English version
Parcourir Free-scores.com
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Aria for solo cello
Non classifié
111
Piano & claviers
Piano seul
6
Piano Trio: piano, violon, violoncelle
5
Piano, Voix et Guitare
3
Piano, Voix
2
Instruments en Do
2
Orgue
1
1 Piano, 4 mains
1
Piano Facile
1
Accompagnement Piano
1
Piano Quatuor: piano, 2 violons, violoncelle
1
+ 5 instrumentations
Retracter
Guitares
Guitare
3
Ligne De Mélodie, (Paroles) et Accords
1
Voix
Chorale SATB
5
Voix Baryton, Piano
2
Voix moyenne, Piano
2
Voix haute
1
Voix duo, Piano
1
Voix duo
1
Chorale 3 parties
1
+ 2 instrumentations
Retracter
Vents
Flûte traversière et Piano
4
Ensemble de Flûtes
4
Clarinette et Piano
3
Saxophone Alto et Piano
3
Saxophone Tenor et Piano
2
Clarinette
2
Saxophone Soprano et Piano
1
Flûte, Violoncelle, Piano (trio)
1
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
1
Clarinette Basse, Piano
1
Hautbois, Piano (duo)
1
Flûte, Violon et Violoncelle
1
Cor anglais, Piano
1
Flûte à bec Alto
1
2 Flûtes traversières (duo)
1
Flûte, Hautbois, Clarinette, Basson
1
4 Hautbois
1
+ 12 instrumentations
Retracter
Cuivres
Bass Clef Instruments
4
Tuba et Piano
3
Trompette
2
Euphonium, Piano (duo)
1
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
1
Trombone et Piano
1
Cor et Piano
1
Trompette, Piano
1
Cor anglais, Piano
1
+ 4 instrumentations
Retracter
Cordes
Violoncelle
213
Violoncelle, Piano
93
Quatuor à cordes: 2 violons, alto, violoncelle
68
Trio à Cordes: violon, alto, violoncelle
20
Violon, Violoncelle (duo)
10
Violon et Piano
5
2 Violoncelles (duo)
5
Quintette à cordes: 2 violons, alto, violoncelle, basse
5
Violon
4
Alto seul
3
Violoncelle, Orgue
3
Violoncelle , Guitare (duo)
3
Trio à Cordes: 2 violons, violoncelle
3
Contre Basse
2
Alto, Piano
2
4 Violoncelles
2
Violon, Alto (duo)
1
Violoncelle, Orchestre
1
Quintette à cordes: 2 violons, 2 altos, violoncelle
1
Harpe
1
+ 15 instrumentations
Retracter
Orchestre & Percussions
Orchestre à Cordes
16
Orchestre
5
Orchestre d'harmonie
5
Orchestre de chambre
5
Quintette à cordes : 2 Violons, Alto, Violoncelle, Contrebasse, Clavier
2
Ensemble Jazz
2
Marimba, Piano (duo)
1
+ 2 instrumentations
Retracter
Autres
Partitions Gratuites
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
Page d'accueil
Instrumentations
Top Téléchargements
Compositeurs
Nouveautés
Partitions de Noël
Genres Musicaux
Genres Musicaux
Autres Services
Autres Services
Top 100
Portées musicales
Metronome
Achats pour Musiciens
Partitions Numériques
Librairie Musicale
Matériel de musique
Idées cadeaux
A propos de free-scores.com
Partitions Gratuites
0
Partitions Numériques
3
Librairie Musicale
0
Matériel de Musique
1
Partitions numériques
Accès après achat
Expédition postale
Téléchargement
← INSTRUMENTATIONS
TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
THANKSGIVING
Vendeurs (tous)
Musicnotes
Note4Piano
Noviscore
Profs-edition
Quickpartitions
SheetMusicPlus
Tomplay
Virtualsheetmusic
Pertinence
Ventes
Prix - au +
Prix + au -
Nouveautes
A-Z
difficulté (tous)
débutant
facile
intermédiaire
avancé
expert
avec audio
avec vidéo
avec play-along
Vous avez sélectionné:
Aria for solo cello
Saxophone Alto et Piano
Partitions à imprimer
3 partitions trouvées
<
1
Bach-Gounod: Ave Maria for Alto Saxophone and Piano
Saxophone Alto et Piano
Composed by J. S. Bach - C. Gounod. Arranged by Colin Kirkpatrick. Praise & Wors…
(+)
Composed by J. S. Bach - C. Gounod. Arranged by Colin Kirkpatrick. Praise & Worship, Easter, Wedding, Bar or Bat Mitzvah, Funeral. Score, Solo Part. 6 pages. Published by Colin Kirkpatrick Publications
This ever-popular piece is often performed at weddings, funerals and many other solemn<br> <br> ceremonial events. It has always been a favorite among instrumental players and often used in<br> <br> recitals or concert encores. This arrangement by Colin Kirkpatrick has been transposed into B<br> <br> flat to feature the middle to upper range of the saxophone. In is ideal for the intermediate<br> <br> player who can manage a top “b” with confidence.<br> In 1853, the well-known French composer Charles Gounod added his own melody over a rippling<br> <br> keyboard accompaniment which was a slightly adapted version of the Prelude No. 1 in C major,<br> <br> BWV846, from Book I of J. S. Bach's The Well-Tempered Clavier, published in 1722. The title of<br> <br> the “combined” piece was Méditation sur le Premier Prélude de Piano de S. Bach. Gounod’s<br> <br> original arrangement transposed Bach’s keyboard part from C major into F major and it was<br> <br> scored for violin (or cello), organ and piano. In 1859, the French music publishing company<br> <br> Jacques-Léopold Heugel brought out a vocal version based on the familiar Latin text. Ave Maria<br> <br> (Hail Mary) is a traditional Catholic prayer addressed to the Virgin Mary, the mother of Jesus.<br> The version of Bach's prelude which Gounod used included the so-called "Schwencke measure" (m.<br> <br> 27 in this arrangement), a measure (bar) allegedly added by the German composer and pianist<br> <br> Christian Friedrich Gottlieb Schwencke (1767-1822) in an attempt to correct what was considered<br> <br> a harmonic weakness in the original. Whether there actually was a “harmonic weakness” (or<br> <br> possibly an error in the manuscript) remains a matter of conjecture but the fact remains that<br> <br> the most familiar-sounding version of this piece, recorded countless times by both singers and<br> <br> instrumentalists includes this Schwencke measure. It is therefore included in this arrangement.<br> Some published arrangements show minor inconsistencies in the rhythm of the melody. This<br> <br> arrangement uses the familiar rhythm of the Ave Maria version as it appeared in the 1859<br> <br> edition.This ever-popular piece is often performed at weddings, funerals and many other solemn<br> <br> ceremonial events. It has always been a favorite among instrumental players and often used in<br> <br> recitals or concert encores. This arrangement by Colin Kirkpatrick has been transposed into B<br> <br> flat to feature the middle to upper range of the saxophone. In is ideal for the intermediate<br> <br> player who can manage a top “b” with confidence.<br> In 1853, the well-known French composer Charles Gounod added his own melody over a rippling<br> <br> keyboard accompaniment which was a slightly adapted version of the Prelude No. 1 in C major,<br> <br> BWV846, from Book I of J. S. Bach's The Well-Tempered Clavier, published in 1722. The title of<br> <br> the “combined” piece was Méditation sur le Premier Prélude de Piano de S. Bach. Gounod’s<br> <br> original arrangement transposed Bach’s keyboard part from C major into F major and it was<br> <br> scored for violin (or cello), organ and piano. In 1859, the French music publishing company<br> <br> Jacques-Léopold Heugel brought out a vocal version based on the familiar Latin text. Ave Maria<br> <br> (Hail Mary) is a traditional Catholic prayer addressed to the Virgin Mary, the mother of Jesus.<br> The version of Bach's prelude which Gounod used included the so-called "Schwencke measure" (m.<br> <br> 27 in this arrangement), a measure (bar) allegedly added by the German composer and pianist<br> <br> Christian Friedrich Gottlieb Schwencke (1767-1822) in an attempt to correct what was considered<br> <br> a harmonic weakness in the original. Whether there actually was a “harmonic weakness” (or<br> <br> possibly an error in the manuscript) remains a matter of conjecture but the fact remains that<br> <br> the most familiar-sounding version of this piece, recorded countless times by both singers and<br> <br> instrumentalists includes this Schwencke measure. It is therefore included in this arrangement.<br> Some published arrangements show minor inconsistencies in the rhythm of the melody. This<br> <br> arrangement uses the familiar rhythm of the Ave Maria version as it appeared in the 1859<br> <br> edition.
$7.95
7.33 €
#
Saxophone Alto et Piano
#
J
#
Colin Kirkpatrick
#
Bach-Gounod: Ave Maria for Alto Saxophone and Piano
#
Colin Kirkpatrick Publications
#
SheetMusicPlus
I Love You Truly-Alto saxophone/piano
Saxophone Alto et Piano
Alto Saxophone,Piano - Level 2 - Digital Download SKU: A0.844635 Composed by Phil B…
(+)
Alto Saxophone,Piano - Level 2 - Digital Download SKU: A0.844635 Composed by Phil Beaman. 20th Century,Pop,Romantic Period,Wedding. Score and part. 9 pages. Phil Beaman #4414733. Published by Phil Beaman (A0.844635). Vintage pop romance! This accompanied instrumental solo is a Theme and Variations. For the Theme I used an extract from the 1906 hit pop song I Love You Truly by Carrie Jacobs-Bond, a celebrated female composer at the turn of century. With each variation the melody and rhythm evolve further from the original Theme. The tempo also increases slightly as you progress to each new variation. The first variation adds chromatic embellishment, the second variation syncopates the rhythm, and the third variation uses triplet patterns. More life is added to your romance with each variation!Each person who has heard this piece hears something different, but in all of them it conjures up vintage courting; and most say it would fit a soundtrack to an early silent movie. So, at heart, this piece is still a turn of the century love ballad, but livened up and fused with subtle influences from other styles and periods. Perfect for weddings where you are trying to please everyone; a bit pop, a bit classical, and totally romantic!Works equally well in a classroom or lesson studying Theme and Variations. The easy-going melody only has a range of just over an octave. Its beauty and technique suits it for any recital as well.6 minutes with repeats, 3 minutes without; 6 page score; 3 page solo partRecording is of the Cello/Piano version and doesn't take the repeats.
$5.99
5.52 €
#
Saxophone Alto et Piano
#
Phil Beaman
#
I Love You Truly-Alto saxophone/piano
#
Phil Beaman
#
SheetMusicPlus
WaltzApp [Alto Sax + Piano]
Saxophone Alto et Piano
Alto Saxophone,Piano - Digital Download SKU: A0.596538 Composed by Juan MarÃa So…
(+)
Alto Saxophone,Piano - Digital Download SKU: A0.596538 Composed by Juan MarÃa Solare. 20th Century,Concert,Contemporary. Score and part. 8 pages. Juan Maria Solare #3875065. Published by Juan Maria Solare (A0.596538). WaltzApp is a simple, innocent and uncomplicated waltz that can remind to Erik Satie. The title reflects the modern times...The composition of WaltzApp began in Bremerhaven in 2006 (first theme) and was completed ten years alter in Bremen (both cities are in North Germany). Duration: ~ 2'30Trivia: during those ten years between the composition of the first and the second theme, the working title was Valsecillo (and with that title circulated in internet as PDF for a while).Original version: for piano solo. There are also versions for the following chamber music combinations (all tested by the composer at concert!): - for alto saxophone and piano (plus double bass ad libitum) - for clarinet and piano (plus double bass ad libitum) - for violin and piano (plus double bass ad libitum) - for clarinet, accordion, cello and piano - for flute and piano (plus double bass ad libitum) - for instrumental nonet (flute, clarinet, trombone, accordion, violin, viola, cello, double bass and piano) The piano version of WaltzApp is included in the album Sombras blancas [White Shadows], by Juan MarÃa Solare (piano): https://open.spotify.com/track/5egCqXp6jR3tBQw8ndFAZ2 Video of the solo piano version (filmed in Java, Indonesia): https://www.youtube.com/watch?v=InFlC1V7Oyo Video of the version for saxophone and piano (Duo Antipoden: Yu Han, saxophone, and Juan MarÃa Solare, piano; live at MIKADO, Prinzhöfte, Germany): https://www.youtube.com/watch?v=uWGyP9pRrL0
$3.50
3.23 €
#
Saxophone Alto et Piano
#
Juan MarÃa Solare
#
WaltzApp [Alto Sax + Piano]
#
Juan Maria Solare
#
SheetMusicPlus
<
1
© 2000 - 2024
Accueil
-
Nouveautés
-
Compositeurs
Mentions légales
-
Version intégrale