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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
John M
Non classifié
1 282
Piano & claviers
Piano seul
714
Piano, Voix
655
Piano, Voix et Guitare
233
Piano Facile
205
Instruments en Do
114
Orgue
22
Accordéon
17
Piano grosses notes
13
1 Piano, 4 mains
10
Piano Trio: piano, violon, violoncelle
7
Piano Quatuor: piano, violon, alto, violoncelle
6
2 Pianos, 4 mains
3
Piano (partie séparée)
3
Orgue, Trompette (duo)
3
Accompagnement Piano
3
Ligne De Mélodie, Piano
1
Piano Quatuor: piano, 2 violons, violoncelle
1
+ 12 instrumentations
Retracter
Guitares
Ligne De Mélodie, (Paroles) et Accords
2 162
Guitare
203
Guitare notes et tablatures
133
Ukulele
30
Paroles et Accords
21
Basse electrique
20
Guitare (partie séparée)
5
Banjo
3
2 Guitares (duo)
2
Basse électrique (partie séparée)
2
Dulcimer
2
Piano, Guitare (duo)
1
3 Guitares (trio)
1
Guitare Pedal Steel
1
Ukulele Baryton
1
+ 10 instrumentations
Retracter
Voix
Chorale SATB
348
Pack Instrumental pour Chorale
108
Chorale 3 parties
105
Chorale TTBB
52
Chorale SSAA
31
Chorale 2 parties
26
Chorale Unison
13
Voix seule
8
Voix duo
7
Voix duo, Piano
5
Voix Baryton, Piano
3
Chorale
3
Voix haute
2
Voix Tenor, Piano
2
Voix basse, Piano
1
Voix Moyenne
1
Voix Alto, Piano
1
Voix Tenor
1
Chorale SSAATB
1
+ 14 instrumentations
Retracter
Vents
Flûte traversière et Piano
71
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
70
Saxophone
54
Quintette de Saxophone: 5 saxophones
52
Clarinette
50
Clarinette et Piano
44
Saxophone (partie séparée)
42
Flûte traversière
41
Hautbois, Piano (duo)
40
Quatuor de Saxophones: 4 saxophones
35
Saxophone Alto et Piano
29
Saxophone Tenor et Piano
28
2 Saxophones (duo)
27
Clarinette (partie séparée)
21
Flûte, Hautbois, Clarinette, Basson
20
Saxophone Soprano et Piano
20
Saxophone Alto
20
2 Flûtes traversières (duo)
18
Quatuor de Clarinettes: 4 clarinettes
18
Saxophone Tenor
18
Flute (partie séparée)
16
Cor anglais, Piano
16
Ensemble de saxophones
16
Saxophone Baryton, Piano
16
Ensemble de Clarinettes
16
2 Clarinettes (duo)
14
Clarinette Basse, Piano
13
Hautbois (partie séparée)
12
2 Flûte à bec (duo)
9
Saxophone, Clarinette (duo)
9
Quatuor de Flûtes : 4 flûtes
9
Flûte, Clarinette (duo)
8
Clarinette, Violon (duo)
7
2 Hautbois (duo)
6
Hautbois, Clarinette (duo)
5
Saxophone Soprano
5
Hautbois
5
Trio de Flûtes: 3 flûtes
5
Flûte et Guitare
5
Flûte, Violon
5
Ensemble de Flûtes
5
Clarinette, Trompette (duo)
4
Instruments en Mib
4
Quintette de Flûte : 5 flûtes
4
Clarinette et Alto
3
5 Flûtes à bec
3
3 Saxophones (trio)
3
Hautbois, Basson (duo)
3
Hautbois, Flûte
3
Harmonica
3
Saxophone et Guitare
3
Flûte, Saxophone (duo)
3
Clarinette, Basson (duo)
2
Piccolo, Piano
2
Flûte, Trompette (duo)
2
Quintette de Clarinettes: 5 clarinettes
2
3 Clarinettes (trio)
2
Flûte, Violon, Piano
2
Flûte, Alto (duo)
2
Clarinette, Harpe (duo)
2
Flûte, Alto et Violoncelle
1
Flûte, Hautbois, Violon
1
Flûte à bec Soprano, Piano
1
Flûte à bec Soprano
1
Ensemble De Flûte à bec
1
Flûte traversière, Orchestre
1
Flûte, Hautbois, Clarinette (trio)
1
Flûte, Clarinette, Violon (trio)
1
2 Cors Anglais Et Pianoforte
1
Flûte, Hautbois, Basson
1
Quatuor de Flûtes à bec
1
Flûte, Violoncelle, Piano (trio)
1
Flûte, Clarinette, Cor, Basson (Quartet)
1
2 Flûtes traversières, Piano
1
+ 69 instrumentations
Retracter
Cuivres
Trompette
55
Trompette (partie séparée)
41
Quatuor de Cuivres : 2 trompettes, trombone, tuba
41
Trombone
39
Trombone et Piano
36
Trombone (partie séparée)
32
Trompette, Piano
32
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
30
Cor et Piano
22
Tuba et Piano
19
Euphonium, Piano (duo)
16
Cor anglais, Piano
16
Trompette, Saxophone (duo)
11
2 Trombones (duo)
10
Tuba (partie séparée)
9
2 Trompettes (duo)
7
Cor (partie séparée)
7
Ensemble de Trombones
6
Trompette, Trombone (duo)
6
Cor
5
Trio de Cuivres
4
Quatuor de Cuivres
4
Ensemble de Trompettes
4
Tuba
4
Trombone, Cor (duo)
3
Quatuor de cuivres: 4 cors
3
Instruments en Sib
3
Bass Clef Instruments
3
Quatuor de Cuivres: 2 trompettes, Cor, trombone
2
Cornet A Pistons
2
2 Cors (duo)
2
Trompette, Cor (duo)
2
Ensemble de Cors
1
Trompette, Violoncelle et Piano
1
2 Tubas (duo)
1
2 Cors Anglais Et Pianoforte
1
2 Euphoniums (duo)
1
+ 32 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
112
Violon et Piano
55
Violon
44
Violon, Violoncelle (duo)
42
Violoncelle, Piano
41
Alto, Piano
38
Violoncelle
36
Alto seul
28
Trio à Cordes: violon, alto, violoncelle
27
Harpe
22
2 Violons (duo)
15
Violon, Alto (duo)
14
Trio à Cordes: 2 violons, violoncelle
13
Quintette à cordes: 2 violons, alto, violoncelle, basse
11
2 Violoncelles (duo)
9
Contrebasse, Piano (duo)
9
Violon (partie séparée)
8
Ensemble d'Altos
5
Contre Basse
5
Ensemble de Violons
5
Contrebasse (partie séparée)
5
Violoncelle (partie séparée)
4
2 Altos (duo)
4
Alto (partie séparée)
3
Piano Trio: Violon, Alto, Piano
2
Violon, Guitare (duo)
2
Ensemble de Violoncelles
2
Harpe, Flûte (duo)
2
2 Contrebasses (duo)
1
Violoncelle , Guitare (duo)
1
Harpe, Violon (duo)
1
Violon, Tuba (duo)
1
Trio à cordes: 3 violins
1
4 Violoncelles
1
Harpe, Orchestre
1
+ 30 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
180
Ensemble Jazz
73
Orchestre
66
Fanfare
50
Orchestre à Cordes
38
Orchestre de chambre
22
Ensemble de cuivres
17
Percussion (partie séparée)
12
Jazz combo
11
Cloches
11
Timbales
9
Vibraphone
7
Batterie
7
Batterie (partie séparée)
6
Ensemble de Percussions
6
Timbales (partie séparée)
2
Quintette de Cuivres: autres combinaisons
1
Percussion
1
+ 13 instrumentations
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
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ORGUE
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Vous avez sélectionné:
John M
Saxophone Alto et Piano
Partitions à imprimer
29 partitions trouvées
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1
26
I'm Still Standing
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Saxophone Alto et Piano
#
INTERMÉDIAIRE/AVANCÉ
#
Rock
#
Elton John
#
Andrew Will
#
I'm Still Standing
#
Andrew Will
#
SheetMusicPlus
Alto Saxophone,Piano - Level 4 - SKU: A0.983037 By Elton John. By Bernie Taupin and Elton John. Arranged by Andrew Will. Pop,Rock. Score and part. 10 pa...
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Alto Saxophone,Piano - Level 4 - SKU: A0.983037 By Elton John. By Bernie Taupin and Elton John. Arranged by Andrew Will. Pop,Rock. Score and part. 10 pages. Andrew Will #6211819. Published by Andrew Will (A0.983037). Alto Saxophone Solo with Piano Accompaniment of the song 'I'm Still Standing' by Elton John. Score and Part included. Enjoy!
$4.99
When I'm Sixty-four
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Saxophone Alto et Piano
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INTERMÉDIAIRE/AVANCÉ
#
Rock
#
The Beatles
#
Fishel Pustilnik
#
When I'm Sixty-four
#
F & N Enterprise
#
SheetMusicPlus
Instrumental Duet,Piano Alto Saxophone,Baritone Saxophone,Instrumental Duet,Piano - Level 4 - SKU: A0.635530 By The Beatles. By John Lennon, John Winsto...
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Instrumental Duet,Piano Alto Saxophone,Baritone Saxophone,Instrumental Duet,Piano - Level 4 - SKU: A0.635530 By The Beatles. By John Lennon, John Winston Lennon, Paul James Mccartney, and Paul McCartney. Arranged by Fishel Pustilnik. Rock. Score and parts. 8 pages. F & N Enterprise #5314571. Published by F & N Enterprise (A0.635530). An excellent arrangement of the famous Song When I'm Sixty-Four (by The Beatles) for Alto Sax and Piano-Jazz/Pop Version.
$4.99
I'm Still Standing
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Saxophone Alto et Piano
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FACILE
#
Film/TV
#
Rock
#
Elton John
#
Stephen DeCesare
#
I'm Still Standing
#
Exultet Music
#
SheetMusicPlus
Alto Saxophone,Piano - Level 2 - SKU: A0.1101956 By Elton John. By Bernie Taupin and Elton John. Arranged by Stephen DeCesare. Film/TV,Pop,Rock. Score a...
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Alto Saxophone,Piano - Level 2 - SKU: A0.1101956 By Elton John. By Bernie Taupin and Elton John. Arranged by Stephen DeCesare. Film/TV,Pop,Rock. Score and part. 12 pages. Exultet Music #705348. Published by Exultet Music (A0.1101956). One of the greatest hits by Sir Elton John which is also featured in his biographical movie - Rocketman has been freshly arranged for an Alto Saxophone solo with Piano accompaniment. Also contains the Electric Guitar solo written in standard notation. Accessible and appropriate for any school or concert setting.
$4.99
I Write The Songs
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Saxophone Alto et Piano
#
INTERMÉDIAIRE
#
Barry Manilow
#
James M
#
I Write The Songs
#
jmsgu3
#
SheetMusicPlus
Alto Saxophone,Piano - Level 3 - SKU: A0.549333 By Barry Manilow. By Bruce Johnston. Arranged by James M. Guthrie, ASCAP. Contemporary,Rock. Score and p...
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Alto Saxophone,Piano - Level 3 - SKU: A0.549333 By Barry Manilow. By Bruce Johnston. Arranged by James M. Guthrie, ASCAP. Contemporary,Rock. Score and part. 8 pages. Jmsgu3 #3486247. Published by jmsgu3 (A0.549333). Duration: ca. 3:00, score: 5 pages, solo part: 1 page, piano part: 2 pages.Very famous song suitable for church, recital or nightclub. I Write the Songs is a popular song written by Bruce Johnston in 1975 and made famous by Barry Manilow. Manilow's version reached number one on the Billboard Hot 100 chart in January 1976[2] after spending two weeks atop the Billboard adult contemporary chart in December 1975.[3] It won a Grammy Award for Song of the Year and was nominated for Record of the Year in 1977.[3] Billboard ranked it as the No. 13 song of 1976.[4]The original version was recorded by The Captain & Tennille, who worked with Johnston in the early 1970s with The Beach Boys. It appears on their 1975 album, Love Will Keep Us Together. The first release of I Write the Songs as a single was by then teen-idol David Cassidy from his 1975 solo album The Higher They Climb, which was also produced by Bruce Johnston. Cassidy's version reached #11 on the UK Singles Chart in August of that year.[5]Johnston has stated that, for him, the I in the song is God,[2] and that songs come from the spirit of creativity in all of us. He has said that the song is not about his Beach Boys bandmate Brian Wilson.[6]Manilow was initially reluctant to record the song, stating in his autobiography Sweet Life: The problem with the song was that if you didn't listen carefully to the lyric, you would think that the singer was singing about himself. It could be misinterpreted as a monumental ego trip.[3] After persuasion by Clive Davis, then president of Arista Records, Manilow recorded the song, and his version of I Write the Songs was the first single taken from the album Tryin' to Get the Feeling. It first charted on the Billboard Hot 100 on November 15, 1975, reaching the top of the chart nine weeks later, on January 17, 1976. Wikipedia
$39.95
Amazing Grace for alto saxophone and piano
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Saxophone Alto et Piano
#
DÉBUTANT
#
Anonymous, John Newton, and Wi
#
Daniel C
#
Amazing Grace for alto saxopho
#
Daniel C. M.
#
SheetMusicPlus
Piano,Tenor Saxophone - Level 1 - SKU: A0.810149 Composed by Anonymous, John Newton, and William Walker. Arranged by Daniel C. M. Christian,Concert,Stan...
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Piano,Tenor Saxophone - Level 1 - SKU: A0.810149 Composed by Anonymous, John Newton, and William Walker. Arranged by Daniel C. M. Christian,Concert,Standards,World. Score and part. 3 pages. Daniel C. M. #5224021. Published by Daniel C. M. (A0.810149). This arrangement is based on the original publication from William Walker's Southern Harmony where the music is basically a 3 voices choral and this arrangement is almost just a transcription to saxophone and piano. The melody has little changes as the way it is interpreted today but keeps almost the same harmony from the original. It is written in a straight easy way for players to enjoy. Although the title of the piece comes from the hymn written by John Newton this is only an instrumental arrangement.
$3.99
O Come All Ye Faithful for Alto Sax & Piano
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Saxophone Alto et Piano
#
DÉBUTANT
#
Wade
#
James M
#
O Come All Ye Faithful for Alt
#
jmsgu3
#
SheetMusicPlus
Alto Saxophone,Piano - Level 1 - SKU: A0.548508 Composed by Wade. Arranged by James M. Guthrie, ASCAP. Christian,Christmas. Score and part. 4 pages. Jms...
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Alto Saxophone,Piano - Level 1 - SKU: A0.548508 Composed by Wade. Arranged by James M. Guthrie, ASCAP. Christian,Christmas. Score and part. 4 pages. Jmsgu3 #3388099. Published by jmsgu3 (A0.548508). O Come All Ye Faithful arranged with new harmony for the final verse. Score: 3 pages. Part: 1 pageO Come, All Ye Faithful O Come, All Ye Faithful is an English translation of the Latin Christmas carol Adeste Fideles. No one knows exactly who wrote it, but one theory is that it was originally composed by King John IV of Portugal (1604–1656) and revised by John F. Wade and John Reading. Nowadays, we usually attribute it to John Wade. The oldest manuscript from 1751, is owned by Stonyhurst College in Lancashire. Lyrics The English translation O Come, All Ye Faithful was certainly written by Frederick Oakeley, a Catholic priest in 1841. This translation is the most common in English speaking states. To begin with, the hymn had only four verses. Later, the verses grew to eight. Often, various verses are omitted because otherwise, the song is just too long. Some believe the first Latin lyrics were written by St. Bonaventure (13th century) or King John IV of Portugal in the 17th. Though others think it was written by the Cistercian monks. King John IV King John IV of Portugal was called The Musician King. He became king in 1640. In addition to performing the duties of a king, he was also a composer and music journalist. King John built a very large music library. Unfortunately, the library was ruined in 1755 because of the massive earthquake of Lisbon. In addition to his library, the king started a Music School that produced many accomplished musicians. The king also worked diligently to get instrumental music approved by the Vatican for use in his churches. Aside from his authorship of Adeste Fideles, he is famous for another popular choral setting of the Crux Fidelis, a prevalent Lenten hymn. Performance in Context As mentioned above, verses are sometimes left out because all eight verses would take too long to perform. More to the point though, some of the verses may be unsuitable for whatever of the church calendar they are intended. The eighth verse deals with the Epiphany, so it makes sense to sing this on Epiphany Sunday, but not other Sundays. Similarly, other verses are used according to whether the event is Midnight Mass or regular daytime Mass.
$24.95
Goodness Of God
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Saxophone Alto et Piano
#
FACILE
#
Musique Sacrée
#
Bethel Music and Jenn Johnson
#
Josiel Oliveira
#
Goodness Of God
#
M das Melodias
#
SheetMusicPlus
Alto Saxophone,Piano - Level 2 - SKU: A0.1465708 By Bethel Music and Jenn Johnson. By Ben Fielding, Brian Johnson, Ed Cash, Jason Ingram, and Jenn Johns...
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Alto Saxophone,Piano - Level 2 - SKU: A0.1465708 By Bethel Music and Jenn Johnson. By Ben Fielding, Brian Johnson, Ed Cash, Jason Ingram, and Jenn Johnson. Arranged by Josiel Oliveira. Christian,Praise & Worship. Score and part. 1 pages. M das Melodias #1044318. Published by M das Melodias (A0.1465708). Sheet music for the song Goodness of God.
$4.99
Don't Let The Sun Go Down On Me
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Saxophone Alto et Piano
#
INTERMÉDIAIRE
#
Rock
#
Elton John
#
James M
#
Piano. Duration: 5'27
#
Don't Let The Sun Go Down On M
#
jmsgu3
#
SheetMusicPlus
Alto Saxophone,Piano - Level 3 - SKU: A0.547799 By Elton John. By Bernie Taupin and Elton John. Arranged by James M. Guthrie, ASCAP. Pop,Rock. Score and...
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Alto Saxophone,Piano - Level 3 - SKU: A0.547799 By Elton John. By Bernie Taupin and Elton John. Arranged by James M. Guthrie, ASCAP. Pop,Rock. Score and part. 13 pages. Jmsgu3 #3053391. Published by jmsgu3 (A0.547799). Elton John: Don't Let The Sun Go Down On Me arranged for Alto Sax & Piano. Duration: 5'27 Score: 7 pages. Solo part: 2 pages. Piano part: 4 pages. Co-written by Elton John and Bernie Taupin in January of 1974, this song was originally recorded in 1974 for Elton's studio album Caribou. It was released as a single that peaked at number two on the Billboard Hot 100 chart. In the US, the single was certified Gold on 6 September 1974 by the RIAA. Many consider this to be Elton John's greatest song. The melody fits well in the tessitura of the solo instrument and features some challenging rhythms for sight-reading. The arrangement is well suited for performance in church, nightclub or recital stage.
$53.95
Goodbye Yellow Brick Road
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Saxophone Alto et Piano
#
INTERMÉDIAIRE
#
Rock
#
Elton John
#
James M
#
Goodbye Yellow Brick Road
#
jmsgu3
#
SheetMusicPlus
Alto Saxophone,Piano - Level 3 - SKU: A0.547875 By Elton John. By Bernie Taupin and Elton John. Arranged by James M. Guthrie, ASCAP. Pop,Rock. Score and...
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Alto Saxophone,Piano - Level 3 - SKU: A0.547875 By Elton John. By Bernie Taupin and Elton John. Arranged by James M. Guthrie, ASCAP. Pop,Rock. Score and part. 11 pages. Jmsgu3 #3073385. Published by jmsgu3 (A0.547875). ALTO SAX & PIANOScore: 6 pages, solo part: 2 pages, piano part: 3 pages., Duration 3' 11 at half note = 60. Length: 51 measures. One of Elton John's greatest songs, this mega-hit is suitable for performance in church, nightclub, or recital hall. This song contains many advanced songwriting techniques and shows a complete mastery of advanced tonal harmony and voice leading. The verses are syllabic and arranged in 8 regular phrases. The last phrase is elided with a contrasting melismatic bridge that suddenly modulates to the lowered mediant, causing a foreign chromatic mediant relation. (F major to Ab major). Further drama is evoked by the voice-leading where an ascending leap of a minor 9th signals the beginning of the bridge. The bridge then modulates back to the original key for the refrain, which, like the verses is arranged in 8 regular phrases and elides once again into a final version of the bridge which functions this time as a coda.Â
$53.95
Puccini Medley: Un Bel Di (Madame Butterfly) and Musetta's Waltz (La Boheme): Alto Sax and Piano
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Saxophone Alto et Piano
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INTERMÉDIAIRE
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Giacomo Puccini
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John A
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Puccini Medley: Un Bel Di
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John A. Dempsey
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SheetMusicPlus
Alto Saxophone,Piano - Level 3 - SKU: A0.524068 Composed by Giacomo Puccini. Arranged by John A. Dempsey. Classical,Multicultural,Opera,Romantic Period,...
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Alto Saxophone,Piano - Level 3 - SKU: A0.524068 Composed by Giacomo Puccini. Arranged by John A. Dempsey. Classical,Multicultural,Opera,Romantic Period,Wedding,World. Score and part. 15 pages. John A. Dempsey #4715683. Published by John A. Dempsey (A0.524068). Two Italian masterpieces combined in one duet arrangement, this medley for alto sax and piano includes melody augmentation, rubato, rich dynamic shading, and a lavish finale, all built on two soaring Puccini melodies.  Included: Un Bel Di (One Fine Day) from Madame Butterfly and Quando M'en Vo (Musetta's Waltz)  from La Boheme.  Recommended for weddings, as a prelude, unity candle music, a bridal march or a bridesmaid processional.  Also popular as a romantic selection for concerts, recitals and more.  Concert Key (Piano): Bb major.  Alto Sax Key: G major.  Alto Sax Level: Intermediate.  Piano Level: Late Intermediate. Includes a separate two-page alto sax part.
$6.99
Sullivan: The Lost Chord for Alto Sax & Piano
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Saxophone Alto et Piano
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INTERMÉDIAIRE/AVANCÉ
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Sir Arthur Seymour Sullivan
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James M
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Sullivan: The Lost Chord for A
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jmsgu3
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SheetMusicPlus
Alto Saxophone,Piano - Level 4 - SKU: A0.549443 Composed by Sir Arthur Seymour Sullivan. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Per...
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Alto Saxophone,Piano - Level 4 - SKU: A0.549443 Composed by Sir Arthur Seymour Sullivan. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and part. 15 pages. Jmsgu3 #3494751. Published by jmsgu3 (A0.549443). Score: 10 pages, solo part: 2 pages, piano part: 3 pages. Duration: 4:25. Not difficult, but requires sensitivity & dynamic control. Suitable for recitals, church meditations, or school programs. School Years First of all, Sullivan attended music school at the Royal Academy of Music. Because Sullivan was so talented, the Academy awarded him the Mendelssohn Scholarship for two years in a row. He, therefore, studied with John Goss, who studied with Thomas Atwood, who in turn studied with Mozart. Sullivan similarly studied the piano at the Academy with Arthur O’Leary. Study Abroad During his first year, he also earned money by singing solos in the Chapel Royal. At the end of his second year, the Academy consequently continued his scholarship and sent him to study at the Leipzig Conservatoire. He certainly studied composition, and likewise counterpoint and piano. Hence, during his final year in Leipzig, Sullivan finally completed his graduation composition project: Incidental Music for Shakespeare’s The Tempest. Association with Gilbert It seems like Sullivan built the bulk of his composing career largely in the 1860s. As a result, he became famous for his incidental music for the Tempest and his Irish Symphony. He, therefore, began collaborating with the poet W. S. Gilbert in the 1870s. Rather than focus on serious opera, Gilbert and Sullivan, in contrast, concentrated on comic operas such as H. M. S. Pinafore, the Pirates of Penzance, and the Mikado. Therefore, certainly as a result of his education and experience, Sullivan composed a total of 24 operas, 11 symphonic works, and 10 choral pieces. Even more, he wrote a large number of noteworthy hymns such as Onward Christian Soldiers. Lost Chord Winds The general style of his music is maybe similar to Mendelssohn, Schumann, and perhaps Liszt. It seems like Sullivan was fond of writing distinct melodies for each character in his operettas. His melodies combine together as the characters did. Furthermore, he was a master orchestrator, and therefore played the flute, clarinet, trumpet, and trombone fluently. The Lost Chord Sullivan wrote his most noteworthy song the Lost Chord in 1877. As a result, it was a great success and was certainly performed all over the world by a variety of singers such as Enrico Caruso. Because Sullivan was the most famous composer in England, the Lost Chord became the most famous of all British or American songs of the 1870s and 1890s. Consequently, in 1888 Thomas Edison recorded The Lost Chord for the phonograph. It was one of the first songs ever recorded. Furthermore, Queen Victoria knighted Sullivan in 1883. Â
$26.95
Blessed
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Saxophone Alto et Piano
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INTERMÉDIAIRE
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Rock
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Elton John
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James M
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Blessed
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jmsgu3
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SheetMusicPlus
Alto Saxophone,Piano - Level 3 - SKU: A0.548070 By Elton John. By Bernie Taupin and Elton John. Arranged by James M. Guthrie. Pop,Rock. Score and part. ...
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Alto Saxophone,Piano - Level 3 - SKU: A0.548070 By Elton John. By Bernie Taupin and Elton John. Arranged by James M. Guthrie. Pop,Rock. Score and part. 9 pages. Jmsgu3 #3130355. Published by jmsgu3 (A0.548070). Score:7 pages.
$49.95
Rocket Man (I Think It's Gonna Be A Long Long Time)
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Saxophone Alto et Piano
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INTERMÉDIAIRE
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Rock
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Elton John
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James M
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Rocket Man
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jmsgu3
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SheetMusicPlus
Alto Saxophone,Piano - Level 3 - SKU: A0.548131 By Elton John. By Bernie Taupin and Elton John. Arranged by James M. Guthrie, ASCAP. Pop,Rock. Score and...
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Alto Saxophone,Piano - Level 3 - SKU: A0.548131 By Elton John. By Bernie Taupin and Elton John. Arranged by James M. Guthrie, ASCAP. Pop,Rock. Score and part. 57 pages. Jmsgu3 #3214117. Published by jmsgu3 (A0.548131). Score: 26 pages, solo part: 4 pages, piano part: 16 pages, Duration 9:23, Tempo: q=70, suitable for recital or nightclub performance.
$53.95
Imagine
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Saxophone Alto et Piano
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FACILE
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Rock
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John Lennon And The Plastic On
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James M
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Imagine
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jmsgu3
#
SheetMusicPlus
Alto Saxophone,Piano - Level 2 - SKU: A0.548547 By John Lennon And The Plastic Ono Band. By John Lennon. Arranged by James M. Guthrie, ASCAP. Rock. Scor...
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Alto Saxophone,Piano - Level 2 - SKU: A0.548547 By John Lennon And The Plastic Ono Band. By John Lennon. Arranged by James M. Guthrie, ASCAP. Rock. Score and part. 5 pages. Jmsgu3 #3396947. Published by jmsgu3 (A0.548547). Duration: 2:49 Score: 4 pg, part: 1 pg
$53.95
6 HYMNS of Adoration & Guidance Set 1 & 2 (Duets - Alto Sax and Piano with Parts)
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Saxophone Alto et Piano
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Gospel Spirituel
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Musique Sacrée
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GEISTLICHE KIRCHENGESANG, FRED
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Gary Lanier
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6 HYMNS of Adoration & Guidanc
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SheetMusicPlus
Composed by GEISTLICHE KIRCHENGESANG, FREDERICK M. LEHMAN, PHOEBE PALMER KNAPP, JOHN HUGHES, CHARLES H. GABRIEL, TRIDITIONAL IRISH MELODY,. Arranged by Gary Lan...
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Composed by GEISTLICHE KIRCHENGESANG, FREDERICK M. LEHMAN, PHOEBE PALMER KNAPP, JOHN HUGHES, CHARLES H. GABRIEL, TRIDITIONAL IRISH MELODY,. Arranged by Gary Lanier. Christian, Contemporary Christian, Gospel, Praise & Worship, General Worship. Score, Set o - Score,Set of Parts - Christian,Contemporary Christian,Gospel,Praise & Worship,General Worship - The Lanier Company
$19.99
Bach-Gounod: Ave Maria, Schwencke version for Alto Sax & Piano
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Saxophone Alto et Piano
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FACILE
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J
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James M
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Bach-Gounod: Ave Maria, Schwen
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jmsgu3
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SheetMusicPlus
Alto Saxophone,Piano - Level 2 - SKU: A0.550919 Composed by J. S. Bach - Gounod. Arranged by James M. Guthrie, ASCAP. Christmas,Contemporary,Easter,Wedd...
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Alto Saxophone,Piano - Level 2 - SKU: A0.550919 Composed by J. S. Bach - Gounod. Arranged by James M. Guthrie, ASCAP. Christmas,Contemporary,Easter,Wedding. Score and part. 11 pages. Jmsgu3 #4888291. Published by jmsgu3 (A0.550919). This arrangement features the controversial Schwencke measure (ms. 27) that was originally introduced in 1783 by Christian Friedrich Gottlieb Schwencke. The convenient 1st & 2nd endings provide an option for extended performance. Duration with repeat - 4:50. Score: 6 pages. Solo part: 2 pages, piano part: 4 pages. Based on Prelude #1 in C Major from the Well-Tempered Clavier, Book 1. Well suited for church meditations or school programs or recital encores. Ave Maria Ave Maria is a Catholic prayer that consequently asks for the mother of Jesus (Mary) to intercede. Charles Gounod composed a famous version of the Ave Maria. He was a French Romantic composer who overlaid a new melody on an existing Bach chord progression. The progression is from Bach’s Prelude No. 1 from Well-Tempered Clavier I. This version, as well as Schubert’s version, have become essential items at weddings, masses, and funerals. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio.  History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as a court composer.  Style It seems like Bach created an engaging new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival        Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV. Â
$32.95
100 Years
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Saxophone Alto et Piano
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FACILE
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Pop musique
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Five for Fighting
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James M
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100 Years
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jmsgu3
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SheetMusicPlus
Alto Saxophone,Piano - Level 2 - SKU: A0.547746 By Five for Fighting. By John Ondrasik. Arranged by James M. Guthrie, ASCAP. Pop. Score and part. 20 pag...
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Alto Saxophone,Piano - Level 2 - SKU: A0.547746 By Five for Fighting. By John Ondrasik. Arranged by James M. Guthrie, ASCAP. Pop. Score and part. 20 pages. Jmsgu3 #3038211. Published by jmsgu3 (A0.547746). Score: 11 pages. Solo part: 3 pages, piano part: 6 pages. Duration: 3'57
$59.95
Bach-Gounod: Ave Maria for Alto Sax & Piano
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Saxophone Alto et Piano
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FACILE
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Bach-Gounod
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James M
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Bach-Gounod: Ave Maria for Alt
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jmsgu3
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SheetMusicPlus
Alto Saxophone,Piano - Level 2 - SKU: A0.549364 Composed by Bach-Gounod. Arranged by James M. Guthrie, ASCAP. Christmas,Contemporary,Easter,Wedding. Sco...
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Alto Saxophone,Piano - Level 2 - SKU: A0.549364 Composed by Bach-Gounod. Arranged by James M. Guthrie, ASCAP. Christmas,Contemporary,Easter,Wedding. Score and part. 11 pages. Jmsgu3 #3490139. Published by jmsgu3 (A0.549364). This arrangement follows the original Bach prelude and so excludes the extra measure that Schwencke introduced in 1783. If you prefer the extra measure, please see Bach-Gounod: Ave Maria, Schwencke version for Alto Sax & Piano, S0.661763. The convenient 1st & 2nd endings provide an option for extended performance with minimal page turns for the accompanist. The duration with repeat is about 4:50. Score: 6 pages. Solo part: 1 page, piano part: 4 pages. Based on Prelude #1 in C Major from the Well-Tempered Clavier, Book 1. Well suited for church meditations or school programs or recital encores. Ave Maria Ave Maria is a Catholic prayer that consequently asks for the mother of Jesus (Mary) to intercede. Charles Gounod composed a famous version of the Ave Maria. He was a French Romantic composer who overlaid a new melody on an existing Bach chord progression. The progression is from Bach’s Prelude No. 1 from Well-Tempered Clavier I. This version, as well as Schubert’s version, have become essential items at weddings, masses, and funerals. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio.  History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer.  Style It seems like Bach created an engaging new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival        Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV. Â
$32.95
O Holy Night for Alto Sax & Piano
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Saxophone Alto et Piano
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DÉBUTANT
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Noël
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Adam
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James M
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O Holy Night for Alto Sax &
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jmsgu3
#
SheetMusicPlus
Alto Saxophone,Piano - Level 1 - SKU: A0.548668 Composed by Adam. Arranged by James M. Guthrie, ASCAP. Christian,Christmas. Score and part. 10 pages. Jm...
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Alto Saxophone,Piano - Level 1 - SKU: A0.548668 Composed by Adam. Arranged by James M. Guthrie, ASCAP. Christian,Christmas. Score and part. 10 pages. Jmsgu3 #3410421. Published by jmsgu3 (A0.548668). O Holy Night arranged for alto sax & piano. Duration: 4:56, 44 ms. Score: 5 pg Part: 2 pg, piano part: 3 pg.Cantique de Noël The French composer Adolphe Adam was already famous as a composer of many successful ballets and operas. Then, in the 1840’s he wrote his most famous work - O Holy Night. The original song title was Minuit Chretiens or Cantique de Noël. Placide Cappeau provided the original song lyrics. The song was first performed in Roquemaure by the opera singer Emily Laurey at midnight mass in 1847. It became very popular among the French, much the way that Silent Night was famous elsewhere. In the 1850’s John S. Dwight, a Unitarian minister and music teacher translated the song into English. Adolphe Adam In his younger years, Adam studied organ and composition at the Paris Conservatoire. He also played the timpani in the Conservatoire orchestra. Adam used his savings and borrowed money to open a new opera house - the fourth opera house in Paris in 1847. Unfortunately, the Revolution of 1848 forced him to close. He taught composition at the Paris Conservatoire from 1849 until his death in 1856. Placide Cappeau The poet Cappeau was an advocate of the French Enlightenment philosopher Voltaire. Voltaire was renowned for criticizing the Catholic church, religious intolerance, and dogma in general. Consequently, Cappeau made the Redeemer figure in his song a kind of reformer of injustices, in particular, the problem of original sin. To begin with, people recognized Cappeau’s theology as eccentric, probably even doubtful. Theology In the earlier form of Minuit, the Christ figure descends to intervene with His Father’s plan to punish mankind. Traditional doctrine pronounces that Christ came from love, not to intervene. This version also declares that Christ appeared to expunge the original sin of Adam. Cappeau removed this part from him poem years later, because he just didn’t believe it. He preferred to portray Christ as the reformer of disparity and unfairness. Before long, the writer/politician Alphonse de Lamartine referred to the Minuit as the the Marseillaise of religion. Most French churchmen agreed with this idea but certainly did not consider it a tribute. Register for free lifetime updates and revisions at www.jamesguthrie.com
$24.95
GOSPEL HYMNS Set 1 & 2 (Duets - Alto Sax and Piano with Parts)
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Saxophone Alto et Piano
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INTERMÉDIAIRE
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Musique Sacrée
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Anonymous, Anthony J
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Gary Lanier
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GOSPEL HYMNS Set 1 & 2
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The Lanier Company
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SheetMusicPlus
Alto Saxophone,Piano - Level 3 - SKU: A0.615705 Composed by Anonymous, Anthony J. Showalter, James M. Black, John J. Husband, Ralph E. Hudson, and Tradi...
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Alto Saxophone,Piano - Level 3 - SKU: A0.615705 Composed by Anonymous, Anthony J. Showalter, James M. Black, John J. Husband, Ralph E. Hudson, and Traditional American Melody. Arranged by Gary Lanier. Praise & Worship,Sacred. Score and part. 51 pages. The Lanier Company #3018297. Published by The Lanier Company (A0.615705). GOSPEL HYMNS Set 1 & 2 is a collection of 6 hymn arrangements by Gary Lanier for Alto Sax and Piano. The hymn titles are: On Jordan's Stormy Banks/Blessed Be the Name/Leaning on the Everlasting Arms/Revive Us Again/When the Roll is Called Up Yonder/Just a Closer Walk With Thee.
$24.99
Bach: Wachet auf for Alto Sax & Piano
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Saxophone Alto et Piano
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FACILE
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Classique
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Johann Sebastian Bach
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James M
#
#
Bach: Wachet auf for Alto Sax
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jmsgu3
#
SheetMusicPlus
Alto Saxophone,Piano - Level 2 - SKU: A0.549842 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Concert,Easter,Sacred,St...
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Alto Saxophone,Piano - Level 2 - SKU: A0.549842 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Concert,Easter,Sacred,Standards. Score and part. 12 pages. Jmsgu3 #3554821. Published by jmsgu3 (A0.549842). Wachet auf, ruft uns die Stimme (Awake, the voice is calling us) from Cantata BWV 140. Duration: ca. 4:00, Score: 6 pages, solo part 1 page, piano part: 4 pages. Program this for church services during the Easter season, or as a recital encore.Wachet auf, ruft uns die Stimme (Awake, the Voice is calling us) also known as: Sleepers Awake Bach composed his church cantata Wachet auf (BWV 140) as part of his second annual cantata cycle covering the entire annual church calendar. It is based on the hymn of the same name by Philipp Nicolai (1599). The hymn text covers the readings for the 27th Sunday after Trinity. Bach designed the cantata in seven movements, setting the stanzas in various forms. Among these forms are the chorale fantasia, the chorale prelude, and a four-part chorale. He casts the new lyrics as recitatives – in a manner similar to the opera. Fourth Movement Bach writes the fourth movement, Zion hört die Wächter singen (Zion hears the watchmen singing), in the style of a chorale prelude with the chorale phrases performed as a strict cantus firmus. The phrases seem to enter at times erratically against the famous lyrical melody. The violins play this melody in unison as a foil against the cantus phrases. The violin melody is so independent and complete that when the cantus melody appears it catches the listener at times totally off-guard. Bach later transcribed this movement for organ (BWV 645). This transcription became No. 1 of the Six Schübler Chorales. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with the instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and certainly the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio. History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer. Style It seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV. .
$24.95
An Eastern Garden
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Saxophone Alto et Piano
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INTERMÉDIAIRE
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Contemporain
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Barton, John Eylin
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Nick M Lacanski
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An Eastern Garden
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theupperstaff
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SheetMusicPlus
Alto Saxophone,Piano - Level 3 - SKU: A0.1158446 Composed by Barton, John Eylin. Arranged by Nick M Lacanski. 20th Century. Score and part. 12 pages. Th...
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Alto Saxophone,Piano - Level 3 - SKU: A0.1158446 Composed by Barton, John Eylin. Arranged by Nick M Lacanski. 20th Century. Score and part. 12 pages. Theupperstaff #758732. Published by theupperstaff (A0.1158446). An Eastern Garden is the premiere composition of a suite for solo piano titled, An Eastern Suite #1. It was composed in 1919 in Australia. This one will fit in perfectly on the upcoming recital. Thank you for looking.
$4.99
(Everything I Do) I Do It For You
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Saxophone Alto et Piano
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INTERMÉDIAIRE
#
Rock
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Bryan Adams
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James M
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(Everything I Do) I Do It For
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jmsgu3
#
SheetMusicPlus
Alto Saxophone,Piano - Level 3 - SKU: A0.548297 By Bryan Adams. By Bryan Adams, Michael Kamen, and Robert John Mutt Lange. Arranged by James M. Guthrie,...
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Alto Saxophone,Piano - Level 3 - SKU: A0.548297 By Bryan Adams. By Bryan Adams, Michael Kamen, and Robert John Mutt Lange. Arranged by James M. Guthrie, ASCAP. Contemporary,Pop. Score and part. 13 pages. Jmsgu3 #3233893. Published by jmsgu3 (A0.548297). Duration: 4:28, Score: 8 pages, solo part: 2 pages, piano part: 3 pages. Tempo: quarter = 60, Meter: common time, measures: 51. Suitable for recital, church or combo performance.
$57.95
Bach: Sheep May Safely Graze for Alto Sax & Piano
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Saxophone Alto et Piano
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FACILE
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Classique
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Johann Sebastian Bach
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James M
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Bach: Sheep May Safely Graze f
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jmsgu3
#
SheetMusicPlus
Alto Saxophone,Piano - Level 2 - SKU: A0.548976 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Holiday,Standards,Weddin...
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Alto Saxophone,Piano - Level 2 - SKU: A0.548976 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Holiday,Standards,Wedding. Score and part. 11 pages. Jmsgu3 #3444569. Published by jmsgu3 (A0.548976). Was mir behagt, ist nur die muntre Jagd (The lively hunt is all my heart's desire), BWV 208 is the earliest secular cantata by Bach composed in 1713 for the birthday of the Duke of Weissenfels. It is also called the Hunting Cantata, and/or the Birthday Cantata. The most famous piece from this collection is the soprano aria Sheep may safely graze. Duration: 5:50, Score - 6 pg. Solo part - 2 pg. Piano part - 3 pg. 41 ms. Melodic range: M10 Sheep May Safely Graze Sheep may safely graze (Schafe können sicher weiden) is an aria from the Cantata BWV 208. The title of the Cantata, Was mir behagt, ist nur die muntre Jagd (nicknamed the Hunting Cantata) translates as The lively hunt is all my heart's desire. Programming Similar to Bach’s Jesu, Joy of Man's Desiring, or I Stand at the Threshold, it is an all-time favorite and frequently requested at weddings. Originally, Bach composed this aria for a royal birthday celebration, that of the Duke of Saxe-Weissenfels. Lyrics Sheep may safely graze and pasture In a watchful Shepherd’s sight. Those who rule with wisdom guiding Bring to hearts a peace abiding Bless a land with joy made bright.  Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Indeed, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. People are probably most familiar with instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio.  History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer.  Style It seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival        Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV.
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