English version
PARTITIONS GRATUITES
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
Accueil
Instrumentations
Compositeurs
Nouveautés
Top 100
Métronome
Portées musicales
ACHATS POUR MUSICIENS
Partitions Numériques
Librairie Musicale
Matériel de musique
Idées cadeaux
A propos de free-scores.com
Partitions
Gratuites
0
Partitions
Numériques
10
Librairie
Musicale
0
Matériel
de Musique
981
Partitions numériques
Accès après achat
Expédition postale
Téléchargement
TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
THANKSGIVING
Vendeurs (tous)
Musicnotes
Note4Piano
Noviscore
Profs-edition
Quickpartitions
SheetMusicPlus
Tomplay
Virtualsheetmusic
Pertinence
Ventes
Prix - au +
Prix + au -
Nouveautes
A-Z
difficulté (tous)
débutant
facile
intermédiaire
avancé
expert
avec audio
avec vidéo
avec play-along
Non classifié
198
PIANO & CLAVIERS
Piano seul
132
Piano, Voix et Guitare
43
Piano, Voix
37
Piano Facile
20
Orgue
17
Instruments en Do
6
2 Pianos, 4 mains
4
Piano Trio: piano, violon, violoncelle
4
Piano Quatuor: piano, violon, alto, violoncelle
3
1 Piano, 4 mains
2
Piano grosses notes
1
Piano Quatuor: piano, 2 violons, violoncelle
1
Instrumentations suivantes
Retracter
GUITARES
Guitare notes et tablatures
18
Paroles et Accords
5
Ukulele
4
Guitare
3
Ligne De Mélodie, (Paroles) et Accords
3
Mandoline
2
2 Guitares (duo)
1
Basse electrique
1
Dulcimer
1
Instrumentations suivantes
Retracter
VOIX
Chorale SATB
63
Chorale 2 parties
13
Chorale 3 parties
8
Chorale SSAA
8
Chorale TTBB
7
Chorale Unison
6
Voix seule
5
Voix duo
4
Voix duo, Piano
4
Voix Soprano, Piano
2
Voix haute
1
Voix basse, Piano
1
Instrumentations suivantes
Retracter
VENTS
2 Saxophones (duo)
15
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
12
Flûte traversière et Piano
10
Saxophone Alto et Piano
10
Hautbois, Piano (duo)
9
Clarinette et Piano
7
Saxophone Tenor et Piano
7
Saxophone Soprano et Piano
7
Cor anglais, Piano
5
Flûte, Clarinette (duo)
5
2 Flûtes traversières (duo)
5
Hautbois, Basson (duo)
5
Clarinette
4
Quatuor de Saxophones: 4 saxophones
4
Ensemble de Flûtes
4
2 Clarinettes (duo)
4
Flûte traversière
4
Saxophone, Clarinette (duo)
3
Hautbois (partie séparée)
3
Flûte à Bec
3
Ensemble de Clarinettes
3
Quatuor de Flûtes : 4 flûtes
3
Flûte, Hautbois, Clarinette, Basson
3
Saxophone Baryton, Piano
3
Flûte, Violon
3
Quatuor de Clarinettes: 4 clarinettes
2
Saxophone Alto
2
3 Saxophones (trio)
2
3 Clarinettes (trio)
2
Saxophone (partie séparée)
2
Flûte, Alto (duo)
2
Flûte et Guitare
2
Flûte à bec Soprano, Piano
2
Clarinette et Alto
2
Clarinette, Trompette (duo)
2
Flûte, Hautbois (duo)
2
Flûte, Violoncelle
2
Clarinette, Violon (duo)
2
Trio de Flûtes: 3 flûtes
2
2 Hautbois (duo)
2
Flûte, Saxophone (duo)
2
Flûte, Clarinette, Piano (trio)
1
Flûte, Trompette (duo)
1
Flûte, Hautbois, Clarinette (trio)
1
Hautbois, Flûte
1
Saxophone
1
Clarinette, Guitare (duo)
1
Flûte, Trombone (duo)
1
Clarinette, Basson (duo)
1
Hautbois, Clarinette (duo)
1
Quintette de Saxophone: 5 saxophones
1
Hautbois
1
Clarinette Basse, Piano
1
Hautbois, Guitare (duo)
1
Flûte, Hautbois, Basson
1
Clarinette Basse
1
Instrumentations suivantes
Retracter
CUIVRES
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
7
Trombone et Piano
6
Trompette
6
Cor anglais, Piano
5
Trombone
5
Euphonium, Piano (duo)
4
Cor et Piano
4
2 Trompettes (duo)
3
Cor
3
Tuba
3
Trompette, Basson (duo)
2
Trompette, Piano
2
Trompette, Trombone (duo)
2
Trompette, Saxophone (duo)
2
Euphonium, Tuba (duo)
2
Ensemble de Trompettes
1
Quatuor de cuivres: 4 cors
1
Tuba et Piano
1
2 Trombones (duo)
1
Quatuor de Cuivres
1
Trompette (partie séparée)
1
Trombone basse et Piano
1
Cor et Basson (duo)
1
Instrumentations suivantes
Retracter
CORDES
Quatuor à cordes: 2 violons, alto, violoncelle
37
Harpe
12
Alto, Piano
10
Violon
8
Violoncelle, Piano
8
Violon, Violoncelle (duo)
8
Violon et Piano
8
Trio à Cordes: violon, alto, violoncelle
6
Violoncelle (partie séparée)
5
Violon, Alto (duo)
3
Flûte, Contrebasse (duo)
3
2 Violons (duo)
3
2 Altos (duo)
2
2 Violoncelles (duo)
2
Contre Basse
2
Alto seul
2
Contrebasse, Piano (duo)
2
Violon (partie séparée)
1
Alto, Violoncelle (duo)
1
Violon, Basson (duo)
1
Violon, Guitare (duo)
1
Violoncelle , Guitare (duo)
1
2 Violons, Piano
1
Quintette à cordes: 2 violons, alto, violoncelle, basse
1
Violoncelle
1
Violon, Clarinette, Piano (trio)
1
Contrebasse (partie séparée)
1
Alto et Basson
1
Autoharp
1
Harpe, Flûte (duo)
1
Instrumentations suivantes
Retracter
PERCUSSIONS & ORCHESTRES
Orchestre d'harmonie
27
Orchestre à Cordes
10
Orchestre de chambre
9
Orchestre
7
Jazz combo
7
Ensemble de cuivres
4
Ensemble de Percussions
4
Ensemble Jazz
4
Cloches
3
Marimba
2
Xylophone, Piano
2
Percussion
2
Xylophone
1
Batterie
1
Orchestre, Violon
1
Vibraphone et Marimba
1
Instrumentations suivantes
Retracter
AUTRES
Vous avez sélectionné:
Conversion!
Saxophone Alto et Piano
Partitions à imprimer
10 partitions trouvées
<
1
Conversations for Alto Saxophone and Piano
Saxophone Alto et Piano
Alto Saxophone,Piano - Level 4 - Digital Download SKU: A0.755068 Composed by Sy Bra…
(+)
Alto Saxophone,Piano - Level 4 - Digital Download SKU: A0.755068 Composed by Sy Brandon. 20th Century,Contemporary. Score and part. 15 pages. Sy Brandon #3363161. Published by Sy Brandon (A0.755068). This work was composed for David and Dorinne Bilger. It was first recorded by the Bilger Duo on their album The Bilger Duo Plays Recital Favorites. As the title implies, this composition is a dialogue between the two instruments, first tender and intimate and then more animated. A return to intimacy returns in the middle with new material and at the end with a recapitulation of the opening ideas. It was recorded again on compact disc by the Swiss Duo Dilemme in 1996 and has been re-released in 2000 on the AUR label as part of their Millenium Tribute to Adolphe Sax series.
$9.99
9.2 €
#
Saxophone Alto et Piano
#
Sy Brandon
#
Conversations for Alto Saxophone and Piano
#
Sy Brandon
#
SheetMusicPlus
Alto Sax - "And Can It Be?" Theme and Variations
Saxophone Alto et Piano
Alto Saxophone,Piano - Level 3 - Digital Download SKU: A0.844328 Composed by Lyrics…
(+)
Alto Saxophone,Piano - Level 3 - Digital Download SKU: A0.844328 Composed by Lyrics: Charles Wesley, Music: Thomas Campbell, published 1738, and published 1825. Arranged by Dan Cutchen. Easter,Gospel,Sacred,Spiritual. Score and part. 15 pages. Dan Cutchen Music #3115903. Published by Dan Cutchen Music (A0.844328). This arrangement of And Can It Be That I Should Gain? is for alto saxophone solo and piano.A theme and variation treatment is used. For a piano background Mp3 track, search for: Alto Sax - And Can It Be? Theme and Variations-Accompaniment Track, Dan CutchenTime: approximately 6:00And Can It Be That I Should Gain? is a Christian hymn written by Charles Wesley. And Can It Be was written in 1738 to celebrate Wesley's conversion, which he regarded as having taken place on May 21 of that year. This beautiful hymn has been popular and enduring.And Can It Be That I Should Gain is perhaps one of the most joyfully poignant hymns penned by Charles Wesley (1707-1788). On Whitsunday (Pentecost), May 21, 1738, three days before his brother John experienced his heart strangely warmed,’ Charles was convalescing in the home of John Bray, a poor mechanic, when he heard a voice saying, In the name of Jesus of Nazareth, arise, and believe, and thou shalt be healed of all thy infirmities. The voice was most likely Mr. Bray’s sister who felt commanded to say these words in a dream.Anglican hymn writer Timothy Dudley-Smith, notes that the following then happened:Charles got out of bed and opening his Bible read from the Psalms: He have put a new song in my mouth, even praise unto our God, followed by the first verse of Isaiah 40, Comfort ye, comfort ye my people, saith your God. He wrote in his journal, I have found myself at peace with God, and rejoiced in the hope of love Christ (Dudley-Smith, 1987, 1).The statement from Mr. Bray’s sister sparked within Charles a conviction like he had never felt before. Moved and convicted in spirit, Charles wrestled with these words until he came to rest in his faith, knowing that it is by faith we are saved (Ephesians 2:8).Soon after this conversion experience, he wrote two hymns in celebration of the amazing love he had come to know: And Can It Be that I Should Gain and Where Shall My Wondering Soul Begin? (United Methodist Hymnal, 342)There has been some debate as to which hymn was written first, but most current scholarship accepts the latter as the first hymn written by Charles after his conversion experience. No matter its place in the chronology of Wesley's output, And Can It Be has been and remains one of his most remarkable hymns, expressing like no other the rapturous joy of receiving salvation.And Can It Be That I Should Gain. Hymnary.org, https://hymnary.org/text/and_can_it_be_that_i_should_gainDudley-Smith, Timothy. A Flame of Love: A Personal Choice of Charles Wesley’s Verse. London: Triangle SPCK, 1987.Timothy Dudley-Smith. And can it be that I should gain. The Canterbury Dictionary of Hymnology. Canterbury Press, accessed May 29, 2018, http://www.hymnology.co.uk/a/and-can-it-be-that-i-should-gain.Young, Carlton R. And Can It Be That I Should Gain. Companion to the United Methodist Hymnal. Abingdon Press, 1993.(Taken from: History of Hymns: And Can It Be That I Should Gain by DeAndre Johnson found at https://www.umcdiscipleship.org/resources)https://youtu.be/BSX9yYcNY2E
$7.00
6.45 €
#
Saxophone Alto et Piano
#
Lyrics: Charles Wesley, Music: Thomas Campbell, published 1738, and published 1825
#
Dan Cutchen
#
Alto Sax - "And Can It Be?" Theme and Variations
#
Dan Cutchen Music
#
SheetMusicPlus
Just As I Am, Gospel Hymn for Alto Saxophone and Piano
Saxophone Alto et Piano
Alto Saxophone,Piano - Level 2 - Digital Download SKU: A0.592924 Composed by Charlo…
(+)
Alto Saxophone,Piano - Level 2 - Digital Download SKU: A0.592924 Composed by Charlotte Elliott. Arranged by David McKeown. Christian,Gospel,Praise & Worship,Sacred,Spiritual. Score and part. 4 pages. David McKeown #6413433. Published by David McKeown (A0.592924). Just as I Am is a beautiful hymn arranged here for Solo Alto Saxophone and Piano.Just as I Am was written by Charlotte Elliott in 1835. Billy Graham was moved to conversion by the hymn in 1936 and helped the song reach a wider audience by often using it in his crusades.
$2.49
2.29 €
#
Saxophone Alto et Piano
#
Charlotte Elliott
#
David McKeown
#
Just As I Am, Gospel Hymn for Alto Saxophone and Piano
#
David McKeown
#
SheetMusicPlus
Ali Ben Sou Alle: Caprice : Souvenir de la Nouvelle-Zélande for alto saxophone and piano
Saxophone Alto et Piano
Alto Saxophone,Piano - Level 3 - Digital Download SKU: A0.533345 Composed by Ali Be…
(+)
Alto Saxophone,Piano - Level 3 - Digital Download SKU: A0.533345 Composed by Ali Ben Sou Alle. Arranged by Paul Wehage. Concert,Romantic Period,Standards. Score and part. 10 pages. Musik Fabrik Music Publishing #2348193. Published by Musik Fabrik Music Publishing (A0.533345). Ali Ben Sou Alle was born Jean-Baptiste SOUALLE in 1824 in Arras, France. He first studied the clarinet, winning a first prize in Clarinet in the class of Klosé at the Paris Conservatory. He then entered the Paris Opera orchestra, but left France in 1848 because of the revolution, fleeing to London. In 1850, he met Louis JUILLIEN, another early saxophonist, who encouraged Soualle to take up the saxophone. Soualle made several modifications to the instrument, including changes to the octave mechanism and the other keys for trills and alternative fingerings, many of which are used in modern saxophones.He named his hybrid creation the turcophone and began composing works for the instrument, which included fantasies on operatic themes, character pieces and a series of descriptive works which document several concert tours in Europe, Australia and the Orient which Soualle undertook. Upon his return to France around 1861, after his conversion to Islam, he changed his name to Ali Ben Sou Alle. Under that name, he performe recitals for the Prince of Wales and for the Emperor Napoleon III and his family in 1865. After this date, no trace of his career has currently been uncovered and it is though that he probably died around 1867. This work is .in two large sections, the first in the form of a lyrical aria, the second a lively schezando.
$10.35
9.53 €
#
Saxophone Alto et Piano
#
Ali Ben Sou Alle
#
Paul Wehage
#
Ali Ben Sou Alle: Caprice : Souvenir de la Nouvelle-Zélande for alto saxophone and piano
#
Musik Fabrik Music Publishing
#
SheetMusicPlus
Saint-Saëns: The Swan for Alto Sax & Piano
Saxophone Alto et Piano
Alto Saxophone,Piano - Level 3 - Digital Download SKU: A0.1314328 Composed by Camil…
(+)
Alto Saxophone,Piano - Level 3 - Digital Download SKU: A0.1314328 Composed by Camille Saint-Saens. Arranged by James M. Guthrie. 19th Century,Chamber,Contest,Festival,Historic,Romantic Period. Score and part. 11 pages. Jmsgu3 #903072. Published by jmsgu3 (A0.1314328). Saint-Saëns: The Swan (Le Cygne) movement 13 from the Carnival of the Animals Suite. One of his most popular and widely recognized works, it is the only movement from the Carnival Suite that Saint-Saëns permitted to be performed publicly during his lifetime. This is an excellent recital encore to demonstrate melodic playing and strategic phrasing.The Carnival of the AnimalsThe Carnival of the Animals is an entertaining musical suite of fourteen movements by Camille Saint-Saëns. The work was composed for private performance by an ensemble of two pianos and solo instruments. The Swan (No. 13) is among the fourteen most famous movements. In its entirety, it lasts about 25 minutes.Saint-Saëns BackgroundCharles-Camille Saint-Saëns 1835 – 1921) was, by all means, in particular, a famous French composer, brilliant organist, and significant musical mastermind of the Romantic era. Indeed, his most famous compositions, in the long run, include his Piano Concerto No. 2 (1868), Cello Concerto No. 1 (1872), and the Danse macabre (1874). Notwithstanding, we must also add Violin Concerto No. 3 (1880), Symphony No. 3 (the Organ Symphony, 1886), and, it must be remembered, Carnival of the Animals (1886) to the list.ChildhoodIt is essential to realize that Saint-Saëns was undoubtedly, in fact, a child musical prodigy. Consequently, with this in mind, he made his concert debut, albeit at ten years old. Another critical point to remember is that he expressly studied at the Paris Conservatoire, then, despite reality, conversely followed a traditional career path as a church organist. Nevertheless, twenty years later, on the other hand, he left to become a successful freelance pianist and composer despite, as has been noted, his former employment situation. Furthermore, his performances were, after all, markedly in demand - not only in Europe but, above all, in the Americas all in all as well.YouthA point often overlooked is that in his youth, Saint-Saëns was undoubtedly excited about the modern music of the day. He was, in essence, fond of the music of his contemporaries, particularly Schumann, Liszt, and, for the most part, Wagner. In contrast, however, his compositions seemed, in fact, primarily confined within the conservative classical tradition. Be that as it may, he was, at the same time, nevertheless, a scholar of musical history.CriticismOn the whole, his conservatism, in fact, ultimately brought him into frequent conflict in his later years with composers of the impressionist and, in particular, the dodecaphonic schools of musical thought. A point often overlooked is that he included neoclassical elements in his music, contrary to some critics. Furthermore, in so doing, he provided the most compelling evidence that he predicted the techniques and works by Stravinsky and Les Six. To put it another way, given these points, he was regarded, perhaps for the most part unfairly, as a non-progressive reactionary henceforth around the time of his passing.LegacySaint-Saëns taught briefly in Paris, where his students included Gabriel Fauré. Maurice Ravel later studied with Fauré. In conclusion, both Ravel and Fauré were powerfully influenced by Saint-Saëns, whom they respected as a musical mastermind.
$32.95
30.35 €
#
Saxophone Alto et Piano
#
Camille Saint-Saens
#
James M
#
Saint-Saëns: The Swan for Alto Sax & Piano
#
jmsgu3
#
SheetMusicPlus
Korsakov: Flight of the Bumblebee for Alto Sax & Piano
Saxophone Alto et Piano
Alto Saxophone,Piano - Level 5 - Digital Download SKU: A0.549254 Composed by Nikola…
(+)
Alto Saxophone,Piano - Level 5 - Digital Download SKU: A0.549254 Composed by Nikolay Andreyevich Rimsky-Korsakov. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Standards. Score and part. 15 pages. Jmsgu3 #3473685. Published by jmsgu3 (A0.549254). Flight of the Bumblebee Flight of the Bumblebee is, to be sure, an orchestral interlude composed by Nikolai Rimsky-Korsakov for his opera The Tale of Tsar Saltan. Of course, Korsakov intended to portray a bumblebee's chaotic flying pattern musically. Nowadays, this piece is one of the comparatively more famous classical works because it frequently appears occasionally in popular culture. The piece appears notably in the opera at the close of Act III, Tableau 1. This is when the magic Swan-Bird changes the Prince (the son of the Tsar) into a bee so he can fly away to visit his father. Interestingly, at this point in the drama, his father, in effect, does not know that he is alive. Korsakov Background Nikolai Rimsky-Korsakov (1844 –1908) was a uniquely famous composer from Russia. He was likewise a member of an infamous assembly of composers called The Five. Korsakov was furthermore an expert in orchestration. His correspondingly most famous orchestral compositions- Capriccio Espagnol, the Russian Easter Festival Overture, and the Scheherazade suite- are essential monuments of the standard music repertoire. Also comparatively very important are his suites and excerpts from his 15 operas. Korsakov used Russian folklore and fairy tales, such as Scheherazade, in his music. Nationalistic Style Like fellow outspoken composer Balakirev, Korsakov believed in creating a nationalistic, Russia-centric style of classical music. The new style was called Orientalism. It similarly relied on native Russian materials, exotic scales, and experimental harmonic, melodic, and rhythmic procedures. This practice, conversely, ran counter to the developments in Western musical culture. Musical Developments Nevertheless, Korsakov developed an appreciation of Western musical techniques after he became a professor of musical composition, harmony, and orchestration at the Saint Petersburg Conservatory in 1871. Moreover, he undertook a rigorous three-year program of self-education. He mastered Western methods, incorporating them with the influences of Mikhail Glinka and other members of The Five. His techniques of composition and orchestration were additionally enriched by his exposure to the works of Richard Wagner. Naval Service Korsakov combined his music career accordingly with a career in the Russian military. He was in the first place an officer in the Russian Navy. In due time, he was appointed a civilian Inspector of Naval Bands. As a result, Korsakov expanded his knowledge of woodwind and brass playing, which heightened his orchestration capabilities. Legacy In due time, Korsakov contributed a significant number of Russian nationalist works. He also prepared, occasionally, compositions by The Five for presentation. This brought their works straightaway into the active classical repertoire as well. He also shaped an entire generation of younger composers as a music educator. Therefore, music historians consider Korsakov the foremost engineer of what the public considers the Russian composition style. He served as a transitional figure between The Five and the classically trained composers who became the norm over time. In addition to the Russians, he influenced non-Russian composers such as Ravel, Debussy, Dukas, and Respighi. Â
$32.95
30.35 €
#
Saxophone Alto et Piano
#
Nikolay Andreyevich Rimsky-Korsakov
#
James M
#
Korsakov: Flight of the Bumblebee for Alto Sax & Piano
#
jmsgu3
#
SheetMusicPlus
David Warin Solomons: Nocturne for Eb alto saxophone and piano
Saxophone Alto et Piano
Alto Saxophone,Piano - Level 4 - Digital Download SKU: A0.533942 Composed by David …
(+)
Alto Saxophone,Piano - Level 4 - Digital Download SKU: A0.533942 Composed by David Warin Solomons. Concert,Contemporary,Standards. Score and part. 13 pages. Musik Fabrik Music Publishing #3088397. Published by Musik Fabrik Music Publishing (A0.533942). A lyric, yet tonally ambiguous piece based on the composer's song The Imagined Conversation.
$10.35
9.53 €
#
Saxophone Alto et Piano
#
David Warin Solomons
#
David Warin Solomons: Nocturne for Eb alto saxophone and piano
#
Musik Fabrik Music Publishing
#
SheetMusicPlus
Handel: Largo from Xerxes for Alto Sax & Piano
Saxophone Alto et Piano
Alto Saxophone,Piano - Level 3 - Digital Download SKU: A0.549383 Composed by George…
(+)
Alto Saxophone,Piano - Level 3 - Digital Download SKU: A0.549383 Composed by George Frideric Handel. Arranged by James M. Guthrie, ASCAP. Baroque,Sacred,Standards,Wedding. Score and part. 9 pages. Jmsgu3 #3492297. Published by jmsgu3 (A0.549383). Duration: 4:55, Score: 6 pages, Solo part: 1 page, piano part: 2 pages. A very famous aria (Ombra mai fu) from XerxesSuitable for any venue requiring meditative music. Excellent choice for a recital encore. Xerxes Xerxes is, in fact, an opera seria in three acts by Handel. Moreover, Handel conducted the premiere performance in London in 1738. Handel casts the opera in Persia in 470 BC. The part of Xerxes was indeed originally sung by a soprano castrato. Nowadays, the part is generally sung by a mezzo-soprano or conversely a counter-tenor. In the first place, Xerxes sings an opening aria, Ombra mai fu to a plane tree. Handel sets this aria to one of his most truly famous melodies. Although many refer to it traditionally as Handel’s Largo, Handel has, on the contrary, clearly marked Larghetto in the score. Handel Background George Frideric Handel (1685 - 1759) was born in Germany but eventually became a British citizen. Nonetheless, he was a famous Baroque composer. In fact, he became famous for his operas, oratorios, anthems, and organ concertos. Handel studied music and, by and large, worked as a composer in Germany and Italy before moving to London. On the whole, Handel was very familiar with the contemporary music of Italy and Germany. Career in England It is essential to realize that Italian opera was all the rage in England at the time. Moreover, Handel was really good at writing them. Therefore, he started not one but three opera companies in England. Alexander's Feast was a huge success in 1736, but Handel began composing English choral works. After success with the Messiah in 1742) he certainly never again wrote an Italian opera. Consequently, he died in 1759, a treasured genius. Accordingly, the English government gave him full state honors at his funeral. Hence, he is buried in Westminster Abbey in London. Legacy Music historians agree that Handel was in general one of the greatest composers of the Baroque era.  To demonstrate, his works such as the Messiah, Water Music, and Music for the Royal Fireworks remain consistently popular up to the present time. He especially composed the coronation anthem, Zadok the Priest for the coronation of George II. Nevertheless, it has specifically been performed at every succeeding British coronation since. His oratorio Solomon has by all means also continued to be prevalent. As a matter of fact, Sinfonia from act 3 was featured in the 2012 London Olympics opening ceremony. Handel was particularly prolific. To enumerate, he wrote over forty operas.  Since the late 1960s, we have expressly experienced a revival of baroque music. Similarly, we have especially seen a pique of interest in historically informed musical performances. Since his death in 1779, interest in Handel's music has all in all, expanded. Â
$32.95
30.35 €
#
Saxophone Alto et Piano
#
George Frideric Handel
#
James M
#
Handel: Largo from Xerxes for Alto Sax & Piano
#
jmsgu3
#
SheetMusicPlus
<
1
© 2000 - 2024
Accueil
-
Nouveautés
-
Compositeurs
Mentions légales
-
Version intégrale
