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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Day Opera
Non classifié
251
Piano & claviers
Piano seul
89
Piano, Voix
50
Accompagnement Piano
36
Piano Facile
23
Piano, Voix et Guitare
20
1 Piano, 4 mains
18
Accordéon
14
Orgue
13
Instruments en Do
9
Piano grosses notes
5
2 Pianos, 4 mains
3
Piano Quintette: piano, 2 violons, alto, violoncelle
1
Piano Trio: piano, violon, violoncelle
1
Piano Quatuor: piano, violon, alto, violoncelle
1
+ 9 instrumentations
Retracter
Guitares
Basse electrique
13
Guitare
5
Guitare notes et tablatures
5
Orchestre à Plectres
1
Ligne De Mélodie, (Paroles) et Accords
1
Voix
Voix seule
55
Chorale SATB
41
Chorale 3 parties
29
Voix Tenor, Piano
16
Chorale SSAA
11
Chorale 2 parties
6
Voix duo
4
Chorale TTBB
4
Voix haute
4
Voix Soprano, Piano
3
Voix duo, Piano
3
Voix Baryton, Piano
2
Voix Soprano
2
Soli, choeur mixte et accompagnement
1
Voix Alto, Piano
1
Voix basse, Piano
1
Voix Tenor
1
Chorale Unison
1
+ 13 instrumentations
Retracter
Vents
Flûte traversière et Piano
39
Saxophone
34
Clarinette
34
Saxophone Alto et Piano
30
Clarinette et Piano
29
Flûte traversière
28
Saxophone Alto
25
Hautbois, Piano (duo)
22
2 Saxophones (duo)
20
Quatuor de Saxophones: 4 saxophones
20
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
18
Saxophone Tenor
16
Saxophone Soprano et Piano
16
2 Flûtes traversières (duo)
16
Quatuor de Clarinettes: 4 clarinettes
15
Flûte, Hautbois, Clarinette, Basson
13
2 Clarinettes (duo)
13
Saxophone Tenor et Piano
13
Quatuor de Flûtes : 4 flûtes
7
Cor anglais, Piano
7
2 Flûte à bec (duo)
6
Flûte à Bec
6
Ensemble de Clarinettes
6
Saxophone, Clarinette (duo)
6
Hautbois
5
Hautbois (partie séparée)
5
Clarinette Basse, Piano
5
2 Hautbois (duo)
5
3 Clarinettes (trio)
4
Clarinette, Violon (duo)
4
Hautbois, Clarinette (duo)
4
Hautbois, Flûte
3
Ensemble de saxophones
3
Saxophone (partie séparée)
3
Saxophone Baryton, Piano
3
Clarinette, Trompette (duo)
3
Ensemble de Flûtes
3
3 Saxophones (trio)
3
Quintette de Flûte : 5 flûtes
2
Quatuor de Flûtes à bec
2
Flûte, Saxophone (duo)
2
Flûte, Clarinette et Basson
2
Harmonica
2
Clarinette et Alto
2
Flûte, Violon
2
Flûte, Trompette (duo)
2
Quintette de Clarinettes: 5 clarinettes
2
Hautbois, Basson (duo)
2
Flûte, Alto (duo)
2
Flûte, Violon, Violoncelle et Piano
1
Flûte de Pan
1
Flûte, Violon, Piano
1
Flûte à bec, Guitare (duo)
1
Piccolo
1
Clarinette, Harpe (duo)
1
Hautbois, Clarinette, Basson et Piano
1
3 Hautbois
1
Trio de Flûtes: 3 flûtes
1
Flûte, Clarinette (duo)
1
Flûte à bec Soprano
1
Hautbois, Harpe
1
+ 56 instrumentations
Retracter
Cuivres
Trompette
33
Quatuor de Cuivres : 2 trompettes, trombone, tuba
21
Trombone
20
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
15
Trompette, Piano
14
Trombone et Piano
14
Cor et Piano
11
Cor
9
Euphonium, Piano (duo)
8
Tuba
7
2 Trombones (duo)
7
Cor anglais, Piano
7
2 Trompettes (duo)
6
Tuba et Piano
5
Quatuor de Cuivres: 2 trompettes, Cor, trombone
5
2 Cors (duo)
4
Trompette, Trombone (duo)
4
Ensemble de Trombones
4
Trompette, Saxophone (duo)
4
Euphonium
3
2 Tubas (duo)
2
Trompette, Violoncelle et Piano
1
2 Trompettes, Clavier (piano ou orgue)
1
Quatuor de cuivres: 4 trompettes
1
Quatuor de cuivres: 4 trombones
1
2 Euphoniums (duo)
1
Quatuor de Cuivres
1
+ 22 instrumentations
Retracter
Cordes
Violon et Piano
62
Quatuor à cordes: 2 violons, alto, violoncelle
49
Violoncelle, Piano
31
Violon
26
Alto, Piano
25
Violoncelle
19
Violon, Violoncelle (duo)
17
Alto seul
14
2 Harpes (duo)
11
Trio à Cordes: violon, alto, violoncelle
10
Violon, Alto (duo)
8
2 Altos (duo)
8
2 Violoncelles (duo)
7
2 Violons (duo)
7
Contre Basse
6
Alto (partie séparée)
6
Quintette à cordes : 2 violons, alto et 2 violoncelles
4
Contrebasse, Piano (duo)
3
Quintette à cordes: 2 violons, alto, violoncelle, basse
3
Trio à Cordes: 2 violons, violoncelle
3
2 Contrebasses (duo)
2
Quatuor à cordes: 4 violons
2
Violon (partie séparée)
2
4 Violoncelles
2
Harpe, Flûte (duo)
2
Trio à Cordes: 3 violoncelles
2
Alto, Violoncelle (duo)
1
Violoncelle, Orgue
1
Harpe, Violon (duo)
1
Harpe
1
Violoncelle (partie séparée)
1
Violon, Guitare (duo)
1
Trio à cordes: 3 violins
1
Piano Trio: Violon, Alto, Piano
1
+ 29 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
72
Orchestre
47
Orchestre à Cordes
22
Ensemble de cuivres
13
Orchestre de chambre
10
Big band
4
Ensemble de Percussions
2
Ensemble Jazz
2
Piano et Orchestre
1
Cloches
1
+ 5 instrumentations
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
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METHODE : TECHNIQUES
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POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
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Vous avez sélectionné:
Day Opera
Saxophone Alto et Piano
Partitions à imprimer
30 partitions trouvées
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Happy Birthday for Alto Sax and Piano Mildred Hill Piano Duet,Alto Sax,Baritone Sax Lead Sheet,Score,Sheet Music Single Jazz,Movies,TV,Pop,Birthday Available Instantly 1.99 F & N Enterprise NULL Digi
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Saxophone Alto et Piano
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Classique
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Giovanni Battista Bononcini
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Ellen Macpherson
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Happy Birthday for Alto Sax a
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Ellen Macpherson
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SheetMusicPlus
Composed by Giovanni Battista Bononcini (1670-1747). Arranged by Ellen Macpherson. Romantic Period, Classical Period, Opera, Wedding, Secular. Score. 3 pages. P...
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Composed by Giovanni Battista Bononcini (1670-1747). Arranged by Ellen Macpherson. Romantic Period, Classical Period, Opera, Wedding, Secular. Score. 3 pages. Published by Ellen Macpherson (S0.18481). - Score - Romantic Period,Classical Period,Opera,Wedding,Secular - Ellen Macpherson
$1.99
Handel: Largo (from Xerxes) for alto sax and piano
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Saxophone Alto et Piano
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INTERMÉDIAIRE
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G F Handel
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Colin Kirkpatrick
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Handel: Largo
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Colin Kirkpatrick Publications
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SheetMusicPlus
Alto Saxophone,Piano - Level 3 - SKU: A0.522293 Composed by G F Handel. Arranged by Colin Kirkpatrick. Christmas,Easter,Holiday. Score and part. 6 pages...
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Alto Saxophone,Piano - Level 3 - SKU: A0.522293 Composed by G F Handel. Arranged by Colin Kirkpatrick. Christmas,Easter,Holiday. Score and part. 6 pages. Colin Kirkpatrick Publications #6637671. Published by Colin Kirkpatrick Publications (A0.522293). This piece is probably Handel’s best-known melody, although it began life as an operatic aria. The opera was called Xerxes, sometimes written Serses and pronounced something like “ZERT-seesâ€. It was commissioned by The King’s Theater in London and composed by Handel (who had become naturalized British and lived in London at the time) around 1737 and 1738. The opera is loosely based on the historical figure King Xerxes, who ruled from around 522-486 BC and was the fourth king of the Achaemenid Empire, a vast region that covered most of the present-day Middle East. The melody is often known simply as Handel’s Largo (despite being marked “Larghetto†in the musical score) and is the opening aria in the opera. The aria, known by its opening line Ombra mai fu is sung by Xerxes to a plane tree: “Tender and beautiful fronds of my beloved plane tree, let fate smile upon you...†Although this lovely melody has survived over the years, the opera itself was a complete failure when it was first performed in London in 1738. This arrangement is in E flat major concert (alto sax in C major) and the top note is the C above the treble clef and the piece generally requires the use of a long and sustained tone quality. The piano part has been kept as simple as possible. Being so well-known, this piece would make a popular encore number for a recital. The audio sample was performed by Alastair Penman https://www.alastairpenman.co.uk
$7.95
Nessun Dorma - alto sax and piano with FREE BACKING TRACK to play along
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Saxophone Alto et Piano
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INTERMÉDIAIRE
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Giacomo Puccini
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Austin Ralphson
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Nessun Dorma - alto sax and pi
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Austin Ralphson
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SheetMusicPlus
Alto Saxophone,Piano - Level 3 - SKU: A0.563898 Composed by Giacomo Puccini. Arranged by Austin Ralphson. 20th Century,Holiday,Opera,Wedding. Score and ...
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Alto Saxophone,Piano - Level 3 - SKU: A0.563898 Composed by Giacomo Puccini. Arranged by Austin Ralphson. 20th Century,Holiday,Opera,Wedding. Score and part. 7 pages. Austin Ralphson #5337305. Published by Austin Ralphson (A0.563898). This aria from Puccini's opera 'Turandot' was made famous beyond the world of opera by Luciano Pavarotti when he recorded it for the 1990 World Cup. It is a firm favourite to play at any performance, from weddings to recitals to parties and beyond! This piece can either be played with a live pianist, or can be played along with the free backing track which is available from https://youtu.be/J3jlJFNL0TMÂ (copy and paste into a new window) and also in the video screen above.This piece features in a collection of 5 beautiful solos which is available to purchase here for $9.99: https://armusiconline.com/b/lAY4n
$3.99
Handel: Largo from Xerxes for Alto Sax & Piano
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Saxophone Alto et Piano
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INTERMÉDIAIRE
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Classique
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George Frideric Handel
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James M
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Handel: Largo from Xerxes for
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jmsgu3
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SheetMusicPlus
Alto Saxophone,Piano - Level 3 - SKU: A0.549383 Composed by George Frideric Handel. Arranged by James M. Guthrie, ASCAP. Baroque,Sacred,Standards,Weddin...
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Alto Saxophone,Piano - Level 3 - SKU: A0.549383 Composed by George Frideric Handel. Arranged by James M. Guthrie, ASCAP. Baroque,Sacred,Standards,Wedding. Score and part. 9 pages. Jmsgu3 #3492297. Published by jmsgu3 (A0.549383). Duration: 4:55, Score: 6 pages, Solo part: 1 page, piano part: 2 pages. A very famous aria (Ombra mai fu) from XerxesSuitable for any venue requiring meditative music. Excellent choice for a recital encore. Xerxes Xerxes is, in fact, an opera seria in three acts by Handel. Moreover, Handel conducted the premiere performance in London in 1738. Handel casts the opera in Persia in 470 BC. The part of Xerxes was indeed originally sung by a soprano castrato. Nowadays, the part is generally sung by a mezzo-soprano or conversely a counter-tenor. In the first place, Xerxes sings an opening aria, Ombra mai fu to a plane tree. Handel sets this aria to one of his most truly famous melodies. Although many refer to it traditionally as Handel’s Largo, Handel has, on the contrary, clearly marked Larghetto in the score. Handel Background George Frideric Handel (1685 - 1759) was born in Germany but eventually became a British citizen. Nonetheless, he was a famous Baroque composer. In fact, he became famous for his operas, oratorios, anthems, and organ concertos. Handel studied music and, by and large, worked as a composer in Germany and Italy before moving to London. On the whole, Handel was very familiar with the contemporary music of Italy and Germany. Career in England It is essential to realize that Italian opera was all the rage in England at the time. Moreover, Handel was really good at writing them. Therefore, he started not one but three opera companies in England. Alexander's Feast was a huge success in 1736, but Handel began composing English choral works. After success with the Messiah in 1742) he certainly never again wrote an Italian opera. Consequently, he died in 1759, a treasured genius. Accordingly, the English government gave him full state honors at his funeral. Hence, he is buried in Westminster Abbey in London. Legacy Music historians agree that Handel was in general one of the greatest composers of the Baroque era.  To demonstrate, his works such as the Messiah, Water Music, and Music for the Royal Fireworks remain consistently popular up to the present time. He especially composed the coronation anthem, Zadok the Priest for the coronation of George II. Nevertheless, it has specifically been performed at every succeeding British coronation since. His oratorio Solomon has by all means also continued to be prevalent. As a matter of fact, Sinfonia from act 3 was featured in the 2012 London Olympics opening ceremony. Handel was particularly prolific. To enumerate, he wrote over forty operas.  Since the late 1960s, we have expressly experienced a revival of baroque music. Similarly, we have especially seen a pique of interest in historically informed musical performances. Since his death in 1779, interest in Handel's music has all in all, expanded. Â
$32.95
Libiamo ne lieti calici - Brindisi from La Traviata - Alto Saxophone & Piano
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Saxophone Alto et Piano
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INTERMÉDIAIRE/AVANCÉ
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Giuseppe Verdi
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Anne Christopherson GRSM ARCM
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Libiamo ne lieti calici - Brin
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Music-Scores.com
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SheetMusicPlus
Alto Saxophone,Piano - Level 4 - SKU: A0.722185 Composed by Giuseppe Verdi. Arranged by Anne Christopherson GRSM ARCM. Concert,Holiday,Opera,Wedding. Sc...
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Alto Saxophone,Piano - Level 4 - SKU: A0.722185 Composed by Giuseppe Verdi. Arranged by Anne Christopherson GRSM ARCM. Concert,Holiday,Opera,Wedding. Score and part. 8 pages. Music-Scores.com #6013175. Published by Music-Scores.com (A0.722185). The Brindisi from the opera, La Traviata: Libiamone' lieti calici, or let's drink from the joyful cups. This is a fun and famous drinking song, great for a concert.For Alto Saxophone and Piano.Duration: about 3 minutes.Arranged by Anne Christopherson GRSM ARCM at https://www.music-scores.com
$5.95
Korsakov: Flight of the Bumblebee for Alto Sax & Piano
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Saxophone Alto et Piano
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AVANCÉ
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Classique
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Contemporain
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Nikolay Andreyevich Rimsky-Kor
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James M
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Korsakov: Flight of the Bumble
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jmsgu3
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SheetMusicPlus
Alto Saxophone,Piano - Level 5 - SKU: A0.549254 Composed by Nikolay Andreyevich Rimsky-Korsakov. Arranged by James M. Guthrie, ASCAP. Instructional,Roma...
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Alto Saxophone,Piano - Level 5 - SKU: A0.549254 Composed by Nikolay Andreyevich Rimsky-Korsakov. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Standards. Score and part. 15 pages. Jmsgu3 #3473685. Published by jmsgu3 (A0.549254). Flight of the Bumblebee Flight of the Bumblebee is, to be sure, an orchestral interlude composed by Nikolai Rimsky-Korsakov for his opera The Tale of Tsar Saltan. Of course, Korsakov intended to portray a bumblebee's chaotic flying pattern musically. Nowadays, this piece is one of the comparatively more famous classical works because it frequently appears occasionally in popular culture. The piece appears notably in the opera at the close of Act III, Tableau 1. This is when the magic Swan-Bird changes the Prince (the son of the Tsar) into a bee so he can fly away to visit his father. Interestingly, at this point in the drama, his father, in effect, does not know that he is alive. Korsakov Background Nikolai Rimsky-Korsakov (1844 –1908) was a uniquely famous composer from Russia. He was likewise a member of an infamous assembly of composers called The Five. Korsakov was furthermore an expert in orchestration. His correspondingly most famous orchestral compositions- Capriccio Espagnol, the Russian Easter Festival Overture, and the Scheherazade suite- are essential monuments of the standard music repertoire. Also comparatively very important are his suites and excerpts from his 15 operas. Korsakov used Russian folklore and fairy tales, such as Scheherazade, in his music. Nationalistic Style Like fellow outspoken composer Balakirev, Korsakov believed in creating a nationalistic, Russia-centric style of classical music. The new style was called Orientalism. It similarly relied on native Russian materials, exotic scales, and experimental harmonic, melodic, and rhythmic procedures. This practice, conversely, ran counter to the developments in Western musical culture. Musical Developments Nevertheless, Korsakov developed an appreciation of Western musical techniques after he became a professor of musical composition, harmony, and orchestration at the Saint Petersburg Conservatory in 1871. Moreover, he undertook a rigorous three-year program of self-education. He mastered Western methods, incorporating them with the influences of Mikhail Glinka and other members of The Five. His techniques of composition and orchestration were additionally enriched by his exposure to the works of Richard Wagner. Naval Service Korsakov combined his music career accordingly with a career in the Russian military. He was in the first place an officer in the Russian Navy. In due time, he was appointed a civilian Inspector of Naval Bands. As a result, Korsakov expanded his knowledge of woodwind and brass playing, which heightened his orchestration capabilities. Legacy In due time, Korsakov contributed a significant number of Russian nationalist works. He also prepared, occasionally, compositions by The Five for presentation. This brought their works straightaway into the active classical repertoire as well. He also shaped an entire generation of younger composers as a music educator. Therefore, music historians consider Korsakov the foremost engineer of what the public considers the Russian composition style. He served as a transitional figure between The Five and the classically trained composers who became the norm over time. In addition to the Russians, he influenced non-Russian composers such as Ravel, Debussy, Dukas, and Respighi. Â
$32.95
The Wedding Album, for Solo Alto Saxophone and Piano
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Saxophone Alto et Piano
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INTERMÉDIAIRE
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Film Walt Disney
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Various
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David McKeown
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The Wedding Album, for Solo Al
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David McKeown
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SheetMusicPlus
Alto Saxophone,Piano - Level 3 - SKU: A0.587624 Composed by Various. Arranged by David McKeown. Baroque,Concert,Romantic Period,Standards,Wedding. Score...
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Alto Saxophone,Piano - Level 3 - SKU: A0.587624 Composed by Various. Arranged by David McKeown. Baroque,Concert,Romantic Period,Standards,Wedding. Score and part. 24 pages. David McKeown #4594683. Published by David McKeown (A0.587624). The Wedding Album is a collection of four beautiful and timeless wedding favourites, arranged for Solo Alto Saxophone with Piano accompaniment. Whether for that Special Day, for a recital, or for your own entertainment, these arrangements are ideal for players at an intermediate level or higher. The 24-page file includes the piano accompaniments and the separate solo parts at the end. Ave Maria was written by Franz Schubert in 1825 as the sixth song in his song cycle based on Walter Scott’s poem The Lady of the Lake. It is perhaps the best known of all his melodies, adapted for piano by Franz Liszt, and for orchestra many times since. It is often sung with the Latin lyrics of the Catholic hymn of the same name and has been heard everywhere from the Disney movie Fantasia to the funeral of J.F. Kennedy. The Bridal March was written by Richard Wagner in 1850, scored for orchestra and chorus, and opening the third act of his opera, Lohingren. It is best known in the English-speaking world as Here Comes the Bride. Queen Victoria’s daughter used the music for her marriage in 1858, and its popularity has endured ever since.The Prince of Denmark’s March is better known nowadays as the Trumpet Voluntary and is often used in wedding ceremonies. It was in fact written for organ, with the melody played on thetrumpet stop. Written around 1700, for many years this piece was mistakenly attributed to Henry Purcell. Only recently has it been established that the composer was Jeremiah Clarke, organist at St Paul’s Cathedral. It is somewhat ironic that this composer of a wedding mainstay was himself a victim of unrequited love. He consequently shot himself in the cathedral graveyard. Felix Mendelssohn’s Wedding March was originally written in 1842 as incidental music to Shakespeare’s famousplay, Midsummer Night’s Dream. When Queen Victoria’s daughter used the music for her marriage in 1858, it became instantly popular and has remained a wedding favourite ever since.These four arrangements are also available as single titles for $3.99 each. You can find these along with many more top quality arrangements and compositions by David McKeown at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$9.99
The Swan (Le Cygne) by Saint-Saens - Alto Sax and Piano (Full Score)
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Saxophone Alto et Piano
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INTERMÉDIAIRE
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Classique
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Camille Saint-Saens
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César Madeira
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The Swan
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Sheet Music To Play Editions
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SheetMusicPlus
Alto Saxophone,Piano - Level 3 - SKU: A0.1222985 Composed by Camille Saint-Saens. Arranged by César Madeira. Children,Classical,Film/TV,Multicultural...
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Alto Saxophone,Piano - Level 3 - SKU: A0.1222985 Composed by Camille Saint-Saens. Arranged by César Madeira. Children,Classical,Film/TV,Multicultural,Romantic Period,World. Score and part. 6 pages. Sheet Music To Play Editions #819187. Published by Sheet Music To Play Editions (A0.1222985). The Swan (Le Cygne) 13º movement from The Carnival of the Animals Suite. Arrangement for Alto Sax and Piano. With Full Score. Enjoy it!This file DOES NOT contain Individual Parts. Full Score only.Camille Saint-Saens (1835 - 1921) was a French composer, pianist and organist. He was one of the greatest composers of his day. He composed lots of music of different kinds. Among his best works are his Symphony no 3 (with organ) , Piano Concerto no 2, Violin Concerto no 3, Cello Concerto no 1, the opera Samson and Delilah and the Danse Macabre. His most popular work, however, is the Carnival of the Animals. Saint-Saens hated being thought of as the composer of the Carnival of the Animals. He said he had only written it for a bit of fun and he did not want anyone to perform it. Today it still remains one of the most popular pieces for children.For Tutorials, Play Alongs or request New Arrangements, visit the YouTube Channel: Sheet Music To Play
$4.99
The Swan (Le Cygne) by Saint-Saens - Alto Sax and Piano (Full Score and Parts)
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Saxophone Alto et Piano
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INTERMÉDIAIRE
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Classique
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Camille Saint-Saens
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César Madeira
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The Swan
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Sheet Music To Play Editions
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SheetMusicPlus
Alto Saxophone,Piano - Level 3 - SKU: A0.1179179 Composed by Camille Saint-Saens. Arranged by César Madeira. 19th Century,20th Century,Children,Multi...
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Alto Saxophone,Piano - Level 3 - SKU: A0.1179179 Composed by Camille Saint-Saens. Arranged by César Madeira. 19th Century,20th Century,Children,Multicultural,Romantic Period,World. Score and part. 11 pages. Sheet Music To Play Editions #779152. Published by Sheet Music To Play Editions (A0.1179179). The Swan (Le Cygne) 13º movement from The Carnival of the Animals Suite. Arrangement for Alto Sax and Piano. With Full Score and Individual Parts. Enjoy it!Camille Saint-Saens (1835 - 1921) was a French composer, pianist and organist. He was one of the greatest composers of his day. He composed lots of music of different kinds. Among his best works are his Symphony no 3 (with organ) , Piano Concerto no 2, Violin Concerto no 3, Cello Concerto no 1, the opera Samson and Delilah and the Danse Macabre. His most popular work, however, is the Carnival of the Animals. Saint-Saens hated being thought of as the composer of the Carnival of the Animals. He said he had only written it for a bit of fun and he did not want anyone to perform it. Today it still remains one of the most popular pieces for children.For Tutorials, Play Alongs or request New Arrangements, visit the YouTube Channel: Sheet Music To Play
$7.99
The Swan (Le Cygne) by Saint-Saens - Alto Sax and Piano (Individual Parts)
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Saxophone Alto et Piano
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INTERMÉDIAIRE
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Classique
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Camille Saint-Saens
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César Madeira
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The Swan
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Sheet Music To Play Editions
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SheetMusicPlus
Alto Saxophone,Piano - Level 3 - SKU: A0.1222984 Composed by Camille Saint-Saens. Arranged by César Madeira. 19th Century,20th Century,Classical,Roma...
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Alto Saxophone,Piano - Level 3 - SKU: A0.1222984 Composed by Camille Saint-Saens. Arranged by César Madeira. 19th Century,20th Century,Classical,Romantic Period,Wedding. Score and part. 6 pages. Sheet Music To Play Editions #819186. Published by Sheet Music To Play Editions (A0.1222984). The Swan (Le Cygne) 13º movement from The Carnival of the Animals Suite. Arrangement for Alto Sax and Piano. With Individual Parts. Enjoy it!This file DOES NOT contain Full Score. Individual Parts only.Camille Saint-Saens (1835 - 1921) was a French composer, pianist and organist. He was one of the greatest composers of his day. He composed lots of music of different kinds. Among his best works are his Symphony no 3 (with organ) , Piano Concerto no 2, Violin Concerto no 3, Cello Concerto no 1, the opera Samson and Delilah and the Danse Macabre. His most popular work, however, is the Carnival of the Animals. Saint-Saens hated being thought of as the composer of the Carnival of the Animals. He said he had only written it for a bit of fun and he did not want anyone to perform it. Today it still remains one of the most popular pieces for children.For Tutorials, Play Alongs or request New Arrangements, visit the YouTube Channel: Sheet Music To Play
$4.99
Sullivan - The Lost Chord in B flat Major - Easy
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Saxophone Alto et Piano
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DÉBUTANT
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Sir Arthur Seymour Sullivan
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Piacere Music Sheets
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Sullivan - The Lost Chord in B
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Piacere Music Sheets
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SheetMusicPlus
Alto Saxophone,Piano - Level 1 - SKU: A0.1108456 Composed by Sir Arthur Seymour Sullivan. Arranged by Piacere Music Sheets. Instructional,Romantic Perio...
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Alto Saxophone,Piano - Level 1 - SKU: A0.1108456 Composed by Sir Arthur Seymour Sullivan. Arranged by Piacere Music Sheets. Instructional,Romantic Period,Standards. Score and part. 13 pages. Piacere Music Sheets #711098. Published by Piacere Music Sheets (A0.1108456). Opus/Catalog Number: IAS 42 Key/Tone: B-flat Major Movements/Sections: Andante moderato Year/Date of Composition: 1858/1877 Difficulty: Grade 3/12 (Easy) Obs.: Sir Arthur Sullivan composed this song at the bedside of his brother Fred during Fred's last illness. Fred Sullivan died five days after, on January 18. This song has been recorded by many singers, including Enrico Caruso, who sang it at the Metropolitan Opera House on 29 April 1912 at a benefit concert for families of victims of the Titanic disaster. The Lost Chord is one of Sullivan's best-known songs, and it is still performed nowadays. This is an arrangement for Alto Saxophone with piano accompaniment. Included: Full score and separated parts for each instrument.
$8.95
Pictures at an Exhibition - Promenade - Alto Sax and Piano (Full Score and Parts)
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Saxophone Alto et Piano
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INTERMÉDIAIRE
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Modest Petrovich Mussorgsky
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César Madeira
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Pictures at an Exhibition - Pr
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Sheet Music To Play Editions
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SheetMusicPlus
Alto Saxophone,Piano - Level 3 - SKU: A0.1510849 Composed by Modest Petrovich Mussorgsky. Arranged by César Madeira. 19th Century,Classical,Film/TV,Mul...
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Alto Saxophone,Piano - Level 3 - SKU: A0.1510849 Composed by Modest Petrovich Mussorgsky. Arranged by César Madeira. 19th Century,Classical,Film/TV,Multicultural,Romantic Period,World. Score and part. 7 pages. Sheet Music To Play Editions #1086059. Published by Sheet Music To Play Editions (A0.1510849). Promenade from Pictures at an Exhibition. Arrangement for Alto Sax and Piano. With Full Score and Individual Parts. Enjoy it!Modest Petrovitch Mussorgsky (1839 - 1881) was a Russian composer famous for his operas and songs. He discovered new ways of writing for the voice which were very tuneful but which also suited the Russian language. His most famous opera is Boris Godunov. Another very famous piece is called Pictures at an Exhibition. He wrote it for the piano, but many years after his death another composer called Maurice Ravel orchestrated it and this is the version people usually hear today.For Tutorials, Play Alongs or request New Arrangements, visit the YouTube Channel: Sheet Music To Play
$8.99
Puccini Medley: Un Bel Di (Madame Butterfly) and Musetta's Waltz (La Boheme): Alto Sax and Piano
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Saxophone Alto et Piano
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INTERMÉDIAIRE
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Giacomo Puccini
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John A
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Puccini Medley: Un Bel Di
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John A. Dempsey
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SheetMusicPlus
Alto Saxophone,Piano - Level 3 - SKU: A0.524068 Composed by Giacomo Puccini. Arranged by John A. Dempsey. Classical,Multicultural,Opera,Romantic Period,...
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Alto Saxophone,Piano - Level 3 - SKU: A0.524068 Composed by Giacomo Puccini. Arranged by John A. Dempsey. Classical,Multicultural,Opera,Romantic Period,Wedding,World. Score and part. 15 pages. John A. Dempsey #4715683. Published by John A. Dempsey (A0.524068). Two Italian masterpieces combined in one duet arrangement, this medley for alto sax and piano includes melody augmentation, rubato, rich dynamic shading, and a lavish finale, all built on two soaring Puccini melodies.  Included: Un Bel Di (One Fine Day) from Madame Butterfly and Quando M'en Vo (Musetta's Waltz)  from La Boheme.  Recommended for weddings, as a prelude, unity candle music, a bridal march or a bridesmaid processional.  Also popular as a romantic selection for concerts, recitals and more.  Concert Key (Piano): Bb major.  Alto Sax Key: G major.  Alto Sax Level: Intermediate.  Piano Level: Late Intermediate. Includes a separate two-page alto sax part.
$6.99
Ali Ben Sou Alle: Fantaisie sur Don Giovanni de Mozart for alto saxophone and piano
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Saxophone Alto et Piano
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INTERMÉDIAIRE
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Ali Ben Sou Alle, Wolfgang Ama
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Paul Wehage
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Ali Ben Sou Alle: Fantaisie su
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Musik Fabrik Music Publishing
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SheetMusicPlus
Alto Saxophone,Piano - Level 3 - SKU: A0.533347 Composed by Ali Ben Sou Alle, Wolfgang Amadeus Mozart. Arranged by Paul Wehage. Concert,Opera,Romantic P...
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Alto Saxophone,Piano - Level 3 - SKU: A0.533347 Composed by Ali Ben Sou Alle, Wolfgang Amadeus Mozart. Arranged by Paul Wehage. Concert,Opera,Romantic Period,Standards. Score and part. 22 pages. Musik Fabrik Music Publishing #2348197. Published by Musik Fabrik Music Publishing (A0.533347). One of the most enigmatic figures in the history of the Saxophone, Ali Ben Sou Alle (Charles-Valentin Soualle) was born in 1820 in Arras, France. After receiving his first prize in Clarinet at the Paris Conservatory in 1844. he served as the director ofmusic of The French Marine Band in Senegal, and then was named first clarinet solo at the Opéra-Comique in Paris. However, after the Revolution of 1848, Soualle was forced to flee France to England where he settled in London, playing in the Orchestra of the Queen's Theatre. His songs and piano pieces were published in London. While in London, Soualle met another exiled French musician, Louis Antoine Jullien, who conducted a light music series in London. Jullien encouraged Soualle to take up the saxophone, and after modifying the instrument by adding a single octave mechanism (the modern system used today) and keys for the lower register, Soualle became known as a virtuoso and began touring performing solo recitals (or mono-concerts, as they were called at the time) calling his modified saxophone the «turcophone ». He performed in all the European capitals and then traveled to Australia, New Zealand, Manilla, Java, through China and then to India where he finally settled in Mysore, becoming the director of the Royal Music for the Maharadjah. It was during this period that he converted to Islam and changed his nmae to Ali ben Sou Alle (or Ali, son of Soualle). He subsequently travaled to Ile Maurice, to French Polynesia, the Cap of Natal and the Cap of Good Hope. All of these voyages were subjects of musical works which Soualle entitled Souvenirs de... and may perhaps have been part of a collection known as The Royal Album which was presented to the Prince of Wales after a royal concert. Soualle returned to Mysore in 1858 and was almost killed in the Indian Revolution. Around 1860, Soualle returned to France for health reasons and began publishing his own music. On March 27 1865, he performed a command performance for the Emperor Napoleon III at the Tuileries Palace in the presence of the entire Imperial Family. After 1865, nothing more is known about him. Soualle not only performed on the clarinet, saxophone and piano, but also frequently sang during his concerts. He also wrote songs while he was in London. His opera fantasies are usually written for the Alto saxophone and are generally in the form of an introductory aria with cadenza, a theme with one or more variations and then a final waltz movement in rondo form with a final brillant variation. This specific work opens with motives from the Opera‘s overture, leading to Donna Anna’s 1st act aria Or sai, chi l'onore. The duet Là ci darem la mano is the subject of two variations followed by a brief interlude using Zerlina’s aria Batti, batti, o bel Masetto and then the final section is the duo Andiam’ Andiam ‘ Mio Bene between Don Giovanni and Zerlina which ends the Act I duet. The work ends with a brillant coda
$11.95
Ali Ben Sou Alle: Fantaisie sur La Favorita de Donizetti for alto saxophone and piano
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Saxophone Alto et Piano
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INTERMÉDIAIRE
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Ali Ben Sou Alle, Gaetano Doni
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Paul Wehage
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Ali Ben Sou Alle: Fantaisie su
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Musik Fabrik Music Publishing
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SheetMusicPlus
Alto Saxophone,Piano - Level 3 - SKU: A0.533348 Composed by Ali Ben Sou Alle, Gaetano Donizetti. Arranged by Paul Wehage. Concert,Opera,Romantic Period,...
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Alto Saxophone,Piano - Level 3 - SKU: A0.533348 Composed by Ali Ben Sou Alle, Gaetano Donizetti. Arranged by Paul Wehage. Concert,Opera,Romantic Period,Standards. Score and part. 23 pages. Musik Fabrik Music Publishing #2348199. Published by Musik Fabrik Music Publishing (A0.533348). One of the most enigmatic figures in the history of the Saxophone, Ali Ben Sou Alle (Charles-Valentin Soualle) was born in 1820 in Arras, France. After receiving his first prize in Clarinet at the Paris Conservatory in 1844. he served as the director ofmusic of The French Marine Band in Senegal, and then was named first clarinet solo at the Opéra-Comique in Paris. However, after the Revolution of 1848, Soualle was forced to flee France to England where he settled in London, playing in the Orchestra of the Queen's Theatre. His songs and piano pieces were published in London. While in London, Soualle met another exiled French musician, Louis Antoine Jullien, who conducted a light music series in London. Jullien encouraged Soualle to take up the saxophone, and after modifying the instrument by adding a single octave mechanism (the modern system used today) and keys for the lower register, Soualle became known as a virtuoso and began touring performing solo recitals (or mono-concerts, as they were called at the time) calling his modified saxophone the «turcophone ». He performed in all the European capitals and then traveled to Australia, New Zealand, Manilla, Java, through China and then to India where he finally settled in Mysore, becoming the director of the Royal Music for the Maharadjah. It was during this period that he converted to Islam and changed his nmae to Ali ben Sou Alle (or Ali, son of Soualle). He subsequently travaled to Ile Maurice, to French Polynesia, the Cap of Natal and the Cap of Good Hope. All of these voyages were subjects of musical works which Soualle entitled Souvenirs de... and may perhaps have been part of a collection known as The Royal Album which was presented to the Prince of Wales after a royal concert. Soualle returned to Mysore in 1858 and was almost killed in the Indian Revolution. Around 1860, Soualle returned to France for health reasons and began publishing his own music. On March 27 1865, he performed a command performance for the Emperor Napoleon III at the Tuileries Palace in the presence of the entire Imperial Family. After 1865, nothing more is known about him.Soualle not only performed on the clarinet, saxophone and piano, but also frequently sang during his concerts. He also wrotesongs while he was in London. His opera fantasies are usually written for the Alto saxophone. This particular fantasy usesthemes from the Third and fourth act sung by the hero et heroine which are marked in the score.
$11.95
Méditation from 'Thaïs' by Jules Massenet, for Alto Saxophone and Piano
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Saxophone Alto et Piano
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AVANCÉ
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Jules Massenet
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Len Rhodes
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Méditation from 'Tha&iu
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Len Rhodes Music
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SheetMusicPlus
Alto Saxophone,Piano - Level 5 - SKU: A0.739876 Composed by Jules Massenet. Arranged by Len Rhodes. 20th Century,Contemporary,Holiday,Romantic Period,We...
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Alto Saxophone,Piano - Level 5 - SKU: A0.739876 Composed by Jules Massenet. Arranged by Len Rhodes. 20th Century,Contemporary,Holiday,Romantic Period,Wedding. Score and part. 9 pages. Len Rhodes Music #3044137. Published by Len Rhodes Music (A0.739876). A new transcription for Alto Saxophone and Piano of this lyrical, reflective work from Massenet's opera, Thaïs. This piece was an immediate success at the time of the opera's premiere at the Paris Opera, and has remained popular ever since. Download includes Alto Saxophone part, and score.
$6.95
Bach: Wachet auf for Alto Sax & Piano
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Saxophone Alto et Piano
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FACILE
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Classique
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Johann Sebastian Bach
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James M
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Bach: Wachet auf for Alto Sax
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jmsgu3
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SheetMusicPlus
Alto Saxophone,Piano - Level 2 - SKU: A0.549842 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Concert,Easter,Sacred,St...
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Alto Saxophone,Piano - Level 2 - SKU: A0.549842 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Concert,Easter,Sacred,Standards. Score and part. 12 pages. Jmsgu3 #3554821. Published by jmsgu3 (A0.549842). Wachet auf, ruft uns die Stimme (Awake, the voice is calling us) from Cantata BWV 140. Duration: ca. 4:00, Score: 6 pages, solo part 1 page, piano part: 4 pages. Program this for church services during the Easter season, or as a recital encore.Wachet auf, ruft uns die Stimme (Awake, the Voice is calling us) also known as: Sleepers Awake Bach composed his church cantata Wachet auf (BWV 140) as part of his second annual cantata cycle covering the entire annual church calendar. It is based on the hymn of the same name by Philipp Nicolai (1599). The hymn text covers the readings for the 27th Sunday after Trinity. Bach designed the cantata in seven movements, setting the stanzas in various forms. Among these forms are the chorale fantasia, the chorale prelude, and a four-part chorale. He casts the new lyrics as recitatives – in a manner similar to the opera. Fourth Movement Bach writes the fourth movement, Zion hört die Wächter singen (Zion hears the watchmen singing), in the style of a chorale prelude with the chorale phrases performed as a strict cantus firmus. The phrases seem to enter at times erratically against the famous lyrical melody. The violins play this melody in unison as a foil against the cantus phrases. The violin melody is so independent and complete that when the cantus melody appears it catches the listener at times totally off-guard. Bach later transcribed this movement for organ (BWV 645). This transcription became No. 1 of the Six Schübler Chorales. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with the instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and certainly the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio. History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer. Style It seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV. .
$24.95
Easter Hymn from Cavaliera Rusticana - Alto Sax and Piano
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Saxophone Alto et Piano
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INTERMÉDIAIRE/AVANCÉ
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Musique Sacrée
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Mascagni
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Easter Hymn from Cavaliera Rus
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Music-Scores.com
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SheetMusicPlus
Alto Saxophone,Piano - Level 4 - SKU: A0.722340 Composed by Mascagni (Pietro). Arranged by Anne L Christopherson GRSM ARCM. Concert,Easter,Holiday,Love,...
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Alto Saxophone,Piano - Level 4 - SKU: A0.722340 Composed by Mascagni (Pietro). Arranged by Anne L Christopherson GRSM ARCM. Concert,Easter,Holiday,Love,Opera. Score and part. 7 pages. Music-Scores.com #6426921. Published by Music-Scores.com (A0.722340). Easter Hymn, Regina Coeli, from the opera Cavaliera Rusticana. This is a shortened version of that wonderful dialogue with villagers and Santuzza. For Alto Sax and Piano.Duration 4 minutes.Arranged by Anne L Christopherson GRSM ARCM at https://www.music-scores.com.
$5.95
Meditation from Thais - Alto Saxophone and Piano
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Saxophone Alto et Piano
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AVANCÉ
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Massenet, Jules
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Anne L
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Meditation from Thais - Alto S
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Music-Scores.com
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SheetMusicPlus
Alto Saxophone,Piano - Level 5 - SKU: A0.722046 Composed by Massenet, Jules. Arranged by Anne L. Christopherson GRSM ARCM. Concert,Holiday,Love,Opera,Sa...
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Alto Saxophone,Piano - Level 5 - SKU: A0.722046 Composed by Massenet, Jules. Arranged by Anne L. Christopherson GRSM ARCM. Concert,Holiday,Love,Opera,Sacred,Wedding. Score and part. 7 pages. Music-Scores.com #5730539. Published by Music-Scores.com (A0.722046). Meditation from Thais, Act II. This opera, set in Egypt, explores a monks confused struggle between lust and religious ardour. This is a gorgeous piece, arranged for alto saxophone and piano.Duration: under 4 minutes.Arranged by Anne L. Christopherson GRSM ARCM at https://www.music-scores.com
$5.95
The Last Rose of Summer - Alto Sax and Piano
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Saxophone Alto et Piano
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INTERMÉDIAIRE
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Traditional
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The Last Rose of Summer - Alto
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Music-Scores.com
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SheetMusicPlus
Alto Saxophone,Piano - Level 3 - SKU: A0.722420 Composed by Traditional. Arranged by Anne L Christopherson GRSM ARCM. Holiday,Love,Opera,Patriotic. Scor...
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Alto Saxophone,Piano - Level 3 - SKU: A0.722420 Composed by Traditional. Arranged by Anne L Christopherson GRSM ARCM. Holiday,Love,Opera,Patriotic. Score and part. 5 pages. Music-Scores.com #6505847. Published by Music-Scores.com (A0.722420). The Last Rose of Summer, a romantic ballad for Alto Sax and Piano, with 2nd and 3rd verses being improvisational in nature.The original poem by Thomas Moore was set to the music of an old Irish ballad, The Groves of Blarney, which dates back to the 18th century, and the opera, Martha by Von Flottov, features this song. Duration about 2 mins, 45 seconds.Arranged by Anne L Christopherson ARCM GRSM at www.music-scores.com.
$5.95
O Mio Babbino Caro - Alto Sax
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Saxophone Alto et Piano
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INTERMÉDIAIRE
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Puccini, Giaccomo
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O Mio Babbino Caro - Alto Sax
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Music-Scores.com
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SheetMusicPlus
Alto Saxophone,Piano - Level 3 - SKU: A0.722165 Composed by Puccini, Giaccomo. Arranged by Anne L Christopherson GRSM ARCM. Concert,Holiday,Love,Opera,W...
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Alto Saxophone,Piano - Level 3 - SKU: A0.722165 Composed by Puccini, Giaccomo. Arranged by Anne L Christopherson GRSM ARCM. Concert,Holiday,Love,Opera,Wedding. Score and part. 4 pages. Music-Scores.com #5998717. Published by Music-Scores.com (A0.722165). O Mio Babbino Caro, from the comic opera Gianni Scicchi. Lauretta is pleading with her father to patch up the bad feeling with the family of her true love. For Alto Sax and Piano.Duration 2 minutes.Arranged by Anne Christopherson GRSM ARCM at https://www.music-scores.com
$5.95
Minuet (from Don Giovanni)
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Saxophone Alto et Piano
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FACILE
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Classique
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Wolfgang Amadeus Mozart
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Gildson Cerqueira
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Minuet
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Gildson Cerqueira
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SheetMusicPlus
Alto Saxophone,Piano - Level 2 - SKU: A0.1420281 Composed by Wolfgang Amadeus Mozart. Arranged by Gildson Cerqueira. Chamber,Classical,Opera. Score and ...
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Alto Saxophone,Piano - Level 2 - SKU: A0.1420281 Composed by Wolfgang Amadeus Mozart. Arranged by Gildson Cerqueira. Chamber,Classical,Opera. Score and part. 3 pages. Gildson Cerqueira #1001653. Published by Gildson Cerqueira (A0.1420281). Unlock the charm of Mozart's Don Giovanni with my expertly crafted minuet arrangement. Dive into its enchanting harmonies and graceful melodies, perfect for musicians of all levels. Elevate your repertoire and infuse sophistication into your performances with these sheet music scores. Purchase your copy today and embark on a musical journey filled with timeless elegance[VERSIONS WITH OR WITHOUT CHORDS AVAILABLE!].
$4.99
Minuet (from Don Giovanni)
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Saxophone Alto et Piano
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FACILE
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Classique
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Wolfgang Amadeus Mozart
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Gildson Cerqueira
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Minuet
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Gildson Cerqueira
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SheetMusicPlus
Alto Saxophone,Piano - Level 2 - SKU: A0.1420282 Composed by Wolfgang Amadeus Mozart. Arranged by Gildson Cerqueira. Chamber,Classical,Opera. Score and ...
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Alto Saxophone,Piano - Level 2 - SKU: A0.1420282 Composed by Wolfgang Amadeus Mozart. Arranged by Gildson Cerqueira. Chamber,Classical,Opera. Score and part. 3 pages. Gildson Cerqueira #1001654. Published by Gildson Cerqueira (A0.1420282). Unlock the charm of Mozart's Don Giovanni with my expertly crafted minuet arrangement. Dive into its enchanting harmonies and graceful melodies, perfect for musicians of all levels. Elevate your repertoire and infuse sophistication into your performances with these sheet music scores. Purchase your copy today and embark on a musical journey filled with timeless elegance[VERSIONS WITH OR WITHOUT CHORDS AVAILABLE!].
$4.99
Ali Ben Sou Alle: Fantaisie sur le Barbier de Séville de Rossin for alto saxophone and piano
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Saxophone Alto et Piano
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INTERMÉDIAIRE/AVANCÉ
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Ali Ben Sou Alle, Gioachino Ro
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Paul Wehage
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Ali Ben Sou Alle: Fantaisie su
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Musik Fabrik Music Publishing
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SheetMusicPlus
Alto Saxophone,Piano - Level 4 - SKU: A0.533354 Composed by Ali Ben Sou Alle, Gioachino Rossini. Arranged by Paul Wehage. Concert,Opera,Romantic Period,...
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Alto Saxophone,Piano - Level 4 - SKU: A0.533354 Composed by Ali Ben Sou Alle, Gioachino Rossini. Arranged by Paul Wehage. Concert,Opera,Romantic Period,Standards. Score and part. 30 pages. Musik Fabrik Music Publishing #2363209. Published by Musik Fabrik Music Publishing (A0.533354). One of the most enigmatic figures in the history of the Saxophone, Ali Ben Sou Alle (Charles-Valentin Soualle) was born in1820 in Arras, France. After receiving his first prize in Clarinet at the Paris Conservatory in 1844. he served as the director ofmusic of The French Marine Band in Senegal, and then was named first clarinet solo at the Opéra-Comique in Paris. However, after the Revolution of 1848, Soualle was forced to flee France to England where he settled in London, playing in the Orchestra of the Queen's Theatre. His songs and piano pieces were published in London.While in London, Soualle met another exiled French musician, Louis Antoine Jullien, who conducted a light music series inLondon. Jullien encouraged Soualle to take up the saxophone, and after modifying the instrument by adding a single octavemechanism (the modern system used today) and keys for the lower register, Soualle became known as a virtuoso and begantouring performing solo recitals (or mono-concerts, as they were called at the time) calling his modified saxophone the«turcophone ». He performed in all the European capitals and then traveled to Australia, New Zealand, Manilla, Java, throughChina and then to India where he finally settled in Mysore, becoming the director of the Royal Music for the Maharadjah. It wasduring this period that he converted to Islam and changed his nmae to Ali ben Sou Alle (or Ali, son of Soualle). Hesubsequently travaled to Ile Maurice, to French Polynesia, the Cap of Natal and the Cap of Good Hope. All of these voyageswere subjects of musical works which Soualle entitled Souvenirs de... and may perhaps have been part of a collection knownas The Royal Album which was presented to the Prince of Wales after a royal concert. Soualle returned to Mysore in 1858 and was almost killed in the Indian Revolution.Around 1860, Soualle returned to France for health reasons and began publishing his own music. On March 27 1865, heperformed a command performance for the Emperor Napoleon III at the Tuileries Palace in the presence of the entire ImperialFamily. After 1865, nothing more is known about him.Fantaisie sur Le Barbier de Séville begins with the Count's 1st act cavatina Ecco ridente in cielà This is followed by a seriesof variations sur Rosina's Cabaletta Io sono docile. The second act finale Fredda ed immobile is then presented in a number of variations. Finally, the second part of the Count and Figaros first act duo (Ah che d'amore) brings the work to a brilliant finish.
$19.95
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