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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
It's Not The Wind
Non classifié
605
Piano & claviers
Piano seul
74
Piano Facile
17
Piano, Voix
13
Instruments en Do
6
Piano (partie séparée)
3
Piano, Voix et Guitare
3
Accompagnement Piano
2
Piano Quatuor: piano, violon, alto, violoncelle
1
1 Piano, 4 mains
1
+ 4 instrumentations
Retracter
Guitares
Guitare
7
Guitare (partie séparée)
6
Guitare notes et tablatures
5
Piano, Guitare (duo)
3
Ukulele
2
4 Guitares (Quatuor)
1
Dulcimer
1
Basse electrique
1
+ 3 instrumentations
Retracter
Voix
Chorale SATB
44
Chorale 3 parties
10
Chorale 2 parties
7
Chorale TTBB
5
Chorale SSAA
2
Voix Soprano, Piano
2
Chorale Unison
1
Voix haute
1
Voix Baryton, Piano
1
Voix Tenor
1
+ 5 instrumentations
Retracter
Vents
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
343
Quatuor de Saxophones: 4 saxophones
264
Quintette de Saxophone: 5 saxophones
192
Flûte, Hautbois, Clarinette, Basson
182
Ensemble de saxophones
101
Quatuor de Clarinettes: 4 clarinettes
78
Ensemble de Clarinettes
71
3 Saxophones (trio)
49
Ensemble de Flûtes
47
Quatuor de Flûtes : 4 flûtes
40
Quintette de Clarinettes: 5 clarinettes
32
2 Flûtes traversières (duo)
23
3 Clarinettes (trio)
21
Trio de Flûtes: 3 flûtes
19
Quintette de Flûte : 5 flûtes
19
2 Saxophones (duo)
18
Saxophone (partie séparée)
15
Flûte, Hautbois, Clarinette (trio)
13
Hautbois, Clarinette, Basson (trio d'anches)
12
Hautbois, Piano (duo)
10
Saxophone Alto et Piano
9
Flute (partie séparée)
8
Saxophone Soprano et Piano
8
2 Clarinettes (duo)
7
Clarinette (partie séparée)
6
Flûte traversière et Piano
6
Clarinette
6
Flûte traversière
6
Flûte, Hautbois, Basson
5
Saxophone Tenor et Piano
5
2 Hautbois (duo)
4
Clarinette et Piano
4
Flûte, Clarinette et Basson
4
Flûte, Clarinette, Cor, Basson (Quartet)
4
Hautbois (partie séparée)
3
Saxophone Baryton, Piano
3
Saxophone Soprano
2
Saxophone Alto
2
Saxophone Tenor
2
Hautbois
2
Saxophone Baryton
2
Flûte, Violon
1
5 Flûtes à bec
1
3 Hautbois
1
Flûte, Hautbois (duo)
1
2 Flûtes traversières, Piano
1
Flûte et Guitare
1
Flûte à bec Soprano, Piano
1
Hautbois, Basson (duo)
1
Piccolo, Piano
1
Clarinette Basse, Piano
1
4 Hautbois
1
Ensemble de Hautbois
1
Quatuor de Flûtes à bec
1
2 Flûte à bec (duo)
1
Flûte, Clarinette (duo)
1
Flûte, Clarinette, Piano (trio)
1
Flûte irlandaise
1
Clarinette, Guitare (duo)
1
+ 54 instrumentations
Retracter
Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
33
Quatuor de Cuivres : 2 trompettes, trombone, tuba
11
Trombone (partie séparée)
8
Trombone et Piano
8
Trompette (partie séparée)
6
Tuba et Piano
5
Cor
4
2 Trombones (duo)
4
Cor et Piano
4
2 Cors (duo)
4
2 Trompettes (duo)
4
Ensemble de Trombones
4
Tuba (partie séparée)
3
2 Tubas (duo)
3
Cor (partie séparée)
3
Trompette, Piano
2
Ensemble de Trompettes
2
Trompette
2
Trombone
2
Tuba
2
Quatuor de Cuivres: 2 trompettes, Cor, trombone
1
Quatuor de cuivres: 4 cors
1
2 Euphoniums et 2 Tubas
1
Ensemble de Cors
1
Euphonium, Piano (duo)
1
Ensemble de Tubas
1
Trombone basse et Piano
1
Quatuor de cuivres: 4 trombones
1
+ 23 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
23
Violon et Piano
8
2 Violons (duo)
7
Violon
7
Alto, Piano
7
2 Altos (duo)
6
Violoncelle
5
2 Violoncelles (duo)
4
Violoncelle, Piano
4
Alto seul
4
Violon, Violoncelle (duo)
4
Quintette à cordes: 2 violons, alto, violoncelle, basse
4
Contrebasse (partie séparée)
3
Harpe
3
Contrebasse, Piano (duo)
3
Contre Basse
3
Violon, Alto (duo)
3
Violon (partie séparée)
2
Ensemble de Violons
2
2 Contrebasses (duo)
2
Ensemble d'Altos
2
Harpe, Violon, Violoncelle
1
4 Violoncelles
1
Violoncelle (partie séparée)
1
Alto (partie séparée)
1
Trio à Cordes: violon, alto, violoncelle
1
+ 21 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
192
Orchestre
56
Ensemble Jazz
22
Ensemble de cuivres
16
Orchestre à Cordes
9
Orchestre de chambre
7
Fanfare
6
Cloches
4
Ensemble de Percussions
4
Ensemble d'École
3
Batterie (partie séparée)
3
Marimba
1
Piano et Orchestre
1
+ 8 instrumentations
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
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Vous avez sélectionné:
It's Not The Wind
Saxophone Alto et Piano
Partitions à imprimer
9 partitions trouvées
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1
Sullivan: The Lost Chord for Alto Sax & Piano
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Saxophone Alto et Piano
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INTERMÉDIAIRE/AVANCÉ
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Sir Arthur Seymour Sullivan
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James M
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dynamic control
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Sullivan: The Lost Chord for A
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jmsgu3
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SheetMusicPlus
Alto Saxophone,Piano - Level 4 - SKU: A0.549443 Composed by Sir Arthur Seymour Sullivan. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Per...
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Alto Saxophone,Piano - Level 4 - SKU: A0.549443 Composed by Sir Arthur Seymour Sullivan. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and part. 15 pages. Jmsgu3 #3494751. Published by jmsgu3 (A0.549443). Score: 10 pages, solo part: 2 pages, piano part: 3 pages. Duration: 4:25. Not difficult, but requires sensitivity & dynamic control. Suitable for recitals, church meditations, or school programs. School Years First of all, Sullivan attended music school at the Royal Academy of Music. Because Sullivan was so talented, the Academy awarded him the Mendelssohn Scholarship for two years in a row. He, therefore, studied with John Goss, who studied with Thomas Atwood, who in turn studied with Mozart. Sullivan similarly studied the piano at the Academy with Arthur O’Leary. Study Abroad During his first year, he also earned money by singing solos in the Chapel Royal. At the end of his second year, the Academy consequently continued his scholarship and sent him to study at the Leipzig Conservatoire. He certainly studied composition, and likewise counterpoint and piano. Hence, during his final year in Leipzig, Sullivan finally completed his graduation composition project: Incidental Music for Shakespeare’s The Tempest. Association with Gilbert It seems like Sullivan built the bulk of his composing career largely in the 1860s. As a result, he became famous for his incidental music for the Tempest and his Irish Symphony. He, therefore, began collaborating with the poet W. S. Gilbert in the 1870s. Rather than focus on serious opera, Gilbert and Sullivan, in contrast, concentrated on comic operas such as H. M. S. Pinafore, the Pirates of Penzance, and the Mikado. Therefore, certainly as a result of his education and experience, Sullivan composed a total of 24 operas, 11 symphonic works, and 10 choral pieces. Even more, he wrote a large number of noteworthy hymns such as Onward Christian Soldiers. Lost Chord Winds The general style of his music is maybe similar to Mendelssohn, Schumann, and perhaps Liszt. It seems like Sullivan was fond of writing distinct melodies for each character in his operettas. His melodies combine together as the characters did. Furthermore, he was a master orchestrator, and therefore played the flute, clarinet, trumpet, and trombone fluently. The Lost Chord Sullivan wrote his most noteworthy song the Lost Chord in 1877. As a result, it was a great success and was certainly performed all over the world by a variety of singers such as Enrico Caruso. Because Sullivan was the most famous composer in England, the Lost Chord became the most famous of all British or American songs of the 1870s and 1890s. Consequently, in 1888 Thomas Edison recorded The Lost Chord for the phonograph. It was one of the first songs ever recorded. Furthermore, Queen Victoria knighted Sullivan in 1883. Â
$26.95
It's Not The Wind
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Saxophone Alto et Piano
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INTERMÉDIAIRE
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Jirka Kadlec
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It's Not The Wind
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Editions Marc Reift - Digital
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SheetMusicPlus
Alto Saxophone & Piano - Grade 3 - SKU: R0.46275 Composed by Jirka Kadlec. Alto Saxophone & Piano. Score and parts. 8 pages. Duration 2'50. Editions Mar...
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Alto Saxophone & Piano - Grade 3 - SKU: R0.46275 Composed by Jirka Kadlec. Alto Saxophone & Piano. Score and parts. 8 pages. Duration 2'50. Editions Marc Reift - Digital #46275. Published by Editions Marc Reift - Digital (R0.46275).
$8.95
Korsakov: Flight of the Bumblebee for Alto Sax & Piano
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Saxophone Alto et Piano
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AVANCÉ
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Classique
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Contemporain
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Nikolay Andreyevich Rimsky-Kor
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James M
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Korsakov: Flight of the Bumble
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jmsgu3
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SheetMusicPlus
Alto Saxophone,Piano - Level 5 - SKU: A0.549254 Composed by Nikolay Andreyevich Rimsky-Korsakov. Arranged by James M. Guthrie, ASCAP. Instructional,Roma...
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Alto Saxophone,Piano - Level 5 - SKU: A0.549254 Composed by Nikolay Andreyevich Rimsky-Korsakov. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Standards. Score and part. 15 pages. Jmsgu3 #3473685. Published by jmsgu3 (A0.549254). Flight of the Bumblebee Flight of the Bumblebee is, to be sure, an orchestral interlude composed by Nikolai Rimsky-Korsakov for his opera The Tale of Tsar Saltan. Of course, Korsakov intended to portray a bumblebee's chaotic flying pattern musically. Nowadays, this piece is one of the comparatively more famous classical works because it frequently appears occasionally in popular culture. The piece appears notably in the opera at the close of Act III, Tableau 1. This is when the magic Swan-Bird changes the Prince (the son of the Tsar) into a bee so he can fly away to visit his father. Interestingly, at this point in the drama, his father, in effect, does not know that he is alive. Korsakov Background Nikolai Rimsky-Korsakov (1844 –1908) was a uniquely famous composer from Russia. He was likewise a member of an infamous assembly of composers called The Five. Korsakov was furthermore an expert in orchestration. His correspondingly most famous orchestral compositions- Capriccio Espagnol, the Russian Easter Festival Overture, and the Scheherazade suite- are essential monuments of the standard music repertoire. Also comparatively very important are his suites and excerpts from his 15 operas. Korsakov used Russian folklore and fairy tales, such as Scheherazade, in his music. Nationalistic Style Like fellow outspoken composer Balakirev, Korsakov believed in creating a nationalistic, Russia-centric style of classical music. The new style was called Orientalism. It similarly relied on native Russian materials, exotic scales, and experimental harmonic, melodic, and rhythmic procedures. This practice, conversely, ran counter to the developments in Western musical culture. Musical Developments Nevertheless, Korsakov developed an appreciation of Western musical techniques after he became a professor of musical composition, harmony, and orchestration at the Saint Petersburg Conservatory in 1871. Moreover, he undertook a rigorous three-year program of self-education. He mastered Western methods, incorporating them with the influences of Mikhail Glinka and other members of The Five. His techniques of composition and orchestration were additionally enriched by his exposure to the works of Richard Wagner. Naval Service Korsakov combined his music career accordingly with a career in the Russian military. He was in the first place an officer in the Russian Navy. In due time, he was appointed a civilian Inspector of Naval Bands. As a result, Korsakov expanded his knowledge of woodwind and brass playing, which heightened his orchestration capabilities. Legacy In due time, Korsakov contributed a significant number of Russian nationalist works. He also prepared, occasionally, compositions by The Five for presentation. This brought their works straightaway into the active classical repertoire as well. He also shaped an entire generation of younger composers as a music educator. Therefore, music historians consider Korsakov the foremost engineer of what the public considers the Russian composition style. He served as a transitional figure between The Five and the classically trained composers who became the norm over time. In addition to the Russians, he influenced non-Russian composers such as Ravel, Debussy, Dukas, and Respighi. Â
$32.95
Suo Gan for Eb Alto Saxophone & Piano
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Saxophone Alto et Piano
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Trad
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Keith Terrett
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&
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Suo Gan for Eb Alto Saxophone
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Keith Terrett
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SheetMusicPlus
Alto Saxophone,Piano - SKU: A0.746767 Composed by Trad. Arranged by Keith Terrett. Children,World. Score and part. 4 pages. Keith Terrett #3492307. Publ...
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Alto Saxophone,Piano - SKU: A0.746767 Composed by Trad. Arranged by Keith Terrett. Children,World. Score and part. 4 pages. Keith Terrett #3492307. Published by Keith Terrett (A0.746767). An arrangement for Eb Alto Saxophone & Piano of the Welsh lullaby Suo Gan. Suo Gân (Welsh pronunciation: [sɨɔ É¡É‘Ën]) is a traditional Welsh lullaby written by an anonymous composer. It was first recorded in print around 1800 and the lyrics were notably captured by the Welsh folklorist Robert Bryan (1858–1920). The song's title simply means lullaby (suo = lull; cân = song). Need an anthem fast? They are ALL in my store! All my anthem arrangements are also available for Orchestra, Recorders, Saxophones, Wind, Brass and Flexible band. If you need an anthem urgently for an instrumentation not in my store, let me know via e-mail, and I will arrange it for you FOC if possible! keithterrett@gmail.com If you perform this arrangement in public, make a recording or broadcast it through any media, please notify the PRS (UK), or ASCAP (USA), or SOCAN (Canada), or APRA (Australia) or KODA (Denmark) or the equivalent organisation in your own country, giving the name of the arranger as Keith Terrett.
$4.99
Ali Ben Sou Alle: Caprice sur La Prophète de Meyerbeer for alto saxophone and piano
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Saxophone Alto et Piano
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INTERMÉDIAIRE
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Ali Ben Sou Alle
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Ali Ben Sou Alle: Caprice sur
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Musik Fabrik Music Publishing
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SheetMusicPlus
Alto Saxophone,Piano - Level 3 - SKU: A0.533497 Composed by Ali Ben Sou Alle. Concert,Romantic Period,Standards. Score and part. 19 pages. Musik Fabrik ...
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Alto Saxophone,Piano - Level 3 - SKU: A0.533497 Composed by Ali Ben Sou Alle. Concert,Romantic Period,Standards. Score and part. 19 pages. Musik Fabrik Music Publishing #3000441. Published by Musik Fabrik Music Publishing (A0.533497). Meyerbeer’s Opera Le Prophète was one of the most influential works of the 19th century, inspiring Verdi, Wagner, Liszt andothers with its dramatic score. Caprice sur Le Prophète de Meyerbeer begins with an extended Aria with several cadenzas. The work ends with a Polka in Rondo form which has a brillant variation.One of the most enigmatic figures in the history of Wind Music, Ali Ben Sou Alle (Charles-Valentin Soualle) was born in 1820 in Arras, France. After receiving his first prize in Clarinet at the Paris Conservatory in 1844. he served as the director of music of The French Marine Band in Senegal, and then was named first clarinet solo at the Opéra-Comique in Paris. However, after the Revolution of 1848, Soualle was forced to flee France to England where he settled in London, playing in the Orchestra of the Queen's Theatre. His songs and piano pieces were published in London.While in London, Soualle met another exiled French musician, Louis Antoine Jullien, who conducted a light music series in London. Jullien encouraged Soualle to take up the saxophone, and after modifying the instrument by adding a single octave mechanism (the modern system used today) and keys for the lower register, Soualle became known as a virtuoso and began touring performing solo recitals (or mono-concerts, as they were called at the time) calling his modified saxophone the «turcophone ». He performed in all the European capitals and then traveled to Australia, New Zealand, Manilla, Java, through China and then to India where he finally settled in Mysore, becoming the director of the Royal Music for the Maharadjah. It was during this period that he converted to Islam and changed his nmae to Ali ben Sou Alle (or Ali, son of Soualle). He subsequently travaled to Ile Maurice, to French Polynesia, the Cap of Natal and the Cap of Good Hope. All of these voyages were subjects of musical works which Soualle entitled Souvenirs de... and may perhaps have been part of a collectionknown as The Royal Album which was presented to the Prince of Wales after a royal concert. Soualle returned to Mysore in 1858 and was almost killed in the Indian Revolution.Around 1860, Soualle returned to France for health reasons and began publishing his own music. On March 27 1865, he performed a command performance for the Emperor Napoleon III at the Tuileries Palace in the presence of the entire Imperial Family. After 1865, nothing more is known about him.
$11.95
Ali Ben Sou Alle: Fantaisie sur Robert le Diable for alto saxophone and piano
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Saxophone Alto et Piano
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INTERMÉDIAIRE/AVANCÉ
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Ali Ben Sou Alle
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Ali Ben Sou Alle: Fantaisie su
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Musik Fabrik Music Publishing
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SheetMusicPlus
Alto Saxophone,Piano - Level 4 - SKU: A0.533499 Composed by Ali Ben Sou Alle. Concert,Romantic Period,Standards. Score and part. 28 pages. Musik Fabrik ...
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Alto Saxophone,Piano - Level 4 - SKU: A0.533499 Composed by Ali Ben Sou Alle. Concert,Romantic Period,Standards. Score and part. 28 pages. Musik Fabrik Music Publishing #3000445. Published by Musik Fabrik Music Publishing (A0.533499). Meyerbeer’s Opera Le Prophète was one of the most influential works of the 19th century, inspiring Verdi, Wagner, Liszt and others with its dramatic score. Caprice sur Le Prophète de Meyerbeer begins with an extended Aria with several cadenzas. The work ends with a Polka in Rondo form which has a brillant variation.One of the most enigmatic figures in the history of Wind Music, Ali Ben Sou Alle (Charles-Valentin Soualle) was born in 1820 in Arras, France. After receiving his first prize in Clarinet at the Paris Conservatory in 1844. he served as the director of music of The French Marine Band in Senegal, and then was named first clarinet solo at the Opéra-Comique in Paris. However, after the Revolution of 1848, Soualle was forced to flee France to England where he settled in London, playing in the Orchestra of the Queen's Theatre. His songs and piano pieces were published in London.While in London, Soualle met another exiled French musician, Louis Antoine Jullien, who conducted a light music series in London. Jullien encouraged Soualle to take up the saxophone, and after modifying the instrument by adding a single octave mechanism (the modern system used today) and keys for the lower register, Soualle became known as a virtuoso and began touring performing solo recitals (or mono-concerts, as they were called at the time) calling his modified saxophone the «turcophone ». He performed in all the European capitals and then traveled to Australia, New Zealand, Manilla, Java, through China and then to India where he finally settled in Mysore, becoming the director of the Royal Music for the Maharadjah. It was during this period that he converted to Islam and changed his nmae to Ali ben Sou Alle (or Ali, son of Soualle). He subsequently travaled to Ile Maurice, to French Polynesia, the Cap of Natal and the Cap of Good Hope. All of these voyages were subjects of musical works which Soualle entitled Souvenirs de... and may perhaps have been part of a collectionknown as The Royal Album which was presented to the Prince of Wales after a royal concert. Soualle returned to Mysore in 1858 and was almost killed in the Indian Revolution.Around 1860, Soualle returned to France for health reasons and began publishing his own music. On March 27 1865, he performed a command performance for the Emperor Napoleon III at the Tuileries Palace in the presence of the entire Imperial Family. After 1865, nothing more is known about him.
$19.95
Morning Mood by Grieg for Alto Sax and Piano with Chords
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Saxophone Alto et Piano
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INTERMÉDIAIRE
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Edvard Grieg
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Glauco Fernandes
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Morning Mood by Grieg for Alto
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Glauco Fernandes
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SheetMusicPlus
Alto Saxophone,Piano - Level 3 - SKU: A0.1412934 Composed by Edvard Grieg. Arranged by Glauco Fernandes. Chamber,Classical,Instructional,Romantic Period...
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Alto Saxophone,Piano - Level 3 - SKU: A0.1412934 Composed by Edvard Grieg. Arranged by Glauco Fernandes. Chamber,Classical,Instructional,Romantic Period,Wedding. Score and part. 4 pages. Glauco Fernandes #994938. Published by Glauco Fernandes (A0.1412934). Dive into the serenity of dawn with our exclusive arrangement of Edvard Grieg's Morning Mood from the Peer Gynt Suite. This carefully crafted arrangement is perfect for musicians looking to not only enrich their repertoire but also capture the tranquil and inspiring essence of Grieg's famous melody.For educators and music teachers, this score becomes a valuable pedagogical resource, allowing students to explore the nuances of Romantic composition and develop a deep appreciation for the ability to evoke images and emotions through music. Introducing Morning Mood into lessons can offer a window into the vast world of program music, encouraging a more intimate and expressive connection with musical performance.This arrangement is equally valuable for professional musicians, providing a refined and expressive piece for concerts, special events, and even moments of personal reflection. The universality and timeless beauty of Morning Mood make it a desirable addition to any musician's repertoire, standing out in occasions ranging from formal recitals to more intimate ceremonies.Our arrangement of Morning Mood promises to be a rewarding addition for students seeking musical growth as well as for professionals wishing to enchant their audience with the tranquil beauty of dawn. Maintaining the essence and charm of Grieg's original composition, this arrangement invites everyone to experience the magic of one of the most emblematic moments in classical music.Tags: Edvard Grieg, Peer Gynt, Morning Mood, Romantic music, music education, arrangement, repertoire for events, classical music, sheet music, musical growth, expressive performance.
$6.99
Morning Mood by Grieg for Alto Sax and Piano
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Saxophone Alto et Piano
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INTERMÉDIAIRE
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Edvard Grieg
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Glauco Fernandes
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Morning Mood by Grieg for Alto
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Glauco Fernandes
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SheetMusicPlus
Alto Saxophone,Piano - Level 3 - SKU: A0.1412938 Composed by Edvard Grieg. Arranged by Glauco Fernandes. Chamber,Classical,Instructional,Romantic Period...
(+)
Alto Saxophone,Piano - Level 3 - SKU: A0.1412938 Composed by Edvard Grieg. Arranged by Glauco Fernandes. Chamber,Classical,Instructional,Romantic Period,Wedding. Score and part. 4 pages. Glauco Fernandes #994943. Published by Glauco Fernandes (A0.1412938). Dive into the serenity of dawn with our exclusive arrangement of Edvard Grieg's Morning Mood from the Peer Gynt Suite. This carefully crafted arrangement is perfect for musicians looking to not only enrich their repertoire but also capture the tranquil and inspiring essence of Grieg's famous melody.For educators and music teachers, this score becomes a valuable pedagogical resource, allowing students to explore the nuances of Romantic composition and develop a deep appreciation for the ability to evoke images and emotions through music. Introducing Morning Mood into lessons can offer a window into the vast world of program music, encouraging a more intimate and expressive connection with musical performance.This arrangement is equally valuable for professional musicians, providing a refined and expressive piece for concerts, special events, and even moments of personal reflection. The universality and timeless beauty of Morning Mood make it a desirable addition to any musician's repertoire, standing out in occasions ranging from formal recitals to more intimate ceremonies.Our arrangement of Morning Mood promises to be a rewarding addition for students seeking musical growth as well as for professionals wishing to enchant their audience with the tranquil beauty of dawn. Maintaining the essence and charm of Grieg's original composition, this arrangement invites everyone to experience the magic of one of the most emblematic moments in classical music.Tags: Edvard Grieg, Peer Gynt, Morning Mood, Romantic music, music education, arrangement, repertoire for events, classical music, sheet music, musical growth, expressive performance.
$6.99
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It's Not The Wind
