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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
It Had To Be You""
Non classifié
529
Piano & claviers
Piano, Voix et Guitare
377
Piano seul
183
Piano, Voix
52
Piano Facile
21
Orgue
19
Instruments en Do
15
2 Pianos, 4 mains
7
1 Piano, 4 mains
4
Accompagnement Piano
4
Piano grosses notes
3
Piano Trio: piano, violon, violoncelle
1
Piano Quatuor: piano, 2 violons, violoncelle
1
Piano Quatuor: piano, violon, alto, violoncelle
1
+ 8 instrumentations
Retracter
Guitares
Guitare notes et tablatures
22
Ligne De Mélodie, (Paroles) et Accords
14
Guitare
12
Guitare (partie séparée)
4
Banjo
4
Ukulele
4
Ensemble de Ukulélés
3
Basse electrique
3
Dulcimer
2
Mandoline
1
Mandoline, Guitare (duo)
1
4 Guitares (Quatuor)
1
+ 7 instrumentations
Retracter
Voix
Chorale SATB
60
Chorale 3 parties
16
Chorale TTBB
12
Chorale 2 parties
11
Chorale Unison
4
Chorale SSAA
4
Voix duo
3
Voix Soprano, Piano
2
Voix Tenor
2
Voix Alto, Piano
1
Voix duo, Piano
1
Voix basse, Piano
1
Soli, choeur mixte et accompagnement
1
Voix Baryton, Piano
1
Voix haute
1
+ 10 instrumentations
Retracter
Vents
Quintette de Saxophone: 5 saxophones
74
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
69
Ensemble de saxophones
41
Saxophone (partie séparée)
24
Quatuor de Saxophones: 4 saxophones
24
Ensemble de Clarinettes
21
2 Flûtes traversières (duo)
15
Clarinette
15
Clarinette et Piano
14
Hautbois (partie séparée)
12
Flûte traversière et Piano
12
Quatuor de Clarinettes: 4 clarinettes
12
Saxophone Alto et Piano
11
Quintette de Flûte : 5 flûtes
10
Ensemble de Flûtes
9
Flûte, Hautbois, Clarinette, Basson
8
Saxophone Tenor et Piano
7
2 Saxophones (duo)
6
Hautbois, Piano (duo)
6
3 Clarinettes (trio)
4
Saxophone Alto
4
Saxophone, Clarinette (duo)
3
Flûte traversière
3
Cor anglais, Piano
2
Saxophone Tenor
2
3 Saxophones (trio)
2
Quatuor de Flûtes : 4 flûtes
2
Flute (partie séparée)
2
Saxophone Soprano et Piano
2
Saxophone Baryton, Piano
1
Hautbois, Guitare (duo)
1
Hautbois, Clarinette (duo)
1
Saxophone et Orgue
1
Clarinette, Violoncelle (duo)
1
Trio de Flûtes: 3 flûtes
1
Quintette de Clarinettes: 5 clarinettes
1
Clarinette Basse, Piano
1
Flûte, Trompette (duo)
1
Flûte, Clarinette (duo)
1
Cor Anglais
1
2 Hautbois (duo)
1
Hautbois, Basson (duo)
1
Flûte, Violon
1
Flûte, Violon, Piano
1
Hautbois, Flûte
1
Cor anglais, Guitare (duo)
1
Flûte à bec Soprano
1
Flûte, Alto (duo)
1
+ 43 instrumentations
Retracter
Cuivres
Quatuor de Cuivres : 2 trompettes, trombone, tuba
49
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
34
Trombone (partie séparée)
17
Ensemble de Trombones
16
Trompette (partie séparée)
14
Quatuor de Cuivres
11
Ensemble de Trompettes
11
Quatuor de Cuivres: 2 trompettes, Cor, trombone
7
Cor et Piano
6
Trombone
6
Trombone et Piano
5
Trompette
5
Trompette, Piano
4
Trompette, Trombone (duo)
4
Euphonium, Piano (duo)
3
Ensemble de Cors
3
Tuba et Piano
3
Cor anglais, Piano
2
Trio de Cuivres
2
2 Trompettes (duo)
2
Quatuor de cuivres: 4 trombones
2
Tuba (partie séparée)
2
Tuba
2
Cor (partie séparée)
2
Trompette, Saxophone (duo)
2
2 Tubas (duo)
2
Cor
2
2 Trombones (duo)
2
4 Tubas
1
Ensemble de Tubas
1
Cor Anglais
1
Cor anglais, Guitare (duo)
1
+ 27 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
30
Violon et Piano
23
Harpe
16
Ensemble de Violons
10
2 Violons (duo)
10
Violoncelle, Piano
10
Ensemble d'Altos
9
Trio à Cordes: violon, alto, violoncelle
9
Violon, Violoncelle (duo)
9
Violon
8
2 Violoncelles (duo)
7
Alto, Piano
7
Quintette à cordes: 2 violons, alto, violoncelle, basse
7
Violoncelle
7
2 Altos (duo)
5
Contre Basse
4
Alto seul
3
Quintette à cordes: 2 violons, 2 altos, violoncelle
2
Violon, Alto (duo)
2
Trio à Cordes: 2 violons, violoncelle
2
Contrebasse (partie séparée)
2
Violoncelle, Orgue
1
Contrebasse, Piano (duo)
1
4 Contrebasses
1
Violoncelle , Guitare (duo)
1
4 Violoncelles
1
Ensemble de Violoncelles
1
Trio à cordes: 3 violins
1
+ 23 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
92
Fanfare
58
Ensemble Jazz
37
Orchestre
32
Orchestre à Cordes
27
Orchestre de chambre
23
Jazz combo
13
Ensemble de cuivres
11
Ensemble de Percussions
5
Batterie (partie séparée)
3
Cloches
3
Vibraphone
3
Batterie
1
+ 8 instrumentations
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
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CORNET
DEEJAY
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EUPHONIUM
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FLUTE TRAVERSI…
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Vous avez sélectionné:
It Had To Be You""
Saxophone Alto et Piano
Partitions à imprimer
11 partitions trouvées
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1
It Had To Be You (Alto Sax and Piano)
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Saxophone Alto et Piano
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FACILE
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Isham Jones
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Tyler Adams
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It Had To Be You
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Adams Arrangements
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SheetMusicPlus
Alto Saxophone,Piano - Level 2 - SKU: A0.1209330 Composed by Isham Jones. Arranged by Tyler Adams. Instructional,Jazz,Pop,Standards. Score and part. 12 ...
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Alto Saxophone,Piano - Level 2 - SKU: A0.1209330 Composed by Isham Jones. Arranged by Tyler Adams. Instructional,Jazz,Pop,Standards. Score and part. 12 pages. Adams Arrangements #807447. Published by Adams Arrangements (A0.1209330). It Had To Be You warmly arranged for alto saxophone and piano.
$2.99
In the hall of the mountain king (Grieg) (but not as you know it!) includes original sax solo - Eb s
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Saxophone Alto et Piano
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INTERMÉDIAIRE
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Classique
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Halloween
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Chris Lawry, Keri Degg
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In the hall of the mountain ki
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Masquerade Music
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SheetMusicPlus
Instrumental Duet,Piano Alto Saxophone,Piano - Level 3 - SKU: A0.761553 Composed by Chris Lawry, Keri Degg. 20th Century,Jazz,Romantic Period. Score and...
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Instrumental Duet,Piano Alto Saxophone,Piano - Level 3 - SKU: A0.761553 Composed by Chris Lawry, Keri Degg. 20th Century,Jazz,Romantic Period. Score and part. 9 pages. Masquerade Music #6424375. Published by Masquerade Music (A0.761553). It had to be done, and yes, we did it! Are you ready to play Grieg as you’ve never played it before? Arranged in a Jazz/Reggae/funk style for Alto (or baritone) saxophone and piano. As well as the classic Grieg theme, there is also a fully written out original saxophone solo which includes a gradual increase in tempo which adds to the humour! If you enjoyed listening to the enhanced demonstration video, the demonstration and backing tracks will be available to purchase from our website soon. In the hall of the mountain king is perfect for intermediate players (approx grade 4-6).
$3.99
Für Elise (but not as you know it!) includes original sax solo - Eb saxophone & piano - Jazz
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Saxophone Alto et Piano
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INTERMÉDIAIRE
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Chris Lawry, Keri Degg
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Für Elise
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Masquerade Music
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SheetMusicPlus
Instrumental Duet,Piano Alto Saxophone,Piano - Level 3 - SKU: A0.761545 Composed by Chris Lawry, Keri Degg. Classical,Contemporary,Jazz. Score and part....
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Instrumental Duet,Piano Alto Saxophone,Piano - Level 3 - SKU: A0.761545 Composed by Chris Lawry, Keri Degg. Classical,Contemporary,Jazz. Score and part. 10 pages. Masquerade Music #6424333. Published by Masquerade Music (A0.761545). It had to be done, and yes, we did it! Are you ready to play Beethoven as you’ve never played it before? Arranged in a Jazz swing style for Eb saxophone and piano with a definite Paul Desmond/Take Five feel. As well as the classic Beethoven theme, there is also a fully written out original saxophone solo which makes this a delight to play, and a great performance piece too. If you enjoyed listening to the enhanced demonstration video, the demonstration and backing tracks will be available to purchase from our website soon. Für Elise is perfect for intermediate players (approx grade 4-6).
$3.99
Arrival of the Queen of Sheba - Handel (but not as you know it!) includes original sax solo - Eb sax
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Saxophone Alto et Piano
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FACILE
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Chris Lawry Keri Degg
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Arrival of the Queen of Sheba
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Masquerade Music
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SheetMusicPlus
Instrumental Duet,Piano Alto Saxophone,Piano - Level 2 - SKU: A0.761557 Composed by Chris Lawry Keri Degg. Baroque,Jazz. Score and part. 10 pages. Masqu...
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Instrumental Duet,Piano Alto Saxophone,Piano - Level 2 - SKU: A0.761557 Composed by Chris Lawry Keri Degg. Baroque,Jazz. Score and part. 10 pages. Masquerade Music #6424399. Published by Masquerade Music (A0.761557). It had to be done, and yes, we did it! Are you ready to play Handel as you’ve never played it before? Arranged in a cool/smooth Jazz style for Eb saxophone (alto, or baritone) and piano with sound influences from Scott Hamilton, Stan Getz, and Paul Desmond. As well as the classic Queen of Sheba theme, there is also a fully written out original saxophone solo which makes this a delight to play and conjures up images of a late night Jazz lounge. If you enjoyed listening to the enhanced demonstration video, the demonstration and backing tracks will be available to purchase from our website soon. Arrival of the Queen of Sheba is perfect for intermediate players (approx grade 3-5).
$3.99
Turkish Rondo - Mozart (but not as you know it!) includes original sax solo - Alto (or baritone) sax
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Saxophone Alto et Piano
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INTERMÉDIAIRE/AVANCÉ
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Chris Lawry, Keri Degg
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Turkish Rondo - Mozart
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Masquerade Music
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SheetMusicPlus
Instrumental Duet,Piano Alto Saxophone,Piano - Level 4 - SKU: A0.761561 Composed by Chris Lawry, Keri Degg. Classical,Contemporary,Jazz. Score and part....
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Instrumental Duet,Piano Alto Saxophone,Piano - Level 4 - SKU: A0.761561 Composed by Chris Lawry, Keri Degg. Classical,Contemporary,Jazz. Score and part. 13 pages. Masquerade Music #6424409. Published by Masquerade Music (A0.761561). It had to be done, and yes, we did it! Are you ready to play Mozart as you’ve never played it before? Arranged in a Jazz style for Alto (or baritone) saxophone in an upbeat swing with additional comedy moments. As well as the classic Mozart theme, there is also a fully written out original saxophone solo. If you enjoyed listening to the enhanced demonstration video, the demonstration and backing tracks will be available to purchase from our website soon. Turkish Rondo is perfect for upper intermediate players (approx grade 6-7).
$3.99
Ride of the Valkyries (but not as you know it!) includes original sax solo - Eb saxophone & piano -
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Saxophone Alto et Piano
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FACILE
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Jazz
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Chris Lawry and Keri Degg
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Ride of the Valkyries
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Masquerade Music
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SheetMusicPlus
Instrumental Duet,Piano Alto Saxophone,Piano - Level 2 - SKU: A0.761549 Composed by Chris Lawry and Keri Degg. Jazz. Score and part. 8 pages. Masquerade...
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Instrumental Duet,Piano Alto Saxophone,Piano - Level 2 - SKU: A0.761549 Composed by Chris Lawry and Keri Degg. Jazz. Score and part. 8 pages. Masquerade Music #6424359. Published by Masquerade Music (A0.761549). It had to be done, and yes, we did it! Are you ready to play Wagner as you’ve never played it before? Arranged in a cool/smooth Jazz style for Eb saxophone (alto, or baritone) and piano with sound influences from Scott Hamilton, Stan Getz, and Paul Desmond. As well as the classic Valkyries theme, there is also a fully written out original saxophone solo which makes this a delight to play and conjures up images of a late night Jazz lounge. Ride of the Valkyries is perfect for intermediate players (approx grade 3-5).
$3.99
Alto Sax - "And Can It Be?" Theme and Variations
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Saxophone Alto et Piano
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INTERMÉDIAIRE
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Musique Sacrée
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Lyrics: Charles Wesley, Music:
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Dan Cutchen
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Alto Sax - "And Can It Be
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Dan Cutchen Music
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SheetMusicPlus
Alto Saxophone,Piano - Level 3 - SKU: A0.844328 Composed by Lyrics: Charles Wesley, Music: Thomas Campbell, published 1738, and published 1825. Arranged...
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Alto Saxophone,Piano - Level 3 - SKU: A0.844328 Composed by Lyrics: Charles Wesley, Music: Thomas Campbell, published 1738, and published 1825. Arranged by Dan Cutchen. Easter,Gospel,Sacred,Spiritual. Score and part. 15 pages. Dan Cutchen Music #3115903. Published by Dan Cutchen Music (A0.844328). This arrangement of And Can It Be That I Should Gain? is for alto saxophone solo and piano.A theme and variation treatment is used. For a piano background Mp3 track, search for: Alto Sax - And Can It Be? Theme and Variations-Accompaniment Track, Dan CutchenTime: approximately 6:00And Can It Be That I Should Gain? is a Christian hymn written by Charles Wesley. And Can It Be was written in 1738 to celebrate Wesley's conversion, which he regarded as having taken place on May 21 of that year. This beautiful hymn has been popular and enduring.And Can It Be That I Should Gain is perhaps one of the most joyfully poignant hymns penned by Charles Wesley (1707-1788). On Whitsunday (Pentecost), May 21, 1738, three days before his brother John experienced his heart strangely warmed,’ Charles was convalescing in the home of John Bray, a poor mechanic, when he heard a voice saying, In the name of Jesus of Nazareth, arise, and believe, and thou shalt be healed of all thy infirmities. The voice was most likely Mr. Bray’s sister who felt commanded to say these words in a dream.Anglican hymn writer Timothy Dudley-Smith, notes that the following then happened:Charles got out of bed and opening his Bible read from the Psalms: He have put a new song in my mouth, even praise unto our God, followed by the first verse of Isaiah 40, Comfort ye, comfort ye my people, saith your God. He wrote in his journal, I have found myself at peace with God, and rejoiced in the hope of love Christ (Dudley-Smith, 1987, 1).The statement from Mr. Bray’s sister sparked within Charles a conviction like he had never felt before. Moved and convicted in spirit, Charles wrestled with these words until he came to rest in his faith, knowing that it is by faith we are saved (Ephesians 2:8).Soon after this conversion experience, he wrote two hymns in celebration of the amazing love he had come to know: And Can It Be that I Should Gain and Where Shall My Wondering Soul Begin? (United Methodist Hymnal, 342)There has been some debate as to which hymn was written first, but most current scholarship accepts the latter as the first hymn written by Charles after his conversion experience. No matter its place in the chronology of Wesley's output, And Can It Be has been and remains one of his most remarkable hymns, expressing like no other the rapturous joy of receiving salvation.And Can It Be That I Should Gain. Hymnary.org, https://hymnary.org/text/and_can_it_be_that_i_should_gainDudley-Smith, Timothy. A Flame of Love: A Personal Choice of Charles Wesley’s Verse. London: Triangle SPCK, 1987.Timothy Dudley-Smith. And can it be that I should gain. The Canterbury Dictionary of Hymnology. Canterbury Press, accessed May 29, 2018, http://www.hymnology.co.uk/a/and-can-it-be-that-i-should-gain.Young, Carlton R. And Can It Be That I Should Gain. Companion to the United Methodist Hymnal. Abingdon Press, 1993.(Taken from: History of Hymns: And Can It Be That I Should Gain by DeAndre Johnson found at https://www.umcdiscipleship.org/resources)https://youtu.be/BSX9yYcNY2E
$7.00
Luther: Out of the Depths for Alto Sax & Piano
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Saxophone Alto et Piano
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DÉBUTANT
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Martin Luther
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James M
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piano
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Luther: Out of the Depths for
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jmsgu3
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SheetMusicPlus
Alto Saxophone,Piano - Level 1 - SKU: A0.548709 Composed by Martin Luther. Arranged by James M. Guthrie. Easter,Instructional,Standards. Score and part....
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Alto Saxophone,Piano - Level 1 - SKU: A0.548709 Composed by Martin Luther. Arranged by James M. Guthrie. Easter,Instructional,Standards. Score and part. 4 pages. Jmsgu3 #3411721. Published by jmsgu3 (A0.548709). Out of the Depths I Cry to You by Martin Luther arranged for alto sax & piano. The first verses feature modified counterpoint and harmony proceeding at quarter = 82. The final verse is reharmonized for maximum dramatic effect at a more contemplative tempo such as quarter = 64. Features the entire range of the instrument. Very powerful selection for Lent or Easter. Duration (3 verses) 3:05, 36 ms. Score: 3 pg. Solo part: 1 pg. The piano reads from the score. Out of the Depths Aus tiefer Not schrei ich zu dir (From deep affliction I cry out to you), is, of course, a hymn composed by Martin Luther. Moreover, Luther also wrote the lyrics, essentially a paraphrase of Psalm 130. First published in 1524, it is also one of eight songs in the original Lutheran hymnal. It appears likewise in many hymnals and in different translations. The lyrics furthermore stimulated compositions from the Renaissance to the contemporary. Consequently, composers such as Johann Sebastian Bach built an entire chorale cantata on it. Other composers similarly contributed pieces, such as Felix Mendelssohn and Max Reger. Luther Background Martin Luther, (1483 –1546) was a German professor of theology, composer, priest, and moreover, an influential character in the Protestant Reformation. Luther had a momentous impact on church and society due to his contributions to the musical arts. He wanted to disseminate the gospel among mankind and with this intention thought that the best way to do that was through music. Influence It is important to realize that other musicians, and their descendants, were encouraged by Luther’s songs and wrote their own hymns. Luther, to be sure, had a thorough musical education. For example, he knew secular and sacred songs from an early age. He, in particular, played the lute well and sang in the monastery when he was a monk. That is to say, music was an essential part of his life. He in fact first began writing songs in 1523, sometimes writing the melody as well as the lyrics. Luther was certainly able to evaluate the composers of his time. He thought especially highly of Josquin des and Ludwig Senfl. He was also acquainted, with this in mind, with other composers and their works. Legacy The Lutheran musical ethos soon covered all of Germany and later significantly fashioned Protestant musical culture. Heinrich Schütz and Johann Sebastian Bach are the most compelling evidence of this Protestant musical culture. Additionally, as a point often overlooked, the pedal organ, first refined in northern Germany, became universally prevalent. As a matter of fact, Dieterich Buxtehude established a regular evening organ concert series in Lübeck. Another key point is that this concert series, in turn, spread North German Musical ideas worldwide. Luther was especially convinced that music is a beautiful and exclusive offering of the divine.
$24.95
Liebestraum No.3 - Alto Sax and Piano (Full Score and Parts)
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Saxophone Alto et Piano
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INTERMÉDIAIRE/AVANCÉ
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Franz Liszt
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César Madeira
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Liebestraum No.3 - Alto Sax an
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Sheet Music To Play Editions
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SheetMusicPlus
Alto Saxophone,Piano - Level 4 - SKU: A0.1499358 Composed by Franz Liszt. Arranged by César Madeira. 19th Century,Classical,Film/TV,Romantic Period,Wed...
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Alto Saxophone,Piano - Level 4 - SKU: A0.1499358 Composed by Franz Liszt. Arranged by César Madeira. 19th Century,Classical,Film/TV,Romantic Period,Wedding. Score and part. 19 pages. Sheet Music To Play Editions #1075414. Published by Sheet Music To Play Editions (A0.1499358). Liebestraum No.3 in Ab Major, S.541/3 by Franz Liszt. Arrangement for Alto Sax and Piano. With Full Score and Individual Parts. Enjoy it!Franz Liszt (1811 – 1886) was a Hungarian composer, virtuoso pianist, conductor and teacher of the Romantic period. With a diverse body of work spanning more than six decades, he is considered to be one of the most prolific and influential composers of his era. Many of his piano pieces were harder to play than anything that had been written before. In this way he developed the technique of piano playing, setting new standards for the future.For Tutorials, Play Alongs or request New Arrangements, visit the YouTube Channel: Sheet Music To Play
$9.99
Beginnings
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Saxophone Alto et Piano
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FACILE
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Rock
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Chicago
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Jeff Tincher
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Beginnings
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Jeff Tincher
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SheetMusicPlus
Alto Saxophone,Piano - Level 2 - SKU: A0.582947 By Chicago. By Robert Lamm. Arranged by Jeff Tincher. Pop,Rock. Score and part. 37 pages. Jeff Tincher #...
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Alto Saxophone,Piano - Level 2 - SKU: A0.582947 By Chicago. By Robert Lamm. Arranged by Jeff Tincher. Pop,Rock. Score and part. 37 pages. Jeff Tincher #3530737. Published by Jeff Tincher (A0.582947). This is a Eb instrument and PIano arrangement of one of Chicago's early hits. This was the second single that they released. It never charted. However it has become one of the most requested songs at their live concerts. Robert Lamm once said he wrote this song as an attempt to create a song that had no rhymes. I think he succeeded. This arrangement is in the original key from their first album The Chicago Transit Authority. The trombone and trumpet solos are included in the arrangement. The album version has the percussion continuing until it fades out. I included the Chicago IV: Live At Carnegie Hall ending so that you can perform this live. This is a mellow rock song that will be well received at any live venue. Duration=5:41. Visit my websites: https://jefftincher.wixsite.com/sheetmusic, https://jefftincher.wixsite.com/music, https://www.facebook.com/jefftincherpublishing
$5.99
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