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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
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UKULELE
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ASIE
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PIANO & CLAVIERS
Piano seul
1090
Piano, Voix
451
Piano Facile
319
Piano, Voix et Guitare
120
Orgue
96
Instruments en Do
81
Accompagnement Piano
37
2 Pianos, 4 mains
28
1 Piano, 4 mains
21
Accordéon
13
Piano Quatuor: piano, violon, alto, violoncelle
11
Piano Trio: piano, violon, violoncelle
11
Piano Quintette: piano, 2 violons, alto, violoncelle
4
Clavier
3
Clavecin
3
Piano Quatuor: piano, 2 violons, violoncelle
3
Piano (partie séparée)
2
2 Accordéons
1
Orgue, Trompette (duo)
1
Piano grosses notes
1
Orgue, Piano (duo)
1
2 Pianos, 8 mains
1
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GUITARES
Guitare
99
Guitare notes et tablatures
72
2 Guitares (duo)
32
Ligne De Mélodie, (Paroles) et Accords
31
Ukulele
30
4 Guitares (Quatuor)
16
Basse electrique
15
3 Guitares (trio)
9
Piano, Guitare (duo)
8
Guitare (partie séparée)
5
Banjo
4
Mandoline
3
Paroles et Accords
2
Dulcimer
1
Ensemble de guitares
1
Basse électrique (partie séparée)
1
Guitare, Violon, Violoncelle (trio)
1
Guitare, Orchestre
1
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VOIX
Chorale SATB
432
Chorale 3 parties
124
Chorale 2 parties
56
Chorale TTBB
48
Chorale Unison
35
Chorale SSAA
32
Voix Soprano, Piano
13
Voix duo, Piano
12
Voix duo
8
Voix seule
4
Voix Alto, Piano
4
Voix haute
3
Chorale
2
Voix moyenne, Piano
2
Chorale SSATTB
2
Voix Tenor
1
Voix Soprano
1
Voix Mezzo-Soprano, Piano
1
Voix Baryton, Piano
1
Instrumentations suivantes
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VENTS
Flûte traversière et Piano
87
Clarinette et Piano
64
Quatuor de Saxophones: 4 saxophones
59
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
59
2 Flûtes traversières (duo)
46
Flûte traversière
45
Saxophone Alto et Piano
42
Clarinette
40
Hautbois, Piano (duo)
38
Flûte, Hautbois, Clarinette, Basson
38
Saxophone (partie séparée)
38
2 Saxophones (duo)
35
Saxophone Alto
34
Hautbois (partie séparée)
32
Flûte et Guitare
32
2 Clarinettes (duo)
28
Quintette de Saxophone: 5 saxophones
26
Ensemble de Flûtes
26
Quatuor de Clarinettes: 4 clarinettes
24
Ensemble de saxophones
21
Saxophone Soprano et Piano
19
Flûte, Clarinette (duo)
18
Ensemble de Clarinettes
17
Saxophone Tenor et Piano
14
Flûte, Violoncelle
12
Quatuor de Flûtes : 4 flûtes
10
Flûte à bec Soprano
10
Flûte, Violon
10
Saxophone, Clarinette (duo)
9
2 Hautbois (duo)
9
Flûte à bec Alto
8
Flûte, Alto (duo)
8
Clarinette, Violon (duo)
7
Clarinette (partie séparée)
6
Clarinette et Alto
6
Saxophone Baryton, Piano
6
Clarinette, Guitare (duo)
6
Quintette de Flûte : 5 flûtes
6
Hautbois, Flûte
5
3 Clarinettes (trio)
5
Clarinette, Basson (duo)
5
Clarinette, Violoncelle (duo)
4
Quintette de Clarinettes: 5 clarinettes
4
Clarinette, Trompette (duo)
4
Trio de Flûtes: 3 flûtes
4
Cor anglais, Piano
4
Hautbois, Guitare (duo)
4
3 Saxophones (trio)
3
Flûte à Bec
3
Hautbois, Clarinette (duo)
3
Harmonica
3
Flûte et Trio à cordes
3
Flute (partie séparée)
3
Flûte, Violon et Violoncelle
2
Hautbois, violon (duo)
2
Flûte à bec Alto, Piano
2
Saxophone et Guitare
2
Flûte, Hautbois (duo)
2
2 Flûte à bec (duo)
2
Hautbois, Violoncelle
2
Saxophone Tenor
2
Hautbois, Basson (duo)
2
Hautbois, Clarinette, Basson (trio d'anches)
2
Flûte, Trompette (duo)
2
Flûte, Basson et Piano
2
Quatuor de Flûtes à bec
2
Flûte, Saxophone (duo)
2
Clarinette Basse, Piano
2
Flûte, Tuba (duo)
1
Piccolo, Piano
1
Flûte à bec Soprano, Piano
1
3 Flûtes à bec (trio)
1
2 Clarinettes, Piano
1
Hautbois
1
Clarinette, Violoncelle, Piano (trio)
1
Cornemuse
1
Cor Anglais
1
Cor anglais, Guitare (duo)
1
Flûte, Hautbois, Clarinette (trio)
1
Hautbois, Violin, Alto et Violoncelle (Quatuor)
1
Flûte, Clarinette et Basson
1
Flûte, Violon, Piano
1
Flûte traversière, Basse continue
1
Hautbois et alto (duo)
1
Flûte, Violoncelle, Piano (trio)
1
2 Flûtes traversières, Piano
1
Clarinette, Orgue
1
Flûte, Clarinette, Piano (trio)
1
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CUIVRES
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
63
Quatuor de Cuivres : 2 trompettes, trombone, tuba
36
Trombone et Piano
34
Trompette, Piano
33
Cor et Piano
30
Trompette
28
Tuba et Piano
24
Trombone
23
Trombone (partie séparée)
17
Cor
16
Tuba
15
Trompette (partie séparée)
14
2 Trompettes (duo)
11
2 Trombones (duo)
11
Quatuor de Cuivres: 2 trompettes, Cor, trombone
11
Ensemble de Trompettes
10
Ensemble de Trombones
10
Quatuor de cuivres: 4 trombones
8
2 Cors (duo)
8
Cor (partie séparée)
7
2 Tubas (duo)
6
Trompette, Trombone (duo)
6
Trompette, Cor (duo)
4
Trompette, Saxophone (duo)
4
Quatuor de cuivres: 4 cors
4
Euphonium, Piano (duo)
4
Cor anglais, Piano
4
Trio de Cuivres
3
Quatuor de Cuivres
3
Tuba (partie séparée)
3
4 Tubas
2
Trombone basse
2
Ensemble de Cors
1
Cor Anglais
1
Cor anglais, Guitare (duo)
1
Trompette, Basson (duo)
1
Trompette, Tuba (duo)
1
2 Euphoniums et 2 Tubas
1
Cor et Orgue
1
Quatuor de cuivres: 4 trompettes
1
Instrumentations suivantes
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CORDES
Quatuor à cordes: 2 violons, alto, violoncelle
241
Violon
109
Violon et Piano
108
Violoncelle, Piano
69
Alto, Piano
62
2 Violons (duo)
49
Violoncelle (partie séparée)
48
Violon, Violoncelle (duo)
42
Harpe
41
2 Violoncelles (duo)
29
Trio à Cordes: violon, alto, violoncelle
26
Alto seul
23
2 Altos (duo)
22
Violon, Alto (duo)
19
Contre Basse
15
Violoncelle
14
Contrebasse, Piano (duo)
14
Trio à Cordes: 2 violons, violoncelle
13
Alto (partie séparée)
13
2 Harpes (duo)
11
Quintette à cordes: 2 violons, alto, violoncelle, basse
9
Trio à Cordes: 3 violoncelles
8
Alto, Violoncelle (duo)
7
4 Violoncelles
6
Piano Trio: Violon, Alto, Piano
5
Violon (partie séparée)
5
Harpe, Flûte (duo)
4
Contrebasse (partie séparée)
4
Violoncelle, Contrebasse (duo)
4
Ensemble d'Altos
4
Harpe, Voix
3
Quatuor à cordes : 4 altos
3
Trio à cordes: 3 violins
3
Ensemble de Violons
3
Trio à cordes: 3 altos
3
Violon, Guitare (duo)
3
Quintette à cordes: 2 violons, 2 altos, violoncelle
3
Trio à Cordes: 2 violons, alto
3
Violoncelle , Guitare (duo)
2
Harpe, Violon (duo)
2
4 Contrebasses
2
Violon, Tuba (duo)
2
Violon, Basson (duo)
1
Quatuor à cordes: 4 violons
1
Violon, Clarinette, Piano (trio)
1
Harpe et Piano
1
Ensemble de Violoncelles
1
2 Violons, Piano
1
Instrumentations suivantes
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PERCUSSIONS & ORCHESTRES
Orchestre d'harmonie
215
Ensemble Jazz
124
Cloches
118
Orchestre
117
Orchestre à Cordes
105
Ensemble de cuivres
51
Fanfare
31
Orchestre de chambre
30
Jazz combo
29
Ensemble de Percussions
22
Batterie
19
Batterie (partie séparée)
8
Marimba
5
Percussion (partie séparée)
4
3 Marimbas
3
Vibraphone
2
Xylophone, Piano
1
Instrumentations suivantes
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AUTRES
Formation musicale - Solfège
1
Vous avez sélectionné:
Hop to It
Saxophone Alto et Piano
Partitions à imprimer
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Prelude in E minor by Chopin - Alto Sax and Piano (Full Score and Parts)
Saxophone Alto et Piano
Alto Saxophone,Piano - Level 3 - Digital Download SKU: A0.1179910 Composed by Frede…
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Alto Saxophone,Piano - Level 3 - Digital Download SKU: A0.1179910 Composed by Frederic Chopin. Arranged by César Madeira. 19th Century,Children,Multicultural,Romantic Period,Wedding,World. Score and part. 5 pages. Sheet Music To Play Editions #779858. Published by Sheet Music To Play Editions (A0.1179910). Prelude Op.28 No.4 in E minor. Arrangement for Alto Sax and Piano. With Full Score and Individual Parts. Enjoy it!Frédéric François Chopin (1810 - 1849), was a Polish composer and virtuoso pianist of the Romantic era who wrote primarily for solo piano. He has maintained worldwide renown as a leading musician of his era, one whose poetic genius was based on a professional technique that was without equal in his generation.For Tutorials, Play Alongs or request New Arrangements, visit the YouTube Channel: Sheet Music To Play
$7.99
7.34 €
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Saxophone Alto et Piano
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Frederic Chopin
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César Madeira
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Prelude in E minor by Chopin - Alto Sax and Piano
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Sheet Music To Play Editions
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SheetMusicPlus
Chopin: Largo from Op. 65 for Alto Sax & Piano
Saxophone Alto et Piano
Alto Saxophone,Piano - Level 3 - Digital Download SKU: A0.551997 Composed by Freder…
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Alto Saxophone,Piano - Level 3 - Digital Download SKU: A0.551997 Composed by Frederic Chopin. Arranged by James M. Guthrie. Holiday,Romantic Period,Standards,Wedding. Score and part. 6 pages. Jmsgu3 #6050947. Published by jmsgu3 (A0.551997). Sonata in G Minor for Piano & Cello, Op. 65, Movement III - Largo.Chopin performed this Sonata on his final recital in 1848.The Largo from Chopin's Cello Sonata in G minor, Op. 65 is a significant work as it is one of only nine compositions by Chopin published during his lifetime for instruments other than the piano. The Sonata is remarkable for the concentration of its material, with much of the music in the first movement growing out of the opening statement and specific thematic shapes appearing in all its movements. The Largo, in particular, is known for its expressive and lyrical nature, showcasing Chopin's ability to write beautifully for a non-piano instrument. The Sonata was first publicly performed by Chopin and the work's dedicatee, Auguste Franchomme, at the composer's last public concert in 1848. The historical context behind Chopin's Largo from Sonata Op. 65 is rooted in the composer's radical stylistic changes during 1845-1846, which included an increasing prevalence of contrapuntal textures and metric flexibility. The Sonata, including the Largo, is filled with doubts and hesitation, reflecting the composer's difficult decisions and arduous labors. The piece is also notable for its thematic references from Schubert's Winterreise, mirroring the circumstances of Chopin's life when he wrote the Sonata, particularly his separation from George Sand.
$32.95
30.26 €
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Saxophone Alto et Piano
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Frederic Chopin
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James M
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Cello, Op
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Chopin: Largo from Op. 65 for Alto Sax & Piano
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jmsgu3
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SheetMusicPlus
Alto Sax - "And Can It Be?" Theme and Variations
Saxophone Alto et Piano
Alto Saxophone,Piano - Level 3 - Digital Download SKU: A0.844328 Composed by Lyrics…
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Alto Saxophone,Piano - Level 3 - Digital Download SKU: A0.844328 Composed by Lyrics: Charles Wesley, Music: Thomas Campbell, published 1738, and published 1825. Arranged by Dan Cutchen. Easter,Gospel,Sacred,Spiritual. Score and part. 15 pages. Dan Cutchen Music #3115903. Published by Dan Cutchen Music (A0.844328). This arrangement of And Can It Be That I Should Gain? is for alto saxophone solo and piano.A theme and variation treatment is used. For a piano background Mp3 track, search for: Alto Sax - And Can It Be? Theme and Variations-Accompaniment Track, Dan CutchenTime: approximately 6:00And Can It Be That I Should Gain? is a Christian hymn written by Charles Wesley. And Can It Be was written in 1738 to celebrate Wesley's conversion, which he regarded as having taken place on May 21 of that year. This beautiful hymn has been popular and enduring.And Can It Be That I Should Gain is perhaps one of the most joyfully poignant hymns penned by Charles Wesley (1707-1788). On Whitsunday (Pentecost), May 21, 1738, three days before his brother John experienced his heart strangely warmed,’ Charles was convalescing in the home of John Bray, a poor mechanic, when he heard a voice saying, In the name of Jesus of Nazareth, arise, and believe, and thou shalt be healed of all thy infirmities. The voice was most likely Mr. Bray’s sister who felt commanded to say these words in a dream.Anglican hymn writer Timothy Dudley-Smith, notes that the following then happened:Charles got out of bed and opening his Bible read from the Psalms: He have put a new song in my mouth, even praise unto our God, followed by the first verse of Isaiah 40, Comfort ye, comfort ye my people, saith your God. He wrote in his journal, I have found myself at peace with God, and rejoiced in the hope of love Christ (Dudley-Smith, 1987, 1).The statement from Mr. Bray’s sister sparked within Charles a conviction like he had never felt before. Moved and convicted in spirit, Charles wrestled with these words until he came to rest in his faith, knowing that it is by faith we are saved (Ephesians 2:8).Soon after this conversion experience, he wrote two hymns in celebration of the amazing love he had come to know: And Can It Be that I Should Gain and Where Shall My Wondering Soul Begin? (United Methodist Hymnal, 342)There has been some debate as to which hymn was written first, but most current scholarship accepts the latter as the first hymn written by Charles after his conversion experience. No matter its place in the chronology of Wesley's output, And Can It Be has been and remains one of his most remarkable hymns, expressing like no other the rapturous joy of receiving salvation.And Can It Be That I Should Gain. Hymnary.org, https://hymnary.org/text/and_can_it_be_that_i_should_gainDudley-Smith, Timothy. A Flame of Love: A Personal Choice of Charles Wesley’s Verse. London: Triangle SPCK, 1987.Timothy Dudley-Smith. And can it be that I should gain. The Canterbury Dictionary of Hymnology. Canterbury Press, accessed May 29, 2018, http://www.hymnology.co.uk/a/and-can-it-be-that-i-should-gain.Young, Carlton R. And Can It Be That I Should Gain. Companion to the United Methodist Hymnal. Abingdon Press, 1993.(Taken from: History of Hymns: And Can It Be That I Should Gain by DeAndre Johnson found at https://www.umcdiscipleship.org/resources)https://youtu.be/BSX9yYcNY2E
$7.00
6.43 €
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Saxophone Alto et Piano
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Lyrics: Charles Wesley, Music: Thomas Campbell, published 1738, and published 1825
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Dan Cutchen
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Alto Sax - "And Can It Be?" Theme and Variations
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Dan Cutchen Music
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SheetMusicPlus
Quando Me'n Vo for Eb Alto Saxophone & Piano
Saxophone Alto et Piano
Alto Saxophone,Piano - Level 3 - Digital Download SKU: A0.1046936 By Keith Terrett.…
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Alto Saxophone,Piano - Level 3 - Digital Download SKU: A0.1046936 By Keith Terrett. By Giacomo Puccini. Arranged by Keith Terrett. Classical,Opera,Romantic Period. Score and part. 5 pages. Keith Terrett #651276. Published by Keith Terrett (A0.1046936). An arrangement of one of Puccini’s greatest arias for Eb Alto Saxophone & Piano. Great piece to improve your bell canto style of playing. Take a listen to Conrad Gozzo’s playing on the Tutti Trumpet CD for a fine example! Quando me'n vo', also known as Musetta's Waltz, is a soprano aria, a waltz in act two of Puccini's 1896 opera La bohème. It is sung by Musetta, in the presence of her bohemian friends, hoping to reclaim the attention of her occasional boyfriend Marcello. This scene takes place at the Café Momus [fr]. Shortly after Mimì, Rodolfo, and their friends have taken seats for a drink, Marcello's former girlfriend, Musetta, shows up with her current patron, the elderly Alcindoro. They quarrel for a bit, then the episode begins as Musetta initiates her move on Marcello. She grabs the spotlight, musically speaking, for a short self-promoting aria (Quando me'n vo'). It is a song directed at the people in the café as much as at the audience in the theater. Popular renditions of the melody were produced during the 1950s, including an American Top 40 hit by Sammy Kaye (You) and a version by Della Reese (Don't You Know?), which reached number two on the U.S. Billboard Hot 100. You will find more Italian arias and Neapolitan songs in my Sibelius & ArrangeMe stores.
$4.99
4.58 €
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Saxophone Alto et Piano
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Keith Terrett
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Keith Terrett
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Quando Me'n Vo for Eb Alto Saxophone & Piano
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Keith Terrett
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SheetMusicPlus
What Was I Made For?
Saxophone Alto et Piano
Alto Saxophone,Piano - Level 2 - Digital Download SKU: A0.1273336 By Billie Eilish.…
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Alto Saxophone,Piano - Level 2 - Digital Download SKU: A0.1273336 By Billie Eilish. By Billie Eilish O'Connell and Finneas O'Connell. Arranged by Milanov. Film/TV,Singer/Songwriter. Score and part. 6 pages. Milanov #865489. Published by Milanov (A0.1273336). What Was I Made For? From Barbie by Billie Eilish for alto sax and piano accompaniment. Easy intermediate. Chords.What Was I Made For from Barbie by Billie Eilish is a melancholic ballad about feeling lost and uncertain about one's identity. The lyrics explore themes of existentialism, anxiety, and depression. The song's production is sparse and atmospheric, with Eilish's vocals taking center stage. The overall effect is a haunting and introspective track that will resonate with anyone who has ever felt lost or alone. The song ends with a sense of resignation, as Eilish sings, I guess I'll just keep on floating. However, the song's message is ultimately one of hope, as it suggests that even in the midst of uncertainty, there is still beauty to be found.
$5.99
5.5 €
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Saxophone Alto et Piano
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Billie Eilish
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Milanov
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What Was I Made For?
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Milanov
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SheetMusicPlus
What Was I Made For?
Saxophone Alto et Piano
Alto Saxophone,Piano - Level 2 - Digital Download SKU: A0.1273337 By Billie Eilish.…
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Alto Saxophone,Piano - Level 2 - Digital Download SKU: A0.1273337 By Billie Eilish. By Billie Eilish O'Connell and Finneas O'Connell. Arranged by Milanov. Film/TV,Singer/Songwriter. Score and part. 6 pages. Milanov #865490. Published by Milanov (A0.1273337). What Was I Made For? From Barbie by Billie Eilish for alto sax and piano accompaniment. Easy intermediate. What Was I Made For from Barbie by Billie Eilish is a melancholic ballad about feeling lost and uncertain about one's identity. The lyrics explore themes of existentialism, anxiety, and depression. The song's production is sparse and atmospheric, with Eilish's vocals taking center stage. The overall effect is a haunting and introspective track that will resonate with anyone who has ever felt lost or alone. The song ends with a sense of resignation, as Eilish sings, I guess I'll just keep on floating. However, the song's message is ultimately one of hope, as it suggests that even in the midst of uncertainty, there is still beauty to be found.
$5.99
5.5 €
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Saxophone Alto et Piano
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Billie Eilish
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Milanov
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What Was I Made For?
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Milanov
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SheetMusicPlus
River
Saxophone Alto et Piano
Alto Saxophone,Piano - Level 4 - Digital Download SKU: A0.1329388 By Bishop Briggs.…
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Alto Saxophone,Piano - Level 4 - Digital Download SKU: A0.1329388 By Bishop Briggs. By Ian Brendon Scott, Mark A. Jackson, and Sarah McLaughlin. Arranged by Anna Coughlan. 21st Century,Pop,Rock,Singer/Songwriter. Score and part. 21 pages. Anna Coughlan Music #917371. Published by Anna Coughlan Music (A0.1329388). River was released by Sarah Grace Mclaughlin (stage name Bishop Briggs) in 2016, becoming the second single from her debut album Church of Scars. Discussing the meaning of the song's lyrics, Bishop Briggs said my hope with that song is it makes people feel empowered to take things into their own hands.This is a late intermediate level arrangement for Eb saxophone with piano accompaniment.
$4.99
4.58 €
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Saxophone Alto et Piano
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Bishop Briggs
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Anna Coughlan
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River
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Anna Coughlan Music
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SheetMusicPlus
JESU, JOY OF MAN'S DESIRING by Bach - easy version for Alto Saxophone and piano with chords
Saxophone Alto et Piano
Small Ensemble Alto Saxophone,Piano,Voice - Level 1 - Digital Download SKU: A0.964479
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Small Ensemble Alto Saxophone,Piano,Voice - Level 1 - Digital Download SKU: A0.964479 Composed by Johann Sebastian Bach. Arranged by Leyandder Trustworthy. Baroque,Christian,Easter,Sacred,World. Score and parts. 3 pages. Leyandder Trustworthy #6330493. Published by Leyandder Trustworthy (A0.964479). Jesu, Joy of Man's Desiring is a popular piece of choral music. It was composed by Johann Sebastian Bach. It is the 10th movement of the cantata Herz und Mund und Tat und Leben. It was written during Bach's first year in Leipzig, Germany. Bach did not compose the melody. That was written by Johann Schop. Bach only harmonized and orchestrated Schop's melody. A transcription of Jesu was done by English pianist Myra Hess (1890-1965), and was published in 1926 for solo piano.In 1934, Hess' version was adapted for piano duet. British organist Peter Hurford made a transcription of Jesu for organ. Today, Bach's piece is often performed at weddings and funerals. Bach wrote the piece for voices with trumpet, oboes, strings and continuo. Jesu, Joy of Man's Desiring is one of Bach's most enduring pieces of music.The present version is a facilitated reduction of the theme where it is soloed by Alto Saxophone, along with piano accompaniment with chords that can be performed by the teacher and the ends. Ideal for young music students in the area, if you don't have a teacher to play along, search for item number: S0.1006121, here is an audio playback so you can play and study with ease and fluidity.
$4.99
4.58 €
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Saxophone Alto et Piano
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Johann Sebastian Bach
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Leyandder Trustworthy
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JESU, JOY OF MAN'S DESIRING by Bach - easy version for Alto Saxophone and piano with chords
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Leyandder Trustworthy
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SheetMusicPlus
Marry You
Saxophone Alto et Piano
Alto Saxophone,Piano - Level 2 - Digital Download SKU: A0.752312 By Bruno Mars. By …
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Alto Saxophone,Piano - Level 2 - Digital Download SKU: A0.752312 By Bruno Mars. By Ari Levine, Bruno Mars, and Philip Lawrence. Arranged by Rob Bushnell. Hip-Hop,Pop,R & B. Score and part. 10 pages. RBMusic #3502123. Published by RBMusic (A0.752312). Released in 2011, Marry You is a song by The Smeezingtons and sung by Bruno Mars. Its lyrics talk of spontaneous marriage and, as a result, has been used as a song to propose to. The song has mostly notably been covered by the cast of Glee in the eighth episode of the second season (in fact, this cover reached 32 on the Billboard Hot 100; the originally charted at 85).This arrangement is ideal for teachers or anyone who wants to play the same piece but have lots of different instruments to include because it is designed such that the piano part works with any of the different instruments that solo parts are available for. These include:Flute or Oboe: http://www.sheetmusicplus.com/title/20725677Cor Anglais*: http://www.sheetmusicplus.com/title/20725865Clarinet*: http://www.sheetmusicplus.com/title/20725802Soprano/Tenor Saxophone*: http://www.sheetmusicplus.com/title/20725828Alto/Baritone Saxophone*: http://www.sheetmusicplus.com/title/20725832Bassoon: http://www.sheetmusicplus.com/title/20725699Trumpet*: http://www.sheetmusicplus.com/title/20725820French Horn*: http://www.sheetmusicplus.com/title/20725865Tenor Horn*: http://www.sheetmusicplus.com/title/20725879Trombone (in Bass Clef)**: http://www.sheetmusicplus.com/title/20725793Trombone (in Treble Clef)**: http://www.sheetmusicplus.com/title/20725821Tuba (in Bass Clef): http://www.sheetmusicplus.com/title/20725794Tuba (in Treble Clef)†: http://www.sheetmusicplus.com/title/20725873Mallet Percussion (such as xylophone, vibraphone, marimba, etc.): http://www.sheetmusicplus.com/title/20725695Violin: http://www.sheetmusicplus.com/title/20725692Viola: http://www.sheetmusicplus.com/title/20725799Violoncello or Double Bass: http://www.sheetmusicplus.com/title/20725791 * Some of these solo parts are identical.** Also suitable for euphoniums.†Tuba in E-flat.
$6.50
5.97 €
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Saxophone Alto et Piano
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Bruno Mars
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Rob Bushnell
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the originally charted at 85)
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Marry You
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RBMusic
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SheetMusicPlus
Scriabin: Prelude Op. 11 No. 2 for Alto Sax & Piano
Saxophone Alto et Piano
Alto Saxophone,Piano - Level 3 - Digital Download SKU: A0.549467 Composed by Alexan…
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Alto Saxophone,Piano - Level 3 - Digital Download SKU: A0.549467 Composed by Alexander Scriabin. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Sacred,Standards. Score and part. 12 pages. Jmsgu3 #3499755. Published by jmsgu3 (A0.549467). Score: 8 pages, solo part: 2 pages, piano part: 2 pages. Duration: 3:10. An introspective and meditative work with a lot of dynamic and phrasing nuance. Works well for church meditations or recital encores.Background Op.11/2 Alto Clarinet version. First of all, Scriabin composed mostly for the solo piano and also the orchestra. This is probably because he was a gifted pianist and therefore certainly appreciated the piano. Scriabin grew up in the late Romantic period, consequently, he was fond of the great piano masters of the time. As a result, he wrote his first noteworthy compositions in the manner of Chopin and Liszt. Forms Likewise, Scriabin used many of the same forms as Chopin. These certainly include the étude, prelude, nocturne, and even the mazurka. In contrast, as he developed his own sense of style his music became more and more unusual. So, the last five of his Piano Sonatas do not have a key signature and therefore lean towards atonality. Philosophy Scriabin also developed a keen interest in philosophy and likewise poetry. He was above all particularly fascinated by Nietzsche, Delville, and Blavatsky. Consequently, he finally established his own ideas about metaphysics and certainly mysticism. Scriabin consequently advanced theories about the relationship between color and musical keys. Synesthesia He also may have experienced a condition called synesthesia where he could probably sense a response created from a different stimulus. Therefore, it was almost as if he could see music and hear colors. Scriabin, therefore, arranged the colors in a circle similar to the circle-of-fifths and assigned each key area a color. Finally, he assigned the key of C to the color red, while the key of G was orange. Similarly, he assigned D to yellow, A to green, and so forth. Strangely, he did not differentiate between major and minor key colors. Multimedia Hence, his ability to translate colors into music certainly gave Scriabin a most noteworthy interest in creating multimedia events. Furthermore, He designed his biggest work, the Mysterium, to last an entire week. Even more, Scriabin made plans not only for music, but also colored lights, incense, and dancing. He designed the performance to occur in the foothills of the Himalaya mountains. The Mysterium was never performed, and only sketches of the work remain. Modern Performances In modern times, we often experience performances of Scriabin’s most famous completed works accompanied by colored laser lights and incense. These are the Poem of Ecstasy (completed in 1908) and the Poem of Fire (completed in 1910). The lighting effects for these early performances were accomplished by the clavier à lumiéres. It was a keyboard instrument that projected colored light onto a screen.
$19.95
18.32 €
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Saxophone Alto et Piano
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Alexander Scriabin
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James M
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Scriabin: Prelude Op. 11 No. 2 for Alto Sax & Piano
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jmsgu3
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SheetMusicPlus
Pomp and Circumstance March No. 1 for Alto Saxophone and Piano
Saxophone Alto et Piano
Alto Saxophone,Piano - Level 3 - Digital Download SKU: A0.1041586 Composed by Edwar…
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Alto Saxophone,Piano - Level 3 - Digital Download SKU: A0.1041586 Composed by Edward Elgar. Arranged by Diego Marani. Classical,Instructional,Patriotic,Romantic Period,Standards. Score and part. 15 pages. Diego Marani #646345. Published by Diego Marani (A0.1041586). The best known March of the set, it had its premiere in Liverpool on 19 October 1901, with Elgar conducting the Liverpool Orchestral Society. The Trio contains the tune known as Land of Hope and Glory. In 1902 the tune was re-used, in modified form, for the Land of hope and glory section of his Coronation Ode for King Edward VII. The words were further modified to fit the original tune, and the result has since become a fixture at the Last Night of the Proms, and an English sporting anthem. In the United States, the Trio section Land of Hope and Glory of March No. 1 is often known simply as Pomp and Circumstance or as The Graduation March and is played as the processional tune at virtually all high school and some college graduation ceremonies. It was first played at such a ceremony on 28 June 1905, at Yale University, where the Professor of Music Samuel Sanford had invited his friend Elgar to attend commencement and receive an honorary doctorate of music. Elgar accepted, and Sanford made certain he was the star of the proceedings, engaging the New Haven Symphony Orchestra, the College Choir, the Glee Club, the music faculty members, and New York musicians to perform two parts from Elgar's oratorio The Light of Life and, as the graduates and officials marched out, Pomp and Circumstance March No. 1. Elgar repaid the compliment by dedicating his Introduction and Allegro to Sanford later that year. The tune soon became de rigueur at American graduations, used primarily as a processional at the opening of the ceremony. This arrangement for alto sax with piano is suitable for classroom, repertoire and recital.
$9.99
9.17 €
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Saxophone Alto et Piano
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Edward Elgar
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Diego Marani
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Pomp and Circumstance March No. 1 for Alto Saxophone and Piano
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Diego Marani
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SheetMusicPlus
"Valse op.64-1" (Gdur) alto sax & piano
Saxophone Alto et Piano
Alto Saxophone,Piano - Level 3 - Digital Download SKU: A0.1405012 By F.Chopin . …
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Alto Saxophone,Piano - Level 3 - Digital Download SKU: A0.1405012 By F.Chopin . By F.Chopin . Arranged by pfkaori. Classical. Score and part. 7 pages. Pfkaorimusic #988048. Published by pfkaorimusic (A0.1405012). Composer: F.Chopin Song: Valse (Waltz)/op.64-1 Key: Gdur (sax inEâ™) Orchestration: alto sax & piano Level: Intermediate (There are individual differences in level) *with part score *This is an arrangement of the 2nd edition.*The first edition of alto sax is not available for sale.I arranged Chopin's famous piece into a piano trio. Please take this opportunity to try it.
$6.50
5.97 €
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Saxophone Alto et Piano
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F
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pfkaori
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"Valse op.64-1"
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pfkaorimusic
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SheetMusicPlus
Etude Op. 10, No. 3 for Alto Saxophone and Piano
Saxophone Alto et Piano
Instrumental Duet,Piano Alto Saxophone,Piano - Level 3 - Digital Download SKU: A0.54034…
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Instrumental Duet,Piano Alto Saxophone,Piano - Level 3 - Digital Download SKU: A0.540342 Composed by Frederic Chopin. Arranged by Diego Marani. Classical,Romantic Period,Wedding. Score and part. 5 pages. Diego Marani #150489. Published by Diego Marani (A0.540342). Étude Op. 10, No. 3 is a study for solo piano composed by Frédéric Chopin in 1832. This is a slow cantabile study for polyphonic and expressive legato playing. In fact, Chopin himself believed the melody of the piece to be the most beautiful one he ever composed. It became famous through numerous popular arrangements. Although this étude is sometimes identified by the names Tristesse (Sadness) or Farewell (L'Adieu), neither is a name given by Chopin, but rather his critics. This arrangement for alto saxophone with piano accompaniment reflects faithfully the original and is suitable for classroom, repertoire and recital.
$8.99
8.26 €
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Saxophone Alto et Piano
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Frederic Chopin
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Diego Marani
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Etude Op. 10, No. 3 for Alto Saxophone and Piano
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Diego Marani
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SheetMusicPlus
Nocturne No.20 in C-Sharp minor - Alto Sax and Piano (Full Score and Parts)
Saxophone Alto et Piano
Alto Saxophone,Piano - Level 4 - Digital Download SKU: A0.1319738 Composed by Frede…
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Alto Saxophone,Piano - Level 4 - Digital Download SKU: A0.1319738 Composed by Frederic Chopin. Arranged by César Madeira. Classical,Film/TV,Lent,Romantic Period,Wedding. Score and part. 13 pages. Sheet Music To Play Editions #908293. Published by Sheet Music To Play Editions (A0.1319738). Nocturne No.20 in C-Sharp minor, Op. posth. B.49. Arrangement for Alto Sax and Piano. With Full Score and Individual Parts. Enjoy it!Frédéric François Chopin (1810 - 1849), was a Polish composer and virtuoso pianist of the Romantic era who wrote primarily for solo piano. He has maintained worldwide renown as a leading musician of his era, one whose poetic genius was based on a professional technique that was without equal in his generation.For Tutorials, Play Alongs or request New Arrangements, visit the YouTube Channel: Sheet Music To Play
$8.99
8.26 €
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Saxophone Alto et Piano
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Frederic Chopin
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César Madeira
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Nocturne No.20 in C-Sharp minor - Alto Sax and Piano
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Sheet Music To Play Editions
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SheetMusicPlus
3rd Movement, Rondo, from Mozart's Horn Concerto no.4 0 - Alto Sax and Piano
Saxophone Alto et Piano
Alto Saxophone,Piano - Level 4 - Digital Download SKU: A0.729590 Composed by Wolfga…
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Alto Saxophone,Piano - Level 4 - Digital Download SKU: A0.729590 Composed by Wolfgang Amadeus Mozart. Arranged by Anne L Christopherson GRSM ARCM. Classical,Contest,Festival,Holiday,Instructional,Wedding. Score and part. 15 pages. Music-Scores.com #337527. Published by Music-Scores.com (A0.729590). This Rondo from Mozart's 4th Concerto (originally for Horn) is very well known and adored, for its simple and humorous theme which was immortalised by the comedians Flanders and Swann in their song: I once had a whim and I had to obey it, to buy a french horn in a second-hand shop. For Alto Sax and Piano. Duration 4 minutes. Transcribed by Anne L Christopherson GRSM ARCM at www.music-scores.com.
$3.95
3.63 €
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Saxophone Alto et Piano
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Wolfgang Amadeus Mozart
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3rd Movement, Rondo, from Mozart's Horn Concerto no.4 0 - Alto Sax and Piano
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Music-Scores.com
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SheetMusicPlus
Prelude in B minor-Alto Saxophone Solo With Piano Accompaniment (Audio Only)
Saxophone Alto et Piano
Alto Saxophone,Piano - Digital Download SKU: A0.1068447 Composed by Frederic Chopin…
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Alto Saxophone,Piano - Digital Download SKU: A0.1068447 Composed by Frederic Chopin. Arranged by John May. Contemporary,Multicultural,Romantic Period,Standards,World. Accompaniment. Duration 104. Lost Key Music #6086669. Published by Lost Key Music (A0.1068447). On the Texas Prescribed Music ListPrelude in B minor is from Frederic Chopin's 24 Preludes, which covers all major and minor keys. It is believed that this prelude, along with others, were played at his funeral. Nicknames given to this prelude after Chopin's death include Homesickness and Tolling Bells..
$1.99
1.83 €
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Saxophone Alto et Piano
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Frederic Chopin
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John May
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Prelude in B minor-Alto Saxophone Solo With Piano Accompaniment
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Lost Key Music
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SheetMusicPlus
Fauré: Élégie Op. 24 for Alto Sax & Piano
Saxophone Alto et Piano
Alto Saxophone,Piano - Level 4 - Digital Download SKU: A0.549727 Composed by Gabrie…
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Alto Saxophone,Piano - Level 4 - Digital Download SKU: A0.549727 Composed by Gabriel Faure. Arranged by James M. Guthrie, ASCAP. Contemporary,Multicultural,Romantic Period,Standards,World. Score and part. 22 pages. Jmsgu3 #3531403. Published by jmsgu3 (A0.549727). Duration: ca. 7:00, Score: 12 pages, solo part: 2 pages, piano: 7 pages. An epic choice for a recital or funeral. Fauré Background: In the first place, Gabriel Fauré 1845 –1924) was a famous French composer, musician, and educator. Furthermore, his musical ideas influenced numerous 20th-century composers. Therefore, historians regard him as one of the leading French composers of his time. Famous Works: Among his most famous compositions, by and large, are the Pavane, Elegie (op. 24), Requiem, Sicilienne, Nocturnes for piano and the songs Après un rêve and Clair de lune. Inasmuch as his early works are well-known and relatively easy to perform, Faure’s music seems to have become gradually more difficult during his later life. In other words, his later works are somewhat esoteric and complex. Early Home Life: Fauré was in fact born into a well-cultivated family. His aptitude for music became particularly clear early on - when he was still a boy. Under these circumstances, his parents sent him to a music institution in Paris. Consequently, the training he received there prepared him for a career as a church organist and choirmaster. Middle Life: It is important to realize that Fauré studied music composition with the French musical mastermind Camille Saint-Saëns, who became his lifelong friend. Fauré eventually graduated from college and earned a living as an organist and educator. During this period, he had, on the whole, little time to compose. He consequently became more successful in his middle age, becoming organist of the Église de la Madeleine and director of the Paris Conservatoire. However, he still needed time on balance for composing. Therefore, given these points, he withdrew to the countryside during the summer to focus on composing. Later Life: Fauré was, in the final analysis, recognized in France as the foremost French composer of his time. The French government held a national musical tribute particularly for him in Paris. The French President notably headed the ceremony. Elsewhere, on the contrary, Fauré's music was slow to become accepted, except of course, in England. Legacy: Historians often describe Fauré's music in general as a transition between the end of Romanticism and the beginning of modernism. As an illustration, when Fauré was born, Chopin was still composing. However, by the time of Fauré's death, jazz and atonal music, in particular, had come to fruition. Fauré, by all means, suffered from increasing deafness in his later years. Some musicologists believe this to be indeed the cause of the esoteric nature of Faure’s final works.
$32.95
30.26 €
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Saxophone Alto et Piano
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Gabriel Faure
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James M
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Fauré: Élégie Op. 24 for Alto Sax & Piano
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jmsgu3
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SheetMusicPlus
Sandcastles
Saxophone Alto et Piano
Alto Saxophone,Piano - Level 3 - Digital Download SKU: A0.784591 By Beyonce. By Bey…
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Alto Saxophone,Piano - Level 3 - Digital Download SKU: A0.784591 By Beyonce. By Beyonce Knowles, Malik Jones, Midian Mathers, and Vincent Berry II. Arranged by Dimitris Anousis. Pop,R & B,Soul. Score and part. 8 pages. Dimitris Anousis #5740517. Published by Dimitris Anousis (A0.784591). Sandcastles - Amazing instrunemtal (alto saxophone & piano) arrangement of this wonderful song by Beyoncé, made by the professional accompanist and arranger Dimitris Anousis. This is the real deal! It's in Bb Major - original key. With all the parts of the original song and with the piano part and the melody written correctly. Written in a understandable way to be pianistic but to have an orchestral feeling while playing, not for the piece to sounds poor. Ideal for all kinds of events. Appropriate also for students. I hope you'll enjoy it!
$7.99
7.34 €
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Saxophone Alto et Piano
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Beyonce
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Dimitris Anousis
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Sandcastles
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Dimitris Anousis
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SheetMusicPlus
Ave Maria for alto saxophone and piano
Saxophone Alto et Piano
Alto Saxophone,Piano - Level 2 - Digital Download SKU: A0.810152 Composed by Franz …
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Alto Saxophone,Piano - Level 2 - Digital Download SKU: A0.810152 Composed by Franz Schubert. Arranged by Daniel C. M. Concert,Romantic Period,Standards,Wedding. Score and part. 3 pages. Daniel C. M. #5289505. Published by Daniel C. M. (A0.810152). This is an easy arrangement for the piano accompaniment. The saxophone part is almost the same as the original for voice but with a few changes to make it easier. The famous broken chords in the accompaniment are simplified from double notes to single notes and the result is a quasi Chopin-like nocturne. Perfect for early intermiediate piano students or saxophone teachers who want to play with their students with an easier but still enjoyable piano part. .
$3.99
3.66 €
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Saxophone Alto et Piano
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Franz Schubert
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Daniel C
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Ave Maria for alto saxophone and piano
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Daniel C. M.
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SheetMusicPlus
Ali Ben Sou Alle: Fantaisie sur la Somnambule de Bellini for alto saxophone and piano
Saxophone Alto et Piano
Alto Saxophone,Piano - Level 4 - Digital Download SKU: A0.533353 Composed by Ali Be…
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Alto Saxophone,Piano - Level 4 - Digital Download SKU: A0.533353 Composed by Ali Ben Sou Alle, Vincenzo Bellini. Arranged by Paul Wehage. Concert,Opera,Romantic Period,Standards. Score and part. 28 pages. Musik Fabrik Music Publishing #2363203. Published by Musik Fabrik Music Publishing (A0.533353). One of the most enigmatic figures in the history of the Saxophone, Ali Ben Sou Alle (Charles-Valentin Soualle) was born in1820 in Arras, France. After receiving his first prize in Clarinet at the Paris Conservatory in 1844. he served as the director ofmusic of The French Marine Band in Senegal, and then was named first clarinet solo at the Opéra-Comique in Paris. However, after the Revolution of 1848, Soualle was forced to flee France to England where he settled in London, playing in the Orchestra of the Queen's Theatre. His songs and piano pieces were published in London.While in London, Soualle met another exiled French musician, Louis Antoine Jullien, who conducted a light music series inLondon. Jullien encouraged Soualle to take up the saxophone, and after modifying the instrument by adding a single octavemechanism (the modern system used today) and keys for the lower register, Soualle became known as a virtuoso and begantouring performing solo recitals (or mono-concerts, as they were called at the time) calling his modified saxophone the«turcophone ». He performed in all the European capitals and then traveled to Australia, New Zealand, Manilla, Java, throughChina and then to India where he finally settled in Mysore, becoming the director of the Royal Music for the Maharadjah. It wasduring this period that he converted to Islam and changed his nmae to Ali ben Sou Alle (or Ali, son of Soualle). Hesubsequently travaled to Ile Maurice, to French Polynesia, the Cap of Natal and the Cap of Good Hope. All of these voyageswere subjects of musical works which Soualle entitled Souvenirs de... and may perhaps have been part of a collection knownas The Royal Album which was presented to the Prince of Wales after a royal concert. Soualle returned to Mysore in 1858 and was almost killed in the Indian Revolution.Around 1860, Soualle returned to France for health reasons and began publishing his own music. On March 27 1865, heperformed a command performance for the Emperor Napoleon III at the Tuileries Palace in the presence of the entire ImperialFamily. After 1865, nothing more is known about him.This fantasy begins with motifs from the 1st act chorus « Sempre Felc’Amina » ». The Count’s first act aria « Vi ravisso, o loughi ameni » is followed by an extended cadenza and leads to Amina and Elvino’s first act duo « Prendi l’amel ti dono ». Amina’s second act aria « Ah non guige! » is presented with a brilliant variation to bring the work to a close.
$16.95
15.56 €
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Saxophone Alto et Piano
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Ali Ben Sou Alle, Vincenzo Bellini
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Paul Wehage
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Ali Ben Sou Alle: Fantaisie sur la Somnambule de Bellini for alto saxophone and piano
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Musik Fabrik Music Publishing
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SheetMusicPlus
Ali Ben Sou Alle: Fantaisie sur Don Giovanni de Mozart for alto saxophone and piano
Saxophone Alto et Piano
Alto Saxophone,Piano - Level 3 - Digital Download SKU: A0.533347 Composed by Ali Be…
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Alto Saxophone,Piano - Level 3 - Digital Download SKU: A0.533347 Composed by Ali Ben Sou Alle, Wolfgang Amadeus Mozart. Arranged by Paul Wehage. Concert,Opera,Romantic Period,Standards. Score and part. 22 pages. Musik Fabrik Music Publishing #2348197. Published by Musik Fabrik Music Publishing (A0.533347). One of the most enigmatic figures in the history of the Saxophone, Ali Ben Sou Alle (Charles-Valentin Soualle) was born in 1820 in Arras, France. After receiving his first prize in Clarinet at the Paris Conservatory in 1844. he served as the director ofmusic of The French Marine Band in Senegal, and then was named first clarinet solo at the Opéra-Comique in Paris. However, after the Revolution of 1848, Soualle was forced to flee France to England where he settled in London, playing in the Orchestra of the Queen's Theatre. His songs and piano pieces were published in London. While in London, Soualle met another exiled French musician, Louis Antoine Jullien, who conducted a light music series in London. Jullien encouraged Soualle to take up the saxophone, and after modifying the instrument by adding a single octave mechanism (the modern system used today) and keys for the lower register, Soualle became known as a virtuoso and began touring performing solo recitals (or mono-concerts, as they were called at the time) calling his modified saxophone the «turcophone ». He performed in all the European capitals and then traveled to Australia, New Zealand, Manilla, Java, through China and then to India where he finally settled in Mysore, becoming the director of the Royal Music for the Maharadjah. It was during this period that he converted to Islam and changed his nmae to Ali ben Sou Alle (or Ali, son of Soualle). He subsequently travaled to Ile Maurice, to French Polynesia, the Cap of Natal and the Cap of Good Hope. All of these voyages were subjects of musical works which Soualle entitled Souvenirs de... and may perhaps have been part of a collection known as The Royal Album which was presented to the Prince of Wales after a royal concert. Soualle returned to Mysore in 1858 and was almost killed in the Indian Revolution. Around 1860, Soualle returned to France for health reasons and began publishing his own music. On March 27 1865, he performed a command performance for the Emperor Napoleon III at the Tuileries Palace in the presence of the entire Imperial Family. After 1865, nothing more is known about him. Soualle not only performed on the clarinet, saxophone and piano, but also frequently sang during his concerts. He also wrote songs while he was in London. His opera fantasies are usually written for the Alto saxophone and are generally in the form of an introductory aria with cadenza, a theme with one or more variations and then a final waltz movement in rondo form with a final brillant variation. This specific work opens with motives from the Opera‘s overture, leading to Donna Anna’s 1st act aria Or sai, chi l'onore. The duet Là ci darem la mano is the subject of two variations followed by a brief interlude using Zerlina’s aria Batti, batti, o bel Masetto and then the final section is the duo Andiam’ Andiam ‘ Mio Bene between Don Giovanni and Zerlina which ends the Act I duet. The work ends with a brillant coda
$11.95
10.97 €
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Saxophone Alto et Piano
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Ali Ben Sou Alle, Wolfgang Amadeus Mozart
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Paul Wehage
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Ali Ben Sou Alle: Fantaisie sur Don Giovanni de Mozart for alto saxophone and piano
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Musik Fabrik Music Publishing
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SheetMusicPlus
Ali Ben Sou Alle: Fantaisie sur le Barbier de Séville de Rossin for alto saxophone and piano
Saxophone Alto et Piano
Alto Saxophone,Piano - Level 4 - Digital Download SKU: A0.533354 Composed by Ali Be…
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Alto Saxophone,Piano - Level 4 - Digital Download SKU: A0.533354 Composed by Ali Ben Sou Alle, Gioachino Rossini. Arranged by Paul Wehage. Concert,Opera,Romantic Period,Standards. Score and part. 30 pages. Musik Fabrik Music Publishing #2363209. Published by Musik Fabrik Music Publishing (A0.533354). One of the most enigmatic figures in the history of the Saxophone, Ali Ben Sou Alle (Charles-Valentin Soualle) was born in1820 in Arras, France. After receiving his first prize in Clarinet at the Paris Conservatory in 1844. he served as the director ofmusic of The French Marine Band in Senegal, and then was named first clarinet solo at the Opéra-Comique in Paris. However, after the Revolution of 1848, Soualle was forced to flee France to England where he settled in London, playing in the Orchestra of the Queen's Theatre. His songs and piano pieces were published in London.While in London, Soualle met another exiled French musician, Louis Antoine Jullien, who conducted a light music series inLondon. Jullien encouraged Soualle to take up the saxophone, and after modifying the instrument by adding a single octavemechanism (the modern system used today) and keys for the lower register, Soualle became known as a virtuoso and begantouring performing solo recitals (or mono-concerts, as they were called at the time) calling his modified saxophone the«turcophone ». He performed in all the European capitals and then traveled to Australia, New Zealand, Manilla, Java, throughChina and then to India where he finally settled in Mysore, becoming the director of the Royal Music for the Maharadjah. It wasduring this period that he converted to Islam and changed his nmae to Ali ben Sou Alle (or Ali, son of Soualle). Hesubsequently travaled to Ile Maurice, to French Polynesia, the Cap of Natal and the Cap of Good Hope. All of these voyageswere subjects of musical works which Soualle entitled Souvenirs de... and may perhaps have been part of a collection knownas The Royal Album which was presented to the Prince of Wales after a royal concert. Soualle returned to Mysore in 1858 and was almost killed in the Indian Revolution.Around 1860, Soualle returned to France for health reasons and began publishing his own music. On March 27 1865, heperformed a command performance for the Emperor Napoleon III at the Tuileries Palace in the presence of the entire ImperialFamily. After 1865, nothing more is known about him.Fantaisie sur Le Barbier de Séville begins with the Count's 1st act cavatina Ecco ridente in cielà This is followed by a seriesof variations sur Rosina's Cabaletta Io sono docile. The second act finale Fredda ed immobile is then presented in a number of variations. Finally, the second part of the Count and Figaros first act duo (Ah che d'amore) brings the work to a brilliant finish.
$19.95
18.32 €
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Saxophone Alto et Piano
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Ali Ben Sou Alle, Gioachino Rossini
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Paul Wehage
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Ali Ben Sou Alle: Fantaisie sur le Barbier de Séville de Rossin for alto saxophone and piano
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Musik Fabrik Music Publishing
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SheetMusicPlus
Ali Ben Sou Alle: Souvenir de Natal for alto saxophone and piano
Saxophone Alto et Piano
Alto Saxophone,Piano - Level 3 - Digital Download SKU: A0.533491 Composed by Ali Be…
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Alto Saxophone,Piano - Level 3 - Digital Download SKU: A0.533491 Composed by Ali Ben Sou Alle. Concert,Romantic Period,Standards. Score and part. 6 pages. Musik Fabrik Music Publishing #3000183. Published by Musik Fabrik Music Publishing (A0.533491). A lyric piece, celebrating Ali Ben Sou Alle's visit to Natal, which is now part of South Africa.One of the most enigmatic figures in the history of the Saxophone, Ali Ben Sou Alle (Charles-Valentin Soualle) was born in1820 in Arras, France. After receiving his first prize in Clarinet at the Paris Conservatory in 1844. he served as the director ofmusic of The French Marine Band in Senegal, and then was named first clarinet solo at the Opéra-Comique in Paris. However, after the Revolution of 1848, Soualle was forced to flee France to England where he settled in London, playing in the Orchestra of the Queen's Theatre. His songs and piano pieces were published in London.While in London, Soualle met another exiled French musician, Louis Antoine Jullien, who conducted a light music series inLondon. Jullien encouraged Soualle to take up the saxophone, and after modifying the instrument by adding a single octavemechanism (the modern system used today) and keys for the lower register, Soualle became known as a virtuoso and begantouring performing solo recitals (or mono-concerts, as they were called at the time) calling his modified saxophone the«turcophone ». He performed in all the European capitals and then traveled to Australia, New Zealand, Manilla, Java, throughChina and then to India where he finally settled in Mysore, becoming the director of the Royal Music for the Maharadjah. It wasduring this period that he converted to Islam and changed his nmae to Ali ben Sou Alle (or Ali, son of Soualle). Hesubsequently travaled to Ile Maurice, to French Polynesia, the Cap of Natal and the Cap of Good Hope. All of these voyageswere subjects of musical works which Soualle entitled Souvenirs de... and may perhaps have been part of a collection knownas The Royal Album which was presented to the Prince of Wales after a royal concert. Soualle returned to Mysore in 1858 and was almost killed in the Indian Revolution.Around 1860, Soualle returned to France for health reasons and began publishing his own music. On March 27 1865, heperformed a command performance for the Emperor Napoleon III at the Tuileries Palace in the presence of the entire ImperialFamily. After 1865, nothing more is known about him.
$9.95
9.14 €
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Saxophone Alto et Piano
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Ali Ben Sou Alle
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Ali Ben Sou Alle: Souvenir de Natal for alto saxophone and piano
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Musik Fabrik Music Publishing
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SheetMusicPlus
Ali Ben Sou Alle: Adieu, Valse de Concert for alto saxophone and piano
Saxophone Alto et Piano
Alto Saxophone,Piano - Level 3 - Digital Download SKU: A0.533505 Composed by Ali Be…
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Alto Saxophone,Piano - Level 3 - Digital Download SKU: A0.533505 Composed by Ali Ben Sou Alle. Concert,Romantic Period,Standards. Score and part. 21 pages. Musik Fabrik Music Publishing #3001087. Published by Musik Fabrik Music Publishing (A0.533505). The concert waltz Adieu begins with an introduction in the style of a Bel Canto aria. The Valse which follows is divided into several sections of contrasting styles and tonalites. The coda brings the piece to a calm and quiet close which is broken by a final fortissimo outburst.One of the most enigmatic figures in the history of the Saxophone, Ali Ben Sou Alle (Charles-Valentin Soualle) was born in 1820 in Arras, France. After receiving his first prize in Clarinet at the Paris Conservatory in 1844. he served as the director of music of The French Marine Band in Senegal, and then was named first clarinet solo at the Opéra-Comique in Paris. However, after the Revolution of 1848, Soualle was forced to flee France to England where he settled in London, playing in the Orchestra of the Queen's Theatre. His songs and piano pieces were published in London. While in London, Soualle met another exiled French musician, Louis Antoine Jullien, who conducted a light music series in London. Jullien encouraged Soualle to take up the saxophone, and after modifying the instrument by adding a single octave mechanism (the modern system used today) and keys for the lower register, Soualle became known as a virtuoso and began touring performing solo recitals (or mono-concerts, as they were called at the time) calling his modified saxophone the «turcophone ». He performed in all the European capitals and then traveled to Australia, New Zealand, Manilla, Java, through China and then to India where he finally settled in Mysore, becoming the director of the Royal Music for the Maharadjah. It was during this period that heconverted to Islam and changed his nmae to Ali ben Sou Alle (or Ali, son of Soualle). He subsequently travaled to Ile Maurice, to French Polynesia, the Cap of Natal and the Cap of Good Hope. All of these voyages were subjects of musical works which Soualle entitled Souvenirs de... and may perhaps have been part of a collection known as The Royal Album which was presented to the Prince of Wales after a royal concert. Soualle returned to Mysore in 1858 and was almost killed in the Indian Revolution. Around 1860, Soualle returned to France for health reasons and began publishing his own music. On March 27 1865, he performed a command performance for the Emperor Napoleon III at the Tuileries Palace in the presence of the entire Imperial Family. After 1865, nothing more is known about him.
$12.95
11.89 €
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Saxophone Alto et Piano
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Ali Ben Sou Alle
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Ali Ben Sou Alle: Adieu, Valse de Concert for alto saxophone and piano
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Musik Fabrik Music Publishing
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SheetMusicPlus
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