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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Good Time
Non classifié
806
Piano & claviers
Piano seul
647
Piano Facile
478
Piano, Voix
453
Piano, Voix et Guitare
268
Instruments en Do
38
Orgue
20
Piano grosses notes
13
Accompagnement Piano
12
1 Piano, 4 mains
10
Piano (partie séparée)
9
Accordéon
8
Piano Trio: piano, violon, violoncelle
5
Piano Quatuor: piano, violon, alto, violoncelle
3
Orgue, Trompette (duo)
3
Clavecin
1
Instrument seul et Orgue
1
Piano Quatuor: piano, 2 violons, violoncelle
1
Ligne De Mélodie, Piano
1
2 Pianos, 4 mains
1
+ 14 instrumentations
Retracter
Guitares
Guitare notes et tablatures
137
Guitare
104
Ligne De Mélodie, (Paroles) et Accords
84
Basse electrique
51
Paroles et Accords
31
Ukulele
26
Guitare (partie séparée)
15
Mandoline
7
Banjo
3
4 Guitares (Quatuor)
3
Dulcimer
3
Basse électrique (partie séparée)
3
3 Guitares (trio)
2
Piano, Guitare (duo)
2
2 Guitares (duo)
1
+ 10 instrumentations
Retracter
Voix
Chorale SATB
307
Chorale 2 parties
100
Chorale 3 parties
85
Voix duo, Piano
50
Chorale TTBB
45
Chorale Unison
42
Chorale SSAA
33
Voix seule
28
Voix duo
13
Voix Alto, Piano
7
Voix haute
4
Voix Soprano, Piano
3
Chorale
3
Voix Tenor, Piano
2
Voix, Guitare
2
Chorale SSAATTBB
1
Voix Soprano, Orchestre
1
+ 12 instrumentations
Retracter
Vents
Saxophone
141
Clarinette
69
Quatuor de Saxophones: 4 saxophones
67
Flûte traversière
64
Saxophone (partie séparée)
62
Quatuor de Clarinettes: 4 clarinettes
46
Flûte, Hautbois, Clarinette, Basson
46
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
44
Hautbois, Piano (duo)
40
Clarinette et Piano
40
2 Saxophones (duo)
38
Flûte traversière et Piano
36
Saxophone Alto et Piano
36
Trio de Flûtes: 3 flûtes
33
Saxophone Alto
28
Saxophone Tenor et Piano
25
Saxophone Tenor
24
Saxophone Soprano et Piano
24
2 Flûtes traversières (duo)
22
Quintette de Saxophone: 5 saxophones
22
2 Clarinettes (duo)
19
3 Saxophones (trio)
17
Quatuor de Flûtes : 4 flûtes
15
Clarinette (partie séparée)
13
3 Clarinettes (trio)
11
Saxophone, Clarinette (duo)
11
Ensemble de Flûtes
11
Saxophone Baryton, Piano
10
Clarinette, Violon (duo)
9
Flute (partie séparée)
9
Hautbois (partie séparée)
8
Quintette de Clarinettes: 5 clarinettes
8
Ensemble de Clarinettes
7
Hautbois, Basson (duo)
7
Clarinette Basse, Piano
6
Cor anglais, Piano
6
Flûte, Clarinette (duo)
6
Flûte à bec Soprano
6
Saxophone Soprano
5
Quintette de Flûte : 5 flûtes
5
Ensemble de saxophones
5
Flûte, Violon
5
Clarinette, Trompette (duo)
5
Hautbois, Flûte
4
Flûte et Guitare
4
Quatuor de Flûtes à bec
4
Flûte, Clarinette, Piano (trio)
4
Clarinette et Alto
4
2 Hautbois (duo)
4
2 Flûte à bec (duo)
4
Flûte, Saxophone (duo)
4
Harmonica
3
Hautbois, Clarinette, Basson (trio d'anches)
3
Clarinette, Guitare (duo)
3
Hautbois, Clarinette (duo)
3
Flûte, Clarinette et Basson
3
Flûte, Alto (duo)
3
Flûte, Violon et Violoncelle
3
Flûte, Trompette (duo)
3
Saxophone Baryton
2
Flûte à bec Alto
2
Flûte, Violon, Violoncelle et Piano
2
3 Flûtes à bec (trio)
2
Flûte à bec Alto, Piano
2
Clarinette, Violoncelle, Piano (trio)
2
Flûte, Violon, Piano
2
Flûte irlandaise
2
Clarinette, Basson (duo)
2
Hautbois
2
Cor Anglais
1
Hautbois, Violoncelle et Piano
1
Flute, harpe et violon
1
3 Hautbois
1
Ocarina
1
Flûte à bec Tenor
1
Flûte, trombone et piano
1
Cor anglais, Guitare (duo)
1
Instruments en Mib
1
Flûte traversière, Orgue (duo)
1
Hautbois, Violoncelle
1
Flûte, Hautbois, Clarinette (trio)
1
4 Hautbois
1
Flûte, Hautbois, Basson
1
Flûte à Bec
1
2 Flûtes traversières, Piano
1
Flûte, Hautbois, Piano (trio)
1
Ensemble de Hautbois
1
Flûte, Violoncelle, Piano (trio)
1
Hautbois, Guitare (duo)
1
2 Clarinettes, Piano
1
+ 85 instrumentations
Retracter
Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
75
Trompette
66
Trombone
61
Trombone (partie séparée)
51
Trompette (partie séparée)
47
Quatuor de Cuivres : 2 trompettes, trombone, tuba
29
Trombone et Piano
28
Trompette, Piano
26
Cor et Piano
21
Cor
19
Quatuor de Cuivres: 2 trompettes, Cor, trombone
10
2 Trompettes (duo)
10
Trompette, Trombone (duo)
9
2 Trombones (duo)
9
Cor (partie séparée)
9
Trompette, Saxophone (duo)
8
Tuba
8
Quatuor de cuivres: 4 trombones
8
Quatuor de Cuivres
8
Tuba (partie séparée)
7
Quatuor de cuivres: 4 cors
6
Cor anglais, Piano
6
Euphonium, Piano (duo)
6
Ensemble de Cors
5
Tuba et Piano
4
Quatuor de cuivres: 4 trompettes
4
3 Trombones (trio)
3
Euphonium
3
2 Tubas (duo)
3
4 Tubas
3
Ensemble de Trombones
3
Bass Clef Instruments
3
Ensemble de Trompettes
2
Trombone, Orgue
2
2 Cors (duo)
2
2 Euphoniums et 2 Tubas
2
3 Trompettes (trio)
2
Cor Anglais
1
Trompette, Violoncelle et Piano
1
Instruments en Sib
1
Cor anglais, Guitare (duo)
1
Tuba ou Euphonium ou Saxhorn
1
Trompette, Cor (duo)
1
3 Euphoniums
1
Ensemble de Tubas
1
Trombone, Cor (duo)
1
3 Tubas (trio)
1
3 Cors (trio)
1
+ 43 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
138
Violon et Piano
62
Violon
45
Alto, Piano
41
Violoncelle, Piano
33
Violoncelle
33
2 Violons (duo)
26
Trio à Cordes: violon, alto, violoncelle
25
Violon, Violoncelle (duo)
22
Harpe
21
Contrebasse (partie séparée)
15
Violon, Alto (duo)
14
Trio à Cordes: 2 violons, violoncelle
13
Violon (partie séparée)
12
Alto seul
12
Contrebasse, Piano (duo)
10
4 Violoncelles
10
2 Violoncelles (duo)
9
2 Altos (duo)
8
Quintette à cordes: 2 violons, alto, violoncelle, basse
8
Trio à cordes: 3 violins
6
Alto (partie séparée)
5
Trio à Cordes: 3 violoncelles
5
2 Harpes (duo)
4
Contre Basse
4
Quatuor à cordes : 4 altos
4
Piano Trio: Violon, Alto, Piano
4
Quatuor à cordes: 4 violons
3
Harpe, Voix
2
Trio à cordes: 3 altos
2
Quintette à cordes: 2 violons, 2 altos, violoncelle
2
Violoncelle , Guitare (duo)
2
Harpe, Flûte (duo)
1
Violoncelle (partie séparée)
1
Violoncelle, Orgue
1
Alto, Violoncelle (duo)
1
Trio à cordes
1
+ 32 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
242
Ensemble Jazz
107
Fanfare
75
Batterie
72
Orchestre à Cordes
71
Orchestre
65
Ensemble de cuivres
35
Orchestre de chambre
26
Cloches
20
Ensemble de Percussions
17
Batterie (partie séparée)
14
Jazz combo
13
Percussion (partie séparée)
7
Marimba
7
Percussion
4
Vibraphone
3
Vibraphone (partie séparée)
2
Quintette de Cuivres: autres combinaisons
2
Xylophone
2
+ 14 instrumentations
Retracter
Autres
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
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SOUL - R&B - HIP HOP…
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Crtitères actifs :
Good Time
Saxophone Alto et Piano
Partitions à imprimer
36 partitions trouvées
<
1
26
I Got It Bad And That Ain't Good
#
Saxophone Alto et Piano
#
INTERMÉDIAIRE/AVANCÉ
#
Jazz
#
Duke Ellington
#
Debra E
#
I Got It Bad And That Ain't Go
#
Standard Time
#
SheetMusicPlus
Alto Saxophone,Piano - Level 4 - SKU: A0.761669 Composed by Duke Ellington. Arranged by Debra E. Stempien, Gregory H. Turner. Jazz,Standards. Score and ...
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Alto Saxophone,Piano - Level 4 - SKU: A0.761669 Composed by Duke Ellington. Arranged by Debra E. Stempien, Gregory H. Turner. Jazz,Standards. Score and part. 5 pages. Standard Time #4286575. Published by Standard Time (A0.761669). This classic standard by Duke Ellington and Paul Francis Webster is arranged as a solo ballad for alto sax with piano accompaniment. Extended harmonies and melodic embellishments color a hauntingly beautiful song, such that the sentiment of the lyrics is expressed in their absence. Key of G. To hear the arrangement in its entirety, please visit https://standardtime.bandcamp.com/track/i-got-it-bad-and-that-aint-good.
$9.99
Lullabye (Goodnight, My Angel)
#
Saxophone Alto et Piano
#
INTERMÉDIAIRE
#
Rock
#
Billy Joel
#
Gary D
#
Lullabye
#
DR GARY D BELSHAW
#
SheetMusicPlus
Alto Saxophone,Piano - Level 3 - SKU: A0.796636 By Billy Joel. By Billy Joel. Arranged by Gary D. Belshaw (ASCAP). Pop,Rock. Score and part. 7 pages. DR...
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Alto Saxophone,Piano - Level 3 - SKU: A0.796636 By Billy Joel. By Billy Joel. Arranged by Gary D. Belshaw (ASCAP). Pop,Rock. Score and part. 7 pages. DR GARY D BELSHAW #3141353. Published by DR GARY D BELSHAW (A0.796636). How would you answer a 7-year-old's question, Where do we go when we die? This achingly beautiful melody is Billy Joel's answer. The hint of Medieval ambience came from Joel's plans to make this song part of a suite, with lyrics sung in Latin. The song has been covered more than 2 dozen times. Don't let our version become maudlin or morose; it's got plenty of meaning without getting gushy or sentimental. Perfect for any and every social occasion, as well as recitals and concerts.Thank you for considering this work; your opinions are valuable to us. Follow Gary D.Belshaw Music on Facebook and Twitter (@GaryDBelshawMus).
$5.99
I’ll Be With You in Apple Blossom Time (Alto Saxophone Solo, Chords, Piano Accompaniment)
#
Saxophone Alto et Piano
#
INTERMÉDIAIRE
#
Albert Von Tilzer and Neville
#
Cathy Stamegna
#
I’ll Be With You in Appl
#
Cathy Stamegna
#
SheetMusicPlus
Large Ensemble Alto Saxophone,Piano - Level 3 - SKU: A0.780770 Composed by Albert Von Tilzer and Neville Fleeson. Arranged by Cathy Stamegna. Film/TV,Pa...
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Large Ensemble Alto Saxophone,Piano - Level 3 - SKU: A0.780770 Composed by Albert Von Tilzer and Neville Fleeson. Arranged by Cathy Stamegna. Film/TV,Patriotic,Pop,Standards,Wedding. Score and part. 10 pages. Cathy Stamegna #5319695. Published by Cathy Stamegna (A0.780770). I’ll Be With You in Apple Blossom Time (Alto Saxophone Solo, Chords, Piano Accompaniment). This standard tune from 1920 begins in 3/4, as recorded by Connie Francis, and changes to an up tempo 4/4 with rhythmic, melodic, harmonic variations. Also recorded by The Andrews Sisters, Dame Vera Lynn, The Four Aces, Barry Manilow, Emmy Rossum to name a few. A good selection to showcase two different playing styles. Addition of chord symbols allows for a guitar, harp, or mallet instrument to join in! A fun tongue-in-cheek wedding number, too. Set of Parts. Piano Accompaniment mp3 available separately. Performance Time: 2:29
$4.99
Feeling Good
#
Saxophone Alto et Piano
#
INTERMÉDIAIRE/AVANCÉ
#
Michael Buble
#
Roger Wallace
#
Feeling Good
#
Roger Wallace
#
SheetMusicPlus
Alto Saxophone,Piano - Level 4 - SKU: A0.1158724 By Michael Buble. By Anthony Newley and Leslie Bricusse. Arranged by Roger Wallace. Blues,Broadway,Jazz...
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Alto Saxophone,Piano - Level 4 - SKU: A0.1158724 By Michael Buble. By Anthony Newley and Leslie Bricusse. Arranged by Roger Wallace. Blues,Broadway,Jazz,Musical/Show,Standards. Score and part. 11 pages. Roger Wallace #758984. Published by Roger Wallace (A0.1158724). Alto Sax Solo with Piano Accompaniment. The Leslie Bricusse & Anthony Newley classic from The Roar of the Greasepaint – The Smell of the Crowd, performed as a 12/8 Blues Chorus with 4/4 Stop-Time Bridge. Additional solo parts include Flute/Oboe/Violin and Clarinet/Soprano Sax/Trumpet. The Audio Sample features a Clarinet. A full length audio version can be heard in the YouTube video.This arrangement is also available for many other ensembles and soloists. Look for more arrangements by Roger Wallace.
$4.99
Time To Say Goodbye
#
Saxophone Alto et Piano
#
FACILE
#
Contemporain
#
Andrea Bocelli & Sarah Brightm
#
Stephen DeCesare
#
Time To Say Goodbye
#
Exultet Music
#
SheetMusicPlus
Alto Saxophone,Piano - Level 2 - SKU: A0.628565 By Andrea Bocelli & Sarah Brightman. By Francesco Sartori. Arranged by Stephen DeCesare. Contemporary. S...
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Alto Saxophone,Piano - Level 2 - SKU: A0.628565 By Andrea Bocelli & Sarah Brightman. By Francesco Sartori. Arranged by Stephen DeCesare. Contemporary. Score and part. 10 pages. Exultet Music #6195397. Published by Exultet Music (A0.628565). Also known as Con Te Partirò, this romantic Italian ballad which has become one of the best-selling singles of all time, has now been freshly arranged for an Alto Saxophone with Piano accompaniment. Accessible and appropriate for any school or concert setting. .
$4.99
Time To Say Goodbye
#
Saxophone Alto et Piano
#
AVANCÉ
#
Opera
#
Classique
#
Andrea Bocelli & Sarah Brightm
#
Austin Ralphson
#
Time To Say Goodbye
#
Austin Ralphson
#
SheetMusicPlus
Alto Saxophone,Piano - Level 5 - SKU: A0.563302 By Andrea Bocelli & Sarah Brightman. By Francesco Sartori. Arranged by Austin Ralphson. Opera. Score and...
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Alto Saxophone,Piano - Level 5 - SKU: A0.563302 By Andrea Bocelli & Sarah Brightman. By Francesco Sartori. Arranged by Austin Ralphson. Opera. Score and part. 9 pages. Austin Ralphson #3538105. Published by Austin Ralphson (A0.563302). This is probably one of the most beautiful melodies I have ever heard. This song was popular in 1994, and the lyrics are often misinterpreted. The song is about saying goodbye to an old life on the eve of something new, e.g. wedding, birth etc. It is very popular to perform at weddings and also in recital and always goes down very well indeed.
$7.99
Goodbye Yellow Brick Road
#
Saxophone Alto et Piano
#
INTERMÉDIAIRE
#
Rock
#
Elton John
#
James M
#
Goodbye Yellow Brick Road
#
jmsgu3
#
SheetMusicPlus
Alto Saxophone,Piano - Level 3 - SKU: A0.547875 By Elton John. By Bernie Taupin and Elton John. Arranged by James M. Guthrie, ASCAP. Pop,Rock. Score and...
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Alto Saxophone,Piano - Level 3 - SKU: A0.547875 By Elton John. By Bernie Taupin and Elton John. Arranged by James M. Guthrie, ASCAP. Pop,Rock. Score and part. 11 pages. Jmsgu3 #3073385. Published by jmsgu3 (A0.547875). ALTO SAX & PIANOScore: 6 pages, solo part: 2 pages, piano part: 3 pages., Duration 3' 11 at half note = 60. Length: 51 measures. One of Elton John's greatest songs, this mega-hit is suitable for performance in church, nightclub, or recital hall. This song contains many advanced songwriting techniques and shows a complete mastery of advanced tonal harmony and voice leading. The verses are syllabic and arranged in 8 regular phrases. The last phrase is elided with a contrasting melismatic bridge that suddenly modulates to the lowered mediant, causing a foreign chromatic mediant relation. (F major to Ab major). Further drama is evoked by the voice-leading where an ascending leap of a minor 9th signals the beginning of the bridge. The bridge then modulates back to the original key for the refrain, which, like the verses is arranged in 8 regular phrases and elides once again into a final version of the bridge which functions this time as a coda.Â
$53.95
Dancing Chorus from 8 Russian Folksongs
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Saxophone Alto et Piano
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INTERMÉDIAIRE
#
Lyadov, Anatoly
#
Nick Lacanski
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Dancing Chorus from 8 Russian
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theupperstaff
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SheetMusicPlus
Alto Saxophone,Piano - Level 3 - SKU: A0.648014 Composed by Lyadov, Anatoly. Arranged by Nick Lacanski. Concert,Instructional,Romantic Period,Standards....
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Alto Saxophone,Piano - Level 3 - SKU: A0.648014 Composed by Lyadov, Anatoly. Arranged by Nick Lacanski. Concert,Instructional,Romantic Period,Standards. Score and part. 8 pages. Theupperstaff #3036725. Published by theupperstaff (A0.648014). If you're looking for a frolicking good time, both for yourself and your audience - your search is over. This one deserves a place on the upcoming recital. Thanks for looking.
$4.99
Ladybird Romp - Alto Sax and Piano
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Saxophone Alto et Piano
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INTERMÉDIAIRE
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Anne Christopherson GRSM ARCM
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Anne L Christopherson GRSM ARC
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Ladybird Romp - Alto Sax and P
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Music-Scores.com
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SheetMusicPlus
Alto Saxophone,Piano - Level 3 - SKU: A0.722201 Composed by Anne L Christopherson GRSM ARCM. Concert,Holiday,Jazz,Wedding. Score and part. 3 pages. Musi...
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Alto Saxophone,Piano - Level 3 - SKU: A0.722201 Composed by Anne L Christopherson GRSM ARCM. Concert,Holiday,Jazz,Wedding. Score and part. 3 pages. Music-Scores.com #6029325. Published by Music-Scores.com (A0.722201). There are a lot of ladybugs around here in July: Black with red spots, red with black spots, young yellow ones and the black and yellow larvae. They seem to be having a good time and are doing a great job eating blackflies, so this song is dedicated to these cheerful little beetles. A jazzy swing piece for Alto Sax and Piano.Duration: 1 minute.By Anne Christopherson GRSM ARCM at https://www.music-scores.com
$5.95
Time To Say Goodbye
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Saxophone Alto et Piano
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INTERMÉDIAIRE
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Andrea Bocelli & Sarah Brightm
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John A
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Time To Say Goodbye
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John A. Dempsey
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SheetMusicPlus
Alto Saxophone,Piano - Level 3 - SKU: A0.523430 By Andrea Bocelli & Sarah Brightman. By Francesco Sartori. Arranged by John A. Dempsey. Classical,Contem...
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Alto Saxophone,Piano - Level 3 - SKU: A0.523430 By Andrea Bocelli & Sarah Brightman. By Francesco Sartori. Arranged by John A. Dempsey. Classical,Contemporary,Multicultural,Opera,Pop,World. Score and part. 14 pages. John A. Dempsey #3478031. Published by John A. Dempsey (A0.523430). This sublime song, full of emotion coupled with a majestic melody that shines in both beauty and brilliance, is arranged here as an instrumental duet for alto sax and piano.  The piano part (richer now due to ornamentation, embellishments and a varied accompaniment for each chorus) compliments  the melody of the alto sax.  Also known as Con Te Partiró, this music will undoubtedly appeal to lovers of Puccini, Donizetti, Delibes and Verdi, but pop fans will also find much to love.  10 pages of music (that includes a separate two-page alto sax part).  Concert Key (Piano): Eb major / modulates to F major.  Alto Sax Key: C major / modulates to D major.  Alto Sax Level: Intermediate. Piano Level: Late Intermediate.
$7.99
Time To Say Goodbye
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Saxophone Alto et Piano
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INTERMÉDIAIRE
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Andrea Bocelli & Sarah Brightm
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John A
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Time To Say Goodbye
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John A. Dempsey
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SheetMusicPlus
Instrumental Duet,Piano Alto Saxophone,Instrumental Duet,Piano - Level 3 - SKU: A0.523667 By Andrea Bocelli & Sarah Brightman. By Francesco Sartori. Arr...
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Instrumental Duet,Piano Alto Saxophone,Instrumental Duet,Piano - Level 3 - SKU: A0.523667 By Andrea Bocelli & Sarah Brightman. By Francesco Sartori. Arranged by John A. Dempsey. Classical,Contemporary,Multicultural,Opera,Pop,World. Score and parts. 19 pages. John A. Dempsey #3638657. Published by John A. Dempsey (A0.523667). This sublime song, full of emotion coupled with a majestic melody that shines in both beauty and brilliance, is arranged here as an instrumental trio for two alto saxes and piano.  The piano part, richer now due to ornamentation, embellishments and a varied accompaniment for each chorus, compliments the soaring melody.  Also known as Con Te Partiró, this music will undoubtedly appeal to fans of Puccini, Donizetti, Delibes and Verdi, but pop fans will also find much to love.  15 pages of music (that includes separate two-page parts for alto sax 1 and alto sax 2).  Concert Key (Piano): Eb major / modulates to F major.  Alto Sax Key: C major / modulates to D major.  Alto Sax Level: Intermediate.  Piano Level: Late Intermediate.
$12.99
Con Te Partiro (time To Say Goodbye)
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Saxophone Alto et Piano
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INTERMÉDIAIRE
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Pop musique
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Andrea Bocelli
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Matthew pyeon
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Con Te Partiro
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sungil
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SheetMusicPlus
Alto Saxophone,Piano - Level 3 - SKU: A0.702570 By Andrea Bocelli. By Francesco Sartori and Lucio Quarantotto. Arranged by Matthew pyeon. Pop. Score and...
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Alto Saxophone,Piano - Level 3 - SKU: A0.702570 By Andrea Bocelli. By Francesco Sartori and Lucio Quarantotto. Arranged by Matthew pyeon. Pop. Score and part. 15 pages. Sungil (Matthew) Pyeon #311140. Published by sungil (Matthew) Pyeon (A0.702570).
$4.99
Bach: Bist du bei mir BWV 508 for Alto Sax & Piano
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Saxophone Alto et Piano
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FACILE
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Classique
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Johann Sebastian Bach
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James M
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Bach: Bist du bei mir BWV 508
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jmsgu3
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SheetMusicPlus
Alto Saxophone,Piano - Level 2 - SKU: A0.549235 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Easter,Standards,Wedding...
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Alto Saxophone,Piano - Level 2 - SKU: A0.549235 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Easter,Standards,Wedding. Score and part. 9 pages. Jmsgu3 #3468804. Published by jmsgu3 (A0.549235). J. S. Bach BWV 508. Bist du bei mir Bach adapted this aria from a lost Stölzel opera called Diomedes. He changed the original orchestral instrumentation to soprano, strings, and continuo.  He also modified the voice-leading making it sound more like a Bach composition. The work appears as BWV 508 No. 25 in the Anna Magdalena Notebook No. 2.  Source Only a few remnants of the original opera have survived. Historians speculate that Anna Magdalena got the song from the Leipzig Opera after the bankruptcy of 1720. Chances are good, though, that the tune was a favorite of everyone in Leipzig at the time.  Lyrics When thou art near, I go with joyTo death and to my rest.O how joyous would my end be,If your fair hands      Would close my faithful eyes. - Unknown Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and certainly the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy are the St. John Passion, and indeed the Christmas Oratorio.  History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer.  Style It seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival        Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV.  Voyager NASA launched two Voyager spacecraft in 1977. Onboard are phonograph records with sounds, music, and images of life on Earth. The purpose of the launch was to inform intelligent extraterrestrial life forms about conditions on Earth. The music on the disc is varied. There is Bach, Mozart, Beethoven, and Stravinsky among others. However, because Bach is so important in our music history, it contains three times more Bach than all the others combined.
$32.95
Beethoven: Adagio from Sonata Pathetique for Alto Sax & Piano
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Saxophone Alto et Piano
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INTERMÉDIAIRE
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Classique
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Ludwig van Beethoven
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James M
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piano concertos 1-5
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Beethoven: Adagio from Sonata
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jmsgu3
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SheetMusicPlus
Alto Saxophone,Piano - Level 3 - SKU: A0.549639 Composed by Ludwig van Beethoven. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Pe...
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Alto Saxophone,Piano - Level 3 - SKU: A0.549639 Composed by Ludwig van Beethoven. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Sacred,Standards. Score and part. 16 pages. Jmsgu3 #3516567. Published by jmsgu3 (A0.549639). Duration: ca 5:20, Score: 8 pages, solo part: 3 pages, piano part: 4 pages.One of Beethoven's finest and most famous works. Program for a recital, church meditation or school program.Bring your best espressivo and plan to rehearse the many subtle dynamic changes.Sonata Pathétique Op. 13 First of all, this is an arrangement of the second movement of Beethoven’s Sonata Pathétique. It seems like Beethoven wrote this piece before becoming troubled by deafness. Published in 1799, it consequently remains one of the most celebrated pieces Beethoven ever wrote. As a result of its popularity, the movement was therefore performed by Karl Haas. Hass recorded it for a popular radio show called: Adventures in Good Music. Beethoven Background Ludwig van Beethoven (1770 –1827) was certainly a German pianist. Above all, he was probably one of the greatest composers in history. As a result, he is a pivotal character in the progress between the Classical and Romantic periods. He is certainly one of the most famous and hence important of all composers. Seems like his most familiar and noteworthy works include symphonies 1-9; piano concertos 1-5; and furthermore, the violin concerto. Also, certainly of extreme importance are the noteworthy 32 sonatas for the piano; the string quartets 1-16; the Missa solemnis; and likewise, his only opera, Fidelio. Beethoven Overview First of all, Beethoven was born and consequently raised in Bonn. Upon turning 21 he moved to Vienna probably to study composition with Haydn. That’s when he consequently grew a reputation as a brilliant pianist. Furthermore, he probably stayed in Vienna for the rest of his life. In his late 20s, it seems like his hearing certainly began to decline. It slowly declined until consequently, he was nearly totally deaf probably by the last decade of his life. As a result, he stopped conducting and performing. Nevertheless, he continued to compose. As a result, some of his greatest works probably come from this period. First Period Seems like we often divide Beethoven’s life into three periods. Period 1 begins with Beethoven’s arrival in Vienna. Hence, during this period, he mastered the Viennese style of Haydn & Mozart. He consequently began increasing the size and scale of his works. Furthermore, he experimented with extreme dynamics, and likewise extreme tempi. He worked similarly with chromatic harmony. His First and Second Symphonies, therefore, belong to this period. Other important works also belong here: the first six string quartets and the Sonata Pathétique, Op. 13. Second Period His second period probably began as soon as he realized that he was going deaf. During this period, it seems like he became obsessed with the idea of heroism. His works consequently become even larger and more massive. The most noteworthy of these include the symphonies 3 – 8, piano concertos 5& 6, 5 string quartets, several important piano sonatas (Waldstein and Appassionata), the Kreutzer violin sonata, the violin concerto and his only opera: Fidelio. Third Period In contrast, Beethoven's third period is branded above all by works of incredible intellectual depth, formal innovation, and penetrating expression. It seems like he continued to expand his works. Consequently, the string quartet Op. 131 spills over into seven connected movements. Likewise, in the Ninth Symphony, he adds choral forces to his orchestra probably for the first time in history. Even more, other works from this period include his Missa solemnis, the final 5 string quartets (including the enormous Große Fuge) and the final five sonatas for piano. Register for free lifetime revisions and updates at www.jamesguthrie.co.
$24.95
Ali Ben Sou Alle: Caprice sur "Jenny L'Ouvrière" for alto saxophone and piano
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Saxophone Alto et Piano
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INTERMÉDIAIRE
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Ali Ben Sou Alle
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Ali Ben Sou Alle: Caprice sur
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Musik Fabrik Music Publishing
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SheetMusicPlus
Alto Saxophone,Piano - Level 3 - SKU: A0.533506 Composed by Ali Ben Sou Alle. Concert,Romantic Period,Standards. Score and part. 13 pages. Musik Fabrik ...
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Alto Saxophone,Piano - Level 3 - SKU: A0.533506 Composed by Ali Ben Sou Alle. Concert,Romantic Period,Standards. Score and part. 13 pages. Musik Fabrik Music Publishing #3002369. Published by Musik Fabrik Music Publishing (A0.533506). Jenny L'Ouvrière is a popular romance from 1845 with music by Étienne Arnaud and words by Emile Barateau. The song speaks of an hardworking weaver who is poor, but also courageous and good. The pastorale-like theme is also presented in a more varied form.One of the most enigmatic figures in the history of the Saxophone, Ali Ben Sou Alle (Charles-Valentin Soualle) was born in 1820 in Arras, France. After receiving his first prize in Clarinet at the Paris Conservatory in 1844. he served as the director of music of The French Marine Band in Senegal, and then was named first clarinet solo at the Opéra-Comique in Paris. However, after the Revolution of 1848, Soualle was forced to flee France to England where he settled in London, playing in the Orchestra of the Queen's Theatre. His songs and piano pieces were published in London. While in London, Soualle met another exiled French musician, Louis Antoine Jullien, who conducted a light music series in London. Jullien encouraged Soualle to take up the saxophone, and after modifying the instrument by adding a single octave mechanism (the modern system used today) and keys for the lower register, Soualle became known as a virtuoso and began touring performing solo recitals (or mono-concerts, as they were called at the time) calling his modified saxophone the «turcophone ». He performed in all the European capitals and then traveled to Australia, New Zealand, Manilla, Java, through China and then to India where he finally settled in Mysore, becoming the director of the Royal Music for the Maharadjah. It was during this period that heconverted to Islam and changed his nmae to Ali ben Sou Alle (or Ali, son of Soualle). He subsequently travaled to Ile Maurice, to French Polynesia, the Cap of Natal and the Cap of Good Hope. All of these voyages were subjects of musical works which Soualle entitled Souvenirs de... and may perhaps have been part of a collection known as The Royal Album which was presented to the Prince of Wales after a royal concert. Soualle returned to Mysore in 1858 and was almost killed in the Indian Revolution. Around 1860, Soualle returned to France for health reasons and began publishing his own music. OnMarch 27 1865, he performed a command performance for the Emperor Napoleon III at the Tuileries Palace in the presence of the entire Imperial Family. After 1865, nothing more is known about him.
$10.35
O Jesulein süss by Bach for Alto Sax and Piano
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Saxophone Alto et Piano
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DÉBUTANT
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Classique
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Johann Sebastian Bach
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Ander
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O Jesulein süss by Bach f
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Woods Only, Arrangements
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SheetMusicPlus
Alto Saxophone,Piano - Level 1 - SKU: A0.1049986 Composed by Johann Sebastian Bach. Arranged by Ander. Baroque,Christmas,Easter,Sacred. Score and part. ...
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Alto Saxophone,Piano - Level 1 - SKU: A0.1049986 Composed by Johann Sebastian Bach. Arranged by Ander. Baroque,Christmas,Easter,Sacred. Score and part. 3 pages. Woods Only, Arrangements #654384. Published by Woods Only, Arrangements (A0.1049986). This easy arrangement for alto sax and piano has been adapted to be simple to perform and understand the structure of the original work for various levels of musical knowledge. It can be played freely by beginning students because of the ease imposed on the piece. Recommended for performance in reverently Christian and liturgical ceremonies such as Good Friday and Christmas time. It also serves as a study for Baroque sacred song. The Jesulein süß, the Jesulein mild is an original traditional German choral melody for voice and continuous bass arranged by Johann Sebastian Bach around 1735. With lyrics by Valentin Thilo, O Jesulein süss is a sacred melody adapted and catalogued as BWV 493. The first translation is by Dirk van Hogendorp, who made it more of a song for the time of suffering.
$1.99
Handel: Largo from Xerxes for Alto Sax & Piano
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Saxophone Alto et Piano
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INTERMÉDIAIRE
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Classique
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George Frideric Handel
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James M
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Handel: Largo from Xerxes for
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jmsgu3
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SheetMusicPlus
Alto Saxophone,Piano - Level 3 - SKU: A0.549383 Composed by George Frideric Handel. Arranged by James M. Guthrie, ASCAP. Baroque,Sacred,Standards,Weddin...
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Alto Saxophone,Piano - Level 3 - SKU: A0.549383 Composed by George Frideric Handel. Arranged by James M. Guthrie, ASCAP. Baroque,Sacred,Standards,Wedding. Score and part. 9 pages. Jmsgu3 #3492297. Published by jmsgu3 (A0.549383). Duration: 4:55, Score: 6 pages, Solo part: 1 page, piano part: 2 pages. A very famous aria (Ombra mai fu) from XerxesSuitable for any venue requiring meditative music. Excellent choice for a recital encore. Xerxes Xerxes is, in fact, an opera seria in three acts by Handel. Moreover, Handel conducted the premiere performance in London in 1738. Handel casts the opera in Persia in 470 BC. The part of Xerxes was indeed originally sung by a soprano castrato. Nowadays, the part is generally sung by a mezzo-soprano or conversely a counter-tenor. In the first place, Xerxes sings an opening aria, Ombra mai fu to a plane tree. Handel sets this aria to one of his most truly famous melodies. Although many refer to it traditionally as Handel’s Largo, Handel has, on the contrary, clearly marked Larghetto in the score. Handel Background George Frideric Handel (1685 - 1759) was born in Germany but eventually became a British citizen. Nonetheless, he was a famous Baroque composer. In fact, he became famous for his operas, oratorios, anthems, and organ concertos. Handel studied music and, by and large, worked as a composer in Germany and Italy before moving to London. On the whole, Handel was very familiar with the contemporary music of Italy and Germany. Career in England It is essential to realize that Italian opera was all the rage in England at the time. Moreover, Handel was really good at writing them. Therefore, he started not one but three opera companies in England. Alexander's Feast was a huge success in 1736, but Handel began composing English choral works. After success with the Messiah in 1742) he certainly never again wrote an Italian opera. Consequently, he died in 1759, a treasured genius. Accordingly, the English government gave him full state honors at his funeral. Hence, he is buried in Westminster Abbey in London. Legacy Music historians agree that Handel was in general one of the greatest composers of the Baroque era.  To demonstrate, his works such as the Messiah, Water Music, and Music for the Royal Fireworks remain consistently popular up to the present time. He especially composed the coronation anthem, Zadok the Priest for the coronation of George II. Nevertheless, it has specifically been performed at every succeeding British coronation since. His oratorio Solomon has by all means also continued to be prevalent. As a matter of fact, Sinfonia from act 3 was featured in the 2012 London Olympics opening ceremony. Handel was particularly prolific. To enumerate, he wrote over forty operas.  Since the late 1960s, we have expressly experienced a revival of baroque music. Similarly, we have especially seen a pique of interest in historically informed musical performances. Since his death in 1779, interest in Handel's music has all in all, expanded. Â
$32.95
4 Traditional Irish Christmas Carols for Alto Sax & Piano
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Saxophone Alto et Piano
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FACILE
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Noël
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Traditional
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James M
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4 Traditional Irish Christmas
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jmsgu3
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SheetMusicPlus
Alto Saxophone,Piano - Level 2 - SKU: A0.550964 Composed by Traditional. Arranged by James M. Guthrie, ASCAP. Celtic,Christmas,Folk,Irish,Standards. Sco...
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Alto Saxophone,Piano - Level 2 - SKU: A0.550964 Composed by Traditional. Arranged by James M. Guthrie, ASCAP. Celtic,Christmas,Folk,Irish,Standards. Score and part. 12 pages. Jmsgu3 #4895879. Published by jmsgu3 (A0.550964). Duration 5:30, Score: 6 pagesPlayers read from the score.1. The darkest midnight in December2. Ye sons of men, with me rejoice3. Good people all, this Chrismastime4. Christmas Day is come!
$28.95
The Wexford Carol (Alto Sax and Piano)
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Saxophone Alto et Piano
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INTERMÉDIAIRE
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Noël
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Traditional Irish Tune
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John A
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The Wexford Carol
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John A. Dempsey
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SheetMusicPlus
Alto Saxophone,Piano - Level 3 - SKU: A0.523111 Composed by Traditional Irish Tune. Arranged by John A. Dempsey. Celtic,Christian,Christmas,Holiday,Iris...
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Alto Saxophone,Piano - Level 3 - SKU: A0.523111 Composed by Traditional Irish Tune. Arranged by John A. Dempsey. Celtic,Christian,Christmas,Holiday,Irish,Sacred. Score and part. 13 pages. John A. Dempsey #3141317. Published by John A. Dempsey (A0.523111). Also known as Good People All, This Christmas Time and Carul Loch Garman, this traditional Irish Christmas carol - a duet for alto sax and piano - has a hauntingly beautiful melody that dates back to the 12th century.  A Celtic-flavored celebration of the Nativity, this arrangement is recommended for Christmas plays, pageants and programs, holiday recitals and Christmas concerts as well as traditional Christmas church services and other seasonal worship events, as a prelude, postlude, an offertory, interlude, Christmas play overture, silent prayer accompaniment and special music.  9 pages of music (that includes a separate two-page alto sax part).  Concert Key (Piano): F major.  Alto Sax Key: D major.  Alto Sax Level: Intermediate.  Piano Level: Late Intermediate .
$6.99
Ali Ben Sou Alle: Fantaisie sur Don Giovanni de Mozart for alto saxophone and piano
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Saxophone Alto et Piano
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INTERMÉDIAIRE
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Ali Ben Sou Alle, Wolfgang Ama
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Paul Wehage
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Ali Ben Sou Alle: Fantaisie su
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Musik Fabrik Music Publishing
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SheetMusicPlus
Alto Saxophone,Piano - Level 3 - SKU: A0.533347 Composed by Ali Ben Sou Alle, Wolfgang Amadeus Mozart. Arranged by Paul Wehage. Concert,Opera,Romantic P...
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Alto Saxophone,Piano - Level 3 - SKU: A0.533347 Composed by Ali Ben Sou Alle, Wolfgang Amadeus Mozart. Arranged by Paul Wehage. Concert,Opera,Romantic Period,Standards. Score and part. 22 pages. Musik Fabrik Music Publishing #2348197. Published by Musik Fabrik Music Publishing (A0.533347). One of the most enigmatic figures in the history of the Saxophone, Ali Ben Sou Alle (Charles-Valentin Soualle) was born in 1820 in Arras, France. After receiving his first prize in Clarinet at the Paris Conservatory in 1844. he served as the director ofmusic of The French Marine Band in Senegal, and then was named first clarinet solo at the Opéra-Comique in Paris. However, after the Revolution of 1848, Soualle was forced to flee France to England where he settled in London, playing in the Orchestra of the Queen's Theatre. His songs and piano pieces were published in London. While in London, Soualle met another exiled French musician, Louis Antoine Jullien, who conducted a light music series in London. Jullien encouraged Soualle to take up the saxophone, and after modifying the instrument by adding a single octave mechanism (the modern system used today) and keys for the lower register, Soualle became known as a virtuoso and began touring performing solo recitals (or mono-concerts, as they were called at the time) calling his modified saxophone the «turcophone ». He performed in all the European capitals and then traveled to Australia, New Zealand, Manilla, Java, through China and then to India where he finally settled in Mysore, becoming the director of the Royal Music for the Maharadjah. It was during this period that he converted to Islam and changed his nmae to Ali ben Sou Alle (or Ali, son of Soualle). He subsequently travaled to Ile Maurice, to French Polynesia, the Cap of Natal and the Cap of Good Hope. All of these voyages were subjects of musical works which Soualle entitled Souvenirs de... and may perhaps have been part of a collection known as The Royal Album which was presented to the Prince of Wales after a royal concert. Soualle returned to Mysore in 1858 and was almost killed in the Indian Revolution. Around 1860, Soualle returned to France for health reasons and began publishing his own music. On March 27 1865, he performed a command performance for the Emperor Napoleon III at the Tuileries Palace in the presence of the entire Imperial Family. After 1865, nothing more is known about him. Soualle not only performed on the clarinet, saxophone and piano, but also frequently sang during his concerts. He also wrote songs while he was in London. His opera fantasies are usually written for the Alto saxophone and are generally in the form of an introductory aria with cadenza, a theme with one or more variations and then a final waltz movement in rondo form with a final brillant variation. This specific work opens with motives from the Opera‘s overture, leading to Donna Anna’s 1st act aria Or sai, chi l'onore. The duet Là ci darem la mano is the subject of two variations followed by a brief interlude using Zerlina’s aria Batti, batti, o bel Masetto and then the final section is the duo Andiam’ Andiam ‘ Mio Bene between Don Giovanni and Zerlina which ends the Act I duet. The work ends with a brillant coda
$11.95
Ali Ben Sou Alle: Fantaisie sur le Barbier de Séville de Rossin for alto saxophone and piano
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Saxophone Alto et Piano
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INTERMÉDIAIRE/AVANCÉ
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Ali Ben Sou Alle, Gioachino Ro
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Paul Wehage
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Ali Ben Sou Alle: Fantaisie su
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Musik Fabrik Music Publishing
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SheetMusicPlus
Alto Saxophone,Piano - Level 4 - SKU: A0.533354 Composed by Ali Ben Sou Alle, Gioachino Rossini. Arranged by Paul Wehage. Concert,Opera,Romantic Period,...
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Alto Saxophone,Piano - Level 4 - SKU: A0.533354 Composed by Ali Ben Sou Alle, Gioachino Rossini. Arranged by Paul Wehage. Concert,Opera,Romantic Period,Standards. Score and part. 30 pages. Musik Fabrik Music Publishing #2363209. Published by Musik Fabrik Music Publishing (A0.533354). One of the most enigmatic figures in the history of the Saxophone, Ali Ben Sou Alle (Charles-Valentin Soualle) was born in1820 in Arras, France. After receiving his first prize in Clarinet at the Paris Conservatory in 1844. he served as the director ofmusic of The French Marine Band in Senegal, and then was named first clarinet solo at the Opéra-Comique in Paris. However, after the Revolution of 1848, Soualle was forced to flee France to England where he settled in London, playing in the Orchestra of the Queen's Theatre. His songs and piano pieces were published in London.While in London, Soualle met another exiled French musician, Louis Antoine Jullien, who conducted a light music series inLondon. Jullien encouraged Soualle to take up the saxophone, and after modifying the instrument by adding a single octavemechanism (the modern system used today) and keys for the lower register, Soualle became known as a virtuoso and begantouring performing solo recitals (or mono-concerts, as they were called at the time) calling his modified saxophone the«turcophone ». He performed in all the European capitals and then traveled to Australia, New Zealand, Manilla, Java, throughChina and then to India where he finally settled in Mysore, becoming the director of the Royal Music for the Maharadjah. It wasduring this period that he converted to Islam and changed his nmae to Ali ben Sou Alle (or Ali, son of Soualle). Hesubsequently travaled to Ile Maurice, to French Polynesia, the Cap of Natal and the Cap of Good Hope. All of these voyageswere subjects of musical works which Soualle entitled Souvenirs de... and may perhaps have been part of a collection knownas The Royal Album which was presented to the Prince of Wales after a royal concert. Soualle returned to Mysore in 1858 and was almost killed in the Indian Revolution.Around 1860, Soualle returned to France for health reasons and began publishing his own music. On March 27 1865, heperformed a command performance for the Emperor Napoleon III at the Tuileries Palace in the presence of the entire ImperialFamily. After 1865, nothing more is known about him.Fantaisie sur Le Barbier de Séville begins with the Count's 1st act cavatina Ecco ridente in cielà This is followed by a seriesof variations sur Rosina's Cabaletta Io sono docile. The second act finale Fredda ed immobile is then presented in a number of variations. Finally, the second part of the Count and Figaros first act duo (Ah che d'amore) brings the work to a brilliant finish.
$19.95
Ali Ben Sou Alle: Caprice sur La Prophète de Meyerbeer for alto saxophone and piano
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Saxophone Alto et Piano
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INTERMÉDIAIRE
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Ali Ben Sou Alle
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Ali Ben Sou Alle: Caprice sur
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Musik Fabrik Music Publishing
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SheetMusicPlus
Alto Saxophone,Piano - Level 3 - SKU: A0.533497 Composed by Ali Ben Sou Alle. Concert,Romantic Period,Standards. Score and part. 19 pages. Musik Fabrik ...
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Alto Saxophone,Piano - Level 3 - SKU: A0.533497 Composed by Ali Ben Sou Alle. Concert,Romantic Period,Standards. Score and part. 19 pages. Musik Fabrik Music Publishing #3000441. Published by Musik Fabrik Music Publishing (A0.533497). Meyerbeer’s Opera Le Prophète was one of the most influential works of the 19th century, inspiring Verdi, Wagner, Liszt andothers with its dramatic score. Caprice sur Le Prophète de Meyerbeer begins with an extended Aria with several cadenzas. The work ends with a Polka in Rondo form which has a brillant variation.One of the most enigmatic figures in the history of Wind Music, Ali Ben Sou Alle (Charles-Valentin Soualle) was born in 1820 in Arras, France. After receiving his first prize in Clarinet at the Paris Conservatory in 1844. he served as the director of music of The French Marine Band in Senegal, and then was named first clarinet solo at the Opéra-Comique in Paris. However, after the Revolution of 1848, Soualle was forced to flee France to England where he settled in London, playing in the Orchestra of the Queen's Theatre. His songs and piano pieces were published in London.While in London, Soualle met another exiled French musician, Louis Antoine Jullien, who conducted a light music series in London. Jullien encouraged Soualle to take up the saxophone, and after modifying the instrument by adding a single octave mechanism (the modern system used today) and keys for the lower register, Soualle became known as a virtuoso and began touring performing solo recitals (or mono-concerts, as they were called at the time) calling his modified saxophone the «turcophone ». He performed in all the European capitals and then traveled to Australia, New Zealand, Manilla, Java, through China and then to India where he finally settled in Mysore, becoming the director of the Royal Music for the Maharadjah. It was during this period that he converted to Islam and changed his nmae to Ali ben Sou Alle (or Ali, son of Soualle). He subsequently travaled to Ile Maurice, to French Polynesia, the Cap of Natal and the Cap of Good Hope. All of these voyages were subjects of musical works which Soualle entitled Souvenirs de... and may perhaps have been part of a collectionknown as The Royal Album which was presented to the Prince of Wales after a royal concert. Soualle returned to Mysore in 1858 and was almost killed in the Indian Revolution.Around 1860, Soualle returned to France for health reasons and began publishing his own music. On March 27 1865, he performed a command performance for the Emperor Napoleon III at the Tuileries Palace in the presence of the entire Imperial Family. After 1865, nothing more is known about him.
$11.95
Sonata for Alto Saxophone and Piano
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Saxophone Alto et Piano
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AVANCÉ
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Alexander Liebermann
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Sonata for Alto Saxophone and
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Abundant Silence
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SheetMusicPlus
Alto Saxophone,Piano - Level 5 - SKU: A0.1259267 Composed by Alexander Liebermann. 21st Century,Chamber,Classical,Contemporary. Score and part. 19 pages...
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Alto Saxophone,Piano - Level 5 - SKU: A0.1259267 Composed by Alexander Liebermann. 21st Century,Chamber,Classical,Contemporary. Score and part. 19 pages. Abundant Silence #852539. Published by Abundant Silence (A0.1259267). SONATA FOR ALTO SAXOPHONE AND PIANO, BY ALEXANDER LIEBERMANNFOR ALTO SAXOPHONE AND PIANO, ADVANCED, 12 PAGES“The Saxophone Sonata by Alexander Liebermann is a good example for subtle storytelling in contemporary music. In a unique style that, to my ears, perfectly reflects his Paris, Berlin, and New York background, Alexander gives the performers the opportunity to unfold their full potential by letting them express a broad variety of moods and colors. Thus, the listeners are taken into an eclectic ‘short story’ – a story that is remembered for a long time.â€â”€ Johannes Ernst, Saxophonist“Alexander Liebermann’s Sonata for Alto Saxophone and Piano is a great new addition to the saxophone’s recital repertoire. Idiomatically written – both in terms of style and technique – it is kept in a concise rhapsodic one-movement form and offers a well-balanced and contrasting display of drama, lyricism, and virtuosity. In the best sense of the word, it is a cool piece with big city flair. It is modern, but accessible. It has hints of jazz, but explores such colors with class and refinement. It is fun to play and thrilling to listen to.â€â”€ Henning Schröder, Saxophonist.
$24.75
Pie Jesus, from Fauré's Requiem, for Alto Saxophone and Piano
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Saxophone Alto et Piano
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INTERMÉDIAIRE
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Classique
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Gabriel Faure
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David McKeown
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Pie Jesus, from Fauré's
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David McKeown
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SheetMusicPlus
Alto Saxophone,Piano - Level 3 - SKU: A0.587705 Composed by Gabriel Faure. Arranged by David McKeown. Christian,Contemporary,Romantic Period,Sacred,Stan...
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Alto Saxophone,Piano - Level 3 - SKU: A0.587705 Composed by Gabriel Faure. Arranged by David McKeown. Christian,Contemporary,Romantic Period,Sacred,Standards. Score and part. 5 pages. David McKeown #4810593. Published by David McKeown (A0.587705). Pie Jesus is the fifth and central movement of Gabriel Fauré’s Requiem. The piece was premiered in Paris in 1888, and underwent several revisions in subsequent years. The Requiem was performed at Fauré’s own funeral in 1924, but it’s only in recent years that this gentle version of the Mass for the Dead has received the international recognition it deserves. Contemporary performances in Parisian churches required the Pie Jesus to be sung by a boy treble, but in the concert hall, Fauré always preferred a soprano voice for the part.This arrangement transcribes the orchestral score as a Solo for Alto Saxophone with Piano accompaniment. Both the piano score and the solo part are included in the pdf file. The linked youtube performance is the clarinet version of this arrangement.Soloists at an intermediate level and above will find this ideal for formal and informal performances. The rhythms are straightforward, and there is plenty of scope for expressive, lyrical playing. The slow tempo though will require good breath and tone control. The piano part is suitable for an intermediate player. The overall performance time is around three and a half minutes.There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203.
$4.60
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