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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
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Chorale SATB
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
15
Quatuor de Saxophones: 4 saxophones
13
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9
Saxophone Alto et Piano
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7
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4
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2
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Quintette de Clarinettes: 5 clarinettes
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Flûte, Clarinette (duo)
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
9
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Trompette
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Trombone et Piano
4
Cor et Piano
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Trombone
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Cor
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2 Trompettes (duo)
3
Trompette, Saxophone (duo)
3
2 Trombones (duo)
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Quatuor de cuivres: 4 trombones
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Trompette, Trombone (duo)
2
Tuba et Orgue
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Tuba et Piano
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3 Trombones (trio)
2
Quatuor de Cuivres: 2 trompettes, Cor, trombone
2
Quatuor de Cuivres
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Tuba
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Trompette, Piano
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2 Tubas (duo)
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2 Cors (duo)
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Euphonium, Piano (duo)
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CORDES
Quatuor à cordes: 2 violons, alto, violoncelle
16
Harpe
13
Violon et Piano
9
Violon
8
Violoncelle, Piano
7
Contrebasse, Piano (duo)
5
Violon, Violoncelle (duo)
4
Alto seul
4
2 Violons (duo)
4
Violon, Alto (duo)
4
2 Altos (duo)
4
Violoncelle
3
Trio à Cordes: violon, alto, violoncelle
3
Alto, Piano
3
4 Violoncelles
2
Trio à Cordes: 2 violons, violoncelle
2
Violoncelle (partie séparée)
2
2 Violoncelles (duo)
2
Quatuor à cordes : 4 altos
1
Trio à Cordes: 3 violoncelles
1
Contre Basse
1
Alto, Violoncelle (duo)
1
Alto et Harpe
1
Quatuor à cordes: 4 violons
1
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PERCUSSIONS & ORCHESTRES
Orchestre
16
Orchestre d'harmonie
13
Orchestre à Cordes
12
Ensemble de Percussions
11
Ensemble de cuivres
8
Orchestre de chambre
6
Jazz combo
2
Orchestre, Violon
1
Caisse Claire
1
Percussion
1
Ensemble Jazz
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Fanfare
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2 Caisses Claires (duo)
1
Cloches
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Batterie
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Four For Tee
Saxophone Alto et Piano
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Saint-Saëns: The Swan for Alto Sax & Piano
Saxophone Alto et Piano
Alto Saxophone,Piano - Level 3 - Digital Download SKU: A0.1314328 Composed by Camil…
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Alto Saxophone,Piano - Level 3 - Digital Download SKU: A0.1314328 Composed by Camille Saint-Saens. Arranged by James M. Guthrie. 19th Century,Chamber,Contest,Festival,Historic,Romantic Period. Score and part. 11 pages. Jmsgu3 #903072. Published by jmsgu3 (A0.1314328). Saint-Saëns: The Swan (Le Cygne) movement 13 from the Carnival of the Animals Suite. One of his most popular and widely recognized works, it is the only movement from the Carnival Suite that Saint-Saëns permitted to be performed publicly during his lifetime. This is an excellent recital encore to demonstrate melodic playing and strategic phrasing.The Carnival of the AnimalsThe Carnival of the Animals is an entertaining musical suite of fourteen movements by Camille Saint-Saëns. The work was composed for private performance by an ensemble of two pianos and solo instruments. The Swan (No. 13) is among the fourteen most famous movements. In its entirety, it lasts about 25 minutes.Saint-Saëns BackgroundCharles-Camille Saint-Saëns 1835 – 1921) was, by all means, in particular, a famous French composer, brilliant organist, and significant musical mastermind of the Romantic era. Indeed, his most famous compositions, in the long run, include his Piano Concerto No. 2 (1868), Cello Concerto No. 1 (1872), and the Danse macabre (1874). Notwithstanding, we must also add Violin Concerto No. 3 (1880), Symphony No. 3 (the Organ Symphony, 1886), and, it must be remembered, Carnival of the Animals (1886) to the list.ChildhoodIt is essential to realize that Saint-Saëns was undoubtedly, in fact, a child musical prodigy. Consequently, with this in mind, he made his concert debut, albeit at ten years old. Another critical point to remember is that he expressly studied at the Paris Conservatoire, then, despite reality, conversely followed a traditional career path as a church organist. Nevertheless, twenty years later, on the other hand, he left to become a successful freelance pianist and composer despite, as has been noted, his former employment situation. Furthermore, his performances were, after all, markedly in demand - not only in Europe but, above all, in the Americas all in all as well.YouthA point often overlooked is that in his youth, Saint-Saëns was undoubtedly excited about the modern music of the day. He was, in essence, fond of the music of his contemporaries, particularly Schumann, Liszt, and, for the most part, Wagner. In contrast, however, his compositions seemed, in fact, primarily confined within the conservative classical tradition. Be that as it may, he was, at the same time, nevertheless, a scholar of musical history.CriticismOn the whole, his conservatism, in fact, ultimately brought him into frequent conflict in his later years with composers of the impressionist and, in particular, the dodecaphonic schools of musical thought. A point often overlooked is that he included neoclassical elements in his music, contrary to some critics. Furthermore, in so doing, he provided the most compelling evidence that he predicted the techniques and works by Stravinsky and Les Six. To put it another way, given these points, he was regarded, perhaps for the most part unfairly, as a non-progressive reactionary henceforth around the time of his passing.LegacySaint-Saëns taught briefly in Paris, where his students included Gabriel Fauré. Maurice Ravel later studied with Fauré. In conclusion, both Ravel and Fauré were powerfully influenced by Saint-Saëns, whom they respected as a musical mastermind.
$32.95
30.33 €
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Saxophone Alto et Piano
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Camille Saint-Saens
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James M
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Saint-Saëns: The Swan for Alto Sax & Piano
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jmsgu3
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SheetMusicPlus
Oh Shenandoah (for alto saxophone and piano)
Saxophone Alto et Piano
Composed by Traditional. Arranged by Colin Kirkpatrick. Folk, Fourth of July, Annive…
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Composed by Traditional. Arranged by Colin Kirkpatrick. Folk, Fourth of July, Anniversary, Wedding, Americana. Set of Parts. 9 pages. Published by Colin Kirkpatrick Publications
This beautiful song is one of the most popular American folk songs, evoking images of the river life of yesteryear. It is sure to be a popular addition to your saxophone recital, or it would make an excellent encore piece. The top note is D (written) above the treble staff and the duration is 03:55.<br> <br> As with most folk songs, there are many different versions of Shenandoah, and it’s impossible to determine the song’s exact provenance with any degree of certainty. It probably has its origins among the French Canadians who traded with Native Americans around the Great Lakes during the sixteenth century. In most versions of the song, the lyrics tell of a seafarer, possibly a canoeing fur-trader, who was in love with the daughter of Shenandoah, a Native American Chief who lived in what is now the state of Virginia. Shenandoah was a real person: an individual of commanding presence who lived for over a hundred years. <br> <br> Sailors heading down the Mississippi picked up the song and made it a capstan shanty, which they sang while hauling in the anchor. By the mid-1800s versions of the song were heard almost everywhere the clipper ships ventured. Shenandoah was one of the most popular capstan shanties, a slow song which set a manageable pace for the crew in a heavy and lengthy task. Add this lovely American song to your repertoire today!
$6.99
6.43 €
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Saxophone Alto et Piano
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Traditional
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Colin Kirkpatrick
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Oh Shenandoah
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Colin Kirkpatrick Publications
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SheetMusicPlus
Nimrod, from the Enigma Variations by Elgar, for Alto Saxophone and Piano
Saxophone Alto et Piano
Alto Saxophone,Piano - Level 3 - Digital Download SKU: A0.587739 Composed by Edward…
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Alto Saxophone,Piano - Level 3 - Digital Download SKU: A0.587739 Composed by Edward Elgar. Arranged by David McKeown. Concert,Contemporary,Romantic Period,Standards,Wedding. Score and part. 5 pages. David McKeown #4833263. Published by David McKeown (A0.587739). Nimrod, is the ninth of the Enigma Variations composed by Edward Elgar in 1899. Here, the music is arranged for solo Alto Saxophone and Piano, directly from the orchestral score. Elgar wrote fourteen variations on a theme, each one depicting close friends and family. Nimrod represents his publisher and friend Augustus Jaeger. The biblical character of Nimrod is described as a mighty hunter, and jaeger means hunter in German.The single pdf file contains both the piano score and a separate solo instrumental part.Musicians at an intermediate level and above will find this ideal for formal and informal performances. Both parts require dramatic dynamic contrasts and lyrical legato playing. The overall performance time is around three minutes.There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$4.60
4.23 €
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Saxophone Alto et Piano
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Edward Elgar
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David McKeown
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Nimrod, from the Enigma Variations by Elgar, for Alto Saxophone and Piano
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David McKeown
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SheetMusicPlus
He Leadeth Me for Alto Saxophone
Saxophone Alto et Piano
Alto Saxophone,Piano - Level 3 - Digital Download SKU: A0.968476 Composed by Willia…
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Alto Saxophone,Piano - Level 3 - Digital Download SKU: A0.968476 Composed by William B. Bradbury. Arranged by Lawrence H. Underwood. Blues,Christian,Gospel,Jazz,Sacred. Score and part. 9 pages. Lawrence H Underwood #6566947. Published by Lawrence H Underwood (A0.968476). Arranged by veteran performer and music educator, Lawrence Underwood, as the fourteenth installment in his 2021 Hymn Song Collection series, this brand-new setting of He Leadeth Me gives this traditional melody the boogie-woogie treatment! Suitable for use as special music in church or as a recital piece. . .or anywhere you want to have a little musical fun. . .this arrangement is sure to be a hit!
$5.99
5.51 €
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Saxophone Alto et Piano
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William B
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Lawrence H
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He Leadeth Me for Alto Saxophone
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Lawrence H Underwood
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SheetMusicPlus
My Saxophone and Me (E flat version)
Saxophone Alto et Piano
Alto Saxophone,Piano - Level 1 - Digital Download SKU: A0.522194 Composed by Colin …
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Alto Saxophone,Piano - Level 1 - Digital Download SKU: A0.522194 Composed by Colin Kirkpatrick. Instructional,Standards. Score and part. 28 pages. Colin Kirkpatrick Publications #3134129. Published by Colin Kirkpatrick Publications (A0.522194). My Saxophone and Me consists of fourteen short and delightful pieces written especially for absolute beginners up to students at elementary level. The book comes in two versions, one for B flat saxophones and the other for E flat instruments. However, for obvious reasons you cannot mix B flat and E flat instruments in the same group. The pieces are intended as supplementary material to your usual tutor books. The music can be used with any number of players and the pieces remain in the lower register. Several early pieces use only the notes B, A and G and the key of G major predominates. Six of the pieces use only half notes (minims) and quarter notes (crotchets). The low C, a tricky note for some beginners, has been avoided almost completely. On the one occasion it appears, the note C an octave above is given as optional. Although the pieces are arranged in approximate order of difficulty you can play them in any order you want, depending on the musical needs of the student. Your students are sure to enjoy these pieces, which are both easy on the fingers and easy on the ear! Several pieces have a few measures (bars) rest in the middle not only to give the player a break and add musical contrast but also to give the experience of counting empty bars during the music. When space allows, piano cues appear in the solo part. Some of the later pieces in the book have good performing potential and could be strung together in any order to create a small suite. Every piece has a short piano introduction so that the student can sense the tempo and musical style before playing. The keyboard accompaniments have been kept as simple as possible with the minimum number of notes. Dynamic markings (e.g. piano and mezzo-forte) are used from the start, but phrasing has been omitted from the solo part. This is because the teacher is usually in the best position to suggest phrasing within the physical capabilities of each student. Slurs have been employed sparingly and only when necessary. An MP3 file of all the piano accompaniments is also available as a separate item. You can find it here: https://www.sheetmusicplus.com/title/20679821The book includes a well-known folk lullaby from Wales and a lively folk song from Thailand which is known by all Thai people because it’s taught in elementary schools throughout the country. The music has been converted into pdf files at 1,200 dpi which will produce professional looking printed copies of high quality. However, the output quality will also depend on your own printer settings and capabilities. The publication consists of a teacher's book (18 pages) and a student's book (8 pages) both contained in the same pdf file. The sample MP3 (click on the “Listen†button above) contains recordings of Nice ‘n Easy (No 2); Lazy Days (No 4); Waltzing Around (No 7); Just a Minuet (No 11) and Donkey Trot (No 12). Colin Kirkpatrick studied at London’s Royal College of Music. He followed a career in music education. He was a High School Music Director in London for about fifteen years and later became a Music Education Adviser for local government, with responsibility for training teachers and directing the instrumental teaching service. The work in education gave him many opportunities for composing. He has published a great deal of music and his publishers include Boosey & Hawkes, Novello, Paxton, Schott, Oxford University Press, Chester, Belwin Mills and Intrada (Netherlands). His music has been performed and broadcast all over Europe as well as in Japan, Thailand, Australia and the USA. He holds MA and PhD degrees. He was a High School Music Director for about fifteen years and then became a Music Education Adviser for local government, with the added responsibility for training teachers and overseeing the instrumental service. He has writte.
$5.95
5.48 €
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Saxophone Alto et Piano
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Colin Kirkpatrick
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Lazy Days
(No 4)
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My Saxophone and Me
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Colin Kirkpatrick Publications
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SheetMusicPlus
Die Dorfhexe
Saxophone Alto et Piano
Alto Saxophone,Piano - Level 2 - Digital Download SKU: A0.648159 Composed by Geza H…
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Alto Saxophone,Piano - Level 2 - Digital Download SKU: A0.648159 Composed by Geza Horvath. Arranged by Nick Lacanski. Instructional,Romantic Period,Standards. Score and part. 4 pages. Theupperstaff #3062623. Published by theupperstaff (A0.648159). Die Dorfhexe is the fourteenth piece in a set titled Twenty Little Recital Pieces from the piano repertoire. This arrangement is a great musical representation of its title, The Village Witch. Easy arrangement for your developing student and could fir on the upcoming recital very nicely. Thanks for looking.
$1.99
1.83 €
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Saxophone Alto et Piano
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Geza Horvath
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Nick Lacanski
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Die Dorfhexe
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theupperstaff
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SheetMusicPlus
LE PETIT NEGRE – ALTO SAXOPHONE & PIANO
Saxophone Alto et Piano
Alto Saxophone,Piano - Level 5 - Digital Download SKU: A0.834103 Composed by Claude…
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Alto Saxophone,Piano - Level 5 - Digital Download SKU: A0.834103 Composed by Claude Debussy (1862-1918). Arranged by BRIAN W. COPPING. 20th Century,Concert,Standards. Score and part. 8 pages. EMK Music #6559971. Published by EMK Music (A0.834103). Great for exams and Eisteddfods, Le Petit Negre is taken from Debussy’s ‘Children’s Corner’ , a collection of pieces for Piano that he dedicated to his daughter, Claude-Emma, after her death at the age of fourteen. Debussy used language that was in common usage at the time, but some of his titles, including this one, now sound unavoidably racist. In addition to syncopation, Debussy also uses other techniques in this piece that have been adopted by jazz musicians, for example, pentatonic scales and chromaticism.
$9.95
9.16 €
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Saxophone Alto et Piano
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Claude Debussy
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BRIAN W
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LE PETIT NEGRE – ALTO SAXOPHONE & PIANO
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EMK Music
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SheetMusicPlus
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