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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
J. S. Bach - Cello Suite 1
Non classifié
16
Piano & claviers
Piano seul
8
Piano, Voix et Guitare
4
1 Piano, 4 mains
1
Orgue
1
Piano, Voix
1
Guitares
Guitare notes et tablatures
3
Guitare
2
Ligne De Mélodie, (Paroles) et Accords
2
Ukulele
1
3 Guitares (trio)
1
2 Guitares (duo)
1
+ 1 instrumentations
Retracter
Voix
Vents
Saxophone Alto
5
Clarinette et Piano
5
Saxophone (partie séparée)
4
Saxophone Tenor
4
Flûte et Guitare
4
Flûte traversière et Piano
3
Flûte traversière
3
Saxophone Soprano et Piano
2
2 Saxophones (duo)
2
2 Flûtes traversières (duo)
2
Clarinette
2
Saxophone Baryton, Piano
2
Saxophone Alto et Piano
2
Hautbois, Piano (duo)
2
Saxophone Tenor et Piano
2
Hautbois
1
3 Clarinettes (trio)
1
Piccolo, Piano
1
2 Clarinettes (duo)
1
Flûte, Clarinette (duo)
1
Hautbois, Clarinette, Basson (trio d'anches)
1
Ensemble de Clarinettes
1
Clarinette Basse, Piano
1
Cor anglais, Piano
1
Quatuor de Clarinettes: 4 clarinettes
1
Flûte, Hautbois, Clarinette, Basson
1
Trio de Flûtes: 3 flûtes
1
Quatuor de Flûtes : 4 flûtes
1
Quintette de Saxophone: 5 saxophones
1
3 Saxophones (trio)
1
Flûte à bec Alto
1
2 Flûte à bec (duo)
1
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
1
+ 28 instrumentations
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Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
4
Trombone
2
Tuba
2
Trompette, Piano
2
Euphonium, Piano (duo)
2
2 Trompettes (duo)
1
Cor anglais, Piano
1
Euphonium
1
Trombone basse
1
Trompette
1
2 Trombones (duo)
1
Cor et Piano
1
Trompette, Trombone (duo)
1
Cor
1
Trombone et Piano
1
+ 10 instrumentations
Retracter
Cordes
Violon et Piano
8
Violon
2
Alto seul
2
Quatuor à cordes: 2 violons, alto, violoncelle
1
Alto, Piano
1
2 Altos (duo)
1
2 Violons (duo)
1
Violon, Alto (duo)
1
+ 3 instrumentations
Retracter
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Orchestre à Cordes
3
Orchestre d'harmonie
3
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1
Ensemble de cuivres
1
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
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Crtitères actifs :
J. S. Bach - Cello Suite 1
Saxophone Alto et Piano
Partitions à imprimer
2 partitions trouvées
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Badinerie - J.S.Bach - for Alto Sax and Piano
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Saxophone Alto et Piano
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Johann Sebastian Bach
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Raymond Fenech
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Badinerie - J.S.Bach - for Alt
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Raymond Fenech
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SheetMusicPlus
Alto Saxophone,Piano - Level 4 - SKU: A0.1304473 Composed by Johann Sebastian Bach. Arranged by Raymond Fenech. Baroque,Christmas,Contest,Easter,Festiva...
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Alto Saxophone,Piano - Level 4 - SKU: A0.1304473 Composed by Johann Sebastian Bach. Arranged by Raymond Fenech. Baroque,Christmas,Contest,Easter,Festival,Multicultural,World. Score and part. 9 pages. Raymond Fenech #893964. Published by Raymond Fenech (A0.1304473). The second of Bach’s four orchestral suites is actually the one he composed last, in Leipzig around 1739, and is probably the last orchestral music of any kind that he wrote. It is basically a solo flute concerto in the form of a dance suite, and an extraordinarily difficult flute concerto at that. A badinerie is a sort of character piece in 18th-century suites, with no particular dance rhythm or meter. This one has a full measure of the light and lively bantering the title implies, which has made it also popular with jazz arrangers. The Duration is approx. 1.32 minutes and the level is Advanced Intermediate.
$3.99
Bach-Gounod: Ave Maria, Schwencke version for Alto Sax & Piano
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Saxophone Alto et Piano
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FACILE
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J
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James M
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Bach-Gounod: Ave Maria, Schwen
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jmsgu3
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SheetMusicPlus
Alto Saxophone,Piano - Level 2 - SKU: A0.550919 Composed by J. S. Bach - Gounod. Arranged by James M. Guthrie, ASCAP. Christmas,Contemporary,Easter,Wedd...
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Alto Saxophone,Piano - Level 2 - SKU: A0.550919 Composed by J. S. Bach - Gounod. Arranged by James M. Guthrie, ASCAP. Christmas,Contemporary,Easter,Wedding. Score and part. 11 pages. Jmsgu3 #4888291. Published by jmsgu3 (A0.550919). This arrangement features the controversial Schwencke measure (ms. 27) that was originally introduced in 1783 by Christian Friedrich Gottlieb Schwencke. The convenient 1st & 2nd endings provide an option for extended performance. Duration with repeat - 4:50. Score: 6 pages. Solo part: 2 pages, piano part: 4 pages. Based on Prelude #1 in C Major from the Well-Tempered Clavier, Book 1. Well suited for church meditations or school programs or recital encores. Ave Maria Ave Maria is a Catholic prayer that consequently asks for the mother of Jesus (Mary) to intercede. Charles Gounod composed a famous version of the Ave Maria. He was a French Romantic composer who overlaid a new melody on an existing Bach chord progression. The progression is from Bach’s Prelude No. 1 from Well-Tempered Clavier I. This version, as well as Schubert’s version, have become essential items at weddings, masses, and funerals. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio.  History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as a court composer.  Style It seems like Bach created an engaging new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival        Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV. Â
$32.95
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J. S. Bach - Cello Suite 1
