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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
From the opera
Non classifié
1 500
Piano & claviers
Piano, Voix
1 269
Piano seul
685
Piano Facile
234
Piano, Voix et Guitare
190
1 Piano, 4 mains
96
Accompagnement Piano
55
Instruments en Do
55
Orgue
39
Piano Trio: piano, violon, violoncelle
18
2 Pianos, 4 mains
14
Instrument seul et Orgue
9
Piano grosses notes
8
Orgue, Piano (duo)
7
Piano Quatuor: piano, violon, alto, violoncelle
6
Piano Quintette: piano, 2 violons, alto, violoncelle
4
Accordéon
2
Piano Quatuor: piano, 2 violons, violoncelle
2
Clavecin
2
Ligne De Mélodie, Piano
1
Piano (partie séparée)
1
2 Pianos, 8 mains
1
Orgue, Trompette (duo)
1
+ 17 instrumentations
Retracter
Guitares
Guitare
92
Guitare notes et tablatures
55
Ligne De Mélodie, (Paroles) et Accords
42
Ukulele
25
2 Guitares (duo)
16
Basse electrique
5
4 Guitares (Quatuor)
4
Guitare (partie séparée)
4
Paroles et Accords
4
Piano, Guitare (duo)
3
Mandoline, Guitare (duo)
1
Orchestre à Plectres
1
Mandoline
1
+ 8 instrumentations
Retracter
Voix
Chorale SATB
219
Voix Soprano, Piano
113
Chorale 3 parties
103
Voix Tenor, Piano
73
Voix haute
37
Voix duo, Piano
37
Voix seule
35
Voix Baryton, Piano
35
Chorale 2 parties
34
Voix duo
33
Voix Alto, Piano
33
Chorale TTBB
27
Voix basse, Piano
23
Chorale SSAA
20
Chorale Unison
19
Voix Mezzo-Soprano, Piano
16
Voix Baryton
16
Voix moyenne, Piano
15
Voix Tenor
8
Voix Soprano
7
Voix haute, Piano
4
Chorale
3
Soli, choeur mixte et accompagnement
1
Voix basse
1
Pack Instrumental pour Chorale
1
+ 20 instrumentations
Retracter
Vents
Flûte traversière et Piano
248
Clarinette et Piano
169
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
141
Hautbois, Piano (duo)
134
Quatuor de Saxophones: 4 saxophones
125
Saxophone Alto et Piano
117
Quatuor de Clarinettes: 4 clarinettes
112
Flûte traversière
94
Clarinette
94
2 Flûtes traversières (duo)
89
Flûte, Hautbois, Clarinette, Basson
79
Saxophone Tenor et Piano
69
Saxophone Soprano et Piano
64
Quatuor de Flûtes : 4 flûtes
61
2 Saxophones (duo)
60
Saxophone (partie séparée)
55
Harmonica
47
Hautbois (partie séparée)
47
Saxophone Alto
46
2 Clarinettes (duo)
36
Ensemble de Flûtes
35
Quintette de Saxophone: 5 saxophones
35
Ensemble de saxophones
35
Saxophone Tenor
33
Clarinette (partie séparée)
28
Quintette de Clarinettes: 5 clarinettes
25
Saxophone Baryton, Piano
25
Cor anglais, Piano
24
Ensemble de Clarinettes
23
Clarinette Basse, Piano
22
3 Clarinettes (trio)
22
Flûte et Guitare
21
3 Saxophones (trio)
16
Flûte, Clarinette et Basson
12
Flûte, Clarinette (duo)
11
2 Hautbois (duo)
11
Instruments en Mib
11
Flute (partie séparée)
10
Saxophone
10
2 Flûte à bec (duo)
10
Quatuor de Flûtes à bec
9
Quintette de Flûte : 5 flûtes
9
2 Clarinettes, Piano
8
Flûte à Bec
7
5 Flûtes à bec
7
Hautbois, Basson (duo)
7
Trio de Flûtes: 3 flûtes
6
Flûte, Violoncelle, Piano (trio)
6
Flûte à bec Soprano
6
Flûte, Violon, Piano
6
Hautbois, Clarinette, Basson (trio d'anches)
6
Saxophone, Clarinette (duo)
6
Clarinette, Guitare (duo)
5
Clarinette, Violon (duo)
5
Hautbois, Clarinette (duo)
5
Hautbois
4
Flûte, Violon et Violoncelle
4
Clarinette, Violoncelle, Piano (trio)
4
Flûte, Hautbois, Basson
4
Clarinette, Basson (duo)
4
Flûte, Violoncelle
4
Flûte, Saxophone (duo)
4
Flûte, Clarinette, Piano (trio)
4
Flûte à bec Soprano, Piano
3
Flûte à bec, Guitare (duo)
3
Flûte à bec Alto
3
Flûte, Violon
3
Flûte à bec Tenor
3
2 Flûtes traversières, Piano
3
3 Flûtes à bec (trio)
2
2 Clarinettes, Basson
2
Flûte traversière, Basse continue
2
Clarinette, Violoncelle (duo)
2
Hautbois, Flûte
2
Piccolo
2
Cor Anglais
2
Flûte, Hautbois, Clarinette (trio)
2
Clarinette, Trompette (duo)
2
Flûte, Hautbois, Piano (trio)
2
Saxophone et Guitare
1
Cor anglais, Guitare (duo)
1
Flûte à Bec, Piano
1
Flûte, Clarinette, Cor, Basson (Quartet)
1
Flûte, Basson et Piano
1
Flûte, Trompette (duo)
1
Flûte, trombone et piano
1
Clarinette et Alto
1
Flûte, Alto (duo)
1
Hautbois, Clarinette et Piano (Trio)
1
Flûte traversière, Orgue (duo)
1
+ 85 instrumentations
Retracter
Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
135
Trompette, Piano
132
Cor et Piano
110
Trombone et Piano
105
Trompette
82
Cor
74
Quatuor de Cuivres : 2 trompettes, trombone, tuba
73
Tuba et Piano
67
Trombone
57
2 Trombones (duo)
39
Tuba
35
Trompette (partie séparée)
30
Trombone (partie séparée)
29
Ensemble de Trombones
28
Quatuor de Cuivres: 2 trompettes, Cor, trombone
28
Euphonium, Piano (duo)
26
Cor anglais, Piano
24
Quatuor de cuivres: 4 cors
19
2 Trompettes (duo)
19
Quatuor de cuivres: 4 trombones
17
Cor (partie séparée)
16
2 Cors (duo)
11
Instruments en Sib
11
2 Euphoniums (duo)
10
Ensemble de Cors
9
Trompette, Trombone (duo)
9
Bass Clef Instruments
7
Ensemble de Trompettes
7
Tuba (partie séparée)
7
Quatuor de cuivres: 4 trompettes
5
2 Euphoniums et 2 Tubas
4
4 Tubas
4
3 Trombones (trio)
4
Euphonium, Tuba (duo)
4
2 Tubas (duo)
4
Quatuor de Cuivres
4
Trompette, Saxophone (duo)
3
Euphonium
3
3 Trompettes (trio)
2
Instruments en Fa
2
3 Tubas (trio)
2
Cor Anglais
2
Euphonium (partie séparée)
2
Trio de Cuivres
2
Trompette, Cor (duo)
1
Trombone, Cor (duo)
1
Cor anglais, Guitare (duo)
1
Cor et Orgue
1
Trompette, Violoncelle et Piano
1
3 Cors (trio)
1
Quatuor de cuivres: Cor, Trombone, Tuba, Trompette Sib
1
Trompette, Trombone, Piano
1
Trombone basse et Piano
1
2 Cors, Piano
1
+ 49 instrumentations
Retracter
Cordes
Violon et Piano
273
Quatuor à cordes: 2 violons, alto, violoncelle
250
Violoncelle, Piano
214
Alto, Piano
145
Violon
119
Violoncelle
90
Alto seul
65
Violon, Violoncelle (duo)
61
Harpe
58
Contrebasse, Piano (duo)
44
Trio à Cordes: violon, alto, violoncelle
43
Contre Basse
30
2 Violons (duo)
30
2 Violoncelles (duo)
25
Violon (partie séparée)
24
Violon, Alto (duo)
23
2 Harpes (duo)
22
2 Altos (duo)
20
Trio à Cordes: 2 violons, violoncelle
18
Alto (partie séparée)
17
4 Violoncelles
13
Contrebasse (partie séparée)
10
Violon, Guitare (duo)
8
Alto, Violoncelle (duo)
7
Quintette à cordes: 2 violons, alto, violoncelle, basse
7
Quintette à cordes : 2 violons, alto et 2 violoncelles
6
Quatuor à cordes : 4 altos
6
Violoncelle (partie séparée)
6
Harpe, Flûte (duo)
5
Quatuor à cordes: 4 violons
5
Trio à Cordes: 3 violoncelles
4
Piano Trio: Violon, Alto, Piano
4
Ensemble de Violoncelles
4
Alto, Guitare (duo)
4
Trio à cordes: 3 altos
3
Trio à cordes
3
Violoncelle , Guitare (duo)
3
2 Contrebasses (duo)
2
Violoncelle, Contrebasse (duo)
2
Harpe, Violon, Violoncelle
2
Harpe, Violon (duo)
2
Flûte, Contrebasse (duo)
2
Trio à cordes: 3 violins
2
Violon, Basson (duo)
1
2 Altos, Piano
1
Violon, Basse continue
1
Quintette à cordes: 2 violons, 2 altos, violoncelle
1
Violoncelle, Orgue
1
Violon, Orgue
1
Violoncelle, Orchestre
1
+ 45 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
475
Orchestre
231
Orchestre à Cordes
149
Ensemble de cuivres
101
Orchestre de chambre
87
Ensemble Jazz
18
Jazz combo
14
Percussion (partie séparée)
14
Xylophone, Piano
8
Cloches
7
Ensemble de Percussions
7
Timbales (partie séparée)
4
Batterie (partie séparée)
2
Fanfare
2
Percussion
1
Piano et Orchestre
1
Xylophone
1
Batterie
1
+ 13 instrumentations
Retracter
Autres
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
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COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
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FILM WALT DISNEY
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FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
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From the opera
Saxophone Alto et Piano
Partitions à imprimer
117 partitions trouvées
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101
Handel: Largo from Xerxes for Alto Sax & Piano
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Saxophone Alto et Piano
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INTERMÉDIAIRE
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Classique
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George Frideric Handel
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James M
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Handel: Largo from Xerxes for
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jmsgu3
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SheetMusicPlus
Alto Saxophone,Piano - Level 3 - SKU: A0.549383 Composed by George Frideric Handel. Arranged by James M. Guthrie, ASCAP. Baroque,Sacred,Standards,Weddin...
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Alto Saxophone,Piano - Level 3 - SKU: A0.549383 Composed by George Frideric Handel. Arranged by James M. Guthrie, ASCAP. Baroque,Sacred,Standards,Wedding. Score and part. 9 pages. Jmsgu3 #3492297. Published by jmsgu3 (A0.549383). Duration: 4:55, Score: 6 pages, Solo part: 1 page, piano part: 2 pages. A very famous aria (Ombra mai fu) from XerxesSuitable for any venue requiring meditative music. Excellent choice for a recital encore. Xerxes Xerxes is, in fact, an opera seria in three acts by Handel. Moreover, Handel conducted the premiere performance in London in 1738. Handel casts the opera in Persia in 470 BC. The part of Xerxes was indeed originally sung by a soprano castrato. Nowadays, the part is generally sung by a mezzo-soprano or conversely a counter-tenor. In the first place, Xerxes sings an opening aria, Ombra mai fu to a plane tree. Handel sets this aria to one of his most truly famous melodies. Although many refer to it traditionally as Handel’s Largo, Handel has, on the contrary, clearly marked Larghetto in the score. Handel Background George Frideric Handel (1685 - 1759) was born in Germany but eventually became a British citizen. Nonetheless, he was a famous Baroque composer. In fact, he became famous for his operas, oratorios, anthems, and organ concertos. Handel studied music and, by and large, worked as a composer in Germany and Italy before moving to London. On the whole, Handel was very familiar with the contemporary music of Italy and Germany. Career in England It is essential to realize that Italian opera was all the rage in England at the time. Moreover, Handel was really good at writing them. Therefore, he started not one but three opera companies in England. Alexander's Feast was a huge success in 1736, but Handel began composing English choral works. After success with the Messiah in 1742) he certainly never again wrote an Italian opera. Consequently, he died in 1759, a treasured genius. Accordingly, the English government gave him full state honors at his funeral. Hence, he is buried in Westminster Abbey in London. Legacy Music historians agree that Handel was in general one of the greatest composers of the Baroque era.  To demonstrate, his works such as the Messiah, Water Music, and Music for the Royal Fireworks remain consistently popular up to the present time. He especially composed the coronation anthem, Zadok the Priest for the coronation of George II. Nevertheless, it has specifically been performed at every succeeding British coronation since. His oratorio Solomon has by all means also continued to be prevalent. As a matter of fact, Sinfonia from act 3 was featured in the 2012 London Olympics opening ceremony. Handel was particularly prolific. To enumerate, he wrote over forty operas.  Since the late 1960s, we have expressly experienced a revival of baroque music. Similarly, we have especially seen a pique of interest in historically informed musical performances. Since his death in 1779, interest in Handel's music has all in all, expanded. Â
$32.95
Korsakov: Flight of the Bumblebee for Alto Sax & Piano
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Saxophone Alto et Piano
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AVANCÉ
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Classique
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Contemporain
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Nikolay Andreyevich Rimsky-Kor
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James M
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Korsakov: Flight of the Bumble
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jmsgu3
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SheetMusicPlus
Alto Saxophone,Piano - Level 5 - SKU: A0.549254 Composed by Nikolay Andreyevich Rimsky-Korsakov. Arranged by James M. Guthrie, ASCAP. Instructional,Roma...
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Alto Saxophone,Piano - Level 5 - SKU: A0.549254 Composed by Nikolay Andreyevich Rimsky-Korsakov. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Standards. Score and part. 15 pages. Jmsgu3 #3473685. Published by jmsgu3 (A0.549254). Flight of the Bumblebee Flight of the Bumblebee is, to be sure, an orchestral interlude composed by Nikolai Rimsky-Korsakov for his opera The Tale of Tsar Saltan. Of course, Korsakov intended to portray a bumblebee's chaotic flying pattern musically. Nowadays, this piece is one of the comparatively more famous classical works because it frequently appears occasionally in popular culture. The piece appears notably in the opera at the close of Act III, Tableau 1. This is when the magic Swan-Bird changes the Prince (the son of the Tsar) into a bee so he can fly away to visit his father. Interestingly, at this point in the drama, his father, in effect, does not know that he is alive. Korsakov Background Nikolai Rimsky-Korsakov (1844 –1908) was a uniquely famous composer from Russia. He was likewise a member of an infamous assembly of composers called The Five. Korsakov was furthermore an expert in orchestration. His correspondingly most famous orchestral compositions- Capriccio Espagnol, the Russian Easter Festival Overture, and the Scheherazade suite- are essential monuments of the standard music repertoire. Also comparatively very important are his suites and excerpts from his 15 operas. Korsakov used Russian folklore and fairy tales, such as Scheherazade, in his music. Nationalistic Style Like fellow outspoken composer Balakirev, Korsakov believed in creating a nationalistic, Russia-centric style of classical music. The new style was called Orientalism. It similarly relied on native Russian materials, exotic scales, and experimental harmonic, melodic, and rhythmic procedures. This practice, conversely, ran counter to the developments in Western musical culture. Musical Developments Nevertheless, Korsakov developed an appreciation of Western musical techniques after he became a professor of musical composition, harmony, and orchestration at the Saint Petersburg Conservatory in 1871. Moreover, he undertook a rigorous three-year program of self-education. He mastered Western methods, incorporating them with the influences of Mikhail Glinka and other members of The Five. His techniques of composition and orchestration were additionally enriched by his exposure to the works of Richard Wagner. Naval Service Korsakov combined his music career accordingly with a career in the Russian military. He was in the first place an officer in the Russian Navy. In due time, he was appointed a civilian Inspector of Naval Bands. As a result, Korsakov expanded his knowledge of woodwind and brass playing, which heightened his orchestration capabilities. Legacy In due time, Korsakov contributed a significant number of Russian nationalist works. He also prepared, occasionally, compositions by The Five for presentation. This brought their works straightaway into the active classical repertoire as well. He also shaped an entire generation of younger composers as a music educator. Therefore, music historians consider Korsakov the foremost engineer of what the public considers the Russian composition style. He served as a transitional figure between The Five and the classically trained composers who became the norm over time. In addition to the Russians, he influenced non-Russian composers such as Ravel, Debussy, Dukas, and Respighi. Â
$32.95
Toreador March (from the opera Carmen) - easy version
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Saxophone Alto et Piano
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DÉBUTANT
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Georges Bizet
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Rodrigo Faleiros
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Toreador March
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Rodrigo Faleiros
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SheetMusicPlus
Alto Saxophone,Piano - Level 1 - SKU: A0.1473406 Composed by Georges Bizet. Arranged by Rodrigo Faleiros. 19th Century,Chamber,Opera,Romantic Period. Sc...
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Alto Saxophone,Piano - Level 1 - SKU: A0.1473406 Composed by Georges Bizet. Arranged by Rodrigo Faleiros. 19th Century,Chamber,Opera,Romantic Period. Score and part. 3 pages. Rodrigo Faleiros #1050837. Published by Rodrigo Faleiros (A0.1473406). ••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••• This arrangement of the iconic Toreador March from the opera Carmen is crafted for solo alto sax with piano accompaniment. Designed with beginners in mind, the piece simplifies the original rhythm to ensure ease of play while maintaining the essence of the main theme. The challenging dotted 8th note followed by a 16th note rhythm is adapted to a more manageable 3/4 time signature, featuring straightforward half and quarter notes. This arrangement allows novice musicians to experience and perform one of the most recognizable themes in classical music with confidence and enjoyment. Key Features: Rhythm Simplification: Original dotted 8th note followed by a 16th note adapted to a 3/4 time signature using half and quarter notes Essence Retained: Maintains the main theme of the iconic Toreador March from the opera Carmen Piano Part: Includes chord symbols for easier play Performance: Allows novice musicians to confidently perform a recognizable classical piece Check out my other arrangements ➡️ clicking here ⬅️ •••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••.
$3.99
Toreador March (from the opera Carmen) - easy version
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Saxophone Alto et Piano
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DÉBUTANT
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Georges Bizet
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Rodrigo Faleiros
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Toreador March
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Rodrigo Faleiros
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SheetMusicPlus
Alto Saxophone,Piano - Level 1 - SKU: A0.1473407 Composed by Georges Bizet. Arranged by Rodrigo Faleiros. 19th Century,Chamber,Opera,Romantic Period. Sc...
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Alto Saxophone,Piano - Level 1 - SKU: A0.1473407 Composed by Georges Bizet. Arranged by Rodrigo Faleiros. 19th Century,Chamber,Opera,Romantic Period. Score and part. 3 pages. Rodrigo Faleiros #1050838. Published by Rodrigo Faleiros (A0.1473407). ••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••• This arrangement of the iconic Toreador March from the opera Carmen is crafted for solo alto sax with piano accompaniment. Designed with beginners in mind, the piece simplifies the original rhythm to ensure ease of play while maintaining the essence of the main theme. The challenging dotted 8th note followed by a 16th note rhythm is adapted to a more manageable 3/4 time signature, featuring straightforward half and quarter notes. This arrangement allows novice musicians to experience and perform one of the most recognizable themes in classical music with confidence and enjoyment. Key Features: Rhythm Simplification: Original dotted 8th note followed by a 16th note adapted to a 3/4 time signature using half and quarter notes Essence Retained: Maintains the main theme of the iconic Toreador March from the opera Carmen Performance: Allows novice musicians to confidently perform a recognizable classical piece Check out my other arrangements ➡️ clicking here ⬅️ •••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••.
$3.99
Toreador March (from the opera Carmen) - easy version
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Saxophone Alto et Piano
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DÉBUTANT
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Georges Bizet
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Rodrigo Faleiros
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Toreador March
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Rodrigo Faleiros
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SheetMusicPlus
Alto Saxophone,Piano - Level 1 - SKU: A0.1473532 Composed by Georges Bizet. Arranged by Rodrigo Faleiros. 19th Century,Chamber,Opera,Romantic Period. Sc...
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Alto Saxophone,Piano - Level 1 - SKU: A0.1473532 Composed by Georges Bizet. Arranged by Rodrigo Faleiros. 19th Century,Chamber,Opera,Romantic Period. Score and part. 3 pages. Rodrigo Faleiros #1050877. Published by Rodrigo Faleiros (A0.1473532). ••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••• This arrangement of the iconic Toreador March from the opera Carmen is crafted for solo alto sax with piano accompaniment. Designed with beginners in mind, the piece simplifies the original rhythm to ensure ease of play while maintaining the essence of the main theme. The challenging dotted 8th note followed by a 16th note rhythm is adapted to a more manageable 3/4 time signature, featuring straightforward half and quarter notes. This arrangement allows novice musicians to experience and perform one of the most recognizable themes in classical music with confidence and enjoyment. Key Features: Rhythm Simplification: Original dotted 8th note followed by a 16th note adapted to a 3/4 time signature using half and quarter notes Essence Retained: Maintains the main theme of the iconic Toreador March from the opera Carmen Piano Part: Includes chord symbols for easier play Performance: Allows novice musicians to confidently perform a recognizable classical piece Transposed to C Major: For a better sight reading and playing. Check out my other arrangements ➡️ clicking here ⬅️ •••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••.
$3.99
Toreador March (from the opera Carmen) - easy version
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Saxophone Alto et Piano
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DÉBUTANT
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Georges Bizet
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Rodrigo Faleiros
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Toreador March
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Rodrigo Faleiros
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SheetMusicPlus
Alto Saxophone,Piano - Level 1 - SKU: A0.1473978 Composed by Georges Bizet. Arranged by Rodrigo Faleiros. 19th Century,Chamber,Opera,Romantic Period. Sc...
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Alto Saxophone,Piano - Level 1 - SKU: A0.1473978 Composed by Georges Bizet. Arranged by Rodrigo Faleiros. 19th Century,Chamber,Opera,Romantic Period. Score and part. 3 pages. Rodrigo Faleiros #1050969. Published by Rodrigo Faleiros (A0.1473978). ••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••• This arrangement of the iconic Toreador March from the opera Carmen is crafted for solo alto sax with piano accompaniment. Designed with beginners in mind, the piece simplifies the original rhythm to ensure ease of play while maintaining the essence of the main theme. The challenging dotted 8th note followed by a 16th note rhythm is adapted to a more manageable 3/4 time signature, featuring straightforward half and quarter notes. This arrangement allows novice musicians to experience and perform one of the most recognizable themes in classical music with confidence and enjoyment. Key Features: Rhythm Simplification: Original dotted 8th note followed by a 16th note adapted to a 3/4 time signature using half and quarter notes Essence Retained: Maintains the main theme of the iconic Toreador March from the opera Carmen Performance: Allows novice musicians to confidently perform a recognizable classical piece Transposed to D Major: For a better sight reading and playing. Check out my other arrangements ➡️ clicking here ⬅️ •••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••.
$3.99
Toreador March (from the opera Carmen) - easy version
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Saxophone Alto et Piano
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DÉBUTANT
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Georges Bizet
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Rodrigo Faleiros
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Toreador March
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Rodrigo Faleiros
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SheetMusicPlus
Alto Saxophone,Piano - Level 1 - SKU: A0.1473533 Composed by Georges Bizet. Arranged by Rodrigo Faleiros. 19th Century,Chamber,Opera,Romantic Period. Sc...
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Alto Saxophone,Piano - Level 1 - SKU: A0.1473533 Composed by Georges Bizet. Arranged by Rodrigo Faleiros. 19th Century,Chamber,Opera,Romantic Period. Score and part. 3 pages. Rodrigo Faleiros #1050878. Published by Rodrigo Faleiros (A0.1473533). ••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••• This arrangement of the iconic Toreador March from the opera Carmen is crafted for solo alto sax with piano accompaniment. Designed with beginners in mind, the piece simplifies the original rhythm to ensure ease of play while maintaining the essence of the main theme. The challenging dotted 8th note followed by a 16th note rhythm is adapted to a more manageable 3/4 time signature, featuring straightforward half and quarter notes. This arrangement allows novice musicians to experience and perform one of the most recognizable themes in classical music with confidence and enjoyment. Key Features: Rhythm Simplification: Original dotted 8th note followed by a 16th note adapted to a 3/4 time signature using half and quarter notes Essence Retained: Maintains the main theme of the iconic Toreador March from the opera Carmen Performance: Allows novice musicians to confidently perform a recognizable classical piece Transposed to C Major: For a better sight reading and playing. Check out my other arrangements ➡️ clicking here ⬅️ •••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••.
$3.99
Toreador March (from the opera Carmen) - easy version
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Saxophone Alto et Piano
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DÉBUTANT
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Georges Bizet
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Rodrigo Faleiros
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Toreador March
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Rodrigo Faleiros
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SheetMusicPlus
Alto Saxophone,Piano - Level 1 - SKU: A0.1473588 Composed by Georges Bizet. Arranged by Rodrigo Faleiros. 19th Century,Chamber,Opera,Romantic Period. Sc...
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Alto Saxophone,Piano - Level 1 - SKU: A0.1473588 Composed by Georges Bizet. Arranged by Rodrigo Faleiros. 19th Century,Chamber,Opera,Romantic Period. Score and part. 3 pages. Rodrigo Faleiros #1050924. Published by Rodrigo Faleiros (A0.1473588). ••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••• This arrangement of the iconic Toreador March from the opera Carmen is crafted for solo alto sax with piano accompaniment. Designed with beginners in mind, the piece simplifies the original rhythm to ensure ease of play while maintaining the essence of the main theme. The challenging dotted 8th note followed by a 16th note rhythm is adapted to a more manageable 3/4 time signature, featuring straightforward half and quarter notes. This arrangement allows novice musicians to experience and perform one of the most recognizable themes in classical music with confidence and enjoyment. Key Features: Rhythm Simplification: Original dotted 8th note followed by a 16th note adapted to a 3/4 time signature using half and quarter notes Essence Retained: Maintains the main theme of the iconic Toreador March from the opera Carmen Piano Part: Includes chord symbols for easier play Performance: Allows novice musicians to confidently perform a recognizable classical piece Transposed to Bb Major: For a better sight reading and playing. Check out my other arrangements ➡️ clicking here ⬅️ •••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••.
$3.99
Toreador March (from the opera Carmen) - easy version
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Saxophone Alto et Piano
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DÉBUTANT
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Georges Bizet
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Rodrigo Faleiros
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Toreador March
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Rodrigo Faleiros
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SheetMusicPlus
Alto Saxophone,Piano - Level 1 - SKU: A0.1473589 Composed by Georges Bizet. Arranged by Rodrigo Faleiros. 19th Century,Chamber,Opera,Romantic Period. Sc...
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Alto Saxophone,Piano - Level 1 - SKU: A0.1473589 Composed by Georges Bizet. Arranged by Rodrigo Faleiros. 19th Century,Chamber,Opera,Romantic Period. Score and part. 3 pages. Rodrigo Faleiros #1050926. Published by Rodrigo Faleiros (A0.1473589). ••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••• This arrangement of the iconic Toreador March from the opera Carmen is crafted for solo alto sax with piano accompaniment. Designed with beginners in mind, the piece simplifies the original rhythm to ensure ease of play while maintaining the essence of the main theme. The challenging dotted 8th note followed by a 16th note rhythm is adapted to a more manageable 3/4 time signature, featuring straightforward half and quarter notes. This arrangement allows novice musicians to experience and perform one of the most recognizable themes in classical music with confidence and enjoyment. Key Features: Rhythm Simplification: Original dotted 8th note followed by a 16th note adapted to a 3/4 time signature using half and quarter notes Essence Retained: Maintains the main theme of the iconic Toreador March from the opera Carmen Performance: Allows novice musicians to confidently perform a recognizable classical piece Transposed to Bb Major: For a better sight reading and playing. Check out my other arrangements ➡️ clicking here ⬅️ •••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••.
$3.99
Toreador March (from the opera Carmen) - easy version
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Saxophone Alto et Piano
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DÉBUTANT
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Georges Bizet
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Rodrigo Faleiros
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Toreador March
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Rodrigo Faleiros
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SheetMusicPlus
Alto Saxophone,Piano - Level 1 - SKU: A0.1473977 Composed by Georges Bizet. Arranged by Rodrigo Faleiros. 19th Century,Chamber,Opera,Romantic Period. Sc...
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Alto Saxophone,Piano - Level 1 - SKU: A0.1473977 Composed by Georges Bizet. Arranged by Rodrigo Faleiros. 19th Century,Chamber,Opera,Romantic Period. Score and part. 3 pages. Rodrigo Faleiros #1050967. Published by Rodrigo Faleiros (A0.1473977). ••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••• This arrangement of the iconic Toreador March from the opera Carmen is crafted for solo alto sax with piano accompaniment. Designed with beginners in mind, the piece simplifies the original rhythm to ensure ease of play while maintaining the essence of the main theme. The challenging dotted 8th note followed by a 16th note rhythm is adapted to a more manageable 3/4 time signature, featuring straightforward half and quarter notes. This arrangement allows novice musicians to experience and perform one of the most recognizable themes in classical music with confidence and enjoyment. Key Features: Rhythm Simplification: Original dotted 8th note followed by a 16th note adapted to a 3/4 time signature using half and quarter notes Essence Retained: Maintains the main theme of the iconic Toreador March from the opera Carmen Performance: Allows novice musicians to confidently perform a recognizable classical piece Transposed to D Major: For a better sight reading and playing. Check out my other arrangements ➡️ clicking here ⬅️ •••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••.
$3.99
Lascia Ch'io Pianga, Aria from Rinaldo, by G F Handel, for Alto Saxophone and Piano
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Saxophone Alto et Piano
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FACILE
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G F Handel
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David McKeown
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Lascia Ch'io Pianga, Aria from
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David McKeown
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SheetMusicPlus
Alto Saxophone,Piano - Level 2 - SKU: A0.587925 Composed by G F Handel. Arranged by David McKeown. Baroque,Concert,Opera,Standards. Score and part. 4 pa...
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Alto Saxophone,Piano - Level 2 - SKU: A0.587925 Composed by G F Handel. Arranged by David McKeown. Baroque,Concert,Opera,Standards. Score and part. 4 pages. David McKeown #5044837. Published by David McKeown (A0.587925). Lascia ch’io Pianga is a beautiful aria from Handel’s Opera Rinaldo The opera premiered in London in 1711 and during his lifetime was the most successful of Handel’s operas. However, following his death there were no further productions until a school in London revived it in 1933. Handel used the melody of Lascia ch’io Pianga in two other works, but it is the version from Rinaldo that has achieved a deserved place in the concert hall, and a starring role in films like Farinelli.This version of Lascia ch’io Pianga is arranged as a Solo for Alto Saxophone and Piano and both parts are reasonably simple; the performance time is around three and a half minutes. The pdf file contains both the piano score and a separate solo part. You can listen to a full performance of this arrangement on Alto Saxophone via the YouTube link above.Musicians at an early intermediate level and above will find Lascia ch’io Pianga ideal for formal and informal performances, with both the solo and accompaniment enjoying melodic interest. Teachers will enjoy using this arrangement as a fun way to help with developing tone, phrasing and expression. There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$4.60
The Wedding Album, for Solo Alto Saxophone and Piano
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Saxophone Alto et Piano
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INTERMÉDIAIRE
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Film Walt Disney
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Various
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David McKeown
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The Wedding Album, for Solo Al
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David McKeown
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SheetMusicPlus
Alto Saxophone,Piano - Level 3 - SKU: A0.587624 Composed by Various. Arranged by David McKeown. Baroque,Concert,Romantic Period,Standards,Wedding. Score...
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Alto Saxophone,Piano - Level 3 - SKU: A0.587624 Composed by Various. Arranged by David McKeown. Baroque,Concert,Romantic Period,Standards,Wedding. Score and part. 24 pages. David McKeown #4594683. Published by David McKeown (A0.587624). The Wedding Album is a collection of four beautiful and timeless wedding favourites, arranged for Solo Alto Saxophone with Piano accompaniment. Whether for that Special Day, for a recital, or for your own entertainment, these arrangements are ideal for players at an intermediate level or higher. The 24-page file includes the piano accompaniments and the separate solo parts at the end. Ave Maria was written by Franz Schubert in 1825 as the sixth song in his song cycle based on Walter Scott’s poem The Lady of the Lake. It is perhaps the best known of all his melodies, adapted for piano by Franz Liszt, and for orchestra many times since. It is often sung with the Latin lyrics of the Catholic hymn of the same name and has been heard everywhere from the Disney movie Fantasia to the funeral of J.F. Kennedy. The Bridal March was written by Richard Wagner in 1850, scored for orchestra and chorus, and opening the third act of his opera, Lohingren. It is best known in the English-speaking world as Here Comes the Bride. Queen Victoria’s daughter used the music for her marriage in 1858, and its popularity has endured ever since.The Prince of Denmark’s March is better known nowadays as the Trumpet Voluntary and is often used in wedding ceremonies. It was in fact written for organ, with the melody played on thetrumpet stop. Written around 1700, for many years this piece was mistakenly attributed to Henry Purcell. Only recently has it been established that the composer was Jeremiah Clarke, organist at St Paul’s Cathedral. It is somewhat ironic that this composer of a wedding mainstay was himself a victim of unrequited love. He consequently shot himself in the cathedral graveyard. Felix Mendelssohn’s Wedding March was originally written in 1842 as incidental music to Shakespeare’s famousplay, Midsummer Night’s Dream. When Queen Victoria’s daughter used the music for her marriage in 1858, it became instantly popular and has remained a wedding favourite ever since.These four arrangements are also available as single titles for $3.99 each. You can find these along with many more top quality arrangements and compositions by David McKeown at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$9.99
Libiamo ne lieti calici - Brindisi from La Traviata - Alto Saxophone & Piano
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Saxophone Alto et Piano
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INTERMÉDIAIRE/AVANCÉ
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Giuseppe Verdi
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Anne Christopherson GRSM ARCM
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Libiamo ne lieti calici - Brin
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Music-Scores.com
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SheetMusicPlus
Alto Saxophone,Piano - Level 4 - SKU: A0.722185 Composed by Giuseppe Verdi. Arranged by Anne Christopherson GRSM ARCM. Concert,Holiday,Opera,Wedding. Sc...
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Alto Saxophone,Piano - Level 4 - SKU: A0.722185 Composed by Giuseppe Verdi. Arranged by Anne Christopherson GRSM ARCM. Concert,Holiday,Opera,Wedding. Score and part. 8 pages. Music-Scores.com #6013175. Published by Music-Scores.com (A0.722185). The Brindisi from the opera, La Traviata: Libiamone' lieti calici, or let's drink from the joyful cups. This is a fun and famous drinking song, great for a concert.For Alto Saxophone and Piano.Duration: about 3 minutes.Arranged by Anne Christopherson GRSM ARCM at https://www.music-scores.com
$5.95
Handel: Largo (from Xerxes) for alto sax and piano
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Saxophone Alto et Piano
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INTERMÉDIAIRE
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G F Handel
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Colin Kirkpatrick
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Handel: Largo
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Colin Kirkpatrick Publications
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SheetMusicPlus
Alto Saxophone,Piano - Level 3 - SKU: A0.522293 Composed by G F Handel. Arranged by Colin Kirkpatrick. Christmas,Easter,Holiday. Score and part. 6 pages...
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Alto Saxophone,Piano - Level 3 - SKU: A0.522293 Composed by G F Handel. Arranged by Colin Kirkpatrick. Christmas,Easter,Holiday. Score and part. 6 pages. Colin Kirkpatrick Publications #6637671. Published by Colin Kirkpatrick Publications (A0.522293). This piece is probably Handel’s best-known melody, although it began life as an operatic aria. The opera was called Xerxes, sometimes written Serses and pronounced something like “ZERT-seesâ€. It was commissioned by The King’s Theater in London and composed by Handel (who had become naturalized British and lived in London at the time) around 1737 and 1738. The opera is loosely based on the historical figure King Xerxes, who ruled from around 522-486 BC and was the fourth king of the Achaemenid Empire, a vast region that covered most of the present-day Middle East. The melody is often known simply as Handel’s Largo (despite being marked “Larghetto†in the musical score) and is the opening aria in the opera. The aria, known by its opening line Ombra mai fu is sung by Xerxes to a plane tree: “Tender and beautiful fronds of my beloved plane tree, let fate smile upon you...†Although this lovely melody has survived over the years, the opera itself was a complete failure when it was first performed in London in 1738. This arrangement is in E flat major concert (alto sax in C major) and the top note is the C above the treble clef and the piece generally requires the use of a long and sustained tone quality. The piano part has been kept as simple as possible. Being so well-known, this piece would make a popular encore number for a recital. The audio sample was performed by Alastair Penman https://www.alastairpenman.co.uk
$7.95
Easter Hymn from Cavaliera Rusticana - Alto Sax and Piano
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Saxophone Alto et Piano
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INTERMÉDIAIRE/AVANCÉ
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Musique Sacrée
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Mascagni
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Easter Hymn from Cavaliera Rus
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Music-Scores.com
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SheetMusicPlus
Alto Saxophone,Piano - Level 4 - SKU: A0.722340 Composed by Mascagni (Pietro). Arranged by Anne L Christopherson GRSM ARCM. Concert,Easter,Holiday,Love,...
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Alto Saxophone,Piano - Level 4 - SKU: A0.722340 Composed by Mascagni (Pietro). Arranged by Anne L Christopherson GRSM ARCM. Concert,Easter,Holiday,Love,Opera. Score and part. 7 pages. Music-Scores.com #6426921. Published by Music-Scores.com (A0.722340). Easter Hymn, Regina Coeli, from the opera Cavaliera Rusticana. This is a shortened version of that wonderful dialogue with villagers and Santuzza. For Alto Sax and Piano.Duration 4 minutes.Arranged by Anne L Christopherson GRSM ARCM at https://www.music-scores.com.
$5.95
Intermezzo from Cavalleria Rusticana - Alto Saxophone and Piano
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Saxophone Alto et Piano
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INTERMÉDIAIRE
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Pietro Mascagni
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Intermezzo from Cavalleria Rus
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Music-Scores.com
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SheetMusicPlus
Alto Saxophone,Piano - Level 3 - SKU: A0.721972 Composed by Pietro Mascagni. Arranged by Anne L Christopherson GRSM ARCM. Concert,Contemporary,Opera,Wed...
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Alto Saxophone,Piano - Level 3 - SKU: A0.721972 Composed by Pietro Mascagni. Arranged by Anne L Christopherson GRSM ARCM. Concert,Contemporary,Opera,Wedding. Score and part. 4 pages. Music-Scores.com #5371793. Published by Music-Scores.com (A0.721972). Intermezzo from the opera, Cavalleria RusticanaThis arrangement is a duo for Alto Saxophone and Piano.Duration Approx. 2 minutes, 40 seconds. Arranged by Anne L Christopherson GRSM ARCM at https://www.music-scores.com
$6.95
Queen of the Night - From the Magic Flute - Alto Sax and Piano
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Saxophone Alto et Piano
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INTERMÉDIAIRE
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Classique
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Wolfgang Amadeus Mozart
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Raymond Fenech
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Queen of the Night - From the
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Raymond Fenech
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SheetMusicPlus
Chamber Orchestra Alto Saxophone,Piano - Level 3 - SKU: A0.760269 Composed by Wolfgang Amadeus Mozart. Arranged by Raymond Fenech. Classical,Contest,Fes...
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Chamber Orchestra Alto Saxophone,Piano - Level 3 - SKU: A0.760269 Composed by Wolfgang Amadeus Mozart. Arranged by Raymond Fenech. Classical,Contest,Festival,Instructional,Multicultural,Opera,World. Score and part. 19 pages. Raymond Fenech #3547257. Published by Raymond Fenech (A0.760269). The Magic Flute (German: Die Zauberflöte), K. 620, is an opera in two acts by Wolfgang Amadeus Mozart to a German libretto by Emanuel Schikaneder. The work is in the form of a Singspiel, a popular form that included both singing and spoken dialogue.[a] The work premiered on 30 September 1791 at Schikaneder's theatre, the Freihaus-Theater auf der Wieden in Vienna, just two months before the composer's premature death. Queen of the Night is a popular aria from The Magic Flute. The Duration is approx. 2.51 minutes and the level is Intermediate.
$3.99
Two Menuettos from Iphegenia
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Saxophone Alto et Piano
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FACILE
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Christoph Willibald Von Gluck
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Nick Lacanski
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Two Menuettos from Iphegenia
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theupperstaff
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SheetMusicPlus
Alto Saxophone,Piano - Level 2 - SKU: A0.647689 Composed by Christoph Willibald Von Gluck. Arranged by Nick Lacanski. Classical,Concert,Instructional,St...
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Alto Saxophone,Piano - Level 2 - SKU: A0.647689 Composed by Christoph Willibald Von Gluck. Arranged by Nick Lacanski. Classical,Concert,Instructional,Standards. Score and part. 4 pages. Theupperstaff #2570693. Published by theupperstaff (A0.647689). This pair of dances from the opera are a perfect addition for the upcoming recital.
$3.99
Song to the Moon
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Saxophone Alto et Piano
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INTERMÉDIAIRE
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Classique
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Antonin Dvorak
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Jane Frasier
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Song to the Moon
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Jane Frasier
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SheetMusicPlus
Alto Saxophone,Piano - Level 3 - SKU: A0.836976 Composed by Antonin Dvorak. Arranged by Jane Frasier. Romantic Period. Score and part. 12 pages. Jane Fr...
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Alto Saxophone,Piano - Level 3 - SKU: A0.836976 Composed by Antonin Dvorak. Arranged by Jane Frasier. Romantic Period. Score and part. 12 pages. Jane Frasier #3536071. Published by Jane Frasier (A0.836976). Song to the Moon is an aria from the opera Rusalka, written by the Czech composer Dvorak in 1901. (Duration 3 min)
$5.00
Largo from 'Xerxes' (Handel) - alto sax and piano with FREE BACKING TRACK
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Saxophone Alto et Piano
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INTERMÉDIAIRE
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Classique
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George Frideric Handel
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Austin Ralphson
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Largo from 'Xerxes'
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Austin Ralphson
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SheetMusicPlus
Alto Saxophone,Piano - Level 3 - SKU: A0.1169092 Composed by George Frideric Handel. Arranged by Austin Ralphson. Baroque,Classical,Wedding. Score and p...
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Alto Saxophone,Piano - Level 3 - SKU: A0.1169092 Composed by George Frideric Handel. Arranged by Austin Ralphson. Baroque,Classical,Wedding. Score and part. 5 pages. Austin Ralphson #769440. Published by Austin Ralphson (A0.1169092). Handel wrote this aria as the opening to the 1738 opera 'Serse'. Initially, the opera was a commercial failure, before it was later rediscovered and going on to become one of Handel's best-loved works. It is presented here as an intermediate-level solo with piano.This piece can either be played with a live pianist, or can be played along with the free backing track which is available from https://youtu.be/fAWXlZ9hn0g and also in the video screen above.You can also purchase all 5 beautiful solos together in a digital book for $9.99: https://armusiconline.com/b/GbPNz
$3.99
Handel's Largo from Xerxes, Ombra Mai Fù, for solo Alto Saxophone and Piano
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Saxophone Alto et Piano
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FACILE
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G F Handel
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David McKeown
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Handel's Largo from Xerxes, Om
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David McKeown
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SheetMusicPlus
Alto Saxophone,Piano - Level 2 - SKU: A0.587913 Composed by G F Handel. Arranged by David McKeown. Baroque,Concert,Contemporary,Opera,Standards. Score a...
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Alto Saxophone,Piano - Level 2 - SKU: A0.587913 Composed by G F Handel. Arranged by David McKeown. Baroque,Concert,Contemporary,Opera,Standards. Score and part. 5 pages. David McKeown #5042587. Published by David McKeown (A0.587913). Ombra Mai Fù is the beautiful opening aria from Handel’s Opera Serse, (Xerxes). The opera was not well received when it premiered in London in 1736 and sank into immediate obscurity, only to re-emerged as one of Handel’s best-loved works nearly two hundred years later. Ombra Mai Fù is often referred to as Handel’s Largo. In 1906 Ombra Mai Fù gained the distinction of being the first piece of music ever broadcast on radio. This full version of Ombra Mai Fù is arranged as a Solo for Alto Saxophone and Piano and both parts are reasonably simple; the performance time is around three minutes. The pdf file contains both the piano score and a separate solo part. You can listen to a full performance of this arrangement on Alto Saxophone via the YouTube link above.Musicians at an early intermediate level and above will find Ombra Mai Fù ideal for formal and informal performances, with both the solo and accompaniment enjoying melodic interest. Teachers will enjoy using this arrangement as a fun way to help with developing tone, phrasing and expression. There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$4.60
Brindisi from "La Traviata" for Alto Saxophone and Piano
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Saxophone Alto et Piano
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INTERMÉDIAIRE
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Classique
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Giuseppe Verdi
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Diego Marani
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Brindisi from "La Traviat
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Diego Marani
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SheetMusicPlus
Instrumental Duet,Piano Alto Saxophone,Baritone Saxophone,Instrumental Duet,Piano - Level 3 - SKU: A0.528287 Composed by Giuseppe Verdi. Arranged by Die...
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Instrumental Duet,Piano Alto Saxophone,Baritone Saxophone,Instrumental Duet,Piano - Level 3 - SKU: A0.528287 Composed by Giuseppe Verdi. Arranged by Diego Marani. Classical,Concert,Instructional,Romantic Period,Standards. Score and parts. 6 pages. Diego Marani #5731495. Published by Diego Marani (A0.528287). Libiamo ne' lieti calici (Let's drink from the joyful cups) is a famous duet with chorus from Verdi's La traviata, one of the best-known opera melodies and a popular performance choice (as is this opera itself) for many great tenors. The song is a brindisi, a lively song that encourages the drinking of wine or other alcoholic beverages.This arrangement for Eb Alto Sax with Piano Accompaniment reproduces the original spirit of the Verdi's score.
$8.99
Beethoven: Adagio from Sonata Pathetique for Alto Sax & Piano
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Saxophone Alto et Piano
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INTERMÉDIAIRE
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Classique
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Ludwig van Beethoven
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James M
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piano concertos 1-5
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Beethoven: Adagio from Sonata
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jmsgu3
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SheetMusicPlus
Alto Saxophone,Piano - Level 3 - SKU: A0.549639 Composed by Ludwig van Beethoven. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Pe...
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Alto Saxophone,Piano - Level 3 - SKU: A0.549639 Composed by Ludwig van Beethoven. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Sacred,Standards. Score and part. 16 pages. Jmsgu3 #3516567. Published by jmsgu3 (A0.549639). Duration: ca 5:20, Score: 8 pages, solo part: 3 pages, piano part: 4 pages.One of Beethoven's finest and most famous works. Program for a recital, church meditation or school program.Bring your best espressivo and plan to rehearse the many subtle dynamic changes.Sonata Pathétique Op. 13 First of all, this is an arrangement of the second movement of Beethoven’s Sonata Pathétique. It seems like Beethoven wrote this piece before becoming troubled by deafness. Published in 1799, it consequently remains one of the most celebrated pieces Beethoven ever wrote. As a result of its popularity, the movement was therefore performed by Karl Haas. Hass recorded it for a popular radio show called: Adventures in Good Music. Beethoven Background Ludwig van Beethoven (1770 –1827) was certainly a German pianist. Above all, he was probably one of the greatest composers in history. As a result, he is a pivotal character in the progress between the Classical and Romantic periods. He is certainly one of the most famous and hence important of all composers. Seems like his most familiar and noteworthy works include symphonies 1-9; piano concertos 1-5; and furthermore, the violin concerto. Also, certainly of extreme importance are the noteworthy 32 sonatas for the piano; the string quartets 1-16; the Missa solemnis; and likewise, his only opera, Fidelio. Beethoven Overview First of all, Beethoven was born and consequently raised in Bonn. Upon turning 21 he moved to Vienna probably to study composition with Haydn. That’s when he consequently grew a reputation as a brilliant pianist. Furthermore, he probably stayed in Vienna for the rest of his life. In his late 20s, it seems like his hearing certainly began to decline. It slowly declined until consequently, he was nearly totally deaf probably by the last decade of his life. As a result, he stopped conducting and performing. Nevertheless, he continued to compose. As a result, some of his greatest works probably come from this period. First Period Seems like we often divide Beethoven’s life into three periods. Period 1 begins with Beethoven’s arrival in Vienna. Hence, during this period, he mastered the Viennese style of Haydn & Mozart. He consequently began increasing the size and scale of his works. Furthermore, he experimented with extreme dynamics, and likewise extreme tempi. He worked similarly with chromatic harmony. His First and Second Symphonies, therefore, belong to this period. Other important works also belong here: the first six string quartets and the Sonata Pathétique, Op. 13. Second Period His second period probably began as soon as he realized that he was going deaf. During this period, it seems like he became obsessed with the idea of heroism. His works consequently become even larger and more massive. The most noteworthy of these include the symphonies 3 – 8, piano concertos 5& 6, 5 string quartets, several important piano sonatas (Waldstein and Appassionata), the Kreutzer violin sonata, the violin concerto and his only opera: Fidelio. Third Period In contrast, Beethoven's third period is branded above all by works of incredible intellectual depth, formal innovation, and penetrating expression. It seems like he continued to expand his works. Consequently, the string quartet Op. 131 spills over into seven connected movements. Likewise, in the Ninth Symphony, he adds choral forces to his orchestra probably for the first time in history. Even more, other works from this period include his Missa solemnis, the final 5 string quartets (including the enormous Große Fuge) and the final five sonatas for piano. Register for free lifetime revisions and updates at www.jamesguthrie.co.
$24.95
Bridal March, "Here Comes The Bride", for Solo Alto Saxophone and Piano
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Saxophone Alto et Piano
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INTERMÉDIAIRE
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Classique
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Richard Wagner
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David McKeown
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Bridal March, "Here Comes
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David McKeown
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SheetMusicPlus
Alto Saxophone,Piano - Level 3 - SKU: A0.587578 Composed by Richard Wagner. Arranged by David McKeown. Concert,Instructional,Romantic Period,Standards,W...
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Alto Saxophone,Piano - Level 3 - SKU: A0.587578 Composed by Richard Wagner. Arranged by David McKeown. Concert,Instructional,Romantic Period,Standards,Wedding. Score and part. 5 pages. David McKeown #4365478. Published by David McKeown (A0.587578). The Bridal March was written by Richard Wagner in 1850, scored for orchestra and chorus, and opening the third act of his opera, Lohingren. It is best known in the English-speaking world as Here Comes the Bride. Queen Victoria’s daughter used the music for her marriage in 1858, and its popularity has endured ever since. This version is arranged as a solo for Alto Saxophone and Piano.Musicians at an intermediate level and above will find this ideal for formal and informal performances, especially at weddings. The melody is mainly in the solo part. The performance time is a little more than one minute. The short sample here and the full length version on the youtube link are from the Clarinet version of this arrangement.Teachers will enjoy using this arrangement as a fun way to help with phrasing and expressive playing. The rhythms are straightforward though there are unexpected accidentals in the middle section which might pose a challenge for finger coordination and reading. There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$4.60
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