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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
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GUITARE LAP ST…
HARMONICA
HARPE
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Non classifié
1594
PIANO & CLAVIERS
Piano seul
3839
Piano, Voix
2348
Piano, Voix et Guitare
301
Piano Facile
121
1 Piano, 4 mains
43
Instruments en Do
35
Accompagnement Piano
35
Orgue
20
Piano Trio: piano, violon, violoncelle
6
Piano grosses notes
4
Clavecin
4
Piano Quatuor: piano, violon, alto, violoncelle
4
Piano Quintette: piano, 2 violons, alto, violoncelle
3
Accordéon
2
2 Pianos, 4 mains
2
Ligne De Mélodie, Piano
1
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GUITARES
Guitare notes et tablatures
312
Guitare
130
Basse electrique
113
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50
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24
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16
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5
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3
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2
Piano, Guitare (duo)
2
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1
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1
Dulcimer
1
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VOIX
Chorale SATB
445
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53
Chorale TTBB
46
Chorale 2 parties
31
Chorale SSAA
20
Chorale Unison
19
Voix duo, Piano
7
Voix seule
7
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5
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4
Voix basse, Piano
3
Voix Tenor, Piano
2
Voix Mezzo-Soprano, Piano
2
Voix haute
2
Voix, Guitare
1
Chorale SSAATTBB
1
Male Voice
1
Chorale
1
Voix Alto, Piano
1
Voix duo
1
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VENTS
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
67
Quintette de Saxophone: 5 saxophones
52
Flûte traversière
39
Clarinette
37
Saxophone (partie séparée)
36
Saxophone Alto
31
2 Saxophones (duo)
27
Saxophone
24
Flûte traversière et Piano
22
Hautbois, Piano (duo)
22
Saxophone Alto et Piano
21
Clarinette et Piano
20
2 Clarinettes (duo)
20
Quatuor de Saxophones: 4 saxophones
18
Hautbois (partie séparée)
18
Saxophone Tenor et Piano
16
Flûte, Clarinette (duo)
16
Flûte, Hautbois, Clarinette, Basson
15
Ensemble de saxophones
14
Quatuor de Clarinettes: 4 clarinettes
14
Clarinette, Violon (duo)
14
Ensemble de Clarinettes
13
2 Flûtes traversières (duo)
11
Saxophone Tenor
10
Cor anglais, Piano
10
Saxophone Soprano et Piano
10
Flûte, Violon
9
Saxophone, Clarinette (duo)
8
Saxophone Baryton, Piano
7
2 Flûte à bec (duo)
6
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6
Clarinette, Trompette (duo)
6
Quatuor de Flûtes : 4 flûtes
6
3 Clarinettes (trio)
6
Hautbois, Clarinette (duo)
5
Clarinette (partie séparée)
5
Clarinette Basse, Piano
5
Quintette de Flûte : 5 flûtes
4
Flûte, Violon et Violoncelle
4
Saxophone Soprano
4
2 Hautbois (duo)
4
Hautbois, Basson (duo)
4
3 Saxophones (trio)
3
Flûte, Trompette (duo)
3
Flûte, Basson et Piano
3
Clarinette et Alto
3
Ensemble de Flûtes
3
Flûte, Saxophone (duo)
3
Hautbois, Flûte
3
Piccolo, Piano
2
Flûte, Clarinette et Basson
2
3 Hautbois
2
Hautbois
2
Flûte, Hautbois (duo)
2
Flute (partie séparée)
2
Quintette de Clarinettes: 5 clarinettes
2
Clarinette, Basson (duo)
2
Flûte, Clarinette, Piano (trio)
2
2 Flûtes traversières, Piano
1
Flûte, Hautbois, Basson
1
Flûte, trombone et piano
1
Clarinette, Basson, Piano (trio)
1
Harmonica
1
Hautbois, Clarinette, Basson (trio d'anches)
1
3 Flûtes à bec (trio)
1
Flûte, Violoncelle, Guitare
1
2 Flûtes à bec, Guitare
1
2 Clarinettes, Piano
1
Flûte, Hautbois, Piano (trio)
1
Flûte à bec Alto
1
Quatuor de Clarinettes: Clarinette, Violon, Alto, Violoncelle
1
Quatuor de Flûtes à bec
1
Flûte, Violon, Piano
1
Flûte et Trio à cordes
1
Clarinette, trompette et piano
1
Flûte, Violoncelle, Piano (trio)
1
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CUIVRES
Quatuor de Cuivres : 2 trompettes, trombone, tuba
44
Trompette
40
Quatuor de cuivres: 4 trombones
38
Trombone
36
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
35
Trombone et Piano
18
Cor
17
Trompette, Piano
13
Cor anglais, Piano
10
Cor et Piano
9
Ensemble de Trombones
9
Euphonium, Piano (duo)
9
Trompette, Trombone (duo)
7
Tuba
7
Trompette (partie séparée)
6
Trompette, Saxophone (duo)
6
2 Trombones (duo)
5
2 Trompettes (duo)
4
Ensemble de Trompettes
4
Quatuor de Cuivres
3
Tuba et Piano
3
2 Euphoniums et 2 Tubas
3
Quatuor de cuivres: 4 cors
3
Euphonium
3
Quatuor de cuivres: 4 trompettes
3
Quatuor de Cuivres: 2 trompettes, Cor, trombone
2
Tuba (partie séparée)
2
2 Cors (duo)
2
Trio de Cuivres
2
Trombone (partie séparée)
2
2 Tubas (duo)
1
Ensemble de Tubas
1
Cor (partie séparée)
1
3 Trompettes (trio)
1
Ensemble de Cors
1
Trompette, Trombone, Piano
1
Trombone basse
1
Trombone, Cor (duo)
1
4 Tubas
1
Cor, Tuba (duo)
1
3 Trombones (trio)
1
Trombone, Tuba (duo)
1
Instrumentations suivantes
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CORDES
Quatuor à cordes: 2 violons, alto, violoncelle
92
Violon
53
Violon et Piano
28
Violoncelle (partie séparée)
23
Alto seul
22
Alto, Piano
20
Violon, Violoncelle (duo)
17
Trio à Cordes: violon, alto, violoncelle
17
Quintette à cordes: 2 violons, alto, violoncelle, basse
16
Violoncelle, Piano
16
Harpe
14
2 Violons (duo)
13
Violoncelle
12
Alto (partie séparée)
8
2 Violoncelles (duo)
7
Violon, Alto (duo)
7
4 Violoncelles
7
2 Altos (duo)
6
Violon (partie séparée)
5
Ensemble d'Altos
5
Ensemble de Violons
5
Contrebasse (partie séparée)
4
Harpe, Violon, Violoncelle
3
Trio à cordes: 3 altos
3
Trio à Cordes: 2 violons, violoncelle
3
Trio à cordes: 3 violins
3
Piano Trio: Violon, Alto, Piano
2
Alto, Violoncelle (duo)
2
Trio à Cordes: 3 violoncelles
2
Contre Basse
2
2 Contrebasses (duo)
1
2 Harpes (duo)
1
Ensemble de Violoncelles
1
Quatuor à cordes: 4 violons
1
Violoncelle, Contrebasse (duo)
1
Instrumentations suivantes
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PERCUSSIONS & ORCHESTRES
Orchestre d'harmonie
107
Batterie
61
Orchestre
59
Cloches
42
Ensemble Jazz
39
Orchestre à Cordes
28
Ensemble de cuivres
15
Fanfare
11
Jazz combo
9
Orchestre de chambre
9
Ensemble de Percussions
7
Marimba
5
Percussion (partie séparée)
3
Vibraphone
3
Percussion
2
Xylophone
1
Quintette de Cuivres: autres combinaisons
1
Quatuor à Vent : 4 instruments à vents
1
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AUTRES
Vous avez sélectionné:
John May
Saxophone Alto et Piano
Partitions à imprimer
21 partitions trouvées
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Bach: Sheep May Safely Graze for Alto Sax & Piano
Saxophone Alto et Piano
Alto Saxophone,Piano - Level 2 - Digital Download SKU: A0.548976 Composed by Johann…
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Alto Saxophone,Piano - Level 2 - Digital Download SKU: A0.548976 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Holiday,Standards,Wedding. Score and part. 11 pages. Jmsgu3 #3444569. Published by jmsgu3 (A0.548976). Was mir behagt, ist nur die muntre Jagd (The lively hunt is all my heart's desire), BWV 208 is the earliest secular cantata by Bach composed in 1713 for the birthday of the Duke of Weissenfels. It is also called the Hunting Cantata, and/or the Birthday Cantata. The most famous piece from this collection is the soprano aria Sheep may safely graze. Duration: 5:50, Score - 6 pg. Solo part - 2 pg. Piano part - 3 pg. 41 ms. Melodic range: M10 Sheep May Safely Graze Sheep may safely graze (Schafe können sicher weiden) is an aria from the Cantata BWV 208. The title of the Cantata, Was mir behagt, ist nur die muntre Jagd (nicknamed the Hunting Cantata) translates as The lively hunt is all my heart's desire. Programming Similar to Bach’s Jesu, Joy of Man's Desiring, or I Stand at the Threshold, it is an all-time favorite and frequently requested at weddings. Originally, Bach composed this aria for a royal birthday celebration, that of the Duke of Saxe-Weissenfels. Lyrics Sheep may safely graze and pasture In a watchful Shepherd’s sight. Those who rule with wisdom guiding Bring to hearts a peace abiding Bless a land with joy made bright.  Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Indeed, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. People are probably most familiar with instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio.  History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer.  Style It seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival        Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV.
$32.95
30.26 €
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Saxophone Alto et Piano
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Johann Sebastian Bach
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James M
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Bach: Sheep May Safely Graze for Alto Sax & Piano
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jmsgu3
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SheetMusicPlus
Sheep May Safely Graze (Bach): Alto Sax and Piano
Saxophone Alto et Piano
Alto Saxophone,Piano - Level 3 - Digital Download SKU: A0.525041 Composed by Johann…
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Alto Saxophone,Piano - Level 3 - Digital Download SKU: A0.525041 Composed by Johann Sebastian Bach. Arranged by John A. Dempsey. Baroque,Christmas,Easter,Traditional,Wedding. Score and part. 16 pages. John A. Dempsey #6621463. Published by John A. Dempsey (A0.525041). With its bell-like refrain, Bach's exquisite, elegant Sheep May Safely Graze (from Cantata, No. 208) appeals not only to fans of Baroque music but also to lovers of classical, romantic and pop music. This duet for alto sax and piano is recommended for concerts, recitals, weddings, banquets, traditional church services and other worship events. Suggested wedding uses: prelude, unity candle music, bridesmaid processional, bridal march and wedding recessional. As worship music, Sheep May Safely Graze may serve as a prelude, postlude, an offertory, interlude, silent prayer accompaniment and special music. Concert Key (Piano): Bb major. Alto Sax Key: G major. 12 pages of music (that includes a separate two-page alto sax part).
$6.99
6.42 €
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Saxophone Alto et Piano
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Johann Sebastian Bach
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John A
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Sheep May Safely Graze
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John A. Dempsey
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SheetMusicPlus
Maybe This Time
Saxophone Alto et Piano
Instrumental Duet,Piano Alto Saxophone,Baritone Saxophone,Instrumental Duet,Piano - Level …
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Instrumental Duet,Piano Alto Saxophone,Baritone Saxophone,Instrumental Duet,Piano - Level 3 - Digital Download SKU: A0.735324 Composed by John Kander. Arranged by Andrew Middleton. 20th Century. Score and parts. 5 pages. Andrew Middleton #4356085. Published by Andrew Middleton (A0.735324). From the musical Cabaret and made famous by Liza Minelli's icon voice, Maybe This Time arranged for alto saxophone and piano. This arrangement would also be suitable for baritone saxophone too!For more updates on new arrangements follow my Facebook page on https://www.facebook.com/a.middletonmusic/ Or subscribe to my Youtube page at https://www.youtube.com/channel/UCClIYqddA2wMpdaxSq3BKEw?view_as=subscriber
$4.99
4.58 €
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Saxophone Alto et Piano
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John Kander
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Andrew Middleton
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Maybe This Time
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Andrew Middleton
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SheetMusicPlus
El Choclo-Alto Saxophone Solo (Optional Piano Accompaniment)
Saxophone Alto et Piano
Alto Saxophone,Piano - Level 4 - Digital Download SKU: A0.1112837 By John May. By A…
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Alto Saxophone,Piano - Level 4 - Digital Download SKU: A0.1112837 By John May. By Angel Villoldo. Arranged by John May. Chamber,Contest,Festival,Folk,Latin,Multicultural,World. Score and part. 6 pages. Lost Key Music #714789. Published by Lost Key Music (A0.1112837). On the Texas Prescribed Music ListEl Choclo (The Corn Cob) is one of the most popular tangos in Argentina. It is arranged here for alto saxophone solo. Includes a separate alto sax solo part that can be played with or without piano accompaniment. Perfect for solo and ensemble festivals. www.lostkeymusic.com Follow Lost Key Music on social media: https://www.facebook.com/lostkeymusic... https://twitter.com/lostkeymusic https://www.pinterest.com/lostkeymusic/ https://www.instagram.com/lostkeymusic/.
$9.00
8.26 €
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Saxophone Alto et Piano
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John May
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John May
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El Choclo-Alto Saxophone Solo
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Lost Key Music
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SheetMusicPlus
El Testament d'Amelia-Alto Saxophone Solo
Saxophone Alto et Piano
Alto Saxophone,Piano - Level 2 - Digital Download SKU: A0.1112686 By John May. By M…
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Alto Saxophone,Piano - Level 2 - Digital Download SKU: A0.1112686 By John May. By Miguel Llobet. Arranged by John May. Chamber,Classical,Folk,Multicultural,World. Score and part. 5 pages. Lost Key Music #714693. Published by Lost Key Music (A0.1112686). On the Texas Prescribed Music ListEl Testament d'Amelia (Amelia's Will) is a popular Catalan folk song. Arranged for alto saxophone solo. Perfect for solo and ensemble festivals. www.lostkeymusic.com Follow Lost Key Music on social media: https://www.facebook.com/lostkeymusic... https://twitter.com/lostkeymusic https://www.pinterest.com/lostkeymusic/ https://www.instagram.com/lostkeymusic/.
$9.00
8.26 €
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Saxophone Alto et Piano
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John May
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John May
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El Testament d'Amelia-Alto Saxophone Solo
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Lost Key Music
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SheetMusicPlus
Prelude in B minor-Alto Saxophone Solo With Piano Accompaniment (Audio Only)
Saxophone Alto et Piano
Alto Saxophone,Piano - Digital Download SKU: A0.1068447 Composed by Frederic Chopin…
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Alto Saxophone,Piano - Digital Download SKU: A0.1068447 Composed by Frederic Chopin. Arranged by John May. Contemporary,Multicultural,Romantic Period,Standards,World. Accompaniment. Duration 104. Lost Key Music #6086669. Published by Lost Key Music (A0.1068447). On the Texas Prescribed Music ListPrelude in B minor is from Frederic Chopin's 24 Preludes, which covers all major and minor keys. It is believed that this prelude, along with others, were played at his funeral. Nicknames given to this prelude after Chopin's death include Homesickness and Tolling Bells..
$1.99
1.83 €
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Saxophone Alto et Piano
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Frederic Chopin
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John May
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Prelude in B minor-Alto Saxophone Solo With Piano Accompaniment
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Lost Key Music
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SheetMusicPlus
Jezebel
Saxophone Alto et Piano
Alto Saxophone,Piano - Level 3 - Digital Download SKU: A0.1049270 By Sade. By Helen…
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Alto Saxophone,Piano - Level 3 - Digital Download SKU: A0.1049270 By Sade. By Helen Adu and Stuart Matthewman. Arranged by John May. 20th Century,Chamber,Contemporary,Contest,Festival,Pop. Score and part. 9 pages. Lost Key Music #653643. Published by Lost Key Music (A0.1049270). Arranged for alto saxophone solo. Includes a separate alto saxophone part. www.lostkeymusic.com Follow Lost Key Music on social media: https://www.facebook.com/lostkeymusic... https://twitter.com/lostkeymusic https://www.pinterest.com/lostkeymusic/ https://www.instagram.com/lostkeymusic/.
$10.00
9.18 €
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Saxophone Alto et Piano
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Sade
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John May
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Jezebel
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Lost Key Music
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SheetMusicPlus
Alto Sax - "And Can It Be?" Theme and Variations
Saxophone Alto et Piano
Alto Saxophone,Piano - Level 3 - Digital Download SKU: A0.844328 Composed by Lyrics…
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Alto Saxophone,Piano - Level 3 - Digital Download SKU: A0.844328 Composed by Lyrics: Charles Wesley, Music: Thomas Campbell, published 1738, and published 1825. Arranged by Dan Cutchen. Easter,Gospel,Sacred,Spiritual. Score and part. 15 pages. Dan Cutchen Music #3115903. Published by Dan Cutchen Music (A0.844328). This arrangement of And Can It Be That I Should Gain? is for alto saxophone solo and piano.A theme and variation treatment is used. For a piano background Mp3 track, search for: Alto Sax - And Can It Be? Theme and Variations-Accompaniment Track, Dan CutchenTime: approximately 6:00And Can It Be That I Should Gain? is a Christian hymn written by Charles Wesley. And Can It Be was written in 1738 to celebrate Wesley's conversion, which he regarded as having taken place on May 21 of that year. This beautiful hymn has been popular and enduring.And Can It Be That I Should Gain is perhaps one of the most joyfully poignant hymns penned by Charles Wesley (1707-1788). On Whitsunday (Pentecost), May 21, 1738, three days before his brother John experienced his heart strangely warmed,’ Charles was convalescing in the home of John Bray, a poor mechanic, when he heard a voice saying, In the name of Jesus of Nazareth, arise, and believe, and thou shalt be healed of all thy infirmities. The voice was most likely Mr. Bray’s sister who felt commanded to say these words in a dream.Anglican hymn writer Timothy Dudley-Smith, notes that the following then happened:Charles got out of bed and opening his Bible read from the Psalms: He have put a new song in my mouth, even praise unto our God, followed by the first verse of Isaiah 40, Comfort ye, comfort ye my people, saith your God. He wrote in his journal, I have found myself at peace with God, and rejoiced in the hope of love Christ (Dudley-Smith, 1987, 1).The statement from Mr. Bray’s sister sparked within Charles a conviction like he had never felt before. Moved and convicted in spirit, Charles wrestled with these words until he came to rest in his faith, knowing that it is by faith we are saved (Ephesians 2:8).Soon after this conversion experience, he wrote two hymns in celebration of the amazing love he had come to know: And Can It Be that I Should Gain and Where Shall My Wondering Soul Begin? (United Methodist Hymnal, 342)There has been some debate as to which hymn was written first, but most current scholarship accepts the latter as the first hymn written by Charles after his conversion experience. No matter its place in the chronology of Wesley's output, And Can It Be has been and remains one of his most remarkable hymns, expressing like no other the rapturous joy of receiving salvation.And Can It Be That I Should Gain. Hymnary.org, https://hymnary.org/text/and_can_it_be_that_i_should_gainDudley-Smith, Timothy. A Flame of Love: A Personal Choice of Charles Wesley’s Verse. London: Triangle SPCK, 1987.Timothy Dudley-Smith. And can it be that I should gain. The Canterbury Dictionary of Hymnology. Canterbury Press, accessed May 29, 2018, http://www.hymnology.co.uk/a/and-can-it-be-that-i-should-gain.Young, Carlton R. And Can It Be That I Should Gain. Companion to the United Methodist Hymnal. Abingdon Press, 1993.(Taken from: History of Hymns: And Can It Be That I Should Gain by DeAndre Johnson found at https://www.umcdiscipleship.org/resources)https://youtu.be/BSX9yYcNY2E
$7.00
6.43 €
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Saxophone Alto et Piano
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Lyrics: Charles Wesley, Music: Thomas Campbell, published 1738, and published 1825
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Dan Cutchen
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Alto Sax - "And Can It Be?" Theme and Variations
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Dan Cutchen Music
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SheetMusicPlus
O Come All Ye Faithful for Alto Sax & Piano
Saxophone Alto et Piano
Alto Saxophone,Piano - Level 1 - Digital Download SKU: A0.548508 Composed by Wade. …
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Alto Saxophone,Piano - Level 1 - Digital Download SKU: A0.548508 Composed by Wade. Arranged by James M. Guthrie, ASCAP. Christian,Christmas. Score and part. 4 pages. Jmsgu3 #3388099. Published by jmsgu3 (A0.548508). O Come All Ye Faithful arranged with new harmony for the final verse. Score: 3 pages. Part: 1 pageO Come, All Ye Faithful O Come, All Ye Faithful is an English translation of the Latin Christmas carol Adeste Fideles. No one knows exactly who wrote it, but one theory is that it was originally composed by King John IV of Portugal (1604–1656) and revised by John F. Wade and John Reading. Nowadays, we usually attribute it to John Wade. The oldest manuscript from 1751, is owned by Stonyhurst College in Lancashire. Lyrics The English translation O Come, All Ye Faithful was certainly written by Frederick Oakeley, a Catholic priest in 1841. This translation is the most common in English speaking states. To begin with, the hymn had only four verses. Later, the verses grew to eight. Often, various verses are omitted because otherwise, the song is just too long. Some believe the first Latin lyrics were written by St. Bonaventure (13th century) or King John IV of Portugal in the 17th. Though others think it was written by the Cistercian monks. King John IV King John IV of Portugal was called The Musician King. He became king in 1640. In addition to performing the duties of a king, he was also a composer and music journalist. King John built a very large music library. Unfortunately, the library was ruined in 1755 because of the massive earthquake of Lisbon. In addition to his library, the king started a Music School that produced many accomplished musicians. The king also worked diligently to get instrumental music approved by the Vatican for use in his churches. Aside from his authorship of Adeste Fideles, he is famous for another popular choral setting of the Crux Fidelis, a prevalent Lenten hymn. Performance in Context As mentioned above, verses are sometimes left out because all eight verses would take too long to perform. More to the point though, some of the verses may be unsuitable for whatever of the church calendar they are intended. The eighth verse deals with the Epiphany, so it makes sense to sing this on Epiphany Sunday, but not other Sundays. Similarly, other verses are used according to whether the event is Midnight Mass or regular daytime Mass.
$24.95
22.91 €
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Saxophone Alto et Piano
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Wade
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James M
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O Come All Ye Faithful for Alto Sax & Piano
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jmsgu3
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SheetMusicPlus
Cold Heart (pnau Remix)
Saxophone Alto et Piano
Alto Saxophone,Piano - Level 2 - Digital Download SKU: A0.1170656 By Elton John & D…
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Alto Saxophone,Piano - Level 2 - Digital Download SKU: A0.1170656 By Elton John & Dua Lipa. By Andrew John Meecham, Bernie Taupin, Dean Meredith, Elton John, Nicholas Littlemore, Peter Mayes, and Sam Littlemore. Arranged by Willem Aarts. Pop. Score and part. 8 pages. Willem Aarts #757205. Published by Willem Aarts (A0.1170656). Individual parts are included.
$4.99
4.58 €
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Saxophone Alto et Piano
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Elton John & Dua Lipa
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Willem Aarts
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Cold Heart
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Willem Aarts
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SheetMusicPlus
The Water is Wide (Alto Sax and Piano)
Saxophone Alto et Piano
Alto Saxophone,Piano - Level 3 - Digital Download SKU: A0.1408394 Composed by Tradi…
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Alto Saxophone,Piano - Level 3 - Digital Download SKU: A0.1408394 Composed by Traditional Scottish Melody. Arranged by John A. Dempsey. Celtic,Film/TV,Irish,Spiritual,Traditional,Wedding. Score and part. 12 pages. John A. Dempsey #990976. Published by John A. Dempsey (A0.1408394). Give me a boat that can carry two and both shall row - my love and I. Â From a rich, vibrant Celtic tradition comes the classic tune The Water is Wide, lovingly crafted to evoke misty Scottish landscapes with rolling green hills (you can almost smell the heather). Â This unabashedly romantic duet for alto sax and piano is perfect for weddings and ceilidhs (or any Celtic-themed music event) as well as recitals and concerts. Â Â Â Â Â Â As wedding music, this arrangement stirs the heart as a prelude, unity candle accompaniment, a bridal march or a bridesmaid processional. Â This arrangement also makes a touching prelude, postlude, an offertory, interlude, silent prayer accompaniment and special music for traditional church services and other worship events, as the melody has been used in multiple hymn settings, including The Gift of Love, Though I May Speak with Bravest Fire and as an alternate melody for When I Survey the Wondrous Cross. Â Concert Key: F major. Â 8 pages of music (that includes a separate two-page alto sax part).
$6.99
6.42 €
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Saxophone Alto et Piano
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Traditional Scottish Melody
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John A
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The Water is Wide
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John A. Dempsey
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SheetMusicPlus
The Lily of the Valley (Alto Sax and Piano)
Saxophone Alto et Piano
Alto Saxophone,Piano - Level 3 - Digital Download SKU: A0.523592 Composed by Willia…
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Alto Saxophone,Piano - Level 3 - Digital Download SKU: A0.523592 Composed by William S. Hays, Scott Joplin, Louis Chauvin. Arranged by John A. Dempsey. Christian,Praise & Worship,Ragtime,Sacred,Traditional. Score and part. 13 pages. John A. Dempsey #3568043. Published by John A. Dempsey (A0.523592). A unique arrangement brimming with the heady charm of ragtime - Scott Joplin's Heliotrope Bouquet - combined with a the classic hymn of praise The Lily of the Valley, this alto sax and piano duet is recommended for worship events, traditional church services, recitals and concerts. Â As a worship selection, The Lily of the Valley may be performed as a prelude, an offertory, special music or a postlude. Â Concert Key (Piano): Â F major. Â Alto Sax Key: D major. Â 9 pages of music (that includes a separate two-page alto sax part)Â .
$6.99
6.42 €
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Saxophone Alto et Piano
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William S
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John A
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The Lily of the Valley
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John A. Dempsey
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SheetMusicPlus
The Show Must Go On
Saxophone Alto et Piano
Instrumental Duet,Piano Alto Saxophone,Baritone Saxophone,Instrumental Duet,Piano - Level …
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Instrumental Duet,Piano Alto Saxophone,Baritone Saxophone,Instrumental Duet,Piano - Level 3 - Digital Download SKU: A0.632650 By Queen. By Brian May, Freddie Mercury, John Deacon, and Roger Taylor. Arranged by Fishel Pustilnik. Rock. Score and parts. 11 pages. F & N Enterprise #3072143. Published by F & N Enterprise (A0.632650). An excellent arrangement of famous The Show Must Go On for Alto Sax and Piano (Jazz/Pop Version). The composition is easy to read, fun to play and sound professional when performed. Arranged by Fishel Pustilnik, very well known as Composer/Publisher. His books Jazz & Pop Piano Paradise (Volumes 1-5) have become a commercial success and a hit with music teachers and students in Canada. (Thousands books already sold in Canada). They are also starting to enter the US, Brazil, Norway, Russia, Holland, Israel, Belgium, Sweden, Finland, Greece, Latvia and UK markets. This is a wonderful new publication. These pieces offer much appeal for the young pianist and excellent choice for a supplementary book for students from Grade 3 to 8. Lore Ruschiensky, Editor, (from review in The Canadian Music Teacher) Yesterday I spent at least two pleasure filled hours playing through your imaginatively inventive compositions. Congratulations! I trust students will decide to program your well crafted and entertaining works on recitals and examinations. Review from Dr. Jack Behrens, B.Sc. (Julliard), PH.D (Harvard), Director of Academic Studies, The Glenn Gould School I liked this book the best so far. Great work! You have a gift for melody and your arrangements are very playable. Congratulations on the 3rd Volume. Mark Carlstein, Hal Leonard, Keyboard Publications.
$4.99
4.58 €
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Saxophone Alto et Piano
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Queen
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Fishel Pustilnik
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The Show Must Go On
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F & N Enterprise
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SheetMusicPlus
Under Pressure
Saxophone Alto et Piano
Alto Saxophone,Piano - Level 3 - Digital Download SKU: A0.1272128 By Queen. By Bria…
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Alto Saxophone,Piano - Level 3 - Digital Download SKU: A0.1272128 By Queen. By Brian May, David Bowie, Freddie Mercury, John Deacon, and Roger Taylor. Arranged by Jireh J. Hip-Hop,Pop,R & B,Rock. Score and part. 13 pages. Jireh J. #864458. Published by Jireh J. (A0.1272128). This arrangement was made like the original. It doesn't contain chords.
$5.99
5.5 €
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Saxophone Alto et Piano
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Queen
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Jireh J
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Under Pressure
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Jireh J.
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SheetMusicPlus
Under Pressure
Saxophone Alto et Piano
Alto Saxophone,Piano - Level 3 - Digital Download SKU: A0.1272115 By Queen. By Bria…
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Alto Saxophone,Piano - Level 3 - Digital Download SKU: A0.1272115 By Queen. By Brian May, David Bowie, Freddie Mercury, John Deacon, and Roger Taylor. Arranged by Jireh J. Hip-Hop,Pop,R & B,Rock. Score and part. 13 pages. Jireh J. #864447. Published by Jireh J. (A0.1272115). This arrangement was made like the original. Contains chords.
$5.99
5.5 €
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Saxophone Alto et Piano
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Queen
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Jireh J
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Under Pressure
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Jireh J.
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SheetMusicPlus
Sacred Harp Tunes - Set 3
Saxophone Alto et Piano
Alto Saxophone,Piano - Level 4 - Digital Download SKU: A0.835944 Composed by Anonym…
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Alto Saxophone,Piano - Level 4 - Digital Download SKU: A0.835944 Composed by Anonymous, E. J. King and Wm. Walker, F. F. Chopin(?), Hitchcock, J. M. Day, and John S. Terry. Arranged by Gary R. Smoke. Contemporary,Folk,Sacred. Score and part. 37 pages. Gary Smoke #5213307. Published by Gary Smoke (A0.835944). Sacred Harp tunes arranged for Alto Saxophone and Piano. ca. 14' for entire set. Performances may be found at the YouTube channel 'highmeadowmusic' A link to a video of the first tune is in the description.Tunes:1. Fairfield2. Ester3. Clamanda4. Primrose Hill5. Villulia6. Saints Bound for Heaven.
$12.00
11.02 €
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Saxophone Alto et Piano
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Anonymous, E
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Gary R
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Sacred Harp Tunes - Set 3
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Gary Smoke
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SheetMusicPlus
Bach-Gounod: Ave Maria, Schwencke version for Alto Sax & Piano
Saxophone Alto et Piano
Alto Saxophone,Piano - Level 2 - Digital Download SKU: A0.550919 Composed by J. S. …
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Alto Saxophone,Piano - Level 2 - Digital Download SKU: A0.550919 Composed by J. S. Bach - Gounod. Arranged by James M. Guthrie, ASCAP. Christmas,Contemporary,Easter,Wedding. Score and part. 11 pages. Jmsgu3 #4888291. Published by jmsgu3 (A0.550919). This arrangement features the controversial Schwencke measure (ms. 27) that was originally introduced in 1783 by Christian Friedrich Gottlieb Schwencke. The convenient 1st & 2nd endings provide an option for extended performance. Duration with repeat - 4:50. Score: 6 pages. Solo part: 2 pages, piano part: 4 pages. Based on Prelude #1 in C Major from the Well-Tempered Clavier, Book 1. Well suited for church meditations or school programs or recital encores. Ave Maria Ave Maria is a Catholic prayer that consequently asks for the mother of Jesus (Mary) to intercede. Charles Gounod composed a famous version of the Ave Maria. He was a French Romantic composer who overlaid a new melody on an existing Bach chord progression. The progression is from Bach’s Prelude No. 1 from Well-Tempered Clavier I. This version, as well as Schubert’s version, have become essential items at weddings, masses, and funerals. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio.  History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as a court composer.  Style It seems like Bach created an engaging new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival        Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV. Â
$32.95
30.26 €
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Saxophone Alto et Piano
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J
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James M
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Bach-Gounod: Ave Maria, Schwencke version for Alto Sax & Piano
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jmsgu3
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SheetMusicPlus
Bach-Gounod: Ave Maria for Alto Sax & Piano
Saxophone Alto et Piano
Alto Saxophone,Piano - Level 2 - Digital Download SKU: A0.549364 Composed by Bach-G…
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Alto Saxophone,Piano - Level 2 - Digital Download SKU: A0.549364 Composed by Bach-Gounod. Arranged by James M. Guthrie, ASCAP. Christmas,Contemporary,Easter,Wedding. Score and part. 11 pages. Jmsgu3 #3490139. Published by jmsgu3 (A0.549364). This arrangement follows the original Bach prelude and so excludes the extra measure that Schwencke introduced in 1783. If you prefer the extra measure, please see Bach-Gounod: Ave Maria, Schwencke version for Alto Sax & Piano, S0.661763. The convenient 1st & 2nd endings provide an option for extended performance with minimal page turns for the accompanist. The duration with repeat is about 4:50. Score: 6 pages. Solo part: 1 page, piano part: 4 pages. Based on Prelude #1 in C Major from the Well-Tempered Clavier, Book 1. Well suited for church meditations or school programs or recital encores. Ave Maria Ave Maria is a Catholic prayer that consequently asks for the mother of Jesus (Mary) to intercede. Charles Gounod composed a famous version of the Ave Maria. He was a French Romantic composer who overlaid a new melody on an existing Bach chord progression. The progression is from Bach’s Prelude No. 1 from Well-Tempered Clavier I. This version, as well as Schubert’s version, have become essential items at weddings, masses, and funerals. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio.  History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer.  Style It seems like Bach created an engaging new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival        Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV. Â
$32.95
30.26 €
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Saxophone Alto et Piano
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Bach-Gounod
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James M
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Piano, S0
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Bach-Gounod: Ave Maria for Alto Sax & Piano
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jmsgu3
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SheetMusicPlus
Sullivan: The Lost Chord for Alto Sax & Piano
Saxophone Alto et Piano
Alto Saxophone,Piano - Level 4 - Digital Download SKU: A0.549443 Composed by Sir Ar…
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Alto Saxophone,Piano - Level 4 - Digital Download SKU: A0.549443 Composed by Sir Arthur Seymour Sullivan. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and part. 15 pages. Jmsgu3 #3494751. Published by jmsgu3 (A0.549443). Score: 10 pages, solo part: 2 pages, piano part: 3 pages. Duration: 4:25. Not difficult, but requires sensitivity & dynamic control. Suitable for recitals, church meditations, or school programs. School Years First of all, Sullivan attended music school at the Royal Academy of Music. Because Sullivan was so talented, the Academy awarded him the Mendelssohn Scholarship for two years in a row. He, therefore, studied with John Goss, who studied with Thomas Atwood, who in turn studied with Mozart. Sullivan similarly studied the piano at the Academy with Arthur O’Leary. Study Abroad During his first year, he also earned money by singing solos in the Chapel Royal. At the end of his second year, the Academy consequently continued his scholarship and sent him to study at the Leipzig Conservatoire. He certainly studied composition, and likewise counterpoint and piano. Hence, during his final year in Leipzig, Sullivan finally completed his graduation composition project: Incidental Music for Shakespeare’s The Tempest. Association with Gilbert It seems like Sullivan built the bulk of his composing career largely in the 1860s. As a result, he became famous for his incidental music for the Tempest and his Irish Symphony. He, therefore, began collaborating with the poet W. S. Gilbert in the 1870s. Rather than focus on serious opera, Gilbert and Sullivan, in contrast, concentrated on comic operas such as H. M. S. Pinafore, the Pirates of Penzance, and the Mikado. Therefore, certainly as a result of his education and experience, Sullivan composed a total of 24 operas, 11 symphonic works, and 10 choral pieces. Even more, he wrote a large number of noteworthy hymns such as Onward Christian Soldiers. Lost Chord Winds The general style of his music is maybe similar to Mendelssohn, Schumann, and perhaps Liszt. It seems like Sullivan was fond of writing distinct melodies for each character in his operettas. His melodies combine together as the characters did. Furthermore, he was a master orchestrator, and therefore played the flute, clarinet, trumpet, and trombone fluently. The Lost Chord Sullivan wrote his most noteworthy song the Lost Chord in 1877. As a result, it was a great success and was certainly performed all over the world by a variety of singers such as Enrico Caruso. Because Sullivan was the most famous composer in England, the Lost Chord became the most famous of all British or American songs of the 1870s and 1890s. Consequently, in 1888 Thomas Edison recorded The Lost Chord for the phonograph. It was one of the first songs ever recorded. Furthermore, Queen Victoria knighted Sullivan in 1883. Â
$26.95
24.75 €
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Saxophone Alto et Piano
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Sir Arthur Seymour Sullivan
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James M
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dynamic control
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Sullivan: The Lost Chord for Alto Sax & Piano
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jmsgu3
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SheetMusicPlus
Bach: Wachet auf for Alto Sax & Piano
Saxophone Alto et Piano
Alto Saxophone,Piano - Level 2 - Digital Download SKU: A0.549842 Composed by Johann…
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Alto Saxophone,Piano - Level 2 - Digital Download SKU: A0.549842 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Concert,Easter,Sacred,Standards. Score and part. 12 pages. Jmsgu3 #3554821. Published by jmsgu3 (A0.549842). Wachet auf, ruft uns die Stimme (Awake, the voice is calling us) from Cantata BWV 140. Duration: ca. 4:00, Score: 6 pages, solo part 1 page, piano part: 4 pages. Program this for church services during the Easter season, or as a recital encore.Wachet auf, ruft uns die Stimme (Awake, the Voice is calling us) also known as: Sleepers Awake Bach composed his church cantata Wachet auf (BWV 140) as part of his second annual cantata cycle covering the entire annual church calendar. It is based on the hymn of the same name by Philipp Nicolai (1599). The hymn text covers the readings for the 27th Sunday after Trinity. Bach designed the cantata in seven movements, setting the stanzas in various forms. Among these forms are the chorale fantasia, the chorale prelude, and a four-part chorale. He casts the new lyrics as recitatives – in a manner similar to the opera. Fourth Movement Bach writes the fourth movement, Zion hört die Wächter singen (Zion hears the watchmen singing), in the style of a chorale prelude with the chorale phrases performed as a strict cantus firmus. The phrases seem to enter at times erratically against the famous lyrical melody. The violins play this melody in unison as a foil against the cantus phrases. The violin melody is so independent and complete that when the cantus melody appears it catches the listener at times totally off-guard. Bach later transcribed this movement for organ (BWV 645). This transcription became No. 1 of the Six Schübler Chorales. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with the instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and certainly the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio. History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer. Style It seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV. .
$24.95
22.91 €
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Saxophone Alto et Piano
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Johann Sebastian Bach
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James M
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Bach: Wachet auf for Alto Sax & Piano
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jmsgu3
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SheetMusicPlus
Bach: Bist du bei mir BWV 508 for Alto Sax & Piano
Saxophone Alto et Piano
Alto Saxophone,Piano - Level 2 - Digital Download SKU: A0.549235 Composed by Johann…
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Alto Saxophone,Piano - Level 2 - Digital Download SKU: A0.549235 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Easter,Standards,Wedding. Score and part. 9 pages. Jmsgu3 #3468804. Published by jmsgu3 (A0.549235). J. S. Bach BWV 508. Bist du bei mir Bach adapted this aria from a lost Stölzel opera called Diomedes. He changed the original orchestral instrumentation to soprano, strings, and continuo.  He also modified the voice-leading making it sound more like a Bach composition. The work appears as BWV 508 No. 25 in the Anna Magdalena Notebook No. 2.  Source Only a few remnants of the original opera have survived. Historians speculate that Anna Magdalena got the song from the Leipzig Opera after the bankruptcy of 1720. Chances are good, though, that the tune was a favorite of everyone in Leipzig at the time.  Lyrics When thou art near, I go with joyTo death and to my rest.O how joyous would my end be,If your fair hands      Would close my faithful eyes. - Unknown Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and certainly the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy are the St. John Passion, and indeed the Christmas Oratorio.  History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer.  Style It seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival        Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV.  Voyager NASA launched two Voyager spacecraft in 1977. Onboard are phonograph records with sounds, music, and images of life on Earth. The purpose of the launch was to inform intelligent extraterrestrial life forms about conditions on Earth. The music on the disc is varied. There is Bach, Mozart, Beethoven, and Stravinsky among others. However, because Bach is so important in our music history, it contains three times more Bach than all the others combined.
$32.95
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Saxophone Alto et Piano
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Johann Sebastian Bach
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James M
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Bach: Bist du bei mir BWV 508 for Alto Sax & Piano
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jmsgu3
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SheetMusicPlus
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