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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
His Words
Non classifié
1 697
Piano & claviers
Orgue
1 594
Piano, Voix
1 459
Piano grosses notes
1 013
Piano seul
940
Piano, Voix et Guitare
586
Piano Facile
436
Instruments en Do
140
Clavier
59
Accompagnement Piano
50
Piano Trio: piano, violon, violoncelle
18
1 Piano, 4 mains
11
Accordéon
8
2 Pianos, 4 mains
6
Piano Quatuor: piano, violon, alto, violoncelle
4
Orgue, Piano (duo)
3
Piano Quintette: piano, 2 violons, alto, violoncelle
2
Piano (partie séparée)
1
1 Piano, 6 mains
1
Clavecin
1
Accordéon, Piano
1
+ 15 instrumentations
Retracter
Guitares
Ligne De Mélodie, (Paroles) et Accords
59
Guitare notes et tablatures
57
Guitare
41
Ukulele
27
Basse electrique
4
Banjo
4
Paroles et Accords
4
Mandoline
3
2 Guitares (duo)
3
Guitare (partie séparée)
2
Piano, Guitare (duo)
2
Dulcimer
2
4 Guitares (Quatuor)
2
+ 8 instrumentations
Retracter
Voix
Chorale SATB
1 726
Chorale Unison
444
Chorale 3 parties
403
Chorale 2 parties
204
Chorale TTBB
120
Chorale SSAA
77
Voix duo, Piano
56
Voix duo
37
Pack Instrumental pour Chorale
34
Voix seule
18
Voix Soprano, Piano
18
Voix haute
17
Voix, Guitare
5
Chorale SSAATTBB
5
Voix basse, Piano
5
Voix Tenor, Piano
5
Voix moyenne, Piano
5
Chorale SSATB
5
Voix Alto, Piano
4
Voix Baryton, Piano
4
Chorale SSATTB
2
Soli, choeur mixte et accompagnement
2
Voix Mezzo-Soprano, Piano
2
Voix Tenor
1
Voix basse
1
Voix Soprano
1
+ 21 instrumentations
Retracter
Vents
2 Flûtes traversières (duo)
121
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
73
Flûte traversière et Piano
70
Flûte, Hautbois, Clarinette, Basson
69
Flûte traversière
55
Saxophone Alto et Piano
53
Clarinette et Piano
52
Quatuor de Clarinettes: 4 clarinettes
52
Quatuor de Saxophones: 4 saxophones
51
Hautbois, Piano (duo)
50
2 Saxophones (duo)
45
Quintette de Saxophone: 5 saxophones
40
Saxophone (partie séparée)
38
2 Clarinettes (duo)
38
Quatuor de Flûtes : 4 flûtes
32
Clarinette
28
Ensemble de saxophones
28
Saxophone Tenor et Piano
28
Saxophone Soprano et Piano
25
Saxophone Alto
22
Cor anglais, Piano
20
Saxophone Tenor
19
Saxophone Baryton, Piano
19
Clarinette, Violon (duo)
17
Flûte et Guitare
17
Saxophone, Clarinette (duo)
16
Ensemble de Clarinettes
15
Clarinette, Guitare (duo)
15
2 Hautbois (duo)
13
Clarinette, Trompette (duo)
12
Flûte, Clarinette (duo)
12
Hautbois (partie séparée)
12
Trio de Flûtes: 3 flûtes
11
Hautbois, Basson (duo)
9
Clarinette Basse, Piano
9
Hautbois, Flûte
8
Flûte, Saxophone (duo)
8
Hautbois, Clarinette (duo)
8
Ensemble de Flûtes
7
Quintette de Clarinettes: 5 clarinettes
7
Clarinette et Alto
7
Flûte, Alto (duo)
6
3 Clarinettes (trio)
6
Flûte, Trompette (duo)
6
Cor anglais, Guitare (duo)
6
Flûte, Violon
6
Saxophone et Harpe
5
Quintette de Flûte : 5 flûtes
5
Flûte à bec Soprano
4
2 Clarinettes, Piano
3
Piccolo
3
Clarinette, Harpe (duo)
3
Clarinette (partie séparée)
3
Clarinette, Violoncelle (duo)
2
Hautbois, Harpe
2
Flûte, Violon, Piano
2
3 Saxophones (trio)
2
Flute (partie séparée)
2
Flûte, Basson et Piano
2
Hautbois, Violoncelle
2
Flûte à bec Alto, Piano
2
Saxophone et Orgue
1
Flûte traversière, Orgue (duo)
1
Flûte, Violoncelle, Piano (trio)
1
Clarinette, Basson (duo)
1
Flûte, Harpe et Violoncelle
1
Harmonica
1
Saxophone et Guitare
1
Piccolo, Piano
1
2 Flûte à bec (duo)
1
Quatuor de Flûtes à bec
1
Flûte à bec Soprano, Piano
1
Flûte, Hautbois (duo)
1
Hautbois
1
Ocarina
1
Hautbois, Clarinette, Basson (trio d'anches)
1
Flûte, Violoncelle
1
Flûte à Bec
1
+ 73 instrumentations
Retracter
Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
96
Quatuor de Cuivres : 2 trompettes, trombone, tuba
43
Trombone et Piano
40
Trompette, Piano
35
Trompette
30
Cor et Piano
28
Trompette (partie séparée)
26
Trombone (partie séparée)
24
Cor anglais, Piano
20
Quatuor de Cuivres
20
2 Trompettes (duo)
19
Euphonium, Piano (duo)
19
Quatuor de Cuivres: 2 trompettes, Cor, trombone
17
Tuba et Piano
17
Trombone
16
Trompette, Saxophone (duo)
14
Ensemble de Trombones
13
2 Trombones (duo)
13
Cor
9
Tuba
9
2 Cors (duo)
8
Quatuor de cuivres: 4 trombones
6
Trompette, Trombone (duo)
6
Cor anglais, Guitare (duo)
6
Ensemble de Cors
4
Ensemble de Trompettes
4
Tuba et Orgue
4
Quatuor de cuivres: 4 cors
3
Cor et Harpe
3
Trompette, Harpe
2
Tuba (partie séparée)
2
Euphonium
2
2 Tubas (duo)
2
2 Euphoniums (duo)
1
Cor (partie séparée)
1
Trompette, Trombone, Piano
1
Trompette, Cor (duo)
1
3 Trombones (trio)
1
Euphonium, Tuba (duo)
1
+ 34 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
152
Violon et Piano
88
Violoncelle, Piano
56
Alto, Piano
46
2 Harpes (duo)
41
2 Violons (duo)
38
Violon
38
Harpe
36
Violoncelle
31
Trio à Cordes: violon, alto, violoncelle
29
Violon, Violoncelle (duo)
29
2 Violoncelles (duo)
16
Alto seul
15
Quintette à cordes: 2 violons, alto, violoncelle, basse
15
2 Altos (duo)
14
Trio à Cordes: 2 violons, violoncelle
13
Violon, Alto (duo)
12
Violon (partie séparée)
11
Contrebasse, Piano (duo)
7
Harpe, Voix
7
Alto (partie séparée)
5
Contrebasse (partie séparée)
5
Contre Basse
5
Harpe, Violon (duo)
4
Violon, Guitare (duo)
4
Trio à cordes
3
2 Violons, Piano
3
Alto, Guitare (duo)
3
Violoncelle (partie séparée)
3
Violoncelle , Guitare (duo)
3
Alto et Harpe
2
Harpe, Trombone (duo)
2
Quintette à cordes: 2 violons, 2 altos, violoncelle
2
2 Contrebasses (duo)
2
Harpe, Flûte (duo)
2
Ensemble d'Altos
2
Ensemble de Violons
2
Piano Trio: Violon, Alto, Piano
1
Harpe, Violoncelle (duo)
1
Quatuor à cordes : 4 altos
1
4 Violoncelles
1
+ 36 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
291
Cloches
96
Orchestre
90
Orchestre à Cordes
86
Ensemble de cuivres
78
Ensemble Jazz
48
Orchestre de chambre
25
Jazz combo
12
Marimba
12
Fanfare
6
Batterie
4
Batterie (partie séparée)
3
Vibraphone
3
Ensemble de Percussions
1
Percussion (partie séparée)
1
+ 10 instrumentations
Retracter
Autres
Instruments
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ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
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COMEDIES MUSICALES -…
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COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
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FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
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SOUL - R&B - HIP HOP…
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Vous avez sélectionné:
His Words
Saxophone Alto et Piano
Partitions à imprimer
53 partitions trouvées
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Mendelssohn: Song Without Words Op. 109 for Alto Sax & Piano
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Saxophone Alto et Piano
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INTERMÉDIAIRE
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Classique
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Felix Bartholdy Mendelssohn
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James M
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Mendelssohn: Song Without Word
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jmsgu3
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SheetMusicPlus
Alto Saxophone,Piano - Level 3 - SKU: A0.549489 Composed by Felix Bartholdy Mendelssohn. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Per...
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Alto Saxophone,Piano - Level 3 - SKU: A0.549489 Composed by Felix Bartholdy Mendelssohn. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and part. 20 pages. Jmsgu3 #3500661. Published by jmsgu3 (A0.549489). ALTO SAX & PIANO - Score: 11 pages, solo part: 3 pages, piano part: 5 pages. Duration: 4:20. This is a popular recital piece that would work well also in church or school programs. Mendelssohn Background Felix Mendelssohn (1809 –1847) was, by all means, a German mastermind composer, musician, and orchestra conductor of the Romantic period. Consequently, Mendelssohn composed in the usual forms of the time - symphonies, concertos, oratorios, piano music, and chamber music. To summarize, his most famous works include his music for A Midsummer Night's Dream, the Italian Symphony, the Scottish Symphony, The Hebrides Overture, his later Concerto for Violin & Orchestra, and his Octet for Strings. His most well-known piano pieces, by and large, are the Songs Without Words. Artistic Standing  Musical tastes change from time to time. Moreover, just such a change occurred in the late 19th and early 20th centuries. This plus rampant antisemitism brought a corresponding amount of undue criticism. Fortunately, however, his artistic inventiveness has indeed been critically re-evaluated. As a result, Mendelssohn is once again among the most prevalent composers of the Romantic era. Early Family Life Mendelssohn was, in fact, born into a prominent Jewish family. His grandfather was, notably, the philosopher Moses Mendelssohn. Felix was, in fact, raised without religion. At the age of seven, he was suddenly baptized as a Reformed Christian. He was, moreover, a child musical prodigy. Nevertheless, his parents did not attempt to exploit his talent. Early Adulthood Mendelssohn was, in general, successful in Germany. He conducted, in particular, a revival of the music of Johann Sebastian Bach, specifically with his presentation of the St Matthew Passion in 1829. Felix was truly in demand throughout Europe as a composer, conductor, and soloist. For example, he visited Britain ten times. There, he premiered, namely, many of his significant works. His taste in music was. To be sure, inventive and well-crafted yet markedly conservative. This conservatism separated him by all means from more audacious musical colleagues like Liszt, Wagner, and Berlioz. Mendelssohn founded the Leipzig Conservatoire which, to clarify, became a defender of this conservative viewpoint. Mature Adulthood Schumann notably wrote that Mendelssohn was the Mozart of the nineteenth century, the most brilliant musician, the one who most clearly sees through the contradictions of the age and for the first time reconciles them. This observation points to a couple of features in particular that illustrate Mendelssohn's works and his artistic procedure. Musical Features In the first place, his musical style was fixed in his systematic mastery of the style of preceding masters. This being said, he certainly recognized and even developed early romanticism from the music of Beethoven and Weber. Secondly, it indicates that Mendelssohn sought to strengthen his inherited musical legacy rather than to exchange it with new forms and styles or replace it with exotic orchestration. Consequently, he diverged his contemporaries in the romantic period, such as Wagner, Berlioz, and Liszt. Mendelssohn revered Liszt's virtuosity at the keyboard but found his music rather insubstantial.
$32.95
Gregory Sullivan Isaacs: Song Without Words for alto saxophone and piano
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Saxophone Alto et Piano
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INTERMÉDIAIRE/AVANCÉ
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Gregory Sullivan Isaacs
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Gregory Sullivan Isaacs: Song
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Musik Fabrik Music Publishing
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SheetMusicPlus
Alto Saxophone,Piano - Level 4 - SKU: A0.533371 Composed by Gregory Sullivan Isaacs. 20th Century,Concert,Contemporary,Standards. Score and part. 14 pag...
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Alto Saxophone,Piano - Level 4 - SKU: A0.533371 Composed by Gregory Sullivan Isaacs. 20th Century,Concert,Contemporary,Standards. Score and part. 14 pages. Musik Fabrik Music Publishing #2618655. Published by Musik Fabrik Music Publishing (A0.533371). A lyric piece in a typically American style. Perfect for contests and recitals! The American composer Gregory Sullivan Issacs is the author of a catalogue of vocal and instrumental works for both large and chamber ensembles. He has been feted for his “clean, neo-romantic, richly melodic musical idiom†(D Magazine). Nominated for a Pulitzer Prize in composition, he has also received a grant from the American Music Center and an ASCAP award for his commitment to American music. Recent works include his critically acclaimed Henry Faust, a three-act opera for tenor and piano, produced for public television, and a cantata for singers and a chamber ensemble, UNDELIVERED (libretto by Suzanne Calvin), based on President Kennedy’s final, but undelivered speech, which received a highly successful premiere in May 2014. Recent chamber music includes Dance Suite for Violin and Piano (2015) written for Gary Levinson, Senior Associate Concertmaster of the Dallas Symphony. 
$11.95
Andante expressivo from "Songs Without Words" Op.30 No.1
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Saxophone Alto et Piano
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FACILE
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Felix Bartholdy Mendelssohn
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Ian Fitze
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Andante expressivo from "
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Ian Fitze
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SheetMusicPlus
Alto Saxophone,Piano - Level 2 - SKU: A0.1402932 By Felix Bartholdy Mendelssohn. By Felix Bartholdy Mendelssohn. Arranged by Ian Fitze. 19th Century,Con...
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Alto Saxophone,Piano - Level 2 - SKU: A0.1402932 By Felix Bartholdy Mendelssohn. By Felix Bartholdy Mendelssohn. Arranged by Ian Fitze. 19th Century,Contest,Festival,Instructional,Romantic Period. Score and part. 8 pages. Ian Fitze #986152. Published by Ian Fitze (A0.1402932). Visit my website at IAN FITZE MUSICAL ARRANGEMENTS for a complete catalogue of my works including FREE DOWNLOADS.This is one of Mendelssohn's most moving of his Songs Without Words a simple melody that continuously contrasts rhythmically with the triplet feel accompaniment. For a novice soloist it provides a rare opportunity to read in 12/8. Technically not too demanding for both the soloist and the accompanist.
$1.99
Carson Cooman: Too Upset for Words (2003) for alto saxophone, guitar, and piano
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Saxophone Alto et Piano
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INTERMÉDIAIRE/AVANCÉ
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Carson Cooman
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Carson Cooman: Too Upset for W
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Musik Fabrik Music Publishing
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SheetMusicPlus
Instrumental Duet,Piano Alto Saxophone,Guitar,Instrumental Duet,Piano - Level 4 - SKU: A0.533590 Composed by Carson Cooman. Contemporary,Standards. Scor...
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Instrumental Duet,Piano Alto Saxophone,Guitar,Instrumental Duet,Piano - Level 4 - SKU: A0.533590 Composed by Carson Cooman. Contemporary,Standards. Score and parts. 7 pages. Musik Fabrik Music Publishing #3029397. Published by Musik Fabrik Music Publishing (A0.533590). Too Upset for Words (2003) for alto saxophone, guitar, and piano was commissioned by andis dedicated to Aris Carastathis and the Lakehead University New Music Ensemble.The work is cast in two very short movements that use the same basic musical material. Thework contrasts lyrical gestures with ones of extreme violence -- all derived from the samemusical sources.The first movement, Rages, continually brings back a loud piano crash. Out of the harmonicsof this sound come the saxophone and guitar's material.The second movement, Reflections, freely explores some of the gestures of the firstmovement. The pitches of the musical ideas become deconstructed -- existing only as pitchentities in a free section. All players play from the same score, hence in purchasing this file, you have the right to print three copies.
$11.95
A Song Without Words for Alto Saxophone and Piano
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Saxophone Alto et Piano
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DANIEL LUBASHEVSKY
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A Song Without Words for Alto
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Daniel Lubashevsky
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SheetMusicPlus
Alto Saxophone,Piano - SKU: A0.943157 Composed by DANIEL LUBASHEVSKY. Contemporary,World. Score and part. 5 pages. Daniel Lubashevsky #6411875. Publishe...
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Alto Saxophone,Piano - SKU: A0.943157 Composed by DANIEL LUBASHEVSKY. Contemporary,World. Score and part. 5 pages. Daniel Lubashevsky #6411875. Published by Daniel Lubashevsky (A0.943157). A song without words for Alto Saxophone and piano.This song deals with the Moroccan traditional rhythms.A song without words Available for other solo instruments as well.For further Communication Please contact me by mail:DLTrompose@gmail.com
$5.99
Song Without Words Op. 19 No. 1 for Alto Saxophone and Piano
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Saxophone Alto et Piano
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INTERMÉDIAIRE
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Felix Mendelsshon
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Diego Marani
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Song Without Words Op. 19 No.
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Diego Marani
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SheetMusicPlus
Instrumental Duet,Piano Alto Saxophone,Piano - Level 3 - SKU: A0.528917 Composed by Felix Mendelsshon. Arranged by Diego Marani. Classical,Instructional...
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Instrumental Duet,Piano Alto Saxophone,Piano - Level 3 - SKU: A0.528917 Composed by Felix Mendelsshon. Arranged by Diego Marani. Classical,Instructional,Romantic Period,Standards. Score and part. 7 pages. Diego Marani #6664615. Published by Diego Marani (A0.528917). Songs Without Words (Lieder ohne Worte) is a series of short lyrical piano songs by the Romantic composer Felix Mendelssohn Bartholdy, written between 1829 and 1845.The works were part of the Romantic tradition of writing short lyrical pieces for the piano, although the specific concept of Songs Without Words was new.This arrangement for alto sax with piano accompaniment faithfully reflects the original for piano solo.
$8.99
Fly Me To The Moon (in Other Words)
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Saxophone Alto et Piano
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INTERMÉDIAIRE
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Jazz
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Tony Bennett
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Nick Raspa
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Fly Me To The Moon
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NJR Music
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SheetMusicPlus
Alto Saxophone,Piano - Level 3 - SKU: A0.754537 By Tony Bennett. By Bart Howard and Stuart Aaron Hart. Arranged by Nick Raspa. Jazz,Standards,Wedding. S...
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Alto Saxophone,Piano - Level 3 - SKU: A0.754537 By Tony Bennett. By Bart Howard and Stuart Aaron Hart. Arranged by Nick Raspa. Jazz,Standards,Wedding. Score and part. 10 pages. NJR Music #6195831. Published by NJR Music (A0.754537). This is a setting of Fly Me to the Moon (In Other Words) is for E Flat Alto Sax and Piano. Â The arrangement starts out with a slow rendition of the song and then transitions to a swing version. Â This arrangement is for the intermediate level saxophonist incorporating some syncopation and no note smaller than the 16th. Â Included is the full score (which doubles as piano part) and ato sax part.
$9.95
3 Selections from 'Songs Without Words" Op.19 nos. 1,4&6
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Saxophone Alto et Piano
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INTERMÉDIAIRE
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Felix Bartholdy Mendelssohn
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Ian Fitze
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3 Selections from 'Songs Witho
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Ian Fitze
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SheetMusicPlus
Alto Saxophone,Piano - Level 3 - SKU: A0.1402919 By Felix Bartholdy Mendelssohn. By Felix Bartholdy Mendelssohn. Arranged by Ian Fitze. 19th Century,Con...
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Alto Saxophone,Piano - Level 3 - SKU: A0.1402919 By Felix Bartholdy Mendelssohn. By Felix Bartholdy Mendelssohn. Arranged by Ian Fitze. 19th Century,Contest,Festival,Instructional,Romantic Period. Score and part. 12 pages. Ian Fitze #986144. Published by Ian Fitze (A0.1402919). Visit my website at IAN FITZE MUSICAL ARRANGEMENTS for a complete catalogue of my works including FREE DOWNLOADS.This is a somewhat simplified arrangement of 3 of Mendelssohn's 'Songs Without Words for Eb Alto Saxophone and Piano. It would serve as a nice feature for an intermediate soloist.
$1.99
3 Selections from 'Songs Without Words" Op.19 nos. 1, 4&6
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Saxophone Alto et Piano
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INTERMÉDIAIRE
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Classique
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Felix Bartholdy Mendelssohn
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Ian Fitze
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3 Selections from 'Songs Witho
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Ian Fitze
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SheetMusicPlus
Alto Saxophone,Piano - Level 3 - SKU: A0.1363384 Composed by Felix Bartholdy Mendelssohn. Arranged by Ian Fitze. 19th Century,Contest,Festival,Instructi...
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Alto Saxophone,Piano - Level 3 - SKU: A0.1363384 Composed by Felix Bartholdy Mendelssohn. Arranged by Ian Fitze. 19th Century,Contest,Festival,Instructional,Romantic Period. Score and part. 10 pages. Ian Fitze #947839. Published by Ian Fitze (A0.1363384). Visit my website at IAN FITZE MUSICAL ARRANGEMENTS for a complete catalogue of my works including FREE DOWNLOADS.This is a simplified arrangement of 3 of Mendelssohn's 'Songs Without Words for Eb Alto Saxophone and Piano. It would serve as a nice feature for an intermediate soloist.
$1.99
Fly Me To The Moon (in Other Words)
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Saxophone Alto et Piano
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INTERMÉDIAIRE/AVANCÉ
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Jazz
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Tony Bennett
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Nick Raspa
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Fly Me To The Moon
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NJR Music
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SheetMusicPlus
Alto Saxophone,Piano - Level 4 - SKU: A0.754611 By Tony Bennett. By Bart Howard and Stuart Aaron Hart. Arranged by Nick Raspa. Jazz,Standards,Wedding. S...
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Alto Saxophone,Piano - Level 4 - SKU: A0.754611 By Tony Bennett. By Bart Howard and Stuart Aaron Hart. Arranged by Nick Raspa. Jazz,Standards,Wedding. Score and part. 10 pages. NJR Music #6454901. Published by NJR Music (A0.754611). The saxophone begins shortly after the short piano opening of this classic jazz standard. The first part is a slow, romantic version of the song. The second, with its uptempo swing beat, is a nice contrast to the first section. The full score and a complete set of parts is included. This arrangement is for the advanced intermediate to advanced level saxophonist.
$10.95
More Than Words
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Saxophone Alto et Piano
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INTERMÉDIAIRE
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Extreme
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Jireh J
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More Than Words
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Jireh J.
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SheetMusicPlus
Instrumental Duet,Piano Alto Saxophone,Instrumental Duet,Piano - Level 3 - SKU: A0.1196437 By Extreme. By Gary Cherone and Nuno Bettencourt. Arranged by...
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Instrumental Duet,Piano Alto Saxophone,Instrumental Duet,Piano - Level 3 - SKU: A0.1196437 By Extreme. By Gary Cherone and Nuno Bettencourt. Arranged by Jireh J. Rock,Wedding. Score and parts. 17 pages. Jireh J. #795594. Published by Jireh J. (A0.1196437). This arrangement was made for Alto Saxophone Duo and Piano. It doesn't contain chords.
$4.99
"A Song without words" for Alto-Saxophone and Piano
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Saxophone Alto et Piano
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FACILE
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Classique
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Isao Tsuruhara
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"A Song without words&quo
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TsuruharaMusic
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SheetMusicPlus
Alto Saxophone,Piano - Level 2 - SKU: A0.1203491 Composed by Isao Tsuruhara. Classical. Score and part. 6 pages. TsuruharaMusic #802126. Published by Ts...
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Alto Saxophone,Piano - Level 2 - SKU: A0.1203491 Composed by Isao Tsuruhara. Classical. Score and part. 6 pages. TsuruharaMusic #802126. Published by TsuruharaMusic (A0.1203491). The original version is written for Violonvello and Piano in G major key. This version for Alto-Saxophone  and Piano converted by composer itself.
$12.90
More Than Words
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Saxophone Alto et Piano
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INTERMÉDIAIRE
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Extreme
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Jireh J
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More Than Words
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Jireh J.
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SheetMusicPlus
Instrumental Duet,Piano Alto Saxophone,Instrumental Duet,Piano - Level 3 - SKU: A0.1196434 By Extreme. By Gary Cherone and Nuno Bettencourt. Arranged by...
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Instrumental Duet,Piano Alto Saxophone,Instrumental Duet,Piano - Level 3 - SKU: A0.1196434 By Extreme. By Gary Cherone and Nuno Bettencourt. Arranged by Jireh J. Rock,Wedding. Score and parts. 17 pages. Jireh J. #795591. Published by Jireh J. (A0.1196434). This arrangement was made for Alto Saxophone Duo and Piano. Contains chords.
$4.99
Words Get In The Way
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Saxophone Alto et Piano
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FACILE
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Miami Sound Machine
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Jeff Tincher
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Words Get In The Way
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Jeff Tincher
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SheetMusicPlus
Alto Saxophone,Piano - Level 2 - SKU: A0.1296047 By Miami Sound Machine. By Gloria Estefan. Arranged by Jeff Tincher. Contemporary,Latin,Pop. Score and ...
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Alto Saxophone,Piano - Level 2 - SKU: A0.1296047 By Miami Sound Machine. By Gloria Estefan. Arranged by Jeff Tincher. Contemporary,Latin,Pop. Score and part. 9 pages. Jeff Tincher #886318. Published by Jeff Tincher (A0.1296047). Here is a beautiful song about a love lost by Miami Sound Machine. In the original key from their Primitive Love LP, this became a big hit in the 80s. Duration = 3:36. Visit my websites: https://jefftincher.wixsite.com/sheetmusic, https://jefftincher.wixsite.com/music, https://www.facebook.com/jefftincherpublishing/.
$5.99
Op.38, No.6 - Duetto - Song without Words
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Saxophone Alto et Piano
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INTERMÉDIAIRE
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Classique
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Felix Bartholdy Mendelssohn
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Op.38, No.6 - Duetto - Song wi
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Music-Scores.com
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SheetMusicPlus
Instrumental Duet,Piano Alto Saxophone,Baritone Saxophone,Instrumental Duet,Piano - Level 3 - SKU: A0.763109 Composed by Felix Bartholdy Mendelssohn. Ar...
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Instrumental Duet,Piano Alto Saxophone,Baritone Saxophone,Instrumental Duet,Piano - Level 3 - SKU: A0.763109 Composed by Felix Bartholdy Mendelssohn. Arranged by Anne L Christopherson GRSM ARCM. Holiday,Instructional,Romantic Period,Wedding. Score and parts. 15 pages. Music-Scores.com #370782. Published by Music-Scores.com (A0.763109). Said to represent two voices, this transcribes really well for Alto and Baritone Saxophones with Piano accompaniment. A great example of 'question and answer' phrasing, while the piano has the third voice in the bass line with an expressive burbling arpeggio accompaniment. About 2 minutes 30 seconds. Arranged by Anne L Christopherson ARCM GRSM at www.music-scores.com.
$4.95
Always Remember Us This Way
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Saxophone Alto et Piano
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INTERMÉDIAIRE/AVANCÉ
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Pop musique
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Lady Gaga
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Kevin P Holdgate
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Brass
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Always Remember Us This Way
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Kevin P Holdgate
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SheetMusicPlus
Alto Saxophone,Piano - Level 4 - SKU: A0.791189 By Lady Gaga. By Hillary Lindsey, Lori McKenna, Natalie Hemby, Stefani (Lady Gaga) Germanotta, and Stefa...
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Alto Saxophone,Piano - Level 4 - SKU: A0.791189 By Lady Gaga. By Hillary Lindsey, Lori McKenna, Natalie Hemby, Stefani (Lady Gaga) Germanotta, and Stefani Germanotta. Arranged by Kevin P Holdgate. Pop. Score and part. 9 pages. Kevin P Holdgate #5354945. Published by Kevin P Holdgate (A0.791189). KPHMS Solo CollectionLady Gaga - for Brass?!! Really??This is a great song and works really well as an instrumental solo for brass instruments. It comes from the 2018 remake of the film 'A Star is Born' and is sung originally by Lady Gaga.I was asked to do an arrangement of the song for a young lady to sing with Boobs & Brass. I was struck by the quality of the words and the music and immediately thought of it as a great addition to the solo repertoire.In terms of standard, I would judge this to be around Grades 5 to 6 ABRSM/Trinity and makes for an interesting challenge away from the grading syllabus.
$4.99
Alto Sax - "And Can It Be?" Theme and Variations
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Saxophone Alto et Piano
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INTERMÉDIAIRE
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Musique Sacrée
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Lyrics: Charles Wesley, Music:
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Dan Cutchen
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Alto Sax - "And Can It Be
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Dan Cutchen Music
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SheetMusicPlus
Alto Saxophone,Piano - Level 3 - SKU: A0.844328 Composed by Lyrics: Charles Wesley, Music: Thomas Campbell, published 1738, and published 1825. Arranged...
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Alto Saxophone,Piano - Level 3 - SKU: A0.844328 Composed by Lyrics: Charles Wesley, Music: Thomas Campbell, published 1738, and published 1825. Arranged by Dan Cutchen. Easter,Gospel,Sacred,Spiritual. Score and part. 15 pages. Dan Cutchen Music #3115903. Published by Dan Cutchen Music (A0.844328). This arrangement of And Can It Be That I Should Gain? is for alto saxophone solo and piano.A theme and variation treatment is used. For a piano background Mp3 track, search for: Alto Sax - And Can It Be? Theme and Variations-Accompaniment Track, Dan CutchenTime: approximately 6:00And Can It Be That I Should Gain? is a Christian hymn written by Charles Wesley. And Can It Be was written in 1738 to celebrate Wesley's conversion, which he regarded as having taken place on May 21 of that year. This beautiful hymn has been popular and enduring.And Can It Be That I Should Gain is perhaps one of the most joyfully poignant hymns penned by Charles Wesley (1707-1788). On Whitsunday (Pentecost), May 21, 1738, three days before his brother John experienced his heart strangely warmed,’ Charles was convalescing in the home of John Bray, a poor mechanic, when he heard a voice saying, In the name of Jesus of Nazareth, arise, and believe, and thou shalt be healed of all thy infirmities. The voice was most likely Mr. Bray’s sister who felt commanded to say these words in a dream.Anglican hymn writer Timothy Dudley-Smith, notes that the following then happened:Charles got out of bed and opening his Bible read from the Psalms: He have put a new song in my mouth, even praise unto our God, followed by the first verse of Isaiah 40, Comfort ye, comfort ye my people, saith your God. He wrote in his journal, I have found myself at peace with God, and rejoiced in the hope of love Christ (Dudley-Smith, 1987, 1).The statement from Mr. Bray’s sister sparked within Charles a conviction like he had never felt before. Moved and convicted in spirit, Charles wrestled with these words until he came to rest in his faith, knowing that it is by faith we are saved (Ephesians 2:8).Soon after this conversion experience, he wrote two hymns in celebration of the amazing love he had come to know: And Can It Be that I Should Gain and Where Shall My Wondering Soul Begin? (United Methodist Hymnal, 342)There has been some debate as to which hymn was written first, but most current scholarship accepts the latter as the first hymn written by Charles after his conversion experience. No matter its place in the chronology of Wesley's output, And Can It Be has been and remains one of his most remarkable hymns, expressing like no other the rapturous joy of receiving salvation.And Can It Be That I Should Gain. Hymnary.org, https://hymnary.org/text/and_can_it_be_that_i_should_gainDudley-Smith, Timothy. A Flame of Love: A Personal Choice of Charles Wesley’s Verse. London: Triangle SPCK, 1987.Timothy Dudley-Smith. And can it be that I should gain. The Canterbury Dictionary of Hymnology. Canterbury Press, accessed May 29, 2018, http://www.hymnology.co.uk/a/and-can-it-be-that-i-should-gain.Young, Carlton R. And Can It Be That I Should Gain. Companion to the United Methodist Hymnal. Abingdon Press, 1993.(Taken from: History of Hymns: And Can It Be That I Should Gain by DeAndre Johnson found at https://www.umcdiscipleship.org/resources)https://youtu.be/BSX9yYcNY2E
$7.00
Ali Ben Sou Alle: Caprice sur "Jenny L'Ouvrière" for alto saxophone and piano
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Saxophone Alto et Piano
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INTERMÉDIAIRE
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Ali Ben Sou Alle
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Ali Ben Sou Alle: Caprice sur
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Musik Fabrik Music Publishing
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SheetMusicPlus
Alto Saxophone,Piano - Level 3 - SKU: A0.533506 Composed by Ali Ben Sou Alle. Concert,Romantic Period,Standards. Score and part. 13 pages. Musik Fabrik ...
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Alto Saxophone,Piano - Level 3 - SKU: A0.533506 Composed by Ali Ben Sou Alle. Concert,Romantic Period,Standards. Score and part. 13 pages. Musik Fabrik Music Publishing #3002369. Published by Musik Fabrik Music Publishing (A0.533506). Jenny L'Ouvrière is a popular romance from 1845 with music by Étienne Arnaud and words by Emile Barateau. The song speaks of an hardworking weaver who is poor, but also courageous and good. The pastorale-like theme is also presented in a more varied form.One of the most enigmatic figures in the history of the Saxophone, Ali Ben Sou Alle (Charles-Valentin Soualle) was born in 1820 in Arras, France. After receiving his first prize in Clarinet at the Paris Conservatory in 1844. he served as the director of music of The French Marine Band in Senegal, and then was named first clarinet solo at the Opéra-Comique in Paris. However, after the Revolution of 1848, Soualle was forced to flee France to England where he settled in London, playing in the Orchestra of the Queen's Theatre. His songs and piano pieces were published in London. While in London, Soualle met another exiled French musician, Louis Antoine Jullien, who conducted a light music series in London. Jullien encouraged Soualle to take up the saxophone, and after modifying the instrument by adding a single octave mechanism (the modern system used today) and keys for the lower register, Soualle became known as a virtuoso and began touring performing solo recitals (or mono-concerts, as they were called at the time) calling his modified saxophone the «turcophone ». He performed in all the European capitals and then traveled to Australia, New Zealand, Manilla, Java, through China and then to India where he finally settled in Mysore, becoming the director of the Royal Music for the Maharadjah. It was during this period that heconverted to Islam and changed his nmae to Ali ben Sou Alle (or Ali, son of Soualle). He subsequently travaled to Ile Maurice, to French Polynesia, the Cap of Natal and the Cap of Good Hope. All of these voyages were subjects of musical works which Soualle entitled Souvenirs de... and may perhaps have been part of a collection known as The Royal Album which was presented to the Prince of Wales after a royal concert. Soualle returned to Mysore in 1858 and was almost killed in the Indian Revolution. Around 1860, Soualle returned to France for health reasons and began publishing his own music. OnMarch 27 1865, he performed a command performance for the Emperor Napoleon III at the Tuileries Palace in the presence of the entire Imperial Family. After 1865, nothing more is known about him.
$10.35
Mendelssohn: Wedding March for Alto Sax & Piano
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Saxophone Alto et Piano
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INTERMÉDIAIRE
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Classique
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Felix Bartholdy Mendelssohn
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James M
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Mendelssohn: Wedding March for
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jmsgu3
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SheetMusicPlus
Alto Saxophone,Piano - Level 3 - SKU: A0.549892 Composed by Felix Bartholdy Mendelssohn. Arranged by James M. Guthrie, ASCAP. Romantic Period,Standards,...
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Alto Saxophone,Piano - Level 3 - SKU: A0.549892 Composed by Felix Bartholdy Mendelssohn. Arranged by James M. Guthrie, ASCAP. Romantic Period,Standards,Wedding. Score and part. 23 pages. Jmsgu3 #3603399. Published by jmsgu3 (A0.549892). Score: 12 pages, piano part: 6 pages, alto sax part: 4 pages. duration: ca. 5'. This is the famous wedding march from Op. 61 composed in 1842 and commonly performed as a recessional march at the end of a wedding. The piece was originally composed for orchestra then arranged for organ and performed by Mendelssohn himself.Mendelssohn: Wedding March Mendelssohn’s Wedding March is so popular that it’s difficult to imagine a wedding without it. It seems like it’s been around for eternity. In any case, it was only 150 years or so ago that the Wedding March came about. It was performed in Potsdam for the first time in 1842, as a piece of Mendelssohn’s music for the Shakespeare play A Midsummer Night’s Dream. It was first used for a wedding in 1858 Mendelssohn Background Felix Mendelssohn (1809 –1847) was, by all means, a German mastermind composer, musician and orchestra conductor of the Romantic period. Consequently, Mendelssohn composed in the usual forms of the time - symphonies, concertos, oratorios, piano music, and chamber music. To summarize, his most famous works include his music for A Midsummer Night's Dream, the Italian Symphony, the Scottish Symphony, The Hebrides Overture, his later Concerto for Violin & Orchestra, and his Octet for Strings. His most well-known piano pieces, by and large, are the Songs Without Words. Artistic Standing Musical tastes change from time to time. Moreover, just such a change occurred in the late 19th and early 20th centuries. This plus rampant antisemitism brought a corresponding amount of undue criticism. Fortunately, however, his artistic inventiveness has indeed been critically re-evaluated. As a result, Mendelssohn is once again among the most prevalent composers of the Romantic era. Early Family Life Mendelssohn was, in fact, born into a prominent Jewish family. His grandfather was, notably, the philosopher Moses Mendelssohn. Felix was, in fact, raised without religion. At the age of seven, he was all of a sudden baptized as a Reformed Christian. He was, moreover, a child musical prodigy. Nevertheless, his parents did not attempt to exploit his talent. Early Adulthood Mendelssohn was, in general, successful in Germany. He conducted, in particular, a revival of the music of Johann Sebastian Bach, specifically with his presentation of the St Matthew Passion in 1829. Felix was truly in demand throughout Europe as a composer, conductor, and soloist. For example, he visited Britain ten times. There, he premiered, namely, many of his major works. His taste in music was. To be sure, inventive and well-crafted yet markedly conservative. This conservatism separated him by all means from more audacious musical colleagues like Liszt, Wagner, and Berlioz. Mendelssohn founded the Leipzig Conservatoire which, to clarify, became a defender of this conservative viewpoint. Mature Adulthood Schumann notably wrote that Mendelssohn was the Mozart of the nineteenth century, the most brilliant musician, the one who most clearly sees through the contradictions of the age and for the first time reconciles them. This observation points to a couple of features in particular that illustrate Mendelssohn's works and his artistic procedure. Musical Features In the first place, his musical style was fixed in his methodical mastery of the style of preceding masters. This being said, he certainly recognized and even developed early romanticism from the music of Beethoven and Weber. Secondly, it indicates that Mendelssohn sought to strengthen his inherited musical legacy rather than to exchange it with new forms and styles or replace it with exotic orchestration. Consequently, he diverged his contemporaries in the romantic period, such as Wagner, Berlioz, and Liszt. Mendelssohn revered Liszt's virtuos.
$32.95
Fauré: Élégie Op. 24 for Alto Sax & Piano
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Saxophone Alto et Piano
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Gabriel Faure
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James M
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Fauré: Élé
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jmsgu3
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SheetMusicPlus
Alto Saxophone,Piano - Level 4 - SKU: A0.549727 Composed by Gabriel Faure. Arranged by James M. Guthrie, ASCAP. Contemporary,Multicultural,Romantic Peri...
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Alto Saxophone,Piano - Level 4 - SKU: A0.549727 Composed by Gabriel Faure. Arranged by James M. Guthrie, ASCAP. Contemporary,Multicultural,Romantic Period,Standards,World. Score and part. 22 pages. Jmsgu3 #3531403. Published by jmsgu3 (A0.549727). Duration: ca. 7:00, Score: 12 pages, solo part: 2 pages, piano: 7 pages. An epic choice for a recital or funeral. Fauré Background: In the first place, Gabriel Fauré 1845 –1924) was a famous French composer, musician, and educator. Furthermore, his musical ideas influenced numerous 20th-century composers. Therefore, historians regard him as one of the leading French composers of his time. Famous Works: Among his most famous compositions, by and large, are the Pavane, Elegie (op. 24), Requiem, Sicilienne, Nocturnes for piano and the songs Après un rêve and Clair de lune. Inasmuch as his early works are well-known and relatively easy to perform, Faure’s music seems to have become gradually more difficult during his later life. In other words, his later works are somewhat esoteric and complex. Early Home Life: Fauré was in fact born into a well-cultivated family. His aptitude for music became particularly clear early on - when he was still a boy. Under these circumstances, his parents sent him to a music institution in Paris. Consequently, the training he received there prepared him for a career as a church organist and choirmaster. Middle Life: It is important to realize that Fauré studied music composition with the French musical mastermind Camille Saint-Saëns, who became his lifelong friend. Fauré eventually graduated from college and earned a living as an organist and educator. During this period, he had, on the whole, little time to compose. He consequently became more successful in his middle age, becoming organist of the Église de la Madeleine and director of the Paris Conservatoire. However, he still needed time on balance for composing. Therefore, given these points, he withdrew to the countryside during the summer to focus on composing. Later Life: Fauré was, in the final analysis, recognized in France as the foremost French composer of his time. The French government held a national musical tribute particularly for him in Paris. The French President notably headed the ceremony. Elsewhere, on the contrary, Fauré's music was slow to become accepted, except of course, in England. Legacy: Historians often describe Fauré's music in general as a transition between the end of Romanticism and the beginning of modernism. As an illustration, when Fauré was born, Chopin was still composing. However, by the time of Fauré's death, jazz and atonal music, in particular, had come to fruition. Fauré, by all means, suffered from increasing deafness in his later years. Some musicologists believe this to be indeed the cause of the esoteric nature of Faure’s final works.
$32.95
Grieg: Morning Mood from Peer Gynt Suite for Alto Sax & Piano
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Saxophone Alto et Piano
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INTERMÉDIAIRE
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Classique
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Edvard Grieg
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James M
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Grieg: Morning Mood from Peer
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jmsgu3
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SheetMusicPlus
Alto Saxophone,Piano - Level 3 - SKU: A0.549511 Composed by Edvard Grieg. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Stan...
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Alto Saxophone,Piano - Level 3 - SKU: A0.549511 Composed by Edvard Grieg. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and part. 17 pages. Jmsgu3 #3502277. Published by jmsgu3 (A0.549511). Duration: ca. 4:00, Score: 9 pages, solo prt: 3 pages, piano part: 4 pages. Super-famous Instantly recognizable tune, not very difficult - suitable for a recital or church meditation.  Grieg Background In the first place, Edvard Grieg (1843 –1907) was a Norwegian composer as well as a concert pianist. As a matter of fact, most music historians consider him one of the foremost Romantic-era composers. Consequently, his music is part of the international standard classical repertoire. Grieg moreover used Norwegian folk music in his own compositions.  Consequently, he ushered Norwegian music to transnational consciousness. Furthermore, he forged a national musical identity for Norway. It is important to realize that he did this in a manner similar to Jean Sibelius in Finland, and BedÅ™ich Smetana in Bohemia. Legacy Grieg is especially celebrated in the city of Bergen. For example, the city has erected numerous statues depicting Grieg. Specifically, the city has named a concert hall (Grieg Hall), a music school (Grieg Academy), and a professional choir (Edvard Grieg Kor) after him. As a matter of fact, there is also a museum located at his former home in Troldhaugen. Peer Gynt Suite No. 1 (Op. 46) Grieg wrote incidental music for the purpose of illustrating a play by Ibsen known as Peer Gynt. The play includes, in particular, the famous selection entitled, In the Hall of the Mountain King. In this composition, Grieg depicts the exploits of the scoundrel, Peer Gynt. In one famous episode, for example, Peer steals a bride at her wedding. For this reason, the people chase him, but soon Peer falls, striking his skull on a boulder. He wakens forthwith in a highland bounded by angry gnomes. Consequently, the music of In the Hall of the Mountain King represents the mad gnomes taunting Peer. Therefore, each time the theme repeats it gets louder and faster. In the end, Peer surprisingly escapes from the mountain. Holberg Suite and Misc. Summary It must be remembered that Grieg originally wrote his Holberg Suite for the piano. In other words, he only later arranged it for strings. Further, Grieg composed many songs with lyrics by famous writers such as Heine, Goethe, Ibsen, Hans Christian Andersen, Rudyard Kipling, and others. On balance, Norwegian pianist Eva Knardahl recorded altogether Grieg’s whole piano catalog on LP in 1980. These recordings were released again on CD in 2006. In any event, Grieg himself performed and recorded the bulk of these pieces toward the end of his life. Â
$32.95
Grieg: Ase's Death from Peer Gynt Suite for Alto Sax & Piano
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Saxophone Alto et Piano
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INTERMÉDIAIRE
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Classique
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Edvard Grieg
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James M
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Grieg: Ase's Death from Peer G
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jmsgu3
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SheetMusicPlus
Alto Saxophone,Piano - Level 3 - SKU: A0.549533 Composed by Edvard Grieg. Arranged by James M. Guthrie, ASCAP. Concert,Contemporary,Romantic Period,Sacr...
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Alto Saxophone,Piano - Level 3 - SKU: A0.549533 Composed by Edvard Grieg. Arranged by James M. Guthrie, ASCAP. Concert,Contemporary,Romantic Period,Sacred,Standards. Score and part. 11 pages. Jmsgu3 #3505785. Published by jmsgu3 (A0.549533). Duration: ca. 3:40, Score: 5 pages, solo part: 2 pages, piano part: 3 pages. Super-famous instantly recognizable tune, not very difficult - suitable for a recital, funeral or church meditation. Grieg Background In the first place, Edvard Grieg (1843 –1907) was a Norwegian composer as well as a concert pianist. As a matter of fact, most music historians consider him one of the foremost Romantic era composers. Consequently, his music is part of the international standard classical repertoire. Grieg moreover used Norwegian folk music in his own compositions. Consequently, he ushered Norwegian music to transnational consciousness. Furthermore, he forged a national musical identity for Norway. It is important to realize that he did this in a manner similar to Jean Sibelius in Finland, and Bedřich Smetana in Bohemia. Legacy Grieg is especially celebrated in the city of Bergen. For example, the city has erected numerous statues depicting Grieg. Specifically, the city has named a concert hall (Grieg Hall), a music school (Grieg Academy) and a professional choir (Edvard Grieg Kor) after him. As a matter of fact, there is also a museum located at his former home in Troldhaugen. Peer Gynt Suite No. 1 (Op. 46) Grieg wrote incidental music for the purpose of illustrating a play by Ibsen known as Peer Gynt. The play includes, in particular, the famous selection entitled, In the Hall of the Mountain King. In this composition, Grieg indeed depicts the exploits of the scoundrel, Peer Gynt. In one famous episode, for example, Peer steals a bride at her wedding. For this reason, the people chase him, but soon Peer falls, thereupon striking his skull on a boulder. He wakens forthwith in a highland bounded by angry gnomes. Consequently, the music of In the Hall of the Mountain King represents the mad gnomes taunting Peer. Therefore, each time the theme repeats it gets louder and faster. In the end, Peer surprisingly escapes from the mountain. Holberg Suite and Misc. Summary It must be remembered that Grieg originally wrote his Holberg Suite for the piano. In other words, he only later arranged it for strings. Further, Grieg composed by and large many songs with lyrics by famous writers such as Heine, Goethe, Ibsen, Hans Christian Andersen, Rudyard Kipling, and others. On balance, Norwegian pianist Eva Knardahl recorded altogether Grieg’s whole piano catalog on LP in 1980. These recordings were released again on CD in 2006. In any event, Grieg himself performed and recorded the bulk of these pieces toward the end of his life.Register for free lifetime revisions and updates at www.jamesguthrie.com
$24.95
Grieg: Hall of the Mountain King from Peer Gynt Suite for Alto Sax & Piano
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Saxophone Alto et Piano
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INTERMÉDIAIRE
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Classique
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Edvard Grieg
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James M
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Grieg: Hall of the Mountain Ki
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jmsgu3
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SheetMusicPlus
Alto Saxophone,Piano - Level 3 - SKU: A0.549578 Composed by Edvard Grieg. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Sta...
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Alto Saxophone,Piano - Level 3 - SKU: A0.549578 Composed by Edvard Grieg. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Standards,World. Score and part. 18 pages. Jmsgu3 #3509393. Published by jmsgu3 (A0.549578). Duration: ca. 2:17 Score: 10 pages, solo part: 2 pages, piano part: 5 pages. A proven audience pleaser - perfect for a recital encore!Grieg Background In the first place, Edvard Grieg (1843 –1907) was a Norwegian composer as well as a concert pianist. As a matter of fact, most music historians consider him one of the foremost Romantic era composers. Consequently, his music is part of the international standard classical repertoire. Grieg moreover used Norwegian folk music in his own compositions. Consequently, he ushered Norwegian music to transnational consciousness. Furthermore, he forged a national musical identity for Norway. It is important to realize that he did this in a manner similar to Jean Sibelius in Finland, and Bedřich Smetana in Bohemia. Legacy Grieg is especially celebrated in the city of Bergen. For example, the city has erected numerous statues depicting Grieg. Specifically, the city has named a concert hall (Grieg Hall), a music school (Grieg Academy) and a professional choir (Edvard Grieg Kor) after him. As a matter of fact, there is also a museum located at his former home in Troldhaugen. Peer Gynt Suite No. 1 (Op. 46) Grieg wrote incidental music for the purpose of illustrating a play by Ibsen known as Peer Gynt. The play includes, in particular, the famous selection entitled, In the Hall of the Mountain King. In this composition, Grieg indeed depicts the exploits of the scoundrel, Peer Gynt. In one famous episode, for example, Peer steals a bride at her wedding. For this reason, the people chase him, but soon Peer falls, thereupon striking his skull on a boulder. He wakens forthwith in a highland bounded by angry gnomes. Consequently, the music of In the Hall of the Mountain King represents the mad gnomes taunting Peer. Therefore, each time the theme repeats it gets louder and faster. In the end, Peer surprisingly escapes from the mountain. Holberg Suite and Misc. Summary It must be remembered that Grieg originally wrote his Holberg Suite for the piano. In other words, he only later arranged it for strings. Further, Grieg composed by and large many songs with lyrics by famous writers such as Heine, Goethe, Ibsen, Hans Christian Andersen, Rudyard Kipling, and others. On balance, Norwegian pianist Eva Knardahl recorded altogether Grieg’s whole piano catalog on LP in 1980. These recordings were released again on CD in 2006. In any event, Grieg himself performed and recorded the bulk of these pieces toward the end of his life.Register for free lifetime revisions and updates at www.jamesguthrie.com
$24.95
Grieg: Anitra's Dance from Peer Gynt Suite for Alto Sax & Piano
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Saxophone Alto et Piano
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INTERMÉDIAIRE
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Classique
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Edvard Grieg
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James M
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Grieg: Anitra's Dance from Pee
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jmsgu3
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SheetMusicPlus
Alto Saxophone,Piano - Level 3 - SKU: A0.549555 Composed by Edvard Grieg. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Sta...
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Alto Saxophone,Piano - Level 3 - SKU: A0.549555 Composed by Edvard Grieg. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Standards,World. Score and part. 16 pages. Jmsgu3 #3507663. Published by jmsgu3 (A0.549555). Duration: ca. 3:20, Score: 10 pages, solo part: 2 pages, piano part: 3 pages. A delicate masterpiece, not very difficult - suitable for a recital encore. Grieg Background In the first place, Edvard Grieg (1843 –1907) was a Norwegian composer as well as a concert pianist. As a matter of fact, most music historians consider him one of the foremost Romantic era composers. Consequently, his music is part of the international standard classical repertoire. Grieg moreover used Norwegian folk music in his own compositions. Consequently, he ushered Norwegian music to transnational consciousness. Furthermore, he forged a national musical identity for Norway. It is important to realize that he did this in a manner similar to Jean Sibelius in Finland, and Bedřich Smetana in Bohemia. Legacy Grieg is especially celebrated in the city of Bergen. For example, the city has erected numerous statues depicting Grieg. Specifically, the city has named a concert hall (Grieg Hall), a music school (Grieg Academy) and a professional choir (Edvard Grieg Kor) after him. As a matter of fact, there is also a museum located at his former home in Troldhaugen. Peer Gynt Suite No. 1 (Op. 46) Grieg wrote incidental music for the purpose of illustrating a play by Ibsen known as Peer Gynt. The play includes, in particular, the famous selection entitled, In the Hall of the Mountain King. In this composition, Grieg indeed depicts the exploits of the scoundrel, Peer Gynt. In one famous episode, for example, Peer steals a bride at her wedding. For this reason, the people chase him, but soon Peer falls, thereupon striking his skull on a boulder. He wakens forthwith in a highland bounded by angry gnomes. Consequently, the music of In the Hall of the Mountain King represents the mad gnomes taunting Peer. Therefore, each time the theme repeats it gets louder and faster. In the end, Peer surprisingly escapes from the mountain. Holberg Suite and Misc. Summary It must be remembered that Grieg originally wrote his Holberg Suite for the piano. In other words, he only later arranged it for strings. Further, Grieg composed by and large many songs with lyrics by famous writers such as Heine, Goethe, Ibsen, Hans Christian Andersen, Rudyard Kipling, and others. On balance, Norwegian pianist Eva Knardahl recorded altogether Grieg’s whole piano catalog on LP in 1980. These recordings were released again on CD in 2006. In any event, Grieg himself performed and recorded the bulk of these pieces toward the end of his life.Register for free lifetime revisions and updates at www.jamesguthrie.com
$24.95
Grieg: Peer Gynt Suite Complete for Alto Sax & Piano
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Saxophone Alto et Piano
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Edvard Grieg
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James Guthrie, ASCAP
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Grieg: Peer Gynt Suite Complet
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jmsgu3
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SheetMusicPlus
Alto Saxophone,Piano - Level 4 - SKU: A0.551493 Composed by Edvard Grieg. Arranged by James Guthrie, ASCAP. Concert,Halloween,Instructional,Romantic Per...
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Alto Saxophone,Piano - Level 4 - SKU: A0.551493 Composed by Edvard Grieg. Arranged by James Guthrie, ASCAP. Concert,Halloween,Instructional,Romantic Period,Standards. Score and part. 62 pages. Jmsgu3 #5306287. Published by jmsgu3 (A0.551493). 1. Morning Mood, 2. Ase's Death, 3. Anitra's Dance, 4. In the Hall of the Mountain KingGrieg BackgroundIn the first place, Edvard Grieg (1843 –1907) was a Norwegian composer as well as a concert pianist. As a matter of fact, most music historians consider him one of the foremost Romantic era composers. Consequently, his music is part of the international standard classical repertoire. Grieg moreover used Norwegian folk music in his own compositions. Consequently, he ushered Norwegian music to transnational consciousness. Furthermore, he forged a national musical identity for Norway. It is important to realize that he did this in a manner similar to Jean Sibelius in Finland, and Bedřich Smetana in Bohemia.LegacyGrieg is celebrated in the city of Bergen. For example, the city has erected numerous statues depicting Grieg. Specifically, the city has named a concert hall (Grieg Hall), a music school (Grieg Academy) and a professional choir (Edvard Grieg Kor) after him. As a matter of fact, there is also a museum located at his former home in Troldhaugen.Peer Gynt Suite No. 1 (Op. 46)Grieg wrote incidental music for the purpose of illustrating a play by Ibsen known as Peer Gynt. The play includes, in particular, the famous selection entitled, In the Hall of the Mountain King. In this composition, Grieg indeed depicts the exploits of the scoundrel, Peer Gynt. In one famous episode, for example, Peer steals a bride at her wedding. For this reason, the people chase him, but soon Peer falls, thereupon striking his skull on a boulder. He wakens forthwith in a highland bounded by angry gnomes. Consequently, the music of In the Hall of the Mountain King represents the mad gnomes taunting Peer. Therefore, each time the theme repeats it gets louder and faster. In the end, Peer surprisingly escapes from the mountain.Holberg Suite and Misc. SummaryIt must be remembered that Grieg originally wrote his Holberg Suite for the piano. In other words, he only later arranged it for strings. Further, Grieg composed by and large many songs with lyrics by famous writers such as Heine, Goethe, Ibsen, Hans Christian Andersen, Rudyard Kipling, and others. On balance, Norwegian pianist Eva Knardahl recorded altogether Grieg’s whole piano catalog on LP in 1980. These recordings were released again on CD in 2006. In any event, Grieg himself performed and recorded the bulk of these pieces toward the end of his life.
$59.95
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