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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
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COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
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EUPHONIUM
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FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
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SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Flam
Non classifié
182
Piano & claviers
Piano seul
220
Piano, Voix et Guitare
127
Piano, Voix
90
Piano Facile
49
1 Piano, 4 mains
8
Orgue
8
Instruments en Do
7
Accordéon
4
Piano grosses notes
4
Piano Trio: piano, violon, violoncelle
2
Accordéon, Voix
1
2 Pianos, 4 mains
1
Piano (partie séparée)
1
+ 8 instrumentations
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Guitares
Guitare notes et tablatures
137
Guitare
90
Ligne De Mélodie, (Paroles) et Accords
45
Paroles et Accords
39
4 Guitares (Quatuor)
13
Basse electrique
10
2 Guitares (duo)
7
Ensemble de guitares
3
Ukulele
3
Piano, Guitare (duo)
3
Guitare (partie séparée)
3
Basse électrique (partie séparée)
2
Guitare, Orchestre
1
Guitare, Quatuor à cordes
1
Dulcimer
1
3 Guitares (trio)
1
+ 11 instrumentations
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Voix
Chorale SATB
70
Chorale 3 parties
28
Chorale 2 parties
9
Chorale Unison
8
Chorale SSAA
8
Chorale TTBB
7
Voix seule
7
Chorale
5
Voix haute
4
Voix duo
3
Voix basse, Piano
2
Voix d'Enfants
1
Voix Soprano, Piano
1
Voix Baryton, Piano
1
Voix moyenne, Piano
1
Pack Instrumental pour Chorale
1
Chorale SSAATTBB
1
+ 12 instrumentations
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Vents
Saxophone (partie séparée)
25
Flûte traversière
21
Clarinette
16
Quatuor de Saxophones: 4 saxophones
13
Clarinette (partie séparée)
10
Saxophone Alto
10
Saxophone Tenor
9
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
9
Quatuor de Clarinettes: 4 clarinettes
7
Flûte et Guitare
7
Hautbois
6
Saxophone Alto et Piano
5
Flute (partie séparée)
5
Flûte traversière et Piano
5
Quatuor de Flûtes : 4 flûtes
5
Ensemble de Clarinettes
4
Flûte, Hautbois, Clarinette, Basson
4
Clarinette et Piano
4
Quintette de Saxophone: 5 saxophones
3
Saxophone Tenor et Piano
3
Quintette de Clarinettes: 5 clarinettes
3
Clarinette, Guitare (duo)
3
Clarinette Basse
2
Hautbois, Piano (duo)
2
2 Flûtes traversières (duo)
2
Quatuor de Flûtes à bec
2
Hautbois (partie séparée)
2
3 Saxophones (trio)
2
Flûte, Violon et Violoncelle
2
3 Flûtes à bec (trio)
2
2 Saxophones (duo)
2
2 Clarinettes (duo)
2
Clarinette et Alto
1
Saxophone Soprano
1
Hautbois, Basson (duo)
1
Saxophone Soprano et Piano
1
Hautbois, Clarinette, Basson (trio d'anches)
1
Ensemble de Flûtes
1
Flûte, Clarinette et Basson
1
5 Flûtes à bec
1
Cor anglais, Piano
1
Piccolo
1
Flûte à bec Soprano
1
Ensemble De Flûte à bec
1
Flûte, Hautbois, Clarinette (trio)
1
Ensemble de saxophones
1
+ 41 instrumentations
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Cuivres
Trompette (partie séparée)
16
Trombone (partie séparée)
15
Cor
11
Trompette
11
Quatuor de Cuivres : 2 trompettes, trombone, tuba
7
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
7
Trombone
5
Tuba (partie séparée)
4
Tuba ou Euphonium ou Saxhorn
4
Tuba
3
Ensemble de Cors
2
Cor et Piano
2
Euphonium, Piano (duo)
2
Trompette, Piano
2
Quatuor de cuivres: 4 trombones
1
2 Trompettes (duo)
1
Cor anglais, Piano
1
2 Cors (duo)
1
Quatuor de Cuivres
1
Ensemble de Trombones
1
Trombone et Piano
1
Cor (partie séparée)
1
+ 17 instrumentations
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Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
34
Violon
17
Violon et Piano
12
Alto seul
9
Violoncelle
9
Violon (partie séparée)
8
Contrebasse (partie séparée)
8
Violoncelle, Piano
7
Harpe
5
Trio à Cordes: violon, alto, violoncelle
4
Violon, Violoncelle (duo)
3
Alto, Piano
3
Violoncelle (partie séparée)
3
Violoncelle, Orgue
2
Quatuor à cordes : 4 altos
2
Alto (partie séparée)
2
Violoncelle , Guitare (duo)
2
4 Violoncelles
1
Quatuor à cordes: 4 violons
1
Quintette à cordes: 2 violons, alto, violoncelle, basse
1
Trio à Cordes: 2 violons, violoncelle
1
Contre Basse
1
4 Contrebasses
1
Ensemble de Violoncelles
1
Alto, Violoncelle (duo)
1
Flûte, Contrebasse (duo)
1
Violon, Guitare (duo)
1
+ 22 instrumentations
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Orchestre & Percussions
Orchestre d'harmonie
208
Batterie
38
Orchestre
21
Ensemble Jazz
19
Percussion
18
Fanfare
17
Orchestre à Cordes
12
Percussion (partie séparée)
9
Caisse Claire
7
Ensemble de Percussions
5
Ensemble de cuivres
4
Orchestre de chambre
4
Jazz combo
3
Batterie (partie séparée)
2
Timbales
2
Cloches
2
Big band
1
Bongos
1
Quintette à cordes : 2 Violons, Alto, Violoncelle, Contrebasse, Clavier
1
2 Caisses Claires (duo)
1
+ 15 instrumentations
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
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TROMBONE
TROMPETTE
TUBA
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Vous avez sélectionné:
Flam
Saxophone Alto et Piano
Partitions à imprimer
5 partitions trouvées
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LE MARCHÉ D'ALI BABA
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Saxophone Alto et Piano
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INTERMÉDIAIRE
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Contemporain
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Alain FLAMME
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LE MARCHÉ D'ALI BABA
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EDITIONS PIERRE LAFITAN
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SheetMusicPlus
Composed by Alain FLAMME. Modern, Repertoire. Score, Set of Parts. 7 pages. Published by EDITIONS PIERRE LAFITAN...
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Composed by Alain FLAMME. Modern, Repertoire. Score, Set of Parts. 7 pages. Published by EDITIONS PIERRE LAFITAN
Original work for Alto Sax Eb with piano accompaniment. Composed by Alain Flamme. Published by Editions Pierre Lafitan.© 2013 by Editions Pierre Lafitan (website : www.lafitan.com) Duration: 2:12. Level: Intermediate. Reference: P.L.2816EAN Number: 9790232228167.Price: 6,59 USD.Score (4 pages) and part of Alto Saxophone (2 pages).
$6.59
Eternal Flame
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Saxophone Alto et Piano
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INTERMÉDIAIRE
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The Bangles
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Kaiserin Rebecca
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Eternal Flame
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Kaiserin Rebecca
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SheetMusicPlus
Alto Saxophone,Piano - Level 3 - SKU: A0.641600 By The Bangles. By Billy Steinberg, Susanna Hoffs, and Tom Kelly. Arranged by Kaiserin Rebecca. Oldies. ...
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Alto Saxophone,Piano - Level 3 - SKU: A0.641600 By The Bangles. By Billy Steinberg, Susanna Hoffs, and Tom Kelly. Arranged by Kaiserin Rebecca. Oldies. Score and part. 8 pages. Kaiserin Rebecca #5777291. Published by Kaiserin Rebecca (A0.641600). For alto saxophone solo and piano accompaniment with chords.
$6.99
Aragonaise for Alto Saxophone & Piano
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Saxophone Alto et Piano
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INTERMÉDIAIRE
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Classique
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Georges Bizet
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Daniel Leeman
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Aragonaise for Alto Saxophone
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Daniel Leeman
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SheetMusicPlus
Alto Saxophone,Piano - Level 3 - SKU: A0.870762 Composed by Georges Bizet. Arranged by Daniel Leeman. Romantic Period. Score and part. 8 pages. Daniel L...
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Alto Saxophone,Piano - Level 3 - SKU: A0.870762 Composed by Georges Bizet. Arranged by Daniel Leeman. Romantic Period. Score and part. 8 pages. Daniel Leeman #3053205. Published by Daniel Leeman (A0.870762). Flashy and fun, Bizet’s Aragonaise from Carmen Suite No. 1 captures the energetic essence of flamenco dance music. This piece is arranged for intermediate level players due to it’s fast, driving-tempo, a variety of careful articulations, and intentional phrasing.
$4.99
Alto Sax - "And Can It Be?" Theme and Variations
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Saxophone Alto et Piano
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INTERMÉDIAIRE
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Musique Sacrée
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Lyrics: Charles Wesley, Music:
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Dan Cutchen
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Alto Sax - "And Can It Be
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Dan Cutchen Music
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SheetMusicPlus
Alto Saxophone,Piano - Level 3 - SKU: A0.844328 Composed by Lyrics: Charles Wesley, Music: Thomas Campbell, published 1738, and published 1825. Arranged...
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Alto Saxophone,Piano - Level 3 - SKU: A0.844328 Composed by Lyrics: Charles Wesley, Music: Thomas Campbell, published 1738, and published 1825. Arranged by Dan Cutchen. Easter,Gospel,Sacred,Spiritual. Score and part. 15 pages. Dan Cutchen Music #3115903. Published by Dan Cutchen Music (A0.844328). This arrangement of And Can It Be That I Should Gain? is for alto saxophone solo and piano.A theme and variation treatment is used. For a piano background Mp3 track, search for: Alto Sax - And Can It Be? Theme and Variations-Accompaniment Track, Dan CutchenTime: approximately 6:00And Can It Be That I Should Gain? is a Christian hymn written by Charles Wesley. And Can It Be was written in 1738 to celebrate Wesley's conversion, which he regarded as having taken place on May 21 of that year. This beautiful hymn has been popular and enduring.And Can It Be That I Should Gain is perhaps one of the most joyfully poignant hymns penned by Charles Wesley (1707-1788). On Whitsunday (Pentecost), May 21, 1738, three days before his brother John experienced his heart strangely warmed,’ Charles was convalescing in the home of John Bray, a poor mechanic, when he heard a voice saying, In the name of Jesus of Nazareth, arise, and believe, and thou shalt be healed of all thy infirmities. The voice was most likely Mr. Bray’s sister who felt commanded to say these words in a dream.Anglican hymn writer Timothy Dudley-Smith, notes that the following then happened:Charles got out of bed and opening his Bible read from the Psalms: He have put a new song in my mouth, even praise unto our God, followed by the first verse of Isaiah 40, Comfort ye, comfort ye my people, saith your God. He wrote in his journal, I have found myself at peace with God, and rejoiced in the hope of love Christ (Dudley-Smith, 1987, 1).The statement from Mr. Bray’s sister sparked within Charles a conviction like he had never felt before. Moved and convicted in spirit, Charles wrestled with these words until he came to rest in his faith, knowing that it is by faith we are saved (Ephesians 2:8).Soon after this conversion experience, he wrote two hymns in celebration of the amazing love he had come to know: And Can It Be that I Should Gain and Where Shall My Wondering Soul Begin? (United Methodist Hymnal, 342)There has been some debate as to which hymn was written first, but most current scholarship accepts the latter as the first hymn written by Charles after his conversion experience. No matter its place in the chronology of Wesley's output, And Can It Be has been and remains one of his most remarkable hymns, expressing like no other the rapturous joy of receiving salvation.And Can It Be That I Should Gain. Hymnary.org, https://hymnary.org/text/and_can_it_be_that_i_should_gainDudley-Smith, Timothy. A Flame of Love: A Personal Choice of Charles Wesley’s Verse. London: Triangle SPCK, 1987.Timothy Dudley-Smith. And can it be that I should gain. The Canterbury Dictionary of Hymnology. Canterbury Press, accessed May 29, 2018, http://www.hymnology.co.uk/a/and-can-it-be-that-i-should-gain.Young, Carlton R. And Can It Be That I Should Gain. Companion to the United Methodist Hymnal. Abingdon Press, 1993.(Taken from: History of Hymns: And Can It Be That I Should Gain by DeAndre Johnson found at https://www.umcdiscipleship.org/resources)https://youtu.be/BSX9yYcNY2E
$7.00
Collection: I Only Have Eyes for You - Alto Saxophone & Piano by The Flamingos - Instrumental Parts
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Saxophone Alto et Piano
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The Flamingos
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Collection: I Only Have Eyes f
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Musicnotes
I Only Have Eyes for You - Alto Saxophone & Piano Digital sheetmusic collection - instantly downloadable sheet music plus an interactive, downloadable digit...
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I Only Have Eyes for You - Alto Saxophone & Piano Digital sheetmusic collection - instantly downloadable sheet music plus an interactive, downloadable digital sheet music file, scoring: Instrumental Parts;Solo & Accompaniment, instruments: Alto Saxophone;Piano Accompaniment -- R & B~~Doo-Wop~~Pop Rock~~Standards~~Rock & Roll
$5.95
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