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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
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CHORALE - CHAN…
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CLAIRON
CLARINETTE
CLAVECIN
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XYLOPHONE
I Want It That Way
Non classifié
252
Piano & claviers
Piano seul
106
Piano Facile
39
Piano, Voix et Guitare
31
Piano, Voix
25
Instruments en Do
10
Orgue
4
Piano Quatuor: piano, 2 violons, violoncelle
2
Piano grosses notes
2
1 Piano, 4 mains
2
2 Pianos, 4 mains
1
Piano Quatuor: piano, violon, alto, violoncelle
1
Accompagnement Piano
1
2 Pianos, 8 mains
1
Piano Trio: piano, violon, violoncelle
1
+ 9 instrumentations
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Guitares
Guitare notes et tablatures
29
Guitare
15
Ligne De Mélodie, (Paroles) et Accords
7
Paroles et Accords
5
Ukulele
2
2 Guitares (duo)
2
Basse electrique
1
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Voix
Chorale SATB
43
Chorale TTBB
19
Chorale 3 parties
16
Chorale 2 parties
9
Voix duo
7
Chorale SSAA
5
Chorale
3
Voix duo, Piano
2
Voix Soprano, Piano
1
Voix haute
1
Chorale SSATTB
1
Voix, Guitare
1
+ 7 instrumentations
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Vents
Saxophone (partie séparée)
15
Flûte traversière
13
Clarinette
12
Quatuor de Saxophones: 4 saxophones
11
Hautbois (partie séparée)
10
Flûte, Clarinette (duo)
9
Clarinette, Violon (duo)
8
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8
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8
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8
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8
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8
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8
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8
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8
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7
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7
Saxophone Alto
7
Flûte traversière et Piano
7
Clarinette, Violoncelle (duo)
6
Saxophone Soprano et Piano
6
2 Flûtes traversières (duo)
6
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6
Clarinette, Trombone (duo)
6
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6
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6
2 Clarinettes (duo)
5
Clarinette (partie séparée)
5
Flûte, Violoncelle
5
Hautbois, Basson (duo)
5
Hautbois, Violoncelle
5
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5
Flûte, Trombone (duo)
5
Saxophone Tenor
4
2 Hautbois (duo)
4
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3
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3
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2
Saxophone Alto et Piano
2
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2
Ensemble de saxophones
2
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2
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2
3 Saxophones (trio)
1
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1
Saxophone et violoncelle
1
Saxophone, Basson (duo)
1
Saxophone Baryton, Piano
1
Saxophone
1
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1
Cor Anglais
1
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1
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1
Hautbois, trombone (duo)
1
Cor anglais, Piano
1
Ensemble de Flûtes
1
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Cuivres
Trompette (partie séparée)
10
Trompette
10
Trompette, Saxophone (duo)
10
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8
Trombone, violoncelle (duo)
8
Trombone
8
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8
Cor
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Trombone et Piano
7
Trompette, Piano
7
Tuba
6
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6
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5
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5
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5
2 Trompettes (duo)
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4
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4
2 Cors (duo)
4
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4
Euphonium
3
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3
Quatuor de cuivres: 4 trombones
1
Trompette, Violoncelle (duo)
1
Trombone, Cor (duo)
1
Trombone, Alto (duo)
1
Cor et Basson (duo)
1
Cor Anglais
1
Tuba (partie séparée)
1
Trombone, Violon (duo)
1
2 Tubas (duo)
1
Cor anglais, Piano
1
2 Euphoniums et 2 Tubas
1
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Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
31
Violoncelle
12
Violon
11
Violoncelle, Piano
11
Alto, Violoncelle (duo)
10
Violon, Violoncelle (duo)
10
Harpe
9
Violon et Piano
8
Alto et Basson
7
2 Altos (duo)
6
2 Violoncelles (duo)
6
Alto seul
6
Alto, Piano
6
2 Violons (duo)
5
Violon, Basson (duo)
5
Trio à Cordes: violon, alto, violoncelle
4
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2
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2
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1
Trio à Cordes: 2 violons, violoncelle
1
Quintette à cordes: 2 violons, 2 altos, violoncelle
1
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1
Alto (partie séparée)
1
Trio à cordes: 3 violins
1
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37
Ensemble Jazz
20
Orchestre
7
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6
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4
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3
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3
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2
Jazz combo
2
Piano et Orchestre
1
Timbales (partie séparée)
1
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Vous avez sélectionné:
I Want It That Way
Saxophone Alto et Piano
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Earmarks
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Saxophone Alto et Piano
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AVANCÉ
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Contemporain
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Kyle Vanderburg
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Earmarks
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NoteForge
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SheetMusicPlus
Instrumental Duet,Piano Alto Saxophone,Clarinet,Instrumental Duet,Piano - Level 5 - SKU: A0.1002829 Composed by Kyle Vanderburg. Contemporary. Score and...
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Instrumental Duet,Piano Alto Saxophone,Clarinet,Instrumental Duet,Piano - Level 5 - SKU: A0.1002829 Composed by Kyle Vanderburg. Contemporary. Score and parts. 46 pages. NoteForge #3885237. Published by NoteForge (A0.1002829). Earmarks is a musical (and hopefully humorous) view of some of the issues in today's political climate, designed to make you make you laugh--or to make you think. And definitely to make you talk. It starts out with Echo Chamber, where everything you hear is everything you want to hear. As we move more and more of our lives online, we're at the mercy of algorithms that try to deliver more of what we like--and give us options for removing that which we don't. The more time we spend in these echo chambers, the less we hear from dissenters. (The piano tries to come in with a new idea later in the movement, but is largely ignored).The second movement, Filibuster, does what I initially intended. Although all three instruments do get to play, it's a lot of repeated, pleasant-sounding milquetoast stuff without a great deal of substance that never really resolves. And it has a repeat sign at the end that allows it to be played as many times as the performers wish. How long this movement is depends entirely on the whim of the pianist. A swing state is a state with a similar level of support for both parties that can go either way during an election. Likewise, Swing States is a piece for saxophone and piano, and a piece for clarinet and piano, and it's a struggle to see who's going to win. Will they sort out their differences? Will we?
$14.99
Luther: Out of the Depths for Alto Sax & Piano
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Saxophone Alto et Piano
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DÉBUTANT
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Martin Luther
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James M
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piano
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Luther: Out of the Depths for
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jmsgu3
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SheetMusicPlus
Alto Saxophone,Piano - Level 1 - SKU: A0.548709 Composed by Martin Luther. Arranged by James M. Guthrie. Easter,Instructional,Standards. Score and part....
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Alto Saxophone,Piano - Level 1 - SKU: A0.548709 Composed by Martin Luther. Arranged by James M. Guthrie. Easter,Instructional,Standards. Score and part. 4 pages. Jmsgu3 #3411721. Published by jmsgu3 (A0.548709). Out of the Depths I Cry to You by Martin Luther arranged for alto sax & piano. The first verses feature modified counterpoint and harmony proceeding at quarter = 82. The final verse is reharmonized for maximum dramatic effect at a more contemplative tempo such as quarter = 64. Features the entire range of the instrument. Very powerful selection for Lent or Easter. Duration (3 verses) 3:05, 36 ms. Score: 3 pg. Solo part: 1 pg. The piano reads from the score. Out of the Depths Aus tiefer Not schrei ich zu dir (From deep affliction I cry out to you), is, of course, a hymn composed by Martin Luther. Moreover, Luther also wrote the lyrics, essentially a paraphrase of Psalm 130. First published in 1524, it is also one of eight songs in the original Lutheran hymnal. It appears likewise in many hymnals and in different translations. The lyrics furthermore stimulated compositions from the Renaissance to the contemporary. Consequently, composers such as Johann Sebastian Bach built an entire chorale cantata on it. Other composers similarly contributed pieces, such as Felix Mendelssohn and Max Reger. Luther Background Martin Luther, (1483 –1546) was a German professor of theology, composer, priest, and moreover, an influential character in the Protestant Reformation. Luther had a momentous impact on church and society due to his contributions to the musical arts. He wanted to disseminate the gospel among mankind and with this intention thought that the best way to do that was through music. Influence It is important to realize that other musicians, and their descendants, were encouraged by Luther’s songs and wrote their own hymns. Luther, to be sure, had a thorough musical education. For example, he knew secular and sacred songs from an early age. He, in particular, played the lute well and sang in the monastery when he was a monk. That is to say, music was an essential part of his life. He in fact first began writing songs in 1523, sometimes writing the melody as well as the lyrics. Luther was certainly able to evaluate the composers of his time. He thought especially highly of Josquin des and Ludwig Senfl. He was also acquainted, with this in mind, with other composers and their works. Legacy The Lutheran musical ethos soon covered all of Germany and later significantly fashioned Protestant musical culture. Heinrich Schütz and Johann Sebastian Bach are the most compelling evidence of this Protestant musical culture. Additionally, as a point often overlooked, the pedal organ, first refined in northern Germany, became universally prevalent. As a matter of fact, Dieterich Buxtehude established a regular evening organ concert series in Lübeck. Another key point is that this concert series, in turn, spread North German Musical ideas worldwide. Luther was especially convinced that music is a beautiful and exclusive offering of the divine.
$24.95
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