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ACCORDEON
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AUTRES INST…
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BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
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CLOCHES
CONTREBASSE
COR
COR ANGLAIS
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CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
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HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
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OUD
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PAS DE PART…
PERCU. ORCH…
PERCUSSION
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SAXOPHONE
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TROMBONE
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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
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VIOLONCELLE
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ASIE
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CHANSON FRANÇAISE
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CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
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ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
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FLAMENCO
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FUNK
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JEUX VIDEOS
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LATIN - BOSSA - WORL…
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METAL - HARD
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METHODE : ETUDES
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OPERA
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POP ROCK - ROCK MODE…
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Non classifié
99
PIANO & CLAVIERS
Piano seul
207
Piano Facile
15
Orgue
15
Piano, Voix
11
1 Piano, 4 mains
7
Piano Quatuor: piano, violon, alto, violoncelle
3
Piano, Voix et Guitare
2
2 Pianos, 4 mains
1
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GUITARES
Guitare
18
Guitare notes et tablatures
3
4 Guitares (Quatuor)
1
Mandoline
1
Banjo
1
Ukulele
1
2 Guitares (duo)
1
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VOIX
Chorale SATB
18
Chorale Unison
2
Voix Tenor, Piano
1
Voix Baryton, Piano
1
Voix Soprano, Piano
1
Chorale 3 parties
1
Voix haute
1
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VENTS
Flûte traversière et Piano
24
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
23
Clarinette et Piano
22
Saxophone Alto et Piano
11
Hautbois, Piano (duo)
11
Clarinette
10
2 Saxophones (duo)
9
Saxophone Soprano et Piano
8
2 Clarinettes (duo)
7
Quatuor de Saxophones: 4 saxophones
6
Quatuor de Clarinettes: 4 clarinettes
6
Saxophone Tenor et Piano
6
2 Hautbois (duo)
5
Cor anglais, Piano
4
Clarinette Basse, Piano
4
Flûte traversière
4
2 Flûtes traversières (duo)
4
Ensemble de Clarinettes
3
Saxophone, Clarinette (duo)
3
Quatuor de Flûtes : 4 flûtes
3
Saxophone Baryton, Piano
3
Flûte, Clarinette (duo)
2
Hautbois, Clarinette (duo)
2
3 Clarinettes (trio)
2
Clarinette, Violon (duo)
2
Flûte, Hautbois, Clarinette (trio)
2
Hautbois, Basson (duo)
2
Flûte, Hautbois, Clarinette, Basson
2
Piccolo, Piano
2
Quintette de Clarinettes: 5 clarinettes
2
Flûte, Clarinette, Piano (trio)
1
Flûte, Alto (duo)
1
Clarinette, Trompette (duo)
1
Flûte, Hautbois, Basson
1
Saxophone Alto
1
Clarinette et Alto
1
Ensemble de saxophones
1
Trio de Flûtes: 3 flûtes
1
Flûte, Hautbois, Piano (trio)
1
Clarinette, Basson (duo)
1
Flûte, Violon
1
Quintette de Flûte : 5 flûtes
1
Hautbois, Flûte
1
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CUIVRES
Trombone et Piano
14
Quatuor de Cuivres : 2 trompettes, trombone, tuba
9
Euphonium, Piano (duo)
7
Cor et Piano
7
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
5
Trompette
5
2 Trombones (duo)
4
Cor anglais, Piano
4
Trompette, Piano
3
Quatuor de cuivres: 4 cors
3
Tuba et Piano
3
Trompette, Saxophone (duo)
2
3 Trombones (trio)
2
Quatuor de cuivres: 4 trombones
2
2 Trompettes (duo)
2
Tuba
1
Trombone, Orgue
1
Quatuor de cuivres: 4 trompettes
1
Euphonium, Tuba (duo)
1
4 Tubas
1
3 Cors (trio)
1
Cor, Violoncelle (duo)
1
3 Euphoniums
1
Ensemble de Trombones
1
Trompette, Trombone (duo)
1
Trombone
1
Quatuor de Cuivres: 2 trompettes, Cor, trombone
1
Instrumentations suivantes
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CORDES
Quatuor à cordes: 2 violons, alto, violoncelle
34
Violoncelle, Piano
31
Violon et Piano
26
Alto, Piano
12
Trio à Cordes: violon, alto, violoncelle
7
Harpe
6
Alto seul
5
2 Violons (duo)
4
2 Violoncelles (duo)
3
Violon
3
4 Violoncelles
2
2 Altos (duo)
2
Violoncelle
2
Trio à cordes: 3 violins
1
Quatuor à cordes: 4 violons
1
Violon, Alto (duo)
1
Contrebasse, Piano (duo)
1
Flûte, Contrebasse (duo)
1
Trio à Cordes: 2 violons, violoncelle
1
Trio à cordes: 3 altos
1
Violon, Violoncelle (duo)
1
Instrumentations suivantes
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PERCUSSIONS & ORCHESTRES
Orchestre à Cordes
21
Orchestre
10
Orchestre d'harmonie
6
Ensemble de cuivres
3
Marimba
1
AUTRES
Vous avez sélectionné:
Character pieces
Saxophone Alto et Piano
Partitions à imprimer
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Paul-Agricole GÉNIN: Air Florentin avec Variation Opus 65 for alto saxophone and piano
Saxophone Alto et Piano
Alto Saxophone,Piano - Level 3 - Digital Download SKU: A0.533256 Composed by Paul-A…
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Alto Saxophone,Piano - Level 3 - Digital Download SKU: A0.533256 Composed by Paul-Agricole Génin. Arranged by Paul Wehage. Concert,Romantic Period,Standards. Score and part. 11 pages. Musik Fabrik Music Publishing #2151127. Published by Musik Fabrik Music Publishing (A0.533256). Paul-Agricole Génin was born on 14th February 1832, in Avignon; died 22nd December 1903, in Paris, France. His is often confused with Pierre Génin, who was a flutist who performed mainly in England during the early 20th century.Génin was the Principal flute of the Theatre Italien in Paris, and of the Colonne Orchestra. In addition to writing many works for the flute (he wrote over 60 works for this instrument, he was also one of the first composers to write for the saxophone. He was an Officier de l’Académie des Beaux-ArtsThis work was first published by Richault with two other pieces (Mélodie avec Variation, Opus 63 and Cantilène, Opus 64) as Three character pieces, although the three works were sold seperately. The piano part for all three versions (for alto saxophone, Bb Clarinet or Bb cornet) remains the same.
$9.95
9.06 €
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Saxophone Alto et Piano
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Paul-Agricole Génin
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Paul Wehage
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Paul-Agricole GÉNIN: Air Florentin avec Variation Opus 65 for alto saxophone and piano
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Musik Fabrik Music Publishing
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SheetMusicPlus
Paul-Agricole Génin: Cantilène, Opus 64 for alto saxophone and piano
Saxophone Alto et Piano
Alto Saxophone,Piano - Level 3 - Digital Download SKU: A0.533253 Composed by Paul-A…
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Alto Saxophone,Piano - Level 3 - Digital Download SKU: A0.533253 Composed by Paul-Agricole Génin. Arranged by Paul Wehage. Concert,Romantic Period,Standards. Score and part. 11 pages. Musik Fabrik Music Publishing #2151121. Published by Musik Fabrik Music Publishing (A0.533253). Paul-Agricole Génin was born on 14th February 1832, in Avignon; died 22nd December 1903, in Paris, France. His is often confused with Pierre Génin, who was a flutist who performed mainly in England during the early 20th century.Génin was the Principal flute of the Theatre Italien in Paris, and of the Colonne Orchestra. In addition to writing many works for the flute (he wrote over 60 works for this instrument, he was also one of the first composers to write for the saxophone. He was an Officier de l’Académie des Beaux-ArtsThis work was first published by Richault with two other pieces (Mélodie avec Variation, Opus 63 and Air Florantin, Opus 65) as Three character pieces, although the three works were sold seperately. The piano part for all three versions (for alto saxophone, Bb Clarinet or Bb cornet) remains the same.
$9.95
9.06 €
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Saxophone Alto et Piano
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Paul-Agricole Génin
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Paul Wehage
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Paul-Agricole Génin: Cantilène, Opus 64 for alto saxophone and piano
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Musik Fabrik Music Publishing
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SheetMusicPlus
Paul-Agricole Génin: Mélodie avec variation, opus 63, for alto saxophone and piano
Saxophone Alto et Piano
Alto Saxophone,Piano - Level 3 - Digital Download SKU: A0.533249 Composed by Paul-A…
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Alto Saxophone,Piano - Level 3 - Digital Download SKU: A0.533249 Composed by Paul-Agricole Génin. Arranged by Paul Wehage. Concert,Romantic Period,Standards. Score and part. 11 pages. Musik Fabrik Music Publishing #2151113. Published by Musik Fabrik Music Publishing (A0.533249). Paul-Agricole Génin was born on 14th February 1832, in Avignon; died 22nd December 1903, in Paris, France. His is often confused with Pierre Génin, who was a flutist who performed mainly in England during the early 20th century.Génin was the Principal flute of the Theatre Italien in Paris, and of the Colonne Orchestra. In addition to writing many works for the flute (he wrote over 60 works for this instrument, he was also one of the first composers to write for the saxophone. He was an Officier de l’Académie des Beaux-ArtsThis work was first published by Richault with two other pieces (Cantilène, Opus 64 and Air Florantin, Opus 65) as Three character pieces, although the three works were sold seperately. The piano part for all three versions (for alto saxophone, Bb Clarinet or Bb cornet) remains the same.
$9.95
9.06 €
#
Saxophone Alto et Piano
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Paul-Agricole Génin
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Paul Wehage
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Paul-Agricole Génin: Mélodie avec variation, opus 63, for alto saxophone and piano
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Musik Fabrik Music Publishing
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SheetMusicPlus
Roadside Inn - Schumann- Alto Sax-Piano
Saxophone Alto et Piano
Alto Saxophone,Piano - Level 2 - Digital Download SKU: A0.844502 Composed by Robert…
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Alto Saxophone,Piano - Level 2 - Digital Download SKU: A0.844502 Composed by Robert Schumann. Arranged by Phil Beaman. Concert,Instructional,Romantic Period,Standards. Score and part. 7 pages. Phil Beaman #3485691. Published by Phil Beaman (A0.844502). In 1849 Robert Schumann completed a set of Romantic character pieces for piano which he named Forest Scenes. One of that set was called Roadside Inn, which I have arranged for Instrumental Solo with Piano Accompaniment. In keeping with the characteristics of the Romantic period my arrangement is full of contrasts and constant shifts between dynamics, articulations, and themes. I took themes and fragments of themes from the original and re-ordered them into a bit of a rondo form. There are interpretive marks in every measure making it a great piece for auditions to show your technique and interpretation. Not too difficult to play but sounds quite advanced when all details are observed. Another feature is the beautiful harmonic interplay between the solo and accompaniment. To be played warmly and with passion to welcome people to your Roadside Inn. 2 1/2 minutes, 5 page score, 2 page solo partTemporary MIDI recording; a live performance will be much more expressive and free
$4.99
4.54 €
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Saxophone Alto et Piano
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Robert Schumann
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Phil Beaman
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Roadside Inn - Schumann- Alto Sax-Piano
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Phil Beaman
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SheetMusicPlus
Ali Ben Sou Alle: Caprice : Souvenir de la Nouvelle-Zélande for alto saxophone and piano
Saxophone Alto et Piano
Alto Saxophone,Piano - Level 3 - Digital Download SKU: A0.533345 Composed by Ali Be…
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Alto Saxophone,Piano - Level 3 - Digital Download SKU: A0.533345 Composed by Ali Ben Sou Alle. Arranged by Paul Wehage. Concert,Romantic Period,Standards. Score and part. 10 pages. Musik Fabrik Music Publishing #2348193. Published by Musik Fabrik Music Publishing (A0.533345). Ali Ben Sou Alle was born Jean-Baptiste SOUALLE in 1824 in Arras, France. He first studied the clarinet, winning a first prize in Clarinet in the class of Klosé at the Paris Conservatory. He then entered the Paris Opera orchestra, but left France in 1848 because of the revolution, fleeing to London. In 1850, he met Louis JUILLIEN, another early saxophonist, who encouraged Soualle to take up the saxophone. Soualle made several modifications to the instrument, including changes to the octave mechanism and the other keys for trills and alternative fingerings, many of which are used in modern saxophones.He named his hybrid creation the turcophone and began composing works for the instrument, which included fantasies on operatic themes, character pieces and a series of descriptive works which document several concert tours in Europe, Australia and the Orient which Soualle undertook. Upon his return to France around 1861, after his conversion to Islam, he changed his name to Ali Ben Sou Alle. Under that name, he performe recitals for the Prince of Wales and for the Emperor Napoleon III and his family in 1865. After this date, no trace of his career has currently been uncovered and it is though that he probably died around 1867. This work is .in two large sections, the first in the form of a lyrical aria, the second a lively schezando.
$10.35
9.42 €
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Saxophone Alto et Piano
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Ali Ben Sou Alle
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Paul Wehage
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Ali Ben Sou Alle: Caprice : Souvenir de la Nouvelle-Zélande for alto saxophone and piano
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Musik Fabrik Music Publishing
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SheetMusicPlus
December from The Seasons - Alto Sax and Piano
Saxophone Alto et Piano
Instrumental Duet,Piano Alto Saxophone,Baritone Saxophone,Instrumental Duet,Piano - Level …
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Instrumental Duet,Piano Alto Saxophone,Baritone Saxophone,Instrumental Duet,Piano - Level 4 - Digital Download SKU: A0.735232 Composed by Peter Ilyich Tchaikovsky. Arranged by Andrew Middleton. Christmas,Romantic Period. Score and parts. 12 pages. Andrew Middleton #4102931. Published by Andrew Middleton (A0.735232). Composed in 1875, Tchaikovsky composed 12 short character pieces depicting each month of the year. This arrangement of December brings up images of Christmas festivities. Ideal for the intermediate/advanced saxophonist.For more updates on new arrangements follow my Facebook page on https://www.facebook.com/a.middletonmusic/ Or subscribe to my Youtube page at https://www.youtube.com/channel/UCClIYqddA2wMpdaxSq3BKEw?view_as=subscriber
$4.99
4.54 €
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Saxophone Alto et Piano
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Peter Ilyich Tchaikovsky
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Andrew Middleton
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December from The Seasons - Alto Sax and Piano
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Andrew Middleton
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SheetMusicPlus
Slavonic Dance Op. 46 No. 2 for Alto Saxophone and Piano
Saxophone Alto et Piano
Alto Saxophone,Piano - Level 3 - Digital Download SKU: A0.1270335 Composed by Anton…
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Alto Saxophone,Piano - Level 3 - Digital Download SKU: A0.1270335 Composed by Antonin Dvorak. Arranged by Diego Marani. Classical,Contest,Festival,Folk,Instructional,Romantic Period. Score and part. 12 pages. Diego Marani #862745. Published by Diego Marani (A0.1270335). The Slavonic Dances are a series of 16 orchestral pieces composed by AntonÃn Dvořák in 1878 and 1886 and published in two sets. Originally written for piano four hands, the Slavonic Dances were inspired by Johannes Brahms's own Hungarian Dances and were orchestrated at the request of Dvořák's publisher soon after composition. The pieces, lively and full of national character, were well received at the time and today are considered among the composer's most memorable works, occasionally making appearances in popular culture. This arrangement for alto sax with piano accompaniment of the marvelous dance no. 2 (Dumka) is suitable for classroom, repertoire, recital or for a thoughtful encore.
$9.99
9.1 €
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Saxophone Alto et Piano
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Antonin Dvorak
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Diego Marani
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Slavonic Dance Op. 46 No. 2 for Alto Saxophone and Piano
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Diego Marani
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SheetMusicPlus
Slavonic Dance Op. 72 No. 2 for Alto Saxophone and Piano
Saxophone Alto et Piano
Alto Saxophone,Piano - Level 3 - Digital Download SKU: A0.1266549 Composed by Anton…
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Alto Saxophone,Piano - Level 3 - Digital Download SKU: A0.1266549 Composed by Antonin Dvorak. Arranged by Diego Marani. Classical,Contest,Festival,Folk,Instructional,Romantic Period. Score and part. 10 pages. Diego Marani #859222. Published by Diego Marani (A0.1266549). The Slavonic Dances are a series of 16 orchestral pieces composed by AntonÃn Dvořák in 1878 and 1886 and published in two sets. Originally written for piano four hands, the Slavonic Dances were inspired by Johannes Brahms's own Hungarian Dances and were orchestrated at the request of Dvořák's publisher soon after composition. The pieces, lively and full of national character, were well received at the time and today are considered among the composer's most memorable works, occasionally making appearances in popular culture. This arrangement for alto sax (or baritone sax) with piano accompaniment of the marvelous and nostalgic dance no. 2 is suitable for classroom, repertoire, recital or for a thoughtful encore.
$9.99
9.1 €
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Saxophone Alto et Piano
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Antonin Dvorak
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Diego Marani
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Slavonic Dance Op. 72 No. 2 for Alto Saxophone and Piano
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Diego Marani
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SheetMusicPlus
Beethoven: Adagio from Sonata Pathetique for Alto Sax & Piano
Saxophone Alto et Piano
Alto Saxophone,Piano - Level 3 - Digital Download SKU: A0.549639 Composed by Ludwig…
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Alto Saxophone,Piano - Level 3 - Digital Download SKU: A0.549639 Composed by Ludwig van Beethoven. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Sacred,Standards. Score and part. 16 pages. Jmsgu3 #3516567. Published by jmsgu3 (A0.549639). Duration: ca 5:20, Score: 8 pages, solo part: 3 pages, piano part: 4 pages.One of Beethoven's finest and most famous works. Program for a recital, church meditation or school program.Bring your best espressivo and plan to rehearse the many subtle dynamic changes.Sonata Pathétique Op. 13 First of all, this is an arrangement of the second movement of Beethoven’s Sonata Pathétique. It seems like Beethoven wrote this piece before becoming troubled by deafness. Published in 1799, it consequently remains one of the most celebrated pieces Beethoven ever wrote. As a result of its popularity, the movement was therefore performed by Karl Haas. Hass recorded it for a popular radio show called: Adventures in Good Music. Beethoven Background Ludwig van Beethoven (1770 –1827) was certainly a German pianist. Above all, he was probably one of the greatest composers in history. As a result, he is a pivotal character in the progress between the Classical and Romantic periods. He is certainly one of the most famous and hence important of all composers. Seems like his most familiar and noteworthy works include symphonies 1-9; piano concertos 1-5; and furthermore, the violin concerto. Also, certainly of extreme importance are the noteworthy 32 sonatas for the piano; the string quartets 1-16; the Missa solemnis; and likewise, his only opera, Fidelio. Beethoven Overview First of all, Beethoven was born and consequently raised in Bonn. Upon turning 21 he moved to Vienna probably to study composition with Haydn. That’s when he consequently grew a reputation as a brilliant pianist. Furthermore, he probably stayed in Vienna for the rest of his life. In his late 20s, it seems like his hearing certainly began to decline. It slowly declined until consequently, he was nearly totally deaf probably by the last decade of his life. As a result, he stopped conducting and performing. Nevertheless, he continued to compose. As a result, some of his greatest works probably come from this period. First Period Seems like we often divide Beethoven’s life into three periods. Period 1 begins with Beethoven’s arrival in Vienna. Hence, during this period, he mastered the Viennese style of Haydn & Mozart. He consequently began increasing the size and scale of his works. Furthermore, he experimented with extreme dynamics, and likewise extreme tempi. He worked similarly with chromatic harmony. His First and Second Symphonies, therefore, belong to this period. Other important works also belong here: the first six string quartets and the Sonata Pathétique, Op. 13. Second Period His second period probably began as soon as he realized that he was going deaf. During this period, it seems like he became obsessed with the idea of heroism. His works consequently become even larger and more massive. The most noteworthy of these include the symphonies 3 – 8, piano concertos 5& 6, 5 string quartets, several important piano sonatas (Waldstein and Appassionata), the Kreutzer violin sonata, the violin concerto and his only opera: Fidelio. Third Period In contrast, Beethoven's third period is branded above all by works of incredible intellectual depth, formal innovation, and penetrating expression. It seems like he continued to expand his works. Consequently, the string quartet Op. 131 spills over into seven connected movements. Likewise, in the Ninth Symphony, he adds choral forces to his orchestra probably for the first time in history. Even more, other works from this period include his Missa solemnis, the final 5 string quartets (including the enormous Große Fuge) and the final five sonatas for piano. Register for free lifetime revisions and updates at www.jamesguthrie.co.
$24.95
22.72 €
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Saxophone Alto et Piano
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Ludwig van Beethoven
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James M
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piano concertos 1-5
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Beethoven: Adagio from Sonata Pathetique for Alto Sax & Piano
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jmsgu3
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SheetMusicPlus
Sullivan: The Lost Chord for Alto Sax & Piano
Saxophone Alto et Piano
Alto Saxophone,Piano - Level 4 - Digital Download SKU: A0.549443 Composed by Sir Ar…
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Alto Saxophone,Piano - Level 4 - Digital Download SKU: A0.549443 Composed by Sir Arthur Seymour Sullivan. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and part. 15 pages. Jmsgu3 #3494751. Published by jmsgu3 (A0.549443). Score: 10 pages, solo part: 2 pages, piano part: 3 pages. Duration: 4:25. Not difficult, but requires sensitivity & dynamic control. Suitable for recitals, church meditations, or school programs. School Years First of all, Sullivan attended music school at the Royal Academy of Music. Because Sullivan was so talented, the Academy awarded him the Mendelssohn Scholarship for two years in a row. He, therefore, studied with John Goss, who studied with Thomas Atwood, who in turn studied with Mozart. Sullivan similarly studied the piano at the Academy with Arthur O’Leary. Study Abroad During his first year, he also earned money by singing solos in the Chapel Royal. At the end of his second year, the Academy consequently continued his scholarship and sent him to study at the Leipzig Conservatoire. He certainly studied composition, and likewise counterpoint and piano. Hence, during his final year in Leipzig, Sullivan finally completed his graduation composition project: Incidental Music for Shakespeare’s The Tempest. Association with Gilbert It seems like Sullivan built the bulk of his composing career largely in the 1860s. As a result, he became famous for his incidental music for the Tempest and his Irish Symphony. He, therefore, began collaborating with the poet W. S. Gilbert in the 1870s. Rather than focus on serious opera, Gilbert and Sullivan, in contrast, concentrated on comic operas such as H. M. S. Pinafore, the Pirates of Penzance, and the Mikado. Therefore, certainly as a result of his education and experience, Sullivan composed a total of 24 operas, 11 symphonic works, and 10 choral pieces. Even more, he wrote a large number of noteworthy hymns such as Onward Christian Soldiers. Lost Chord Winds The general style of his music is maybe similar to Mendelssohn, Schumann, and perhaps Liszt. It seems like Sullivan was fond of writing distinct melodies for each character in his operettas. His melodies combine together as the characters did. Furthermore, he was a master orchestrator, and therefore played the flute, clarinet, trumpet, and trombone fluently. The Lost Chord Sullivan wrote his most noteworthy song the Lost Chord in 1877. As a result, it was a great success and was certainly performed all over the world by a variety of singers such as Enrico Caruso. Because Sullivan was the most famous composer in England, the Lost Chord became the most famous of all British or American songs of the 1870s and 1890s. Consequently, in 1888 Thomas Edison recorded The Lost Chord for the phonograph. It was one of the first songs ever recorded. Furthermore, Queen Victoria knighted Sullivan in 1883. Â
$26.95
24.54 €
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Saxophone Alto et Piano
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Sir Arthur Seymour Sullivan
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James M
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dynamic control
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Sullivan: The Lost Chord for Alto Sax & Piano
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jmsgu3
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SheetMusicPlus
Luther: Out of the Depths for Alto Sax & Piano
Saxophone Alto et Piano
Alto Saxophone,Piano - Level 1 - Digital Download SKU: A0.548709 Composed by Martin…
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Alto Saxophone,Piano - Level 1 - Digital Download SKU: A0.548709 Composed by Martin Luther. Arranged by James M. Guthrie. Easter,Instructional,Standards. Score and part. 4 pages. Jmsgu3 #3411721. Published by jmsgu3 (A0.548709). Out of the Depths I Cry to You by Martin Luther arranged for alto sax & piano. The first verses feature modified counterpoint and harmony proceeding at quarter = 82. The final verse is reharmonized for maximum dramatic effect at a more contemplative tempo such as quarter = 64. Features the entire range of the instrument. Very powerful selection for Lent or Easter. Duration (3 verses) 3:05, 36 ms. Score: 3 pg. Solo part: 1 pg. The piano reads from the score. Out of the Depths Aus tiefer Not schrei ich zu dir (From deep affliction I cry out to you), is, of course, a hymn composed by Martin Luther. Moreover, Luther also wrote the lyrics, essentially a paraphrase of Psalm 130. First published in 1524, it is also one of eight songs in the original Lutheran hymnal. It appears likewise in many hymnals and in different translations. The lyrics furthermore stimulated compositions from the Renaissance to the contemporary. Consequently, composers such as Johann Sebastian Bach built an entire chorale cantata on it. Other composers similarly contributed pieces, such as Felix Mendelssohn and Max Reger. Luther Background Martin Luther, (1483 –1546) was a German professor of theology, composer, priest, and moreover, an influential character in the Protestant Reformation. Luther had a momentous impact on church and society due to his contributions to the musical arts. He wanted to disseminate the gospel among mankind and with this intention thought that the best way to do that was through music. Influence It is important to realize that other musicians, and their descendants, were encouraged by Luther’s songs and wrote their own hymns. Luther, to be sure, had a thorough musical education. For example, he knew secular and sacred songs from an early age. He, in particular, played the lute well and sang in the monastery when he was a monk. That is to say, music was an essential part of his life. He in fact first began writing songs in 1523, sometimes writing the melody as well as the lyrics. Luther was certainly able to evaluate the composers of his time. He thought especially highly of Josquin des and Ludwig Senfl. He was also acquainted, with this in mind, with other composers and their works. Legacy The Lutheran musical ethos soon covered all of Germany and later significantly fashioned Protestant musical culture. Heinrich Schütz and Johann Sebastian Bach are the most compelling evidence of this Protestant musical culture. Additionally, as a point often overlooked, the pedal organ, first refined in northern Germany, became universally prevalent. As a matter of fact, Dieterich Buxtehude established a regular evening organ concert series in Lübeck. Another key point is that this concert series, in turn, spread North German Musical ideas worldwide. Luther was especially convinced that music is a beautiful and exclusive offering of the divine.
$24.95
22.72 €
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Saxophone Alto et Piano
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Martin Luther
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James M
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piano
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Luther: Out of the Depths for Alto Sax & Piano
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jmsgu3
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SheetMusicPlus
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