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PIANO & CLAVIERS
Piano seul
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Instruments en Do
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Piano grosses notes
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1 Piano, 4 mains
8
Accompagnement Piano
5
Orgue, Piano (duo)
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Piano Trio: piano, violon, violoncelle
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Saxophone (partie séparée)
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17
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13
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11
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5
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4
Clarinette, Trompette (duo)
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Quintette de Clarinettes: 5 clarinettes
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1
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Flûte à bec Alto
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3 Clarinettes (trio)
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Trompette
35
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28
Trombone
27
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19
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14
Trombone et Piano
11
Trompette, Piano
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Cor
10
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10
Tuba
9
Cor (partie séparée)
8
Cor et Piano
7
Tuba et Piano
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Tuba (partie séparée)
5
Quatuor de Cuivres
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Trompette, Trombone (duo)
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Euphonium, Piano (duo)
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Cor anglais, Piano
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2 Trompettes (duo)
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Euphonium
3
Quatuor de Cuivres: 2 trompettes, Cor, trombone
3
Quatuor de cuivres: 4 trombones
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Ensemble de Trompettes
2
2 Trombones (duo)
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Bass Clef Instruments
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3 Trombones (trio)
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Cor, Tuba (duo)
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2 Euphoniums et 2 Tubas
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Trompette, Tuba (duo)
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2 Tubas (duo)
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Cor Anglais
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Quatuor de cuivres: 4 cors
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Trompette, Saxophone (duo)
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1
Trombone basse et Piano
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2 Cors (duo)
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Trompette, Cor (duo)
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CORDES
Quatuor à cordes: 2 violons, alto, violoncelle
79
Violon
29
Trio à Cordes: violon, alto, violoncelle
20
Alto seul
17
Violoncelle (partie séparée)
17
Violon et Piano
16
Violoncelle, Piano
13
Violon, Violoncelle (duo)
13
Alto, Piano
10
Harpe
8
Violoncelle
7
2 Violoncelles (duo)
6
Trio à Cordes: 2 violons, alto
4
2 Altos (duo)
4
Violon (partie séparée)
4
Alto (partie séparée)
4
Contrebasse, Piano (duo)
3
Violon, Alto (duo)
3
Contrebasse (partie séparée)
3
Trio à Cordes: 2 violons, violoncelle
3
Ensemble d'Altos
2
2 Violons (duo)
2
Trio à Cordes: 3 violoncelles
2
Trio à cordes
1
Trio à cordes: 3 violins
1
Trio à cordes: 3 altos
1
2 Contrebasses (duo)
1
Alto, Violoncelle (duo)
1
Contre Basse
1
Ensemble de Violons
1
Quintette à cordes: 2 violons, alto, violoncelle, basse
1
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PERCUSSIONS & ORCHESTRES
Orchestre d'harmonie
210
Ensemble Jazz
64
Orchestre à Cordes
26
Orchestre
25
Jazz combo
14
Batterie
11
Ensemble de cuivres
9
Percussion (partie séparée)
8
Cloches
6
Fanfare
5
Ensemble de Percussions
5
Orchestre de chambre
4
Batterie (partie séparée)
3
Quintette à cordes : 2 Violons, Alto, Violoncelle, Contrebasse, Clavier
1
Ensemble d'École
1
Percussion
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Marimba
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AUTRES
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I Got You
Saxophone Alto et Piano
Partitions à imprimer
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If I Ain't Got You
Saxophone Alto et Piano
Alto Saxophone,Piano - Digital Download SKU: A0.1431291 By Alicia Keys. By Alicia A…
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Alto Saxophone,Piano - Digital Download SKU: A0.1431291 By Alicia Keys. By Alicia Augello Cook. Arranged by Steven John Oliver. Pop,R & B. Score and part. 12 pages. Steven John Oliver #1011758. Published by Steven John Oliver (A0.1431291). Alto Saxophone & PianoIf I Ain’t Got You - Alicia KeysAlbum: The Diary of Alicia Keys (2003)Same key as the originalIncludes Chords and Lyrics.The lyrics are intended to be used as guide cues for the Saxophonist.Popular wedding song!
$5.99
5.53 €
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Saxophone Alto et Piano
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Alicia Keys
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Steven John Oliver
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If I Ain't Got You
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Steven John Oliver
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SheetMusicPlus
If I Ain't Got You
Saxophone Alto et Piano
Alto Saxophone,Piano - Level 3 - Digital Download SKU: A0.970083 By Alicia Keys. By…
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Alto Saxophone,Piano - Level 3 - Digital Download SKU: A0.970083 By Alicia Keys. By Alicia Keys. Arranged by P.H. Damasceno. R & B. Score and part. 6 pages. P.h. Damasceno #6622195. Published by P.h. Damasceno (A0.970083). Alto Saxophone Solo and Piano Accompaniment. For intermediate musician. Romantic, popular music.
$4.99
4.61 €
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Saxophone Alto et Piano
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Alicia Keys
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P
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If I Ain't Got You
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P.h. Damasceno
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SheetMusicPlus
If I Ain't Got You
Saxophone Alto et Piano
Alto Saxophone,Piano - Level 3 - Digital Download SKU: A0.970084 By Alicia Keys. By…
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Alto Saxophone,Piano - Level 3 - Digital Download SKU: A0.970084 By Alicia Keys. By Alicia Keys. Arranged by P.H. Damasceno. R & B. Score and part. 6 pages. P.h. Damasceno #6622199. Published by P.h. Damasceno (A0.970084). Alto Saxophone Solo and Piano Accompaniment with Chords. For intermediate musician. Romantic, popular music.
$4.99
4.61 €
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Saxophone Alto et Piano
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Alicia Keys
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P
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If I Ain't Got You
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P.h. Damasceno
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SheetMusicPlus
Collection: I Got You (I Feel Good) - Alto Sax & Piano by James Brown - Instrumental Parts
Saxophone Alto et Piano
I Got You (I Feel Good) - Alto Sax & Piano Digital sheetmusic collection - instantly d…
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I Got You (I Feel Good) - Alto Sax & Piano Digital sheetmusic collection - instantly downloadable sheet music plus an interactive, downloadable digital sheet music file, scoring: Instrumental Parts;Solo & Accompaniment, instruments: Alto Saxophone;Piano Accompaniment -- Soul~~R & B~~Funk
$5.95
5.49 €
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Saxophone Alto et Piano
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Alto Sax & Piano by James Brown
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Musicnotes
Alto Sax - "And Can It Be?" Theme and Variations
Saxophone Alto et Piano
Alto Saxophone,Piano - Level 3 - Digital Download SKU: A0.844328 Composed by Lyrics…
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Alto Saxophone,Piano - Level 3 - Digital Download SKU: A0.844328 Composed by Lyrics: Charles Wesley, Music: Thomas Campbell, published 1738, and published 1825. Arranged by Dan Cutchen. Easter,Gospel,Sacred,Spiritual. Score and part. 15 pages. Dan Cutchen Music #3115903. Published by Dan Cutchen Music (A0.844328). This arrangement of And Can It Be That I Should Gain? is for alto saxophone solo and piano.A theme and variation treatment is used. For a piano background Mp3 track, search for: Alto Sax - And Can It Be? Theme and Variations-Accompaniment Track, Dan CutchenTime: approximately 6:00And Can It Be That I Should Gain? is a Christian hymn written by Charles Wesley. And Can It Be was written in 1738 to celebrate Wesley's conversion, which he regarded as having taken place on May 21 of that year. This beautiful hymn has been popular and enduring.And Can It Be That I Should Gain is perhaps one of the most joyfully poignant hymns penned by Charles Wesley (1707-1788). On Whitsunday (Pentecost), May 21, 1738, three days before his brother John experienced his heart strangely warmed,’ Charles was convalescing in the home of John Bray, a poor mechanic, when he heard a voice saying, In the name of Jesus of Nazareth, arise, and believe, and thou shalt be healed of all thy infirmities. The voice was most likely Mr. Bray’s sister who felt commanded to say these words in a dream.Anglican hymn writer Timothy Dudley-Smith, notes that the following then happened:Charles got out of bed and opening his Bible read from the Psalms: He have put a new song in my mouth, even praise unto our God, followed by the first verse of Isaiah 40, Comfort ye, comfort ye my people, saith your God. He wrote in his journal, I have found myself at peace with God, and rejoiced in the hope of love Christ (Dudley-Smith, 1987, 1).The statement from Mr. Bray’s sister sparked within Charles a conviction like he had never felt before. Moved and convicted in spirit, Charles wrestled with these words until he came to rest in his faith, knowing that it is by faith we are saved (Ephesians 2:8).Soon after this conversion experience, he wrote two hymns in celebration of the amazing love he had come to know: And Can It Be that I Should Gain and Where Shall My Wondering Soul Begin? (United Methodist Hymnal, 342)There has been some debate as to which hymn was written first, but most current scholarship accepts the latter as the first hymn written by Charles after his conversion experience. No matter its place in the chronology of Wesley's output, And Can It Be has been and remains one of his most remarkable hymns, expressing like no other the rapturous joy of receiving salvation.And Can It Be That I Should Gain. Hymnary.org, https://hymnary.org/text/and_can_it_be_that_i_should_gainDudley-Smith, Timothy. A Flame of Love: A Personal Choice of Charles Wesley’s Verse. London: Triangle SPCK, 1987.Timothy Dudley-Smith. And can it be that I should gain. The Canterbury Dictionary of Hymnology. Canterbury Press, accessed May 29, 2018, http://www.hymnology.co.uk/a/and-can-it-be-that-i-should-gain.Young, Carlton R. And Can It Be That I Should Gain. Companion to the United Methodist Hymnal. Abingdon Press, 1993.(Taken from: History of Hymns: And Can It Be That I Should Gain by DeAndre Johnson found at https://www.umcdiscipleship.org/resources)https://youtu.be/BSX9yYcNY2E
$7.00
6.46 €
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Saxophone Alto et Piano
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Lyrics: Charles Wesley, Music: Thomas Campbell, published 1738, and published 1825
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Dan Cutchen
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Alto Sax - "And Can It Be?" Theme and Variations
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Dan Cutchen Music
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SheetMusicPlus
Brethren, We Have Met To Worship--alto sax solo
Saxophone Alto et Piano
Alto Saxophone,Piano - Level 4 - Digital Download SKU: A0.1074948 Composed by Willi…
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Alto Saxophone,Piano - Level 4 - Digital Download SKU: A0.1074948 Composed by William Moore. Arranged by Beka Wilson. Sacred. Score and part. 7 pages. Beka Wilson #679206. Published by Beka Wilson (A0.1074948). This advanced instrumental solo can be played as is, or begun at measure 22 for a slightly shorter piece. It’s perfect for a peppy prelude, offertory, or postlude for your church service. Approximately 3 minutes in length, 6 pages, includes score and separate instrumental solo part. Available as a solo for piano, flute, oboe, clarinet, bassoon, alto sax, tenor sax, F horn, trumpet, trombone, violin, viola, and cello. Instrumental duet versions of this arrangement will be coming soon! Got any questions? Just ask! Did you play this and post it on Youtube? I’d LOVE to see it! You can reach me at bekmars10@gmail.com.
$9.99
9.22 €
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Saxophone Alto et Piano
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William Moore
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Beka Wilson
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Brethren, We Have Met To Worship--alto sax solo
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Beka Wilson
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SheetMusicPlus
Bach: Bist du bei mir BWV 508 for Alto Sax & Piano
Saxophone Alto et Piano
Alto Saxophone,Piano - Level 2 - Digital Download SKU: A0.549235 Composed by Johann…
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Alto Saxophone,Piano - Level 2 - Digital Download SKU: A0.549235 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Easter,Standards,Wedding. Score and part. 9 pages. Jmsgu3 #3468804. Published by jmsgu3 (A0.549235). J. S. Bach BWV 508. Bist du bei mir Bach adapted this aria from a lost Stölzel opera called Diomedes. He changed the original orchestral instrumentation to soprano, strings, and continuo.  He also modified the voice-leading making it sound more like a Bach composition. The work appears as BWV 508 No. 25 in the Anna Magdalena Notebook No. 2.  Source Only a few remnants of the original opera have survived. Historians speculate that Anna Magdalena got the song from the Leipzig Opera after the bankruptcy of 1720. Chances are good, though, that the tune was a favorite of everyone in Leipzig at the time.  Lyrics When thou art near, I go with joyTo death and to my rest.O how joyous would my end be,If your fair hands      Would close my faithful eyes. - Unknown Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and certainly the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy are the St. John Passion, and indeed the Christmas Oratorio.  History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer.  Style It seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival        Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV.  Voyager NASA launched two Voyager spacecraft in 1977. Onboard are phonograph records with sounds, music, and images of life on Earth. The purpose of the launch was to inform intelligent extraterrestrial life forms about conditions on Earth. The music on the disc is varied. There is Bach, Mozart, Beethoven, and Stravinsky among others. However, because Bach is so important in our music history, it contains three times more Bach than all the others combined.
$32.95
30.41 €
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Saxophone Alto et Piano
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Johann Sebastian Bach
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James M
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Bach: Bist du bei mir BWV 508 for Alto Sax & Piano
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jmsgu3
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SheetMusicPlus
18 Gospel Hymns Vol.1 for Solo Alto Saxophone and Piano
Saxophone Alto et Piano
Composed by Various. Arranged by David McKeown. Christian, Gospel, Spiritual, Sacred, …
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Composed by Various. Arranged by David McKeown. Christian, Gospel, Spiritual, Sacred, Praise & Worship. Score, Solo Part. 50 pages. Published by David McKeown
18 Easy Gospel Hymns Vol.1 for Solo Alto Saxophone and Piano is a beautiful collection of your best-loved Gospel Hymns and Spirituals. They are arranged simply in the most suitable range and key for the solo instrument. The preview only shows a few pages of the piano score, but this is followed by a separate solo instrumental part, adding up to 49 pages of quality music.<br> <br> The standard is early intermediate. Players with a year or two’s experience will enjoy playing these Gospel hymns, with plenty of interest in both the solo and the piano parts. These hymns are ideal for use in concerts or worship, formal or informal. The hymns are in alphabetical order and are as follows<br> <br> · Abide with Me,<br> <br> · Amazing Grace,<br> <br> · Blessed Assurance,<br> <br> · Deep River,<br> <br> · Down by the Riverside,<br> <br> · Go Down Moses,<br> <br> · Go Tell It on the Mountain,<br> <br> · He’s Got the Whole World in HIs Hands,<br> <br> · Higher Ground,<br> <br> · Jesus on the Mainline,<br> <br> · Joshua Fought the Battle of Jericho,<br> <br> · Just a Closer Walk with Thee,<br> <br> · Just as I Am,<br> <br> · Just Over in the Glory Land,<br> <br> · Kumbaya My Lord,<br> <br> · Love Lifted Me,<br> <br> · Nobody Knows the Trouble I’ve Seen,<br> <br> · Nothing but the Blood of Jesus.<br> <br> If you like these Gospel Hymns, then there are another eighteen just like them in Volume 2. To find them copy and paste 18 Easy Gospel Hymns Vol.2 for Solo Alto Saxophone and Piano in the Search Bar above. There are also duet versions of these Gospel hymns available on Sheet Music Plus, and more advanced duet arrangements of your Gospel favourites in the 10 Gospel Duets series.<br> <br> To keep up with new titles, search for Dave McKeown Sheet Music Downloads on Facebook.<br> <br> There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$8.49
7.84 €
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Saxophone Alto et Piano
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Various
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Worship
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18 Gospel Hymns Vol.1 for Solo Alto Saxophone and Piano
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David McKeown
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SheetMusicPlus
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