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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
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FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
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105
PIANO & CLAVIERS
Piano seul
46
Orgue
11
Piano Facile
11
Piano, Voix
5
Accompagnement Piano
5
1 Piano, 4 mains
3
2 Pianos, 4 mains
1
Piano Trio: piano, violon, violoncelle
1
Piano Quintette: piano, 2 violons, alto, violoncelle
1
Clavecin
1
Orgue, Trompette (duo)
1
Piano Quatuor: piano, violon, alto, violoncelle
1
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GUITARES
Guitare
4
4 Guitares (Quatuor)
1
3 Guitares (trio)
1
Guitare (partie séparée)
1
VOIX
Chorale SATB
29
Chorale 3 parties
14
Chorale TTBB
12
Chorale Unison
5
Chorale 2 parties
4
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1
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VENTS
Quatuor de Saxophones: 4 saxophones
38
Clarinette (partie séparée)
37
Saxophone (partie séparée)
32
Clarinette et Piano
12
Hautbois (partie séparée)
10
Flûte traversière et Piano
8
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
8
Saxophone Soprano et Piano
7
Saxophone Alto et Piano
7
Flute (partie séparée)
7
Hautbois, Piano (duo)
7
Saxophone Tenor et Piano
6
Quatuor de Clarinettes: 4 clarinettes
6
Clarinette
5
2 Flûtes traversières (duo)
4
Clarinette Basse, Piano
4
Quintette de Saxophone: 5 saxophones
4
Quintette de Clarinettes: 5 clarinettes
3
Flûte à bec Alto
3
Flûte traversière
3
Quintette de Flûte : 5 flûtes
2
Saxophone Baryton, Piano
2
Ensemble De Flûte à bec
2
3 Saxophones (trio)
2
Hautbois
2
Flûte à bec Tenor
2
2 Saxophones (duo)
2
3 Clarinettes (trio)
2
Flûte, Violoncelle, Piano (trio)
2
Flûte, Clarinette et Basson
2
Clarinette, Harpe (duo)
1
Clarinette Basse
1
2 Clarinettes (duo)
1
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1
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1
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1
2 Hautbois (duo)
1
Saxophone Alto
1
Piccolo
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1
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1
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CUIVRES
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
30
Trompette (partie séparée)
21
Trombone (partie séparée)
20
Cor (partie séparée)
15
Quatuor de cuivres: 4 trombones
12
Trompette, Piano
7
Tuba (partie séparée)
6
Euphonium, Piano (duo)
5
Cornet A Pistons
3
Cor
3
Quatuor de cuivres: 2 trompettes, 2 trombones
3
Cor et Piano
2
2 Trompettes (duo)
2
Trombone et Piano
2
2 Trombones (duo)
1
Cor anglais, Piano
1
Tuba et Piano
1
Quatuor de Cuivres : 2 trompettes, trombone, tuba
1
2 Cors (duo)
1
Tuba ou Euphonium ou Saxhorn
1
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CORDES
Quatuor à cordes: 2 violons, alto, violoncelle
37
Violon (partie séparée)
17
Violon et Piano
12
Contrebasse (partie séparée)
9
Alto (partie séparée)
8
Violoncelle (partie séparée)
7
Alto, Piano
6
Alto seul
6
Violoncelle, Piano
4
Violon
4
Violon, Guitare (duo)
3
Harpe
3
Trio à Cordes: violon, alto, violoncelle
2
2 Violoncelles (duo)
2
Contrebasse, Piano (duo)
1
2 Violons (duo)
1
2 Altos (duo)
1
Quintette à cordes: 2 violons, alto, violoncelle, basse
1
Harpe, Flûte (duo)
1
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PERCUSSIONS & ORCHESTRES
Orchestre d'harmonie
464
Orchestre à Cordes
77
Orchestre
32
Percussion (partie séparée)
17
Cloches
11
Orchestre de chambre
7
Timbales (partie séparée)
4
Ensemble de cuivres
2
Marimba
2
Percussion
1
Timbales
1
Ensemble de Percussions
1
Ensemble Jazz
1
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AUTRES
Vous avez sélectionné:
Festival Suite
SheetMusicPlus
Partitions à imprimer
7 partitions trouvées
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Anitra's Dance - From Peer Gynt (Alto Saxophone and Piano)
Saxophone Alto et Piano
Chamber Orchestra Alto Saxophone,Piano - Level 4 - Digital Download SKU: A0.760027 …
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Chamber Orchestra Alto Saxophone,Piano - Level 4 - Digital Download SKU: A0.760027 Composed by Edvard Grieg. Arranged by Raymond Fenech. Contest,Easter,Festival,Multicultural,Patriotic,Romantic Period,World. Score and part. 14 pages. Raymond Fenech #3483441. Published by Raymond Fenech (A0.760027). Peer Gynt, Op. 23 is the incidental music to Henrik Ibsen's 1867 play of the same name, written by the Norwegian composer Edvard Grieg in 1875. It premiered along with the play on 24 February 1876 in Christiania (now Oslo). Later, in 1888 and 1891, Grieg extracted eight movements to make two four-movement suites: Suite No. 1, Op. 46, and Suite No. 2, Op. 55. Some of these movements have received coverage in popular culture; see Grieg's music in popular culture. This aria is arranged for Alto Saxophone and Piano . The Duration is approx. 3.19 minutes and the level is Advanced Intermediate.
$3.99
3.67 €
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Saxophone Alto et Piano
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Edvard Grieg
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Raymond Fenech
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Anitra's Dance - From Peer Gynt
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Raymond Fenech
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SheetMusicPlus
Anitra's Dance - From Peer Gynt (2 Alto Saxophones and Piano)
Saxophone Alto et Piano
Instrumental Duet,Piano Alto Saxophone,Instrumental Duet,Piano - Level 4 - Digital Downloa…
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Instrumental Duet,Piano Alto Saxophone,Instrumental Duet,Piano - Level 4 - Digital Download SKU: A0.760026 Composed by Edvard Grieg. Arranged by Raymond Fenech. Contest,Easter,Festival,Multicultural,Patriotic,Romantic Period,World. Score and parts. 18 pages. Raymond Fenech #3483439. Published by Raymond Fenech (A0.760026). Peer Gynt, Op. 23 is the incidental music to Henrik Ibsen's 1867 play of the same name, written by the Norwegian composer Edvard Grieg in 1875. It premiered along with the play on 24 February 1876 in Christiania (now Oslo). Later, in 1888 and 1891, Grieg extracted eight movements to make two four-movement suites: Suite No. 1, Op. 46, and Suite No. 2, Op. 55. Some of these movements have received coverage in popular culture; see Grieg's music in popular culture. This aria is arranged for 2 Alto Saxophones and Piano . The Duration is approx. 3.19 minutes and the level is Advanced Intermediate.
$4.99
4.59 €
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Saxophone Alto et Piano
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Edvard Grieg
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Raymond Fenech
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Anitra's Dance - From Peer Gynt
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Raymond Fenech
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SheetMusicPlus
Badinerie - J.S.Bach - for Alto Sax and Piano
Saxophone Alto et Piano
Alto Saxophone,Piano - Level 4 - Digital Download SKU: A0.1304473 Composed by Johan…
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Alto Saxophone,Piano - Level 4 - Digital Download SKU: A0.1304473 Composed by Johann Sebastian Bach. Arranged by Raymond Fenech. Baroque,Christmas,Contest,Easter,Festival,Multicultural,World. Score and part. 9 pages. Raymond Fenech #893964. Published by Raymond Fenech (A0.1304473). The second of Bach’s four orchestral suites is actually the one he composed last, in Leipzig around 1739, and is probably the last orchestral music of any kind that he wrote. It is basically a solo flute concerto in the form of a dance suite, and an extraordinarily difficult flute concerto at that. A badinerie is a sort of character piece in 18th-century suites, with no particular dance rhythm or meter. This one has a full measure of the light and lively bantering the title implies, which has made it also popular with jazz arrangers. The Duration is approx. 1.32 minutes and the level is Advanced Intermediate.
$3.99
3.67 €
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Saxophone Alto et Piano
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Johann Sebastian Bach
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Raymond Fenech
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Badinerie - J.S.Bach - for Alto Sax and Piano
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Raymond Fenech
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SheetMusicPlus
Korsakov: Flight of the Bumblebee for Alto Sax & Piano
Saxophone Alto et Piano
Alto Saxophone,Piano - Level 5 - Digital Download SKU: A0.549254 Composed by Nikola…
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Alto Saxophone,Piano - Level 5 - Digital Download SKU: A0.549254 Composed by Nikolay Andreyevich Rimsky-Korsakov. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Standards. Score and part. 15 pages. Jmsgu3 #3473685. Published by jmsgu3 (A0.549254). Flight of the Bumblebee Flight of the Bumblebee is, to be sure, an orchestral interlude composed by Nikolai Rimsky-Korsakov for his opera The Tale of Tsar Saltan. Of course, Korsakov intended to portray a bumblebee's chaotic flying pattern musically. Nowadays, this piece is one of the comparatively more famous classical works because it frequently appears occasionally in popular culture. The piece appears notably in the opera at the close of Act III, Tableau 1. This is when the magic Swan-Bird changes the Prince (the son of the Tsar) into a bee so he can fly away to visit his father. Interestingly, at this point in the drama, his father, in effect, does not know that he is alive. Korsakov Background Nikolai Rimsky-Korsakov (1844 –1908) was a uniquely famous composer from Russia. He was likewise a member of an infamous assembly of composers called The Five. Korsakov was furthermore an expert in orchestration. His correspondingly most famous orchestral compositions- Capriccio Espagnol, the Russian Easter Festival Overture, and the Scheherazade suite- are essential monuments of the standard music repertoire. Also comparatively very important are his suites and excerpts from his 15 operas. Korsakov used Russian folklore and fairy tales, such as Scheherazade, in his music. Nationalistic Style Like fellow outspoken composer Balakirev, Korsakov believed in creating a nationalistic, Russia-centric style of classical music. The new style was called Orientalism. It similarly relied on native Russian materials, exotic scales, and experimental harmonic, melodic, and rhythmic procedures. This practice, conversely, ran counter to the developments in Western musical culture. Musical Developments Nevertheless, Korsakov developed an appreciation of Western musical techniques after he became a professor of musical composition, harmony, and orchestration at the Saint Petersburg Conservatory in 1871. Moreover, he undertook a rigorous three-year program of self-education. He mastered Western methods, incorporating them with the influences of Mikhail Glinka and other members of The Five. His techniques of composition and orchestration were additionally enriched by his exposure to the works of Richard Wagner. Naval Service Korsakov combined his music career accordingly with a career in the Russian military. He was in the first place an officer in the Russian Navy. In due time, he was appointed a civilian Inspector of Naval Bands. As a result, Korsakov expanded his knowledge of woodwind and brass playing, which heightened his orchestration capabilities. Legacy In due time, Korsakov contributed a significant number of Russian nationalist works. He also prepared, occasionally, compositions by The Five for presentation. This brought their works straightaway into the active classical repertoire as well. He also shaped an entire generation of younger composers as a music educator. Therefore, music historians consider Korsakov the foremost engineer of what the public considers the Russian composition style. He served as a transitional figure between The Five and the classically trained composers who became the norm over time. In addition to the Russians, he influenced non-Russian composers such as Ravel, Debussy, Dukas, and Respighi. Â
$32.95
30.34 €
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Saxophone Alto et Piano
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Nikolay Andreyevich Rimsky-Korsakov
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James M
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Korsakov: Flight of the Bumblebee for Alto Sax & Piano
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jmsgu3
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SheetMusicPlus
Saint-Saëns: The Swan for Alto Sax & Piano
Saxophone Alto et Piano
Alto Saxophone,Piano - Level 3 - Digital Download SKU: A0.1314328 Composed by Camil…
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Alto Saxophone,Piano - Level 3 - Digital Download SKU: A0.1314328 Composed by Camille Saint-Saens. Arranged by James M. Guthrie. 19th Century,Chamber,Contest,Festival,Historic,Romantic Period. Score and part. 11 pages. Jmsgu3 #903072. Published by jmsgu3 (A0.1314328). Saint-Saëns: The Swan (Le Cygne) movement 13 from the Carnival of the Animals Suite. One of his most popular and widely recognized works, it is the only movement from the Carnival Suite that Saint-Saëns permitted to be performed publicly during his lifetime. This is an excellent recital encore to demonstrate melodic playing and strategic phrasing.The Carnival of the AnimalsThe Carnival of the Animals is an entertaining musical suite of fourteen movements by Camille Saint-Saëns. The work was composed for private performance by an ensemble of two pianos and solo instruments. The Swan (No. 13) is among the fourteen most famous movements. In its entirety, it lasts about 25 minutes.Saint-Saëns BackgroundCharles-Camille Saint-Saëns 1835 – 1921) was, by all means, in particular, a famous French composer, brilliant organist, and significant musical mastermind of the Romantic era. Indeed, his most famous compositions, in the long run, include his Piano Concerto No. 2 (1868), Cello Concerto No. 1 (1872), and the Danse macabre (1874). Notwithstanding, we must also add Violin Concerto No. 3 (1880), Symphony No. 3 (the Organ Symphony, 1886), and, it must be remembered, Carnival of the Animals (1886) to the list.ChildhoodIt is essential to realize that Saint-Saëns was undoubtedly, in fact, a child musical prodigy. Consequently, with this in mind, he made his concert debut, albeit at ten years old. Another critical point to remember is that he expressly studied at the Paris Conservatoire, then, despite reality, conversely followed a traditional career path as a church organist. Nevertheless, twenty years later, on the other hand, he left to become a successful freelance pianist and composer despite, as has been noted, his former employment situation. Furthermore, his performances were, after all, markedly in demand - not only in Europe but, above all, in the Americas all in all as well.YouthA point often overlooked is that in his youth, Saint-Saëns was undoubtedly excited about the modern music of the day. He was, in essence, fond of the music of his contemporaries, particularly Schumann, Liszt, and, for the most part, Wagner. In contrast, however, his compositions seemed, in fact, primarily confined within the conservative classical tradition. Be that as it may, he was, at the same time, nevertheless, a scholar of musical history.CriticismOn the whole, his conservatism, in fact, ultimately brought him into frequent conflict in his later years with composers of the impressionist and, in particular, the dodecaphonic schools of musical thought. A point often overlooked is that he included neoclassical elements in his music, contrary to some critics. Furthermore, in so doing, he provided the most compelling evidence that he predicted the techniques and works by Stravinsky and Les Six. To put it another way, given these points, he was regarded, perhaps for the most part unfairly, as a non-progressive reactionary henceforth around the time of his passing.LegacySaint-Saëns taught briefly in Paris, where his students included Gabriel Fauré. Maurice Ravel later studied with Fauré. In conclusion, both Ravel and Fauré were powerfully influenced by Saint-Saëns, whom they respected as a musical mastermind.
$32.95
30.34 €
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Saxophone Alto et Piano
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Camille Saint-Saens
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James M
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Saint-Saëns: The Swan for Alto Sax & Piano
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jmsgu3
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SheetMusicPlus
Clair de Lune (Debussy) for Alto Saxophone and Piano
Saxophone Alto et Piano
Alto Saxophone,Piano - Level 3 - Digital Download SKU: A0.1469383 Composed by Claud…
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Alto Saxophone,Piano - Level 3 - Digital Download SKU: A0.1469383 Composed by Claude Debussy. Arranged by Harry Walker. 19th Century,Classical,Contest,Festival,Romantic Period. Score and part. 11 pages. SCORE EDITIONS #1047380. Published by SCORE EDITIONS (A0.1469383). Claude Debussy is renowned for his contributions to the Impressionist movement in music, aiming to capture atmospheres and sensations through colorful harmonies and evocative textures. Clair de Lune stands as one of his most emblematic works, embodying the artistic expression of Impressionism in music. Clair de Lune is the third piece in the Suite Bergamasque, originally composed for solo piano. It is famous for its delicacy and ethereal atmosphere, evoking the serene and mysterious beauty of moonlight. The music suggests quiet and contemplative nights, with its delicate figures and flowing melodies. Debussy's rich harmony and subtle tonal shifts reflect his influence from Symbolism and contemporary Impressionist painting. In this version, the composition was arranged for Alto Saxophone and Piano by Harry Walker.
$5.99
5.52 €
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Saxophone Alto et Piano
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Claude Debussy
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Harry Walker
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Clair de Lune
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SCORE EDITIONS
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SheetMusicPlus
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