Page d'accueil
Parcourir Free-scores.com
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
EUROPE
Non classifié
1 553
Piano & claviers
Piano, Voix et Guitare
1 868
Piano seul
1 013
Piano Facile
755
Piano, Voix
528
Accordéon
385
Orgue
58
Orgue, Trompette (duo)
28
1 Piano, 4 mains
24
Instruments en Do
18
2 Pianos, 4 mains
14
2 Accordéons
13
Piano Trio: piano, violon, violoncelle
12
Piano grosses notes
12
Clavier
6
Piano Quatuor: piano, violon, alto, violoncelle
5
Accompagnement Piano
3
Ensemble d'Accordéons
3
Piano Quintette: piano, 2 violons, alto, violoncelle
2
Accordéon - Piano, Voix, Guitare
2
1 Piano, 6 mains
2
2 Pianos, 8 mains
2
Orgue, Piano (duo)
2
Piano (partie séparée)
1
Piano Quatuor: piano, 2 violons, violoncelle
1
+ 19 instrumentations
Retracter
Guitares
Ukulele
513
Ligne De Mélodie, (Paroles) et Accords
451
Guitare notes et tablatures
451
Paroles et Accords
315
Guitare
285
2 Guitares (duo)
25
Basse electrique
21
Mandoline, Guitare (duo)
6
4 Guitares (Quatuor)
6
Mandoline
5
Banjo
3
Guitare, Violon, Violoncelle (trio)
3
Bouzouki
2
Piano, Guitare (duo)
2
3 Guitares (trio)
2
Ensemble de guitares
2
Ukulele Baryton
1
2 Mandolines (duo)
1
Dulcimer
1
Guitare, Flûte, Clarinette
1
Orchestre à Plectres
1
+ 16 instrumentations
Retracter
Voix
Chorale SATB
314
Chorale 3 parties
63
Chorale 2 parties
26
Chorale TTBB
22
Pack Instrumental pour Chorale
16
Voix seule
9
Chorale SSAA
9
Voix duo, Piano
8
Chorale Unison
5
Voix Soprano, Piano
3
Chorale
2
Voix haute
2
Voix Mezzo-Soprano, Piano
2
Chorale SSATB
2
Chorale SSATTB
2
Chorale SAATB A Cappella
1
Voix Alto, Piano
1
Voix basse, Piano
1
Voix duo
1
Voix Baryton, Piano
1
+ 15 instrumentations
Retracter
Vents
Flûte traversière
396
Saxophone Alto
203
Clarinette
176
Quatuor de Saxophones: 4 saxophones
117
Flûte traversière et Piano
107
Clarinette et Piano
81
Quatuor de Clarinettes: 4 clarinettes
80
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
77
2 Saxophones (duo)
51
Saxophone Alto et Piano
48
Saxophone Tenor
44
2 Flûtes traversières (duo)
44
Quintette de Saxophone: 5 saxophones
44
2 Clarinettes (duo)
43
3 Saxophones (trio)
40
Saxophone (partie séparée)
36
Saxophone Tenor et Piano
35
Quatuor de Flûtes : 4 flûtes
35
Saxophone Soprano et Piano
33
Trio de Flûtes: 3 flûtes
33
Hautbois, Piano (duo)
31
Ensemble de Flûtes
26
Saxophone
26
2 Flûtes traversières, Piano
26
Cor anglais, Piano
24
Flûte, Hautbois, Basson
23
3 Clarinettes (trio)
22
Saxophone Baryton, Piano
22
Flûte, Clarinette (duo)
21
Flûte et Guitare
18
Flûte, Hautbois, Clarinette, Basson
17
Hautbois, Clarinette, Basson (trio d'anches)
17
Flûte irlandaise
16
Saxophone, Clarinette (duo)
15
Clarinette Basse, Piano
15
Quintette de Clarinettes: 5 clarinettes
14
Flûte, Hautbois, Clarinette (trio)
13
Quatuor de Flûtes à bec
12
Hautbois (partie séparée)
12
Clarinette, Violon (duo)
10
Clarinette, Trompette (duo)
10
2 Hautbois (duo)
9
Flûte, Violoncelle, Piano (trio)
9
Flûte, Alto (duo)
9
Clarinette (partie séparée)
8
Flûte, Violon
8
Flûte à Bec
8
5 Flûtes à bec
8
Flûte, Saxophone (duo)
7
Clarinette, Guitare (duo)
7
Saxophone Soprano
7
Ensemble de Clarinettes
6
Hautbois, Clarinette (duo)
6
Hautbois, Basson (duo)
6
Hautbois, Flûte
6
Clarinette et Alto
6
2 Flûte à bec (duo)
6
Flûte à bec Soprano, Piano
5
Flûte, Clarinette et Basson
5
4 Hautbois
4
Flûte, Trompette (duo)
4
Quintette de Flûte : 5 flûtes
4
Flûte à bec Alto
4
3 Flûtes à bec (trio)
4
Ensemble de saxophones
4
Flûte, Violon, Piano
3
Clarinette, Basson (duo)
3
Flûte, Alto et Piano
3
Flûte à bec Soprano
3
Hautbois, Guitare (duo)
2
Ensemble de Hautbois
2
Harmonica, Piano
2
Flûte à bec, Guitare (duo)
2
2 Saxophones, Piano
2
Saxophone et Harpe
2
Flûte, alto et harpe
2
Piccolo, Piano
2
Saxophone et Guitare
2
Flûte, Clarinette, Piano (trio)
2
Hautbois, Harpe
1
2 Hautbois et Basson
1
Flûte et Trio à cordes
1
Hautbois
1
Ocarina
1
Hautbois, Violin, Alto et Violoncelle (Quatuor)
1
2 Clarinettes, Piano
1
Flûte et Quatuor à Cordes
1
Clarinette, Harpe (duo)
1
Flûte à Bec, Piano
1
Ensemble De Flûte à bec
1
Flûte, Basson et Piano
1
Flute (partie séparée)
1
Clarinette Basse
1
2 Flûtes traversières, Guitare
1
2 Flûtes à bec, Piano
1
Flûte traversière, Orchestre
1
Cor anglais, Guitare (duo)
1
Flûte, Violon et Violoncelle
1
Cor anglais et Harpe (duo)
1
Flûte, Hautbois (duo)
1
Hautbois, Violoncelle
1
Flûte, Violoncelle
1
Clarinette, Violoncelle (duo)
1
Flûte de Pan
1
Flûte à bec Alto, Piano
1
+ 100 instrumentations
Retracter
Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
182
Trompette
60
Trompette, Piano
39
Cor et Piano
33
Trombone et Piano
33
Ensemble de Trompettes
31
Trombone
28
Euphonium, Piano (duo)
26
Quatuor de Cuivres : 2 trompettes, trombone, tuba
26
Cor anglais, Piano
24
Tuba et Piano
17
Quatuor de cuivres: 4 trombones
16
2 Trompettes (duo)
13
2 Trompettes, Clavier (piano ou orgue)
13
2 Trombones (duo)
10
Trompette, Trombone (duo)
10
Quatuor de Cuivres: 2 trompettes, Cor, trombone
10
Trompette, Saxophone (duo)
10
Quatuor de Cuivres
10
Trombone (partie séparée)
9
Trompette (partie séparée)
9
Ensemble de Trombones
8
Ensemble de Cors
8
4 Tubas
8
Quatuor de cuivres: 4 cors
7
Cor
6
3 Trompettes (trio)
6
Quatuor de cuivres: 4 trompettes
5
2 Cors (duo)
5
Tuba
5
3 Trombones (trio)
5
Trompette, Cor (duo)
3
4 Euphoniums
2
Cor et Harpe
2
2 Tubas (duo)
2
3 Tubas (trio)
1
3 Cors (trio)
1
Trombone basse
1
Tuba (partie séparée)
1
Cor anglais, Guitare (duo)
1
Trombone, Cor (duo)
1
Cor anglais et Harpe (duo)
1
Euphonium
1
Trompette, Basson (duo)
1
Cor (partie séparée)
1
+ 40 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
206
Violon
165
Harpe
115
Violon et Piano
111
Violoncelle
74
Violoncelle, Piano
62
Alto, Piano
50
Trio à Cordes: violon, alto, violoncelle
46
Violon, Violoncelle (duo)
27
Trio à cordes: 3 violins
25
2 Violons (duo)
25
2 Violoncelles (duo)
20
Violoncelle , Guitare (duo)
19
2 Harpes (duo)
14
Trio à Cordes: 3 violoncelles
12
Violon (partie séparée)
12
Alto seul
11
4 Violoncelles
11
Violon, Alto (duo)
10
2 Altos (duo)
9
Contrebasse, Piano (duo)
8
Trio à cordes
8
Alto, Violoncelle (duo)
8
Alto, Guitare (duo)
7
Alto (partie séparée)
6
Quatuor à cordes: 4 violons
5
Violon, Guitare (duo)
5
Trio à cordes: 3 altos
4
Violoncelle (partie séparée)
4
Harpe et Piano
4
Harpe, Flûte (duo)
4
Quintette à cordes: 2 violons, alto, violoncelle, basse
4
Ensemble de Contre basses
3
Quatuor à cordes : 4 altos
3
2 Violons, Piano
3
Harpe, Violon (duo)
3
Trio à Cordes: 2 violons, violoncelle
3
Contre Basse
3
Contrebasse (partie séparée)
3
Violon, Orgue
2
Ensemble de Violons
2
Harpe, Violon, Violoncelle
2
Ensemble de Violoncelles
2
2 Violoncelles, Piano
1
Violoncelle, Orgue
1
Harpe, Trombone (duo)
1
Alto et Harpe
1
Violoncelle, Basse continue
1
Harpe, Voix
1
Harpe, Violoncelle (duo)
1
+ 45 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
264
Orchestre à Cordes
90
Orchestre
68
Ensemble de cuivres
53
Batterie
39
Cloches
26
Ensemble Jazz
23
Orchestre de chambre
16
Quintette à Vent
8
Percussion (partie séparée)
5
Jazz combo
5
Marimba
5
Quintette de Cuivres: autres combinaisons
4
Fanfare
4
Ensemble de Percussions
3
Instrumentation Flexible
2
Quatuor à Vent : 4 instruments à vents
2
Vibraphone
2
Percussion
2
Piano et Orchestre
1
Ensemble d'École
1
Marimba ou Xylophone et Piano
1
Trio à Vent: 3 instruments à vents
1
2 Caisses Claires (duo)
1
Big band
1
Marimba et Orgue
1
+ 21 instrumentations
Retracter
Autres
Formation musicale - Solfège
6
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
Achats pour Musiciens
Partitions Numériques
Librairie Musicale
Matériel de musique
Idées cadeaux
A propos de free-scores.com
€
€
EUR €
USD $
GBP £
CAD $
CNY ¥
English
Partitions Gratuites
0
Partitions Numériques
48
Librairie Musicale
4
Matériel de Musique
927
Partitions numériques
Accès après achat
Expédition postale
Téléchargement
← INSTRUMENTATIONS
TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
THANKSGIVING
Vendeurs (tous)
Musicnotes
Note4Piano
Noviscore
Profs-edition
Quickpartitions
SheetMusicPlus
Tomplay
Virtualsheetmusic
Pertinence
Ventes
Prix - au +
Prix + au -
Nouveautes
A-Z
difficulté (tous)
débutant
facile
intermédiaire
avancé
expert
avec audio
avec vidéo
avec play-along
Vous avez sélectionné:
EUROPE
Saxophone Alto et Piano
Partitions à imprimer
48 partitions trouvées
<
1
26
Romance, Op. 36
#
Saxophone Alto et Piano
#
FACILE
#
Camille Saint-Saens
#
Steven Nunes
#
Romance, Op. 36
#
Nagamon Publications
#
SheetMusicPlus
Alto Saxophone,Piano - Level 2 - SKU: A0.1510794 Composed by Camille Saint-Saens. Arranged by Steven Nunes. 19th Century,Romantic Period. Score and part...
(+)
Alto Saxophone,Piano - Level 2 - SKU: A0.1510794 Composed by Camille Saint-Saens. Arranged by Steven Nunes. 19th Century,Romantic Period. Score and part. 8 pages. Nagamon Publications #1085999. Published by Nagamon Publications (A0.1510794). Charles-Camille Saint-Saëns (9 October 1835 – 16 December 1921) was a French composer, organist, conductor and pianist of the Romantic era. Saint-Saëns was a musical prodigy; he made his concert debut at the age of ten. After studying at the Paris Conservatoire he followed a conventional career as a church organist, first at Saint-Merri, Paris and, from 1858, La Madeleine, the official church of the French Empire. After leaving the post twenty years later, he was a successful freelance pianist and composer, in demand in Europe and the Americas.This delightful short work works well as a lyrical exercise, as well as being able to fit into any recital situation.
$8.00
Dichterliebe, Op.48 No.1 - Alto Sax and Piano (Full Score and Parts)
#
Saxophone Alto et Piano
#
INTERMÉDIAIRE
#
Robert Schumann
#
César Madeira
#
Dichterliebe, Op.48 No.1 - Alt
#
Sheet Music To Play Editions
#
SheetMusicPlus
Alto Saxophone,Piano - Level 3 - SKU: A0.1421263 Composed by Robert Schumann. Arranged by César Madeira. 19th Century,Classical,Lent,Multicultural,Ro...
(+)
Alto Saxophone,Piano - Level 3 - SKU: A0.1421263 Composed by Robert Schumann. Arranged by César Madeira. 19th Century,Classical,Lent,Multicultural,Romantic Period,World. Score and part. 8 pages. Sheet Music To Play Editions #1002656. Published by Sheet Music To Play Editions (A0.1421263). Dichterliebe, Op.48 No.1 (Im wunderschönen Monat Mai) by Robert Schumann. Arrangement for Alto Sax and Piano. With Full Score and Individual Parts. Enjoy it!Robert Schumann (1810 – 1856) was a German composer, pianist, and influential music critic. He is widely regarded as one of the greatest composers of the Romantic era. Schumann left the study of law, intending to pursue a career as a virtuoso pianist. His teacher, Friedrich Wieck, a German pianist, had assured him that he could become the finest pianist in Europe, but a hand injury ended this dream. Schumann then focused his musical energies on composing.For Tutorials, Play Alongs or request New Arrangements, visit the YouTube Channel: Sheet Music To Play
$7.99
Saint-Saëns: The Swan for Alto Sax & Piano
#
Saxophone Alto et Piano
#
INTERMÉDIAIRE
#
Classique
#
Camille Saint-Saens
#
James M
#
Saint-Saëns: The Swan for
#
jmsgu3
#
SheetMusicPlus
Alto Saxophone,Piano - Level 3 - SKU: A0.1314328 Composed by Camille Saint-Saens. Arranged by James M. Guthrie. 19th Century,Chamber,Contest,Festival,Hi...
(+)
Alto Saxophone,Piano - Level 3 - SKU: A0.1314328 Composed by Camille Saint-Saens. Arranged by James M. Guthrie. 19th Century,Chamber,Contest,Festival,Historic,Romantic Period. Score and part. 11 pages. Jmsgu3 #903072. Published by jmsgu3 (A0.1314328). Saint-Saëns: The Swan (Le Cygne) movement 13 from the Carnival of the Animals Suite. One of his most popular and widely recognized works, it is the only movement from the Carnival Suite that Saint-Saëns permitted to be performed publicly during his lifetime. This is an excellent recital encore to demonstrate melodic playing and strategic phrasing.The Carnival of the AnimalsThe Carnival of the Animals is an entertaining musical suite of fourteen movements by Camille Saint-Saëns. The work was composed for private performance by an ensemble of two pianos and solo instruments. The Swan (No. 13) is among the fourteen most famous movements. In its entirety, it lasts about 25 minutes.Saint-Saëns BackgroundCharles-Camille Saint-Saëns 1835 – 1921) was, by all means, in particular, a famous French composer, brilliant organist, and significant musical mastermind of the Romantic era. Indeed, his most famous compositions, in the long run, include his Piano Concerto No. 2 (1868), Cello Concerto No. 1 (1872), and the Danse macabre (1874). Notwithstanding, we must also add Violin Concerto No. 3 (1880), Symphony No. 3 (the Organ Symphony, 1886), and, it must be remembered, Carnival of the Animals (1886) to the list.ChildhoodIt is essential to realize that Saint-Saëns was undoubtedly, in fact, a child musical prodigy. Consequently, with this in mind, he made his concert debut, albeit at ten years old. Another critical point to remember is that he expressly studied at the Paris Conservatoire, then, despite reality, conversely followed a traditional career path as a church organist. Nevertheless, twenty years later, on the other hand, he left to become a successful freelance pianist and composer despite, as has been noted, his former employment situation. Furthermore, his performances were, after all, markedly in demand - not only in Europe but, above all, in the Americas all in all as well.YouthA point often overlooked is that in his youth, Saint-Saëns was undoubtedly excited about the modern music of the day. He was, in essence, fond of the music of his contemporaries, particularly Schumann, Liszt, and, for the most part, Wagner. In contrast, however, his compositions seemed, in fact, primarily confined within the conservative classical tradition. Be that as it may, he was, at the same time, nevertheless, a scholar of musical history.CriticismOn the whole, his conservatism, in fact, ultimately brought him into frequent conflict in his later years with composers of the impressionist and, in particular, the dodecaphonic schools of musical thought. A point often overlooked is that he included neoclassical elements in his music, contrary to some critics. Furthermore, in so doing, he provided the most compelling evidence that he predicted the techniques and works by Stravinsky and Les Six. To put it another way, given these points, he was regarded, perhaps for the most part unfairly, as a non-progressive reactionary henceforth around the time of his passing.LegacySaint-Saëns taught briefly in Paris, where his students included Gabriel Fauré. Maurice Ravel later studied with Fauré. In conclusion, both Ravel and Fauré were powerfully influenced by Saint-Saëns, whom they respected as a musical mastermind.
$32.95
It's Been A Long, Long Time
#
Saxophone Alto et Piano
#
INTERMÉDIAIRE
#
Contemporain
#
Jule Styne
#
David McKeown
#
It's Been A Long, Long Time
#
David McKeown
#
SheetMusicPlus
Alto Saxophone,Piano - Level 3 - SKU: A0.592548 Composed by Jule Styne. Arranged by David McKeown. Contemporary. Score and part. 6 pages. David McKeown ...
(+)
Alto Saxophone,Piano - Level 3 - SKU: A0.592548 Composed by Jule Styne. Arranged by David McKeown. Contemporary. Score and part. 6 pages. David McKeown #6366359. Published by David McKeown (A0.592548). It’s Been a Long Long Time is arranged as a solo for one Alto Saxophone with Piano accompaniment. It’s Been a Long Long Time is best known to modern audiences as the song at the end of The Avengers, Endgame, where Steve Rogers, after seventy years, finally gets his dance with Peggy Carter. The song of course, is much older. Two versions of It’s Been a Long Long Time topped the charts in late 1945, and as US servicemen returned from Europe and the Pacific, it perfectly caught the mood of the times. One version was by Bing Crosby, and the other by the Harry James Orchestra featuring Kitty Kallen on vocals. It is the latter version that is heard in Endgame and the one that forms the basis of this arrangement.Musicians at an intermediate standard will find It’s Been a Long Long Time ideal for formal and informal concert performances. with both solo instrument and piano enjoying plenty of melodic interest. The separate solo part is included with the piano score in the same pdf file. The overall performance time is just over two and a half minutes. Click the link above to listen to a full performance of the clarinet version on YouTube.To keep up with new titles, search for Dave McKeown Sheet Music Downloads on Facebook.There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$5.99
Mendelssohn: Wedding March for Alto Sax & Piano
#
Saxophone Alto et Piano
#
INTERMÉDIAIRE
#
Classique
#
Felix Bartholdy Mendelssohn
#
James M
#
Mendelssohn: Wedding March for
#
jmsgu3
#
SheetMusicPlus
Alto Saxophone,Piano - Level 3 - SKU: A0.549892 Composed by Felix Bartholdy Mendelssohn. Arranged by James M. Guthrie, ASCAP. Romantic Period,Standards,...
(+)
Alto Saxophone,Piano - Level 3 - SKU: A0.549892 Composed by Felix Bartholdy Mendelssohn. Arranged by James M. Guthrie, ASCAP. Romantic Period,Standards,Wedding. Score and part. 23 pages. Jmsgu3 #3603399. Published by jmsgu3 (A0.549892). Score: 12 pages, piano part: 6 pages, alto sax part: 4 pages. duration: ca. 5'. This is the famous wedding march from Op. 61 composed in 1842 and commonly performed as a recessional march at the end of a wedding. The piece was originally composed for orchestra then arranged for organ and performed by Mendelssohn himself.Mendelssohn: Wedding March Mendelssohn’s Wedding March is so popular that it’s difficult to imagine a wedding without it. It seems like it’s been around for eternity. In any case, it was only 150 years or so ago that the Wedding March came about. It was performed in Potsdam for the first time in 1842, as a piece of Mendelssohn’s music for the Shakespeare play A Midsummer Night’s Dream. It was first used for a wedding in 1858 Mendelssohn Background Felix Mendelssohn (1809 –1847) was, by all means, a German mastermind composer, musician and orchestra conductor of the Romantic period. Consequently, Mendelssohn composed in the usual forms of the time - symphonies, concertos, oratorios, piano music, and chamber music. To summarize, his most famous works include his music for A Midsummer Night's Dream, the Italian Symphony, the Scottish Symphony, The Hebrides Overture, his later Concerto for Violin & Orchestra, and his Octet for Strings. His most well-known piano pieces, by and large, are the Songs Without Words. Artistic Standing Musical tastes change from time to time. Moreover, just such a change occurred in the late 19th and early 20th centuries. This plus rampant antisemitism brought a corresponding amount of undue criticism. Fortunately, however, his artistic inventiveness has indeed been critically re-evaluated. As a result, Mendelssohn is once again among the most prevalent composers of the Romantic era. Early Family Life Mendelssohn was, in fact, born into a prominent Jewish family. His grandfather was, notably, the philosopher Moses Mendelssohn. Felix was, in fact, raised without religion. At the age of seven, he was all of a sudden baptized as a Reformed Christian. He was, moreover, a child musical prodigy. Nevertheless, his parents did not attempt to exploit his talent. Early Adulthood Mendelssohn was, in general, successful in Germany. He conducted, in particular, a revival of the music of Johann Sebastian Bach, specifically with his presentation of the St Matthew Passion in 1829. Felix was truly in demand throughout Europe as a composer, conductor, and soloist. For example, he visited Britain ten times. There, he premiered, namely, many of his major works. His taste in music was. To be sure, inventive and well-crafted yet markedly conservative. This conservatism separated him by all means from more audacious musical colleagues like Liszt, Wagner, and Berlioz. Mendelssohn founded the Leipzig Conservatoire which, to clarify, became a defender of this conservative viewpoint. Mature Adulthood Schumann notably wrote that Mendelssohn was the Mozart of the nineteenth century, the most brilliant musician, the one who most clearly sees through the contradictions of the age and for the first time reconciles them. This observation points to a couple of features in particular that illustrate Mendelssohn's works and his artistic procedure. Musical Features In the first place, his musical style was fixed in his methodical mastery of the style of preceding masters. This being said, he certainly recognized and even developed early romanticism from the music of Beethoven and Weber. Secondly, it indicates that Mendelssohn sought to strengthen his inherited musical legacy rather than to exchange it with new forms and styles or replace it with exotic orchestration. Consequently, he diverged his contemporaries in the romantic period, such as Wagner, Berlioz, and Liszt. Mendelssohn revered Liszt's virtuos.
$32.95
DvoÅ™ák: Largo from the New World Symphony for Alto Sax & Piano
#
Saxophone Alto et Piano
#
FACILE
#
Classique
#
Antonin Dvorak
#
James M
#
dynamic control
#
DvoÅ™ák: Largo from
#
jmsgu3
#
SheetMusicPlus
Alto Saxophone,Piano - Level 2 - SKU: A0.549423 Composed by Antonin Dvorak. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,St...
(+)
Alto Saxophone,Piano - Level 2 - SKU: A0.549423 Composed by Antonin Dvorak. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and part. 12 pages. Jmsgu3 #3494005. Published by jmsgu3 (A0.549423). Score: 7 pages, solo part: 2 pages, piano part: 3 pages. Duration: 4:25. Not difficult, but requires sensitivity & dynamic control. Suitable for recitals, church meditations, or school programs. Dvořák Background AntonÃn Dvořák (1841 –1904) was, of course, a composer from Czechoslovakia. As a matter of fact, he was among the first Bohemian composers to attain universal recognition. It is important to realize that the late Romantic Nationalist period featured composers who used traditional and folk elements to portray the character of their nation. In particular, we see this in the music of Grieg (Norway), Finland (Sibelius), and Smetana (Bohemia).  Dvořák relied markedly on rhythms and other characteristics of Moravian and Bohemian folk music. Ascent to Fame Dvořák was truly a child musical prodigy on the violin. The premiere performances of his compositions notably occurred in 1872 and 1873. He submitted his First Symphony in particular to a German competition, but it failed to win. Consequently, in 1874 he presented two more symphonies to the Austrian State Prize for Composition. Johannes Brahms was the principal of the jury and was accordingly very impressed. They forthwith awarded the prize to Dvořák in 1874, 1876, and 1877. At this point, Brahms thereupon endorsed Dvořák to the publisher Simrock. Later, the publisher commissioned Dvořák to compose the Slavonic Dances, Op. 46. These became popular overnight and, as a result, Dvořák's worldwide status was launched. International Status Dvořák visited England upon invitation nine times. On each visit, he frequently conducted performances of his own compositions. He conducted concerts of his music, especially in Moscow and St. Petersburg. Eventually, the Prague Conservatory in fact appointed Dvořák as a professor. There, to be sure, he wrote his famous Dumky Trio. United States Consequently, the National Conservatory of Music of America appointed him as director in 1892. As a result, Dvořák composed his two most famous symphonic works: the Symphony No. 9 (From the New World), which spread his name universally, and his Concerto for Cello and Orchestra, one of the most famous of all cello works. Moreover, he wrote his most celebrated American String Quartet during this time. At the same time, because of his growing recognition in Europe and his homesickness for his own country, he left to return to Bohemia in 1895. Â
$32.95
My Saxophone and Me (E flat version)
#
Saxophone Alto et Piano
#
DÉBUTANT
#
Colin Kirkpatrick
#
Lazy Days
(No 4)
#
My Saxophone and Me
#
Colin Kirkpatrick Publications
#
SheetMusicPlus
Alto Saxophone,Piano - Level 1 - SKU: A0.522194 Composed by Colin Kirkpatrick. Instructional,Standards. Score and part. 28 pages. Colin Kirkpatrick Publ...
(+)
Alto Saxophone,Piano - Level 1 - SKU: A0.522194 Composed by Colin Kirkpatrick. Instructional,Standards. Score and part. 28 pages. Colin Kirkpatrick Publications #3134129. Published by Colin Kirkpatrick Publications (A0.522194). My Saxophone and Me consists of fourteen short and delightful pieces written especially for absolute beginners up to students at elementary level. The book comes in two versions, one for B flat saxophones and the other for E flat instruments. However, for obvious reasons you cannot mix B flat and E flat instruments in the same group. The pieces are intended as supplementary material to your usual tutor books. The music can be used with any number of players and the pieces remain in the lower register. Several early pieces use only the notes B, A and G and the key of G major predominates. Six of the pieces use only half notes (minims) and quarter notes (crotchets). The low C, a tricky note for some beginners, has been avoided almost completely. On the one occasion it appears, the note C an octave above is given as optional. Although the pieces are arranged in approximate order of difficulty you can play them in any order you want, depending on the musical needs of the student. Your students are sure to enjoy these pieces, which are both easy on the fingers and easy on the ear! Several pieces have a few measures (bars) rest in the middle not only to give the player a break and add musical contrast but also to give the experience of counting empty bars during the music. When space allows, piano cues appear in the solo part. Some of the later pieces in the book have good performing potential and could be strung together in any order to create a small suite. Every piece has a short piano introduction so that the student can sense the tempo and musical style before playing. The keyboard accompaniments have been kept as simple as possible with the minimum number of notes. Dynamic markings (e.g. piano and mezzo-forte) are used from the start, but phrasing has been omitted from the solo part. This is because the teacher is usually in the best position to suggest phrasing within the physical capabilities of each student. Slurs have been employed sparingly and only when necessary. An MP3 file of all the piano accompaniments is also available as a separate item. You can find it here: https://www.sheetmusicplus.com/title/20679821The book includes a well-known folk lullaby from Wales and a lively folk song from Thailand which is known by all Thai people because it’s taught in elementary schools throughout the country. The music has been converted into pdf files at 1,200 dpi which will produce professional looking printed copies of high quality. However, the output quality will also depend on your own printer settings and capabilities. The publication consists of a teacher's book (18 pages) and a student's book (8 pages) both contained in the same pdf file. The sample MP3 (click on the “Listen†button above) contains recordings of Nice ‘n Easy (No 2); Lazy Days (No 4); Waltzing Around (No 7); Just a Minuet (No 11) and Donkey Trot (No 12). Colin Kirkpatrick studied at London’s Royal College of Music. He followed a career in music education. He was a High School Music Director in London for about fifteen years and later became a Music Education Adviser for local government, with responsibility for training teachers and directing the instrumental teaching service. The work in education gave him many opportunities for composing. He has published a great deal of music and his publishers include Boosey & Hawkes, Novello, Paxton, Schott, Oxford University Press, Chester, Belwin Mills and Intrada (Netherlands). His music has been performed and broadcast all over Europe as well as in Japan, Thailand, Australia and the USA. He holds MA and PhD degrees. He was a High School Music Director for about fifteen years and then became a Music Education Adviser for local government, with the added responsibility for training teachers and overseeing the instrumental service. He has writte.
$5.95
Traumerei by Schumann - Alto Sax and Piano (Full Score and Parts)
#
Saxophone Alto et Piano
#
INTERMÉDIAIRE
#
Robert Schumann
#
César Madeira
#
Traumerei by Schumann - Alto S
#
Sheet Music To Play Editions
#
SheetMusicPlus
Alto Saxophone,Piano - Level 3 - SKU: A0.1200202 Composed by Robert Schumann. Arranged by César Madeira. 19th Century,Children,Classical,Multicultura...
(+)
Alto Saxophone,Piano - Level 3 - SKU: A0.1200202 Composed by Robert Schumann. Arranged by César Madeira. 19th Century,Children,Classical,Multicultural,Romantic Period,World. Score and part. 6 pages. Sheet Music To Play Editions #799003. Published by Sheet Music To Play Editions (A0.1200202). Träumerei from Kinderszenen, Op.15 by Schumann. Arrangement for Alto Sax and Piano. With Full Score and Individual Parts. Enjoy it!Robert Schumann (1810 – 1856) was a German composer, pianist, and influential music critic. He is widely regarded as one of the greatest composers of the Romantic era. Schumann left the study of law, intending to pursue a career as a virtuoso pianist. His teacher, Friedrich Wieck, a German pianist, had assured him that he could become the finest pianist in Europe, but a hand injury ended this dream. Schumann then focused his musical energies on composing.For Tutorials, Play Alongs or request New Arrangements, visit the YouTube Channel: Sheet Music To Play
$7.99
Mendelssohn: Song Without Words Op. 109 for Alto Sax & Piano
#
Saxophone Alto et Piano
#
INTERMÉDIAIRE
#
Classique
#
Felix Bartholdy Mendelssohn
#
James M
#
Mendelssohn: Song Without Word
#
jmsgu3
#
SheetMusicPlus
Alto Saxophone,Piano - Level 3 - SKU: A0.549489 Composed by Felix Bartholdy Mendelssohn. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Per...
(+)
Alto Saxophone,Piano - Level 3 - SKU: A0.549489 Composed by Felix Bartholdy Mendelssohn. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and part. 20 pages. Jmsgu3 #3500661. Published by jmsgu3 (A0.549489). ALTO SAX & PIANO - Score: 11 pages, solo part: 3 pages, piano part: 5 pages. Duration: 4:20. This is a popular recital piece that would work well also in church or school programs. Mendelssohn Background Felix Mendelssohn (1809 –1847) was, by all means, a German mastermind composer, musician, and orchestra conductor of the Romantic period. Consequently, Mendelssohn composed in the usual forms of the time - symphonies, concertos, oratorios, piano music, and chamber music. To summarize, his most famous works include his music for A Midsummer Night's Dream, the Italian Symphony, the Scottish Symphony, The Hebrides Overture, his later Concerto for Violin & Orchestra, and his Octet for Strings. His most well-known piano pieces, by and large, are the Songs Without Words. Artistic Standing  Musical tastes change from time to time. Moreover, just such a change occurred in the late 19th and early 20th centuries. This plus rampant antisemitism brought a corresponding amount of undue criticism. Fortunately, however, his artistic inventiveness has indeed been critically re-evaluated. As a result, Mendelssohn is once again among the most prevalent composers of the Romantic era. Early Family Life Mendelssohn was, in fact, born into a prominent Jewish family. His grandfather was, notably, the philosopher Moses Mendelssohn. Felix was, in fact, raised without religion. At the age of seven, he was suddenly baptized as a Reformed Christian. He was, moreover, a child musical prodigy. Nevertheless, his parents did not attempt to exploit his talent. Early Adulthood Mendelssohn was, in general, successful in Germany. He conducted, in particular, a revival of the music of Johann Sebastian Bach, specifically with his presentation of the St Matthew Passion in 1829. Felix was truly in demand throughout Europe as a composer, conductor, and soloist. For example, he visited Britain ten times. There, he premiered, namely, many of his significant works. His taste in music was. To be sure, inventive and well-crafted yet markedly conservative. This conservatism separated him by all means from more audacious musical colleagues like Liszt, Wagner, and Berlioz. Mendelssohn founded the Leipzig Conservatoire which, to clarify, became a defender of this conservative viewpoint. Mature Adulthood Schumann notably wrote that Mendelssohn was the Mozart of the nineteenth century, the most brilliant musician, the one who most clearly sees through the contradictions of the age and for the first time reconciles them. This observation points to a couple of features in particular that illustrate Mendelssohn's works and his artistic procedure. Musical Features In the first place, his musical style was fixed in his systematic mastery of the style of preceding masters. This being said, he certainly recognized and even developed early romanticism from the music of Beethoven and Weber. Secondly, it indicates that Mendelssohn sought to strengthen his inherited musical legacy rather than to exchange it with new forms and styles or replace it with exotic orchestration. Consequently, he diverged his contemporaries in the romantic period, such as Wagner, Berlioz, and Liszt. Mendelssohn revered Liszt's virtuosity at the keyboard but found his music rather insubstantial.
$32.95
Ali Ben Sou Alle: Caprice : Souvenir de la Nouvelle-Zélande for alto saxophone and piano
#
Saxophone Alto et Piano
#
INTERMÉDIAIRE
#
Ali Ben Sou Alle
#
Paul Wehage
#
Ali Ben Sou Alle: Caprice : So
#
Musik Fabrik Music Publishing
#
SheetMusicPlus
Alto Saxophone,Piano - Level 3 - SKU: A0.533345 Composed by Ali Ben Sou Alle. Arranged by Paul Wehage. Concert,Romantic Period,Standards. Score and part...
(+)
Alto Saxophone,Piano - Level 3 - SKU: A0.533345 Composed by Ali Ben Sou Alle. Arranged by Paul Wehage. Concert,Romantic Period,Standards. Score and part. 10 pages. Musik Fabrik Music Publishing #2348193. Published by Musik Fabrik Music Publishing (A0.533345). Ali Ben Sou Alle was born Jean-Baptiste SOUALLE in 1824 in Arras, France. He first studied the clarinet, winning a first prize in Clarinet in the class of Klosé at the Paris Conservatory. He then entered the Paris Opera orchestra, but left France in 1848 because of the revolution, fleeing to London. In 1850, he met Louis JUILLIEN, another early saxophonist, who encouraged Soualle to take up the saxophone. Soualle made several modifications to the instrument, including changes to the octave mechanism and the other keys for trills and alternative fingerings, many of which are used in modern saxophones.He named his hybrid creation the turcophone and began composing works for the instrument, which included fantasies on operatic themes, character pieces and a series of descriptive works which document several concert tours in Europe, Australia and the Orient which Soualle undertook. Upon his return to France around 1861, after his conversion to Islam, he changed his name to Ali Ben Sou Alle. Under that name, he performe recitals for the Prince of Wales and for the Emperor Napoleon III and his family in 1865. After this date, no trace of his career has currently been uncovered and it is though that he probably died around 1867. This work is .in two large sections, the first in the form of a lyrical aria, the second a lively schezando.
$10.35
Emanuele Krakamp: Fantaisie sur la Traviata de Verdi, - alto saxophone and piano by Paul
#
Saxophone Alto et Piano
#
AVANCÉ
#
Emanuele Krakamp
#
Paul Wehage
#
Emanuele Krakamp: Fantaisie su
#
Musik Fabrik Music Publishing
#
SheetMusicPlus
Alto Saxophone,Piano - Level 5 - SKU: A0.533263 Composed by Emanuele Krakamp. Arranged by Paul Wehage. Concert,Opera,Romantic Period,Standards. Score an...
(+)
Alto Saxophone,Piano - Level 5 - SKU: A0.533263 Composed by Emanuele Krakamp. Arranged by Paul Wehage. Concert,Opera,Romantic Period,Standards. Score and part. 32 pages. Musik Fabrik Music Publishing #2151147. Published by Musik Fabrik Music Publishing (A0.533263). Emanuele Krakamp was born in Messina in 1813. He began studying music with his father. In 1841 he was named first flute in the royal orchestra of Naples and was also named flute professor of San Pietro a Majella Conservatory in 1860. Krakamp performed concerts in Europe, America, the Middle East and North Africa. The Fantasy Opus 248 based on themes from Verdi's Opera La Traviata is part of a group of three fantasies called La triade verdiana, first published in 1865. Krakamp died in Naples in 1883.The version for saxophone remains close to the original version for flute, with only a few register changes because of range issues. Some passages in the piano part have been re-enforced harmonically and the ending has been slightly changed, to create a more definitive ending. .
$19.95
Winter by Vivaldi - Alto Sax and Piano - II. Largo (Full Score and Parts)
#
Saxophone Alto et Piano
#
INTERMÉDIAIRE
#
Classique
#
Antonio Vivaldi
#
César Madeira
#
Winter by Vivaldi - Alto Sax a
#
Sheet Music To Play Editions
#
SheetMusicPlus
Alto Saxophone,Piano - Level 3 - SKU: A0.1178397 Composed by Antonio Vivaldi. Arranged by César Madeira. Baroque,Children,Early Music,Film/TV,Wedding...
(+)
Alto Saxophone,Piano - Level 3 - SKU: A0.1178397 Composed by Antonio Vivaldi. Arranged by César Madeira. Baroque,Children,Early Music,Film/TV,Wedding. Score and part. 6 pages. Sheet Music To Play Editions #778357. Published by Sheet Music To Play Editions (A0.1178397). Winter (II. Largo) from The Four Seasons by Antonio Vivaldi. Arrangement for Alto Sax and Piano. With Full Score and Individual Parts. Enjoy it!Antonio Lucio Vivaldi (1678 – 1741) was an Italian Baroque composer, virtuoso violinist, teacher, impresario, and Roman Catholic priest. Born in Venice, the capital of the Venetian Republic, Vivaldi is regarded as one of the greatest Baroque composers, and his influence during his lifetime was widespread across Europe, being paramount in the development of Johann Sebastian Bach's instrumental music. He composed many instrumental concertos, for the violin and a variety of other musical instruments, as well as sacred choral works and more than forty operas. His best-known work is a series of violin concertos known as the Four Seasons.For Tutorials, Play Alongs or request New Arrangements, visit the YouTube Channel: Sheet Music To Play
$7.99
Final Countdown
#
Saxophone Alto et Piano
#
FACILE
#
Rock
#
Europe
#
Tim Curd
#
Final Countdown
#
Tim Curd
#
SheetMusicPlus
Alto Saxophone,Piano - Level 2 - SKU: A0.716544 By Europe. By Joey Tempest. Arranged by Tim Curd. Rock. Score and part. 5 pages. Tim Curd #3127561. Publ...
(+)
Alto Saxophone,Piano - Level 2 - SKU: A0.716544 By Europe. By Joey Tempest. Arranged by Tim Curd. Rock. Score and part. 5 pages. Tim Curd #3127561. Published by Tim Curd (A0.716544). The famous rock anthem arranged for Alto Saxophone and piano. Suitable for school concerts or just for fun.
$4.99
Telemann Viola Concerto in G
#
Saxophone Alto et Piano
#
Georg Phllipp Telemann
#
Kenneth D
#
Telemann Viola Concerto in G
#
KFS Publishing
#
SheetMusicPlus
Composed by Georg Phllipp Telemann. Arranged by Kenneth D. Friedrich. Baroque Period, European, Recital. Score, Solo Part. 33 pages. Published by KFS Publishing...
(+)
Composed by Georg Phllipp Telemann. Arranged by Kenneth D. Friedrich. Baroque Period, European, Recital. Score, Solo Part. 33 pages. Published by KFS Publishing (S0.257551). - Score,Solo Part - Baroque Period,European,Recital - KFS Publishing
$16.50
Flee as a bird
#
Saxophone Alto et Piano
#
Traditional Spanish Melody
#
Kaiserin Rebecca
#
Flee as a bird
#
Kaiserin Rebecca
#
SheetMusicPlus
Composed by Traditional Spanish Melody. Arranged by Kaiserin Rebecca. Repertoire, General Instructional, Folk, European, Recital. Score, Sheet Music Single. 2 p...
(+)
Composed by Traditional Spanish Melody. Arranged by Kaiserin Rebecca. Repertoire, General Instructional, Folk, European, Recital. Score, Sheet Music Single. 2 pages. Published by Kaiserin Rebecca (S0.346171). - Score,Sheet Music Single - Repertoire,General Instructional,Folk,European,Recital - Kaiserin Rebecca
$4.99
Silent Night - for alto sax and piano
#
Saxophone Alto et Piano
#
Noël
#
Franz Gruber, Joseph Mohr
#
Samuel Stokes
#
Silent Night - for alto sax an
#
SamuelStokesMusic.com
#
SheetMusicPlus
Composed by Franz Gruber, Joseph Mohr. Arranged by Samuel Stokes. Christian, Sacred, General Worship, European, Christmas. 4 pages. Published by SamuelStokesMus...
(+)
Composed by Franz Gruber, Joseph Mohr. Arranged by Samuel Stokes. Christian, Sacred, General Worship, European, Christmas. 4 pages. Published by SamuelStokesMusic.com (S0.134783). - - Christian,Sacred,General Worship,European,Christmas - SamuelStokesMusic.com
$3.99
Bach-Gounod: Ave Maria, Schwencke version for Alto Sax & Piano
#
Saxophone Alto et Piano
#
FACILE
#
J
#
James M
#
Bach-Gounod: Ave Maria, Schwen
#
jmsgu3
#
SheetMusicPlus
Alto Saxophone,Piano - Level 2 - SKU: A0.550919 Composed by J. S. Bach - Gounod. Arranged by James M. Guthrie, ASCAP. Christmas,Contemporary,Easter,Wedd...
(+)
Alto Saxophone,Piano - Level 2 - SKU: A0.550919 Composed by J. S. Bach - Gounod. Arranged by James M. Guthrie, ASCAP. Christmas,Contemporary,Easter,Wedding. Score and part. 11 pages. Jmsgu3 #4888291. Published by jmsgu3 (A0.550919). This arrangement features the controversial Schwencke measure (ms. 27) that was originally introduced in 1783 by Christian Friedrich Gottlieb Schwencke. The convenient 1st & 2nd endings provide an option for extended performance. Duration with repeat - 4:50. Score: 6 pages. Solo part: 2 pages, piano part: 4 pages. Based on Prelude #1 in C Major from the Well-Tempered Clavier, Book 1. Well suited for church meditations or school programs or recital encores. Ave Maria Ave Maria is a Catholic prayer that consequently asks for the mother of Jesus (Mary) to intercede. Charles Gounod composed a famous version of the Ave Maria. He was a French Romantic composer who overlaid a new melody on an existing Bach chord progression. The progression is from Bach’s Prelude No. 1 from Well-Tempered Clavier I. This version, as well as Schubert’s version, have become essential items at weddings, masses, and funerals. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio.  History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as a court composer.  Style It seems like Bach created an engaging new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival        Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV. Â
$32.95
Bach-Gounod: Ave Maria for Alto Sax & Piano
#
Saxophone Alto et Piano
#
FACILE
#
Bach-Gounod
#
James M
#
Bach-Gounod: Ave Maria for Alt
#
jmsgu3
#
SheetMusicPlus
Alto Saxophone,Piano - Level 2 - SKU: A0.549364 Composed by Bach-Gounod. Arranged by James M. Guthrie, ASCAP. Christmas,Contemporary,Easter,Wedding. Sco...
(+)
Alto Saxophone,Piano - Level 2 - SKU: A0.549364 Composed by Bach-Gounod. Arranged by James M. Guthrie, ASCAP. Christmas,Contemporary,Easter,Wedding. Score and part. 11 pages. Jmsgu3 #3490139. Published by jmsgu3 (A0.549364). This arrangement follows the original Bach prelude and so excludes the extra measure that Schwencke introduced in 1783. If you prefer the extra measure, please see Bach-Gounod: Ave Maria, Schwencke version for Alto Sax & Piano, S0.661763. The convenient 1st & 2nd endings provide an option for extended performance with minimal page turns for the accompanist. The duration with repeat is about 4:50. Score: 6 pages. Solo part: 1 page, piano part: 4 pages. Based on Prelude #1 in C Major from the Well-Tempered Clavier, Book 1. Well suited for church meditations or school programs or recital encores. Ave Maria Ave Maria is a Catholic prayer that consequently asks for the mother of Jesus (Mary) to intercede. Charles Gounod composed a famous version of the Ave Maria. He was a French Romantic composer who overlaid a new melody on an existing Bach chord progression. The progression is from Bach’s Prelude No. 1 from Well-Tempered Clavier I. This version, as well as Schubert’s version, have become essential items at weddings, masses, and funerals. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio.  History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer.  Style It seems like Bach created an engaging new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival        Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV. Â
$32.95
Bach: Wachet auf for Alto Sax & Piano
#
Saxophone Alto et Piano
#
FACILE
#
Classique
#
Johann Sebastian Bach
#
James M
#
#
Bach: Wachet auf for Alto Sax
#
jmsgu3
#
SheetMusicPlus
Alto Saxophone,Piano - Level 2 - SKU: A0.549842 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Concert,Easter,Sacred,St...
(+)
Alto Saxophone,Piano - Level 2 - SKU: A0.549842 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Concert,Easter,Sacred,Standards. Score and part. 12 pages. Jmsgu3 #3554821. Published by jmsgu3 (A0.549842). Wachet auf, ruft uns die Stimme (Awake, the voice is calling us) from Cantata BWV 140. Duration: ca. 4:00, Score: 6 pages, solo part 1 page, piano part: 4 pages. Program this for church services during the Easter season, or as a recital encore.Wachet auf, ruft uns die Stimme (Awake, the Voice is calling us) also known as: Sleepers Awake Bach composed his church cantata Wachet auf (BWV 140) as part of his second annual cantata cycle covering the entire annual church calendar. It is based on the hymn of the same name by Philipp Nicolai (1599). The hymn text covers the readings for the 27th Sunday after Trinity. Bach designed the cantata in seven movements, setting the stanzas in various forms. Among these forms are the chorale fantasia, the chorale prelude, and a four-part chorale. He casts the new lyrics as recitatives – in a manner similar to the opera. Fourth Movement Bach writes the fourth movement, Zion hört die Wächter singen (Zion hears the watchmen singing), in the style of a chorale prelude with the chorale phrases performed as a strict cantus firmus. The phrases seem to enter at times erratically against the famous lyrical melody. The violins play this melody in unison as a foil against the cantus phrases. The violin melody is so independent and complete that when the cantus melody appears it catches the listener at times totally off-guard. Bach later transcribed this movement for organ (BWV 645). This transcription became No. 1 of the Six Schübler Chorales. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with the instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and certainly the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio. History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer. Style It seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV. .
$24.95
Bach: Sheep May Safely Graze for Alto Sax & Piano
#
Saxophone Alto et Piano
#
FACILE
#
Classique
#
Johann Sebastian Bach
#
James M
#
Bach: Sheep May Safely Graze f
#
jmsgu3
#
SheetMusicPlus
Alto Saxophone,Piano - Level 2 - SKU: A0.548976 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Holiday,Standards,Weddin...
(+)
Alto Saxophone,Piano - Level 2 - SKU: A0.548976 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Holiday,Standards,Wedding. Score and part. 11 pages. Jmsgu3 #3444569. Published by jmsgu3 (A0.548976). Was mir behagt, ist nur die muntre Jagd (The lively hunt is all my heart's desire), BWV 208 is the earliest secular cantata by Bach composed in 1713 for the birthday of the Duke of Weissenfels. It is also called the Hunting Cantata, and/or the Birthday Cantata. The most famous piece from this collection is the soprano aria Sheep may safely graze. Duration: 5:50, Score - 6 pg. Solo part - 2 pg. Piano part - 3 pg. 41 ms. Melodic range: M10 Sheep May Safely Graze Sheep may safely graze (Schafe können sicher weiden) is an aria from the Cantata BWV 208. The title of the Cantata, Was mir behagt, ist nur die muntre Jagd (nicknamed the Hunting Cantata) translates as The lively hunt is all my heart's desire. Programming Similar to Bach’s Jesu, Joy of Man's Desiring, or I Stand at the Threshold, it is an all-time favorite and frequently requested at weddings. Originally, Bach composed this aria for a royal birthday celebration, that of the Duke of Saxe-Weissenfels. Lyrics Sheep may safely graze and pasture In a watchful Shepherd’s sight. Those who rule with wisdom guiding Bring to hearts a peace abiding Bless a land with joy made bright.  Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Indeed, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. People are probably most familiar with instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio.  History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer.  Style It seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival        Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV.
$32.95
Bach: Bist du bei mir BWV 508 for Alto Sax & Piano
#
Saxophone Alto et Piano
#
FACILE
#
Classique
#
Johann Sebastian Bach
#
James M
#
Bach: Bist du bei mir BWV 508
#
jmsgu3
#
SheetMusicPlus
Alto Saxophone,Piano - Level 2 - SKU: A0.549235 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Easter,Standards,Wedding...
(+)
Alto Saxophone,Piano - Level 2 - SKU: A0.549235 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Easter,Standards,Wedding. Score and part. 9 pages. Jmsgu3 #3468804. Published by jmsgu3 (A0.549235). J. S. Bach BWV 508. Bist du bei mir Bach adapted this aria from a lost Stölzel opera called Diomedes. He changed the original orchestral instrumentation to soprano, strings, and continuo.  He also modified the voice-leading making it sound more like a Bach composition. The work appears as BWV 508 No. 25 in the Anna Magdalena Notebook No. 2.  Source Only a few remnants of the original opera have survived. Historians speculate that Anna Magdalena got the song from the Leipzig Opera after the bankruptcy of 1720. Chances are good, though, that the tune was a favorite of everyone in Leipzig at the time.  Lyrics When thou art near, I go with joyTo death and to my rest.O how joyous would my end be,If your fair hands      Would close my faithful eyes. - Unknown Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and certainly the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy are the St. John Passion, and indeed the Christmas Oratorio.  History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer.  Style It seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival        Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV.  Voyager NASA launched two Voyager spacecraft in 1977. Onboard are phonograph records with sounds, music, and images of life on Earth. The purpose of the launch was to inform intelligent extraterrestrial life forms about conditions on Earth. The music on the disc is varied. There is Bach, Mozart, Beethoven, and Stravinsky among others. However, because Bach is so important in our music history, it contains three times more Bach than all the others combined.
$32.95
Nessun Dorma for Eb Alto Saxophone & Piano
#
Saxophone Alto et Piano
#
Contemporain
#
Giacomo Puccini
#
Keith Terrett
#
Nessun Dorma for Eb Alto Saxop
#
Casio
#
SheetMusicPlus
Composed by Giacomo Puccini (1858-1924). Arranged by Keith Terrett. 20th Century, Opera, European, Patriotic. Score, Set of Parts. 5 pages. Published by Casio (...
(+)
Composed by Giacomo Puccini (1858-1924). Arranged by Keith Terrett. 20th Century, Opera, European, Patriotic. Score, Set of Parts. 5 pages. Published by Casio (S0.391619). - Score,Set of Parts - 20th Century,Opera,European,Patriotic - Casio
$7.99
Mes Caresses
#
Saxophone Alto et Piano
#
Sergio López López
#
Mes Caresses
#
sergio
#
SheetMusicPlus
Composed by Sergio López López. Modern, Repertoire, European. Individual Part, Score. 7 pages. Published by sergio (S0.275703). - Individual Part,Score - ...
(+)
Composed by Sergio López López. Modern, Repertoire, European. Individual Part, Score. 7 pages. Published by sergio (S0.275703). - Individual Part,Score - Modern,Repertoire,European - sergio
$4.99
Rondo Alla Turca for Alto Sax and Piano Wolfgang Amadeus Mozart Piano Duet,Piano Accompaniment,Alto Sax,Baritone Sax Lead Sheet,Score,Sheet Music Single Jazz,Swing,Movies,TV,Pop Available Instantly 1
#
Saxophone Alto et Piano
#
Georges Bizet
#
Gennady Kozhevnikov
#
Rondo Alla Turca for Alto Sax
#
Gennady V. Kozhevnikov
#
SheetMusicPlus
Composed by Georges Bizet (1838-1875). Arranged by Gennady Kozhevnikov. European. Score, Set of Parts. 8 pages. Published by Gennady V. Kozhevnikov (S0.226763)....
(+)
Composed by Georges Bizet (1838-1875). Arranged by Gennady Kozhevnikov. European. Score, Set of Parts. 8 pages. Published by Gennady V. Kozhevnikov (S0.226763). - Score,Set of Parts - European - Gennady V. Kozhevnikov
$1.99
Romance
#
Saxophone Alto et Piano
#
INTERMÉDIAIRE/AVANCÉ
#
Classique
#
Amy Marcy Beach
#
Steven Nunes
#
Romance
#
Nagamon Publications
#
SheetMusicPlus
Alto Saxophone,Piano - Level 4 - SKU: A0.1492032 Composed by Amy Marcy Beach. Arranged by Steven Nunes. Classical,Romantic Period. Score and part. 15 pa...
(+)
Alto Saxophone,Piano - Level 4 - SKU: A0.1492032 Composed by Amy Marcy Beach. Arranged by Steven Nunes. Classical,Romantic Period. Score and part. 15 pages. Nagamon Publications #1068706. Published by Nagamon Publications (A0.1492032). Amy Marcy Cheney Beach (September 5, 1867 – December 27, 1944) was an American composer and pianist. She was the first successful American female composer of large-scale art music. She was one of the first American composers to succeed without the benefit of European training, and one of the most respected and acclaimed American composers of her era. As a pianist, she was acclaimed for concerts she gave featuring her own music in the United States and in Germany.This tuneful piece is perfect for any recital situation. The PDF contains the piano score and part.
$15.00
<
1
26
© 2000 - 2024
Accueil
-
Nouveautés
-
Compositeurs
Mentions légales
-
Version intégrale
EUROPE
