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Harpe et Orgue
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Orchestre d'harmonie
135
Orchestre à Cordes
37
Orchestre
18
Cloches
15
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7
Percussion (partie séparée)
6
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Saxophone Alto et Piano
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20 Greatest Hymns for Alto Sax Solo with Piano Accompaniment
Saxophone Alto et Piano
Composed by Various. Arranged by B. C. Dockery. Sacred,Spiritual,Traditional. Score …
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Composed by Various. Arranged by B. C. Dockery. Sacred,Spiritual,Traditional. Score and part. 40 pages. Ben Dockery #696974. Published by Ben Dockery
These classic hymns have been arranged for alto sax solo with piano accompaniment. Easy enough for early-intermediate students to learn or for more advanced players to sight-read. Great for preludes, offertories, postludes, recitals, and lessons. A Mighty Fortress Is Our God, All Hail the Power of Jesus' Name, Amazing Grace, Be Thou My Vision, Blessed Assurance, Come, Thou Fount of Every Blessing, Come, Thou Long-Expected Jesus, He Leadeth Me, Holy, Holy, Holy, How Great Thou Art, It Is Well With My Soul, Jesus Paid It All, Jesus Loves Me, Just As I Am, Love Divine, All Loves Excelling, My Hope Is Built On Nothing Less, O For A Thousand Tongues To Sing, Rock Of Ages, To God Be The Glory, What A Friend We Have In Jesus.
$9.99
8.99 €
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Saxophone Alto et Piano
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Various
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20 Greatest Hymns for Alto Sax Solo with Piano Accompaniment
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Ben Dockery
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SheetMusicPlus
Beethoven: Adagio from Sonata Pathetique for Alto Sax & Piano
Saxophone Alto et Piano
Alto Saxophone,Piano - Level 3 - Digital Download SKU: A0.549639 Composed by Ludwig…
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Alto Saxophone,Piano - Level 3 - Digital Download SKU: A0.549639 Composed by Ludwig van Beethoven. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Sacred,Standards. Score and part. 16 pages. Jmsgu3 #3516567. Published by jmsgu3 (A0.549639). Duration: ca 5:20, Score: 8 pages, solo part: 3 pages, piano part: 4 pages.One of Beethoven's finest and most famous works. Program for a recital, church meditation or school program.Bring your best espressivo and plan to rehearse the many subtle dynamic changes.Sonata Pathétique Op. 13 First of all, this is an arrangement of the second movement of Beethoven’s Sonata Pathétique. It seems like Beethoven wrote this piece before becoming troubled by deafness. Published in 1799, it consequently remains one of the most celebrated pieces Beethoven ever wrote. As a result of its popularity, the movement was therefore performed by Karl Haas. Hass recorded it for a popular radio show called: Adventures in Good Music. Beethoven Background Ludwig van Beethoven (1770 –1827) was certainly a German pianist. Above all, he was probably one of the greatest composers in history. As a result, he is a pivotal character in the progress between the Classical and Romantic periods. He is certainly one of the most famous and hence important of all composers. Seems like his most familiar and noteworthy works include symphonies 1-9; piano concertos 1-5; and furthermore, the violin concerto. Also, certainly of extreme importance are the noteworthy 32 sonatas for the piano; the string quartets 1-16; the Missa solemnis; and likewise, his only opera, Fidelio. Beethoven Overview First of all, Beethoven was born and consequently raised in Bonn. Upon turning 21 he moved to Vienna probably to study composition with Haydn. That’s when he consequently grew a reputation as a brilliant pianist. Furthermore, he probably stayed in Vienna for the rest of his life. In his late 20s, it seems like his hearing certainly began to decline. It slowly declined until consequently, he was nearly totally deaf probably by the last decade of his life. As a result, he stopped conducting and performing. Nevertheless, he continued to compose. As a result, some of his greatest works probably come from this period. First Period Seems like we often divide Beethoven’s life into three periods. Period 1 begins with Beethoven’s arrival in Vienna. Hence, during this period, he mastered the Viennese style of Haydn & Mozart. He consequently began increasing the size and scale of his works. Furthermore, he experimented with extreme dynamics, and likewise extreme tempi. He worked similarly with chromatic harmony. His First and Second Symphonies, therefore, belong to this period. Other important works also belong here: the first six string quartets and the Sonata Pathétique, Op. 13. Second Period His second period probably began as soon as he realized that he was going deaf. During this period, it seems like he became obsessed with the idea of heroism. His works consequently become even larger and more massive. The most noteworthy of these include the symphonies 3 – 8, piano concertos 5& 6, 5 string quartets, several important piano sonatas (Waldstein and Appassionata), the Kreutzer violin sonata, the violin concerto and his only opera: Fidelio. Third Period In contrast, Beethoven's third period is branded above all by works of incredible intellectual depth, formal innovation, and penetrating expression. It seems like he continued to expand his works. Consequently, the string quartet Op. 131 spills over into seven connected movements. Likewise, in the Ninth Symphony, he adds choral forces to his orchestra probably for the first time in history. Even more, other works from this period include his Missa solemnis, the final 5 string quartets (including the enormous Große Fuge) and the final five sonatas for piano. Register for free lifetime revisions and updates at www.jamesguthrie.co.
$24.95
22.45 €
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Saxophone Alto et Piano
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Ludwig van Beethoven
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James M
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piano concertos 1-5
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Beethoven: Adagio from Sonata Pathetique for Alto Sax & Piano
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jmsgu3
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SheetMusicPlus
Grieg: Anitra's Dance from Peer Gynt Suite for Alto Sax & Piano
Saxophone Alto et Piano
Alto Saxophone,Piano - Level 3 - Digital Download SKU: A0.549555 Composed by Edvard…
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Alto Saxophone,Piano - Level 3 - Digital Download SKU: A0.549555 Composed by Edvard Grieg. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Standards,World. Score and part. 16 pages. Jmsgu3 #3507663. Published by jmsgu3 (A0.549555). Duration: ca. 3:20, Score: 10 pages, solo part: 2 pages, piano part: 3 pages. A delicate masterpiece, not very difficult - suitable for a recital encore. Grieg Background In the first place, Edvard Grieg (1843 –1907) was a Norwegian composer as well as a concert pianist. As a matter of fact, most music historians consider him one of the foremost Romantic era composers. Consequently, his music is part of the international standard classical repertoire. Grieg moreover used Norwegian folk music in his own compositions. Consequently, he ushered Norwegian music to transnational consciousness. Furthermore, he forged a national musical identity for Norway. It is important to realize that he did this in a manner similar to Jean Sibelius in Finland, and Bedřich Smetana in Bohemia. Legacy Grieg is especially celebrated in the city of Bergen. For example, the city has erected numerous statues depicting Grieg. Specifically, the city has named a concert hall (Grieg Hall), a music school (Grieg Academy) and a professional choir (Edvard Grieg Kor) after him. As a matter of fact, there is also a museum located at his former home in Troldhaugen. Peer Gynt Suite No. 1 (Op. 46) Grieg wrote incidental music for the purpose of illustrating a play by Ibsen known as Peer Gynt. The play includes, in particular, the famous selection entitled, In the Hall of the Mountain King. In this composition, Grieg indeed depicts the exploits of the scoundrel, Peer Gynt. In one famous episode, for example, Peer steals a bride at her wedding. For this reason, the people chase him, but soon Peer falls, thereupon striking his skull on a boulder. He wakens forthwith in a highland bounded by angry gnomes. Consequently, the music of In the Hall of the Mountain King represents the mad gnomes taunting Peer. Therefore, each time the theme repeats it gets louder and faster. In the end, Peer surprisingly escapes from the mountain. Holberg Suite and Misc. Summary It must be remembered that Grieg originally wrote his Holberg Suite for the piano. In other words, he only later arranged it for strings. Further, Grieg composed by and large many songs with lyrics by famous writers such as Heine, Goethe, Ibsen, Hans Christian Andersen, Rudyard Kipling, and others. On balance, Norwegian pianist Eva Knardahl recorded altogether Grieg’s whole piano catalog on LP in 1980. These recordings were released again on CD in 2006. In any event, Grieg himself performed and recorded the bulk of these pieces toward the end of his life.Register for free lifetime revisions and updates at www.jamesguthrie.com
$24.95
22.45 €
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Saxophone Alto et Piano
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Edvard Grieg
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James M
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Grieg: Anitra's Dance from Peer Gynt Suite for Alto Sax & Piano
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jmsgu3
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SheetMusicPlus
Mendelssohn: Song Without Words Op. 109 for Alto Sax & Piano
Saxophone Alto et Piano
Alto Saxophone,Piano - Level 3 - Digital Download SKU: A0.549489 Composed by Felix …
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Alto Saxophone,Piano - Level 3 - Digital Download SKU: A0.549489 Composed by Felix Bartholdy Mendelssohn. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and part. 20 pages. Jmsgu3 #3500661. Published by jmsgu3 (A0.549489). ALTO SAX & PIANO - Score: 11 pages, solo part: 3 pages, piano part: 5 pages. Duration: 4:20. This is a popular recital piece that would work well also in church or school programs. Mendelssohn Background Felix Mendelssohn (1809 –1847) was, by all means, a German mastermind composer, musician, and orchestra conductor of the Romantic period. Consequently, Mendelssohn composed in the usual forms of the time - symphonies, concertos, oratorios, piano music, and chamber music. To summarize, his most famous works include his music for A Midsummer Night's Dream, the Italian Symphony, the Scottish Symphony, The Hebrides Overture, his later Concerto for Violin & Orchestra, and his Octet for Strings. His most well-known piano pieces, by and large, are the Songs Without Words. Artistic Standing  Musical tastes change from time to time. Moreover, just such a change occurred in the late 19th and early 20th centuries. This plus rampant antisemitism brought a corresponding amount of undue criticism. Fortunately, however, his artistic inventiveness has indeed been critically re-evaluated. As a result, Mendelssohn is once again among the most prevalent composers of the Romantic era. Early Family Life Mendelssohn was, in fact, born into a prominent Jewish family. His grandfather was, notably, the philosopher Moses Mendelssohn. Felix was, in fact, raised without religion. At the age of seven, he was suddenly baptized as a Reformed Christian. He was, moreover, a child musical prodigy. Nevertheless, his parents did not attempt to exploit his talent. Early Adulthood Mendelssohn was, in general, successful in Germany. He conducted, in particular, a revival of the music of Johann Sebastian Bach, specifically with his presentation of the St Matthew Passion in 1829. Felix was truly in demand throughout Europe as a composer, conductor, and soloist. For example, he visited Britain ten times. There, he premiered, namely, many of his significant works. His taste in music was. To be sure, inventive and well-crafted yet markedly conservative. This conservatism separated him by all means from more audacious musical colleagues like Liszt, Wagner, and Berlioz. Mendelssohn founded the Leipzig Conservatoire which, to clarify, became a defender of this conservative viewpoint. Mature Adulthood Schumann notably wrote that Mendelssohn was the Mozart of the nineteenth century, the most brilliant musician, the one who most clearly sees through the contradictions of the age and for the first time reconciles them. This observation points to a couple of features in particular that illustrate Mendelssohn's works and his artistic procedure. Musical Features In the first place, his musical style was fixed in his systematic mastery of the style of preceding masters. This being said, he certainly recognized and even developed early romanticism from the music of Beethoven and Weber. Secondly, it indicates that Mendelssohn sought to strengthen his inherited musical legacy rather than to exchange it with new forms and styles or replace it with exotic orchestration. Consequently, he diverged his contemporaries in the romantic period, such as Wagner, Berlioz, and Liszt. Mendelssohn revered Liszt's virtuosity at the keyboard but found his music rather insubstantial.
$32.95
29.64 €
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Saxophone Alto et Piano
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Felix Bartholdy Mendelssohn
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James M
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Mendelssohn: Song Without Words Op. 109 for Alto Sax & Piano
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jmsgu3
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SheetMusicPlus
CHINESE RHAPSODY No.3 For Saxophone and Piano, Op.46 (1988) [Piano score]
Saxophone Alto et Piano
Alto Saxophone,Piano - Level 5 - Digital Download SKU: A0.1048927 Composed by An-lu…
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Alto Saxophone,Piano - Level 5 - Digital Download SKU: A0.1048927 Composed by An-lun Huang. 20th Century,Contemporary,Multicultural,Traditional,World. Score and part. 25 pages. DoReMi Edition #653319. Published by DoReMi Edition (A0.1048927). Chinese Rhapsody No.3 was composed e in Toronto, Canada , 1988. Huang dedicated the piece to the Canadian Saxophonist Paul Brodie who premiered it in Parry sound of Ontario in the same year. Written in Saibei Folk Style, the music is divided into 5 movements without stop. As usual, Huang didn‘t use any folk song . But the typical taste of Huang’s “Zhang Jia Kou[張家å£] accent†is pretty easy to be identified. With the concert virtuosity, the 1st movement is composed as an emotional Cadenza which expresses the profound affections to the land of Saibei. Using the same Alto Sax., the lyric 2nd movement is followed by a folk dance, the 3rd movement. Chang to a Soprano Saxophone, the 4th movement is sound like a dreamy nocturne which is interrupted by the percussions of the fiery 5th movement. The whole Rhapsody ends on a climax of the Chinese Northern west “wind and percussion “styleâ€. Brodie found more than 300 trills in this piece. Perhaps this is the key to perform the music in real Chinese style. Huang has composed 5 versions of these pieces for different ensembles: saxophone solo with piano, or strings, or winds/brasses, or Chinese traditional orchestra, or symphony orchestra. The attached mp3 was performed by the German saxophonist Jurgen Demmler with pianist Peter Grabinger in 1996. Duration: 20’.
$19.99
17.98 €
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Saxophone Alto et Piano
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An-lun Huang
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CHINESE RHAPSODY No.3 For Saxophone and Piano, Op.46
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DoReMi Edition
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SheetMusicPlus
New York Concerto for Saxophone and Piano
Saxophone Alto et Piano
Alto Saxophone,Piano - Level 5 - Digital Download SKU: A0.1008704 Composed by Vince…
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Alto Saxophone,Piano - Level 5 - Digital Download SKU: A0.1008704 Composed by Vince Corozine (ascap). Contemporary,Standards. Score and part. 32 pages. Vince Corozine #5218553. Published by Vince Corozine (A0.1008704). The New York Concerto for Saxophone and Piano was performed by Dr. William Ford and was premiered the the Minnesota Concert Series. Solo part for saxophone (8 pages), piano (20 pages); length 9:04 minutes. Digital download. .I. Im Late: expresses the hectic start of a new day; the fast hash and the mad dash. II. Bryant Park at Noon: brings forth contemporary concerto in three movements which depicts the hustle and bustle of New York City. Ia more relaxed mood, resting, eating lunch,gazing the the trees..III. Skyscrapers at Dusk: brings forth the angular, dissonant textures of the NY skyline. novin22@verizon.net; www.vincecorozine.com.
$14.95
13.45 €
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Saxophone Alto et Piano
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Vince Corozine
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length 9:04 minutes
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New York Concerto for Saxophone and Piano
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Vince Corozine
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SheetMusicPlus
Ave Maria (Bach/Gounod)
Saxophone Alto et Piano
Alto Saxophone,Piano - Level 3 - Digital Download SKU: A0.1487496 Composed by Charl…
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Alto Saxophone,Piano - Level 3 - Digital Download SKU: A0.1487496 Composed by Charles Francois Gounod. Arranged by Robert Stevens. 19th Century,Chamber,Christmas,Classical,Religious. Score and part. 20 pages. SAXpress.com #1064450. Published by SAXpress.com (A0.1487496). Ave Maria (Bach/Gounod) (1853) Charles Gounod (1818 - 1893) Any Saxophone Solo and Piano Ave Maria (Bach/Gounod) by Charles Gounod (after J. S. Bach) (based on music of J. S. Bach) arranged for Any Saxophone Solo and Piano. B-flat and E-flat solo sax parts are included. This arrangment is in the key of C major, as was the 1853 original version. Tempo is around 78 bpm. The solo part is an exercise in expressive legato playing. Some rubato may be added in the last few bars of the music. The Bach/Gounod Ave Maria is a popular and much-recorded setting of the Latin prayer Ave Maria. It was first published in 1853 as “Méditation sur le Premier Prélude de Piano de S. Bach“. Gounod improvised an original melody that he paired with a slightly changed version of a familiar Bach Prelude (Prelude No. 1 in C major, BWV 846, Book I of The Well-Tempered Clavier). The 1853 publication is an instrumental piece. There was no text. Gounod reworked the piece in 1859, finally settling on the Latin prayer “Ave Maria” as lyrics. The new version proved to be an irresistible force. It attracted a phenomenal level of acclaim, becoming immensely popular, even improving Gounod’s faltering reputation with the contemporary public. It is a standard at holiday times, weddings, quinceañeras, church services, and other solemn occasions.
$6.95
6.25 €
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Saxophone Alto et Piano
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Charles Francois Gounod
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Robert Stevens
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Ave Maria
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SAXpress.com
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SheetMusicPlus
Grieg: Notturno Op. 54 No. 4 for Alto Sax & Piano
Saxophone Alto et Piano
Alto Saxophone,Piano - Level 2 - Digital Download SKU: A0.550028 Composed by Edvard…
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Alto Saxophone,Piano - Level 2 - Digital Download SKU: A0.550028 Composed by Edvard Grieg. Arranged by James M. Guthrie. Contemporary,Multicultural,Romantic Period,Standards,World. Score and part. 13 pages. Jmsgu3 #4580625. Published by jmsgu3 (A0.550028). Score: 7 pages. Duration: ca. 4:20. A very thought-provoking and expressive recital encore.
$32.95
29.64 €
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Saxophone Alto et Piano
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Edvard Grieg
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James M
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Grieg: Notturno Op. 54 No. 4 for Alto Sax & Piano
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jmsgu3
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SheetMusicPlus
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