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Saxophone Alto et Piano
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The Swan, (Le Cygne), by Saint-Saens, for Alto Saxophone and Piano
Saxophone Alto et Piano
Piano Accompaniment, Alto Sax - Intermediate - Digital Download Composed by Camille S…
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Piano Accompaniment, Alto Sax - Intermediate - Digital Download Composed by Camille Saint- Saens (1835-1921). Arranged by David McKeown. Romantic Period, Repertoire, General Instructional, Recital. Score, Solo Part. 7 pages. Published by David McKeown
Le Cygne, or The Swan, is the penultimate movementof Camille Saint-Saëns’ 1886 suite, Carnivalof the Animals. Most often played as a solo piece for cello with piano,the original version was scored for solo instrument and two pianos. It was the only movement for the Carnivalthat the composer allowed to be heard in public during his lifetime. Thisversion for Alto Saxophone with Pianoaccompaniment has been arranged to best suit the key and pitch of the soloinstrument. The pdf file contains both the piano accompaniment and the separatesolo part.<br> <br> Musicians at an intermediate level and above willfind this ideal for formal and informal performances. The melody is expressiveand legato; the piano accompaniment is challenging in its constant semiquaverarpeggios. The overall performance time is around three minutes. The linked full-length youtube performance is the Clarinet version of this arrangement.<br> <br> Teacherswill enjoy using this arrangement as a fun way to help with expressive playing.The legato in both parts demand precise fingers.Le Cygne, or The Swan, is the penultimate movementof Camille Saint-Saëns’ 1886 suite, Carnivalof the Animals. Most often played as a solo piece for cello with piano,the original version was scored for solo instrument and two pianos. It was the only movement for the Carnivalthat the composer allowed to be heard in public during his lifetime. Thisversion for Alto Saxophone with Pianoaccompaniment has been arranged to best suit the key and pitch of the soloinstrument. The pdf file contains both the piano accompaniment and the separatesolo part.<br> <br> Musicians at an intermediate level and above willfind this ideal for formal and informal performances. The melody is expressiveand legato; the piano accompaniment is challenging in its constant semiquaverarpeggios. The overall performance time is around three minutes. The linked full-length youtube performance is the Clarinet version of this arrangement.<br> <br> Teacherswill enjoy using this arrangement as a fun way to help with expressive playing.The legato in both parts demand precise fingers.
$4.60
4.21 €
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Saxophone Alto et Piano
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Camille Saint- Saens
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The Swan,
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David McKeown
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SheetMusicPlus
Mendelssohn: Wedding March for Alto Sax & Piano
Saxophone Alto et Piano
Alto Saxophone,Piano - Level 3 - Digital Download SKU: A0.549892 Composed by Felix …
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Alto Saxophone,Piano - Level 3 - Digital Download SKU: A0.549892 Composed by Felix Bartholdy Mendelssohn. Arranged by James M. Guthrie, ASCAP. Romantic Period,Standards,Wedding. Score and part. 23 pages. Jmsgu3 #3603399. Published by jmsgu3 (A0.549892). Score: 12 pages, piano part: 6 pages, alto sax part: 4 pages. duration: ca. 5'. This is the famous wedding march from Op. 61 composed in 1842 and commonly performed as a recessional march at the end of a wedding. The piece was originally composed for orchestra then arranged for organ and performed by Mendelssohn himself.Mendelssohn: Wedding March Mendelssohn’s Wedding March is so popular that it’s difficult to imagine a wedding without it. It seems like it’s been around for eternity. In any case, it was only 150 years or so ago that the Wedding March came about. It was performed in Potsdam for the first time in 1842, as a piece of Mendelssohn’s music for the Shakespeare play A Midsummer Night’s Dream. It was first used for a wedding in 1858 Mendelssohn Background Felix Mendelssohn (1809 –1847) was, by all means, a German mastermind composer, musician and orchestra conductor of the Romantic period. Consequently, Mendelssohn composed in the usual forms of the time - symphonies, concertos, oratorios, piano music, and chamber music. To summarize, his most famous works include his music for A Midsummer Night's Dream, the Italian Symphony, the Scottish Symphony, The Hebrides Overture, his later Concerto for Violin & Orchestra, and his Octet for Strings. His most well-known piano pieces, by and large, are the Songs Without Words. Artistic Standing Musical tastes change from time to time. Moreover, just such a change occurred in the late 19th and early 20th centuries. This plus rampant antisemitism brought a corresponding amount of undue criticism. Fortunately, however, his artistic inventiveness has indeed been critically re-evaluated. As a result, Mendelssohn is once again among the most prevalent composers of the Romantic era. Early Family Life Mendelssohn was, in fact, born into a prominent Jewish family. His grandfather was, notably, the philosopher Moses Mendelssohn. Felix was, in fact, raised without religion. At the age of seven, he was all of a sudden baptized as a Reformed Christian. He was, moreover, a child musical prodigy. Nevertheless, his parents did not attempt to exploit his talent. Early Adulthood Mendelssohn was, in general, successful in Germany. He conducted, in particular, a revival of the music of Johann Sebastian Bach, specifically with his presentation of the St Matthew Passion in 1829. Felix was truly in demand throughout Europe as a composer, conductor, and soloist. For example, he visited Britain ten times. There, he premiered, namely, many of his major works. His taste in music was. To be sure, inventive and well-crafted yet markedly conservative. This conservatism separated him by all means from more audacious musical colleagues like Liszt, Wagner, and Berlioz. Mendelssohn founded the Leipzig Conservatoire which, to clarify, became a defender of this conservative viewpoint. Mature Adulthood Schumann notably wrote that Mendelssohn was the Mozart of the nineteenth century, the most brilliant musician, the one who most clearly sees through the contradictions of the age and for the first time reconciles them. This observation points to a couple of features in particular that illustrate Mendelssohn's works and his artistic procedure. Musical Features In the first place, his musical style was fixed in his methodical mastery of the style of preceding masters. This being said, he certainly recognized and even developed early romanticism from the music of Beethoven and Weber. Secondly, it indicates that Mendelssohn sought to strengthen his inherited musical legacy rather than to exchange it with new forms and styles or replace it with exotic orchestration. Consequently, he diverged his contemporaries in the romantic period, such as Wagner, Berlioz, and Liszt. Mendelssohn revered Liszt's virtuos.
$32.95
30.12 €
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Saxophone Alto et Piano
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Felix Bartholdy Mendelssohn
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James M
#
Mendelssohn: Wedding March for Alto Sax & Piano
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jmsgu3
#
SheetMusicPlus
Mendelssohn: Song Without Words Op. 109 for Alto Sax & Piano
Saxophone Alto et Piano
Alto Saxophone,Piano - Level 3 - Digital Download SKU: A0.549489 Composed by Felix …
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Alto Saxophone,Piano - Level 3 - Digital Download SKU: A0.549489 Composed by Felix Bartholdy Mendelssohn. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and part. 20 pages. Jmsgu3 #3500661. Published by jmsgu3 (A0.549489). ALTO SAX & PIANO - Score: 11 pages, solo part: 3 pages, piano part: 5 pages. Duration: 4:20. This is a popular recital piece that would work well also in church or school programs. Mendelssohn Background Felix Mendelssohn (1809 –1847) was, by all means, a German mastermind composer, musician, and orchestra conductor of the Romantic period. Consequently, Mendelssohn composed in the usual forms of the time - symphonies, concertos, oratorios, piano music, and chamber music. To summarize, his most famous works include his music for A Midsummer Night's Dream, the Italian Symphony, the Scottish Symphony, The Hebrides Overture, his later Concerto for Violin & Orchestra, and his Octet for Strings. His most well-known piano pieces, by and large, are the Songs Without Words. Artistic Standing  Musical tastes change from time to time. Moreover, just such a change occurred in the late 19th and early 20th centuries. This plus rampant antisemitism brought a corresponding amount of undue criticism. Fortunately, however, his artistic inventiveness has indeed been critically re-evaluated. As a result, Mendelssohn is once again among the most prevalent composers of the Romantic era. Early Family Life Mendelssohn was, in fact, born into a prominent Jewish family. His grandfather was, notably, the philosopher Moses Mendelssohn. Felix was, in fact, raised without religion. At the age of seven, he was suddenly baptized as a Reformed Christian. He was, moreover, a child musical prodigy. Nevertheless, his parents did not attempt to exploit his talent. Early Adulthood Mendelssohn was, in general, successful in Germany. He conducted, in particular, a revival of the music of Johann Sebastian Bach, specifically with his presentation of the St Matthew Passion in 1829. Felix was truly in demand throughout Europe as a composer, conductor, and soloist. For example, he visited Britain ten times. There, he premiered, namely, many of his significant works. His taste in music was. To be sure, inventive and well-crafted yet markedly conservative. This conservatism separated him by all means from more audacious musical colleagues like Liszt, Wagner, and Berlioz. Mendelssohn founded the Leipzig Conservatoire which, to clarify, became a defender of this conservative viewpoint. Mature Adulthood Schumann notably wrote that Mendelssohn was the Mozart of the nineteenth century, the most brilliant musician, the one who most clearly sees through the contradictions of the age and for the first time reconciles them. This observation points to a couple of features in particular that illustrate Mendelssohn's works and his artistic procedure. Musical Features In the first place, his musical style was fixed in his systematic mastery of the style of preceding masters. This being said, he certainly recognized and even developed early romanticism from the music of Beethoven and Weber. Secondly, it indicates that Mendelssohn sought to strengthen his inherited musical legacy rather than to exchange it with new forms and styles or replace it with exotic orchestration. Consequently, he diverged his contemporaries in the romantic period, such as Wagner, Berlioz, and Liszt. Mendelssohn revered Liszt's virtuosity at the keyboard but found his music rather insubstantial.
$32.95
30.12 €
#
Saxophone Alto et Piano
#
Felix Bartholdy Mendelssohn
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James M
#
Mendelssohn: Song Without Words Op. 109 for Alto Sax & Piano
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jmsgu3
#
SheetMusicPlus
Saint-Saëns: The Swan for Alto Sax & Piano
Saxophone Alto et Piano
Alto Saxophone,Piano - Level 3 - Digital Download SKU: A0.1314328 Composed by Camil…
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Alto Saxophone,Piano - Level 3 - Digital Download SKU: A0.1314328 Composed by Camille Saint-Saens. Arranged by James M. Guthrie. 19th Century,Chamber,Contest,Festival,Historic,Romantic Period. Score and part. 11 pages. Jmsgu3 #903072. Published by jmsgu3 (A0.1314328). Saint-Saëns: The Swan (Le Cygne) movement 13 from the Carnival of the Animals Suite. One of his most popular and widely recognized works, it is the only movement from the Carnival Suite that Saint-Saëns permitted to be performed publicly during his lifetime. This is an excellent recital encore to demonstrate melodic playing and strategic phrasing.The Carnival of the AnimalsThe Carnival of the Animals is an entertaining musical suite of fourteen movements by Camille Saint-Saëns. The work was composed for private performance by an ensemble of two pianos and solo instruments. The Swan (No. 13) is among the fourteen most famous movements. In its entirety, it lasts about 25 minutes.Saint-Saëns BackgroundCharles-Camille Saint-Saëns 1835 – 1921) was, by all means, in particular, a famous French composer, brilliant organist, and significant musical mastermind of the Romantic era. Indeed, his most famous compositions, in the long run, include his Piano Concerto No. 2 (1868), Cello Concerto No. 1 (1872), and the Danse macabre (1874). Notwithstanding, we must also add Violin Concerto No. 3 (1880), Symphony No. 3 (the Organ Symphony, 1886), and, it must be remembered, Carnival of the Animals (1886) to the list.ChildhoodIt is essential to realize that Saint-Saëns was undoubtedly, in fact, a child musical prodigy. Consequently, with this in mind, he made his concert debut, albeit at ten years old. Another critical point to remember is that he expressly studied at the Paris Conservatoire, then, despite reality, conversely followed a traditional career path as a church organist. Nevertheless, twenty years later, on the other hand, he left to become a successful freelance pianist and composer despite, as has been noted, his former employment situation. Furthermore, his performances were, after all, markedly in demand - not only in Europe but, above all, in the Americas all in all as well.YouthA point often overlooked is that in his youth, Saint-Saëns was undoubtedly excited about the modern music of the day. He was, in essence, fond of the music of his contemporaries, particularly Schumann, Liszt, and, for the most part, Wagner. In contrast, however, his compositions seemed, in fact, primarily confined within the conservative classical tradition. Be that as it may, he was, at the same time, nevertheless, a scholar of musical history.CriticismOn the whole, his conservatism, in fact, ultimately brought him into frequent conflict in his later years with composers of the impressionist and, in particular, the dodecaphonic schools of musical thought. A point often overlooked is that he included neoclassical elements in his music, contrary to some critics. Furthermore, in so doing, he provided the most compelling evidence that he predicted the techniques and works by Stravinsky and Les Six. To put it another way, given these points, he was regarded, perhaps for the most part unfairly, as a non-progressive reactionary henceforth around the time of his passing.LegacySaint-Saëns taught briefly in Paris, where his students included Gabriel Fauré. Maurice Ravel later studied with Fauré. In conclusion, both Ravel and Fauré were powerfully influenced by Saint-Saëns, whom they respected as a musical mastermind.
$32.95
30.12 €
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Saxophone Alto et Piano
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Camille Saint-Saens
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James M
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Saint-Saëns: The Swan for Alto Sax & Piano
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jmsgu3
#
SheetMusicPlus
Romance, Op. 36
Saxophone Alto et Piano
Alto Saxophone,Piano - Level 2 - Digital Download SKU: A0.1510794 Composed by Camil…
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Alto Saxophone,Piano - Level 2 - Digital Download SKU: A0.1510794 Composed by Camille Saint-Saens. Arranged by Steven Nunes. 19th Century,Romantic Period. Score and part. 8 pages. Nagamon Publications #1085999. Published by Nagamon Publications (A0.1510794). Charles-Camille Saint-Saëns (9 October 1835 – 16 December 1921) was a French composer, organist, conductor and pianist of the Romantic era. Saint-Saëns was a musical prodigy; he made his concert debut at the age of ten. After studying at the Paris Conservatoire he followed a conventional career as a church organist, first at Saint-Merri, Paris and, from 1858, La Madeleine, the official church of the French Empire. After leaving the post twenty years later, he was a successful freelance pianist and composer, in demand in Europe and the Americas.This delightful short work works well as a lyrical exercise, as well as being able to fit into any recital situation.
$8.00
7.31 €
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Saxophone Alto et Piano
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Camille Saint-Saens
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Steven Nunes
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Romance, Op. 36
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Nagamon Publications
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SheetMusicPlus
Let All Mortal Flesh Keep Silence - Alto Sax solo
Saxophone Alto et Piano
Alto Saxophone,Piano - Level 4 - Digital Download SKU: A0.1038738 By Brian Buda. By…
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Alto Saxophone,Piano - Level 4 - Digital Download SKU: A0.1038738 By Brian Buda. By French carol. Arranged by Brian Buda. Christmas,Holiday,Sacred,Traditional. Score and part. 8 pages. Budaful music #643716. Published by budaful music (A0.1038738). This haunting tune, arranged for piano and alto sax, tells the awe-inspiring Christmas story of God becoming man. It is perfect for Advent/Christmas concerts, programs, recitals, and offertories. It runs approximately at 3:24. This PDF includes a 5 page accompaniment part as well as a 2-page alto sax part. Lyrics from Hymnary.org: Let all mortal flesh keep silence, and with fear and trembling stand; ponder nothing earthly minded, for with blessing in His hand Christ our God to earth descendeth, our full homage to demand. King of kings, yet born of Mary, as of old on earth He stood, Lord of lords, in human vesture - in the body and the blood. He will give to all the faithful His own self for heavenly food. At His feet the six-winged seraph, cherubim, with sleepless eye, veil their faces to the Presence, as with ceaseless voice they cry, Alleluia, alleluia! Alleluia, Lord most high! SoundCloud: https://soundcloud.com/brian_buda/let-all-mortal-flesh-keep-silence Practice with an isolated piano accompaniment track: https://soundcloud.com/brian_buda/let-all-mortal-flesh-keep-silence-accompaniment-track.
$3.99
3.65 €
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Saxophone Alto et Piano
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Brian Buda
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Brian Buda
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Let All Mortal Flesh Keep Silence - Alto Sax solo
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budaful music
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SheetMusicPlus
Andante expressivo from "Songs Without Words" Op.30 No.1
Saxophone Alto et Piano
Alto Saxophone,Piano - Level 2 - Digital Download SKU: A0.1402932 By Felix Barthold…
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Alto Saxophone,Piano - Level 2 - Digital Download SKU: A0.1402932 By Felix Bartholdy Mendelssohn. By Felix Bartholdy Mendelssohn. Arranged by Ian Fitze. 19th Century,Contest,Festival,Instructional,Romantic Period. Score and part. 8 pages. Ian Fitze #986152. Published by Ian Fitze (A0.1402932). Visit my website at IAN FITZE MUSICAL ARRANGEMENTS for a complete catalogue of my works including FREE DOWNLOADS.This is one of Mendelssohn's most moving of his Songs Without Words a simple melody that continuously contrasts rhythmically with the triplet feel accompaniment. For a novice soloist it provides a rare opportunity to read in 12/8. Technically not too demanding for both the soloist and the accompanist.
$1.99
1.82 €
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Saxophone Alto et Piano
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Felix Bartholdy Mendelssohn
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Ian Fitze
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Andante expressivo from "Songs Without Words" Op.30 No.1
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Ian Fitze
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SheetMusicPlus
Midwinter altosax&piano
Saxophone Alto et Piano
Instrumental Duet,Piano Alto Saxophone,Baritone Saxophone,Instrumental Duet,Piano - Level …
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Instrumental Duet,Piano Alto Saxophone,Baritone Saxophone,Instrumental Duet,Piano - Level 2 - Digital Download SKU: A0.949932 Composed by Tommy Johansson, Hjo. 20th Century. Score and parts. 4 pages. Tommy Johansson, Hjo #6214799. Published by Tommy Johansson, Hjo (A0.949932). Midwinter A bittersweet composition for alto saxophone and piano by Tommy Johansson, Hjo. Technically, a non-demanding piece in a post-romantic/impressionistic style. Score/parts: three pages Key: F-minor/F#-minor Duration: 2.40 (5.20 repeated) Available for other instruments/vocal, as well. The full piece is available, to listen to, at my Youtube channel for free: About the composer: Tommy Johansson, Hjo (Sweden) Music teacher, arranger and composer. After a Master degree in Fine Arts of Music at the Gothenburg Academy of Music, advanced training in arrangement and composition. Frequently hired arranger and music instructor. Many more arrangements by this arranger are to be found at sheetmusicplus.com
$5.99
5.48 €
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Saxophone Alto et Piano
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Tommy Johansson, Hjo
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Midwinter altosax&piano
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Tommy Johansson, Hjo
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SheetMusicPlus
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