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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
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AUTOHARPE
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116
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Quintette à cordes: 2 violons, alto, violoncelle, basse
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Harpe
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Violon, Alto (duo)
17
Alto, Piano
17
Violoncelle, Piano
16
2 Violoncelles (duo)
15
2 Altos (duo)
13
2 Violons (duo)
12
Violoncelle (partie séparée)
7
Trio à Cordes: 2 violons, violoncelle
5
Violoncelle
4
Alto seul
3
Contrebasse, Piano (duo)
3
4 Violoncelles
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2 Harpes (duo)
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Alto (partie séparée)
2
Violon (partie séparée)
2
Trio à Cordes: 2 violons, alto
1
Trio à Cordes: 3 violoncelles
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Alto et Basson
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Piano Trio: Violon, Alto, Piano
1
Alto, Violoncelle (duo)
1
Harpe, Violon (duo)
1
Trio à cordes: 3 violins
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Contre Basse
1
Quintette à cordes: 2 violons, 2 altos, violoncelle
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PERCUSSIONS & ORCHESTRES
Orchestre à Cordes
106
Orchestre d'harmonie
43
Ensemble Jazz
20
Orchestre
14
Ensemble de cuivres
11
Orchestre de chambre
11
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8
Cloches
6
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Marimba
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Piano et Orchestre
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Fanfare
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AUTRES
Vous avez sélectionné:
Always There
SheetMusicPlus
Partitions à imprimer
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There's Always Tomorrow
Saxophone Alto et Piano
Alto Saxophone,Piano - Level 1 - Digital Download SKU: A0.854228 Composed by Johnny…
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Alto Saxophone,Piano - Level 1 - Digital Download SKU: A0.854228 Composed by Johnny Marks. Arranged by Stephen DeCesare. Children,Christmas,Contest,Festival,Film/TV,Holiday. Score and part. 5 pages. Exultet Music #460752. Published by Exultet Music (A0.854228). The tender ballad from the 1964 Christmas stop motion animated television special Rudolph the Red-Nosed Reindeer has been freshly arranged for an Alto Saxophone solo with Piano accompaniment. True to the original source material. Accessible and appropriate for any concert setting.
$4.99
4.61 €
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Saxophone Alto et Piano
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Johnny Marks
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Stephen DeCesare
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There's Always Tomorrow
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Exultet Music
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SheetMusicPlus
Pie Jesus, from Fauré's Requiem, for Alto Saxophone and Piano
Saxophone Alto et Piano
Alto Saxophone,Piano - Level 3 - Digital Download SKU: A0.587705 Composed by Gabrie…
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Alto Saxophone,Piano - Level 3 - Digital Download SKU: A0.587705 Composed by Gabriel Faure. Arranged by David McKeown. Christian,Contemporary,Romantic Period,Sacred,Standards. Score and part. 5 pages. David McKeown #4810593. Published by David McKeown (A0.587705). Pie Jesus is the fifth and central movement of Gabriel Fauré’s Requiem. The piece was premiered in Paris in 1888, and underwent several revisions in subsequent years. The Requiem was performed at Fauré’s own funeral in 1924, but it’s only in recent years that this gentle version of the Mass for the Dead has received the international recognition it deserves. Contemporary performances in Parisian churches required the Pie Jesus to be sung by a boy treble, but in the concert hall, Fauré always preferred a soprano voice for the part.This arrangement transcribes the orchestral score as a Solo for Alto Saxophone with Piano accompaniment. Both the piano score and the solo part are included in the pdf file. The linked youtube performance is the clarinet version of this arrangement.Soloists at an intermediate level and above will find this ideal for formal and informal performances. The rhythms are straightforward, and there is plenty of scope for expressive, lyrical playing. The slow tempo though will require good breath and tone control. The piano part is suitable for an intermediate player. The overall performance time is around three and a half minutes.There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203.
$4.60
4.25 €
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Saxophone Alto et Piano
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Gabriel Faure
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David McKeown
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Pie Jesus, from Fauré's Requiem, for Alto Saxophone and Piano
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David McKeown
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SheetMusicPlus
Bach-Gounod: Ave Maria for Alto Saxophone and Piano
Saxophone Alto et Piano
Composed by J. S. Bach - C. Gounod. Arranged by Colin Kirkpatrick. Praise & Wors…
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Composed by J. S. Bach - C. Gounod. Arranged by Colin Kirkpatrick. Praise & Worship, Easter, Wedding, Bar or Bat Mitzvah, Funeral. Score, Solo Part. 6 pages. Published by Colin Kirkpatrick Publications
This ever-popular piece is often performed at weddings, funerals and many other solemn<br> <br> ceremonial events. It has always been a favorite among instrumental players and often used in<br> <br> recitals or concert encores. This arrangement by Colin Kirkpatrick has been transposed into B<br> <br> flat to feature the middle to upper range of the saxophone. In is ideal for the intermediate<br> <br> player who can manage a top “b” with confidence.<br> In 1853, the well-known French composer Charles Gounod added his own melody over a rippling<br> <br> keyboard accompaniment which was a slightly adapted version of the Prelude No. 1 in C major,<br> <br> BWV846, from Book I of J. S. Bach's The Well-Tempered Clavier, published in 1722. The title of<br> <br> the “combined” piece was Méditation sur le Premier Prélude de Piano de S. Bach. Gounod’s<br> <br> original arrangement transposed Bach’s keyboard part from C major into F major and it was<br> <br> scored for violin (or cello), organ and piano. In 1859, the French music publishing company<br> <br> Jacques-Léopold Heugel brought out a vocal version based on the familiar Latin text. Ave Maria<br> <br> (Hail Mary) is a traditional Catholic prayer addressed to the Virgin Mary, the mother of Jesus.<br> The version of Bach's prelude which Gounod used included the so-called "Schwencke measure" (m.<br> <br> 27 in this arrangement), a measure (bar) allegedly added by the German composer and pianist<br> <br> Christian Friedrich Gottlieb Schwencke (1767-1822) in an attempt to correct what was considered<br> <br> a harmonic weakness in the original. Whether there actually was a “harmonic weakness” (or<br> <br> possibly an error in the manuscript) remains a matter of conjecture but the fact remains that<br> <br> the most familiar-sounding version of this piece, recorded countless times by both singers and<br> <br> instrumentalists includes this Schwencke measure. It is therefore included in this arrangement.<br> Some published arrangements show minor inconsistencies in the rhythm of the melody. This<br> <br> arrangement uses the familiar rhythm of the Ave Maria version as it appeared in the 1859<br> <br> edition.
$7.95
7.34 €
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Saxophone Alto et Piano
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J
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Colin Kirkpatrick
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Bach-Gounod: Ave Maria for Alto Saxophone and Piano
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Colin Kirkpatrick Publications
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SheetMusicPlus
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