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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Aria: La
Non classifié
247
Piano & claviers
Piano seul
458
Piano, Voix
352
Accordéon
55
Piano Facile
30
Instruments en Do
21
Piano, Voix et Guitare
15
1 Piano, 4 mains
7
Piano Trio: piano, violon, violoncelle
4
Orgue
3
Piano Quatuor: piano, violon, alto, violoncelle
2
2 Pianos, 4 mains
2
Piano Quatuor: piano, 2 violons, violoncelle
1
+ 7 instrumentations
Retracter
Guitares
Guitare
62
Basse electrique
20
Guitare notes et tablatures
19
Mandoline
9
2 Guitares (duo)
6
Ukulele
4
4 Guitares (Quatuor)
3
Ligne De Mélodie, (Paroles) et Accords
3
Dulcimer
1
Banjo
1
Paroles et Accords
1
+ 6 instrumentations
Retracter
Voix
Voix seule
114
Chorale SATB
47
Voix Soprano, Piano
28
Voix Tenor, Piano
25
Voix Mezzo-Soprano, Piano
13
Chorale 3 parties
12
Voix haute
12
Voix basse, Piano
6
Voix Alto, Piano
6
Voix duo
5
Voix Baryton, Piano
4
Voix Tenor
3
Voix duo, Piano
3
Voix moyenne, Piano
2
Voix Soprano
1
Chorale Unison
1
Chorale TTBB
1
Chorale SSAA
1
+ 13 instrumentations
Retracter
Vents
Saxophone
110
Flûte traversière
96
Clarinette
80
Flûte traversière et Piano
38
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
37
Clarinette et Piano
36
Hautbois, Piano (duo)
33
Saxophone Alto et Piano
20
Hautbois (partie séparée)
16
Flûte à Bec
16
Quatuor de Saxophones: 4 saxophones
15
Saxophone Alto
15
Saxophone Tenor
14
Saxophone Soprano et Piano
12
Quatuor de Clarinettes: 4 clarinettes
11
Saxophone Tenor et Piano
8
Hautbois
8
Flûte, Hautbois, Clarinette, Basson
8
2 Flûtes traversières (duo)
6
2 Saxophones (duo)
6
Saxophone Soprano
4
Quatuor de Flûtes : 4 flûtes
3
Cor anglais, Piano
3
2 Clarinettes (duo)
2
Flûte à bec, Guitare (duo)
2
2 Clarinettes, Piano
2
Ocarina
2
Flûte, Violon, Piano
2
Clarinette (partie séparée)
2
Flûte et Guitare
2
Quintette de Clarinettes: 5 clarinettes
1
Flûte à bec Soprano
1
3 Flûtes à bec (trio)
1
Flûte, Clarinette (duo)
1
Hautbois, Clarinette, Basson (trio d'anches)
1
3 Saxophones (trio)
1
Flûte, Hautbois, Basson
1
Flûte à bec Alto
1
Saxophone Baryton, Piano
1
2 Flûte à bec (duo)
1
Clarinette, Violon (duo)
1
Ensemble de Clarinettes
1
Flûte, Clarinette, Piano (trio)
1
Flûte, Hautbois, Clarinette (trio)
1
2 Hautbois (duo)
1
Clarinette Basse, Piano
1
+ 41 instrumentations
Retracter
Cuivres
Trompette
79
Trombone
62
Cor
39
Cor et Piano
36
Trompette, Piano
26
Trombone et Piano
24
Tuba
22
Tuba et Piano
18
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
15
Quatuor de Cuivres : 2 trompettes, trombone, tuba
11
Euphonium, Piano (duo)
6
Euphonium
5
2 Cors (duo)
5
Cor anglais, Piano
3
Trompette (partie séparée)
2
Quatuor de cuivres: 4 cors
2
2 Trompettes (duo)
2
Cor (partie séparée)
1
2 Euphoniums et 2 Tubas
1
Trompette, Violoncelle et Piano
1
Trombone (partie séparée)
1
Quatuor de Cuivres
1
2 Trombones (duo)
1
Tuba (partie séparée)
1
+ 19 instrumentations
Retracter
Cordes
Violon
92
Violoncelle
75
Alto seul
54
Violon et Piano
50
Quatuor à cordes: 2 violons, alto, violoncelle
40
Violoncelle, Piano
33
Alto, Piano
28
Harpe
20
Contre Basse
19
Contrebasse, Piano (duo)
17
Alto (partie séparée)
7
Violon, Violoncelle (duo)
7
2 Violoncelles (duo)
6
Trio à Cordes: violon, alto, violoncelle
6
Violon (partie séparée)
5
Violon, Alto (duo)
3
Alto, Guitare (duo)
3
Violon, Guitare (duo)
3
2 Altos (duo)
2
2 Violons (duo)
2
Violoncelle , Guitare (duo)
2
Alto, Violoncelle (duo)
1
4 Violoncelles
1
Harpe et Piano
1
Trio à Cordes: 2 violons, violoncelle
1
Trio à Cordes: 3 violoncelles
1
Contrebasse (partie séparée)
1
Harpe, Flûte (duo)
1
Quintette à cordes: 2 violons, alto, violoncelle, basse
1
Piano Trio: Violon, Alto, Piano
1
+ 25 instrumentations
Retracter
Orchestre & Percussions
Orchestre
46
Orchestre d'harmonie
41
Instrumentation Flexible
27
Batterie
24
Orchestre à Cordes
20
Orchestre de chambre
16
Ensemble de cuivres
9
Ensemble Jazz
3
Percussion
2
Percussion (partie séparée)
2
Cloches
1
Fanfare
1
+ 7 instrumentations
Retracter
Autres
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FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
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LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
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ORGUE
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PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
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VIOLON
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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
THANKSGIVING
Vendeurs (tous)
Musicnotes
Note4Piano
Noviscore
Profs-edition
Quickpartitions
SheetMusicPlus
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Pertinence
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Nouveautes
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Vous avez sélectionné:
Aria: La
Saxophone Alto et Piano
Partitions à imprimer
20 partitions trouvées
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Ali Ben Sou Alle: Fantaisie sur la Somnambule de Bellini for alto saxophone and piano
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Saxophone Alto et Piano
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INTERMÉDIAIRE/AVANCÉ
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Ali Ben Sou Alle, Vincenzo Bel
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Paul Wehage
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Ali Ben Sou Alle: Fantaisie su
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Musik Fabrik Music Publishing
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SheetMusicPlus
Alto Saxophone,Piano - Level 4 - SKU: A0.533353 Composed by Ali Ben Sou Alle, Vincenzo Bellini. Arranged by Paul Wehage. Concert,Opera,Romantic Period,S...
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Alto Saxophone,Piano - Level 4 - SKU: A0.533353 Composed by Ali Ben Sou Alle, Vincenzo Bellini. Arranged by Paul Wehage. Concert,Opera,Romantic Period,Standards. Score and part. 28 pages. Musik Fabrik Music Publishing #2363203. Published by Musik Fabrik Music Publishing (A0.533353). One of the most enigmatic figures in the history of the Saxophone, Ali Ben Sou Alle (Charles-Valentin Soualle) was born in1820 in Arras, France. After receiving his first prize in Clarinet at the Paris Conservatory in 1844. he served as the director ofmusic of The French Marine Band in Senegal, and then was named first clarinet solo at the Opéra-Comique in Paris. However, after the Revolution of 1848, Soualle was forced to flee France to England where he settled in London, playing in the Orchestra of the Queen's Theatre. His songs and piano pieces were published in London.While in London, Soualle met another exiled French musician, Louis Antoine Jullien, who conducted a light music series inLondon. Jullien encouraged Soualle to take up the saxophone, and after modifying the instrument by adding a single octavemechanism (the modern system used today) and keys for the lower register, Soualle became known as a virtuoso and begantouring performing solo recitals (or mono-concerts, as they were called at the time) calling his modified saxophone the«turcophone ». He performed in all the European capitals and then traveled to Australia, New Zealand, Manilla, Java, throughChina and then to India where he finally settled in Mysore, becoming the director of the Royal Music for the Maharadjah. It wasduring this period that he converted to Islam and changed his nmae to Ali ben Sou Alle (or Ali, son of Soualle). Hesubsequently travaled to Ile Maurice, to French Polynesia, the Cap of Natal and the Cap of Good Hope. All of these voyageswere subjects of musical works which Soualle entitled Souvenirs de... and may perhaps have been part of a collection knownas The Royal Album which was presented to the Prince of Wales after a royal concert. Soualle returned to Mysore in 1858 and was almost killed in the Indian Revolution.Around 1860, Soualle returned to France for health reasons and began publishing his own music. On March 27 1865, heperformed a command performance for the Emperor Napoleon III at the Tuileries Palace in the presence of the entire ImperialFamily. After 1865, nothing more is known about him.This fantasy begins with motifs from the 1st act chorus « Sempre Felc’Amina » ». The Count’s first act aria « Vi ravisso, o loughi ameni » is followed by an extended cadenza and leads to Amina and Elvino’s first act duo « Prendi l’amel ti dono ». Amina’s second act aria « Ah non guige! » is presented with a brilliant variation to bring the work to a close.
$16.95
Ali Ben Sou Alle: Caprice sur La Prophète de Meyerbeer for alto saxophone and piano
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Saxophone Alto et Piano
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INTERMÉDIAIRE
#
Ali Ben Sou Alle
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Ali Ben Sou Alle: Caprice sur
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Musik Fabrik Music Publishing
#
SheetMusicPlus
Alto Saxophone,Piano - Level 3 - SKU: A0.533497 Composed by Ali Ben Sou Alle. Concert,Romantic Period,Standards. Score and part. 19 pages. Musik Fabrik ...
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Alto Saxophone,Piano - Level 3 - SKU: A0.533497 Composed by Ali Ben Sou Alle. Concert,Romantic Period,Standards. Score and part. 19 pages. Musik Fabrik Music Publishing #3000441. Published by Musik Fabrik Music Publishing (A0.533497). Meyerbeer’s Opera Le Prophète was one of the most influential works of the 19th century, inspiring Verdi, Wagner, Liszt andothers with its dramatic score. Caprice sur Le Prophète de Meyerbeer begins with an extended Aria with several cadenzas. The work ends with a Polka in Rondo form which has a brillant variation.One of the most enigmatic figures in the history of Wind Music, Ali Ben Sou Alle (Charles-Valentin Soualle) was born in 1820 in Arras, France. After receiving his first prize in Clarinet at the Paris Conservatory in 1844. he served as the director of music of The French Marine Band in Senegal, and then was named first clarinet solo at the Opéra-Comique in Paris. However, after the Revolution of 1848, Soualle was forced to flee France to England where he settled in London, playing in the Orchestra of the Queen's Theatre. His songs and piano pieces were published in London.While in London, Soualle met another exiled French musician, Louis Antoine Jullien, who conducted a light music series in London. Jullien encouraged Soualle to take up the saxophone, and after modifying the instrument by adding a single octave mechanism (the modern system used today) and keys for the lower register, Soualle became known as a virtuoso and began touring performing solo recitals (or mono-concerts, as they were called at the time) calling his modified saxophone the «turcophone ». He performed in all the European capitals and then traveled to Australia, New Zealand, Manilla, Java, through China and then to India where he finally settled in Mysore, becoming the director of the Royal Music for the Maharadjah. It was during this period that he converted to Islam and changed his nmae to Ali ben Sou Alle (or Ali, son of Soualle). He subsequently travaled to Ile Maurice, to French Polynesia, the Cap of Natal and the Cap of Good Hope. All of these voyages were subjects of musical works which Soualle entitled Souvenirs de... and may perhaps have been part of a collectionknown as The Royal Album which was presented to the Prince of Wales after a royal concert. Soualle returned to Mysore in 1858 and was almost killed in the Indian Revolution.Around 1860, Soualle returned to France for health reasons and began publishing his own music. On March 27 1865, he performed a command performance for the Emperor Napoleon III at the Tuileries Palace in the presence of the entire Imperial Family. After 1865, nothing more is known about him.
$11.95
La Donna è Mobile - Rigoletto (Verdi)
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Saxophone Alto et Piano
#
DÉBUTANT
#
Fabio Eduardo de Oliveira
#
Fabio Eduardo de Oliveira
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La Donna è Mobile - Rig
#
Fabio Eduardo
#
SheetMusicPlus
Alto Saxophone,Piano - Level 1 - SKU: A0.1242217 By Fabio Eduardo de Oliveira. By Giuseppe Verdi. Arranged by Fabio Eduardo de Oliveira. 19th Century,Cl...
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Alto Saxophone,Piano - Level 1 - SKU: A0.1242217 By Fabio Eduardo de Oliveira. By Giuseppe Verdi. Arranged by Fabio Eduardo de Oliveira. 19th Century,Classical,Film/TV,Opera,Wedding. Score and part. 3 pages. Fabio Eduardo #837575. Published by Fabio Eduardo (A0.1242217). FREE DOWNLOAD PLAYBACKhttps://www.fabioeduardomusiconline.com/freedownloadLa donna è mobile is the Duke of Mantua's canzone from the beginning of act 3 of Giuseppe Verdi's opera Rigoletto (1851). The canzone is famous as a showcase for tenors. Raffaele Mirate's performance of the bravura aria at the opera's 1851 premiere was hailed as the highlight of the evening. Before the opera's first public performance (in Venice), the aria was rehearsed under tight secrecy:  a necessary precaution, as La donna è mobile proved to be incredibly catchy, and soon after the aria's first public performance it became popular to sing among Venetian gondoliers.
$1.99
La Donna è Mobile - Rigoletto (Verdi) + FREE Playback + Pdf Solo and Piano Parts
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Saxophone Alto et Piano
#
DÉBUTANT
#
Fabio Eduardo de Oliveira
#
Fabio Eduardo de Oliveira
#
La Donna è Mobile - Rig
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Fabio Eduardo
#
SheetMusicPlus
Alto Saxophone,Piano - Level 1 - SKU: A0.1266680 By Fabio Eduardo de Oliveira. By Giuseppe Verdi. Arranged by Fabio Eduardo de Oliveira. 20th Century,Cl...
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Alto Saxophone,Piano - Level 1 - SKU: A0.1266680 By Fabio Eduardo de Oliveira. By Giuseppe Verdi. Arranged by Fabio Eduardo de Oliveira. 20th Century,Classical,Film/TV,Opera,Wedding. Score and part. 4 pages. Fabio Eduardo #859358. Published by Fabio Eduardo (A0.1266680). FREE Download Backing TrackLa donna è mobile is the Duke of Mantua's canzone from the beginning of act 3 of Giuseppe Verdi's opera Rigoletto (1851). The canzone is famous as a showcase for tenors. Raffaele Mirate's performance of the bravura aria at the opera's 1851 premiere was hailed as the highlight of the evening. Before the opera's first public performance (in Venice), the aria was rehearsed under tight secrecy: a necessary precaution, as La donna è mobile proved to be incredibly catchy, and soon after the aria's first public performance it became popular to sing among Venetian gondoliers.
$1.99
Ali Ben Sou Alle: Caprice : Souvenir de la Nouvelle-Zélande for alto saxophone and piano
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Saxophone Alto et Piano
#
INTERMÉDIAIRE
#
Ali Ben Sou Alle
#
Paul Wehage
#
Ali Ben Sou Alle: Caprice : So
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Musik Fabrik Music Publishing
#
SheetMusicPlus
Alto Saxophone,Piano - Level 3 - SKU: A0.533345 Composed by Ali Ben Sou Alle. Arranged by Paul Wehage. Concert,Romantic Period,Standards. Score and part...
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Alto Saxophone,Piano - Level 3 - SKU: A0.533345 Composed by Ali Ben Sou Alle. Arranged by Paul Wehage. Concert,Romantic Period,Standards. Score and part. 10 pages. Musik Fabrik Music Publishing #2348193. Published by Musik Fabrik Music Publishing (A0.533345). Ali Ben Sou Alle was born Jean-Baptiste SOUALLE in 1824 in Arras, France. He first studied the clarinet, winning a first prize in Clarinet in the class of Klosé at the Paris Conservatory. He then entered the Paris Opera orchestra, but left France in 1848 because of the revolution, fleeing to London. In 1850, he met Louis JUILLIEN, another early saxophonist, who encouraged Soualle to take up the saxophone. Soualle made several modifications to the instrument, including changes to the octave mechanism and the other keys for trills and alternative fingerings, many of which are used in modern saxophones.He named his hybrid creation the turcophone and began composing works for the instrument, which included fantasies on operatic themes, character pieces and a series of descriptive works which document several concert tours in Europe, Australia and the Orient which Soualle undertook. Upon his return to France around 1861, after his conversion to Islam, he changed his name to Ali Ben Sou Alle. Under that name, he performe recitals for the Prince of Wales and for the Emperor Napoleon III and his family in 1865. After this date, no trace of his career has currently been uncovered and it is though that he probably died around 1867. This work is .in two large sections, the first in the form of a lyrical aria, the second a lively schezando.
$10.35
Hungarian Dance No. 5 for Alto Saxophone and Piano
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Saxophone Alto et Piano
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INTERMÉDIAIRE
#
Classique
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Johannes Brahms
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Diego Marani
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Hungarian Dance No. 5 for Alto
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Diego Marani
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SheetMusicPlus
Alto Saxophone,Piano - Level 3 - SKU: A0.528426 Composed by Johannes Brahms. Arranged by Diego Marani. Classical,Concert,Instructional,Romantic Period,S...
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Alto Saxophone,Piano - Level 3 - SKU: A0.528426 Composed by Johannes Brahms. Arranged by Diego Marani. Classical,Concert,Instructional,Romantic Period,Standards. Score and part. 9 pages. Diego Marani #6012989. Published by Diego Marani (A0.528426). The Hungarian Dances (German: Ungarische Tänze) by Johannes Brahms (WoO 1), are a set of 21 lively dance tunes based mostly on Hungarian themes, completed in 1879. They are among Brahms's most popular works and were the most profitable for him. The better-known Hungarian Dances include Nos. 1 and 5, the latter of which was based on the csárdás Bártfai emlék (Memories of Bártfa) by Hungarian composer Béla Kéler, which Brahms mistakenly thought was a traditional folksong.This arrangement for alto sax with piano accompaniment reflects faithfully the original.
$8.90
La Cucaracha
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Saxophone Alto et Piano
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FACILE
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Traditional
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Christian Morris
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La Cucaracha
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Hoopla Sheet Music
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SheetMusicPlus
Alto Saxophone,Piano - Level 2 - SKU: A0.1239884 Composed by Traditional. Arranged by Christian Morris. Mariachi,Traditional. Score and part. 9 pages. H...
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Alto Saxophone,Piano - Level 2 - SKU: A0.1239884 Composed by Traditional. Arranged by Christian Morris. Mariachi,Traditional. Score and part. 9 pages. Hoopla Sheet Music #835281. Published by Hoopla Sheet Music (A0.1239884). A toe-tapping arrangement of the classic Mexican folksong about a cockroach that is not able to walk. Plenty of fun for all the parts with a lively and rousing finish. Sure to inject an element of fun to any concert!
$5.99
La, Muito Alem (five Hundred Miles)
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Saxophone Alto et Piano
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DÉBUTANT
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Hedy West and Maria Julia
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Kaiserin Rebecca
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La, Muito Alem
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Kaiserin Rebecca
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SheetMusicPlus
Alto Saxophone,Piano - Level 1 - SKU: A0.1208789 Composed by Hedy West and Maria Julia. Arranged by Kaiserin Rebecca. Contemporary,Folk,Instructional,Po...
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Alto Saxophone,Piano - Level 1 - SKU: A0.1208789 Composed by Hedy West and Maria Julia. Arranged by Kaiserin Rebecca. Contemporary,Folk,Instructional,Pop. Score and part. 2 pages. Kaiserin Rebecca #806892. Published by Kaiserin Rebecca (A0.1208789). For alto saxophone solo and piano accompaniment with chords.Key: A flat major. Duration: 0'33.
$7.99
Quando Me'n Vo for Eb Alto Saxophone & Piano
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Saxophone Alto et Piano
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INTERMÉDIAIRE
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Opera
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Classique
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Keith Terrett
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Keith Terrett
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Quando Me'n Vo for Eb Alto Sax
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Keith Terrett
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SheetMusicPlus
Alto Saxophone,Piano - Level 3 - SKU: A0.1046936 By Keith Terrett. By Giacomo Puccini. Arranged by Keith Terrett. Classical,Opera,Romantic Period. Score...
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Alto Saxophone,Piano - Level 3 - SKU: A0.1046936 By Keith Terrett. By Giacomo Puccini. Arranged by Keith Terrett. Classical,Opera,Romantic Period. Score and part. 5 pages. Keith Terrett #651276. Published by Keith Terrett (A0.1046936). An arrangement of one of Puccini’s greatest arias for Eb Alto Saxophone & Piano. Great piece to improve your bell canto style of playing. Take a listen to Conrad Gozzo’s playing on the Tutti Trumpet CD for a fine example! Quando me'n vo', also known as Musetta's Waltz, is a soprano aria, a waltz in act two of Puccini's 1896 opera La bohème. It is sung by Musetta, in the presence of her bohemian friends, hoping to reclaim the attention of her occasional boyfriend Marcello. This scene takes place at the Café Momus [fr]. Shortly after Mimì, Rodolfo, and their friends have taken seats for a drink, Marcello's former girlfriend, Musetta, shows up with her current patron, the elderly Alcindoro. They quarrel for a bit, then the episode begins as Musetta initiates her move on Marcello. She grabs the spotlight, musically speaking, for a short self-promoting aria (Quando me'n vo'). It is a song directed at the people in the café as much as at the audience in the theater. Popular renditions of the melody were produced during the 1950s, including an American Top 40 hit by Sammy Kaye (You) and a version by Della Reese (Don't You Know?), which reached number two on the U.S. Billboard Hot 100. You will find more Italian arias and Neapolitan songs in my Sibelius & ArrangeMe stores.
$4.99
Ali Ben Sou Alle: Fantaisie sur Don Giovanni de Mozart for alto saxophone and piano
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Saxophone Alto et Piano
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INTERMÉDIAIRE
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Ali Ben Sou Alle, Wolfgang Ama
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Paul Wehage
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Ali Ben Sou Alle: Fantaisie su
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Musik Fabrik Music Publishing
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SheetMusicPlus
Alto Saxophone,Piano - Level 3 - SKU: A0.533347 Composed by Ali Ben Sou Alle, Wolfgang Amadeus Mozart. Arranged by Paul Wehage. Concert,Opera,Romantic P...
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Alto Saxophone,Piano - Level 3 - SKU: A0.533347 Composed by Ali Ben Sou Alle, Wolfgang Amadeus Mozart. Arranged by Paul Wehage. Concert,Opera,Romantic Period,Standards. Score and part. 22 pages. Musik Fabrik Music Publishing #2348197. Published by Musik Fabrik Music Publishing (A0.533347). One of the most enigmatic figures in the history of the Saxophone, Ali Ben Sou Alle (Charles-Valentin Soualle) was born in 1820 in Arras, France. After receiving his first prize in Clarinet at the Paris Conservatory in 1844. he served as the director ofmusic of The French Marine Band in Senegal, and then was named first clarinet solo at the Opéra-Comique in Paris. However, after the Revolution of 1848, Soualle was forced to flee France to England where he settled in London, playing in the Orchestra of the Queen's Theatre. His songs and piano pieces were published in London. While in London, Soualle met another exiled French musician, Louis Antoine Jullien, who conducted a light music series in London. Jullien encouraged Soualle to take up the saxophone, and after modifying the instrument by adding a single octave mechanism (the modern system used today) and keys for the lower register, Soualle became known as a virtuoso and began touring performing solo recitals (or mono-concerts, as they were called at the time) calling his modified saxophone the «turcophone ». He performed in all the European capitals and then traveled to Australia, New Zealand, Manilla, Java, through China and then to India where he finally settled in Mysore, becoming the director of the Royal Music for the Maharadjah. It was during this period that he converted to Islam and changed his nmae to Ali ben Sou Alle (or Ali, son of Soualle). He subsequently travaled to Ile Maurice, to French Polynesia, the Cap of Natal and the Cap of Good Hope. All of these voyages were subjects of musical works which Soualle entitled Souvenirs de... and may perhaps have been part of a collection known as The Royal Album which was presented to the Prince of Wales after a royal concert. Soualle returned to Mysore in 1858 and was almost killed in the Indian Revolution. Around 1860, Soualle returned to France for health reasons and began publishing his own music. On March 27 1865, he performed a command performance for the Emperor Napoleon III at the Tuileries Palace in the presence of the entire Imperial Family. After 1865, nothing more is known about him. Soualle not only performed on the clarinet, saxophone and piano, but also frequently sang during his concerts. He also wrote songs while he was in London. His opera fantasies are usually written for the Alto saxophone and are generally in the form of an introductory aria with cadenza, a theme with one or more variations and then a final waltz movement in rondo form with a final brillant variation. This specific work opens with motives from the Opera‘s overture, leading to Donna Anna’s 1st act aria Or sai, chi l'onore. The duet Là ci darem la mano is the subject of two variations followed by a brief interlude using Zerlina’s aria Batti, batti, o bel Masetto and then the final section is the duo Andiam’ Andiam ‘ Mio Bene between Don Giovanni and Zerlina which ends the Act I duet. The work ends with a brillant coda
$11.95
Caro Mio Ben (Come Once Again) - Alto Sax and Piano (Full Score)
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Saxophone Alto et Piano
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FACILE
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Giuseppe Giordani
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César Madeira
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Caro Mio Ben
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Sheet Music To Play Editions
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SheetMusicPlus
Alto Saxophone,Piano - Level 2 - SKU: A0.1222443 Composed by Giuseppe Giordani. Arranged by César Madeira. Children,Classical,Film/TV,Multicultural,W...
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Alto Saxophone,Piano - Level 2 - SKU: A0.1222443 Composed by Giuseppe Giordani. Arranged by César Madeira. Children,Classical,Film/TV,Multicultural,Wedding,World. Score and part. 3 pages. Sheet Music To Play Editions #818709. Published by Sheet Music To Play Editions (A0.1222443). Caro Mio Ben (Come Once Again) by Giuseppe Giordani. Arrangement for Alto Sax and Piano. With Full Score. Enjoy it!This file DOES NOT contain Individual Parts. Full Score only.Giuseppe Tommaso Giovanni Giordani (1751 - 1798) was an Italian composer, mainly of opera. Giordani's parents were Domenico Giordani and Anna Maria Tosato. He studied music in Naples with Domenico Cimarosa and Niccolò Antonio Zingarelli. In 1774 he was appointed as music director of the chapel of the Duomo of Naples. His first opera (L'Epponina) was released in 1779. His sacred drama La distruzione di Gerusalemme was a notable success at the Teatro San Carlo of Naples in 1787. He became maestro di cappella at the Cathedral of Fermo in 1791. Until recently, the popular aria Caro Mio Ben (1783) was ascribed to Giuseppe Tommaso Giovanni Giordani. However, scholars now consider Tommaso Giordani, or his father Giuseppe Giordani senior, more likely to be the aria's composer.For Tutorials, Play Alongs or request New Arrangements, visit the YouTube Channel: Sheet Music To Play
$4.99
Caro Mio Ben (Come Once Again) - Alto Sax and Piano (Individual Parts)
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Saxophone Alto et Piano
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FACILE
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Giuseppe Giordani
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César Madeira
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Caro Mio Ben
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Sheet Music To Play Editions
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SheetMusicPlus
Alto Saxophone,Piano - Level 2 - SKU: A0.1222441 Composed by Giuseppe Giordani. Arranged by César Madeira. Children,Classical,Early Music,Film/TV,Wed...
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Alto Saxophone,Piano - Level 2 - SKU: A0.1222441 Composed by Giuseppe Giordani. Arranged by César Madeira. Children,Classical,Early Music,Film/TV,Wedding. Score and part. 4 pages. Sheet Music To Play Editions #818707. Published by Sheet Music To Play Editions (A0.1222441). Caro Mio Ben (Come Once Again) by Giuseppe Giordani. Arrangement for Alto Sax and Piano. With Individual Parts. Enjoy it!This file DOES NOT contain Full Score. Individual Parts only.Giuseppe Tommaso Giovanni Giordani (1751 - 1798) was an Italian composer, mainly of opera. Giordani's parents were Domenico Giordani and Anna Maria Tosato. He studied music in Naples with Domenico Cimarosa and Niccolò Antonio Zingarelli. In 1774 he was appointed as music director of the chapel of the Duomo of Naples. His first opera (L'Epponina) was released in 1779. His sacred drama La distruzione di Gerusalemme was a notable success at the Teatro San Carlo of Naples in 1787. He became maestro di cappella at the Cathedral of Fermo in 1791. Until recently, the popular aria Caro Mio Ben (1783) was ascribed to Giuseppe Tommaso Giovanni Giordani. However, scholars now consider Tommaso Giordani, or his father Giuseppe Giordani senior, more likely to be the aria's composer.For Tutorials, Play Alongs or request New Arrangements, visit the YouTube Channel: Sheet Music To Play
$4.99
Caro Mio Ben (Come Once Again) - Alto Sax and Piano (Full Score and Parts)
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Saxophone Alto et Piano
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INTERMÉDIAIRE
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Giuseppe Giordani
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César Madeira
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Caro Mio Ben
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Sheet Music To Play Editions
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SheetMusicPlus
Alto Saxophone,Piano - Level 3 - SKU: A0.1178615 Composed by Giuseppe Giordani. Arranged by César Madeira. Classical,Film/TV,Multicultural,Opera,Wedd...
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Alto Saxophone,Piano - Level 3 - SKU: A0.1178615 Composed by Giuseppe Giordani. Arranged by César Madeira. Classical,Film/TV,Multicultural,Opera,Wedding,World. Score and part. 6 pages. Sheet Music To Play Editions #778578. Published by Sheet Music To Play Editions (A0.1178615). Caro Mio Ben (Come Once Again) by Giuseppe Giordani. Arrangement for Alto Sax and Piano. With Full Score and Individual Parts. Enjoy it!Giuseppe Tommaso Giovanni Giordani (1751 - 1798) was an Italian composer, mainly of opera. Giordani's parents were Domenico Giordani and Anna Maria Tosato. He studied music in Naples with Domenico Cimarosa and Niccolò Antonio Zingarelli. In 1774 he was appointed as music director of the chapel of the Duomo of Naples. His first opera (L'Epponina) was released in 1779. His sacred drama La distruzione di Gerusalemme was a notable success at the Teatro San Carlo of Naples in 1787. He became maestro di cappella at the Cathedral of Fermo in 1791. Until recently, the popular aria Caro Mio Ben (1783) was ascribed to Giuseppe Tommaso Giovanni Giordani. However, scholars now consider Tommaso Giordani, or his father Giuseppe Giordani senior, more likely to be the aria's composer.For Tutorials, Play Alongs or request New Arrangements, visit the YouTube Channel: Sheet Music To Play
$7.99
Lascia Ch'io Pianga - From Opera 'Rinaldo' - G.F. Handel ( Alto Sax and Piano)
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Saxophone Alto et Piano
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INTERMÉDIAIRE/AVANCÉ
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Classique
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George Frideric Handel
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Raymond Fenech
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Lascia Ch'io Pianga - From Ope
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Raymond Fenech
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SheetMusicPlus
Chamber Orchestra Alto Saxophone,Piano - Level 4 - SKU: A0.759979 Composed by George Frideric Handel. Arranged by Raymond Fenech. Baroque,Christmas,East...
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Chamber Orchestra Alto Saxophone,Piano - Level 4 - SKU: A0.759979 Composed by George Frideric Handel. Arranged by Raymond Fenech. Baroque,Christmas,Easter,Praise & Worship,Standards. Score and part. 17 pages. Raymond Fenech #3478117. Published by Raymond Fenech (A0.759979). Lascia ch’io pianga, originally Lascia la spina, cogli la rosa, is an Italian-language soprano aria by composer George Frideric Handel that has become a popular concert piece. Its melody is first found in Act III of Handel’s 1705 opera Almira as a sarabande. This aria is arranged for Alto Sax and Piano . The Duration is approx. 4 minutes and the level is Advanced Intermediate.
$3.50
Trois pièces : Andante, Sérénade et Chant Serbe
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Saxophone Alto et Piano
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Clémence de Grandval
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Paul Wehage
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Trois pièces : Andante,
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Musik Fabrik Music Publishing
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SheetMusicPlus
Alto Saxophone,Piano - Level 4 - SKU: A0.1493037 Composed by Clémence de Grandval. Arranged by Paul Wehage. 19th Century,Chamber,Classical,Romantic Per...
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Alto Saxophone,Piano - Level 4 - SKU: A0.1493037 Composed by Clémence de Grandval. Arranged by Paul Wehage. 19th Century,Chamber,Classical,Romantic Period. Score and part. 36 pages. Musik Fabrik Music Publishing #1069727. Published by Musik Fabrik Music Publishing (A0.1493037). Maria-Félicie-Clémence de Grandval (1828–1907) was born on January 28, 1828 at Saint-Rémy-des-Monts, France and died on January 15, 1907 in Paris.After the death of her mother, Louise Adèle du Temple de Mésières, her father the Baron de Reiset, a military officer remarried with an Englishwoman and moved his family to London. After beginning her musical studies privately, she studied the piano with the German composer Friedrich von Flotow, who was a family friend. Returning to France, she studied the piano briefly with Chopin and composition with Camille Saint-Saëns, who remember their first meeting: “I was 12 when I heard the vicomtesse de Grandval for the first time, who was 18. It was at a musical morning concert at the home of the violinist de Cuvillon. She sang a song of her own composition ‚La Source, in which she accompanied herself. I was struck by the fluidity of her playing, which purely and without useless inflections, was quite close to my way of viewing music. This unified and tranquil style came out of her studies with Chopin.” Camille Saint-Saëns: Quelques mots sur l’exécution des œuvres de Chopin, in: “Le courrier musical de Paris” 13 [1910], S. 386). At first writing mostly sacred music, most of her public success was due to her comic operas: la Comtesse Eva, la Pénitente, Piccolino and Mazeppa. She also wrote orchestral music, chamber music, and over 60 songs (to poets such as Sully Prudhomme, Michel Carré, Henri Meilhac, Georges Hartmann, Charles Grandmougin and Louis Gallet.) She is chiefly known today for her music for wind instruments, especially for the oboe.
$18.95
Louis Mayeur: Grande Fantaisie de Concert sur Rigoletto (de Verdi) for alto saxophone and piano
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Saxophone Alto et Piano
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INTERMÉDIAIRE/AVANCÉ
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1871, Mayeur was also named Sa
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Louis Adolphe Mayeur
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Paul Wehage
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Louis Mayeur: Grande Fantaisie
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Musik Fabrik Music Publishing
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SheetMusicPlus
Alto Saxophone,Piano - Level 4 - SKU: A0.534135 Composed by Louis Adolphe Mayeur. Arranged by Paul Wehage. Concert,Opera,Romantic Period,Standards. Scor...
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Alto Saxophone,Piano - Level 4 - SKU: A0.534135 Composed by Louis Adolphe Mayeur. Arranged by Paul Wehage. Concert,Opera,Romantic Period,Standards. Score and part. 29 pages. Musik Fabrik Music Publishing #3133401. Published by Musik Fabrik Music Publishing (A0.534135). Louis Adolphe Mayeur (1837 - 1894), was a Belgium clarinetist, saxophonist, composer and conductor who spent most of his musical career in France; Entering the French Military in 1855, he was a clarinetist in the Second Régiment of the Cuirassiers (Mounted Calvary) of the Garde Impériale. A student of Klosé at the Paris Conservatory, he received his First Prize in Clarinet in 1860. One of the inner circle of Adolphe Sax (along with fellow Belgiums Jules Demersseman and Jean-Baptiste Singelée, whose “Quartet for Saxophones“ was premièred with Mayeur playing and Demersseman conducting), Mayeur took up the saxophone and was quickly engaged as the saxophone soloist in the Opera House of Brussels, La Monnaie (the Mint). Sax commissioned a number of works from Mayeur for the saxophone, which were published by his company and used in his class at the Paris Conservatory.By 1871, Mayeur was also named Saxophone Solo with the Paris Opera, performing in opears and ballets by Halévy, Meyerbeer, Thomas, Saint-Saens, Massenet, Délibes and Paladlihe. It would appear that sometime during this period, his relations with Sax became difficult, culminating in his publications of works by Buffet-Crampon, one of Sax’s rival companies and one of the main protagonists in the series of lawsuits which led to Sax’s bankrupcy. Mayeur’s own declining health lead to his death in 1894.The Grande Fantaisie de Concert sur Rigoletto dates from 1877. The contrasting sections use motifs from arias and duets from Verdi’s opera. Florid cadenzas seperate the various sections, but those passages should be played in the manner of “bel canto†ornamentation, always lyrical and songlike. Versions are available from Musik Fabrik for Symhony Orchestra (on rental : 2222/2000/Timp/hp/strings) and for Concert Band (for sale). The score plus solo part for each of the versions is available for sale, as well as the individual parts for the concert band version
$16.95
Deux Pièces : Invocation et Air Slave
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Saxophone Alto et Piano
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INTERMÉDIAIRE/AVANCÉ
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Clemence de Grandval
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Paul Wehage (editor)
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Deux Pièces : Invocatio
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Musik Fabrik Music Publishing
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SheetMusicPlus
Alto Saxophone,Piano - Level 4 - SKU: A0.862413 Composed by Clemence de Grandval. Arranged by Paul Wehage (editor). Classical,Contest,Festival. Score an...
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Alto Saxophone,Piano - Level 4 - SKU: A0.862413 Composed by Clemence de Grandval. Arranged by Paul Wehage (editor). Classical,Contest,Festival. Score and part. 24 pages. Musik Fabrik Music Publishing #468893. Published by Musik Fabrik Music Publishing (A0.862413). Maria-Félicie-Clémence de Grandval (1828–1907) was born on January 28, 1828 at Saint- Rémy-des-Monts, France and died on January 15, 1907 in Paris.After the death of her mother, Louise Adèle du Temple de Mésières, her father the Baron de Reiset, a military officer remarried with an Englishwoman and moved his family to London. After beginning her musical studies privately, she studied the piano with the German composer Friedrich von Flotow, who was a family friend. Returning to France, she studied the piano briefly with Chopin and composition with Camille Saint-Saëns. At first writing mostly sacred music, most of her public success was due to her comic operas: la Comtesse Eva, la Pénitente, Piccolino and Mazeppa. She also wrote orchestral music, chamber music, and over 60 songs (to poets such as Sully Prudhomme, Michel Carré, Henri Meilhac, Georges Hartmann, Charles Grandmougin and Louis Gallet.) She is chiefly known today for her music for wind instruments, especially for the oboe.
$20.00
Toccata for Alto Saxophone and Piano
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Saxophone Alto et Piano
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INTERMÉDIAIRE/AVANCÉ
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Marcos Fernandez-Barrero
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Toccata for Alto Saxophone and
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Marcos Fernandez-Barrero
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SheetMusicPlus
Alto Saxophone,Piano - Level 4 - SKU: A0.1474794 By Marcos Fernandez-Barrero. By Marcos Fernandez-Barrero. 21st Century,Chamber,Classical,Contemporary,R...
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Alto Saxophone,Piano - Level 4 - SKU: A0.1474794 By Marcos Fernandez-Barrero. By Marcos Fernandez-Barrero. 21st Century,Chamber,Classical,Contemporary,Romantic Period. Score and part. 31 pages. Marcos Fernandez-Barrero #1052411. Published by Marcos Fernandez-Barrero (A0.1474794). This is a transcription for alto saxophone of the ‘Toccata for Clarinet and Piano’ done by the composer himself. The original work was written in 2007 and is dedicated to Samuel Hernández, a clarinettist pursuing his Master's at the Royal Conservatoire of Scotland. The composer, who was also the pianist in their duo, wrote it during his musical training at the composition faculty of the same centre. The work reflects the composer's extensive work writing for Samuel and other performers from the woodwind faculty in between 2006 and 2009, embodying the spirit of collaboration and musical innovation.The piece was later revised and won First Prize at the II Agustín Ramos Chamber Music Composition Competition, leading to the programme of its premiere on January 27, 2018, at the Agustín Ramos Chamber Music Festival in La Candelaria (Tenerife, Spain).The Toccata showcases a lively interplay between clarinet and piano, featuring rhythmic vigor and expressive lyrical moments. This dynamic and engaging piece is a testament to the enduring partnership and artistic journey shared by colleagues and friends._________________________________________________Esta es una transcripción para saxofón alto de la ‘Toccata for Clarinet and Piano’ realizada por el compositor. La obra original fue escrita en 2007 y dedicada a Samuel Hernández, un clarinetista que cursaba su Master en el Royal Conservatoire of Scotland. El compositor, quien también era el pianista en su dúo, la escribió durante su formación musical en la facultad de composición del mismo centro. La obra refleja el extenso trabajo del compositor escribiendo, no solo para Samuel si no también para otros instrumentistas de la facultad de viento madera entre 2006 y 2009, encarnando el espíritu de colaboración e innovación musical.La pieza fue revisada y ganó el Primer Premio en el II Concurso de Composición de Música de Cámara Agustín Ramos, lo que programó su estreno el 27 de enero de 2018 en el Festival de Música de Cámara Agustín Ramos en La Candelaria (Tenerife, España).La Toccata busca una interacción animada entre clarinete y piano, con vigor rítmico y momentos líricos expresivos. Esta pieza dinámica y cautivadora es un testimonio de la duradera asociación y el viaje artístico compartido por colegas y amigos.
$14.95
70 Easy Classical Pieces For Alto Saxophone & Piano
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Saxophone Alto et Piano
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DÉBUTANT
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Classique
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Various
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70 Easy Classical Pieces For A
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Eugene Egorov
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SheetMusicPlus
Composed by Various. Arranged by Eugene Egorov. Baroque, Classical, Romantic Period. Score and part. 101 pages. Eugene Egorov #4854427. Published by E...
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Composed by Various. Arranged by Eugene Egorov. Baroque, Classical, Romantic Period. Score and part. 101 pages. Eugene Egorov #4854427. Published by Eugene Egorov
1. Pomp and Circumstance Edward Elgar
2. Andante (Surprise Symphony) Franz Joseph Haydn
3. Arioso Daniel Gottlob Turk
4. Lullaby Johannes Brahms
5. Melody Robert Schumann
6. Sarabande George Frideric Handel
7. Silent Night Franz Xaver Gruber
8. A Little Piece Robert Schumann
9. Carnival Of Venice Julius Benedict
10. La Donna E Mobile Giuseppe Verdi
11. Largo (The New World) Antonin Dvorak
12. Old French Song Peter Ilyich Tchaikovsky
13. Waltz (Sleeping Beauty) Peter Ilyich Tchaikovsky
14. We Wish You A Merry Christmas EnglishFolk Song
15. Air Henry Purcell
16. Ode To Joy LudwigVan Beethoven
17. Italian Polka SergeiRachmaninoff
18. Minuet (In F Major) Wolfgang Amadeus Mozart
19. Solveig`s Song EdvardGrieg
20. Sonatina (In C Major) Muzio Clementi
21. Waltz DmitriKabalevsky
22. Alouette FrenchFolk Song
23. Gaudeamus Igitur Johannes Brahms
24. Green Sleeves English Folk Song
25. Hongroise Adolphe-Charles Adam
26. Minuet (In F Major) Franz Joseph Haydn
27. Serenade (Eine Kleine Nachtmusik) Wolfgang Amadeus Mozart
28. Soldier's March Robert Schumann
29. Arietta MuzioClementi
30. Emperor Waltz JohannStrauss Jr.
31. Grand March (Aida) Giuseppe Verdi
32. Happy Birthday To You Patty & Mildred J. Hill
33. Minuet (In D Minor) Johann Sebastian Bach
34. Santa Lucia Italian Folk Song
35. The Emperor's Hymn Franz Joseph Haydn
36. La Paloma Sebastian Yradier
37. Dance Of The Hours Amilcare Ponchielli
38. Fur Elise Ludwig Van Beethoven
39. Humoresque Antonin Dvorak
40. Minuet (In G Major) Johann Sebastian Bach
41. Toreador Song Georges Bizet
42. Turkish March Wolfgang Amadeus Mozart
43. Ave Maria FranzSchubert
44. Barcarolle Jacques Offenbach
45. In The Hall Of The Mountain King Edvard Grieg
46. Melody In FAnton Rubinstein
47. None But The Lonely Heart Peter Ilyich Tchaikovsky
48. Polovtsian Dance Alexander Borodin
49. Spanish Romance
50. Liebestraum (Dream Of Love) Franz Liszt
51. Arioso George Frideric Handel
52. O Mio Babbino Caro Giacomo Puccini
53. O Sole Mio Eduardo Di Capua
54. To A Wild Rose Edward.
$29.95
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