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FLUTE DE PA…
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GUITARE PED…
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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
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EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
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AFRICAIN
AMERICANA
ASIE
BLUEGRASS
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CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
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COUNTRY
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362
PIANO & CLAVIERS
Piano seul
192
Piano, Voix
48
Piano Trio: piano, violon, violoncelle
38
Piano, Voix et Guitare
26
Piano Facile
21
Instruments en Do
20
Accompagnement Piano
18
Orgue
16
2 Pianos, 4 mains
10
1 Piano, 4 mains
3
Piano Quatuor: piano, violon, alto, violoncelle
3
Orgue, Trompette (duo)
2
Piano Quatuor: piano, 2 violons, violoncelle
2
Piano Quintette: piano, 2 violons, alto, violoncelle
2
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GUITARES
Guitare
29
Guitare notes et tablatures
13
2 Guitares (duo)
10
Ligne De Mélodie, (Paroles) et Accords
6
4 Guitares (Quatuor)
5
3 Guitares (trio)
4
Mandoline, Guitare (duo)
2
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1
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1
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1
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1
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1
Mandoline
1
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VOIX
Chorale SATB
104
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12
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11
Chorale TTBB
10
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9
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7
Voix Soprano, Piano
6
Voix seule
5
Voix duo
3
Voix duo, Piano
3
Voix moyenne, Piano
3
Voix Mezzo-Soprano, Piano
1
Voix haute
1
Voix Soprano, Orchestre
1
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VENTS
2 Saxophones (duo)
34
Flûte traversière et Piano
30
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
26
Clarinette et Piano
23
Hautbois, Piano (duo)
21
Saxophone, Clarinette (duo)
19
Saxophone Alto et Piano
17
Quintette de Saxophone: 5 saxophones
16
2 Clarinettes (duo)
16
2 Flûtes traversières (duo)
14
Clarinette, Trompette (duo)
14
Quatuor de Saxophones: 4 saxophones
13
Clarinette, Violon (duo)
13
Saxophone Tenor et Piano
12
Ensemble de saxophones
12
Clarinette
11
Ensemble de Clarinettes
10
Saxophone Soprano et Piano
10
Flûte, Clarinette (duo)
9
Saxophone Baryton, Piano
9
Flûte traversière
8
Saxophone (partie séparée)
8
Ensemble de Flûtes
7
Saxophone Alto
7
Flûte, Violon, Piano
7
Cor anglais, Piano
7
Clarinette et Alto
7
Quatuor de Clarinettes: 4 clarinettes
7
3 Saxophones (trio)
7
Flûte, Alto (duo)
6
Flûte, Saxophone (duo)
6
Flûte, Violon
6
Clarinette Basse, Piano
6
Flûte et Guitare
6
Hautbois, Basson (duo)
6
2 Hautbois (duo)
6
Hautbois (partie séparée)
5
Flûte à bec Soprano
5
Quintette de Flûte : 5 flûtes
5
Flûte, Trompette (duo)
5
Hautbois, Flûte
5
Flûte, Hautbois, Clarinette, Basson
4
Quintette de Clarinettes: 5 clarinettes
4
3 Clarinettes (trio)
4
Quatuor de Flûtes : 4 flûtes
4
Hautbois, Clarinette (duo)
4
Clarinette (partie séparée)
2
Clarinette, Guitare (duo)
2
Saxophone et Orgue
1
2 Flûte à bec (duo)
1
Trio de Flûtes: 3 flûtes
1
Hautbois, Clarinette, Basson (trio d'anches)
1
Quatuor de Flûtes à bec
1
Flûte, Hautbois (duo)
1
Ensemble de Hautbois
1
Piccolo, Piano
1
Clarinette, Alto et Piano (trio)
1
Flûte, Hautbois, Clarinette (trio)
1
Flûte, Hautbois, Piano (trio)
1
Hautbois, Guitare (duo)
1
Saxophone Tenor
1
Flûte à bec Alto, Basse continue
1
Clarinette, Harpe (duo)
1
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CUIVRES
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
37
Quatuor de Cuivres : 2 trompettes, trombone, tuba
21
Trompette, Saxophone (duo)
14
Trompette
14
Trombone et Piano
13
Cor et Piano
12
Trompette, Piano
10
Euphonium, Piano (duo)
10
2 Trombones (duo)
10
2 Trompettes (duo)
9
Trombone
9
Trompette, Trombone (duo)
8
Quatuor de Cuivres: 2 trompettes, Cor, trombone
8
Cor anglais, Piano
7
Ensemble de Trombones
5
Quatuor de cuivres: 4 cors
4
Cor
4
Tuba et Piano
4
Quatuor de Cuivres
3
Ensemble de Trompettes
3
Trombone (partie séparée)
2
Cor (partie séparée)
1
2 Tubas (duo)
1
Tuba
1
Trompette (partie séparée)
1
Ensemble de Tubas
1
Trompette, Cor (duo)
1
2 Cors (duo)
1
Quatuor de cuivres: 4 trombones
1
Tuba et Orgue
1
Trombone basse et Piano
1
Instrumentations suivantes
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CORDES
Quatuor à cordes: 2 violons, alto, violoncelle
54
Violon et Piano
43
Alto, Piano
22
Trio à Cordes: violon, alto, violoncelle
20
Violoncelle, Piano
17
Trio à Cordes: 2 violons, violoncelle
15
2 Violons (duo)
14
Violon, Violoncelle (duo)
13
Violon
12
Violon, Alto (duo)
10
2 Violoncelles (duo)
8
Harpe
7
2 Altos (duo)
6
2 Harpes (duo)
4
Quintette à cordes: 2 violons, alto, violoncelle, basse
4
Violoncelle
4
Alto seul
3
Violon (partie séparée)
2
Alto, Guitare (duo)
2
Violoncelle (partie séparée)
2
Violon, Guitare (duo)
2
Trio à Cordes: 3 violoncelles
2
Alto (partie séparée)
2
Ensemble d'Altos
1
Harpe, Trombone (duo)
1
Contrebasse, Piano (duo)
1
2 Violons, Piano
1
Violon, Violoncelle, Clarinette
1
Alto, Violoncelle (duo)
1
Ensemble de Violons
1
Autoharp
1
4 Violoncelles
1
Piano Trio: Violon, Alto, Piano
1
Quintette à cordes: 2 violons, 2 altos, violoncelle
1
Quatuor à cordes: 4 violons
1
Trio à cordes
1
Instrumentations suivantes
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PERCUSSIONS & ORCHESTRES
Orchestre d'harmonie
86
Orchestre
33
Orchestre à Cordes
26
Ensemble de cuivres
19
Orchestre de chambre
8
Ensemble Jazz
8
Jazz combo
7
Cloches
6
Percussion (partie séparée)
1
2 Marimbas
1
Percussion
1
Piano et Orchestre
1
Xylophone
1
Ensemble de Percussions
1
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Saxophone Alto et Piano
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Bach: Wachet auf for Alto Sax & Piano
Saxophone Alto et Piano
Alto Saxophone,Piano - Level 2 - Digital Download SKU: A0.549842 Composed by Johann…
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Alto Saxophone,Piano - Level 2 - Digital Download SKU: A0.549842 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Concert,Easter,Sacred,Standards. Score and part. 12 pages. Jmsgu3 #3554821. Published by jmsgu3 (A0.549842). Wachet auf, ruft uns die Stimme (Awake, the voice is calling us) from Cantata BWV 140. Duration: ca. 4:00, Score: 6 pages, solo part 1 page, piano part: 4 pages. Program this for church services during the Easter season, or as a recital encore.Wachet auf, ruft uns die Stimme (Awake, the Voice is calling us) also known as: Sleepers Awake Bach composed his church cantata Wachet auf (BWV 140) as part of his second annual cantata cycle covering the entire annual church calendar. It is based on the hymn of the same name by Philipp Nicolai (1599). The hymn text covers the readings for the 27th Sunday after Trinity. Bach designed the cantata in seven movements, setting the stanzas in various forms. Among these forms are the chorale fantasia, the chorale prelude, and a four-part chorale. He casts the new lyrics as recitatives – in a manner similar to the opera. Fourth Movement Bach writes the fourth movement, Zion hört die Wächter singen (Zion hears the watchmen singing), in the style of a chorale prelude with the chorale phrases performed as a strict cantus firmus. The phrases seem to enter at times erratically against the famous lyrical melody. The violins play this melody in unison as a foil against the cantus phrases. The violin melody is so independent and complete that when the cantus melody appears it catches the listener at times totally off-guard. Bach later transcribed this movement for organ (BWV 645). This transcription became No. 1 of the Six Schübler Chorales. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with the instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and certainly the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio. History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer. Style It seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV. .
$24.95
23.03 €
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Saxophone Alto et Piano
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Johann Sebastian Bach
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James M
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Bach: Wachet auf for Alto Sax & Piano
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jmsgu3
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SheetMusicPlus
Bach: Bist du bei mir BWV 508 for Alto Sax & Piano
Saxophone Alto et Piano
Alto Saxophone,Piano - Level 2 - Digital Download SKU: A0.549235 Composed by Johann…
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Alto Saxophone,Piano - Level 2 - Digital Download SKU: A0.549235 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Easter,Standards,Wedding. Score and part. 9 pages. Jmsgu3 #3468804. Published by jmsgu3 (A0.549235). J. S. Bach BWV 508. Bist du bei mir Bach adapted this aria from a lost Stölzel opera called Diomedes. He changed the original orchestral instrumentation to soprano, strings, and continuo.  He also modified the voice-leading making it sound more like a Bach composition. The work appears as BWV 508 No. 25 in the Anna Magdalena Notebook No. 2.  Source Only a few remnants of the original opera have survived. Historians speculate that Anna Magdalena got the song from the Leipzig Opera after the bankruptcy of 1720. Chances are good, though, that the tune was a favorite of everyone in Leipzig at the time.  Lyrics When thou art near, I go with joyTo death and to my rest.O how joyous would my end be,If your fair hands      Would close my faithful eyes. - Unknown Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and certainly the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy are the St. John Passion, and indeed the Christmas Oratorio.  History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer.  Style It seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival        Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV.  Voyager NASA launched two Voyager spacecraft in 1977. Onboard are phonograph records with sounds, music, and images of life on Earth. The purpose of the launch was to inform intelligent extraterrestrial life forms about conditions on Earth. The music on the disc is varied. There is Bach, Mozart, Beethoven, and Stravinsky among others. However, because Bach is so important in our music history, it contains three times more Bach than all the others combined.
$32.95
30.41 €
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Saxophone Alto et Piano
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Johann Sebastian Bach
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James M
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Bach: Bist du bei mir BWV 508 for Alto Sax & Piano
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jmsgu3
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SheetMusicPlus
Mendelssohn: Wedding March for Alto Sax & Piano
Saxophone Alto et Piano
Alto Saxophone,Piano - Level 3 - Digital Download SKU: A0.549892 Composed by Felix …
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Alto Saxophone,Piano - Level 3 - Digital Download SKU: A0.549892 Composed by Felix Bartholdy Mendelssohn. Arranged by James M. Guthrie, ASCAP. Romantic Period,Standards,Wedding. Score and part. 23 pages. Jmsgu3 #3603399. Published by jmsgu3 (A0.549892). Score: 12 pages, piano part: 6 pages, alto sax part: 4 pages. duration: ca. 5'. This is the famous wedding march from Op. 61 composed in 1842 and commonly performed as a recessional march at the end of a wedding. The piece was originally composed for orchestra then arranged for organ and performed by Mendelssohn himself.Mendelssohn: Wedding March Mendelssohn’s Wedding March is so popular that it’s difficult to imagine a wedding without it. It seems like it’s been around for eternity. In any case, it was only 150 years or so ago that the Wedding March came about. It was performed in Potsdam for the first time in 1842, as a piece of Mendelssohn’s music for the Shakespeare play A Midsummer Night’s Dream. It was first used for a wedding in 1858 Mendelssohn Background Felix Mendelssohn (1809 –1847) was, by all means, a German mastermind composer, musician and orchestra conductor of the Romantic period. Consequently, Mendelssohn composed in the usual forms of the time - symphonies, concertos, oratorios, piano music, and chamber music. To summarize, his most famous works include his music for A Midsummer Night's Dream, the Italian Symphony, the Scottish Symphony, The Hebrides Overture, his later Concerto for Violin & Orchestra, and his Octet for Strings. His most well-known piano pieces, by and large, are the Songs Without Words. Artistic Standing Musical tastes change from time to time. Moreover, just such a change occurred in the late 19th and early 20th centuries. This plus rampant antisemitism brought a corresponding amount of undue criticism. Fortunately, however, his artistic inventiveness has indeed been critically re-evaluated. As a result, Mendelssohn is once again among the most prevalent composers of the Romantic era. Early Family Life Mendelssohn was, in fact, born into a prominent Jewish family. His grandfather was, notably, the philosopher Moses Mendelssohn. Felix was, in fact, raised without religion. At the age of seven, he was all of a sudden baptized as a Reformed Christian. He was, moreover, a child musical prodigy. Nevertheless, his parents did not attempt to exploit his talent. Early Adulthood Mendelssohn was, in general, successful in Germany. He conducted, in particular, a revival of the music of Johann Sebastian Bach, specifically with his presentation of the St Matthew Passion in 1829. Felix was truly in demand throughout Europe as a composer, conductor, and soloist. For example, he visited Britain ten times. There, he premiered, namely, many of his major works. His taste in music was. To be sure, inventive and well-crafted yet markedly conservative. This conservatism separated him by all means from more audacious musical colleagues like Liszt, Wagner, and Berlioz. Mendelssohn founded the Leipzig Conservatoire which, to clarify, became a defender of this conservative viewpoint. Mature Adulthood Schumann notably wrote that Mendelssohn was the Mozart of the nineteenth century, the most brilliant musician, the one who most clearly sees through the contradictions of the age and for the first time reconciles them. This observation points to a couple of features in particular that illustrate Mendelssohn's works and his artistic procedure. Musical Features In the first place, his musical style was fixed in his methodical mastery of the style of preceding masters. This being said, he certainly recognized and even developed early romanticism from the music of Beethoven and Weber. Secondly, it indicates that Mendelssohn sought to strengthen his inherited musical legacy rather than to exchange it with new forms and styles or replace it with exotic orchestration. Consequently, he diverged his contemporaries in the romantic period, such as Wagner, Berlioz, and Liszt. Mendelssohn revered Liszt's virtuos.
$32.95
30.41 €
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Saxophone Alto et Piano
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Felix Bartholdy Mendelssohn
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James M
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Mendelssohn: Wedding March for Alto Sax & Piano
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jmsgu3
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SheetMusicPlus
DvoÅ™ák: Largo from the New World Symphony for Alto Sax & Piano
Saxophone Alto et Piano
Alto Saxophone,Piano - Level 2 - Digital Download SKU: A0.549423 Composed by Antoni…
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Alto Saxophone,Piano - Level 2 - Digital Download SKU: A0.549423 Composed by Antonin Dvorak. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and part. 12 pages. Jmsgu3 #3494005. Published by jmsgu3 (A0.549423). Score: 7 pages, solo part: 2 pages, piano part: 3 pages. Duration: 4:25. Not difficult, but requires sensitivity & dynamic control. Suitable for recitals, church meditations, or school programs. Dvořák Background AntonÃn Dvořák (1841 –1904) was, of course, a composer from Czechoslovakia. As a matter of fact, he was among the first Bohemian composers to attain universal recognition. It is important to realize that the late Romantic Nationalist period featured composers who used traditional and folk elements to portray the character of their nation. In particular, we see this in the music of Grieg (Norway), Finland (Sibelius), and Smetana (Bohemia).  Dvořák relied markedly on rhythms and other characteristics of Moravian and Bohemian folk music. Ascent to Fame Dvořák was truly a child musical prodigy on the violin. The premiere performances of his compositions notably occurred in 1872 and 1873. He submitted his First Symphony in particular to a German competition, but it failed to win. Consequently, in 1874 he presented two more symphonies to the Austrian State Prize for Composition. Johannes Brahms was the principal of the jury and was accordingly very impressed. They forthwith awarded the prize to Dvořák in 1874, 1876, and 1877. At this point, Brahms thereupon endorsed Dvořák to the publisher Simrock. Later, the publisher commissioned Dvořák to compose the Slavonic Dances, Op. 46. These became popular overnight and, as a result, Dvořák's worldwide status was launched. International Status Dvořák visited England upon invitation nine times. On each visit, he frequently conducted performances of his own compositions. He conducted concerts of his music, especially in Moscow and St. Petersburg. Eventually, the Prague Conservatory in fact appointed Dvořák as a professor. There, to be sure, he wrote his famous Dumky Trio. United States Consequently, the National Conservatory of Music of America appointed him as director in 1892. As a result, Dvořák composed his two most famous symphonic works: the Symphony No. 9 (From the New World), which spread his name universally, and his Concerto for Cello and Orchestra, one of the most famous of all cello works. Moreover, he wrote his most celebrated American String Quartet during this time. At the same time, because of his growing recognition in Europe and his homesickness for his own country, he left to return to Bohemia in 1895. Â
$32.95
30.41 €
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Saxophone Alto et Piano
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Antonin Dvorak
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James M
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dynamic control
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DvoÅ™ák: Largo from the New World Symphony for Alto Sax & Piano
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jmsgu3
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SheetMusicPlus
Scriabin: Prelude Op. 11 No. 2 for Alto Sax & Piano
Saxophone Alto et Piano
Alto Saxophone,Piano - Level 3 - Digital Download SKU: A0.549467 Composed by Alexan…
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Alto Saxophone,Piano - Level 3 - Digital Download SKU: A0.549467 Composed by Alexander Scriabin. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Sacred,Standards. Score and part. 12 pages. Jmsgu3 #3499755. Published by jmsgu3 (A0.549467). Score: 8 pages, solo part: 2 pages, piano part: 2 pages. Duration: 3:10. An introspective and meditative work with a lot of dynamic and phrasing nuance. Works well for church meditations or recital encores.Background Op.11/2 Alto Clarinet version. First of all, Scriabin composed mostly for the solo piano and also the orchestra. This is probably because he was a gifted pianist and therefore certainly appreciated the piano. Scriabin grew up in the late Romantic period, consequently, he was fond of the great piano masters of the time. As a result, he wrote his first noteworthy compositions in the manner of Chopin and Liszt. Forms Likewise, Scriabin used many of the same forms as Chopin. These certainly include the étude, prelude, nocturne, and even the mazurka. In contrast, as he developed his own sense of style his music became more and more unusual. So, the last five of his Piano Sonatas do not have a key signature and therefore lean towards atonality. Philosophy Scriabin also developed a keen interest in philosophy and likewise poetry. He was above all particularly fascinated by Nietzsche, Delville, and Blavatsky. Consequently, he finally established his own ideas about metaphysics and certainly mysticism. Scriabin consequently advanced theories about the relationship between color and musical keys. Synesthesia He also may have experienced a condition called synesthesia where he could probably sense a response created from a different stimulus. Therefore, it was almost as if he could see music and hear colors. Scriabin, therefore, arranged the colors in a circle similar to the circle-of-fifths and assigned each key area a color. Finally, he assigned the key of C to the color red, while the key of G was orange. Similarly, he assigned D to yellow, A to green, and so forth. Strangely, he did not differentiate between major and minor key colors. Multimedia Hence, his ability to translate colors into music certainly gave Scriabin a most noteworthy interest in creating multimedia events. Furthermore, He designed his biggest work, the Mysterium, to last an entire week. Even more, Scriabin made plans not only for music, but also colored lights, incense, and dancing. He designed the performance to occur in the foothills of the Himalaya mountains. The Mysterium was never performed, and only sketches of the work remain. Modern Performances In modern times, we often experience performances of Scriabin’s most famous completed works accompanied by colored laser lights and incense. These are the Poem of Ecstasy (completed in 1908) and the Poem of Fire (completed in 1910). The lighting effects for these early performances were accomplished by the clavier à lumiéres. It was a keyboard instrument that projected colored light onto a screen.
$19.95
18.41 €
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Saxophone Alto et Piano
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Alexander Scriabin
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James M
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Scriabin: Prelude Op. 11 No. 2 for Alto Sax & Piano
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jmsgu3
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SheetMusicPlus
Mendelssohn: Song Without Words Op. 109 for Alto Sax & Piano
Saxophone Alto et Piano
Alto Saxophone,Piano - Level 3 - Digital Download SKU: A0.549489 Composed by Felix …
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Alto Saxophone,Piano - Level 3 - Digital Download SKU: A0.549489 Composed by Felix Bartholdy Mendelssohn. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and part. 20 pages. Jmsgu3 #3500661. Published by jmsgu3 (A0.549489). ALTO SAX & PIANO - Score: 11 pages, solo part: 3 pages, piano part: 5 pages. Duration: 4:20. This is a popular recital piece that would work well also in church or school programs. Mendelssohn Background Felix Mendelssohn (1809 –1847) was, by all means, a German mastermind composer, musician, and orchestra conductor of the Romantic period. Consequently, Mendelssohn composed in the usual forms of the time - symphonies, concertos, oratorios, piano music, and chamber music. To summarize, his most famous works include his music for A Midsummer Night's Dream, the Italian Symphony, the Scottish Symphony, The Hebrides Overture, his later Concerto for Violin & Orchestra, and his Octet for Strings. His most well-known piano pieces, by and large, are the Songs Without Words. Artistic Standing  Musical tastes change from time to time. Moreover, just such a change occurred in the late 19th and early 20th centuries. This plus rampant antisemitism brought a corresponding amount of undue criticism. Fortunately, however, his artistic inventiveness has indeed been critically re-evaluated. As a result, Mendelssohn is once again among the most prevalent composers of the Romantic era. Early Family Life Mendelssohn was, in fact, born into a prominent Jewish family. His grandfather was, notably, the philosopher Moses Mendelssohn. Felix was, in fact, raised without religion. At the age of seven, he was suddenly baptized as a Reformed Christian. He was, moreover, a child musical prodigy. Nevertheless, his parents did not attempt to exploit his talent. Early Adulthood Mendelssohn was, in general, successful in Germany. He conducted, in particular, a revival of the music of Johann Sebastian Bach, specifically with his presentation of the St Matthew Passion in 1829. Felix was truly in demand throughout Europe as a composer, conductor, and soloist. For example, he visited Britain ten times. There, he premiered, namely, many of his significant works. His taste in music was. To be sure, inventive and well-crafted yet markedly conservative. This conservatism separated him by all means from more audacious musical colleagues like Liszt, Wagner, and Berlioz. Mendelssohn founded the Leipzig Conservatoire which, to clarify, became a defender of this conservative viewpoint. Mature Adulthood Schumann notably wrote that Mendelssohn was the Mozart of the nineteenth century, the most brilliant musician, the one who most clearly sees through the contradictions of the age and for the first time reconciles them. This observation points to a couple of features in particular that illustrate Mendelssohn's works and his artistic procedure. Musical Features In the first place, his musical style was fixed in his systematic mastery of the style of preceding masters. This being said, he certainly recognized and even developed early romanticism from the music of Beethoven and Weber. Secondly, it indicates that Mendelssohn sought to strengthen his inherited musical legacy rather than to exchange it with new forms and styles or replace it with exotic orchestration. Consequently, he diverged his contemporaries in the romantic period, such as Wagner, Berlioz, and Liszt. Mendelssohn revered Liszt's virtuosity at the keyboard but found his music rather insubstantial.
$32.95
30.41 €
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Saxophone Alto et Piano
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Felix Bartholdy Mendelssohn
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James M
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Mendelssohn: Song Without Words Op. 109 for Alto Sax & Piano
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jmsgu3
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SheetMusicPlus
WaltzApp [Alto Sax + Piano]
Saxophone Alto et Piano
Alto Saxophone,Piano - Digital Download SKU: A0.596538 Composed by Juan MarÃa So…
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Alto Saxophone,Piano - Digital Download SKU: A0.596538 Composed by Juan MarÃa Solare. 20th Century,Concert,Contemporary. Score and part. 8 pages. Juan Maria Solare #3875065. Published by Juan Maria Solare (A0.596538). WaltzApp is a simple, innocent and uncomplicated waltz that can remind to Erik Satie. The title reflects the modern times...The composition of WaltzApp began in Bremerhaven in 2006 (first theme) and was completed ten years alter in Bremen (both cities are in North Germany). Duration: ~ 2'30Trivia: during those ten years between the composition of the first and the second theme, the working title was Valsecillo (and with that title circulated in internet as PDF for a while).Original version: for piano solo. There are also versions for the following chamber music combinations (all tested by the composer at concert!): - for alto saxophone and piano (plus double bass ad libitum) - for clarinet and piano (plus double bass ad libitum) - for violin and piano (plus double bass ad libitum) - for clarinet, accordion, cello and piano - for flute and piano (plus double bass ad libitum) - for instrumental nonet (flute, clarinet, trombone, accordion, violin, viola, cello, double bass and piano) The piano version of WaltzApp is included in the album Sombras blancas [White Shadows], by Juan MarÃa Solare (piano): https://open.spotify.com/track/5egCqXp6jR3tBQw8ndFAZ2 Video of the solo piano version (filmed in Java, Indonesia): https://www.youtube.com/watch?v=InFlC1V7Oyo Video of the version for saxophone and piano (Duo Antipoden: Yu Han, saxophone, and Juan MarÃa Solare, piano; live at MIKADO, Prinzhöfte, Germany): https://www.youtube.com/watch?v=uWGyP9pRrL0
$3.50
3.23 €
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Saxophone Alto et Piano
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Juan MarÃa Solare
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WaltzApp [Alto Sax + Piano]
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Juan Maria Solare
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SheetMusicPlus
Sailor's Hornpipe - Alto Saxophone & Piano
Saxophone Alto et Piano
Alto Saxophone,Piano - Level 2 - Digital Download SKU: A0.735977 Composed by Henry …
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Alto Saxophone,Piano - Level 2 - Digital Download SKU: A0.735977 Composed by Henry Wood. Arranged by Andrew Middleton. 20th Century,Romantic Period. Score and part. 8 pages. Andrew Middleton #5998949. Published by Andrew Middleton (A0.735977). Composed by Henry Wood in 1905, Sailor's Hornpipe (also known as Jack the Lad) is part of his suite Fantasia on British Sea Songs. Since it's first performance, this piece has been a tradition to the Last Night of Proms and is often played numerous times on the evening!For more updates on new arrangements follow my Facebook page on https://www.facebook.com/a.middletonmusic/ Or subscribe to my Youtube page at https://www.youtube.com/channel/UCClIYqddA2wMpdaxSq3BKEw?view_as=subscriber
$4.99
4.61 €
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Saxophone Alto et Piano
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Henry Wood
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Andrew Middleton
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Sailor's Hornpipe - Alto Saxophone & Piano
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Andrew Middleton
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SheetMusicPlus
Luther: Out of the Depths for Alto Sax & Piano
Saxophone Alto et Piano
Alto Saxophone,Piano - Level 1 - Digital Download SKU: A0.548709 Composed by Martin…
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Alto Saxophone,Piano - Level 1 - Digital Download SKU: A0.548709 Composed by Martin Luther. Arranged by James M. Guthrie. Easter,Instructional,Standards. Score and part. 4 pages. Jmsgu3 #3411721. Published by jmsgu3 (A0.548709). Out of the Depths I Cry to You by Martin Luther arranged for alto sax & piano. The first verses feature modified counterpoint and harmony proceeding at quarter = 82. The final verse is reharmonized for maximum dramatic effect at a more contemplative tempo such as quarter = 64. Features the entire range of the instrument. Very powerful selection for Lent or Easter. Duration (3 verses) 3:05, 36 ms. Score: 3 pg. Solo part: 1 pg. The piano reads from the score. Out of the Depths Aus tiefer Not schrei ich zu dir (From deep affliction I cry out to you), is, of course, a hymn composed by Martin Luther. Moreover, Luther also wrote the lyrics, essentially a paraphrase of Psalm 130. First published in 1524, it is also one of eight songs in the original Lutheran hymnal. It appears likewise in many hymnals and in different translations. The lyrics furthermore stimulated compositions from the Renaissance to the contemporary. Consequently, composers such as Johann Sebastian Bach built an entire chorale cantata on it. Other composers similarly contributed pieces, such as Felix Mendelssohn and Max Reger. Luther Background Martin Luther, (1483 –1546) was a German professor of theology, composer, priest, and moreover, an influential character in the Protestant Reformation. Luther had a momentous impact on church and society due to his contributions to the musical arts. He wanted to disseminate the gospel among mankind and with this intention thought that the best way to do that was through music. Influence It is important to realize that other musicians, and their descendants, were encouraged by Luther’s songs and wrote their own hymns. Luther, to be sure, had a thorough musical education. For example, he knew secular and sacred songs from an early age. He, in particular, played the lute well and sang in the monastery when he was a monk. That is to say, music was an essential part of his life. He in fact first began writing songs in 1523, sometimes writing the melody as well as the lyrics. Luther was certainly able to evaluate the composers of his time. He thought especially highly of Josquin des and Ludwig Senfl. He was also acquainted, with this in mind, with other composers and their works. Legacy The Lutheran musical ethos soon covered all of Germany and later significantly fashioned Protestant musical culture. Heinrich Schütz and Johann Sebastian Bach are the most compelling evidence of this Protestant musical culture. Additionally, as a point often overlooked, the pedal organ, first refined in northern Germany, became universally prevalent. As a matter of fact, Dieterich Buxtehude established a regular evening organ concert series in Lübeck. Another key point is that this concert series, in turn, spread North German Musical ideas worldwide. Luther was especially convinced that music is a beautiful and exclusive offering of the divine.
$24.95
23.03 €
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Saxophone Alto et Piano
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Martin Luther
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James M
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piano
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Luther: Out of the Depths for Alto Sax & Piano
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jmsgu3
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SheetMusicPlus
Bach-Gounod: Ave Maria, Schwencke version for Alto Sax & Piano
Saxophone Alto et Piano
Alto Saxophone,Piano - Level 2 - Digital Download SKU: A0.550919 Composed by J. S. …
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Alto Saxophone,Piano - Level 2 - Digital Download SKU: A0.550919 Composed by J. S. Bach - Gounod. Arranged by James M. Guthrie, ASCAP. Christmas,Contemporary,Easter,Wedding. Score and part. 11 pages. Jmsgu3 #4888291. Published by jmsgu3 (A0.550919). This arrangement features the controversial Schwencke measure (ms. 27) that was originally introduced in 1783 by Christian Friedrich Gottlieb Schwencke. The convenient 1st & 2nd endings provide an option for extended performance. Duration with repeat - 4:50. Score: 6 pages. Solo part: 2 pages, piano part: 4 pages. Based on Prelude #1 in C Major from the Well-Tempered Clavier, Book 1. Well suited for church meditations or school programs or recital encores. Ave Maria Ave Maria is a Catholic prayer that consequently asks for the mother of Jesus (Mary) to intercede. Charles Gounod composed a famous version of the Ave Maria. He was a French Romantic composer who overlaid a new melody on an existing Bach chord progression. The progression is from Bach’s Prelude No. 1 from Well-Tempered Clavier I. This version, as well as Schubert’s version, have become essential items at weddings, masses, and funerals. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio.  History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as a court composer.  Style It seems like Bach created an engaging new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival        Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV. Â
$32.95
30.41 €
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Saxophone Alto et Piano
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J
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James M
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Bach-Gounod: Ave Maria, Schwencke version for Alto Sax & Piano
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jmsgu3
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SheetMusicPlus
Bach-Gounod: Ave Maria for Alto Sax & Piano
Saxophone Alto et Piano
Alto Saxophone,Piano - Level 2 - Digital Download SKU: A0.549364 Composed by Bach-G…
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Alto Saxophone,Piano - Level 2 - Digital Download SKU: A0.549364 Composed by Bach-Gounod. Arranged by James M. Guthrie, ASCAP. Christmas,Contemporary,Easter,Wedding. Score and part. 11 pages. Jmsgu3 #3490139. Published by jmsgu3 (A0.549364). This arrangement follows the original Bach prelude and so excludes the extra measure that Schwencke introduced in 1783. If you prefer the extra measure, please see Bach-Gounod: Ave Maria, Schwencke version for Alto Sax & Piano, S0.661763. The convenient 1st & 2nd endings provide an option for extended performance with minimal page turns for the accompanist. The duration with repeat is about 4:50. Score: 6 pages. Solo part: 1 page, piano part: 4 pages. Based on Prelude #1 in C Major from the Well-Tempered Clavier, Book 1. Well suited for church meditations or school programs or recital encores. Ave Maria Ave Maria is a Catholic prayer that consequently asks for the mother of Jesus (Mary) to intercede. Charles Gounod composed a famous version of the Ave Maria. He was a French Romantic composer who overlaid a new melody on an existing Bach chord progression. The progression is from Bach’s Prelude No. 1 from Well-Tempered Clavier I. This version, as well as Schubert’s version, have become essential items at weddings, masses, and funerals. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio.  History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer.  Style It seems like Bach created an engaging new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival        Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV. Â
$32.95
30.41 €
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Saxophone Alto et Piano
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Bach-Gounod
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James M
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Piano, S0
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Bach-Gounod: Ave Maria for Alto Sax & Piano
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jmsgu3
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SheetMusicPlus
Bach: Sheep May Safely Graze for Alto Sax & Piano
Saxophone Alto et Piano
Alto Saxophone,Piano - Level 2 - Digital Download SKU: A0.548976 Composed by Johann…
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Alto Saxophone,Piano - Level 2 - Digital Download SKU: A0.548976 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Holiday,Standards,Wedding. Score and part. 11 pages. Jmsgu3 #3444569. Published by jmsgu3 (A0.548976). Was mir behagt, ist nur die muntre Jagd (The lively hunt is all my heart's desire), BWV 208 is the earliest secular cantata by Bach composed in 1713 for the birthday of the Duke of Weissenfels. It is also called the Hunting Cantata, and/or the Birthday Cantata. The most famous piece from this collection is the soprano aria Sheep may safely graze. Duration: 5:50, Score - 6 pg. Solo part - 2 pg. Piano part - 3 pg. 41 ms. Melodic range: M10 Sheep May Safely Graze Sheep may safely graze (Schafe können sicher weiden) is an aria from the Cantata BWV 208. The title of the Cantata, Was mir behagt, ist nur die muntre Jagd (nicknamed the Hunting Cantata) translates as The lively hunt is all my heart's desire. Programming Similar to Bach’s Jesu, Joy of Man's Desiring, or I Stand at the Threshold, it is an all-time favorite and frequently requested at weddings. Originally, Bach composed this aria for a royal birthday celebration, that of the Duke of Saxe-Weissenfels. Lyrics Sheep may safely graze and pasture In a watchful Shepherd’s sight. Those who rule with wisdom guiding Bring to hearts a peace abiding Bless a land with joy made bright.  Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Indeed, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. People are probably most familiar with instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio.  History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer.  Style It seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival        Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV.
$32.95
30.41 €
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Saxophone Alto et Piano
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Johann Sebastian Bach
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James M
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Bach: Sheep May Safely Graze for Alto Sax & Piano
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jmsgu3
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SheetMusicPlus
Clair de Lune by Debussy - Alto Sax and Piano (Full Score and Parts)
Saxophone Alto et Piano
Alto Saxophone,Piano - Level 4 - Digital Download SKU: A0.1192014 Composed by Claud…
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Alto Saxophone,Piano - Level 4 - Digital Download SKU: A0.1192014 Composed by Claude Debussy. Arranged by César Madeira. 19th Century,20th Century,Film/TV,Multicultural,Romantic Period,World. Score and part. 15 pages. Sheet Music To Play Editions #791518. Published by Sheet Music To Play Editions (A0.1192014). Clair de Lune by Debussy from Suite Bergamasque. Arrangement for Alto Sax and Piano. With Full Score and Individual Parts. Enjoy it!Claude Debussy (1862 - 1918) was a French composer. He is sometimes seen as the first Impressionist composer, although he vigorously rejected the term. He was among the most influential composers of the late 19th and early 20th centuries.For Tutorials, Play Alongs or request New Arrangements, visit the YouTube Channel: Sheet Music To Play
$8.99
8.3 €
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Saxophone Alto et Piano
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Claude Debussy
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César Madeira
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Clair de Lune by Debussy - Alto Sax and Piano
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Sheet Music To Play Editions
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SheetMusicPlus
O Come All Ye Faithful for Alto Sax & Piano
Saxophone Alto et Piano
Alto Saxophone,Piano - Level 1 - Digital Download SKU: A0.548508 Composed by Wade. …
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Alto Saxophone,Piano - Level 1 - Digital Download SKU: A0.548508 Composed by Wade. Arranged by James M. Guthrie, ASCAP. Christian,Christmas. Score and part. 4 pages. Jmsgu3 #3388099. Published by jmsgu3 (A0.548508). O Come All Ye Faithful arranged with new harmony for the final verse. Score: 3 pages. Part: 1 pageO Come, All Ye Faithful O Come, All Ye Faithful is an English translation of the Latin Christmas carol Adeste Fideles. No one knows exactly who wrote it, but one theory is that it was originally composed by King John IV of Portugal (1604–1656) and revised by John F. Wade and John Reading. Nowadays, we usually attribute it to John Wade. The oldest manuscript from 1751, is owned by Stonyhurst College in Lancashire. Lyrics The English translation O Come, All Ye Faithful was certainly written by Frederick Oakeley, a Catholic priest in 1841. This translation is the most common in English speaking states. To begin with, the hymn had only four verses. Later, the verses grew to eight. Often, various verses are omitted because otherwise, the song is just too long. Some believe the first Latin lyrics were written by St. Bonaventure (13th century) or King John IV of Portugal in the 17th. Though others think it was written by the Cistercian monks. King John IV King John IV of Portugal was called The Musician King. He became king in 1640. In addition to performing the duties of a king, he was also a composer and music journalist. King John built a very large music library. Unfortunately, the library was ruined in 1755 because of the massive earthquake of Lisbon. In addition to his library, the king started a Music School that produced many accomplished musicians. The king also worked diligently to get instrumental music approved by the Vatican for use in his churches. Aside from his authorship of Adeste Fideles, he is famous for another popular choral setting of the Crux Fidelis, a prevalent Lenten hymn. Performance in Context As mentioned above, verses are sometimes left out because all eight verses would take too long to perform. More to the point though, some of the verses may be unsuitable for whatever of the church calendar they are intended. The eighth verse deals with the Epiphany, so it makes sense to sing this on Epiphany Sunday, but not other Sundays. Similarly, other verses are used according to whether the event is Midnight Mass or regular daytime Mass.
$24.95
23.03 €
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Saxophone Alto et Piano
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Wade
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James M
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O Come All Ye Faithful for Alto Sax & Piano
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jmsgu3
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SheetMusicPlus
Handel: Largo (from Xerxes) for alto sax and piano
Saxophone Alto et Piano
Alto Saxophone,Piano - Level 3 - Digital Download SKU: A0.522293 Composed by G F Ha…
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Alto Saxophone,Piano - Level 3 - Digital Download SKU: A0.522293 Composed by G F Handel. Arranged by Colin Kirkpatrick. Christmas,Easter,Holiday. Score and part. 6 pages. Colin Kirkpatrick Publications #6637671. Published by Colin Kirkpatrick Publications (A0.522293). This piece is probably Handel’s best-known melody, although it began life as an operatic aria. The opera was called Xerxes, sometimes written Serses and pronounced something like “ZERT-seesâ€. It was commissioned by The King’s Theater in London and composed by Handel (who had become naturalized British and lived in London at the time) around 1737 and 1738. The opera is loosely based on the historical figure King Xerxes, who ruled from around 522-486 BC and was the fourth king of the Achaemenid Empire, a vast region that covered most of the present-day Middle East. The melody is often known simply as Handel’s Largo (despite being marked “Larghetto†in the musical score) and is the opening aria in the opera. The aria, known by its opening line Ombra mai fu is sung by Xerxes to a plane tree: “Tender and beautiful fronds of my beloved plane tree, let fate smile upon you...†Although this lovely melody has survived over the years, the opera itself was a complete failure when it was first performed in London in 1738. This arrangement is in E flat major concert (alto sax in C major) and the top note is the C above the treble clef and the piece generally requires the use of a long and sustained tone quality. The piano part has been kept as simple as possible. Being so well-known, this piece would make a popular encore number for a recital. The audio sample was performed by Alastair Penman https://www.alastairpenman.co.uk
$7.95
7.34 €
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Saxophone Alto et Piano
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G F Handel
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Colin Kirkpatrick
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Handel: Largo
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Colin Kirkpatrick Publications
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SheetMusicPlus
Con-Tse-To
Saxophone Alto et Piano
Composed by Gregory Fritze. 21st Century, Contemporary Classical, Post-Modern, Jazz, …
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Composed by Gregory Fritze. 21st Century, Contemporary Classical, Post-Modern, Jazz, Bebop. Piano Reduction, Solo Part. 44 pages. Published by Musica Nova USA
Con-Tse-To – a Concerto for Alto Saxophone and Concert Band was composed in 2013 at the request of Kenneth Tse. It is in three movements – 1. Pasodoble Melanie, 2. Lamento and 3. Danza Jubiloso. First performance was July 14, 2013 for the Hong Kong International Saxophone Symposium at the Hong Kong Academy for Performing Arts. Hong Kong Chamber Wind Philharmonic; Victor Tam, Conductor; Kenneth Tse, Saxophone Soloist.<br> <br> The first movement – Pasodoble Melanie, is in the traditional form of the march in Spain knownas the Pasodoble. It has a beginning theme in traditional march style using Spanish flavor harmoniesand melodies. As the Spanish pasodoble is in the same form as American marches, the second theme isthe “Trio” section. In the Spanish pasodoble, it is customary to have the first presentation of this secondtheme played extremely softly in the clarinets. It is also common during the repeat of the Trio to have a soloist such as a piccolo displaying an obligato of great virtuosic melodies in counterpoint to the clarinets. I felt this would be a very appropriate place for an alto saxophone obligato. In this pasodoble the thirdpresentation of the Trio is shortened to allow for the first cadenza. Since I met Kenneth Tse for the first time in Buñol (Valencia), Spain, I thought it would be very appropriate to use this traditional form for the firstmovement for his concerto. It is a Spanish custom for a composer to give a pasodoble composition as a gift such as to a musician or politician and the title of the piece often references the name of recipient’s wife. Kenneth Tse’s wife’s name is Melanie so this movement is dedicated to her.<br> <br> The second movement – Lamento was adapted from a melody of mine “El año del Trumpetista” originally composed in 2010. I thought the beautiful sound of Dr. Tse’s saxophone playing would be very complimentary for this melody.<br> <br> The third movement – Danza Jubiloso is in allegro tempo with the first theme based on leaps of afourth and an octave in duple meter. The second theme is mostly in 7/8 meter. There is also a bit of a jazz element of harmonies and the added instruments of a drum set and jazz double bass in pizzicato.<br> <br> Con-Tse-To was awarded Finalist category in the Band Composition Competition of the American Prize in 2017. One of only two Concertos with Band awarded that year. The full band instrumentation is available on Musica Nova USA.<br> <br> Gregory Fritze is a prize-winning composer and Fulbright Scholar, as well as an active performer. He recently retired from Berklee College of Music where he was Professor and Chair of Composition, serving on the faculty from 1979 to 2016. He has written over ninety compositions for orchestra, band, chamberensembles and soloists. He has won over fifty composition awards both nationally and internationally. His compositions include works published by several publishers in the United States, South America and Europe that have been performed extensively throughout the world.<br> <br> He has been a frequent traveler to Spain since 1993 and has promoted compositions by Spanish composers around the world. He is the only composer who has been commissioned six times by Spanishbands for Certamen competitions, with each band winning first prize.<br> <br> His compositions are recorded on Albany Records, MSR Classics, Crystal Records, Mark Records and others. He has been a guest lecturer, conductor and performer at many colleges, universities and music festivals in the United States, Canada, Japan, South America and Europe. He was born in Allentown, Pennsylvania in 1954 and has Composition degrees from the Boston Conservatory and Indiana University. He now resides in Daytona Beach Shores, Florida.<br> <br> The piano transcription was done by Derek Remeš.
$20.00
18.46 €
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Saxophone Alto et Piano
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Gregory Fritze
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Con-Tse-To
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Musica Nova USA
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SheetMusicPlus
Concerto for Alto Saxophone and Orchestra - piano reduction and part
Saxophone Alto et Piano
Piano Accompaniment, Alto Sax - Advanced - Digital Download Composed by Philip Orem. 21…
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Piano Accompaniment, Alto Sax - Advanced - Digital Download Composed by Philip Orem. 21st Century, Contemporary Classical. 55 pages. Published by Philip Orem
This is a dramatic work for alto saxophone and orchestra featured on the CD, Concerto, released by Roven Records and available on iTunes. The concerto is in three movements that segue onto each other and is a reflection on Mary Oliver's poem, When Death Comes.<br> <br> The first movement is dark, at times mysterious at others forceful, the second more contemplative while the last is a joyful romp.<br> <br> Includes piano reduction and alto saxophone part.
$50.00
46.15 €
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Saxophone Alto et Piano
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Philip Orem
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Concerto for Alto Saxophone and Orchestra - piano reduction and part
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Philip Orem
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SheetMusicPlus
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