English version
PARTITIONS GRATUITES
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
Accueil
Instrumentations
Compositeurs
Nouveautés
Top 100
Métronome
Portées musicales
ACHATS POUR MUSICIENS
Partitions Numériques
Librairie Musicale
Matériel de musique
Idées cadeaux
A propos de free-scores.com
Partitions
Gratuites
0
Partitions
Numériques
35
Librairie
Musicale
2
Matériel
de Musique
1 073
Partitions numériques
Accès après achat
Expédition postale
Téléchargement
TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
THANKSGIVING
Vendeurs (tous)
Musicnotes
Note4Piano
Noviscore
Profs-edition
Quickpartitions
SheetMusicPlus
Tomplay
Virtualsheetmusic
Pertinence
Ventes
Prix - au +
Prix + au -
Nouveautes
A-Z
difficulté (tous)
débutant
facile
intermédiaire
avancé
expert
avec audio
avec vidéo
avec play-along
Non classifié
1264
PIANO & CLAVIERS
Piano seul
457
Piano, Voix et Guitare
449
Piano, Voix
173
Piano Facile
70
Orgue
38
Instruments en Do
25
Piano Quatuor: piano, violon, alto, violoncelle
12
Piano Trio: piano, violon, violoncelle
9
Piano Quintette: piano, 2 violons, alto, violoncelle
9
1 Piano, 4 mains
8
Accompagnement Piano
6
2 Pianos, 4 mains
5
Accordéon
5
Clavecin
4
Piano (partie séparée)
3
Piano grosses notes
2
Orgue, Trompette (duo)
1
2 Pianos, 8 mains
1
Instrumentations suivantes
Retracter
GUITARES
Guitare notes et tablatures
49
Guitare
42
Ligne De Mélodie, (Paroles) et Accords
14
Ukulele
10
Basse electrique
8
Guitare (partie séparée)
5
2 Guitares (duo)
5
Paroles et Accords
4
Dulcimer
2
Banjo
1
Mandoline, Guitare (duo)
1
4 Guitares (Quatuor)
1
Guitare, Orchestre
1
Guitare, Violon, Violoncelle (trio)
1
3 Guitares (trio)
1
Piano, Guitare (duo)
1
Instrumentations suivantes
Retracter
VOIX
Chorale SATB
241
Chorale 3 parties
55
Chorale TTBB
49
Chorale 2 parties
36
Chorale Unison
27
Chorale SSAA
19
Voix duo, Piano
10
Voix duo
7
Voix Soprano, Piano
4
Chorale
3
Voix haute
3
Voix basse
2
Chorale SSAATTBB
1
Voix Mezzo-Soprano, Piano
1
Voix Alto, Piano
1
Voix moyenne, Piano
1
Voix Tenor
1
Voix seule
1
Instrumentations suivantes
Retracter
VENTS
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
124
Quintette de Saxophone: 5 saxophones
120
Quatuor de Saxophones: 4 saxophones
89
Ensemble de saxophones
73
Flûte traversière et Piano
66
Clarinette
50
Flûte, Hautbois, Clarinette, Basson
49
Clarinette et Piano
48
Hautbois, Piano (duo)
42
Saxophone Tenor et Piano
40
Flûte traversière
36
Quatuor de Clarinettes: 4 clarinettes
36
Ensemble de Clarinettes
36
Saxophone Alto et Piano
35
Saxophone (partie séparée)
33
2 Saxophones (duo)
31
Saxophone Baryton, Piano
30
Saxophone Alto
30
Saxophone Soprano et Piano
25
Ensemble de Flûtes
22
2 Flûtes traversières (duo)
21
Cor anglais, Piano
20
Quatuor de Flûtes : 4 flûtes
19
Quintette de Flûte : 5 flûtes
19
3 Saxophones (trio)
18
Hautbois (partie séparée)
15
Clarinette Basse, Piano
15
Saxophone Tenor
14
2 Clarinettes (duo)
13
Saxophone Soprano
11
2 Flûte à bec (duo)
11
Quatuor de Flûtes à bec
10
Flûte à bec Soprano
10
Clarinette, Basson (duo)
9
3 Clarinettes (trio)
8
Trio de Flûtes: 3 flûtes
8
5 Flûtes à bec
7
Flûte, Clarinette (duo)
7
Flûte et Guitare
6
Quintette de Clarinettes: 5 clarinettes
6
Clarinette, Guitare (duo)
5
3 Flûtes à bec (trio)
5
Flûte à Bec
4
Hautbois, Clarinette, Basson (trio d'anches)
4
Piccolo, Piano
3
Clarinette, Violoncelle, Piano (trio)
3
Flûte, Violoncelle, Piano (trio)
2
Hautbois, Guitare (duo)
2
Flûte, Clarinette et Basson
2
Ensemble de Hautbois
2
Flûte, Hautbois, Clarinette (trio)
2
4 Hautbois
2
Flûte à bec Alto
2
Saxophone
2
Flute (partie séparée)
2
2 Saxophones, Piano
2
Flûte à bec Tenor
2
Clarinette, Trombone (duo)
2
Flûte, Violon, Piano
1
Clarinette, Violoncelle (duo)
1
Quatuor de Clarinettes: Clarinette, Violon, Alto, Violoncelle
1
Hautbois, Violin, Alto et Violoncelle (Quatuor)
1
Flûte, Alto (duo)
1
Flûte, Hautbois, Piano (trio)
1
Piccolo
1
Hautbois, Basson (duo)
1
Flûte, Violoncelle
1
Cor Anglais
1
Flûte irlandaise
1
Flûte et Trio à cordes
1
Hautbois, Flûte
1
Clarinette, Orgue
1
Flûte, Violon et Violoncelle
1
Cor anglais, Guitare (duo)
1
Instrumentations suivantes
Retracter
CUIVRES
Quatuor de Cuivres : 2 trompettes, trombone, tuba
103
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
81
Trompette
38
Cor et Piano
31
Trombone et Piano
30
Ensemble de Trombones
29
Quatuor de Cuivres: 2 trompettes, Cor, trombone
29
Trompette, Piano
24
Trombone
21
Cor anglais, Piano
20
Quatuor de Cuivres
19
Ensemble de Trompettes
19
Euphonium, Piano (duo)
18
Tuba et Piano
14
Cor
12
Trombone (partie séparée)
11
Ensemble de Cors
10
Trompette (partie séparée)
9
Quatuor de cuivres: 4 trombones
9
Trompette, Trombone (duo)
8
Quatuor de cuivres: 4 trompettes
6
3 Trombones (trio)
6
4 Tubas
5
Tuba
4
2 Trompettes (duo)
4
2 Trombones (duo)
4
2 Cors (duo)
4
Cor (partie séparée)
3
3 Cors (trio)
3
Trio de Cuivres
3
2 Tubas (duo)
3
3 Tubas (trio)
3
Quatuor de cuivres: 4 cors
3
Trompette, Cor (duo)
3
Tuba et Orgue
2
Trombone, Cor (duo)
2
Trompette, Euphonium (duo)
1
Bass Clef Instruments
1
3 Trompettes (trio)
1
Trompette, Saxophone (duo)
1
Cor Anglais
1
Ensemble de Tubas
1
3 Euphoniums
1
Cor anglais, Guitare (duo)
1
Tuba (partie séparée)
1
Instrumentations suivantes
Retracter
CORDES
Quatuor à cordes: 2 violons, alto, violoncelle
140
Violon et Piano
71
Violon
49
Alto, Piano
49
Violoncelle, Piano
48
Harpe
25
Violon, Violoncelle (duo)
22
Violoncelle
21
Violoncelle (partie séparée)
20
2 Violons (duo)
15
Ensemble de Violons
14
Ensemble d'Altos
14
Violon, Alto (duo)
14
Trio à Cordes: violon, alto, violoncelle
12
Alto seul
12
Quintette à cordes: 2 violons, alto, violoncelle, basse
10
Contrebasse, Piano (duo)
8
Trio à Cordes: 2 violons, violoncelle
8
2 Violoncelles (duo)
7
Quatuor à cordes: 4 violons
6
2 Altos (duo)
6
Contre Basse
6
Trio à cordes: 3 altos
5
4 Violoncelles
5
Trio à cordes: 3 violins
5
Trio à Cordes: 3 violoncelles
5
Alto, Violoncelle (duo)
4
Quatuor à cordes : 4 altos
4
Contrebasse (partie séparée)
3
Violoncelle , Guitare (duo)
3
Quintette à cordes: 2 violons, 2 altos, violoncelle
3
Harpe, Flûte (duo)
2
Alto et Harpe
2
Harpe et Piano
1
Violoncelle, Contrebasse (duo)
1
Violon, Basson (duo)
1
Violon (partie séparée)
1
Alto (partie séparée)
1
Piano Trio: Violon, Alto, Piano
1
Alto et Basson
1
2 Harpes (duo)
1
Trio à Cordes: 2 violons, alto
1
Ensemble de Violoncelles
1
Instrumentations suivantes
Retracter
PERCUSSIONS & ORCHESTRES
Orchestre d'harmonie
137
Orchestre à Cordes
56
Orchestre
51
Ensemble de cuivres
35
Ensemble Jazz
27
Cloches
16
Ensemble de Percussions
13
Orchestre de chambre
12
Jazz combo
8
Batterie (partie séparée)
4
Batterie
3
Fanfare
3
Marimba
2
Quintette de Cuivres: autres combinaisons
2
Xylophone
1
Piano et Orchestre
1
2 Xylophones
1
Xylophone, Piano
1
Vibraphone et Marimba
1
Instrumentations suivantes
Retracter
AUTRES
Vous avez sélectionné:
Cause It\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\
Saxophone Alto et Piano
Partitions à imprimer
35 partitions trouvées
<
1
26
TAKE MY LIFE AND LET IT BE Hymn Sonata (for Alto Sax and Piano with Score/Part)
Saxophone Alto et Piano
Alto Saxophone,Piano - Level 3 - Digital Download SKU: A0.617686 Composed by HENRI …
(+)
Alto Saxophone,Piano - Level 3 - Digital Download SKU: A0.617686 Composed by HENRI A. C. MALAN, GARY LANIER. Arranged by Gary Lanier. Sacred. Score and part. 11 pages. The Lanier Company #6009083. Published by The Lanier Company (A0.617686). TAKE MY LIFE AND LET IT BE Hymn Sonata (one movement) is a musical work by Gary Lanier for Alto Sax and Piano of one of our most cherished Hymns. The theme is one of total love and devotion to the Lord Jesus in all aspects of life. Gary uses the term hymn sonata, because of the many uses of the hymn tune such as: motifs, secondary themes, variations, recapitulation and other compositional devices. TAKE MY LIFE AND LET IT BE Hymn Sonata is perfect for Church or any gathering where hymns of love and devotion for the Lord is desired. The score, including cover and instrumental part is 11 pages long.
$8.99
8.26 €
#
Saxophone Alto et Piano
#
HENRI A
#
Gary Lanier
#
TAKE MY LIFE AND LET IT BE Hymn Sonata
#
The Lanier Company
#
SheetMusicPlus
It's You I Like from MISTER ROGERS' NEIGHBORHOOD
Saxophone Alto et Piano
Small Ensemble Alto Saxophone,Piano - Level 4 - Digital Download SKU: A0.780504 Com…
(+)
Small Ensemble Alto Saxophone,Piano - Level 4 - Digital Download SKU: A0.780504 Composed by Fred Rogers. Arranged by Cathy Stamegna. Children,Contemporary,Film/TV,Jazz,Pop. Score and part. 12 pages. Cathy Stamegna #4979325. Published by Cathy Stamegna (A0.780504). It's You I Like from MISTER ROGERS' NEIGHBORHOOD (Alto Saxophone Solo, Chords, Piano Acc.) begins with Mister Rogers' thoughtful lyrics/traditional melody and transitions to a jazz/pop sound. Set of Parts. Other vocal and instrumental arrangements available. Graded Advanced Intermediate because of rhythms, harmonies in the jazz/pop section.
$4.99
4.58 €
#
Saxophone Alto et Piano
#
Fred Rogers
#
Cathy Stamegna
#
Set of Parts.
#
It's You I Like from MISTER ROGERS' NEIGHBORHOOD
#
Cathy Stamegna
#
SheetMusicPlus
My Saxophone and Me (E flat version)
Saxophone Alto et Piano
Alto Saxophone,Piano - Level 1 - Digital Download SKU: A0.522194 Composed by Colin …
(+)
Alto Saxophone,Piano - Level 1 - Digital Download SKU: A0.522194 Composed by Colin Kirkpatrick. Instructional,Standards. Score and part. 28 pages. Colin Kirkpatrick Publications #3134129. Published by Colin Kirkpatrick Publications (A0.522194). My Saxophone and Me consists of fourteen short and delightful pieces written especially for absolute beginners up to students at elementary level. The book comes in two versions, one for B flat saxophones and the other for E flat instruments. However, for obvious reasons you cannot mix B flat and E flat instruments in the same group. The pieces are intended as supplementary material to your usual tutor books. The music can be used with any number of players and the pieces remain in the lower register. Several early pieces use only the notes B, A and G and the key of G major predominates. Six of the pieces use only half notes (minims) and quarter notes (crotchets). The low C, a tricky note for some beginners, has been avoided almost completely. On the one occasion it appears, the note C an octave above is given as optional. Although the pieces are arranged in approximate order of difficulty you can play them in any order you want, depending on the musical needs of the student. Your students are sure to enjoy these pieces, which are both easy on the fingers and easy on the ear! Several pieces have a few measures (bars) rest in the middle not only to give the player a break and add musical contrast but also to give the experience of counting empty bars during the music. When space allows, piano cues appear in the solo part. Some of the later pieces in the book have good performing potential and could be strung together in any order to create a small suite. Every piece has a short piano introduction so that the student can sense the tempo and musical style before playing. The keyboard accompaniments have been kept as simple as possible with the minimum number of notes. Dynamic markings (e.g. piano and mezzo-forte) are used from the start, but phrasing has been omitted from the solo part. This is because the teacher is usually in the best position to suggest phrasing within the physical capabilities of each student. Slurs have been employed sparingly and only when necessary. An MP3 file of all the piano accompaniments is also available as a separate item. You can find it here: https://www.sheetmusicplus.com/title/20679821The book includes a well-known folk lullaby from Wales and a lively folk song from Thailand which is known by all Thai people because it’s taught in elementary schools throughout the country. The music has been converted into pdf files at 1,200 dpi which will produce professional looking printed copies of high quality. However, the output quality will also depend on your own printer settings and capabilities. The publication consists of a teacher's book (18 pages) and a student's book (8 pages) both contained in the same pdf file. The sample MP3 (click on the “Listen†button above) contains recordings of Nice ‘n Easy (No 2); Lazy Days (No 4); Waltzing Around (No 7); Just a Minuet (No 11) and Donkey Trot (No 12). Colin Kirkpatrick studied at London’s Royal College of Music. He followed a career in music education. He was a High School Music Director in London for about fifteen years and later became a Music Education Adviser for local government, with responsibility for training teachers and directing the instrumental teaching service. The work in education gave him many opportunities for composing. He has published a great deal of music and his publishers include Boosey & Hawkes, Novello, Paxton, Schott, Oxford University Press, Chester, Belwin Mills and Intrada (Netherlands). His music has been performed and broadcast all over Europe as well as in Japan, Thailand, Australia and the USA. He holds MA and PhD degrees. He was a High School Music Director for about fifteen years and then became a Music Education Adviser for local government, with the added responsibility for training teachers and overseeing the instrumental service. He has writte.
$5.95
5.46 €
#
Saxophone Alto et Piano
#
Colin Kirkpatrick
#
Lazy Days
(No 4)
#
My Saxophone and Me
#
Colin Kirkpatrick Publications
#
SheetMusicPlus
Korsakov: Flight of the Bumblebee for Alto Sax & Piano
Saxophone Alto et Piano
Alto Saxophone,Piano - Level 5 - Digital Download SKU: A0.549254 Composed by Nikola…
(+)
Alto Saxophone,Piano - Level 5 - Digital Download SKU: A0.549254 Composed by Nikolay Andreyevich Rimsky-Korsakov. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Standards. Score and part. 15 pages. Jmsgu3 #3473685. Published by jmsgu3 (A0.549254). Flight of the Bumblebee Flight of the Bumblebee is, to be sure, an orchestral interlude composed by Nikolai Rimsky-Korsakov for his opera The Tale of Tsar Saltan. Of course, Korsakov intended to portray a bumblebee's chaotic flying pattern musically. Nowadays, this piece is one of the comparatively more famous classical works because it frequently appears occasionally in popular culture. The piece appears notably in the opera at the close of Act III, Tableau 1. This is when the magic Swan-Bird changes the Prince (the son of the Tsar) into a bee so he can fly away to visit his father. Interestingly, at this point in the drama, his father, in effect, does not know that he is alive. Korsakov Background Nikolai Rimsky-Korsakov (1844 –1908) was a uniquely famous composer from Russia. He was likewise a member of an infamous assembly of composers called The Five. Korsakov was furthermore an expert in orchestration. His correspondingly most famous orchestral compositions- Capriccio Espagnol, the Russian Easter Festival Overture, and the Scheherazade suite- are essential monuments of the standard music repertoire. Also comparatively very important are his suites and excerpts from his 15 operas. Korsakov used Russian folklore and fairy tales, such as Scheherazade, in his music. Nationalistic Style Like fellow outspoken composer Balakirev, Korsakov believed in creating a nationalistic, Russia-centric style of classical music. The new style was called Orientalism. It similarly relied on native Russian materials, exotic scales, and experimental harmonic, melodic, and rhythmic procedures. This practice, conversely, ran counter to the developments in Western musical culture. Musical Developments Nevertheless, Korsakov developed an appreciation of Western musical techniques after he became a professor of musical composition, harmony, and orchestration at the Saint Petersburg Conservatory in 1871. Moreover, he undertook a rigorous three-year program of self-education. He mastered Western methods, incorporating them with the influences of Mikhail Glinka and other members of The Five. His techniques of composition and orchestration were additionally enriched by his exposure to the works of Richard Wagner. Naval Service Korsakov combined his music career accordingly with a career in the Russian military. He was in the first place an officer in the Russian Navy. In due time, he was appointed a civilian Inspector of Naval Bands. As a result, Korsakov expanded his knowledge of woodwind and brass playing, which heightened his orchestration capabilities. Legacy In due time, Korsakov contributed a significant number of Russian nationalist works. He also prepared, occasionally, compositions by The Five for presentation. This brought their works straightaway into the active classical repertoire as well. He also shaped an entire generation of younger composers as a music educator. Therefore, music historians consider Korsakov the foremost engineer of what the public considers the Russian composition style. He served as a transitional figure between The Five and the classically trained composers who became the norm over time. In addition to the Russians, he influenced non-Russian composers such as Ravel, Debussy, Dukas, and Respighi. Â
$32.95
30.26 €
#
Saxophone Alto et Piano
#
Nikolay Andreyevich Rimsky-Korsakov
#
James M
#
Korsakov: Flight of the Bumblebee for Alto Sax & Piano
#
jmsgu3
#
SheetMusicPlus
Kaleidoscope (2007) for alto saxophone and piano
Saxophone Alto et Piano
Alto Saxophone,Piano - Digital Download SKU: A0.934203 Composed by Mark Zanter. Con…
(+)
Alto Saxophone,Piano - Digital Download SKU: A0.934203 Composed by Mark Zanter. Contemporary. Score and part. 32 pages. MJIC Music Publishing (ASCAP) #3130847. Published by MJIC Music Publishing (ASCAP) (A0.934203). Kaleidoscope (2007) commissioned by David Wright, was written while my wife and I were in residence at the David and Julia White Artists Colony, Costa Rica. The tropical location was stunning but , other than permitting luxurious amounts of time to work things out. it was not a direct source of inspiration for the work. Kaleidoscope employs the Fibonacci sequence (1+1+2+3+5+8…) to control surface rhythm and large sectional proportions. Though I am often explicitly concerned with proportion and its integration at various levels of most pieces I compose; I had never used Fib. because it seemed too easy, and I typically do not like to use processes that are external to a piece. None-the-less I really enjoyed working with the sequence and was pleasantly surprised when the last pitch in the saxophone, with a duration of 89 sixteenth notes, sounded just right.The work is suitable for advanced performers and is 13:00 minutes in duration. Performance materials available for purchase from the publisher: mjicmusicpublishing@gmail.com
$10.00
9.18 €
#
Saxophone Alto et Piano
#
Mark Zanter
#
#
Kaleidoscope
#
MJIC Music Publishing
#
SheetMusicPlus
Marry You
Saxophone Alto et Piano
Alto Saxophone,Piano - Level 2 - Digital Download SKU: A0.752312 By Bruno Mars. By …
(+)
Alto Saxophone,Piano - Level 2 - Digital Download SKU: A0.752312 By Bruno Mars. By Ari Levine, Bruno Mars, and Philip Lawrence. Arranged by Rob Bushnell. Hip-Hop,Pop,R & B. Score and part. 10 pages. RBMusic #3502123. Published by RBMusic (A0.752312). Released in 2011, Marry You is a song by The Smeezingtons and sung by Bruno Mars. Its lyrics talk of spontaneous marriage and, as a result, has been used as a song to propose to. The song has mostly notably been covered by the cast of Glee in the eighth episode of the second season (in fact, this cover reached 32 on the Billboard Hot 100; the originally charted at 85).This arrangement is ideal for teachers or anyone who wants to play the same piece but have lots of different instruments to include because it is designed such that the piano part works with any of the different instruments that solo parts are available for. These include:Flute or Oboe: http://www.sheetmusicplus.com/title/20725677Cor Anglais*: http://www.sheetmusicplus.com/title/20725865Clarinet*: http://www.sheetmusicplus.com/title/20725802Soprano/Tenor Saxophone*: http://www.sheetmusicplus.com/title/20725828Alto/Baritone Saxophone*: http://www.sheetmusicplus.com/title/20725832Bassoon: http://www.sheetmusicplus.com/title/20725699Trumpet*: http://www.sheetmusicplus.com/title/20725820French Horn*: http://www.sheetmusicplus.com/title/20725865Tenor Horn*: http://www.sheetmusicplus.com/title/20725879Trombone (in Bass Clef)**: http://www.sheetmusicplus.com/title/20725793Trombone (in Treble Clef)**: http://www.sheetmusicplus.com/title/20725821Tuba (in Bass Clef): http://www.sheetmusicplus.com/title/20725794Tuba (in Treble Clef)†: http://www.sheetmusicplus.com/title/20725873Mallet Percussion (such as xylophone, vibraphone, marimba, etc.): http://www.sheetmusicplus.com/title/20725695Violin: http://www.sheetmusicplus.com/title/20725692Viola: http://www.sheetmusicplus.com/title/20725799Violoncello or Double Bass: http://www.sheetmusicplus.com/title/20725791 * Some of these solo parts are identical.** Also suitable for euphoniums.†Tuba in E-flat.
$6.50
5.97 €
#
Saxophone Alto et Piano
#
Bruno Mars
#
Rob Bushnell
#
the originally charted at 85)
#
Marry You
#
RBMusic
#
SheetMusicPlus
Praise You Anywhere
Saxophone Alto et Piano
Alto Saxophone,Piano - Level 2 - Digital Download SKU: A0.1359105 By Brandon Lake. …
(+)
Alto Saxophone,Piano - Level 2 - Digital Download SKU: A0.1359105 By Brandon Lake. By Benjamin Fielding, Brandon Lake, Hank Bentley, and Jacob Scooter. Arranged by Jeff Tincher. Christian,Contemporary,Pop,Praise & Worship,Sacred. Score and part. 13 pages. Jeff Tincher #943551. Published by Jeff Tincher (A0.1359105). If you are into Praise and Worship music, this one should be in your library. This is a lively song by Brandon Lake from his Coat Of Many Colors project. This arrangement is taken from his Song Edition video because it's in an easier key to perform in. Duration = 3:23. Visit my websites: https://jtp.spread.name/, https://jefftincher.wixsite.com/music, https://www.facebook.com/jefftincherpublishing/.
$5.99
5.5 €
#
Saxophone Alto et Piano
#
Brandon Lake
#
Jeff Tincher
#
Praise You Anywhere
#
Jeff Tincher
#
SheetMusicPlus
Feast of Love - Alto Sax/Piano
Saxophone Alto et Piano
Alto Saxophone,Piano - Level 2 - Digital Download SKU: A0.844547 Composed by Robert…
(+)
Alto Saxophone,Piano - Level 2 - Digital Download SKU: A0.844547 Composed by Robert Franz. Arranged by Phil Beaman. Instructional,Romantic Period,Standards,Wedding. Score and part. 6 pages. Phil Beaman #3517817. Published by Phil Beaman (A0.844547). Robert Franz was a Romantic Era composer of lieder (German Art Song) whose pieces were highly praised by Schumann. When I removed the important lyrics from Feast of Love in order to make an accompanied instrumental solo I needed to convey the passionate drama just in the music. I changed a simple strophic form into an ABA Coda with every verse getting a different treatment. My harmony is much richer and more varied than the original. I added new articulations, dynamics, and other markings as well as a cadenza for one of the bridges. Excellent piece for a student to learn Romantic characteristics of expression, phrase shaping, and sempre rubato. This song is also excellent for Weddings. Alternative translations of the title are Celebration of Love and Love's Fire. You can definitely feel the fire and passion in this beautiful piece!This arrangement is not difficult to play, but is marked Early Intermediate because it requires musicianship to play well.3 minutes4 pages score, 2 page solo partTemporary recording of piano reduction of full score.
$4.99
4.58 €
#
Saxophone Alto et Piano
#
Robert Franz
#
Phil Beaman
#
Feast of Love - Alto Sax/Piano
#
Phil Beaman
#
SheetMusicPlus
Symphony No. 7 by Beethoven for Alto Sax
Saxophone Alto et Piano
Alto Saxophone,Piano - Level 1 - Digital Download SKU: A0.1158459 Composed by Ludwi…
(+)
Alto Saxophone,Piano - Level 1 - Digital Download SKU: A0.1158459 Composed by Ludwig van Beethoven. Arranged by Ander. Classical,Film/TV,Instructional,Romantic Period,Traditional. Score and part. 7 pages. Woods Only, Arrangements #758745. Published by Woods Only, Arrangements (A0.1158459). This arrangement adapted for alto saxophone e piano was written keeping the characteristics of the original work, in order to be performed by young music students who want to enter the symphonic music. Besides, it can also be used by professional musicians, for recitals, repertoire, academic presentations and didactic material. As much as it is a funeral march, it is well suited for any musical performance occasion. The transcription is faithful to the structure, with only one change of key, so that it is comfortable for all the instruments in the formation, as well as for use in ensemble practice between musicians of different traditions. Ludwig van Beethoven began concentrated work on his Symphony No. 7 in A major Op. 92 in 1811, it was completed in 1812, and was dedicated to Count Moritz von Fries, and premiered in Vienna on December 8, 1813. It is considered a remarkable example of the more ebullient side of Beethoven's compositional personality and evidence that even after the onset of deafness, he still found cause for musical optimism. The second movement Allegretto is a funeral march in everything but name. Often several contrasting melodic ideas are made to coexist, as if Beethoven were imagining several processions converging on the cemetery at the same time. As he was working on this symphony during the years of the Napoleonic Wars, this experience was probably within his experience. It was also used as the soundtrack to the film Knowing, by director Alex Proyas and starring Nicolas Cage, where it is used in the final scene of the film. Beethoven called Symphony No. 7 his most excellent symphony, and a music critic of the time reported, this symphony is the most melodically rich and the most pleasing and comprehensible of all Beethoven's symphonies..
$1.99
1.83 €
#
Saxophone Alto et Piano
#
Ludwig van Beethoven
#
Ander
#
Symphony No. 7 by Beethoven for Alto Sax
#
Woods Only, Arrangements
#
SheetMusicPlus
Fauré: Élégie Op. 24 for Alto Sax & Piano
Saxophone Alto et Piano
Alto Saxophone,Piano - Level 4 - Digital Download SKU: A0.549727 Composed by Gabrie…
(+)
Alto Saxophone,Piano - Level 4 - Digital Download SKU: A0.549727 Composed by Gabriel Faure. Arranged by James M. Guthrie, ASCAP. Contemporary,Multicultural,Romantic Period,Standards,World. Score and part. 22 pages. Jmsgu3 #3531403. Published by jmsgu3 (A0.549727). Duration: ca. 7:00, Score: 12 pages, solo part: 2 pages, piano: 7 pages. An epic choice for a recital or funeral. Fauré Background: In the first place, Gabriel Fauré 1845 –1924) was a famous French composer, musician, and educator. Furthermore, his musical ideas influenced numerous 20th-century composers. Therefore, historians regard him as one of the leading French composers of his time. Famous Works: Among his most famous compositions, by and large, are the Pavane, Elegie (op. 24), Requiem, Sicilienne, Nocturnes for piano and the songs Après un rêve and Clair de lune. Inasmuch as his early works are well-known and relatively easy to perform, Faure’s music seems to have become gradually more difficult during his later life. In other words, his later works are somewhat esoteric and complex. Early Home Life: Fauré was in fact born into a well-cultivated family. His aptitude for music became particularly clear early on - when he was still a boy. Under these circumstances, his parents sent him to a music institution in Paris. Consequently, the training he received there prepared him for a career as a church organist and choirmaster. Middle Life: It is important to realize that Fauré studied music composition with the French musical mastermind Camille Saint-Saëns, who became his lifelong friend. Fauré eventually graduated from college and earned a living as an organist and educator. During this period, he had, on the whole, little time to compose. He consequently became more successful in his middle age, becoming organist of the Église de la Madeleine and director of the Paris Conservatoire. However, he still needed time on balance for composing. Therefore, given these points, he withdrew to the countryside during the summer to focus on composing. Later Life: Fauré was, in the final analysis, recognized in France as the foremost French composer of his time. The French government held a national musical tribute particularly for him in Paris. The French President notably headed the ceremony. Elsewhere, on the contrary, Fauré's music was slow to become accepted, except of course, in England. Legacy: Historians often describe Fauré's music in general as a transition between the end of Romanticism and the beginning of modernism. As an illustration, when Fauré was born, Chopin was still composing. However, by the time of Fauré's death, jazz and atonal music, in particular, had come to fruition. Fauré, by all means, suffered from increasing deafness in his later years. Some musicologists believe this to be indeed the cause of the esoteric nature of Faure’s final works.
$32.95
30.26 €
#
Saxophone Alto et Piano
#
Gabriel Faure
#
James M
#
Fauré: Élégie Op. 24 for Alto Sax & Piano
#
jmsgu3
#
SheetMusicPlus
O Come All Ye Faithful for Alto Sax & Piano
Saxophone Alto et Piano
Alto Saxophone,Piano - Level 1 - Digital Download SKU: A0.548508 Composed by Wade. …
(+)
Alto Saxophone,Piano - Level 1 - Digital Download SKU: A0.548508 Composed by Wade. Arranged by James M. Guthrie, ASCAP. Christian,Christmas. Score and part. 4 pages. Jmsgu3 #3388099. Published by jmsgu3 (A0.548508). O Come All Ye Faithful arranged with new harmony for the final verse. Score: 3 pages. Part: 1 pageO Come, All Ye Faithful O Come, All Ye Faithful is an English translation of the Latin Christmas carol Adeste Fideles. No one knows exactly who wrote it, but one theory is that it was originally composed by King John IV of Portugal (1604–1656) and revised by John F. Wade and John Reading. Nowadays, we usually attribute it to John Wade. The oldest manuscript from 1751, is owned by Stonyhurst College in Lancashire. Lyrics The English translation O Come, All Ye Faithful was certainly written by Frederick Oakeley, a Catholic priest in 1841. This translation is the most common in English speaking states. To begin with, the hymn had only four verses. Later, the verses grew to eight. Often, various verses are omitted because otherwise, the song is just too long. Some believe the first Latin lyrics were written by St. Bonaventure (13th century) or King John IV of Portugal in the 17th. Though others think it was written by the Cistercian monks. King John IV King John IV of Portugal was called The Musician King. He became king in 1640. In addition to performing the duties of a king, he was also a composer and music journalist. King John built a very large music library. Unfortunately, the library was ruined in 1755 because of the massive earthquake of Lisbon. In addition to his library, the king started a Music School that produced many accomplished musicians. The king also worked diligently to get instrumental music approved by the Vatican for use in his churches. Aside from his authorship of Adeste Fideles, he is famous for another popular choral setting of the Crux Fidelis, a prevalent Lenten hymn. Performance in Context As mentioned above, verses are sometimes left out because all eight verses would take too long to perform. More to the point though, some of the verses may be unsuitable for whatever of the church calendar they are intended. The eighth verse deals with the Epiphany, so it makes sense to sing this on Epiphany Sunday, but not other Sundays. Similarly, other verses are used according to whether the event is Midnight Mass or regular daytime Mass.
$24.95
22.91 €
#
Saxophone Alto et Piano
#
Wade
#
James M
#
O Come All Ye Faithful for Alto Sax & Piano
#
jmsgu3
#
SheetMusicPlus
Sullivan: The Lost Chord for Alto Sax & Piano
Saxophone Alto et Piano
Alto Saxophone,Piano - Level 4 - Digital Download SKU: A0.549443 Composed by Sir Ar…
(+)
Alto Saxophone,Piano - Level 4 - Digital Download SKU: A0.549443 Composed by Sir Arthur Seymour Sullivan. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and part. 15 pages. Jmsgu3 #3494751. Published by jmsgu3 (A0.549443). Score: 10 pages, solo part: 2 pages, piano part: 3 pages. Duration: 4:25. Not difficult, but requires sensitivity & dynamic control. Suitable for recitals, church meditations, or school programs. School Years First of all, Sullivan attended music school at the Royal Academy of Music. Because Sullivan was so talented, the Academy awarded him the Mendelssohn Scholarship for two years in a row. He, therefore, studied with John Goss, who studied with Thomas Atwood, who in turn studied with Mozart. Sullivan similarly studied the piano at the Academy with Arthur O’Leary. Study Abroad During his first year, he also earned money by singing solos in the Chapel Royal. At the end of his second year, the Academy consequently continued his scholarship and sent him to study at the Leipzig Conservatoire. He certainly studied composition, and likewise counterpoint and piano. Hence, during his final year in Leipzig, Sullivan finally completed his graduation composition project: Incidental Music for Shakespeare’s The Tempest. Association with Gilbert It seems like Sullivan built the bulk of his composing career largely in the 1860s. As a result, he became famous for his incidental music for the Tempest and his Irish Symphony. He, therefore, began collaborating with the poet W. S. Gilbert in the 1870s. Rather than focus on serious opera, Gilbert and Sullivan, in contrast, concentrated on comic operas such as H. M. S. Pinafore, the Pirates of Penzance, and the Mikado. Therefore, certainly as a result of his education and experience, Sullivan composed a total of 24 operas, 11 symphonic works, and 10 choral pieces. Even more, he wrote a large number of noteworthy hymns such as Onward Christian Soldiers. Lost Chord Winds The general style of his music is maybe similar to Mendelssohn, Schumann, and perhaps Liszt. It seems like Sullivan was fond of writing distinct melodies for each character in his operettas. His melodies combine together as the characters did. Furthermore, he was a master orchestrator, and therefore played the flute, clarinet, trumpet, and trombone fluently. The Lost Chord Sullivan wrote his most noteworthy song the Lost Chord in 1877. As a result, it was a great success and was certainly performed all over the world by a variety of singers such as Enrico Caruso. Because Sullivan was the most famous composer in England, the Lost Chord became the most famous of all British or American songs of the 1870s and 1890s. Consequently, in 1888 Thomas Edison recorded The Lost Chord for the phonograph. It was one of the first songs ever recorded. Furthermore, Queen Victoria knighted Sullivan in 1883. Â
$26.95
24.75 €
#
Saxophone Alto et Piano
#
Sir Arthur Seymour Sullivan
#
James M
#
dynamic control
#
Sullivan: The Lost Chord for Alto Sax & Piano
#
jmsgu3
#
SheetMusicPlus
Intermezzo from Cavalleria Rusticana - Alto Sax and Piano (Full Score and Parts)
Saxophone Alto et Piano
Alto Saxophone,Piano - Level 3 - Digital Download SKU: A0.1321213 Composed by Pietr…
(+)
Alto Saxophone,Piano - Level 3 - Digital Download SKU: A0.1321213 Composed by Pietro Mascagni. Arranged by César Madeira. Classical,Lent,Opera,Romantic Period,Wedding. Score and part. 8 pages. Sheet Music To Play Editions #909666. Published by Sheet Music To Play Editions (A0.1321213). Intermezzo from Cavalleria Rusticana by Mascagni. Arrangement for Alto Sax and Piano. With Full Score and Individual Parts. Enjoy it!Pietro Mascagni (1863 – 1945) was an Italian composer primarily known for his operas. His 1890 masterpiece Cavalleria rusticana caused one of the greatest sensations in opera history and single-handedly ushered in the Verismo movement in Italian dramatic music.For Tutorials, Play Alongs or request New Arrangements, visit the YouTube Channel: Sheet Music To Play
$7.99
7.34 €
#
Saxophone Alto et Piano
#
Pietro Mascagni
#
César Madeira
#
Intermezzo from Cavalleria Rusticana - Alto Sax and Piano
#
Sheet Music To Play Editions
#
SheetMusicPlus
Jesu, joy of man's desiring by Bach for Alto Sax and Piano
Saxophone Alto et Piano
Alto Saxophone,Piano - Level 1 - Digital Download SKU: A0.1049432 Composed by Johan…
(+)
Alto Saxophone,Piano - Level 1 - Digital Download SKU: A0.1049432 Composed by Johann Sebastian Bach. Arranged by Ander. Baroque,Easter,Sacred,Wedding. Score and part. 6 pages. Woods Only, Arrangements #653782. Published by Woods Only, Arrangements (A0.1049432). This easy arrangement for alto sax and piano has been adapted to be simple to perform and understand the structure of the original work for various levels of musical knowledge. It can be played freely by beginning students because of the ease imposed on the piece. It is often performed at wedding ceremonies slowly and reverently, challenging the effect suggested by Bach in his original score for voices with trumpet, oboes, strings, and continuous bass. This is one of Bach's most beautiful cantatas, made famous by the Jesus the Joy of Men chorus. It was originally composed for Advent 1716 in Weimar. Years later, already in Leipzig, Advent was tempus clausum, there was no music in the churches. Bach then reworked it for the Feast of Mary's Visitation. It is the final chorale of the cantata Herz und Mund und Tat und Leben. Although it is the 32nd cantata composed by Bach, of those that have survived, it was given BWV 147 in the complete catalog of his works.
$1.99
1.83 €
#
Saxophone Alto et Piano
#
Johann Sebastian Bach
#
Ander
#
Jesu, joy of man's desiring by Bach for Alto Sax and Piano
#
Woods Only, Arrangements
#
SheetMusicPlus
Tchaikovsky: Arabian Dance from Nutcracker Suite for Alto Sax & Piano
Saxophone Alto et Piano
Alto Saxophone,Piano - Level 3 - Digital Download SKU: A0.549750 Composed by Peter …
(+)
Alto Saxophone,Piano - Level 3 - Digital Download SKU: A0.549750 Composed by Peter Ilyich Tchaikovsky. Arranged by James M. Guthrie, ASCAP. Children,Christmas,Romantic Period,Standards. Score and part. 17 pages. Jmsgu3 #3532695. Published by jmsgu3 (A0.549750). Duration: ca. 3:15 Score: 10 pages, solo part: 2 pages, piano part: 4 pages. Tchaikovsky paints a very mysterious mood in this favorite masterpiece from the Nutcracker Suite. It is also a Christmas favorite. Pyotr Ilyich Tchaikovsky Tchaikovsky is probably the most popular of the great composers in America. His music certainly appeals to musicians. Likewise, it appeals even to folks who don’t normally listen to serious music. This is probably because of his most noteworthy melodies. Above all, he writes with great emotion. This certainly makes a most noteworthy if not an unforgettable impact. Education First of all, He attended classes at the Russian Musical Society. Even more, He also attended the St. Petersburg Conservatory. There he studied music theory with Nikolai Zaremba. He also consequently studied composition with Anton Rubenstein. It seems like Rubenstein came under criticism from a group of Russian composers known as the Five. The Five The Five certainly rejected Western musical influences. They rather sought to use elements from Russian music. They furthermore wanted to use more exotic musical materials. Western Techniques More than other Russian composers, Tchaikovsky studied modern Western music. He certainly develops his music like the European masters. So, rather than repeating a motive, he moves to a new key. He then introduces a different theme in the new key. Hence, he maintained his independence from the Five. Even more, he became the first Russian composer of international stature. Influences Tchaikovsky was probably influenced in his ballet scoring by Léo Delibes. Richard Wagner influenced his symphonic writing. Tchaikovsky’s most famous works include the 1812 Overture, The Nutcracker Suite, and Swan Lake. Also famous are the Violin Concerto in D and the six symphonies. The greatest of the six symphonies may be No. 6, the Pathétique. Nutcracker Suite, Op. 71a The Nutcracker Suite is a ballet that was performed for the first time in December 1892 in St. Petersburg. To begin with, the original ballet failed to attract a positive reception. However, the ballet suite became probably one of the most popular of all of Tchaikovsky’s works. The ballet suite became even more famous in the 1960s. It is now performed all over the world, particularly during the Christmas season.
$32.95
30.26 €
#
Saxophone Alto et Piano
#
Peter Ilyich Tchaikovsky
#
James M
#
Tchaikovsky: Arabian Dance from Nutcracker Suite for Alto Sax & Piano
#
jmsgu3
#
SheetMusicPlus
Bach: Bist du bei mir BWV 508 for Alto Sax & Piano
Saxophone Alto et Piano
Alto Saxophone,Piano - Level 2 - Digital Download SKU: A0.549235 Composed by Johann…
(+)
Alto Saxophone,Piano - Level 2 - Digital Download SKU: A0.549235 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Easter,Standards,Wedding. Score and part. 9 pages. Jmsgu3 #3468804. Published by jmsgu3 (A0.549235). J. S. Bach BWV 508. Bist du bei mir Bach adapted this aria from a lost Stölzel opera called Diomedes. He changed the original orchestral instrumentation to soprano, strings, and continuo.  He also modified the voice-leading making it sound more like a Bach composition. The work appears as BWV 508 No. 25 in the Anna Magdalena Notebook No. 2.  Source Only a few remnants of the original opera have survived. Historians speculate that Anna Magdalena got the song from the Leipzig Opera after the bankruptcy of 1720. Chances are good, though, that the tune was a favorite of everyone in Leipzig at the time.  Lyrics When thou art near, I go with joyTo death and to my rest.O how joyous would my end be,If your fair hands      Would close my faithful eyes. - Unknown Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and certainly the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy are the St. John Passion, and indeed the Christmas Oratorio.  History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer.  Style It seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival        Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV.  Voyager NASA launched two Voyager spacecraft in 1977. Onboard are phonograph records with sounds, music, and images of life on Earth. The purpose of the launch was to inform intelligent extraterrestrial life forms about conditions on Earth. The music on the disc is varied. There is Bach, Mozart, Beethoven, and Stravinsky among others. However, because Bach is so important in our music history, it contains three times more Bach than all the others combined.
$32.95
30.26 €
#
Saxophone Alto et Piano
#
Johann Sebastian Bach
#
James M
#
Bach: Bist du bei mir BWV 508 for Alto Sax & Piano
#
jmsgu3
#
SheetMusicPlus
O Holy Night for Alto Sax & Piano
Saxophone Alto et Piano
Alto Saxophone,Piano - Level 1 - Digital Download SKU: A0.548668 Composed by Adam. …
(+)
Alto Saxophone,Piano - Level 1 - Digital Download SKU: A0.548668 Composed by Adam. Arranged by James M. Guthrie, ASCAP. Christian,Christmas. Score and part. 10 pages. Jmsgu3 #3410421. Published by jmsgu3 (A0.548668). O Holy Night arranged for alto sax & piano. Duration: 4:56, 44 ms. Score: 5 pg Part: 2 pg, piano part: 3 pg.Cantique de Noël The French composer Adolphe Adam was already famous as a composer of many successful ballets and operas. Then, in the 1840’s he wrote his most famous work - O Holy Night. The original song title was Minuit Chretiens or Cantique de Noël. Placide Cappeau provided the original song lyrics. The song was first performed in Roquemaure by the opera singer Emily Laurey at midnight mass in 1847. It became very popular among the French, much the way that Silent Night was famous elsewhere. In the 1850’s John S. Dwight, a Unitarian minister and music teacher translated the song into English. Adolphe Adam In his younger years, Adam studied organ and composition at the Paris Conservatoire. He also played the timpani in the Conservatoire orchestra. Adam used his savings and borrowed money to open a new opera house - the fourth opera house in Paris in 1847. Unfortunately, the Revolution of 1848 forced him to close. He taught composition at the Paris Conservatoire from 1849 until his death in 1856. Placide Cappeau The poet Cappeau was an advocate of the French Enlightenment philosopher Voltaire. Voltaire was renowned for criticizing the Catholic church, religious intolerance, and dogma in general. Consequently, Cappeau made the Redeemer figure in his song a kind of reformer of injustices, in particular, the problem of original sin. To begin with, people recognized Cappeau’s theology as eccentric, probably even doubtful. Theology In the earlier form of Minuit, the Christ figure descends to intervene with His Father’s plan to punish mankind. Traditional doctrine pronounces that Christ came from love, not to intervene. This version also declares that Christ appeared to expunge the original sin of Adam. Cappeau removed this part from him poem years later, because he just didn’t believe it. He preferred to portray Christ as the reformer of disparity and unfairness. Before long, the writer/politician Alphonse de Lamartine referred to the Minuit as the the Marseillaise of religion. Most French churchmen agreed with this idea but certainly did not consider it a tribute. Register for free lifetime updates and revisions at www.jamesguthrie.com
$24.95
22.91 €
#
Saxophone Alto et Piano
#
Adam
#
James M
#
piano
#
O Holy Night for Alto Sax & Piano
#
jmsgu3
#
SheetMusicPlus
Tchaikovsky: Chinese Dance from Nutcracker Suite for Alto Sax & Piano
Saxophone Alto et Piano
Alto Saxophone,Piano - Level 3 - Digital Download SKU: A0.549772 Composed by Peter …
(+)
Alto Saxophone,Piano - Level 3 - Digital Download SKU: A0.549772 Composed by Peter Ilyich Tchaikovsky. Arranged by James M. Guthrie, ASCAP. Children,Christmas,Romantic Period,Standards. Score and part. 11 pages. Jmsgu3 #3534981. Published by jmsgu3 (A0.549772). Duration: ca 1:00 Score: 5 pages, Solo part: 2 pages, piano part: 3 pages. Short but fascinating Chinese Dance from the Nutcracker Suite. Program this for a recital encore or Christmas pageant. Pyotr Ilyich Tchaikovsky Tchaikovsky is probably the most popular of the great composers in America. His music certainly appeals to musicians. Likewise, it appeals even to folks who don’t normally listen to serious music. This is probably because of his most noteworthy melodies. Above all, he writes with great emotion. This certainly makes a most noteworthy if not an unforgettable impact. Education First of all, He attended classes at the Russian Musical Society. Even more, He also attended the St. Petersburg Conservatory. There he studied music theory with Nikolai Zaremba. He also consequently studied composition with Anton Rubenstein. It seems like Rubenstein came under criticism from a group of Russian composers known as the Five. The Five The Five certainly rejected Western musical influences. They rather sought to use elements from Russian music. They furthermore wanted to use more exotic musical materials. Western Techniques More than other Russian composers, Tchaikovsky studied modern Western music. He certainly develops his music like the European masters. So, rather than repeating a motive, he moves to a new key. He then introduces a different theme in the new key. Hence, he maintained his independence from the Five. Even more, he became the first Russian composer of international stature. Influences Tchaikovsky was probably influenced in his ballet scoring by Léo Delibes. Richard Wagner influenced his symphonic writing. Tchaikovsky’s most famous works include the 1812 Overture, The Nutcracker Suite, and Swan Lake. Also famous are the Violin Concerto in D and the six symphonies. The greatest of the six symphonies may be No. 6, the Pathétique. Nutcracker Suite, Op. 71a The Nutcracker Suite is a ballet that was performed for the first time in December 1892 in St. Petersburg. To begin with, the original ballet failed to attract a positive reception. However, the ballet suite became probably one of the most popular of all of Tchaikovsky’s works. The ballet suite became even more famous in the 1960s. It is now performed all over the world, particularly during the Christmas season.
$32.95
30.26 €
#
Saxophone Alto et Piano
#
Peter Ilyich Tchaikovsky
#
James M
#
Tchaikovsky: Chinese Dance from Nutcracker Suite for Alto Sax & Piano
#
jmsgu3
#
SheetMusicPlus
Air on the G String by Bach for Alto Sax and Piano
Saxophone Alto et Piano
Alto Saxophone,Piano - Level 1 - Digital Download SKU: A0.1045601 Composed by Johan…
(+)
Alto Saxophone,Piano - Level 1 - Digital Download SKU: A0.1045601 Composed by Johann Sebastian Bach. Arranged by Ander. Baroque,Easter,Traditional,Wedding. Score and part. 4 pages. Woods Only, Arrangements #650180. Published by Woods Only, Arrangements (A0.1045601). This easy arrangement for alto sax and piano was written to be uncomplicated to perform and understand the structure of the piece. It can be freely played by beginning students, because of the ease imposed on the piece; however, this does not prevent it from being played by professionals and music teachers. It is also ideal for academic recitals, student method and ceremonies that are arranged in the same way as the piece contains. The original piece is part of Johann Sebastian Bach's Suite No. 3 for orchestra, in D Major, BWV 1068, written for Prince Leopold of Anhalt. The so-called Air on the G String dates from one of these latter employments. In the service of the Prince of Cöthen, Bach composed not only the famous Brandenburg Concertos, but also several orchestral suites, from the third of which comes the Air on the G String. This curious title derives from a later arrangement of this piece for violin solo, in which the melody is played entirely on the lower, higher string of the instrument.
$1.99
1.83 €
#
Saxophone Alto et Piano
#
Johann Sebastian Bach
#
Ander
#
Air on the G String by Bach for Alto Sax and Piano
#
Woods Only, Arrangements
#
SheetMusicPlus
O Jesulein süss by Bach for Alto Sax and Piano
Saxophone Alto et Piano
Alto Saxophone,Piano - Level 1 - Digital Download SKU: A0.1049986 Composed by Johan…
(+)
Alto Saxophone,Piano - Level 1 - Digital Download SKU: A0.1049986 Composed by Johann Sebastian Bach. Arranged by Ander. Baroque,Christmas,Easter,Sacred. Score and part. 3 pages. Woods Only, Arrangements #654384. Published by Woods Only, Arrangements (A0.1049986). This easy arrangement for alto sax and piano has been adapted to be simple to perform and understand the structure of the original work for various levels of musical knowledge. It can be played freely by beginning students because of the ease imposed on the piece. Recommended for performance in reverently Christian and liturgical ceremonies such as Good Friday and Christmas time. It also serves as a study for Baroque sacred song. The Jesulein süß, the Jesulein mild is an original traditional German choral melody for voice and continuous bass arranged by Johann Sebastian Bach around 1735. With lyrics by Valentin Thilo, O Jesulein süss is a sacred melody adapted and catalogued as BWV 493. The first translation is by Dirk van Hogendorp, who made it more of a song for the time of suffering.
$1.99
1.83 €
#
Saxophone Alto et Piano
#
Johann Sebastian Bach
#
Ander
#
O Jesulein süss by Bach for Alto Sax and Piano
#
Woods Only, Arrangements
#
SheetMusicPlus
Dance of the Little Swans for Alto Saxophone and Piano
Saxophone Alto et Piano
Alto Saxophone,Piano - Level 3 - Digital Download SKU: A0.1403133 Composed by P. I.…
(+)
Alto Saxophone,Piano - Level 3 - Digital Download SKU: A0.1403133 Composed by P. I. Tchaikovsky. Arranged by Diego Marani. Chamber,Classical,Instructional,Romantic Period,Standards. Score and part. 4 pages. Diego Marani #986333. Published by Diego Marani (A0.1403133). Danse des petits cygnes is a famous dance from Tchaikovsky's Swan Lake, from the ballet’s second act, the fourth movement of No. 13. Translated from French, it means Dance of the Little Swans, also known as Dance of the cygnets. It is very challenging because all dancers must look the same.This arrangement for alto sax with piano accompaniment faithfully reflects the original and is suitable for repertoire, classroom and recital.
$6.99
6.42 €
#
Saxophone Alto et Piano
#
P
#
Diego Marani
#
Dance of the Little Swans for Alto Saxophone and Piano
#
Diego Marani
#
SheetMusicPlus
DvoÅ™ák: Largo from the New World Symphony for Alto Sax & Piano
Saxophone Alto et Piano
Alto Saxophone,Piano - Level 2 - Digital Download SKU: A0.549423 Composed by Antoni…
(+)
Alto Saxophone,Piano - Level 2 - Digital Download SKU: A0.549423 Composed by Antonin Dvorak. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and part. 12 pages. Jmsgu3 #3494005. Published by jmsgu3 (A0.549423). Score: 7 pages, solo part: 2 pages, piano part: 3 pages. Duration: 4:25. Not difficult, but requires sensitivity & dynamic control. Suitable for recitals, church meditations, or school programs. Dvořák Background AntonÃn Dvořák (1841 –1904) was, of course, a composer from Czechoslovakia. As a matter of fact, he was among the first Bohemian composers to attain universal recognition. It is important to realize that the late Romantic Nationalist period featured composers who used traditional and folk elements to portray the character of their nation. In particular, we see this in the music of Grieg (Norway), Finland (Sibelius), and Smetana (Bohemia).  Dvořák relied markedly on rhythms and other characteristics of Moravian and Bohemian folk music. Ascent to Fame Dvořák was truly a child musical prodigy on the violin. The premiere performances of his compositions notably occurred in 1872 and 1873. He submitted his First Symphony in particular to a German competition, but it failed to win. Consequently, in 1874 he presented two more symphonies to the Austrian State Prize for Composition. Johannes Brahms was the principal of the jury and was accordingly very impressed. They forthwith awarded the prize to Dvořák in 1874, 1876, and 1877. At this point, Brahms thereupon endorsed Dvořák to the publisher Simrock. Later, the publisher commissioned Dvořák to compose the Slavonic Dances, Op. 46. These became popular overnight and, as a result, Dvořák's worldwide status was launched. International Status Dvořák visited England upon invitation nine times. On each visit, he frequently conducted performances of his own compositions. He conducted concerts of his music, especially in Moscow and St. Petersburg. Eventually, the Prague Conservatory in fact appointed Dvořák as a professor. There, to be sure, he wrote his famous Dumky Trio. United States Consequently, the National Conservatory of Music of America appointed him as director in 1892. As a result, Dvořák composed his two most famous symphonic works: the Symphony No. 9 (From the New World), which spread his name universally, and his Concerto for Cello and Orchestra, one of the most famous of all cello works. Moreover, he wrote his most celebrated American String Quartet during this time. At the same time, because of his growing recognition in Europe and his homesickness for his own country, he left to return to Bohemia in 1895. Â
$32.95
30.26 €
#
Saxophone Alto et Piano
#
Antonin Dvorak
#
James M
#
dynamic control
#
DvoÅ™ák: Largo from the New World Symphony for Alto Sax & Piano
#
jmsgu3
#
SheetMusicPlus
Scriabin: Prelude Op. 11 No. 2 for Alto Sax & Piano
Saxophone Alto et Piano
Alto Saxophone,Piano - Level 3 - Digital Download SKU: A0.549467 Composed by Alexan…
(+)
Alto Saxophone,Piano - Level 3 - Digital Download SKU: A0.549467 Composed by Alexander Scriabin. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Sacred,Standards. Score and part. 12 pages. Jmsgu3 #3499755. Published by jmsgu3 (A0.549467). Score: 8 pages, solo part: 2 pages, piano part: 2 pages. Duration: 3:10. An introspective and meditative work with a lot of dynamic and phrasing nuance. Works well for church meditations or recital encores.Background Op.11/2 Alto Clarinet version. First of all, Scriabin composed mostly for the solo piano and also the orchestra. This is probably because he was a gifted pianist and therefore certainly appreciated the piano. Scriabin grew up in the late Romantic period, consequently, he was fond of the great piano masters of the time. As a result, he wrote his first noteworthy compositions in the manner of Chopin and Liszt. Forms Likewise, Scriabin used many of the same forms as Chopin. These certainly include the étude, prelude, nocturne, and even the mazurka. In contrast, as he developed his own sense of style his music became more and more unusual. So, the last five of his Piano Sonatas do not have a key signature and therefore lean towards atonality. Philosophy Scriabin also developed a keen interest in philosophy and likewise poetry. He was above all particularly fascinated by Nietzsche, Delville, and Blavatsky. Consequently, he finally established his own ideas about metaphysics and certainly mysticism. Scriabin consequently advanced theories about the relationship between color and musical keys. Synesthesia He also may have experienced a condition called synesthesia where he could probably sense a response created from a different stimulus. Therefore, it was almost as if he could see music and hear colors. Scriabin, therefore, arranged the colors in a circle similar to the circle-of-fifths and assigned each key area a color. Finally, he assigned the key of C to the color red, while the key of G was orange. Similarly, he assigned D to yellow, A to green, and so forth. Strangely, he did not differentiate between major and minor key colors. Multimedia Hence, his ability to translate colors into music certainly gave Scriabin a most noteworthy interest in creating multimedia events. Furthermore, He designed his biggest work, the Mysterium, to last an entire week. Even more, Scriabin made plans not only for music, but also colored lights, incense, and dancing. He designed the performance to occur in the foothills of the Himalaya mountains. The Mysterium was never performed, and only sketches of the work remain. Modern Performances In modern times, we often experience performances of Scriabin’s most famous completed works accompanied by colored laser lights and incense. These are the Poem of Ecstasy (completed in 1908) and the Poem of Fire (completed in 1910). The lighting effects for these early performances were accomplished by the clavier à lumiéres. It was a keyboard instrument that projected colored light onto a screen.
$19.95
18.32 €
#
Saxophone Alto et Piano
#
Alexander Scriabin
#
James M
#
Scriabin: Prelude Op. 11 No. 2 for Alto Sax & Piano
#
jmsgu3
#
SheetMusicPlus
Tchaikovsky: Scene 10 from Swan Lake for Alto Sax & Piano
Saxophone Alto et Piano
Alto Saxophone,Piano - Level 3 - Digital Download SKU: A0.549597 Composed by Peter …
(+)
Alto Saxophone,Piano - Level 3 - Digital Download SKU: A0.549597 Composed by Peter Ilyich Tchaikovsky. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Standards. Score and part. 16 pages. Jmsgu3 #3512825. Published by jmsgu3 (A0.549597). Duration: 2:30, score: 8 pages, solo part: 2 pages, piano part: 5 pages. A well-known favorite masterpiece suitable for a recital or school program. Pyotr Ilyich Tchaikovsky Tchaikovsky is probably the most popular of the great composers in America. His music certainly appeals to musicians. Likewise, it appeals even to folks who don’t normally listen to serious music. This is probably because of his most noteworthy melodies. Above all, he writes with great emotion. This certainly makes a most noteworthy if not an unforgettable impact. Education First of all, He attended classes at the Russian Musical Society. Even more, He also attended the St. Petersburg Conservatory. There he studied music theory with Nikolai Zaremba. He also consequently studied composition with Anton Rubenstein. It seems like Rubenstein came under criticism from a group of Russian composers known as the Five. The Five The Five certainly rejected Western musical influences. They rather sought to use elements from Russian music. They furthermore wanted to use more exotic musical materials. Western Techniques More than other Russian composers, Tchaikovsky studied modern Western music. He certainly develops his music like the European masters. So, rather than repeating a motive, he moves to a new key. He then introduces a different theme in the new key. Hence, he maintained his independence from the Five. Even more, he became the first Russian composer of international stature. Influences Tchaikovsky was probably influenced in his ballet scoring by Léo Delibes. Richard Wagner influenced his symphonic writing. Tchaikovsky’s most famous works include the 1812 Overture, The Nutcracker Suite, and Swan Lake. Also famous are the Violin Concerto in D and the six symphonies. The greatest of the six symphonies may be No. 6, the Pathétique. Swan Lake Op. 20 Tchaikovsky composed Swan Lake in 1875-76. To begin with, most noteworthy the ballet failed to attract a positive reception. Over time, however, the ballet became probably one of the most popular of all of Tchaikovsky’s works. The ballet was certainly first performed by the Bolshoi Ballet in Moscow.
$32.95
30.26 €
#
Saxophone Alto et Piano
#
Peter Ilyich Tchaikovsky
#
James M
#
Tchaikovsky: Scene 10 from Swan Lake for Alto Sax & Piano
#
jmsgu3
#
SheetMusicPlus
<
1
26
© 2000 - 2024
Accueil
-
Nouveautés
-
Compositeurs
Mentions légales
-
Version intégrale
