
Piano & claviers
Piano seul
1 035
Piano, Voix et Guitare
677
Piano, Voix
526
Piano Facile
322
Orgue
82
Instruments en Do
65
Piano Trio: piano, violon, violoncelle
45
2 Pianos, 4 mains
38
1 Piano, 4 mains
27
Accompagnement Piano
27
Piano grosses notes
22
Piano Quatuor: piano, violon, alto, violoncelle
10
Accordéon
10
Clavier
6
Piano Quatuor: piano, 2 violons, violoncelle
4
Piano (partie séparée)
4
Piano Quintette: piano, 2 violons, alto, violoncelle
4
Orgue, Trompette (duo)
3
Clavecin
2
Fake Book
1
Orgue, Piano (duo)
1
2 Pianos, 8 mains
1
+ 17 instrumentations
Retracter
Guitares
Ligne De Mélodie, (Paroles) et Accords
140
Guitare
130
Guitare notes et tablatures
109
Paroles et Accords
82
Ukulele
41
Guitare (partie séparée)
30
Basse electrique
14
Banjo
14
2 Guitares (duo)
11
Dulcimer
11
4 Guitares (Quatuor)
10
Mandoline
7
Ensemble de guitares
6
3 Guitares (trio)
4
Mandoline, Guitare (duo)
2
Piano, Guitare (duo)
1
+ 11 instrumentations
Retracter
Voix
Chorale SATB
1 722
Chorale 3 parties
661
Chorale 2 parties
484
Chorale TTBB
416
Chorale
291
Chorale SSAA
192
Chorale Unison
162
Pack Instrumental pour Chorale
33
Voix Soprano, Piano
22
Voix duo, Piano
16
Voix haute
15
Voix Alto, Piano
14
Chorale SSATTB
9
Chorale SSAATTBB
9
Voix duo
9
Voix moyenne, Piano
7
Voix seule
6
Chorale SSATB
4
Voix Tenor, Piano
4
Voix Baryton, Piano
3
Voix Tenor
2
Soli, choeur mixte et accompagnement
2
Voix basse, Piano
2
Chorale SSAATB
1
Chorale SAATB A Cappella
1
Voix Mezzo-Soprano, Piano
1
Chorale SSAB a cappella
1
Chorale SATTBB A Cappella
1
+ 23 instrumentations
Retracter
Vents
Flûte traversière et Piano
133
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
112
Flûte, Hautbois, Clarinette, Basson
107
Hautbois, Piano (duo)
98
Clarinette et Piano
96
Quatuor de Saxophones: 4 saxophones
95
2 Flûtes traversières (duo)
75
Ensemble de saxophones
68
Clarinette
67
Saxophone Alto
67
Saxophone Alto et Piano
64
Quintette de Saxophone: 5 saxophones
62
Flûte traversière
61
Ensemble de Clarinettes
52
Saxophone Tenor et Piano
51
Quatuor de Clarinettes: 4 clarinettes
49
2 Saxophones (duo)
48
Saxophone Soprano et Piano
46
Saxophone (partie séparée)
44
Ensemble de Flûtes
43
Saxophone Baryton, Piano
33
Flûte à bec Alto
28
Quatuor de Flûtes : 4 flûtes
28
Saxophone Tenor
27
2 Clarinettes (duo)
26
Hautbois
25
Hautbois (partie séparée)
23
3 Saxophones (trio)
22
Flûte à bec Soprano
16
3 Clarinettes (trio)
15
Cor anglais, Piano
14
Clarinette Basse, Piano
13
2 Hautbois (duo)
12
Quintette de Flûte : 5 flûtes
12
Hautbois, Clarinette, Basson (trio d'anches)
11
Flûte, Trombone (duo)
11
Flûte, Clarinette (duo)
11
Quintette de Clarinettes: 5 clarinettes
11
Flûte et Guitare
10
Quatuor de Flûtes à bec
9
Saxophone Soprano
9
Flûte, Hautbois, Clarinette (trio)
8
Harmonica
8
Saxophone Baryton
8
Saxophone, Clarinette (duo)
8
Flûte, Violon, Piano
7
Trio de Flûtes: 3 flûtes
6
Clarinette, Guitare (duo)
6
Flute (partie séparée)
6
2 Flûte à bec (duo)
6
Clarinette, Violon (duo)
5
Flûte à bec Alto, Piano
5
Hautbois, Clarinette (duo)
5
Hautbois, Flûte
5
5 Flûtes à bec
5
Flûte irlandaise
5
Cor Anglais
5
Flûte, Saxophone (duo)
4
Flûte, Trompette (duo)
3
Flûte à bec Tenor
3
Flûte, Clarinette et Basson
3
Clarinette, Harpe (duo)
3
Hautbois, Basson (duo)
3
Hautbois, Guitare (duo)
3
Saxophone
3
Clarinette, Trompette (duo)
3
Clarinette et Alto
3
Flûte à Bec
3
Flûte à Bec, Piano
2
Clarinette (partie séparée)
2
Flûte, Hautbois (duo)
2
Flûte, Violon
2
Hautbois, Harpe
2
Instruments en Mib
2
Saxophone et Harpe
2
Flute, harpe et violon
2
Piccolo, Piano
2
Flûte, Basson et Piano
2
Cor anglais, Guitare (duo)
2
Hautbois et Orchestre
1
Flûte, Alto et Piano
1
Clarinette, Alto et Piano (trio)
1
Saxophone et Guitare
1
Ensemble de Hautbois
1
4 Hautbois
1
Flûte de Pan
1
Clarinette, Basson, Piano (trio)
1
Hautbois, Basson et Piano
1
3 Hautbois
1
2 Saxophones, Piano
1
Flûte, Hautbois, Basson
1
Flûte, Hautbois, Piano (trio)
1
2 Cors Anglais Et Pianoforte
1
Clarinette, Trombone (duo)
1
Saxophone et Orgue
1
Flûte, Violoncelle
1
Clarinette, Violoncelle, Piano (trio)
1
Clarinette, Basson (duo)
1
Flûte à bec Alto, Basse continue
1
Hautbois, Violon, Piano
1
Flûte à bec, Guitare (duo)
1
Cor anglais et Harpe (duo)
1
3 Flûtes à bec (trio)
1
+ 98 instrumentations
Retracter
Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
143
Trompette
78
Trombone et Piano
68
Trompette, Piano
65
Cor et Piano
64
Quatuor de Cuivres : 2 trompettes, trombone, tuba
59
Ensemble de Trompettes
45
Trombone (partie séparée)
38
Cor
37
Trompette (partie séparée)
35
Trombone
33
Tuba et Piano
31
Quatuor de Cuivres: 2 trompettes, Cor, trombone
31
Ensemble de Trombones
28
Quatuor de Cuivres
25
Tuba
23
Euphonium, Piano (duo)
17
2 Trombones (duo)
17
Trompette, Trombone (duo)
15
Cor anglais, Piano
14
2 Trompettes (duo)
11
2 Cors (duo)
9
Quatuor de cuivres: 4 trombones
8
Quatuor de cuivres: 4 trompettes
6
2 Tubas (duo)
6
Quatuor de cuivres: 4 cors
6
Trompette, Saxophone (duo)
5
Cor Anglais
5
Tuba et Orgue
4
Trompette, Cor (duo)
4
Cor (partie séparée)
4
Euphonium
4
4 Tubas
3
Ensemble de Cors
3
Instruments en Sib
3
Tuba (partie séparée)
3
3 Trompettes (trio)
2
Trio de Cuivres
2
Quatuor de cuivres: 2 trompettes, 2 trombones
2
2 Euphoniums (duo)
2
Cor anglais, Guitare (duo)
2
Trombone basse et Piano
2
Cor, Violoncelle (duo)
1
Trompette, Harpe
1
Cor et Orgue
1
Trombone basse
1
3 Euphoniums
1
Trombone, Cor (duo)
1
2 Cors Anglais Et Pianoforte
1
2 Cors, Piano
1
Cor et Harpe
1
Euphonium, Tuba (duo)
1
Bass Clef Instruments
1
Trombone, Orgue
1
3 Trombones (trio)
1
Cor anglais et Harpe (duo)
1
+ 51 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
403
Violon et Piano
190
Violon
179
Violon, Violoncelle (duo)
172
Trio à Cordes: violon, alto, violoncelle
164
Violoncelle, Piano
112
Alto, Piano
98
Violoncelle
85
Harpe
64
Quintette à cordes: 2 violons, alto, violoncelle, basse
36
2 Violons (duo)
36
Alto seul
35
2 Violoncelles (duo)
30
Trio à Cordes: 2 violons, violoncelle
28
Contrebasse, Piano (duo)
26
Violon, Alto (duo)
25
Contre Basse
24
2 Altos (duo)
20
Contrebasse (partie séparée)
16
Violon, Guitare (duo)
13
Violon (partie séparée)
11
Alto (partie séparée)
11
4 Violoncelles
9
Ensemble de Violons
8
Harpe, Flûte (duo)
7
Ensemble d'Altos
7
Quintette à cordes: 2 violons, 2 altos, violoncelle
4
Violoncelle, Contrebasse (duo)
4
2 Harpes (duo)
3
Alto, Violoncelle (duo)
3
2 Contrebasses (duo)
3
Trio à Cordes: 3 violoncelles
3
Trio à cordes: 3 violins
3
Piano Trio: Violon, Alto, Piano
3
Alto, Guitare (duo)
2
Harpe, Violon (duo)
2
2 Violons, Piano
2
Violon, Orgue
2
Harpe et Piano
2
Quatuor à cordes : 4 altos
2
Violoncelle , Guitare (duo)
2
Violoncelle, Orchestre
2
Violon, Clarinette, Piano (trio)
2
Trio à Cordes: 2 violons, alto
2
Quintette à cordes : 2 violons, alto et 2 violoncelles
1
Ensemble de Violoncelles
1
Trio à cordes: 3 altos
1
Alto et orchestre
1
Harpe, Violoncelle (duo)
1
4 Contrebasses
1
Violoncelle, Basse continue
1
Violoncelle (partie séparée)
1
Alto et Harpe
1
Harpe, Trombone (duo)
1
+ 49 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
776
Orchestre à Cordes
223
Orchestre
167
Cloches
147
Orchestre de chambre
92
Ensemble Jazz
89
Ensemble de cuivres
88
Jazz combo
29
Marimba
18
Percussion (partie séparée)
18
Ensemble de Percussions
14
Batterie
9
Fanfare
7
Percussion
5
Timbales (partie séparée)
4
Batterie (partie séparée)
4
2 Xylophones
2
Xylophone, Piano
2
Vibraphone
2
Piano et Orchestre
1
Caisse Claire
1
Voix Mezzo-Soprano, Orchestre
1
Orchestre, Violon
1
Ensemble d'École
1
Instrumentation Flexible
1
Xylophone
1
3 Marimbas
1
Vibraphone et Marimba
1
+ 23 instrumentations
Retracter
Autres
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
THANKSGIVING
Vendeurs (tous)
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Note4Piano
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SheetMusicPlus
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Vous avez sélectionné:
Ally Cho
Saxophone Alto et Piano
Partitions à imprimer
64 partitions trouvées
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51
Sullivan: The Lost Chord for Alto Sax & Piano
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Saxophone Alto et Piano
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INTERMÉDIAIRE/AVANCÉ
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Sir Arthur Seymour Sullivan
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James M
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dynamic control
#
Sullivan: The Lost Chord for A
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jmsgu3
#
SheetMusicPlus
Alto Saxophone,Piano - Level 4 - SKU: A0.549443 Composed by Sir Arthur Seymour Sullivan. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Per...
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Alto Saxophone,Piano - Level 4 - SKU: A0.549443 Composed by Sir Arthur Seymour Sullivan. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and part. 15 pages. Jmsgu3 #3494751. Published by jmsgu3 (A0.549443). Score: 10 pages, solo part: 2 pages, piano part: 3 pages. Duration: 4:25. Not difficult, but requires sensitivity & dynamic control. Suitable for recitals, church meditations, or school programs. School Years First of all, Sullivan attended music school at the Royal Academy of Music. Because Sullivan was so talented, the Academy awarded him the Mendelssohn Scholarship for two years in a row. He, therefore, studied with John Goss, who studied with Thomas Atwood, who in turn studied with Mozart. Sullivan similarly studied the piano at the Academy with Arthur O’Leary. Study Abroad During his first year, he also earned money by singing solos in the Chapel Royal. At the end of his second year, the Academy consequently continued his scholarship and sent him to study at the Leipzig Conservatoire. He certainly studied composition, and likewise counterpoint and piano. Hence, during his final year in Leipzig, Sullivan finally completed his graduation composition project: Incidental Music for Shakespeare’s The Tempest. Association with Gilbert It seems like Sullivan built the bulk of his composing career largely in the 1860s. As a result, he became famous for his incidental music for the Tempest and his Irish Symphony. He, therefore, began collaborating with the poet W. S. Gilbert in the 1870s. Rather than focus on serious opera, Gilbert and Sullivan, in contrast, concentrated on comic operas such as H. M. S. Pinafore, the Pirates of Penzance, and the Mikado. Therefore, certainly as a result of his education and experience, Sullivan composed a total of 24 operas, 11 symphonic works, and 10 choral pieces. Even more, he wrote a large number of noteworthy hymns such as Onward Christian Soldiers. Lost Chord Winds The general style of his music is maybe similar to Mendelssohn, Schumann, and perhaps Liszt. It seems like Sullivan was fond of writing distinct melodies for each character in his operettas. His melodies combine together as the characters did. Furthermore, he was a master orchestrator, and therefore played the flute, clarinet, trumpet, and trombone fluently. The Lost Chord Sullivan wrote his most noteworthy song the Lost Chord in 1877. As a result, it was a great success and was certainly performed all over the world by a variety of singers such as Enrico Caruso. Because Sullivan was the most famous composer in England, the Lost Chord became the most famous of all British or American songs of the 1870s and 1890s. Consequently, in 1888 Thomas Edison recorded The Lost Chord for the phonograph. It was one of the first songs ever recorded. Furthermore, Queen Victoria knighted Sullivan in 1883. Â
$26.95
La Primavera (The Spring) by Vivaldi - Alto Saxophone and Piano with Chord Notations
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Saxophone Alto et Piano
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FACILE
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Classique
#
Antonio Vivaldi
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Glauco Fernandes
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La Primavera
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Glauco Fernandes
#
SheetMusicPlus
Alto Saxophone,Piano - Level 2 - SKU: A0.1409048 Composed by Antonio Vivaldi. Arranged by Glauco Fernandes. Baroque,Chamber,Classical,Instructional,Wedd...
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Alto Saxophone,Piano - Level 2 - SKU: A0.1409048 Composed by Antonio Vivaldi. Arranged by Glauco Fernandes. Baroque,Chamber,Classical,Instructional,Wedding. Score and part. 3 pages. Glauco Fernandes #991653. Published by Glauco Fernandes (A0.1409048). Dive into the exuberance of the Baroque era with our exclusive arrangement of Antonio Vivaldi's La Primavera (The Spring) from The Four Seasons. Tailored for musicians who are honing their skills at the intermediate level, this arrangement captures the joyful and rejuvenating spirit of spring, making it a valuable addition to the repertoire of both developing students and professionals seeking practicality and versatility in their performances.For educators and music teachers, this score represents an excellent pedagogical tool, introducing students to Vivaldi's distinctive style and the depth of Baroque music in a way that is both challenging and accessible. It offers an opportunity for technical and expressive growth, enriching students' repertoire with one of the most celebrated works of classical music.Beyond being ideal for those advancing musically, this arrangement is also extremely useful for professional musicians looking to expand their repertoire with pieces that combine elegance and simplicity for special occasions, such as weddings. The iconic nature and timeless beauty of La Primavera ensure its warm reception at any event, providing performers with the chance to shine with a work of recognized mastery.Thus, our arrangement emerges as a versatile choice, promising to enrich both the musical learning of students and the repertoires of professional musicians with a piece that is both accessible and deeply expressive. It maintains the essence and charm of Vivaldi's original composition, promising to be an enriching experience for all involved.Tags: intermediate sheet music, Antonio Vivaldi, The Four Seasons, La Primavera, Baroque music, music education, versatile arrangement, repertoire for events, wedding music, musical growth, classical music.
$6.99
Jolly Old St. Nicholas
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Saxophone Alto et Piano
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DÉBUTANT
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Noël
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Traditional
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Lori Archer Sutherland
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Jolly Old St. Nicholas
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Lori Archer Sutherland
#
SheetMusicPlus
Alto Saxophone,Piano - Level 1 - SKU: A0.764985 Composed by Traditional. Arranged by Lori Archer Sutherland. Christmas. Score and part. 5 pages. Lori Ar...
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Alto Saxophone,Piano - Level 1 - SKU: A0.764985 Composed by Traditional. Arranged by Lori Archer Sutherland. Christmas. Score and part. 5 pages. Lori Archer Sutherland #4728555. Published by Lori Archer Sutherland (A0.764985). Liven up your holiday with this classic Christmas tune arranged for beginner solo with piano accompaniment. The piano part is also for beginner students so the soloist can play with friends or relatives who are at a similar level. This gives young pianists a chance to try their hands at collaborative piano early on in their playing careers. Both players get a chance at the melody and accompanying lines, resulting in an equally balanced duet between the instruments.
$4.99
Morning Mood by Grieg for Alto Sax and Piano with Chords
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Saxophone Alto et Piano
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INTERMÉDIAIRE
#
Edvard Grieg
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Glauco Fernandes
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Morning Mood by Grieg for Alto
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Glauco Fernandes
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SheetMusicPlus
Alto Saxophone,Piano - Level 3 - SKU: A0.1412934 Composed by Edvard Grieg. Arranged by Glauco Fernandes. Chamber,Classical,Instructional,Romantic Period...
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Alto Saxophone,Piano - Level 3 - SKU: A0.1412934 Composed by Edvard Grieg. Arranged by Glauco Fernandes. Chamber,Classical,Instructional,Romantic Period,Wedding. Score and part. 4 pages. Glauco Fernandes #994938. Published by Glauco Fernandes (A0.1412934). Dive into the serenity of dawn with our exclusive arrangement of Edvard Grieg's Morning Mood from the Peer Gynt Suite. This carefully crafted arrangement is perfect for musicians looking to not only enrich their repertoire but also capture the tranquil and inspiring essence of Grieg's famous melody.For educators and music teachers, this score becomes a valuable pedagogical resource, allowing students to explore the nuances of Romantic composition and develop a deep appreciation for the ability to evoke images and emotions through music. Introducing Morning Mood into lessons can offer a window into the vast world of program music, encouraging a more intimate and expressive connection with musical performance.This arrangement is equally valuable for professional musicians, providing a refined and expressive piece for concerts, special events, and even moments of personal reflection. The universality and timeless beauty of Morning Mood make it a desirable addition to any musician's repertoire, standing out in occasions ranging from formal recitals to more intimate ceremonies.Our arrangement of Morning Mood promises to be a rewarding addition for students seeking musical growth as well as for professionals wishing to enchant their audience with the tranquil beauty of dawn. Maintaining the essence and charm of Grieg's original composition, this arrangement invites everyone to experience the magic of one of the most emblematic moments in classical music.Tags: Edvard Grieg, Peer Gynt, Morning Mood, Romantic music, music education, arrangement, repertoire for events, classical music, sheet music, musical growth, expressive performance.
$6.99
Bach: Wachet auf for Alto Sax & Piano
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Saxophone Alto et Piano
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FACILE
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Classique
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Johann Sebastian Bach
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James M
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Bach: Wachet auf for Alto Sax
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jmsgu3
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SheetMusicPlus
Alto Saxophone,Piano - Level 2 - SKU: A0.549842 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Concert,Easter,Sacred,St...
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Alto Saxophone,Piano - Level 2 - SKU: A0.549842 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Concert,Easter,Sacred,Standards. Score and part. 12 pages. Jmsgu3 #3554821. Published by jmsgu3 (A0.549842). Wachet auf, ruft uns die Stimme (Awake, the voice is calling us) from Cantata BWV 140. Duration: ca. 4:00, Score: 6 pages, solo part 1 page, piano part: 4 pages. Program this for church services during the Easter season, or as a recital encore.Wachet auf, ruft uns die Stimme (Awake, the Voice is calling us) also known as: Sleepers Awake Bach composed his church cantata Wachet auf (BWV 140) as part of his second annual cantata cycle covering the entire annual church calendar. It is based on the hymn of the same name by Philipp Nicolai (1599). The hymn text covers the readings for the 27th Sunday after Trinity. Bach designed the cantata in seven movements, setting the stanzas in various forms. Among these forms are the chorale fantasia, the chorale prelude, and a four-part chorale. He casts the new lyrics as recitatives – in a manner similar to the opera. Fourth Movement Bach writes the fourth movement, Zion hört die Wächter singen (Zion hears the watchmen singing), in the style of a chorale prelude with the chorale phrases performed as a strict cantus firmus. The phrases seem to enter at times erratically against the famous lyrical melody. The violins play this melody in unison as a foil against the cantus phrases. The violin melody is so independent and complete that when the cantus melody appears it catches the listener at times totally off-guard. Bach later transcribed this movement for organ (BWV 645). This transcription became No. 1 of the Six Schübler Chorales. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with the instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and certainly the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio. History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer. Style It seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV. .
$24.95
Bach-Gounod: Ave Maria, Schwencke version for Alto Sax & Piano
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Saxophone Alto et Piano
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FACILE
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J
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James M
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Bach-Gounod: Ave Maria, Schwen
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jmsgu3
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SheetMusicPlus
Alto Saxophone,Piano - Level 2 - SKU: A0.550919 Composed by J. S. Bach - Gounod. Arranged by James M. Guthrie, ASCAP. Christmas,Contemporary,Easter,Wedd...
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Alto Saxophone,Piano - Level 2 - SKU: A0.550919 Composed by J. S. Bach - Gounod. Arranged by James M. Guthrie, ASCAP. Christmas,Contemporary,Easter,Wedding. Score and part. 11 pages. Jmsgu3 #4888291. Published by jmsgu3 (A0.550919). This arrangement features the controversial Schwencke measure (ms. 27) that was originally introduced in 1783 by Christian Friedrich Gottlieb Schwencke. The convenient 1st & 2nd endings provide an option for extended performance. Duration with repeat - 4:50. Score: 6 pages. Solo part: 2 pages, piano part: 4 pages. Based on Prelude #1 in C Major from the Well-Tempered Clavier, Book 1. Well suited for church meditations or school programs or recital encores. Ave Maria Ave Maria is a Catholic prayer that consequently asks for the mother of Jesus (Mary) to intercede. Charles Gounod composed a famous version of the Ave Maria. He was a French Romantic composer who overlaid a new melody on an existing Bach chord progression. The progression is from Bach’s Prelude No. 1 from Well-Tempered Clavier I. This version, as well as Schubert’s version, have become essential items at weddings, masses, and funerals. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio.  History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as a court composer.  Style It seems like Bach created an engaging new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival        Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV. Â
$32.95
Bach-Gounod: Ave Maria for Alto Sax & Piano
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Saxophone Alto et Piano
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FACILE
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Bach-Gounod
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James M
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Bach-Gounod: Ave Maria for Alt
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jmsgu3
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SheetMusicPlus
Alto Saxophone,Piano - Level 2 - SKU: A0.549364 Composed by Bach-Gounod. Arranged by James M. Guthrie, ASCAP. Christmas,Contemporary,Easter,Wedding. Sco...
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Alto Saxophone,Piano - Level 2 - SKU: A0.549364 Composed by Bach-Gounod. Arranged by James M. Guthrie, ASCAP. Christmas,Contemporary,Easter,Wedding. Score and part. 11 pages. Jmsgu3 #3490139. Published by jmsgu3 (A0.549364). This arrangement follows the original Bach prelude and so excludes the extra measure that Schwencke introduced in 1783. If you prefer the extra measure, please see Bach-Gounod: Ave Maria, Schwencke version for Alto Sax & Piano, S0.661763. The convenient 1st & 2nd endings provide an option for extended performance with minimal page turns for the accompanist. The duration with repeat is about 4:50. Score: 6 pages. Solo part: 1 page, piano part: 4 pages. Based on Prelude #1 in C Major from the Well-Tempered Clavier, Book 1. Well suited for church meditations or school programs or recital encores. Ave Maria Ave Maria is a Catholic prayer that consequently asks for the mother of Jesus (Mary) to intercede. Charles Gounod composed a famous version of the Ave Maria. He was a French Romantic composer who overlaid a new melody on an existing Bach chord progression. The progression is from Bach’s Prelude No. 1 from Well-Tempered Clavier I. This version, as well as Schubert’s version, have become essential items at weddings, masses, and funerals. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio.  History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer.  Style It seems like Bach created an engaging new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival        Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV. Â
$32.95
Jingle Bells for Alto Sax & Piano
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Saxophone Alto et Piano
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DÉBUTANT
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Noël
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James Pierpont
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James M
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Jingle Bells for Alto Sax &
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jmsgu3
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SheetMusicPlus
Alto Saxophone,Piano - Level 1 - SKU: A0.548664 Composed by James Pierpont. Arranged by James M. Guthrie, ASCAP. Christmas. Score and part. 9 pages. Jms...
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Alto Saxophone,Piano - Level 1 - SKU: A0.548664 Composed by James Pierpont. Arranged by James M. Guthrie, ASCAP. Christmas. Score and part. 9 pages. Jmsgu3 #3408939. Published by jmsgu3 (A0.548664). Jingle Bells arranged for alto sax & piano. Jingle Bells is perhaps the most famous song in American music history. James L. Pierpont published the piece as One Horse Open Sleigh in the late 1850s. Since its introduction, people began to insist that Pierpont wrote it for a Sunday school choir. However, it seems unlikely that such a secular song would be considered appropriate during that historical period for Sunday school. Christmas Repertoire Pierpont wrote the song for the Thanksgiving holidays, but people began to think of it more as a Christmas song over time. Some choirs adopted it as part of their Christmas repertoire in the 1860s and 1870s. Jingle Bells was first recorded in 1889 on a wax cylinder. Origins No one knows where Pierpont composed the song. One theory suggests he wrote it in Medford, Massachusetts, in 1850. Sleigh races were undoubtedly famous in 19th-century Massachusetts. To this day, a commemorative placard appears in Medford Square, claiming it is the birthplace of Jingle Bells. Others suggest that he wrote it in Savannah, Georgia where he was an organist and music director at the Unitarian Church. This theory gained support from the copyright date of 1857. We know he was living in Savannah by then. Traffic Signals Horse-drawn sleighs are relatively quiet in the snow. Consequently, horses usually had bell-laden straps to avoid accidents at blind intersections. Sleigh drivers in 19th Century New England were constantly vigilant, listening for the sounds of approaching horse-drawn sleighs. The tune imitates the rhythm that the trotting horse bells produce. Social Context Jingle Bells was sung as a drinking song at local revelries: during the song, folks would rhythmically jingle the ice in their glasses. A sleigh ride allowed couples to be alone together. The term Jingle bells is a poetic descriptive adjective referring specifically to the more accurate term sleigh bells. In many arrangements, sleigh bells accentuate the rhythm during the song's chorus.Â
$24.95
Fauré: Élégie Op. 24 for Alto Sax & Piano
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Saxophone Alto et Piano
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Gabriel Faure
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James M
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Fauré: Élé
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jmsgu3
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SheetMusicPlus
Alto Saxophone,Piano - Level 4 - SKU: A0.549727 Composed by Gabriel Faure. Arranged by James M. Guthrie, ASCAP. Contemporary,Multicultural,Romantic Peri...
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Alto Saxophone,Piano - Level 4 - SKU: A0.549727 Composed by Gabriel Faure. Arranged by James M. Guthrie, ASCAP. Contemporary,Multicultural,Romantic Period,Standards,World. Score and part. 22 pages. Jmsgu3 #3531403. Published by jmsgu3 (A0.549727). Duration: ca. 7:00, Score: 12 pages, solo part: 2 pages, piano: 7 pages. An epic choice for a recital or funeral. Fauré Background: In the first place, Gabriel Fauré 1845 –1924) was a famous French composer, musician, and educator. Furthermore, his musical ideas influenced numerous 20th-century composers. Therefore, historians regard him as one of the leading French composers of his time. Famous Works: Among his most famous compositions, by and large, are the Pavane, Elegie (op. 24), Requiem, Sicilienne, Nocturnes for piano and the songs Après un rêve and Clair de lune. Inasmuch as his early works are well-known and relatively easy to perform, Faure’s music seems to have become gradually more difficult during his later life. In other words, his later works are somewhat esoteric and complex. Early Home Life: Fauré was in fact born into a well-cultivated family. His aptitude for music became particularly clear early on - when he was still a boy. Under these circumstances, his parents sent him to a music institution in Paris. Consequently, the training he received there prepared him for a career as a church organist and choirmaster. Middle Life: It is important to realize that Fauré studied music composition with the French musical mastermind Camille Saint-Saëns, who became his lifelong friend. Fauré eventually graduated from college and earned a living as an organist and educator. During this period, he had, on the whole, little time to compose. He consequently became more successful in his middle age, becoming organist of the Église de la Madeleine and director of the Paris Conservatoire. However, he still needed time on balance for composing. Therefore, given these points, he withdrew to the countryside during the summer to focus on composing. Later Life: Fauré was, in the final analysis, recognized in France as the foremost French composer of his time. The French government held a national musical tribute particularly for him in Paris. The French President notably headed the ceremony. Elsewhere, on the contrary, Fauré's music was slow to become accepted, except of course, in England. Legacy: Historians often describe Fauré's music in general as a transition between the end of Romanticism and the beginning of modernism. As an illustration, when Fauré was born, Chopin was still composing. However, by the time of Fauré's death, jazz and atonal music, in particular, had come to fruition. Fauré, by all means, suffered from increasing deafness in his later years. Some musicologists believe this to be indeed the cause of the esoteric nature of Faure’s final works.
$32.95
Perfect
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Saxophone Alto et Piano
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INTERMÉDIAIRE
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Pop musique
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Ed Sheeran
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Glauco Fernandes
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Perfect
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Glauco Fernandes
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SheetMusicPlus
Alto Saxophone,Piano - Level 3 - SKU: A0.1302340 By Ed Sheeran. By Ed Sheeran. Arranged by Glauco Fernandes. Chamber,Pop,Wedding. Score and part. 8 page...
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Alto Saxophone,Piano - Level 3 - SKU: A0.1302340 By Ed Sheeran. By Ed Sheeran. Arranged by Glauco Fernandes. Chamber,Pop,Wedding. Score and part. 8 pages. Glauco Fernandes #891953. Published by Glauco Fernandes (A0.1302340). Discover the Beauty of Ed Sheeran's Perfect with Our Arrangement for Alto Saxophone and Piano with Chord Notations!Are you a music enthusiast who enjoys musical challenges? We present to you the perfect arrangement for Ed Sheeran's Perfect, now available in sheet music for alto saxophone and piano with chord notations.What We Offer:- Complete sheet music for alto saxophone and piano, with all the necessary notes to play this emotional ballad.- Chord notations, making it easier for musicians of all levels to follow the melody.- A carefully crafted arrangement that maintains the essence of the original song while adding a unique touch.Why Choose Our Arrangement?- Challenge your musical skills.- Play one of Ed Sheeran's most romantic and popular songs.- Enjoy a musically rewarding arrangement that captivates listeners.Perfect for Special Events:This arrangement of Perfect is the ideal choice to make special events even more memorable. Whether it's for weddings, birthday parties, or any special occasion, the beauty of this music will touch the hearts of all in attendance.Let Ed Sheeran's Music Touch Your Heart:Share the magic of Ed Sheeran's music with our special arrangement of Perfect for alto saxophone and piano with chord notations. Enjoy every note and be moved by this modern classic.
$6.99
Earmarks
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Saxophone Alto et Piano
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AVANCÉ
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Contemporain
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Kyle Vanderburg
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Earmarks
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NoteForge
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SheetMusicPlus
Instrumental Duet,Piano Alto Saxophone,Clarinet,Instrumental Duet,Piano - Level 5 - SKU: A0.1002829 Composed by Kyle Vanderburg. Contemporary. Score and...
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Instrumental Duet,Piano Alto Saxophone,Clarinet,Instrumental Duet,Piano - Level 5 - SKU: A0.1002829 Composed by Kyle Vanderburg. Contemporary. Score and parts. 46 pages. NoteForge #3885237. Published by NoteForge (A0.1002829). Earmarks is a musical (and hopefully humorous) view of some of the issues in today's political climate, designed to make you make you laugh--or to make you think. And definitely to make you talk. It starts out with Echo Chamber, where everything you hear is everything you want to hear. As we move more and more of our lives online, we're at the mercy of algorithms that try to deliver more of what we like--and give us options for removing that which we don't. The more time we spend in these echo chambers, the less we hear from dissenters. (The piano tries to come in with a new idea later in the movement, but is largely ignored).The second movement, Filibuster, does what I initially intended. Although all three instruments do get to play, it's a lot of repeated, pleasant-sounding milquetoast stuff without a great deal of substance that never really resolves. And it has a repeat sign at the end that allows it to be played as many times as the performers wish. How long this movement is depends entirely on the whim of the pianist. A swing state is a state with a similar level of support for both parties that can go either way during an election. Likewise, Swing States is a piece for saxophone and piano, and a piece for clarinet and piano, and it's a struggle to see who's going to win. Will they sort out their differences? Will we?
$14.99
Carnival of Venice for Alto Sax and Piano
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Saxophone Alto et Piano
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DÉBUTANT
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Traditional Italian
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Langanho
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Carnival of Venice for Alto Sa
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Avery Lynn Jordan
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SheetMusicPlus
Alto Saxophone,Piano - Level 1 - SKU: A0.1251079 Composed by Traditional Italian. Arranged by Langanho. 19th Century,Classical,Folk,Romantic Period. Sco...
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Alto Saxophone,Piano - Level 1 - SKU: A0.1251079 Composed by Traditional Italian. Arranged by Langanho. 19th Century,Classical,Folk,Romantic Period. Score and part. 3 pages. Avery Lynn Jordan #845364. Published by Avery Lynn Jordan (A0.1251079). We present the sheet music for the Carnival of Venice, specially adapted for Alto Saxophone and Piano, with the aim of meeting the needs of beginner musicians. This carefully crafted arrangement preserves the beauty and essence of the original work, providing a captivating musical experience. Whether you are a teacher in search of didactic materials for your classes or a parent looking to encourage your child's music study, this sheet music is the perfect choice. With its accessible and pedagogical approach, it is designed to facilitate learning and understanding, ensuring satisfactory progress from the first chords. The Carnival of Venice is a globally recognized composition, and this adapted version is an unmissable opportunity to explore the enchantment of this piece, diving into the rich musical tradition of Venice. Take advantage of this chance to acquire this exceptional sheet music and embark on an engaging and inspiring musical journey.
$2.99
My Saxophone and Me (E flat version)
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Saxophone Alto et Piano
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DÉBUTANT
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Colin Kirkpatrick
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Lazy Days
(No 4)
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My Saxophone and Me
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Colin Kirkpatrick Publications
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SheetMusicPlus
Alto Saxophone,Piano - Level 1 - SKU: A0.522194 Composed by Colin Kirkpatrick. Instructional,Standards. Score and part. 28 pages. Colin Kirkpatrick Publ...
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Alto Saxophone,Piano - Level 1 - SKU: A0.522194 Composed by Colin Kirkpatrick. Instructional,Standards. Score and part. 28 pages. Colin Kirkpatrick Publications #3134129. Published by Colin Kirkpatrick Publications (A0.522194). My Saxophone and Me consists of fourteen short and delightful pieces written especially for absolute beginners up to students at elementary level. The book comes in two versions, one for B flat saxophones and the other for E flat instruments. However, for obvious reasons you cannot mix B flat and E flat instruments in the same group. The pieces are intended as supplementary material to your usual tutor books. The music can be used with any number of players and the pieces remain in the lower register. Several early pieces use only the notes B, A and G and the key of G major predominates. Six of the pieces use only half notes (minims) and quarter notes (crotchets). The low C, a tricky note for some beginners, has been avoided almost completely. On the one occasion it appears, the note C an octave above is given as optional. Although the pieces are arranged in approximate order of difficulty you can play them in any order you want, depending on the musical needs of the student. Your students are sure to enjoy these pieces, which are both easy on the fingers and easy on the ear! Several pieces have a few measures (bars) rest in the middle not only to give the player a break and add musical contrast but also to give the experience of counting empty bars during the music. When space allows, piano cues appear in the solo part. Some of the later pieces in the book have good performing potential and could be strung together in any order to create a small suite. Every piece has a short piano introduction so that the student can sense the tempo and musical style before playing. The keyboard accompaniments have been kept as simple as possible with the minimum number of notes. Dynamic markings (e.g. piano and mezzo-forte) are used from the start, but phrasing has been omitted from the solo part. This is because the teacher is usually in the best position to suggest phrasing within the physical capabilities of each student. Slurs have been employed sparingly and only when necessary. An MP3 file of all the piano accompaniments is also available as a separate item. You can find it here: https://www.sheetmusicplus.com/title/20679821The book includes a well-known folk lullaby from Wales and a lively folk song from Thailand which is known by all Thai people because it’s taught in elementary schools throughout the country. The music has been converted into pdf files at 1,200 dpi which will produce professional looking printed copies of high quality. However, the output quality will also depend on your own printer settings and capabilities. The publication consists of a teacher's book (18 pages) and a student's book (8 pages) both contained in the same pdf file. The sample MP3 (click on the “Listen†button above) contains recordings of Nice ‘n Easy (No 2); Lazy Days (No 4); Waltzing Around (No 7); Just a Minuet (No 11) and Donkey Trot (No 12). Colin Kirkpatrick studied at London’s Royal College of Music. He followed a career in music education. He was a High School Music Director in London for about fifteen years and later became a Music Education Adviser for local government, with responsibility for training teachers and directing the instrumental teaching service. The work in education gave him many opportunities for composing. He has published a great deal of music and his publishers include Boosey & Hawkes, Novello, Paxton, Schott, Oxford University Press, Chester, Belwin Mills and Intrada (Netherlands). His music has been performed and broadcast all over Europe as well as in Japan, Thailand, Australia and the USA. He holds MA and PhD degrees. He was a High School Music Director for about fifteen years and then became a Music Education Adviser for local government, with the added responsibility for training teachers and overseeing the instrumental service. He has writte.
$5.95
Away In A Manger: for Alto Sax & Piano
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Saxophone Alto et Piano
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DÉBUTANT
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Noël
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the 1880’s the cradle s
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Mueller
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James M
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Away In A Manger: for Alto Sax
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jmsgu3
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SheetMusicPlus
Alto Saxophone,Piano - Level 1 - SKU: A0.548472 Composed by Mueller. Arranged by James M. Guthrie. Christian,Christmas. Score and part. 3 pages. Jmsgu3 ...
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Alto Saxophone,Piano - Level 1 - SKU: A0.548472 Composed by Mueller. Arranged by James M. Guthrie. Christian,Christmas. Score and part. 3 pages. Jmsgu3 #3386519. Published by jmsgu3 (A0.548472). Traditional Christmas song arranged for alto sax & piano. Final verse features an alternate harmonization.Score: 2 pages. Part: 1 page.Away in a Manger – Alto Sax Away in a Manger is a popular Christmas song published originally sometime in the later 19th century and performed throughout the world. In England, it is considered one of the two most popular carols of all time; a 1996 poll ranked it as a tie for second place. To begin with, many thought it was written by Martin Luther, but now the song is considered to be absolutely American. The most common musical arrangements are by William Kirkpatrick (1895) and James R. Murray (1887). The melody was first published, as Luther's Cradle Hymn, by James R. Murray. Then, came a confusing series of explanations about how Martin Luther wrote the song. Murray even went so far as to suggest that Luther wrote it for his children. As a result, the song has become known as simply Mueller. Nobody knows who this Mueller actually is, but the name stuck. Popularity By the 1880’s the cradle song was being performed in church. By the 1990’s the song was becoming the most popular Christmas song of all time. It was sung in school, in church, and at home by nearly everyone. Other musical settings The first musical setting published with the lyrics appeared in the Little Children's Book for Schools and Families (1885). The title was Away in a Manger. This edition is the first one not to attribute the song to Martin Luther. Charles H. Gabriel was the first arranger to present the third verse. He also composed and published a large number of different arrangements of the song. In one of his settings, he supplies a chorus for each verse with asleep sung in canon. Another prevalent preparation uses the lyrics to the melody Flow Gently, Sweet Afton. Yet another arrangement dating uses the lyrics to an old Normandy Carol.
$24.95
Handel: Largo from Xerxes for Alto Sax & Piano
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Saxophone Alto et Piano
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INTERMÉDIAIRE
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Classique
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George Frideric Handel
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James M
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Handel: Largo from Xerxes for
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jmsgu3
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SheetMusicPlus
Alto Saxophone,Piano - Level 3 - SKU: A0.549383 Composed by George Frideric Handel. Arranged by James M. Guthrie, ASCAP. Baroque,Sacred,Standards,Weddin...
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Alto Saxophone,Piano - Level 3 - SKU: A0.549383 Composed by George Frideric Handel. Arranged by James M. Guthrie, ASCAP. Baroque,Sacred,Standards,Wedding. Score and part. 9 pages. Jmsgu3 #3492297. Published by jmsgu3 (A0.549383). Duration: 4:55, Score: 6 pages, Solo part: 1 page, piano part: 2 pages. A very famous aria (Ombra mai fu) from XerxesSuitable for any venue requiring meditative music. Excellent choice for a recital encore. Xerxes Xerxes is, in fact, an opera seria in three acts by Handel. Moreover, Handel conducted the premiere performance in London in 1738. Handel casts the opera in Persia in 470 BC. The part of Xerxes was indeed originally sung by a soprano castrato. Nowadays, the part is generally sung by a mezzo-soprano or conversely a counter-tenor. In the first place, Xerxes sings an opening aria, Ombra mai fu to a plane tree. Handel sets this aria to one of his most truly famous melodies. Although many refer to it traditionally as Handel’s Largo, Handel has, on the contrary, clearly marked Larghetto in the score. Handel Background George Frideric Handel (1685 - 1759) was born in Germany but eventually became a British citizen. Nonetheless, he was a famous Baroque composer. In fact, he became famous for his operas, oratorios, anthems, and organ concertos. Handel studied music and, by and large, worked as a composer in Germany and Italy before moving to London. On the whole, Handel was very familiar with the contemporary music of Italy and Germany. Career in England It is essential to realize that Italian opera was all the rage in England at the time. Moreover, Handel was really good at writing them. Therefore, he started not one but three opera companies in England. Alexander's Feast was a huge success in 1736, but Handel began composing English choral works. After success with the Messiah in 1742) he certainly never again wrote an Italian opera. Consequently, he died in 1759, a treasured genius. Accordingly, the English government gave him full state honors at his funeral. Hence, he is buried in Westminster Abbey in London. Legacy Music historians agree that Handel was in general one of the greatest composers of the Baroque era.  To demonstrate, his works such as the Messiah, Water Music, and Music for the Royal Fireworks remain consistently popular up to the present time. He especially composed the coronation anthem, Zadok the Priest for the coronation of George II. Nevertheless, it has specifically been performed at every succeeding British coronation since. His oratorio Solomon has by all means also continued to be prevalent. As a matter of fact, Sinfonia from act 3 was featured in the 2012 London Olympics opening ceremony. Handel was particularly prolific. To enumerate, he wrote over forty operas.  Since the late 1960s, we have expressly experienced a revival of baroque music. Similarly, we have especially seen a pique of interest in historically informed musical performances. Since his death in 1779, interest in Handel's music has all in all, expanded. Â
$32.95
Rocket Man (i Think It's Gonna Be A Long Long Time)
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Saxophone Alto et Piano
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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Piano Tribute Players
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Gary D
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Rocket Man
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DR GARY D BELSHAW
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SheetMusicPlus
Alto Saxophone,Piano - Level 4 - SKU: A0.796747 By Piano Tribute Players. By Bernie Taupin and Elton John. Arranged by Gary D. Belshaw (ASCAP). Contempo...
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Alto Saxophone,Piano - Level 4 - SKU: A0.796747 By Piano Tribute Players. By Bernie Taupin and Elton John. Arranged by Gary D. Belshaw (ASCAP). Contemporary. Score and part. 13 pages. DR GARY D BELSHAW #4631187. Published by DR GARY D BELSHAW (A0.796747). For the advanced intermediate saxophonist. Three-and-a-half minutes. 13 pages. This enormously popular tune translates so naturally for the solo saxophone with a more classical (serious concert music) feel. Not only is this a solid recital closer, it is an excellent choice for social obligations and for recruiting. Free improvisations are welcome. Reward your advanced pupils with a gift of this arrangement. Thank you for considering my music. Your reviews are really important to me and are deeply appreciated. Follow me on Facebook (Gary D. Belshaw Music) or Twitter @GaryDBelshawMus. Please like this title on your Sheet Music Plus page.
$6.99
Oh happy day - Key: Eb - Gospel - Organ and Alto Saxophone
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Saxophone Alto et Piano
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INTERMÉDIAIRE
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Rimbault
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Thomas Graf
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Oh happy day - Key: Eb - Gospe
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Thomas Graf - the-hit-factory.com
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SheetMusicPlus
Alto Saxophone,Piano - Level 3 - SKU: A0.569442 Composed by Rimbault. Arranged by Thomas Graf. Holiday,Wedding. Score and part. 8 pages. Thomas Graf - t...
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Alto Saxophone,Piano - Level 3 - SKU: A0.569442 Composed by Rimbault. Arranged by Thomas Graf. Holiday,Wedding. Score and part. 8 pages. Thomas Graf - the-hit-factory.com #6352251. Published by Thomas Graf - the-hit-factory.com (A0.569442). The famous gospel classic – here it comes in a fresh and festive arrangement. The best choice for any church service,wedding, birthdays, parties … - so it really is best choice for any happy days! Available in many keys for any instrument.  Instrumentation: Organ and Alto Saxophone      Listen to the video recording - a challenge for your ensemble. Please don't forget to review your purchase - you will help other musicians to choose the perfect arrangement for their ensemble. Thank you very much!       .
$6.00
Bach: Sheep May Safely Graze for Alto Sax & Piano
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Saxophone Alto et Piano
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FACILE
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Classique
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Johann Sebastian Bach
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James M
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Bach: Sheep May Safely Graze f
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jmsgu3
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SheetMusicPlus
Alto Saxophone,Piano - Level 2 - SKU: A0.548976 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Holiday,Standards,Weddin...
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Alto Saxophone,Piano - Level 2 - SKU: A0.548976 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Holiday,Standards,Wedding. Score and part. 11 pages. Jmsgu3 #3444569. Published by jmsgu3 (A0.548976). Was mir behagt, ist nur die muntre Jagd (The lively hunt is all my heart's desire), BWV 208 is the earliest secular cantata by Bach composed in 1713 for the birthday of the Duke of Weissenfels. It is also called the Hunting Cantata, and/or the Birthday Cantata. The most famous piece from this collection is the soprano aria Sheep may safely graze. Duration: 5:50, Score - 6 pg. Solo part - 2 pg. Piano part - 3 pg. 41 ms. Melodic range: M10 Sheep May Safely Graze Sheep may safely graze (Schafe können sicher weiden) is an aria from the Cantata BWV 208. The title of the Cantata, Was mir behagt, ist nur die muntre Jagd (nicknamed the Hunting Cantata) translates as The lively hunt is all my heart's desire. Programming Similar to Bach’s Jesu, Joy of Man's Desiring, or I Stand at the Threshold, it is an all-time favorite and frequently requested at weddings. Originally, Bach composed this aria for a royal birthday celebration, that of the Duke of Saxe-Weissenfels. Lyrics Sheep may safely graze and pasture In a watchful Shepherd’s sight. Those who rule with wisdom guiding Bring to hearts a peace abiding Bless a land with joy made bright.  Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Indeed, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. People are probably most familiar with instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio.  History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer.  Style It seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival        Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV.
$32.95
Bach: Bist du bei mir BWV 508 for Alto Sax & Piano
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Saxophone Alto et Piano
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FACILE
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Classique
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Johann Sebastian Bach
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James M
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Bach: Bist du bei mir BWV 508
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jmsgu3
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SheetMusicPlus
Alto Saxophone,Piano - Level 2 - SKU: A0.549235 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Easter,Standards,Wedding...
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Alto Saxophone,Piano - Level 2 - SKU: A0.549235 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Easter,Standards,Wedding. Score and part. 9 pages. Jmsgu3 #3468804. Published by jmsgu3 (A0.549235). J. S. Bach BWV 508. Bist du bei mir Bach adapted this aria from a lost Stölzel opera called Diomedes. He changed the original orchestral instrumentation to soprano, strings, and continuo.  He also modified the voice-leading making it sound more like a Bach composition. The work appears as BWV 508 No. 25 in the Anna Magdalena Notebook No. 2.  Source Only a few remnants of the original opera have survived. Historians speculate that Anna Magdalena got the song from the Leipzig Opera after the bankruptcy of 1720. Chances are good, though, that the tune was a favorite of everyone in Leipzig at the time.  Lyrics When thou art near, I go with joyTo death and to my rest.O how joyous would my end be,If your fair hands      Would close my faithful eyes. - Unknown Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and certainly the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy are the St. John Passion, and indeed the Christmas Oratorio.  History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer.  Style It seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival        Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV.  Voyager NASA launched two Voyager spacecraft in 1977. Onboard are phonograph records with sounds, music, and images of life on Earth. The purpose of the launch was to inform intelligent extraterrestrial life forms about conditions on Earth. The music on the disc is varied. There is Bach, Mozart, Beethoven, and Stravinsky among others. However, because Bach is so important in our music history, it contains three times more Bach than all the others combined.
$32.95
Perfect
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Saxophone Alto et Piano
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INTERMÉDIAIRE
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Pop musique
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Ed Sheeran
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Glauco Fernandes
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Perfect
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Glauco Fernandes
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SheetMusicPlus
Alto Saxophone,Piano - Level 3 - SKU: A0.1302342 By Ed Sheeran. By Ed Sheeran. Arranged by Glauco Fernandes. Chamber,Pop,Wedding. Score and part. 8 page...
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Alto Saxophone,Piano - Level 3 - SKU: A0.1302342 By Ed Sheeran. By Ed Sheeran. Arranged by Glauco Fernandes. Chamber,Pop,Wedding. Score and part. 8 pages. Glauco Fernandes #891955. Published by Glauco Fernandes (A0.1302342). Discover the Beauty of Ed Sheeran's Perfect with Our Arrangement for Alto Saxophone and Piano!Are you a music enthusiast who enjoys musical challenges? We present to you the perfect arrangement for Ed Sheeran's Perfect, now available in sheet music for alto saxophone and piano.What We Offer:- Complete sheet music for alto saxophone and piano, with all the necessary notes to play this emotional ballad.- A carefully crafted arrangement that maintains the essence of the original song while adding a unique touch.Why Choose Our Arrangement?- Challenge your musical skills.- Play one of Ed Sheeran's most romantic and popular songs.- Enjoy a musically rewarding arrangement that captivates listeners.Perfect for Special Events:This arrangement of Perfect is the ideal choice to make special events even more memorable. Whether it's for weddings, birthday parties, or any special occasion, the beauty of this music will touch the hearts of all in attendance.Let Ed Sheeran's Music Touch Your Heart:Share the magic of Ed Sheeran's music with our special arrangement of Perfect for alto saxophone and piano. Enjoy every note and be moved by this modern classic.
$6.99
Enchanted
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Saxophone Alto et Piano
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INTERMÉDIAIRE
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Pop musique
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Taylor Swift
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Glauco Fernandes
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Enchanted
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Glauco Fernandes
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SheetMusicPlus
Alto Saxophone,Piano - Level 3 - SKU: A0.1307282 By Taylor Swift. By Taylor Swift. Arranged by Glauco Fernandes. Chamber,Pop,Wedding. Score and part. 13...
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Alto Saxophone,Piano - Level 3 - SKU: A0.1307282 By Taylor Swift. By Taylor Swift. Arranged by Glauco Fernandes. Chamber,Pop,Wedding. Score and part. 13 pages. Glauco Fernandes #896555. Published by Glauco Fernandes (A0.1307282). Intermediate Arrangement Sheet Music for Alto Saxophone with Piano Accompaniment and Chord Notations for Taylor Swift's 'Enchanted'Discover Taylor Swift's music in a whole new way! We present to you the sheet music for the intermediate arrangement of the song 'Enchanted,' specially adapted for alto saxophone with piano accompaniment and chord notations.Highlights:Intermediate arrangement suitable for musicians looking to elevate their skills.Complete sheet music for alto saxophone with detailed notations.Piano accompaniment to add depth and emotion to your performance.Chord notations for musicians of different instruments to play together.Ideal for a variety of events, including weddings.This arrangement captures the magical essence of Taylor Swift's original music, allowing you to interpret it in a unique and engaging way. Whether for your personal musical pleasure or to impress your audience, this sheet music is the perfect choice.Get the sheet music now and start creating your own musical magic with 'Enchanted'!     Â
$6.99
Ave Maria - Franz Schubert
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Saxophone Alto et Piano
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INTERMÉDIAIRE
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Classique
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acquiring this score, you will
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Franz Schubert
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Glauco Fernandes
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Ave Maria - Franz Schubert
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Glauco Fernandes
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SheetMusicPlus
Alto Saxophone,Piano - Level 3 - SKU: A0.1427633 Composed by Franz Schubert. Arranged by Glauco Fernandes. Chamber,Christian,Classical,Religious,Wedding...
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Alto Saxophone,Piano - Level 3 - SKU: A0.1427633 Composed by Franz Schubert. Arranged by Glauco Fernandes. Chamber,Christian,Classical,Religious,Wedding. Score and part. 3 pages. Glauco Fernandes #1008370. Published by Glauco Fernandes (A0.1427633). We are proud to exclusively present the new score arrangement of the iconic Ave Maria by Franz Schubert. This piece, globally renowned for its beauty and emotional depth, is now accessible for musicians looking to add a touch of refinement to their repertoire.Ideal for special events, particularly weddings, this arrangement captures both the sacred and celebratory essence, making each performance unforgettable. Schubert's Ave Maria is often chosen for deeply meaningful and personal moments, such as the bride's entrance, thanks to its gentle melody and enveloping harmony that enhance any ceremony's atmosphere.This arrangement has been carefully crafted to allow for a rich and detailed interpretation of the work. By acquiring this score, you will be equipped to deliver a high-level performance that will surely touch the hearts of all attendees.Perfect for both experienced musicians and those in technical development, this arrangement raises the standard of any performance, ensuring unforgettable moments at any event.Do not miss the chance to incorporate this sublime arrangement into your repertoire. Purchase it today and let Schubert's Ave Maria elevate the standard of your performances at important events.Tags: Ave Maria score, events, weddings, Franz Schubert, musical arrangement, musician performance.
$6.99
Ave Maria - Franz Schubert
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Saxophone Alto et Piano
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INTERMÉDIAIRE
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Classique
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acquiring this score, you will
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Franz Schubert
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Glauco Fernandes
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Ave Maria - Franz Schubert
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Glauco Fernandes
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SheetMusicPlus
Alto Saxophone,Piano - Level 3 - SKU: A0.1427634 Composed by Franz Schubert. Arranged by Glauco Fernandes. Chamber,Christian,Classical,Religious,Wedding...
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Alto Saxophone,Piano - Level 3 - SKU: A0.1427634 Composed by Franz Schubert. Arranged by Glauco Fernandes. Chamber,Christian,Classical,Religious,Wedding. Score and part. 3 pages. Glauco Fernandes #1008371. Published by Glauco Fernandes (A0.1427634). We are proud to exclusively present the new score arrangement of the iconic Ave Maria by Franz Schubert. This piece, globally renowned for its beauty and emotional depth, is now accessible for musicians looking to add a touch of refinement to their repertoire.Ideal for special events, particularly weddings, this arrangement captures both the sacred and celebratory essence, making each performance unforgettable. Schubert's Ave Maria is often chosen for deeply meaningful and personal moments, such as the bride's entrance, thanks to its gentle melody and enveloping harmony that enhance any ceremony's atmosphere.This arrangement has been carefully crafted to allow for a rich and detailed interpretation of the work. By acquiring this score, you will be equipped to deliver a high-level performance that will surely touch the hearts of all attendees.Perfect for both experienced musicians and those in technical development, this arrangement raises the standard of any performance, ensuring unforgettable moments at any event.Do not miss the chance to incorporate this sublime arrangement into your repertoire. Purchase it today and let Schubert's Ave Maria elevate the standard of your performances at important events.Tags: Ave Maria score, events, weddings, Franz Schubert, musical arrangement, musician performance.
$6.99
Scriabin: Prelude Op. 11 No. 2 for Alto Sax & Piano
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Saxophone Alto et Piano
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INTERMÉDIAIRE
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Alexander Scriabin
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James M
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Scriabin: Prelude Op. 11 No. 2
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jmsgu3
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SheetMusicPlus
Alto Saxophone,Piano - Level 3 - SKU: A0.549467 Composed by Alexander Scriabin. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Peri...
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Alto Saxophone,Piano - Level 3 - SKU: A0.549467 Composed by Alexander Scriabin. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Sacred,Standards. Score and part. 12 pages. Jmsgu3 #3499755. Published by jmsgu3 (A0.549467). Score: 8 pages, solo part: 2 pages, piano part: 2 pages. Duration: 3:10. An introspective and meditative work with a lot of dynamic and phrasing nuance. Works well for church meditations or recital encores.Background Op.11/2 Alto Clarinet version. First of all, Scriabin composed mostly for the solo piano and also the orchestra. This is probably because he was a gifted pianist and therefore certainly appreciated the piano. Scriabin grew up in the late Romantic period, consequently, he was fond of the great piano masters of the time. As a result, he wrote his first noteworthy compositions in the manner of Chopin and Liszt. Forms Likewise, Scriabin used many of the same forms as Chopin. These certainly include the étude, prelude, nocturne, and even the mazurka. In contrast, as he developed his own sense of style his music became more and more unusual. So, the last five of his Piano Sonatas do not have a key signature and therefore lean towards atonality. Philosophy Scriabin also developed a keen interest in philosophy and likewise poetry. He was above all particularly fascinated by Nietzsche, Delville, and Blavatsky. Consequently, he finally established his own ideas about metaphysics and certainly mysticism. Scriabin consequently advanced theories about the relationship between color and musical keys. Synesthesia He also may have experienced a condition called synesthesia where he could probably sense a response created from a different stimulus. Therefore, it was almost as if he could see music and hear colors. Scriabin, therefore, arranged the colors in a circle similar to the circle-of-fifths and assigned each key area a color. Finally, he assigned the key of C to the color red, while the key of G was orange. Similarly, he assigned D to yellow, A to green, and so forth. Strangely, he did not differentiate between major and minor key colors. Multimedia Hence, his ability to translate colors into music certainly gave Scriabin a most noteworthy interest in creating multimedia events. Furthermore, He designed his biggest work, the Mysterium, to last an entire week. Even more, Scriabin made plans not only for music, but also colored lights, incense, and dancing. He designed the performance to occur in the foothills of the Himalaya mountains. The Mysterium was never performed, and only sketches of the work remain. Modern Performances In modern times, we often experience performances of Scriabin’s most famous completed works accompanied by colored laser lights and incense. These are the Poem of Ecstasy (completed in 1908) and the Poem of Fire (completed in 1910). The lighting effects for these early performances were accomplished by the clavier à lumiéres. It was a keyboard instrument that projected colored light onto a screen.
$19.95
Pomp and Circumstance March No. 1 for Alto Saxophone and Piano
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Saxophone Alto et Piano
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INTERMÉDIAIRE
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Classique
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Edward Elgar
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Diego Marani
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Pomp and Circumstance March No
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Diego Marani
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SheetMusicPlus
Alto Saxophone,Piano - Level 3 - SKU: A0.1041586 Composed by Edward Elgar. Arranged by Diego Marani. Classical,Instructional,Patriotic,Romantic Period,S...
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Alto Saxophone,Piano - Level 3 - SKU: A0.1041586 Composed by Edward Elgar. Arranged by Diego Marani. Classical,Instructional,Patriotic,Romantic Period,Standards. Score and part. 15 pages. Diego Marani #646345. Published by Diego Marani (A0.1041586). The best known March of the set, it had its premiere in Liverpool on 19 October 1901, with Elgar conducting the Liverpool Orchestral Society. The Trio contains the tune known as Land of Hope and Glory. In 1902 the tune was re-used, in modified form, for the Land of hope and glory section of his Coronation Ode for King Edward VII. The words were further modified to fit the original tune, and the result has since become a fixture at the Last Night of the Proms, and an English sporting anthem. In the United States, the Trio section Land of Hope and Glory of March No. 1 is often known simply as Pomp and Circumstance or as The Graduation March and is played as the processional tune at virtually all high school and some college graduation ceremonies. It was first played at such a ceremony on 28 June 1905, at Yale University, where the Professor of Music Samuel Sanford had invited his friend Elgar to attend commencement and receive an honorary doctorate of music. Elgar accepted, and Sanford made certain he was the star of the proceedings, engaging the New Haven Symphony Orchestra, the College Choir, the Glee Club, the music faculty members, and New York musicians to perform two parts from Elgar's oratorio The Light of Life and, as the graduates and officials marched out, Pomp and Circumstance March No. 1. Elgar repaid the compliment by dedicating his Introduction and Allegro to Sanford later that year. The tune soon became de rigueur at American graduations, used primarily as a processional at the opening of the ceremony. This arrangement for alto sax with piano is suitable for classroom, repertoire and recital.
$9.99
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