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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
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EUPHONIUM
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James-Scott
Non classifié
136
Piano & claviers
Piano seul
100
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17
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15
Piano, Voix
11
Orgue
5
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3
Accordéon
3
2 Pianos, 4 mains
2
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2
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1
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1
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1
+ 7 instrumentations
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Guitare notes et tablatures
36
Guitare
15
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3
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2
Mandoline
1
Ukulele
1
Basse electrique
1
Paroles et Accords
1
+ 3 instrumentations
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Chorale SATB
28
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12
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12
Voix seule
11
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6
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4
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1
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1
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1
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1
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1
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1
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21
Clarinette
17
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12
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10
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10
Saxophone Baryton, Piano
10
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9
Saxophone Tenor et Piano
9
Saxophone Tenor
8
Quatuor de Clarinettes: 4 clarinettes
8
Saxophone Alto
8
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8
Flûte, Hautbois, Clarinette, Basson
8
Saxophone Soprano et Piano
8
Clarinette et Piano
7
Clarinette Basse, Piano
7
Saxophone Soprano
6
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6
Piccolo, Piano
6
Saxophone Alto et Piano
6
Flûte à bec Tenor
6
Flûte à bec Soprano, Piano
4
Quatuor de Flûtes : 4 flûtes
4
Cor anglais, Piano
3
Flûte à bec Alto, Piano
3
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2
Flûte à Bec, Piano
2
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2
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1
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1
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1
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1
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1
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1
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1
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Trombone et Piano
15
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10
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8
Trombone
7
Euphonium, Piano (duo)
7
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
7
Trombone basse et Piano
5
Trombone (partie séparée)
5
Trompette, Piano
5
Tuba et Piano
4
Cor et Piano
4
Trompette (partie séparée)
3
Cor anglais, Piano
3
Tuba et Orgue
1
Tuba (partie séparée)
1
2 Euphoniums et 2 Tubas
1
Quatuor de Cuivres
1
4 Tubas
1
Cor (partie séparée)
1
+ 14 instrumentations
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Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
25
Violon et Piano
19
2 Violons (duo)
18
Violoncelle, Piano
11
2 Altos (duo)
9
Violon
8
Contrebasse, Piano (duo)
7
Alto, Piano
6
Harpe
5
Trio à Cordes: violon, alto, violoncelle
4
Violoncelle
4
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4
Alto seul
4
Violon, Violoncelle (duo)
3
2 Violoncelles (duo)
2
Quintette à cordes: 2 violons, alto, violoncelle, basse
2
Contrebasse (partie séparée)
1
4 Violoncelles
1
Violon, Alto (duo)
1
+ 14 instrumentations
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Orchestre & Percussions
Orchestre d'harmonie
17
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13
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11
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9
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7
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3
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1
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1
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
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FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
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GUITARE LAP ST…
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HARPE
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LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
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PIANO
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Vous avez sélectionné:
James-Scott
Saxophone Alto et Piano
Partitions à imprimer
6 partitions trouvées
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1
A Scottish Cradle Song
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Saxophone Alto et Piano
#
INTERMÉDIAIRE
#
James Gourlay
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Jirka Kadlec
#
A Scottish Cradle Song
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Editions Marc Reift - Digital
#
SheetMusicPlus
Alto Saxophone & Piano - Grade 3 - SKU: R0.35028 Composed by James Gourlay. Arranged by Jirka Kadlec. Alto Saxophone & Piano. Score and parts. 6 pages. ...
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Alto Saxophone & Piano - Grade 3 - SKU: R0.35028 Composed by James Gourlay. Arranged by Jirka Kadlec. Alto Saxophone & Piano. Score and parts. 6 pages. Duration 3'53. Editions Marc Reift - Digital #35028. Published by Editions Marc Reift - Digital (R0.35028).
$6.95
Frog Legs Rag
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Saxophone Alto et Piano
#
INTERMÉDIAIRE/AVANCÉ
#
James Scott
#
Jirka Kadlec
#
Frog Legs Rag
#
Editions Marc Reift - Digital
#
SheetMusicPlus
Alto Saxophone & Piano - Grade 4 - SKU: R0.28593 Composed by James Scott. Arranged by Jirka Kadlec. Alto Saxophone & Piano. Score and parts. 7 pages. Du...
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Alto Saxophone & Piano - Grade 4 - SKU: R0.28593 Composed by James Scott. Arranged by Jirka Kadlec. Alto Saxophone & Piano. Score and parts. 7 pages. Duration 2'57. Editions Marc Reift - Digital #28593. Published by Editions Marc Reift - Digital (R0.28593).
$5.95
Broadway Rag
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Saxophone Alto et Piano
#
INTERMÉDIAIRE/AVANCÉ
#
James Scott
#
Jirka Kadlec
#
Broadway Rag
#
Editions Marc Reift - Digital
#
SheetMusicPlus
Alto Saxophone & Piano - Grade 4 - SKU: R0.30280 Composed by James Scott. Arranged by Jirka Kadlec. Alto Saxophone & Piano. Score and parts. 12 pages. D...
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Alto Saxophone & Piano - Grade 4 - SKU: R0.30280 Composed by James Scott. Arranged by Jirka Kadlec. Alto Saxophone & Piano. Score and parts. 12 pages. Duration 3'02. Editions Marc Reift - Digital #30280. Published by Editions Marc Reift - Digital (R0.30280).
$11.95
Mendelssohn: Wedding March for Alto Sax & Piano
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Saxophone Alto et Piano
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INTERMÉDIAIRE
#
Classique
#
Felix Bartholdy Mendelssohn
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James M
#
Mendelssohn: Wedding March for
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jmsgu3
#
SheetMusicPlus
Alto Saxophone,Piano - Level 3 - SKU: A0.549892 Composed by Felix Bartholdy Mendelssohn. Arranged by James M. Guthrie, ASCAP. Romantic Period,Standards,...
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Alto Saxophone,Piano - Level 3 - SKU: A0.549892 Composed by Felix Bartholdy Mendelssohn. Arranged by James M. Guthrie, ASCAP. Romantic Period,Standards,Wedding. Score and part. 23 pages. Jmsgu3 #3603399. Published by jmsgu3 (A0.549892). Score: 12 pages, piano part: 6 pages, alto sax part: 4 pages. duration: ca. 5'. This is the famous wedding march from Op. 61 composed in 1842 and commonly performed as a recessional march at the end of a wedding. The piece was originally composed for orchestra then arranged for organ and performed by Mendelssohn himself.Mendelssohn: Wedding March Mendelssohn’s Wedding March is so popular that it’s difficult to imagine a wedding without it. It seems like it’s been around for eternity. In any case, it was only 150 years or so ago that the Wedding March came about. It was performed in Potsdam for the first time in 1842, as a piece of Mendelssohn’s music for the Shakespeare play A Midsummer Night’s Dream. It was first used for a wedding in 1858 Mendelssohn Background Felix Mendelssohn (1809 –1847) was, by all means, a German mastermind composer, musician and orchestra conductor of the Romantic period. Consequently, Mendelssohn composed in the usual forms of the time - symphonies, concertos, oratorios, piano music, and chamber music. To summarize, his most famous works include his music for A Midsummer Night's Dream, the Italian Symphony, the Scottish Symphony, The Hebrides Overture, his later Concerto for Violin & Orchestra, and his Octet for Strings. His most well-known piano pieces, by and large, are the Songs Without Words. Artistic Standing Musical tastes change from time to time. Moreover, just such a change occurred in the late 19th and early 20th centuries. This plus rampant antisemitism brought a corresponding amount of undue criticism. Fortunately, however, his artistic inventiveness has indeed been critically re-evaluated. As a result, Mendelssohn is once again among the most prevalent composers of the Romantic era. Early Family Life Mendelssohn was, in fact, born into a prominent Jewish family. His grandfather was, notably, the philosopher Moses Mendelssohn. Felix was, in fact, raised without religion. At the age of seven, he was all of a sudden baptized as a Reformed Christian. He was, moreover, a child musical prodigy. Nevertheless, his parents did not attempt to exploit his talent. Early Adulthood Mendelssohn was, in general, successful in Germany. He conducted, in particular, a revival of the music of Johann Sebastian Bach, specifically with his presentation of the St Matthew Passion in 1829. Felix was truly in demand throughout Europe as a composer, conductor, and soloist. For example, he visited Britain ten times. There, he premiered, namely, many of his major works. His taste in music was. To be sure, inventive and well-crafted yet markedly conservative. This conservatism separated him by all means from more audacious musical colleagues like Liszt, Wagner, and Berlioz. Mendelssohn founded the Leipzig Conservatoire which, to clarify, became a defender of this conservative viewpoint. Mature Adulthood Schumann notably wrote that Mendelssohn was the Mozart of the nineteenth century, the most brilliant musician, the one who most clearly sees through the contradictions of the age and for the first time reconciles them. This observation points to a couple of features in particular that illustrate Mendelssohn's works and his artistic procedure. Musical Features In the first place, his musical style was fixed in his methodical mastery of the style of preceding masters. This being said, he certainly recognized and even developed early romanticism from the music of Beethoven and Weber. Secondly, it indicates that Mendelssohn sought to strengthen his inherited musical legacy rather than to exchange it with new forms and styles or replace it with exotic orchestration. Consequently, he diverged his contemporaries in the romantic period, such as Wagner, Berlioz, and Liszt. Mendelssohn revered Liszt's virtuos.
$32.95
Mendelssohn: Song Without Words Op. 109 for Alto Sax & Piano
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Saxophone Alto et Piano
#
INTERMÉDIAIRE
#
Classique
#
Felix Bartholdy Mendelssohn
#
James M
#
Mendelssohn: Song Without Word
#
jmsgu3
#
SheetMusicPlus
Alto Saxophone,Piano - Level 3 - SKU: A0.549489 Composed by Felix Bartholdy Mendelssohn. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Per...
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Alto Saxophone,Piano - Level 3 - SKU: A0.549489 Composed by Felix Bartholdy Mendelssohn. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and part. 20 pages. Jmsgu3 #3500661. Published by jmsgu3 (A0.549489). ALTO SAX & PIANO - Score: 11 pages, solo part: 3 pages, piano part: 5 pages. Duration: 4:20. This is a popular recital piece that would work well also in church or school programs. Mendelssohn Background Felix Mendelssohn (1809 –1847) was, by all means, a German mastermind composer, musician, and orchestra conductor of the Romantic period. Consequently, Mendelssohn composed in the usual forms of the time - symphonies, concertos, oratorios, piano music, and chamber music. To summarize, his most famous works include his music for A Midsummer Night's Dream, the Italian Symphony, the Scottish Symphony, The Hebrides Overture, his later Concerto for Violin & Orchestra, and his Octet for Strings. His most well-known piano pieces, by and large, are the Songs Without Words. Artistic Standing  Musical tastes change from time to time. Moreover, just such a change occurred in the late 19th and early 20th centuries. This plus rampant antisemitism brought a corresponding amount of undue criticism. Fortunately, however, his artistic inventiveness has indeed been critically re-evaluated. As a result, Mendelssohn is once again among the most prevalent composers of the Romantic era. Early Family Life Mendelssohn was, in fact, born into a prominent Jewish family. His grandfather was, notably, the philosopher Moses Mendelssohn. Felix was, in fact, raised without religion. At the age of seven, he was suddenly baptized as a Reformed Christian. He was, moreover, a child musical prodigy. Nevertheless, his parents did not attempt to exploit his talent. Early Adulthood Mendelssohn was, in general, successful in Germany. He conducted, in particular, a revival of the music of Johann Sebastian Bach, specifically with his presentation of the St Matthew Passion in 1829. Felix was truly in demand throughout Europe as a composer, conductor, and soloist. For example, he visited Britain ten times. There, he premiered, namely, many of his significant works. His taste in music was. To be sure, inventive and well-crafted yet markedly conservative. This conservatism separated him by all means from more audacious musical colleagues like Liszt, Wagner, and Berlioz. Mendelssohn founded the Leipzig Conservatoire which, to clarify, became a defender of this conservative viewpoint. Mature Adulthood Schumann notably wrote that Mendelssohn was the Mozart of the nineteenth century, the most brilliant musician, the one who most clearly sees through the contradictions of the age and for the first time reconciles them. This observation points to a couple of features in particular that illustrate Mendelssohn's works and his artistic procedure. Musical Features In the first place, his musical style was fixed in his systematic mastery of the style of preceding masters. This being said, he certainly recognized and even developed early romanticism from the music of Beethoven and Weber. Secondly, it indicates that Mendelssohn sought to strengthen his inherited musical legacy rather than to exchange it with new forms and styles or replace it with exotic orchestration. Consequently, he diverged his contemporaries in the romantic period, such as Wagner, Berlioz, and Liszt. Mendelssohn revered Liszt's virtuosity at the keyboard but found his music rather insubstantial.
$32.95
The Water is Wide for Alto Sax & Piano
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Saxophone Alto et Piano
#
FACILE
#
Traditional Scottish
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James M
#
The Water is Wide for Alto Sax
#
jmsgu3
#
SheetMusicPlus
Alto Saxophone,Piano - Level 2 - SKU: A0.548792 Composed by Traditional Scottish. Arranged by James M. Guthrie. Easter,Instructional,Standards. Score an...
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Alto Saxophone,Piano - Level 2 - SKU: A0.548792 Composed by Traditional Scottish. Arranged by James M. Guthrie. Easter,Instructional,Standards. Score and part. 17 pages. Jmsgu3 #3419121. Published by jmsgu3 (A0.548792). The Water Is Wide (O Waly Waly)
$32.95
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