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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
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AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
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FUNK
GOSPEL - SPIRITUEL -…
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JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
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LATIN - BOSSA - WORL…
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MEDIEVAL - RENAISSAN…
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OLD TIME - EARLY ROC…
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PUNK
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Note4Piano
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difficulté (tous)
débutant
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expert
avec audio
avec vidéo
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Non classifié
2092
PIANO & CLAVIERS
Piano grosses notes
3296
Orgue
1639
Piano seul
1215
Piano Facile
480
Piano, Voix
192
Instruments en Do
122
Piano, Voix et Guitare
118
1 Piano, 4 mains
62
Clavier
59
Accompagnement Piano
54
Piano Trio: piano, violon, violoncelle
35
2 Pianos, 4 mains
17
Clavecin
13
Piano Quatuor: piano, violon, alto, violoncelle
10
Orgue, Piano (duo)
8
Accordéon
6
Piano Quintette: piano, 2 violons, alto, violoncelle
4
Orgue, Trompette (duo)
4
Piano (partie séparée)
3
Piano Quatuor: piano, 2 violons, violoncelle
3
1 Piano, 6 mains
1
Ensemble d'Accordéons
1
Instrumentations suivantes
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GUITARES
Guitare
116
Guitare notes et tablatures
51
2 Guitares (duo)
21
Ligne De Mélodie, (Paroles) et Accords
15
Ukulele
13
Basse electrique
10
4 Guitares (Quatuor)
8
Guitare (partie séparée)
6
Mandoline
5
Banjo
4
Piano, Guitare (duo)
2
3 Guitares (trio)
2
Guitare, Violon, Violoncelle (trio)
2
Dobro
1
Ensemble de guitares
1
Mandoline, Guitare (duo)
1
Paroles et Accords
1
Instrumentations suivantes
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VOIX
Chorale SATB
479
Chorale 3 parties
139
Chorale TTBB
105
Chorale SSAA
84
Chorale 2 parties
66
Voix Alto, Piano
53
Voix Soprano, Piano
52
Voix Tenor, Piano
47
Voix Baryton, Piano
43
Chorale Unison
37
Voix duo, Piano
23
Voix duo
17
Voix basse, Piano
5
Voix Soprano
4
Voix seule
4
Voix haute
3
Chorale SSAATTBB
2
Voix moyenne, Piano
2
Voix Tenor
2
Chorale SSAB, Piano
2
Voix Soprano, Orchestre
1
Voix Mezzo-Soprano, Piano
1
Chorale SSAB a cappella
1
Chorale SSATTB
1
Chorale SSATB
1
Voix duo, Orgue
1
Chorale SATBB
1
Chorale
1
Instrumentations suivantes
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VENTS
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
207
Flûte traversière et Piano
161
Clarinette et Piano
131
2 Saxophones (duo)
130
Quatuor de Saxophones: 4 saxophones
126
Hautbois, Piano (duo)
121
2 Flûtes traversières (duo)
99
2 Clarinettes (duo)
82
Saxophone Alto et Piano
81
Quintette de Saxophone: 5 saxophones
75
Flûte, Hautbois, Clarinette, Basson
75
Quatuor de Clarinettes: 4 clarinettes
51
Flûte traversière
47
Saxophone Tenor et Piano
44
Ensemble de Clarinettes
43
Saxophone, Clarinette (duo)
42
Flûte, Clarinette (duo)
42
Clarinette
39
Quatuor de Flûtes : 4 flûtes
36
Clarinette, Violon (duo)
35
Hautbois, Basson (duo)
32
Saxophone Alto
30
Saxophone (partie séparée)
29
Clarinette, Trompette (duo)
29
2 Hautbois (duo)
28
Hautbois, Clarinette (duo)
27
Ensemble de saxophones
27
Saxophone Soprano et Piano
27
Clarinette, Basson (duo)
26
2 Flûtes traversières, Piano
25
3 Clarinettes (trio)
25
Flûte, Violon
23
Quintette de Clarinettes: 5 clarinettes
23
Saxophone Baryton, Piano
22
Flûte, Alto (duo)
21
Clarinette Basse, Piano
20
Flûte, Violoncelle
20
Ensemble de Flûtes
20
Trio de Flûtes: 3 flûtes
19
Clarinette et Alto
18
Clarinette, Violoncelle (duo)
17
Hautbois, Flûte
17
3 Saxophones (trio)
17
Hautbois (partie séparée)
17
Hautbois, Violoncelle
16
Cor anglais, Piano
16
Flûte et Guitare
15
Flûte, Trompette (duo)
15
Saxophone Tenor
13
Flûte, Saxophone (duo)
13
Flûte, Hautbois, Clarinette (trio)
10
Flûte, Hautbois, Basson
10
Quintette de Flûte : 5 flûtes
10
Quatuor de Flûtes à bec
8
Flûte, Hautbois (duo)
8
2 Flûte à bec (duo)
8
Flûte à bec Soprano
8
Flute (partie séparée)
7
Clarinette, Guitare (duo)
7
Flûte, Basson et Piano
5
Hautbois, violon (duo)
5
Flûte, Clarinette et Basson
5
Flûte à bec Alto
4
3 Flûtes à bec (trio)
4
Flûte, Violon, Piano
4
Clarinette, Harpe (duo)
4
Clarinette (partie séparée)
4
2 Clarinettes, Piano
3
Hautbois et alto (duo)
3
Hautbois
3
Flûte, Alto et Piano
3
Flûte à Bec
3
2 Cors Anglais Et Pianoforte
3
Flûte, Clarinette, Piano (trio)
3
Flûte à bec Tenor
2
Flûte, Harpe et Violoncelle
2
Hautbois, Guitare (duo)
2
Flute, harpe et violon
2
5 Flûtes à bec
2
4 Hautbois
2
Hautbois, Violon, Piano
2
Hautbois, Clarinette, Basson (trio d'anches)
2
Flûte traversière, Orgue (duo)
2
Flûte à Bec, Piano
2
Flûte à bec Alto, Piano
1
Saxophone, Tuba (duo)
1
Saxophone et Orgue
1
Piccolo, Piano
1
Flûte, Hautbois, Piano (trio)
1
Flûte, Violon, Violoncelle et Piano
1
Flûte, Trombone (duo)
1
Hautbois, Clarinette et Piano (Trio)
1
Saxophone
1
Flûte à bec Soprano, Piano
1
Clarinette, Trombone (duo)
1
Hautbois, Basson et Piano
1
Hautbois, Violin, Alto et Violoncelle (Quatuor)
1
Ensemble à vent
1
Cor anglais, Guitare (duo)
1
Flûte, Violoncelle, Piano (trio)
1
Saxophone et Harpe
1
Saxophone Soprano
1
Instrumentations suivantes
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CUIVRES
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
178
Trompette, Piano
97
Quatuor de Cuivres : 2 trompettes, trombone, tuba
84
Cor et Piano
75
Trombone et Piano
72
Trompette
40
2 Trombones (duo)
40
2 Trompettes (duo)
37
Cor
34
Trompette, Trombone (duo)
33
Trompette, Saxophone (duo)
30
Trompette (partie séparée)
30
Tuba et Piano
30
Quatuor de Cuivres
26
Euphonium, Piano (duo)
25
Quatuor de cuivres: 4 cors
21
Ensemble de Trombones
19
Quatuor de cuivres: 4 trombones
18
Quatuor de Cuivres: 2 trompettes, Cor, trombone
18
Trombone (partie séparée)
17
Cor anglais, Piano
16
Trombone
15
2 Cors (duo)
15
Tuba
10
Cor, Violoncelle (duo)
8
2 Euphoniums (duo)
7
Quatuor de cuivres: 4 trompettes
7
Ensemble de Trompettes
7
Trompette, Cor (duo)
6
2 Tubas (duo)
6
Trompette, Violoncelle (duo)
6
3 Trombones (trio)
4
3 Trompettes (trio)
4
Cor et Harpe
4
Trompette, Basson (duo)
4
Cor (partie séparée)
4
Trompette, violon (duo)
3
Ensemble de Cors
3
3 Euphoniums
3
4 Tubas
3
Cor et Basson (duo)
3
Tuba (partie séparée)
3
2 Cors Anglais Et Pianoforte
3
2 Euphoniums et 2 Tubas
3
Tuba et Orgue
3
Trompette, Tuba (duo)
2
Euphonium, Tuba (duo)
2
Euphonium
2
Trombone, Tuba (duo)
2
Trio de Cuivres
1
2 Trompettes, Clavier (piano ou orgue)
1
2 Cors, Piano
1
Trompette et Guitare
1
Trompette, Harpe
1
Trombone basse et Piano
1
Trompette, Euphonium (duo)
1
4 Euphoniums
1
Cor anglais, Guitare (duo)
1
Trombone et orchestre
1
3 Cors (trio)
1
Instrumentations suivantes
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CORDES
Quatuor à cordes: 2 violons, alto, violoncelle
368
Violon et Piano
198
2 Harpes (duo)
124
Alto, Piano
122
Violoncelle, Piano
122
Violon, Violoncelle (duo)
77
Harpe
74
2 Violons (duo)
70
Violon
55
Violon, Alto (duo)
50
Trio à Cordes: violon, alto, violoncelle
48
Violoncelle
47
2 Violoncelles (duo)
46
Quintette à cordes: 2 violons, alto, violoncelle, basse
37
2 Altos (duo)
35
Quintette à cordes: 2 violons, 2 altos, violoncelle
27
Alto, Violoncelle (duo)
27
Trio à Cordes: 2 violons, violoncelle
26
Alto seul
23
Contrebasse, Piano (duo)
23
Violon, Basson (duo)
16
Violon (partie séparée)
14
Alto et Basson
13
4 Violoncelles
12
Violon, Guitare (duo)
12
Alto (partie séparée)
11
Piano Trio: Violon, Alto, Piano
9
Contrebasse (partie séparée)
9
Contre Basse
8
Harpe, Flûte (duo)
8
Trio à cordes: 3 violins
7
Quintette à cordes : 2 violons, alto et 2 violoncelles
7
Harpe, Violon (duo)
7
Trio à Cordes: 3 violoncelles
7
Ensemble de Violons
6
Ensemble d'Altos
6
Violoncelle (partie séparée)
5
Trio à cordes: 3 altos
5
Violoncelle , Guitare (duo)
5
2 Contrebasses (duo)
4
Alto et Harpe
4
Quatuor à cordes : 4 altos
4
Alto, Guitare (duo)
3
Violoncelle, Contrebasse (duo)
3
Harpe, Violoncelle (duo)
3
Violon, Clarinette, Piano (trio)
3
Quatuor à cordes: 4 violons
3
Harpe, Violon, Violoncelle
2
Trio à Cordes: 2 violons, alto
2
Harpe et Piano
1
Harpe, Voix
1
Violon, Basse continue
1
Violoncelle, Basse continue
1
Ensemble de Violoncelles
1
2 Violoncelles, Piano
1
2 Violons, Piano
1
Harpe et mandoline
1
Instrumentations suivantes
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PERCUSSIONS & ORCHESTRES
Orchestre d'harmonie
519
Orchestre à Cordes
180
Orchestre
147
Cloches
136
Orchestre de chambre
105
Ensemble de cuivres
103
Ensemble Jazz
71
Ensemble de Percussions
26
Jazz combo
13
Batterie
13
Fanfare
9
Vibraphone
7
Ensemble d'École
6
Marimba
5
Instrumentation Flexible
3
Batterie (partie séparée)
3
Xylophone, Piano
3
Percussion (partie séparée)
2
Orchestre, Violon
2
Vibraphone et Marimba
2
Quintette à Vent
1
2 Xylophones
1
Piano et Orchestre
1
Xylophone
1
Instrumentations suivantes
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AUTRES
Théorie de la musique
1
Formation musicale - Solfège
1
Vous avez sélectionné:
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Saxophone Alto et Piano
Partitions à imprimer
81 partitions trouvées
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Bells Ringing in the Tower
Saxophone Alto et Piano
Alto Saxophone,Piano - Level 1 - Digital Download SKU: A0.764910 Composed by Leland…
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Alto Saxophone,Piano - Level 1 - Digital Download SKU: A0.764910 Composed by Leland Cornell. Arranged by Lori Archer Sutherland. Christmas,Sacred. Score and part. 4 pages. Lori Archer Sutherland #3620389. Published by Lori Archer Sutherland (A0.764910). Let your beginner students shine during the holidays with Bells Ringing in the Tower, a  Bohemian (Czech) song, for alto saxophone and piano. The piano part is also for beginner students so the soloist can play with friends or relatives who are at a similar level. This gives young pianists a chance to try their hands at collaborative piano early on in their playing careers. Each piece gives both players a chance at the melody and accompanying lines, resulting in an equally balanced duet between the instruments.Also offered as a collection of five songs entitled Christmas Moments for beginner alto sax (S0.492375).
$4.99
4.56 €
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Saxophone Alto et Piano
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Leland Cornell
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Lori Archer Sutherland
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Bells Ringing in the Tower
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Lori Archer Sutherland
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SheetMusicPlus
When Love in Kind
Saxophone Alto et Piano
Alto Saxophone,Piano - Level 2 - Digital Download SKU: A0.1390421 Composed by Thoma…
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Alto Saxophone,Piano - Level 2 - Digital Download SKU: A0.1390421 Composed by Thomas Moore. Arranged by Jane Frasier. Folk. Score and part. 7 pages. Jane Frasier #973943. Published by Jane Frasier (A0.1390421). Thomas Moore was born in Dublin, Ireland in 1779. He is most well-known for his collection, “Irish Melodies†which included When Love is Kind. The “Irish Melodies†songs were written between 1808 and 1834.
$6.50
5.94 €
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Saxophone Alto et Piano
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Thomas Moore
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Jane Frasier
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When Love in Kind
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Jane Frasier
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SheetMusicPlus
Waltz No. 19 in A Minor for Alto Saxophone and Piano
Saxophone Alto et Piano
Alto Saxophone,Piano - Level 3 - Digital Download SKU: A0.528595 Composed by Freder…
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Alto Saxophone,Piano - Level 3 - Digital Download SKU: A0.528595 Composed by Frederic Chopin. Arranged by Diego Marani. Classical,Concert,Instructional,Romantic Period,Standards. Score and part. 10 pages. Diego Marani #6244389. Published by Diego Marani (A0.528595). Frédéric Chopin's Waltz No. 19 in A minor, B. 150, is a waltz for solo piano. The waltz was written sometime between 1843 and 1848, but was not published until 1860, after the composer's death. This waltz is structured as a single movement in rondo form marked allegretto. It is one of Chopin's shortest and technically easiest waltzes.This arrangement for Eb Alto Sax and Piano includes two different versions: the original A Minor and C Minor.
$4.99
4.56 €
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Saxophone Alto et Piano
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Frederic Chopin
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Diego Marani
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Waltz No. 19 in A Minor for Alto Saxophone and Piano
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Diego Marani
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SheetMusicPlus
Waltz in A Minor (Chopin) - Alto Saxophone and Piano - Chamber music
Saxophone Alto et Piano
Alto Saxophone,Piano - Level 3 - Digital Download SKU: A0.760536 Composed by Freder…
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Alto Saxophone,Piano - Level 3 - Digital Download SKU: A0.760536 Composed by Frederic Chopin. Arranged by Raymond Fenech. Christmas,Classical,Easter,Holiday,Instructional,Love. Score and part. 9 pages. Raymond Fenech #4622013. Published by Raymond Fenech (A0.760536). Waltz in A minor, often designated as No. 19, is a waltz for solo piano composed by Frédéric Chopin. The waltz was written sometime between 1843 and 1848, but was not published until 1860, after the composer's death. The piece shows great sadness, while enclosing some episodes that hint at happiness and hope. The first theme of the piece uses a simple but effective melody, conveying a sad portrait, with decorative ornaments used throughout. The second theme is more interesting and lively, although it still has a certain sadness. About halfway through the piece, there is a modulation into A major, featuring a happy and joyful melody. The piece concludes with the main theme, followed by a short coda. The Level is Intermediate/Advanced Intermediate and the duration is approximately 2.01 minutes. It could be played in any type of recital/concert.
$3.99
3.65 €
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Saxophone Alto et Piano
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Frederic Chopin
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Raymond Fenech
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Waltz in A Minor
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Raymond Fenech
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SheetMusicPlus
CPE BACH: Sonata in E Minor WQ124 for Alto Sax & Piano
Saxophone Alto et Piano
Alto Saxophone,Piano - Level 4 - Digital Download SKU: A0.551519 Composed by Carl P…
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Alto Saxophone,Piano - Level 4 - Digital Download SKU: A0.551519 Composed by Carl Philipp Emanuel Bach (1714-1788). Arranged by James Guthrie, ASCAP. Classical,Instructional,Standards,Wedding. Score and part. 22 pages. Jmsgu3 #5308387. Published by jmsgu3 (A0.551519). Sonata in E Minor. Duration: 7:151. Adagio2. Allegro3. Menuett & 2 VariationsCarl Philipp Emanuel Bach (1714-1788) was an influential composer who worked during a time of transition between the Baroque and Classical styles of music. His personal approach, known as empfindsamer Stil or sensitive style, applied the principles of rhetoric and drama to musical structures. The duets composed by C.P.E. Bach are significant because they showcase his unique style and are considered to be some of his most important works. They are known for their unpredictability and expressive qualities, which were a departure from the style of his father, Johann Sebastian Bach.
$24.95
22.81 €
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Saxophone Alto et Piano
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Carl Philipp Emanuel Bach
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James Guthrie, ASCAP
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CPE BACH: Sonata in E Minor WQ124 for Alto Sax & Piano
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jmsgu3
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SheetMusicPlus
Waltz in A Minor - Alto Saxophone and Piano
Saxophone Alto et Piano
Alto Saxophone,Piano - Level 2 - Digital Download SKU: A0.736177 Composed by Fredri…
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Alto Saxophone,Piano - Level 2 - Digital Download SKU: A0.736177 Composed by Fredric Chopin. Arranged by Andrew Middleton. Romantic Period. Score and part. 7 pages. Andrew Middleton #6475779. Published by Andrew Middleton (A0.736177). Composed sometime between 1843 and 1848. Waltz in A Minor is Chopin's 19th waltz but was not published until after the composers death. This arrangement for alto saxophone and piano is ideal for the early intermediate performer.For more updates on new arrangements follow my Facebook page on https://www.facebook.com/a.middletonmusic/ Or subscribe to my Youtube page at https://www.youtube.com/channel/UCClIYqddA2wMpdaxSq3BKEw?view_as=subscriber
$3.99
3.65 €
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Saxophone Alto et Piano
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Fredric Chopin
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Andrew Middleton
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Waltz in A Minor - Alto Saxophone and Piano
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Andrew Middleton
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SheetMusicPlus
Toccata for Alto Saxophone and Piano
Saxophone Alto et Piano
Alto Saxophone,Piano - Level 4 - Digital Download SKU: A0.1474794 By Marcos Fernand…
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Alto Saxophone,Piano - Level 4 - Digital Download SKU: A0.1474794 By Marcos Fernandez-Barrero. By Marcos Fernandez-Barrero. 21st Century,Chamber,Classical,Contemporary,Romantic Period. Score and part. 31 pages. Marcos Fernandez-Barrero #1052411. Published by Marcos Fernandez-Barrero (A0.1474794). This is a transcription for alto saxophone of the ‘Toccata for Clarinet and Piano’ done by the composer himself. The original work was written in 2007 and is dedicated to Samuel Hernández, a clarinettist pursuing his Master's at the Royal Conservatoire of Scotland. The composer, who was also the pianist in their duo, wrote it during his musical training at the composition faculty of the same centre. The work reflects the composer's extensive work writing for Samuel and other performers from the woodwind faculty in between 2006 and 2009, embodying the spirit of collaboration and musical innovation.The piece was later revised and won First Prize at the II Agustín Ramos Chamber Music Composition Competition, leading to the programme of its premiere on January 27, 2018, at the Agustín Ramos Chamber Music Festival in La Candelaria (Tenerife, Spain).The Toccata showcases a lively interplay between clarinet and piano, featuring rhythmic vigor and expressive lyrical moments. This dynamic and engaging piece is a testament to the enduring partnership and artistic journey shared by colleagues and friends._________________________________________________Esta es una transcripción para saxofón alto de la ‘Toccata for Clarinet and Piano’ realizada por el compositor. La obra original fue escrita en 2007 y dedicada a Samuel Hernández, un clarinetista que cursaba su Master en el Royal Conservatoire of Scotland. El compositor, quien también era el pianista en su dúo, la escribió durante su formación musical en la facultad de composición del mismo centro. La obra refleja el extenso trabajo del compositor escribiendo, no solo para Samuel si no también para otros instrumentistas de la facultad de viento madera entre 2006 y 2009, encarnando el espíritu de colaboración e innovación musical.La pieza fue revisada y ganó el Primer Premio en el II Concurso de Composición de Música de Cámara Agustín Ramos, lo que programó su estreno el 27 de enero de 2018 en el Festival de Música de Cámara Agustín Ramos en La Candelaria (Tenerife, España).La Toccata busca una interacción animada entre clarinete y piano, con vigor rítmico y momentos líricos expresivos. Esta pieza dinámica y cautivadora es un testimonio de la duradera asociación y el viaje artístico compartido por colegas y amigos.
$14.95
13.67 €
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Saxophone Alto et Piano
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Marcos Fernandez-Barrero
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Toccata for Alto Saxophone and Piano
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Marcos Fernandez-Barrero
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SheetMusicPlus
Scriabin: Prelude Op. 11 No. 2 for Alto Sax & Piano
Saxophone Alto et Piano
Alto Saxophone,Piano - Level 3 - Digital Download SKU: A0.549467 Composed by Alexan…
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Alto Saxophone,Piano - Level 3 - Digital Download SKU: A0.549467 Composed by Alexander Scriabin. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Sacred,Standards. Score and part. 12 pages. Jmsgu3 #3499755. Published by jmsgu3 (A0.549467). Score: 8 pages, solo part: 2 pages, piano part: 2 pages. Duration: 3:10. An introspective and meditative work with a lot of dynamic and phrasing nuance. Works well for church meditations or recital encores.Background Op.11/2 Alto Clarinet version. First of all, Scriabin composed mostly for the solo piano and also the orchestra. This is probably because he was a gifted pianist and therefore certainly appreciated the piano. Scriabin grew up in the late Romantic period, consequently, he was fond of the great piano masters of the time. As a result, he wrote his first noteworthy compositions in the manner of Chopin and Liszt. Forms Likewise, Scriabin used many of the same forms as Chopin. These certainly include the étude, prelude, nocturne, and even the mazurka. In contrast, as he developed his own sense of style his music became more and more unusual. So, the last five of his Piano Sonatas do not have a key signature and therefore lean towards atonality. Philosophy Scriabin also developed a keen interest in philosophy and likewise poetry. He was above all particularly fascinated by Nietzsche, Delville, and Blavatsky. Consequently, he finally established his own ideas about metaphysics and certainly mysticism. Scriabin consequently advanced theories about the relationship between color and musical keys. Synesthesia He also may have experienced a condition called synesthesia where he could probably sense a response created from a different stimulus. Therefore, it was almost as if he could see music and hear colors. Scriabin, therefore, arranged the colors in a circle similar to the circle-of-fifths and assigned each key area a color. Finally, he assigned the key of C to the color red, while the key of G was orange. Similarly, he assigned D to yellow, A to green, and so forth. Strangely, he did not differentiate between major and minor key colors. Multimedia Hence, his ability to translate colors into music certainly gave Scriabin a most noteworthy interest in creating multimedia events. Furthermore, He designed his biggest work, the Mysterium, to last an entire week. Even more, Scriabin made plans not only for music, but also colored lights, incense, and dancing. He designed the performance to occur in the foothills of the Himalaya mountains. The Mysterium was never performed, and only sketches of the work remain. Modern Performances In modern times, we often experience performances of Scriabin’s most famous completed works accompanied by colored laser lights and incense. These are the Poem of Ecstasy (completed in 1908) and the Poem of Fire (completed in 1910). The lighting effects for these early performances were accomplished by the clavier à lumiéres. It was a keyboard instrument that projected colored light onto a screen.
$19.95
18.24 €
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Saxophone Alto et Piano
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Alexander Scriabin
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James M
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Scriabin: Prelude Op. 11 No. 2 for Alto Sax & Piano
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jmsgu3
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SheetMusicPlus
Ruby and Steel (for alto saxophone and piano)
Saxophone Alto et Piano
Alto Saxophone,Piano - Level 4 - Digital Download SKU: A0.971650 Composed by Jeffre…
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Alto Saxophone,Piano - Level 4 - Digital Download SKU: A0.971650 Composed by Jeffrey Hoover. 20th Century,Contemporary. Score and part. 25 pages. Musicart Publications #4628067. Published by Musicart Publications (A0.971650). Ruby and Steel (duration 7 min.) is a fantasy work for alto saxophone and piano, reflecting on the physical qualities and contrasts between an unlikely pairing of materials – nature's precious gemstone ruby and the manmade material steel. The ideas of the red glow of molten steel and the red light of ruby are held in common. Establishing a modern yet Romantic atmosphere, an extended piano solo opens the work. The music is developed through a thematic transformation process: gestures of earlier music reappears as transformations of its previous selves. The interaction (both musical dialogue and subsequent agreement) between piano and saxophone is a prominent characteristic, along with ebb-and-flow of tempo. As with several other compositions by Jeffrey Hoover, there is an abstract painting–Ruby and Steel–created by Hoover as a visual interpretation of the musicJeffrey Hoover's work– music ranging from soloist to symphony orchestra –has received recognition through the prestigious Trieste prize, awards from Mu Phi Epsilon, the Lancaster Fine Arts Festival, grants, publications fellowships and more than 20 commissions. He is a member of the ACME roster of Mu Phi Epsilon, recognized for distinguished achievement as a composer. One unique aspect of Hoover’s work is when he combines composition with his paintings, creating synergetic art that intrigues and captivate audiences and performers alike. His paintings are seen in exhibitions and in concerts where his paintings are projected while musicians perform his music. Whether making interdisciplinary works, or traditional stand-alone sonic or visual art, Hoover shapes his work through inner vision and practical experience. Jeffrey Hoover’s background as a performer includes both classical and jazz music, as saxophonist and conductor. His book The Arts and Society: Making New Worlds is published by Kendall Hunt Publishing.Jeffrey Hoover was born on September 11, 1959, in Anderson, Indiana. He holds a Ph.D. in Fine Arts (Composition and Interdisciplinary Fine Arts) from Texas Tech University, as well as a M.M. and Bch.Sc. from Ball State University. His career in higher education has included both music faculty and arts administrative appointments.
$19.95
18.24 €
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Saxophone Alto et Piano
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Jeffrey Hoover
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Ruby and Steel
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Musicart Publications
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SheetMusicPlus
Concertino for Alto Saxophone and Piano
Saxophone Alto et Piano
Alto Saxophone,Piano - Level 5 - Digital Download SKU: A0.755072 Composed by Sy Bra…
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Alto Saxophone,Piano - Level 5 - Digital Download SKU: A0.755072 Composed by Sy Brandon. 20th Century,Contemporary. Score and part. 50 pages. Sy Brandon #3366105. Published by Sy Brandon (A0.755072). Concertino was composed during 2009 at the request of Dr. Andy Wen and premiered by him at the Region 4 NASA Conference in April 2011. This piano reduction of the band parts was completed in 2011. The work is in three movements. The first movement is in an abbreviated sonata form in a spirited Vivace tempo. The first theme group consists more of motives rather than an actual theme and is characterized by interplay between the soloist and the band. The second theme group has a lyrical saxophone line over a staccato bass line. The development begins quietly with the treatment of a syncopated idea from the second theme using a trio of solo saxophone, timpani and euphonium. After further development, a variant of the first theme group returns. The recapitulation consists only of first theme group ideas before ending with a brief coda. The second and third movements are performed with out pause between them. While the first movement was created during 2009, the second and third movements are a reworking of an earlier work by the composer for alto saxophone and piano soloists with orchestra. A rubato Lento theme containing many triplets that is accompanied by lush harmony begins the second movement. It is followed by a more scale-wise melody that is treated contrapuntally. Both these ideas develop during the movement leading to a strong climax before returning to a quiet conclusion. The third movement is an Allegro, once again with a rhythmic opening idea that changes meter often, and a more lyrical second idea with scale-wise passages as counterpoint. The development of these ideas leads to a cadenza for the solo saxophonist, followed by a coda that brings the composition to a rousing conclusion.
$14.99
13.7 €
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Saxophone Alto et Piano
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Sy Brandon
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Concertino for Alto Saxophone and Piano
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Sy Brandon
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SheetMusicPlus
Roadside Inn - Schumann- Alto Sax-Piano
Saxophone Alto et Piano
Alto Saxophone,Piano - Level 2 - Digital Download SKU: A0.844502 Composed by Robert…
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Alto Saxophone,Piano - Level 2 - Digital Download SKU: A0.844502 Composed by Robert Schumann. Arranged by Phil Beaman. Concert,Instructional,Romantic Period,Standards. Score and part. 7 pages. Phil Beaman #3485691. Published by Phil Beaman (A0.844502). In 1849 Robert Schumann completed a set of Romantic character pieces for piano which he named Forest Scenes. One of that set was called Roadside Inn, which I have arranged for Instrumental Solo with Piano Accompaniment. In keeping with the characteristics of the Romantic period my arrangement is full of contrasts and constant shifts between dynamics, articulations, and themes. I took themes and fragments of themes from the original and re-ordered them into a bit of a rondo form. There are interpretive marks in every measure making it a great piece for auditions to show your technique and interpretation. Not too difficult to play but sounds quite advanced when all details are observed. Another feature is the beautiful harmonic interplay between the solo and accompaniment. To be played warmly and with passion to welcome people to your Roadside Inn. 2 1/2 minutes, 5 page score, 2 page solo partTemporary MIDI recording; a live performance will be much more expressive and free
$4.99
4.56 €
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Saxophone Alto et Piano
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Robert Schumann
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Phil Beaman
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Roadside Inn - Schumann- Alto Sax-Piano
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Phil Beaman
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SheetMusicPlus
LUNA for violin, alto saxophone and piano
Saxophone Alto et Piano
Instrumental Duet,Piano Alto Saxophone,Instrumental Duet,Piano,Violin - Level 5 - Digital …
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Instrumental Duet,Piano Alto Saxophone,Instrumental Duet,Piano,Violin - Level 5 - Digital Download SKU: A0.876578 Composed by Daniel Cueto. 20th Century,Concert,Contemporary. Score and parts. 17 pages. Daniel Cueto #4980495. Published by Daniel Cueto (A0.876578). ABOUT THIS WORK:In 2016, the Russian Space Corporation announced its newest long-term project: a plan to establish a permanent human colony on the Moon by the year 2030. Several other nations - including Japan, China and the USA - have announced similar projects over the years. I began to think about this idea and its possible implications for human culture. An intriguing question came to mind: if a human settlement on the Moon is developed, would art works be created there? Would there be composers there, writing music?After enough time had passed, what would the music made by inhabitants of such remote colonies sound like?I started to imagine a music that combined well-known elements of the Western tradition with new patterns and concepts, these being an expression of the profoundly different daily-life experiences of living on the Moon. I heard, in my mind, a lonesome chant, performed with a view of a lunar night sky. After the song, a strange pulsating music, maybe a subtle depiction of a process of lunar tectonics. Connecting between these two elements, a third one emerged: a mysterious, oscillating motive, perpetually shifting back and forth between two harmonies; swaying, gently and forever, until lost to a cosmic silence…From these resonant impressions, a primitive sketch started to emerge; a voyage into an unexplored compositional region. A musical fantasy about a distant - yet still human - reality.
$14.99
13.7 €
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Saxophone Alto et Piano
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Daniel Cueto
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LUNA for violin, alto saxophone and piano
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Daniel Cueto
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SheetMusicPlus
Rose-Noskowski- Alto Saxophone-Piano
Saxophone Alto et Piano
Alto Saxophone,Piano - Level 3 - Digital Download SKU: A0.845329 Composed by Z Nosk…
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Alto Saxophone,Piano - Level 3 - Digital Download SKU: A0.845329 Composed by Z Noskowski. Arranged by Phil Beaman. Concert,Romantic Period,Wedding. Score and part. 7 pages. Phil Beaman #6759833. Published by Phil Beaman (A0.845329). In 1897 the great Polish composer Zygmund Noskowski composed four characteristic pieces for piano, each piece evoking a different spring flower. This duet between an Instrumental Solo and piano is my arrangement of Rose from Fleurs du Printemps, Op 48 (Rose, from Flowers of Spring).It is expressive, portraying the beauty of the Rose. I have added considerable markings of articulation and dynamics and phrasing to bring out this expressiveness. I have also changed the tempos to create more emotional variety between the thematic sections and I wrote a new ending with an Instrumental cadenza. The solo instrument plays the various melodic themes while I created a new piano part based on the original chords. The melody contains many accidentals as is typical in the Romantic period. Accessible for the average player yet with enough markings and nuances to satisfy expert players with the results. Definitely a concert or audition piece to show musicianship. Also well suited for Wedding music.Solo range - nearly 2 octaves (14th)5 page score, 2 page part2:35 minutes
$5.99
5.48 €
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Saxophone Alto et Piano
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Z Noskowski
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Phil Beaman
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Rose-Noskowski- Alto Saxophone-Piano
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Phil Beaman
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SheetMusicPlus
All I Want For Christmas Is You
Saxophone Alto et Piano
Alto Saxophone,Piano - Level 2 - Digital Download SKU: A0.1329889 By Mariah Carey. …
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Alto Saxophone,Piano - Level 2 - Digital Download SKU: A0.1329889 By Mariah Carey. By Mariah Carey and Walter Afanasieff. Arranged by Gispert. Christmas,Film/TV,Holiday,Pop. Score and part. 15 pages. Clara lamonaca #917876. Published by clara lamonaca (A0.1329889). Introducing a delightful musical arrangement that will add a touch of festive magic to your holiday celebrations! Immerse yourself in the timeless charm of Mariah Carey's classic All I Want for Christmas Is You with this specially crafted arrangement for alto sax and piano, tailored for intermediate-level musicians.This enchanting adaptation captures the heartwarming essence of the original song while infusing it with the unique warmth and expressiveness of alto sax and piano. The alto sax takes center stage, delivering the iconic melody with grace and flair, while the piano provides a rich and harmonious backdrop, creating a perfect balance between the two instruments.Ideal for musicians seeking a joyful yet accessible challenge, this arrangement strikes the perfect balance between playability and musicality. Whether you're performing at a holiday concert, family gathering, or simply indulging in some festive solo play, this arrangement promises to evoke the spirit of the season and spread cheer to all who listen.Don't miss the opportunity to bring a new dimension to your holiday repertoire. Elevate your musical experience with this enchanting alto sax and piano arrangement of All I Want for Christmas Is You – because the gift of music is truly the most magical one of all.
$4.99
4.56 €
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Saxophone Alto et Piano
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Mariah Carey
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Gispert
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All I Want For Christmas Is You
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clara lamonaca
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SheetMusicPlus
Ali Ben Sou Alle: Fantaisie sur Don Giovanni de Mozart for alto saxophone and piano
Saxophone Alto et Piano
Alto Saxophone,Piano - Level 3 - Digital Download SKU: A0.533347 Composed by Ali Be…
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Alto Saxophone,Piano - Level 3 - Digital Download SKU: A0.533347 Composed by Ali Ben Sou Alle, Wolfgang Amadeus Mozart. Arranged by Paul Wehage. Concert,Opera,Romantic Period,Standards. Score and part. 22 pages. Musik Fabrik Music Publishing #2348197. Published by Musik Fabrik Music Publishing (A0.533347). One of the most enigmatic figures in the history of the Saxophone, Ali Ben Sou Alle (Charles-Valentin Soualle) was born in 1820 in Arras, France. After receiving his first prize in Clarinet at the Paris Conservatory in 1844. he served as the director ofmusic of The French Marine Band in Senegal, and then was named first clarinet solo at the Opéra-Comique in Paris. However, after the Revolution of 1848, Soualle was forced to flee France to England where he settled in London, playing in the Orchestra of the Queen's Theatre. His songs and piano pieces were published in London. While in London, Soualle met another exiled French musician, Louis Antoine Jullien, who conducted a light music series in London. Jullien encouraged Soualle to take up the saxophone, and after modifying the instrument by adding a single octave mechanism (the modern system used today) and keys for the lower register, Soualle became known as a virtuoso and began touring performing solo recitals (or mono-concerts, as they were called at the time) calling his modified saxophone the «turcophone ». He performed in all the European capitals and then traveled to Australia, New Zealand, Manilla, Java, through China and then to India where he finally settled in Mysore, becoming the director of the Royal Music for the Maharadjah. It was during this period that he converted to Islam and changed his nmae to Ali ben Sou Alle (or Ali, son of Soualle). He subsequently travaled to Ile Maurice, to French Polynesia, the Cap of Natal and the Cap of Good Hope. All of these voyages were subjects of musical works which Soualle entitled Souvenirs de... and may perhaps have been part of a collection known as The Royal Album which was presented to the Prince of Wales after a royal concert. Soualle returned to Mysore in 1858 and was almost killed in the Indian Revolution. Around 1860, Soualle returned to France for health reasons and began publishing his own music. On March 27 1865, he performed a command performance for the Emperor Napoleon III at the Tuileries Palace in the presence of the entire Imperial Family. After 1865, nothing more is known about him. Soualle not only performed on the clarinet, saxophone and piano, but also frequently sang during his concerts. He also wrote songs while he was in London. His opera fantasies are usually written for the Alto saxophone and are generally in the form of an introductory aria with cadenza, a theme with one or more variations and then a final waltz movement in rondo form with a final brillant variation. This specific work opens with motives from the Opera‘s overture, leading to Donna Anna’s 1st act aria Or sai, chi l'onore. The duet Là ci darem la mano is the subject of two variations followed by a brief interlude using Zerlina’s aria Batti, batti, o bel Masetto and then the final section is the duo Andiam’ Andiam ‘ Mio Bene between Don Giovanni and Zerlina which ends the Act I duet. The work ends with a brillant coda
$11.95
10.93 €
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Saxophone Alto et Piano
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Ali Ben Sou Alle, Wolfgang Amadeus Mozart
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Paul Wehage
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Ali Ben Sou Alle: Fantaisie sur Don Giovanni de Mozart for alto saxophone and piano
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Musik Fabrik Music Publishing
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SheetMusicPlus
Korsakov: Flight of the Bumblebee for Alto Sax & Piano
Saxophone Alto et Piano
Alto Saxophone,Piano - Level 5 - Digital Download SKU: A0.549254 Composed by Nikola…
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Alto Saxophone,Piano - Level 5 - Digital Download SKU: A0.549254 Composed by Nikolay Andreyevich Rimsky-Korsakov. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Standards. Score and part. 15 pages. Jmsgu3 #3473685. Published by jmsgu3 (A0.549254). Flight of the Bumblebee Flight of the Bumblebee is, to be sure, an orchestral interlude composed by Nikolai Rimsky-Korsakov for his opera The Tale of Tsar Saltan. Of course, Korsakov intended to portray a bumblebee's chaotic flying pattern musically. Nowadays, this piece is one of the comparatively more famous classical works because it frequently appears occasionally in popular culture. The piece appears notably in the opera at the close of Act III, Tableau 1. This is when the magic Swan-Bird changes the Prince (the son of the Tsar) into a bee so he can fly away to visit his father. Interestingly, at this point in the drama, his father, in effect, does not know that he is alive. Korsakov Background Nikolai Rimsky-Korsakov (1844 –1908) was a uniquely famous composer from Russia. He was likewise a member of an infamous assembly of composers called The Five. Korsakov was furthermore an expert in orchestration. His correspondingly most famous orchestral compositions- Capriccio Espagnol, the Russian Easter Festival Overture, and the Scheherazade suite- are essential monuments of the standard music repertoire. Also comparatively very important are his suites and excerpts from his 15 operas. Korsakov used Russian folklore and fairy tales, such as Scheherazade, in his music. Nationalistic Style Like fellow outspoken composer Balakirev, Korsakov believed in creating a nationalistic, Russia-centric style of classical music. The new style was called Orientalism. It similarly relied on native Russian materials, exotic scales, and experimental harmonic, melodic, and rhythmic procedures. This practice, conversely, ran counter to the developments in Western musical culture. Musical Developments Nevertheless, Korsakov developed an appreciation of Western musical techniques after he became a professor of musical composition, harmony, and orchestration at the Saint Petersburg Conservatory in 1871. Moreover, he undertook a rigorous three-year program of self-education. He mastered Western methods, incorporating them with the influences of Mikhail Glinka and other members of The Five. His techniques of composition and orchestration were additionally enriched by his exposure to the works of Richard Wagner. Naval Service Korsakov combined his music career accordingly with a career in the Russian military. He was in the first place an officer in the Russian Navy. In due time, he was appointed a civilian Inspector of Naval Bands. As a result, Korsakov expanded his knowledge of woodwind and brass playing, which heightened his orchestration capabilities. Legacy In due time, Korsakov contributed a significant number of Russian nationalist works. He also prepared, occasionally, compositions by The Five for presentation. This brought their works straightaway into the active classical repertoire as well. He also shaped an entire generation of younger composers as a music educator. Therefore, music historians consider Korsakov the foremost engineer of what the public considers the Russian composition style. He served as a transitional figure between The Five and the classically trained composers who became the norm over time. In addition to the Russians, he influenced non-Russian composers such as Ravel, Debussy, Dukas, and Respighi. Â
$32.95
30.12 €
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Saxophone Alto et Piano
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Nikolay Andreyevich Rimsky-Korsakov
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James M
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Korsakov: Flight of the Bumblebee for Alto Sax & Piano
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jmsgu3
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SheetMusicPlus
Fauré: Élégie Op. 24 for Alto Sax & Piano
Saxophone Alto et Piano
Alto Saxophone,Piano - Level 4 - Digital Download SKU: A0.549727 Composed by Gabrie…
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Alto Saxophone,Piano - Level 4 - Digital Download SKU: A0.549727 Composed by Gabriel Faure. Arranged by James M. Guthrie, ASCAP. Contemporary,Multicultural,Romantic Period,Standards,World. Score and part. 22 pages. Jmsgu3 #3531403. Published by jmsgu3 (A0.549727). Duration: ca. 7:00, Score: 12 pages, solo part: 2 pages, piano: 7 pages. An epic choice for a recital or funeral. Fauré Background: In the first place, Gabriel Fauré 1845 –1924) was a famous French composer, musician, and educator. Furthermore, his musical ideas influenced numerous 20th-century composers. Therefore, historians regard him as one of the leading French composers of his time. Famous Works: Among his most famous compositions, by and large, are the Pavane, Elegie (op. 24), Requiem, Sicilienne, Nocturnes for piano and the songs Après un rêve and Clair de lune. Inasmuch as his early works are well-known and relatively easy to perform, Faure’s music seems to have become gradually more difficult during his later life. In other words, his later works are somewhat esoteric and complex. Early Home Life: Fauré was in fact born into a well-cultivated family. His aptitude for music became particularly clear early on - when he was still a boy. Under these circumstances, his parents sent him to a music institution in Paris. Consequently, the training he received there prepared him for a career as a church organist and choirmaster. Middle Life: It is important to realize that Fauré studied music composition with the French musical mastermind Camille Saint-Saëns, who became his lifelong friend. Fauré eventually graduated from college and earned a living as an organist and educator. During this period, he had, on the whole, little time to compose. He consequently became more successful in his middle age, becoming organist of the Église de la Madeleine and director of the Paris Conservatoire. However, he still needed time on balance for composing. Therefore, given these points, he withdrew to the countryside during the summer to focus on composing. Later Life: Fauré was, in the final analysis, recognized in France as the foremost French composer of his time. The French government held a national musical tribute particularly for him in Paris. The French President notably headed the ceremony. Elsewhere, on the contrary, Fauré's music was slow to become accepted, except of course, in England. Legacy: Historians often describe Fauré's music in general as a transition between the end of Romanticism and the beginning of modernism. As an illustration, when Fauré was born, Chopin was still composing. However, by the time of Fauré's death, jazz and atonal music, in particular, had come to fruition. Fauré, by all means, suffered from increasing deafness in his later years. Some musicologists believe this to be indeed the cause of the esoteric nature of Faure’s final works.
$32.95
30.12 €
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Saxophone Alto et Piano
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Gabriel Faure
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James M
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Fauré: Élégie Op. 24 for Alto Sax & Piano
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jmsgu3
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SheetMusicPlus
Beethoven: Adagio from Sonata Pathetique for Alto Sax & Piano
Saxophone Alto et Piano
Alto Saxophone,Piano - Level 3 - Digital Download SKU: A0.549639 Composed by Ludwig…
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Alto Saxophone,Piano - Level 3 - Digital Download SKU: A0.549639 Composed by Ludwig van Beethoven. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Sacred,Standards. Score and part. 16 pages. Jmsgu3 #3516567. Published by jmsgu3 (A0.549639). Duration: ca 5:20, Score: 8 pages, solo part: 3 pages, piano part: 4 pages.One of Beethoven's finest and most famous works. Program for a recital, church meditation or school program.Bring your best espressivo and plan to rehearse the many subtle dynamic changes.Sonata Pathétique Op. 13 First of all, this is an arrangement of the second movement of Beethoven’s Sonata Pathétique. It seems like Beethoven wrote this piece before becoming troubled by deafness. Published in 1799, it consequently remains one of the most celebrated pieces Beethoven ever wrote. As a result of its popularity, the movement was therefore performed by Karl Haas. Hass recorded it for a popular radio show called: Adventures in Good Music. Beethoven Background Ludwig van Beethoven (1770 –1827) was certainly a German pianist. Above all, he was probably one of the greatest composers in history. As a result, he is a pivotal character in the progress between the Classical and Romantic periods. He is certainly one of the most famous and hence important of all composers. Seems like his most familiar and noteworthy works include symphonies 1-9; piano concertos 1-5; and furthermore, the violin concerto. Also, certainly of extreme importance are the noteworthy 32 sonatas for the piano; the string quartets 1-16; the Missa solemnis; and likewise, his only opera, Fidelio. Beethoven Overview First of all, Beethoven was born and consequently raised in Bonn. Upon turning 21 he moved to Vienna probably to study composition with Haydn. That’s when he consequently grew a reputation as a brilliant pianist. Furthermore, he probably stayed in Vienna for the rest of his life. In his late 20s, it seems like his hearing certainly began to decline. It slowly declined until consequently, he was nearly totally deaf probably by the last decade of his life. As a result, he stopped conducting and performing. Nevertheless, he continued to compose. As a result, some of his greatest works probably come from this period. First Period Seems like we often divide Beethoven’s life into three periods. Period 1 begins with Beethoven’s arrival in Vienna. Hence, during this period, he mastered the Viennese style of Haydn & Mozart. He consequently began increasing the size and scale of his works. Furthermore, he experimented with extreme dynamics, and likewise extreme tempi. He worked similarly with chromatic harmony. His First and Second Symphonies, therefore, belong to this period. Other important works also belong here: the first six string quartets and the Sonata Pathétique, Op. 13. Second Period His second period probably began as soon as he realized that he was going deaf. During this period, it seems like he became obsessed with the idea of heroism. His works consequently become even larger and more massive. The most noteworthy of these include the symphonies 3 – 8, piano concertos 5& 6, 5 string quartets, several important piano sonatas (Waldstein and Appassionata), the Kreutzer violin sonata, the violin concerto and his only opera: Fidelio. Third Period In contrast, Beethoven's third period is branded above all by works of incredible intellectual depth, formal innovation, and penetrating expression. It seems like he continued to expand his works. Consequently, the string quartet Op. 131 spills over into seven connected movements. Likewise, in the Ninth Symphony, he adds choral forces to his orchestra probably for the first time in history. Even more, other works from this period include his Missa solemnis, the final 5 string quartets (including the enormous Große Fuge) and the final five sonatas for piano. Register for free lifetime revisions and updates at www.jamesguthrie.co.
$24.95
22.81 €
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Saxophone Alto et Piano
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Ludwig van Beethoven
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James M
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piano concertos 1-5
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Beethoven: Adagio from Sonata Pathetique for Alto Sax & Piano
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jmsgu3
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SheetMusicPlus
Symphony No. 7 by Beethoven for Alto Sax
Saxophone Alto et Piano
Alto Saxophone,Piano - Level 1 - Digital Download SKU: A0.1158459 Composed by Ludwi…
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Alto Saxophone,Piano - Level 1 - Digital Download SKU: A0.1158459 Composed by Ludwig van Beethoven. Arranged by Ander. Classical,Film/TV,Instructional,Romantic Period,Traditional. Score and part. 7 pages. Woods Only, Arrangements #758745. Published by Woods Only, Arrangements (A0.1158459). This arrangement adapted for alto saxophone e piano was written keeping the characteristics of the original work, in order to be performed by young music students who want to enter the symphonic music. Besides, it can also be used by professional musicians, for recitals, repertoire, academic presentations and didactic material. As much as it is a funeral march, it is well suited for any musical performance occasion. The transcription is faithful to the structure, with only one change of key, so that it is comfortable for all the instruments in the formation, as well as for use in ensemble practice between musicians of different traditions. Ludwig van Beethoven began concentrated work on his Symphony No. 7 in A major Op. 92 in 1811, it was completed in 1812, and was dedicated to Count Moritz von Fries, and premiered in Vienna on December 8, 1813. It is considered a remarkable example of the more ebullient side of Beethoven's compositional personality and evidence that even after the onset of deafness, he still found cause for musical optimism. The second movement Allegretto is a funeral march in everything but name. Often several contrasting melodic ideas are made to coexist, as if Beethoven were imagining several processions converging on the cemetery at the same time. As he was working on this symphony during the years of the Napoleonic Wars, this experience was probably within his experience. It was also used as the soundtrack to the film Knowing, by director Alex Proyas and starring Nicolas Cage, where it is used in the final scene of the film. Beethoven called Symphony No. 7 his most excellent symphony, and a music critic of the time reported, this symphony is the most melodically rich and the most pleasing and comprehensible of all Beethoven's symphonies..
$1.99
1.82 €
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Saxophone Alto et Piano
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Ludwig van Beethoven
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Ander
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Symphony No. 7 by Beethoven for Alto Sax
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Woods Only, Arrangements
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SheetMusicPlus
8 Swinging Xmas Carols for Eb Alto Saxophone & Piano
Saxophone Alto et Piano
Alto Saxophone,Piano - Level 3 - Digital Download SKU: A0.1314701 Composed by Vario…
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Alto Saxophone,Piano - Level 3 - Digital Download SKU: A0.1314701 Composed by Various. Arranged by Keith Terrett. 20th Century,Christmas,Praise & Worship. Score and part. 34 pages. Keith Terrett #903452. Published by Keith Terrett (A0.1314701). An exciting arrangement of eight popular swinging xmas carols arranged for Eb Alto Saxophone & Piano; in an up-beat and somewhat jazzy manner. This challenging set of carols, offers players in general, something very different for those Christmas concerts and recitals, give them a go, and I am sure that you won’t be disappointed!The set includes: Ding Dong Merrily On High, Silent Night,We Three Kings,Away in a Manger, Joy to the World, God Rest Ye Merry Gentlemen, Deck the Halls & Good King Wenceslas.The part is all written out with jazz inflections and articulation included. The Piano part is all written out, but also includes the jazz chords for players who wish to comp. These Carols are playable by moderately advanced performers and are perfect for parties, church services, busking & recitals. Range is very moderate, nothing high at all.Need an anthem fast? They are ALL in my store! All my anthem arrangements are also available for Orchestra, Recorders, Saxophones, Wind, Brass and Flexible band. If you need an anthem urgently for an instrumentation not in my store, let me know via e-mail, and I will arrange it for you FOC if possible!Reviewer Chet Heflin Date 29th Sep 2006Bluesy Xmas! Keith Terrett has done an outstanding job of injecting jazz and blues into these holiday favorites. The writing beginning in measure 13 of Ding Dong Merrily On High is outstanding. Check out the wonderful contrast in movement between the flute and bass. This arrangement of Xmas carols would be a wonderful addition to any future holiday program. Well done Keith! Have fun! Caroling (singing carols in the street) is one of the oldest customs in Great Britain, going back to the Middle Ages when beggars, seeking food, money, or drink, would wander the streets singing holiday songs.
$15.99
14.62 €
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Saxophone Alto et Piano
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Various
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Keith Terrett
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Piano
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8 Swinging Xmas Carols for Eb Alto Saxophone & Piano
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Keith Terrett
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SheetMusicPlus
WaltzApp [Alto Sax + Piano]
Saxophone Alto et Piano
Alto Saxophone,Piano - Digital Download SKU: A0.596538 Composed by Juan MarÃa So…
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Alto Saxophone,Piano - Digital Download SKU: A0.596538 Composed by Juan MarÃa Solare. 20th Century,Concert,Contemporary. Score and part. 8 pages. Juan Maria Solare #3875065. Published by Juan Maria Solare (A0.596538). WaltzApp is a simple, innocent and uncomplicated waltz that can remind to Erik Satie. The title reflects the modern times...The composition of WaltzApp began in Bremerhaven in 2006 (first theme) and was completed ten years alter in Bremen (both cities are in North Germany). Duration: ~ 2'30Trivia: during those ten years between the composition of the first and the second theme, the working title was Valsecillo (and with that title circulated in internet as PDF for a while).Original version: for piano solo. There are also versions for the following chamber music combinations (all tested by the composer at concert!): - for alto saxophone and piano (plus double bass ad libitum) - for clarinet and piano (plus double bass ad libitum) - for violin and piano (plus double bass ad libitum) - for clarinet, accordion, cello and piano - for flute and piano (plus double bass ad libitum) - for instrumental nonet (flute, clarinet, trombone, accordion, violin, viola, cello, double bass and piano) The piano version of WaltzApp is included in the album Sombras blancas [White Shadows], by Juan MarÃa Solare (piano): https://open.spotify.com/track/5egCqXp6jR3tBQw8ndFAZ2 Video of the solo piano version (filmed in Java, Indonesia): https://www.youtube.com/watch?v=InFlC1V7Oyo Video of the version for saxophone and piano (Duo Antipoden: Yu Han, saxophone, and Juan MarÃa Solare, piano; live at MIKADO, Prinzhöfte, Germany): https://www.youtube.com/watch?v=uWGyP9pRrL0
$3.50
3.2 €
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Saxophone Alto et Piano
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Juan MarÃa Solare
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WaltzApp [Alto Sax + Piano]
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Juan Maria Solare
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SheetMusicPlus
O Come, All Ye Faithful for Solo Alto Saxophone
Saxophone Alto et Piano
Alto Saxophone,Piano - Level 3 - Digital Download SKU: A0.967661 Composed by Attr. …
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Alto Saxophone,Piano - Level 3 - Digital Download SKU: A0.967661 Composed by Attr. to John Francis Wade. Arranged by Lawrence H. Underwood. Christian,Christmas,Contemporary,Sacred. Score and part. 10 pages. Lawrence H Underwood #6189229. Published by Lawrence H Underwood (A0.967661). Arranged by veteran instrumental educator and performer, Lawrence Underwood, as the sixth installment in his A Christmas Portfolio series, this brand new setting of O Come, All Ye Faithful is a showstopper! The arrangement opens lyrically, in a lilting 12/8, before traveling through a driving section in 5, a majestic 3/4, then baroque-flavored turns in 4/4 and again in 3/4. The interplay between the solo and accompaniment evokes the feeling of a small orchestra! Suitable for use in church or as a showpiece in any holiday setting, this piece is one your audience is sure to remember!
$5.99
5.48 €
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Saxophone Alto et Piano
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Attr
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Lawrence H
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O Come, All Ye Faithful for Solo Alto Saxophone
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Lawrence H Underwood
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SheetMusicPlus
Symphony No. 5 by Beethoven for Alto Sax
Saxophone Alto et Piano
Alto Saxophone,Piano - Level 3 - Digital Download SKU: A0.1154909 Composed by Ludwi…
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Alto Saxophone,Piano - Level 3 - Digital Download SKU: A0.1154909 Composed by Ludwig van Beethoven. Arranged by Ander. Classical,Instructional,Opera,Romantic Period,Traditional. Score and part. 7 pages. Woods Only, Arrangements #755185. Published by Woods Only, Arrangements (A0.1154909). This adaptation was intended for a small group of alto saxophone and piano, where the original essence of the piece was kept, however, with a reduction in the duration, where only the main themes of the opening were extracted. As it is simplified, it is intended for beginner students of instrumental music who want to enter orchestral music, even in a simplified and reduced form, and can be used by music teachers with their students in ensemble practice in situations such as academic recitals, didactic concerts, or assessment tests. The Symphony No. 5 in C minor, Op. 67, known as the Symphony of Destiny, by Ludwig van Beethoven, written between 1804 and 1808, is one of the most popular and best known compositions in the entire repertoire of European music. The four movements are characterized by orchestral homogeneity, being, at the same time, an example of alternation: the first movement, revealing great tension, denounced by the strings and raised to an extreme drama; the second movement reveals solemnity, in a funeral march that rises by its emotion and beauty; the third movement, a crispness; the fourth movement expresses triumph and magnificence.
$1.99
1.82 €
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Saxophone Alto et Piano
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Ludwig van Beethoven
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Ander
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Symphony No. 5 by Beethoven for Alto Sax
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Woods Only, Arrangements
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SheetMusicPlus
Après un rêve (Fauré) for Alto Saxophone and Piano
Saxophone Alto et Piano
Alto Saxophone,Piano - Level 2 - Digital Download SKU: A0.1303396 Composed by Gabri…
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Alto Saxophone,Piano - Level 2 - Digital Download SKU: A0.1303396 Composed by Gabriel Faure. Arranged by Harry Walker. 19th Century,Romantic Period. Score and part. 8 pages. SCORE EDITIONS #892970. Published by SCORE EDITIONS (A0.1303396). This mélodie is the first in a set of three songs, opus 7, which also comprises Hymne and Barcarolle respectively. All three were composed between 1870 and 1877, then collected and published in 1878 under the title Trois Mélodies. Not originally conceived as a song cycle, these three songs acquired this opus number much later, in the 1890s. The poem for Après un rêve was loosely adapted from an anonymous Italian text by Romain Bussine. It describes, in the form of a dream, the imaginary flight of two lovers who are head over heels in love, although the last verse brings the dreamer inexorably back to harsh reality as dawn is breaking. In this version, the composition was arranged for Alto Saxophone and Piano by Harry Walker.
$5.99
5.48 €
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Saxophone Alto et Piano
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Gabriel Faure
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Harry Walker
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Après un rêve
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SCORE EDITIONS
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SheetMusicPlus
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