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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Called
Non classifié
937
Piano & claviers
Piano seul
735
Piano, Voix
176
Piano, Voix et Guitare
169
Piano Facile
169
Instruments en Do
110
Orgue
40
1 Piano, 4 mains
38
Accompagnement Piano
27
Piano Trio: piano, violon, violoncelle
18
Accordéon
13
2 Pianos, 4 mains
10
Piano (partie séparée)
8
Piano grosses notes
7
Piano Quatuor: piano, violon, alto, violoncelle
5
Orgue, Piano (duo)
5
Piano Quintette: piano, 2 violons, alto, violoncelle
2
Ligne De Mélodie, Piano
1
Fake Book
1
Piano Quatuor: piano, 2 violons, violoncelle
1
+ 14 instrumentations
Retracter
Guitares
Guitare
119
Guitare notes et tablatures
94
Ligne De Mélodie, (Paroles) et Accords
65
Basse electrique
25
Paroles et Accords
25
Ukulele
23
Guitare (partie séparée)
15
Mandoline
8
Banjo
4
2 Guitares (duo)
3
4 Guitares (Quatuor)
2
Piano, Guitare (duo)
2
Ukulele Baryton
1
Mandoline, Guitare (duo)
1
+ 9 instrumentations
Retracter
Voix
Chorale SATB
280
Chorale 3 parties
60
Chorale TTBB
48
Chorale Unison
42
Chorale 2 parties
36
Pack Instrumental pour Chorale
26
Chorale SSAA
21
Voix Alto, Piano
10
Voix seule
10
Voix duo
10
Voix haute
9
Chorale
8
Voix Soprano, Piano
8
Voix duo, Piano
4
Voix moyenne, Piano
3
Voix Tenor, Piano
3
Voix Soprano
3
Voix basse
2
Chorale SSAATTBB
2
Voix Baryton, Piano
2
Voix Tenor
2
Chorale SSATB
1
Chorale SSATTB
1
+ 18 instrumentations
Retracter
Vents
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
86
Flûte traversière et Piano
78
Saxophone (partie séparée)
74
Flûte traversière
61
Quatuor de Saxophones: 4 saxophones
60
Clarinette et Piano
58
Quatuor de Clarinettes: 4 clarinettes
57
Saxophone Alto et Piano
50
2 Saxophones (duo)
48
Quintette de Saxophone: 5 saxophones
43
Hautbois, Piano (duo)
41
Flûte, Hautbois, Clarinette, Basson
40
Saxophone Alto
32
Quatuor de Flûtes : 4 flûtes
31
Saxophone Tenor et Piano
29
Saxophone Soprano et Piano
28
Ensemble de Clarinettes
28
Ensemble de saxophones
28
Clarinette
26
2 Clarinettes (duo)
24
Saxophone Tenor
24
Ensemble de Flûtes
23
2 Flûtes traversières (duo)
21
3 Saxophones (trio)
21
Saxophone Baryton, Piano
16
Saxophone
15
Clarinette, Guitare (duo)
15
Cor anglais, Piano
14
3 Clarinettes (trio)
14
Quintette de Clarinettes: 5 clarinettes
14
Hautbois
13
Clarinette Basse, Piano
13
Clarinette (partie séparée)
12
Trio de Flûtes: 3 flûtes
12
Flute (partie séparée)
10
Flûte, Clarinette (duo)
10
Quintette de Flûte : 5 flûtes
10
Clarinette, Violon (duo)
9
Flûte et Guitare
7
2 Flûte à bec (duo)
7
Flûte, Violon, Piano
7
Hautbois (partie séparée)
7
2 Hautbois (duo)
6
Clarinette, Trompette (duo)
6
Saxophone, Clarinette (duo)
6
Hautbois, Basson (duo)
6
Flûte, Violon
5
Clarinette, Basson (duo)
5
Flûte, Hautbois, Clarinette (trio)
4
Flûte, Violon et Violoncelle
4
Flûte à Bec
4
Quatuor de Flûtes à bec
4
Flûte, Saxophone (duo)
4
3 Flûtes à bec (trio)
4
Hautbois, Flûte
4
Clarinette et Alto
3
Flûte à bec Soprano
3
Flûte, Hautbois, Basson
3
Flûte, Alto (duo)
3
Hautbois, Clarinette, Basson (trio d'anches)
3
Hautbois, Clarinette (duo)
3
Flûte, Trompette (duo)
3
5 Flûtes à bec
2
Flûte à bec Soprano, Piano
2
Saxophone Soprano
2
Flute, harpe et violon
2
Flûte et Trio à cordes
2
Flûte à bec Alto, Piano
2
Flûte, Violoncelle
1
Clarinette, Trombone (duo)
1
Flûte, Violon, Violoncelle et Piano
1
Flûte, Hautbois (duo)
1
Hautbois, Guitare (duo)
1
Saxophone et Orgue
1
Flûte irlandaise
1
Flûte, alto et harpe
1
Ensemble De Flûte à bec
1
Clarinette, Violoncelle, Piano (trio)
1
Instruments en Mib
1
Flûte à bec Alto, Basse continue
1
Quatuor de Clarinettes: Clarinette, Violon, Alto, Violoncelle
1
Flûte à bec Alto
1
Ensemble de Hautbois
1
Flûte, Trombone (duo)
1
Flûte à bec Tenor
1
Hautbois, Violin, Alto et Violoncelle (Quatuor)
1
+ 81 instrumentations
Retracter
Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
87
Quatuor de Cuivres : 2 trompettes, trombone, tuba
67
Trombone (partie séparée)
53
Trompette
50
Trombone et Piano
46
Trompette (partie séparée)
45
Trompette, Piano
29
Trombone
27
Cor et Piano
23
Quatuor de Cuivres: 2 trompettes, Cor, trombone
19
Quatuor de cuivres: 4 trombones
15
Cor anglais, Piano
14
Euphonium, Piano (duo)
13
Cor (partie séparée)
12
Ensemble de Trombones
12
Cor
12
Quatuor de Cuivres
12
2 Trompettes (duo)
9
Tuba et Piano
9
Trompette, Trombone (duo)
8
2 Trombones (duo)
7
Ensemble de Trompettes
7
Trompette, Saxophone (duo)
6
Tuba (partie séparée)
6
Tuba
6
2 Cors (duo)
5
4 Tubas
4
3 Trombones (trio)
4
Quatuor de cuivres: 4 cors
4
Quatuor de cuivres: 4 trompettes
4
Ensemble de Cors
3
Trompette, Cor (duo)
3
3 Cors (trio)
2
3 Tubas (trio)
2
2 Euphoniums et 2 Tubas
2
Instruments en Sib
1
Euphonium, Tuba (duo)
1
Trombone, Cor (duo)
1
Trompette, Euphonium (duo)
1
Trombone et orchestre
1
Ensemble de Tubas
1
Trombone basse et Piano
1
+ 37 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
166
Violon et Piano
87
Harpe
67
Violoncelle, Piano
57
Violon
56
Alto, Piano
47
Violoncelle
35
Violon, Violoncelle (duo)
25
Trio à Cordes: violon, alto, violoncelle
23
Violon, Alto (duo)
17
2 Violons (duo)
17
Alto seul
16
Trio à Cordes: 2 violons, violoncelle
14
2 Violoncelles (duo)
12
Contrebasse (partie séparée)
10
2 Harpes (duo)
9
Violon, Guitare (duo)
8
Alto, Guitare (duo)
7
4 Violoncelles
7
2 Altos (duo)
7
Alto, Violoncelle (duo)
6
Trio à cordes: 3 violins
5
Quintette à cordes: 2 violons, alto, violoncelle, basse
5
Alto (partie séparée)
5
Violoncelle , Guitare (duo)
4
Ensemble de Violons
4
Violon (partie séparée)
4
Trio à cordes: 3 altos
4
Trio à Cordes: 3 violoncelles
3
Quatuor à cordes: 4 violons
3
Contrebasse, Piano (duo)
3
Piano Trio: Violon, Alto, Piano
2
Violoncelle (partie séparée)
2
Violoncelle, Contrebasse (duo)
2
Ensemble d'Altos
2
Harpe, Flûte (duo)
2
Contre Basse
2
Quatuor à cordes : 4 altos
2
Trio à cordes
1
Trio à Cordes: 2 violons, alto
1
Violoncelle, Orgue
1
Harpe, Voix
1
Ensemble de Violoncelles
1
Harpe, Violon (duo)
1
+ 39 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
267
Orchestre
91
Ensemble Jazz
68
Orchestre à Cordes
60
Ensemble de cuivres
47
Batterie
25
Cloches
21
Orchestre de chambre
20
Fanfare
14
Jazz combo
14
Ensemble de Percussions
10
Batterie (partie séparée)
8
Percussion (partie séparée)
5
Vibraphone
5
Marimba
4
Percussion
2
Orchestre, Violon
1
Timbales (partie séparée)
1
Quintette de Cuivres: autres combinaisons
1
Vibraphone et Marimba
1
Timbales
1
+ 16 instrumentations
Retracter
Autres
Papeterie
7
Partitions Gratuites
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
THANKSGIVING
Vendeurs (tous)
Musicnotes
Note4Piano
Noviscore
Profs-edition
Quickpartitions
SheetMusicPlus
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Vous avez sélectionné:
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Saxophone Alto et Piano
Partitions à imprimer
50 partitions trouvées
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When the Roll is Called Up Yonder, Gospel Hymn for Alto Saxophone and Piano
Saxophone Alto et Piano
Alto Saxophone,Piano - Level 2 - Digital Download SKU: A0.593475 Composed by James …
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Alto Saxophone,Piano - Level 2 - Digital Download SKU: A0.593475 Composed by James Milton Black. Arranged by David McKeown. Christian,Gospel,Praise & Worship,Sacred,Spiritual. Score and part. 4 pages. David McKeown #6421179. Published by David McKeown (A0.593475). When the Roll is Called Up Yonder is a beautiful gospel hymn arranged here for Solo Alto Saxophone and Piano.When the Roll is Called Up Yonder was written in 1893 by James Milton Black. Black ran a Sunday School class and when a child was missing from one Sunday’s roll call, he called on the family to find the child was suffering from pneumonia. After calling and paying for a doctor, Black was inspired to write this hymn.
$2.49
2.3 €
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Saxophone Alto et Piano
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James Milton Black
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David McKeown
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When the Roll is Called Up Yonder, Gospel Hymn for Alto Saxophone and Piano
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David McKeown
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SheetMusicPlus
WHEN THE ROLL IS CALLED UP YONDER (Duet – Alto Sax and Piano/Score and Parts)
Saxophone Alto et Piano
Instrumental Duet Alto Saxophone,Instrumental Duet - Level 3 - Digital Download SKU: A0…
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Instrumental Duet Alto Saxophone,Instrumental Duet - Level 3 - Digital Download SKU: A0.613861 Composed by James M. Black. Arranged by Gary Lanier. Praise & Worship,Sacred. Score and parts. 8 pages. The Lanier Company #41831. Published by The Lanier Company (A0.613861). WHEN THE ROLL IS CALLED UP YONDER is an arrangement by Gary Lanier for Alto Sax and Piano of a popular old hymn tune. It works great for offertories, special music for a worship service, or for the joy of playing it in any situation where inspirational music is desired (8 pages with cover). A mp3 Piano Accompaniment (aka Rehearsal Track) is also available, listed as: WHEN THE ROLL IS CALLED UP YONDER (Piano Accompaniment for Alto Sax).
$6.99
6.44 €
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Saxophone Alto et Piano
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James M
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Gary Lanier
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WHEN THE ROLL IS CALLED UP YONDER
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The Lanier Company
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SheetMusicPlus
I Just Called To Say I Love You
Saxophone Alto et Piano
Instrumental Duet,Piano Alto Saxophone,Baritone Saxophone,Instrumental Duet,Piano - Level …
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Instrumental Duet,Piano Alto Saxophone,Baritone Saxophone,Instrumental Duet,Piano - Level 4 - Digital Download SKU: A0.634305 By Stevie Wonder. By Stevie Wonder. Arranged by Fishel Pustilnik. Pop,Soul. Score and parts. 10 pages. F & N Enterprise #3579061. Published by F & N Enterprise (A0.634305). An excellent arrangement of famous Song I Just Called To Say I Love You for Alto Sax and Piano-Jazz/Pop Version (With Improvisation).
$4.99
4.6 €
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Saxophone Alto et Piano
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Stevie Wonder
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Fishel Pustilnik
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I Just Called To Say I Love You
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F & N Enterprise
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SheetMusicPlus
Crazy Little Thing Called Love
Saxophone Alto et Piano
Alto Saxophone,Piano - Level 4 - Digital Download SKU: A0.1454395 By Dwight Yoakam.…
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Alto Saxophone,Piano - Level 4 - Digital Download SKU: A0.1454395 By Dwight Yoakam. By Freddie Mercury. Arranged by Caroline Venter. 20th Century,Blues,Broadway,Musical/Show,Pop,Rock. Score and part. 6 pages. Caroline Venter #1033497. Published by Caroline Venter (A0.1454395). An arrangement for advanced players, featuring tricky rhythms and ornaments. Would suit grade 6 standard. An ideal concert / recital piece. Score and part.
$5.50
5.07 €
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Saxophone Alto et Piano
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Dwight Yoakam
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Caroline Venter
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Crazy Little Thing Called Love
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Caroline Venter
#
SheetMusicPlus
I Just Called To Say I Love You
Saxophone Alto et Piano
Alto Saxophone,Piano - Level 2 - Digital Download SKU: A0.1243847 By Stevie Wonder.…
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Alto Saxophone,Piano - Level 2 - Digital Download SKU: A0.1243847 By Stevie Wonder. By Stevie Wonder. Arranged by Kaiserin Rebecca. Contemporary,Film/TV,Instructional,Pop. Score and part. 5 pages. Kaiserin Rebecca #838819. Published by Kaiserin Rebecca (A0.1243847). For alto saxophone solo and piano accompaniment with chords.Key: B flat major. Duration: 1'38.
$7.99
7.37 €
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Saxophone Alto et Piano
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Stevie Wonder
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Kaiserin Rebecca
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I Just Called To Say I Love You
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Kaiserin Rebecca
#
SheetMusicPlus
Pictures at an Exhibition - Promenade - Alto Sax and Piano (Full Score and Parts)
Saxophone Alto et Piano
Alto Saxophone,Piano - Level 3 - Digital Download SKU: A0.1510849 Composed by Modes…
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Alto Saxophone,Piano - Level 3 - Digital Download SKU: A0.1510849 Composed by Modest Petrovich Mussorgsky. Arranged by César Madeira. 19th Century,Classical,Film/TV,Multicultural,Romantic Period,World. Score and part. 7 pages. Sheet Music To Play Editions #1086059. Published by Sheet Music To Play Editions (A0.1510849). Promenade from Pictures at an Exhibition. Arrangement for Alto Sax and Piano. With Full Score and Individual Parts. Enjoy it!Modest Petrovitch Mussorgsky (1839 - 1881) was a Russian composer famous for his operas and songs. He discovered new ways of writing for the voice which were very tuneful but which also suited the Russian language. His most famous opera is Boris Godunov. Another very famous piece is called Pictures at an Exhibition. He wrote it for the piano, but many years after his death another composer called Maurice Ravel orchestrated it and this is the version people usually hear today.For Tutorials, Play Alongs or request New Arrangements, visit the YouTube Channel: Sheet Music To Play
$8.99
8.29 €
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Saxophone Alto et Piano
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Modest Petrovich Mussorgsky
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César Madeira
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Pictures at an Exhibition - Promenade - Alto Sax and Piano
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Sheet Music To Play Editions
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SheetMusicPlus
Korsakov: Flight of the Bumblebee for Alto Sax & Piano
Saxophone Alto et Piano
Alto Saxophone,Piano - Level 5 - Digital Download SKU: A0.549254 Composed by Nikola…
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Alto Saxophone,Piano - Level 5 - Digital Download SKU: A0.549254 Composed by Nikolay Andreyevich Rimsky-Korsakov. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Standards. Score and part. 15 pages. Jmsgu3 #3473685. Published by jmsgu3 (A0.549254). Flight of the Bumblebee Flight of the Bumblebee is, to be sure, an orchestral interlude composed by Nikolai Rimsky-Korsakov for his opera The Tale of Tsar Saltan. Of course, Korsakov intended to portray a bumblebee's chaotic flying pattern musically. Nowadays, this piece is one of the comparatively more famous classical works because it frequently appears occasionally in popular culture. The piece appears notably in the opera at the close of Act III, Tableau 1. This is when the magic Swan-Bird changes the Prince (the son of the Tsar) into a bee so he can fly away to visit his father. Interestingly, at this point in the drama, his father, in effect, does not know that he is alive. Korsakov Background Nikolai Rimsky-Korsakov (1844 –1908) was a uniquely famous composer from Russia. He was likewise a member of an infamous assembly of composers called The Five. Korsakov was furthermore an expert in orchestration. His correspondingly most famous orchestral compositions- Capriccio Espagnol, the Russian Easter Festival Overture, and the Scheherazade suite- are essential monuments of the standard music repertoire. Also comparatively very important are his suites and excerpts from his 15 operas. Korsakov used Russian folklore and fairy tales, such as Scheherazade, in his music. Nationalistic Style Like fellow outspoken composer Balakirev, Korsakov believed in creating a nationalistic, Russia-centric style of classical music. The new style was called Orientalism. It similarly relied on native Russian materials, exotic scales, and experimental harmonic, melodic, and rhythmic procedures. This practice, conversely, ran counter to the developments in Western musical culture. Musical Developments Nevertheless, Korsakov developed an appreciation of Western musical techniques after he became a professor of musical composition, harmony, and orchestration at the Saint Petersburg Conservatory in 1871. Moreover, he undertook a rigorous three-year program of self-education. He mastered Western methods, incorporating them with the influences of Mikhail Glinka and other members of The Five. His techniques of composition and orchestration were additionally enriched by his exposure to the works of Richard Wagner. Naval Service Korsakov combined his music career accordingly with a career in the Russian military. He was in the first place an officer in the Russian Navy. In due time, he was appointed a civilian Inspector of Naval Bands. As a result, Korsakov expanded his knowledge of woodwind and brass playing, which heightened his orchestration capabilities. Legacy In due time, Korsakov contributed a significant number of Russian nationalist works. He also prepared, occasionally, compositions by The Five for presentation. This brought their works straightaway into the active classical repertoire as well. He also shaped an entire generation of younger composers as a music educator. Therefore, music historians consider Korsakov the foremost engineer of what the public considers the Russian composition style. He served as a transitional figure between The Five and the classically trained composers who became the norm over time. In addition to the Russians, he influenced non-Russian composers such as Ravel, Debussy, Dukas, and Respighi. Â
$32.95
30.38 €
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Saxophone Alto et Piano
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Nikolay Andreyevich Rimsky-Korsakov
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James M
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Korsakov: Flight of the Bumblebee for Alto Sax & Piano
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jmsgu3
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SheetMusicPlus
Limelight
Saxophone Alto et Piano
Alto Saxophone,Piano - Level 3 - Digital Download SKU: A0.1304433 By Rush. By Alex …
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Alto Saxophone,Piano - Level 3 - Digital Download SKU: A0.1304433 By Rush. By Alex Lifeson, Geddy Lee, and Neil Peart. Arranged by Jeff Tincher. Contemporary,Rock. Score and part. 17 pages. Jeff Tincher #893924. Published by Jeff Tincher (A0.1304433). Here is the perfect example of what has been called Math Rock. In the original key from Rush's Moving Pictures LP, this song shifts time signatures a lot, but still sounds like a great constructed piece. This song is categorized as intermediate because of the time signature changes. Duration = 4:32. Visit my websites: https://jefftincher.wixsite.com/sheetmusic, https://jefftincher.wixsite.com/music, https://www.facebook.com/jefftincherpublishing/.
$5.99
5.52 €
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Saxophone Alto et Piano
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Rush
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Jeff Tincher
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Limelight
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Jeff Tincher
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SheetMusicPlus
Sycamore Jive
Saxophone Alto et Piano
Alto Saxophone,Piano - Level 2 - Digital Download SKU: A0.972786 Composed by J A Sa…
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Alto Saxophone,Piano - Level 2 - Digital Download SKU: A0.972786 Composed by J A Sandford. Concert,Jazz,Standards. Score and part. 4 pages. John A Sandford #3620863. Published by John A Sandford (A0.972786). Composition for Alto Sax with piano accompaniment. Ideal concert piece for players of modest ability. Samba type bass line patterns in the piano underpin a lyrical melody line in a jazz style. The title is a play on words as I used to live in a road called Sycamore Drive where this piece was conceived. Check out my other Sycamore Jive version for clarinet and piano.
$2.99
2.76 €
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Saxophone Alto et Piano
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J A Sandford
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Sycamore Jive
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John A Sandford
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SheetMusicPlus
Ali Ben Sou Alle: Fantaisie sur Don Giovanni de Mozart for alto saxophone and piano
Saxophone Alto et Piano
Alto Saxophone,Piano - Level 3 - Digital Download SKU: A0.533347 Composed by Ali Be…
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Alto Saxophone,Piano - Level 3 - Digital Download SKU: A0.533347 Composed by Ali Ben Sou Alle, Wolfgang Amadeus Mozart. Arranged by Paul Wehage. Concert,Opera,Romantic Period,Standards. Score and part. 22 pages. Musik Fabrik Music Publishing #2348197. Published by Musik Fabrik Music Publishing (A0.533347). One of the most enigmatic figures in the history of the Saxophone, Ali Ben Sou Alle (Charles-Valentin Soualle) was born in 1820 in Arras, France. After receiving his first prize in Clarinet at the Paris Conservatory in 1844. he served as the director ofmusic of The French Marine Band in Senegal, and then was named first clarinet solo at the Opéra-Comique in Paris. However, after the Revolution of 1848, Soualle was forced to flee France to England where he settled in London, playing in the Orchestra of the Queen's Theatre. His songs and piano pieces were published in London. While in London, Soualle met another exiled French musician, Louis Antoine Jullien, who conducted a light music series in London. Jullien encouraged Soualle to take up the saxophone, and after modifying the instrument by adding a single octave mechanism (the modern system used today) and keys for the lower register, Soualle became known as a virtuoso and began touring performing solo recitals (or mono-concerts, as they were called at the time) calling his modified saxophone the «turcophone ». He performed in all the European capitals and then traveled to Australia, New Zealand, Manilla, Java, through China and then to India where he finally settled in Mysore, becoming the director of the Royal Music for the Maharadjah. It was during this period that he converted to Islam and changed his nmae to Ali ben Sou Alle (or Ali, son of Soualle). He subsequently travaled to Ile Maurice, to French Polynesia, the Cap of Natal and the Cap of Good Hope. All of these voyages were subjects of musical works which Soualle entitled Souvenirs de... and may perhaps have been part of a collection known as The Royal Album which was presented to the Prince of Wales after a royal concert. Soualle returned to Mysore in 1858 and was almost killed in the Indian Revolution. Around 1860, Soualle returned to France for health reasons and began publishing his own music. On March 27 1865, he performed a command performance for the Emperor Napoleon III at the Tuileries Palace in the presence of the entire Imperial Family. After 1865, nothing more is known about him. Soualle not only performed on the clarinet, saxophone and piano, but also frequently sang during his concerts. He also wrote songs while he was in London. His opera fantasies are usually written for the Alto saxophone and are generally in the form of an introductory aria with cadenza, a theme with one or more variations and then a final waltz movement in rondo form with a final brillant variation. This specific work opens with motives from the Opera‘s overture, leading to Donna Anna’s 1st act aria Or sai, chi l'onore. The duet Là ci darem la mano is the subject of two variations followed by a brief interlude using Zerlina’s aria Batti, batti, o bel Masetto and then the final section is the duo Andiam’ Andiam ‘ Mio Bene between Don Giovanni and Zerlina which ends the Act I duet. The work ends with a brillant coda
$11.95
11.02 €
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Saxophone Alto et Piano
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Ali Ben Sou Alle, Wolfgang Amadeus Mozart
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Paul Wehage
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Ali Ben Sou Alle: Fantaisie sur Don Giovanni de Mozart for alto saxophone and piano
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Musik Fabrik Music Publishing
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SheetMusicPlus
Numa Sala De Reboco
Saxophone Alto et Piano
Alto Saxophone,Piano - Level 3 - Digital Download SKU: A0.1169054 Composed by Jose …
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Alto Saxophone,Piano - Level 3 - Digital Download SKU: A0.1169054 Composed by Jose Marcolino Alves and Luiz Gonzaga Do Nascimento. Arranged by Gildson Cerqueira. Latin,Multicultural,Traditional,World. Score and part. 5 pages. Gildson Cerqueira #769406. Published by Gildson Cerqueira (A0.1169054). A Typical genre of brasilian music called forró. Written by a very famous brazilian composer Luiz Gonzaga, this arrangment was desing to a sonorous performance. Have funny moments playing this piece.(piano accompaniment also included).
$12.99
11.98 €
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Saxophone Alto et Piano
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Jose Marcolino Alves and Luiz Gonzaga Do Nascimento
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Gildson Cerqueira
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Numa Sala De Reboco
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Gildson Cerqueira
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SheetMusicPlus
Ali Ben Sou Alle: Fantaisie sur le Barbier de Séville de Rossin for alto saxophone and piano
Saxophone Alto et Piano
Alto Saxophone,Piano - Level 4 - Digital Download SKU: A0.533354 Composed by Ali Be…
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Alto Saxophone,Piano - Level 4 - Digital Download SKU: A0.533354 Composed by Ali Ben Sou Alle, Gioachino Rossini. Arranged by Paul Wehage. Concert,Opera,Romantic Period,Standards. Score and part. 30 pages. Musik Fabrik Music Publishing #2363209. Published by Musik Fabrik Music Publishing (A0.533354). One of the most enigmatic figures in the history of the Saxophone, Ali Ben Sou Alle (Charles-Valentin Soualle) was born in1820 in Arras, France. After receiving his first prize in Clarinet at the Paris Conservatory in 1844. he served as the director ofmusic of The French Marine Band in Senegal, and then was named first clarinet solo at the Opéra-Comique in Paris. However, after the Revolution of 1848, Soualle was forced to flee France to England where he settled in London, playing in the Orchestra of the Queen's Theatre. His songs and piano pieces were published in London.While in London, Soualle met another exiled French musician, Louis Antoine Jullien, who conducted a light music series inLondon. Jullien encouraged Soualle to take up the saxophone, and after modifying the instrument by adding a single octavemechanism (the modern system used today) and keys for the lower register, Soualle became known as a virtuoso and begantouring performing solo recitals (or mono-concerts, as they were called at the time) calling his modified saxophone the«turcophone ». He performed in all the European capitals and then traveled to Australia, New Zealand, Manilla, Java, throughChina and then to India where he finally settled in Mysore, becoming the director of the Royal Music for the Maharadjah. It wasduring this period that he converted to Islam and changed his nmae to Ali ben Sou Alle (or Ali, son of Soualle). Hesubsequently travaled to Ile Maurice, to French Polynesia, the Cap of Natal and the Cap of Good Hope. All of these voyageswere subjects of musical works which Soualle entitled Souvenirs de... and may perhaps have been part of a collection knownas The Royal Album which was presented to the Prince of Wales after a royal concert. Soualle returned to Mysore in 1858 and was almost killed in the Indian Revolution.Around 1860, Soualle returned to France for health reasons and began publishing his own music. On March 27 1865, heperformed a command performance for the Emperor Napoleon III at the Tuileries Palace in the presence of the entire ImperialFamily. After 1865, nothing more is known about him.Fantaisie sur Le Barbier de Séville begins with the Count's 1st act cavatina Ecco ridente in cielà This is followed by a seriesof variations sur Rosina's Cabaletta Io sono docile. The second act finale Fredda ed immobile is then presented in a number of variations. Finally, the second part of the Count and Figaros first act duo (Ah che d'amore) brings the work to a brilliant finish.
$19.95
18.39 €
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Saxophone Alto et Piano
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Ali Ben Sou Alle, Gioachino Rossini
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Paul Wehage
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Ali Ben Sou Alle: Fantaisie sur le Barbier de Séville de Rossin for alto saxophone and piano
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Musik Fabrik Music Publishing
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SheetMusicPlus
Ali Ben Sou Alle: Caprice sur La Prophète de Meyerbeer for alto saxophone and piano
Saxophone Alto et Piano
Alto Saxophone,Piano - Level 3 - Digital Download SKU: A0.533497 Composed by Ali Be…
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Alto Saxophone,Piano - Level 3 - Digital Download SKU: A0.533497 Composed by Ali Ben Sou Alle. Concert,Romantic Period,Standards. Score and part. 19 pages. Musik Fabrik Music Publishing #3000441. Published by Musik Fabrik Music Publishing (A0.533497). Meyerbeer’s Opera Le Prophète was one of the most influential works of the 19th century, inspiring Verdi, Wagner, Liszt andothers with its dramatic score. Caprice sur Le Prophète de Meyerbeer begins with an extended Aria with several cadenzas. The work ends with a Polka in Rondo form which has a brillant variation.One of the most enigmatic figures in the history of Wind Music, Ali Ben Sou Alle (Charles-Valentin Soualle) was born in 1820 in Arras, France. After receiving his first prize in Clarinet at the Paris Conservatory in 1844. he served as the director of music of The French Marine Band in Senegal, and then was named first clarinet solo at the Opéra-Comique in Paris. However, after the Revolution of 1848, Soualle was forced to flee France to England where he settled in London, playing in the Orchestra of the Queen's Theatre. His songs and piano pieces were published in London.While in London, Soualle met another exiled French musician, Louis Antoine Jullien, who conducted a light music series in London. Jullien encouraged Soualle to take up the saxophone, and after modifying the instrument by adding a single octave mechanism (the modern system used today) and keys for the lower register, Soualle became known as a virtuoso and began touring performing solo recitals (or mono-concerts, as they were called at the time) calling his modified saxophone the «turcophone ». He performed in all the European capitals and then traveled to Australia, New Zealand, Manilla, Java, through China and then to India where he finally settled in Mysore, becoming the director of the Royal Music for the Maharadjah. It was during this period that he converted to Islam and changed his nmae to Ali ben Sou Alle (or Ali, son of Soualle). He subsequently travaled to Ile Maurice, to French Polynesia, the Cap of Natal and the Cap of Good Hope. All of these voyages were subjects of musical works which Soualle entitled Souvenirs de... and may perhaps have been part of a collectionknown as The Royal Album which was presented to the Prince of Wales after a royal concert. Soualle returned to Mysore in 1858 and was almost killed in the Indian Revolution.Around 1860, Soualle returned to France for health reasons and began publishing his own music. On March 27 1865, he performed a command performance for the Emperor Napoleon III at the Tuileries Palace in the presence of the entire Imperial Family. After 1865, nothing more is known about him.
$11.95
11.02 €
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Saxophone Alto et Piano
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Ali Ben Sou Alle
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Ali Ben Sou Alle: Caprice sur La Prophète de Meyerbeer for alto saxophone and piano
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Musik Fabrik Music Publishing
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SheetMusicPlus
O Come All Ye Faithful for Alto Sax & Piano
Saxophone Alto et Piano
Alto Saxophone,Piano - Level 1 - Digital Download SKU: A0.548508 Composed by Wade. …
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Alto Saxophone,Piano - Level 1 - Digital Download SKU: A0.548508 Composed by Wade. Arranged by James M. Guthrie, ASCAP. Christian,Christmas. Score and part. 4 pages. Jmsgu3 #3388099. Published by jmsgu3 (A0.548508). O Come All Ye Faithful arranged with new harmony for the final verse. Score: 3 pages. Part: 1 pageO Come, All Ye Faithful O Come, All Ye Faithful is an English translation of the Latin Christmas carol Adeste Fideles. No one knows exactly who wrote it, but one theory is that it was originally composed by King John IV of Portugal (1604–1656) and revised by John F. Wade and John Reading. Nowadays, we usually attribute it to John Wade. The oldest manuscript from 1751, is owned by Stonyhurst College in Lancashire. Lyrics The English translation O Come, All Ye Faithful was certainly written by Frederick Oakeley, a Catholic priest in 1841. This translation is the most common in English speaking states. To begin with, the hymn had only four verses. Later, the verses grew to eight. Often, various verses are omitted because otherwise, the song is just too long. Some believe the first Latin lyrics were written by St. Bonaventure (13th century) or King John IV of Portugal in the 17th. Though others think it was written by the Cistercian monks. King John IV King John IV of Portugal was called The Musician King. He became king in 1640. In addition to performing the duties of a king, he was also a composer and music journalist. King John built a very large music library. Unfortunately, the library was ruined in 1755 because of the massive earthquake of Lisbon. In addition to his library, the king started a Music School that produced many accomplished musicians. The king also worked diligently to get instrumental music approved by the Vatican for use in his churches. Aside from his authorship of Adeste Fideles, he is famous for another popular choral setting of the Crux Fidelis, a prevalent Lenten hymn. Performance in Context As mentioned above, verses are sometimes left out because all eight verses would take too long to perform. More to the point though, some of the verses may be unsuitable for whatever of the church calendar they are intended. The eighth verse deals with the Epiphany, so it makes sense to sing this on Epiphany Sunday, but not other Sundays. Similarly, other verses are used according to whether the event is Midnight Mass or regular daytime Mass.
$24.95
23 €
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Saxophone Alto et Piano
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Wade
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James M
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O Come All Ye Faithful for Alto Sax & Piano
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jmsgu3
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SheetMusicPlus
O Holy Night - alto sax (Eb) and piano
Saxophone Alto et Piano
Alto Saxophone,Piano - Digital Download SKU: A0.1146872 Composed by Adolphe-Charles…
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Alto Saxophone,Piano - Digital Download SKU: A0.1146872 Composed by Adolphe-Charles Adam. Arranged by Robin Hood Editions. Christian,Christmas,Classical,Religious,Wedding. Score and part. 8 pages. Robin Hood Editions #747063. Published by Robin Hood Editions (A0.1146872). Alto sax (Eb) and piano version! SCORE AND SET OF PARTS ! Piano part with accords. O Holy Night is a Christmas song made by Adolphe Adam around 1847. It was created to celebrate the renovation of the church organ in the town of Roquemaure, France. Placide Cappeau, a French wine merchant and poet, wrote a poem in 1843. He called it Minuit, chrétiens (Midnight, Christians). Notable singers of the song include, although are not limited to, Mariah Carey, Celine Dion and others. With this easy adaptation for cello and piano acc, you will be able to interpret this beautiful song in an accessible way ! Do not hesitate to seek out Robin Hood Editions works for more quality arrangements and sheet music.
$5.99
5.52 €
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Saxophone Alto et Piano
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Adolphe-Charles Adam
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Robin Hood Editions
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O Holy Night - alto sax
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Robin Hood Editions
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SheetMusicPlus
Faded
Saxophone Alto et Piano
Alto Saxophone,Piano - Level 3 - Digital Download SKU: A0.1263581 By Alan Walker. B…
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Alto Saxophone,Piano - Level 3 - Digital Download SKU: A0.1263581 By Alan Walker. By Alan Walker, Anders Froen, Gunnar Greve, and Jesper Borgen. Arranged by Benzaiten Editions. 21st Century,Film/TV,Pop. Score and part. 4 pages. Benzaiten Editions #856543. Published by Benzaiten Editions (A0.1263581). Hey! Are you a saxophone player who wants to learn how to play Faded by Alan Walker? You're in the right place!Faded by Alan Walker - Intermediate Sax Sheet Music with Piano Accompaniment The Benzaiten Editions Arrangement Get ready to immerse yourself in the captivating world of Faded by Alan Walker! This hauntingly beautiful song has captured the hearts of millions with its mesmerizing melody and evocative lyrics. I have created an intermediate saxophone arrangement of Faded that allows you to play this iconic piece with depth and emotion. Whether you're a fan of the original track or simply love the melancholic atmosphere it creates, this arrangement will enable you to bring its magic to life through your sax. With this arrangement, you'll be able to replicate the captivating melody and harmonies of Faded while adding your own expressive touches. The arrangement strikes a balance between accessibility and musicality, making it perfect for intermediate musicians who want to master this popular song. Whether you're looking to expand your repertoire or simply enjoy playing beautiful music, our arrangement of Faded will undoubtedly inspire and captivate you. About the song Alan Walker's hit single Faded started as an instrumental track called Fade and gained attention on YouTube in 2014. With its captivating vocals by Iselin Solheim, the song topped charts worldwide and amassed billions of views. The distinctive melody, combined with Walker's signature production style, creates a captivating fusion of EDM and pop. Faded has become a universal anthem about feeling lost and finding solace in music, leaving a lasting impact on listeners worldwide.
$5.99
5.52 €
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Saxophone Alto et Piano
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Alan Walker
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Benzaiten Editions
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Faded
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Benzaiten Editions
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SheetMusicPlus
Beethoven: Adagio from Sonata Pathetique for Alto Sax & Piano
Saxophone Alto et Piano
Alto Saxophone,Piano - Level 3 - Digital Download SKU: A0.549639 Composed by Ludwig…
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Alto Saxophone,Piano - Level 3 - Digital Download SKU: A0.549639 Composed by Ludwig van Beethoven. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Sacred,Standards. Score and part. 16 pages. Jmsgu3 #3516567. Published by jmsgu3 (A0.549639). Duration: ca 5:20, Score: 8 pages, solo part: 3 pages, piano part: 4 pages.One of Beethoven's finest and most famous works. Program for a recital, church meditation or school program.Bring your best espressivo and plan to rehearse the many subtle dynamic changes.Sonata Pathétique Op. 13 First of all, this is an arrangement of the second movement of Beethoven’s Sonata Pathétique. It seems like Beethoven wrote this piece before becoming troubled by deafness. Published in 1799, it consequently remains one of the most celebrated pieces Beethoven ever wrote. As a result of its popularity, the movement was therefore performed by Karl Haas. Hass recorded it for a popular radio show called: Adventures in Good Music. Beethoven Background Ludwig van Beethoven (1770 –1827) was certainly a German pianist. Above all, he was probably one of the greatest composers in history. As a result, he is a pivotal character in the progress between the Classical and Romantic periods. He is certainly one of the most famous and hence important of all composers. Seems like his most familiar and noteworthy works include symphonies 1-9; piano concertos 1-5; and furthermore, the violin concerto. Also, certainly of extreme importance are the noteworthy 32 sonatas for the piano; the string quartets 1-16; the Missa solemnis; and likewise, his only opera, Fidelio. Beethoven Overview First of all, Beethoven was born and consequently raised in Bonn. Upon turning 21 he moved to Vienna probably to study composition with Haydn. That’s when he consequently grew a reputation as a brilliant pianist. Furthermore, he probably stayed in Vienna for the rest of his life. In his late 20s, it seems like his hearing certainly began to decline. It slowly declined until consequently, he was nearly totally deaf probably by the last decade of his life. As a result, he stopped conducting and performing. Nevertheless, he continued to compose. As a result, some of his greatest works probably come from this period. First Period Seems like we often divide Beethoven’s life into three periods. Period 1 begins with Beethoven’s arrival in Vienna. Hence, during this period, he mastered the Viennese style of Haydn & Mozart. He consequently began increasing the size and scale of his works. Furthermore, he experimented with extreme dynamics, and likewise extreme tempi. He worked similarly with chromatic harmony. His First and Second Symphonies, therefore, belong to this period. Other important works also belong here: the first six string quartets and the Sonata Pathétique, Op. 13. Second Period His second period probably began as soon as he realized that he was going deaf. During this period, it seems like he became obsessed with the idea of heroism. His works consequently become even larger and more massive. The most noteworthy of these include the symphonies 3 – 8, piano concertos 5& 6, 5 string quartets, several important piano sonatas (Waldstein and Appassionata), the Kreutzer violin sonata, the violin concerto and his only opera: Fidelio. Third Period In contrast, Beethoven's third period is branded above all by works of incredible intellectual depth, formal innovation, and penetrating expression. It seems like he continued to expand his works. Consequently, the string quartet Op. 131 spills over into seven connected movements. Likewise, in the Ninth Symphony, he adds choral forces to his orchestra probably for the first time in history. Even more, other works from this period include his Missa solemnis, the final 5 string quartets (including the enormous Große Fuge) and the final five sonatas for piano. Register for free lifetime revisions and updates at www.jamesguthrie.co.
$24.95
23 €
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Saxophone Alto et Piano
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Ludwig van Beethoven
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James M
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piano concertos 1-5
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Beethoven: Adagio from Sonata Pathetique for Alto Sax & Piano
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jmsgu3
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SheetMusicPlus
GOSPEL HYMNS Set 1 & 2 (Duets - Alto Sax and Piano with Parts)
Saxophone Alto et Piano
Alto Saxophone,Piano - Level 3 - Digital Download SKU: A0.615705 Composed by Anonym…
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Alto Saxophone,Piano - Level 3 - Digital Download SKU: A0.615705 Composed by Anonymous, Anthony J. Showalter, James M. Black, John J. Husband, Ralph E. Hudson, and Traditional American Melody. Arranged by Gary Lanier. Praise & Worship,Sacred. Score and part. 51 pages. The Lanier Company #3018297. Published by The Lanier Company (A0.615705). GOSPEL HYMNS Set 1 & 2 is a collection of 6 hymn arrangements by Gary Lanier for Alto Sax and Piano. The hymn titles are: On Jordan's Stormy Banks/Blessed Be the Name/Leaning on the Everlasting Arms/Revive Us Again/When the Roll is Called Up Yonder/Just a Closer Walk With Thee.
$24.99
23.04 €
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Saxophone Alto et Piano
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Anonymous, Anthony J
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Gary Lanier
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GOSPEL HYMNS Set 1 & 2
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The Lanier Company
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SheetMusicPlus
Handel: Largo (from Xerxes) for alto sax and piano
Saxophone Alto et Piano
Alto Saxophone,Piano - Level 3 - Digital Download SKU: A0.522293 Composed by G F Ha…
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Alto Saxophone,Piano - Level 3 - Digital Download SKU: A0.522293 Composed by G F Handel. Arranged by Colin Kirkpatrick. Christmas,Easter,Holiday. Score and part. 6 pages. Colin Kirkpatrick Publications #6637671. Published by Colin Kirkpatrick Publications (A0.522293). This piece is probably Handel’s best-known melody, although it began life as an operatic aria. The opera was called Xerxes, sometimes written Serses and pronounced something like “ZERT-seesâ€. It was commissioned by The King’s Theater in London and composed by Handel (who had become naturalized British and lived in London at the time) around 1737 and 1738. The opera is loosely based on the historical figure King Xerxes, who ruled from around 522-486 BC and was the fourth king of the Achaemenid Empire, a vast region that covered most of the present-day Middle East. The melody is often known simply as Handel’s Largo (despite being marked “Larghetto†in the musical score) and is the opening aria in the opera. The aria, known by its opening line Ombra mai fu is sung by Xerxes to a plane tree: “Tender and beautiful fronds of my beloved plane tree, let fate smile upon you...†Although this lovely melody has survived over the years, the opera itself was a complete failure when it was first performed in London in 1738. This arrangement is in E flat major concert (alto sax in C major) and the top note is the C above the treble clef and the piece generally requires the use of a long and sustained tone quality. The piano part has been kept as simple as possible. Being so well-known, this piece would make a popular encore number for a recital. The audio sample was performed by Alastair Penman https://www.alastairpenman.co.uk
$7.95
7.33 €
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Saxophone Alto et Piano
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G F Handel
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Colin Kirkpatrick
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Handel: Largo
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Colin Kirkpatrick Publications
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SheetMusicPlus
Scriabin: Prelude Op. 11 No. 2 for Alto Sax & Piano
Saxophone Alto et Piano
Alto Saxophone,Piano - Level 3 - Digital Download SKU: A0.549467 Composed by Alexan…
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Alto Saxophone,Piano - Level 3 - Digital Download SKU: A0.549467 Composed by Alexander Scriabin. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Sacred,Standards. Score and part. 12 pages. Jmsgu3 #3499755. Published by jmsgu3 (A0.549467). Score: 8 pages, solo part: 2 pages, piano part: 2 pages. Duration: 3:10. An introspective and meditative work with a lot of dynamic and phrasing nuance. Works well for church meditations or recital encores.Background Op.11/2 Alto Clarinet version. First of all, Scriabin composed mostly for the solo piano and also the orchestra. This is probably because he was a gifted pianist and therefore certainly appreciated the piano. Scriabin grew up in the late Romantic period, consequently, he was fond of the great piano masters of the time. As a result, he wrote his first noteworthy compositions in the manner of Chopin and Liszt. Forms Likewise, Scriabin used many of the same forms as Chopin. These certainly include the étude, prelude, nocturne, and even the mazurka. In contrast, as he developed his own sense of style his music became more and more unusual. So, the last five of his Piano Sonatas do not have a key signature and therefore lean towards atonality. Philosophy Scriabin also developed a keen interest in philosophy and likewise poetry. He was above all particularly fascinated by Nietzsche, Delville, and Blavatsky. Consequently, he finally established his own ideas about metaphysics and certainly mysticism. Scriabin consequently advanced theories about the relationship between color and musical keys. Synesthesia He also may have experienced a condition called synesthesia where he could probably sense a response created from a different stimulus. Therefore, it was almost as if he could see music and hear colors. Scriabin, therefore, arranged the colors in a circle similar to the circle-of-fifths and assigned each key area a color. Finally, he assigned the key of C to the color red, while the key of G was orange. Similarly, he assigned D to yellow, A to green, and so forth. Strangely, he did not differentiate between major and minor key colors. Multimedia Hence, his ability to translate colors into music certainly gave Scriabin a most noteworthy interest in creating multimedia events. Furthermore, He designed his biggest work, the Mysterium, to last an entire week. Even more, Scriabin made plans not only for music, but also colored lights, incense, and dancing. He designed the performance to occur in the foothills of the Himalaya mountains. The Mysterium was never performed, and only sketches of the work remain. Modern Performances In modern times, we often experience performances of Scriabin’s most famous completed works accompanied by colored laser lights and incense. These are the Poem of Ecstasy (completed in 1908) and the Poem of Fire (completed in 1910). The lighting effects for these early performances were accomplished by the clavier à lumiéres. It was a keyboard instrument that projected colored light onto a screen.
$19.95
18.39 €
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Saxophone Alto et Piano
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Alexander Scriabin
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James M
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Scriabin: Prelude Op. 11 No. 2 for Alto Sax & Piano
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jmsgu3
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SheetMusicPlus
Debussy: Arabesque 1 for Alto Sax & Piano
Saxophone Alto et Piano
Alto Saxophone,Piano - Level 3 - Digital Download SKU: A0.551631 Composed by Claude…
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Alto Saxophone,Piano - Level 3 - Digital Download SKU: A0.551631 Composed by Claude Debussy (1862 – 1918). Arranged by James Guthrie, ASCAP. Instructional,New Age,Romantic Period,Standards. Score and part. 22 pages. Jmsgu3 #5325655. Published by jmsgu3 (A0.551631). Claude Debussy: Arabesque 1, Duration: ca. 3:30. Debussy's Arabesques are considered to be one of the earliest expressions of French impressionism. They are a suite of two piano pieces that contain hints of Debussy's developing musical style. Although they did not receive much attention when they were first published, they are now regarded as early impressionist standards. Debussy seems to wander through modes and keys, achieving evocative scenes throughout both pieces. The Arabesques are important in the history of music as they represent a significant development in the impressionist movement.Claude Debussy was a French composer born in 1862 who developed a highly original system of harmony and musical structure that expressed the ideals of the Impressionist and Symbolist painters and writers of his time. He is considered one of the most important and influential composers of the 20th century. Debussy's compositions, including his orchestral poems and piano music, helped establish the musical language for much of the twentieth century. Critics often credited Debussy with pioneering a genre called impressionism, although Debussy consistently rejected the term. Debussy's best-known musical arabesque is his Prélude à l’après-midi d’un faune (1894).
$32.95
30.38 €
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Saxophone Alto et Piano
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Claude Debussy
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James Guthrie, ASCAP
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Debussy: Arabesque 1 for Alto Sax & Piano
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jmsgu3
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SheetMusicPlus
Now And Then
Saxophone Alto et Piano
Alto Saxophone,Piano - Level 2 - Digital Download SKU: A0.1320028 By The Beatles. B…
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Alto Saxophone,Piano - Level 2 - Digital Download SKU: A0.1320028 By The Beatles. By George Harrison, John Lennon, Paul McCartney, and Richard Starkey. Arranged by Leo Silva. 20th Century,Pop,Rock. Score and part. 4 pages. MP Sheet Music #908583. Published by MP Sheet Music (A0.1320028). Now and Then (also called I Don't Want to Lose You or Miss You) is a song by British band The Beatles originally recorded as a solo piano/vocal demo by John Lennon in 1979. After After Lennon's death, it was considered as a potential third reunion single by his former band the Beatles for their 1995 autobiographical documentary project The Beatles Anthology, following Free as a Bird and Real Love, but was shelved until 2022. The song was released on November 2, 2023.
$4.99
4.6 €
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Saxophone Alto et Piano
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The Beatles
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Leo Silva
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Now And Then
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MP Sheet Music
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SheetMusicPlus
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