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LUTE Opera Romantic
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249
Piano & claviers
Piano, Voix
7
Piano Facile
7
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5
Orgue
1
Instruments en Do
1
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Ukulele
6
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3
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2
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1
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2
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1
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1
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173
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126
2 Flûtes traversières (duo)
65
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63
Quatuor de Flûtes : 4 flûtes
52
Flûte traversière
52
Flûte, Clarinette (duo)
29
Flûte, Violon
17
Flûte, Trompette (duo)
16
Trio de Flûtes: 3 flûtes
14
Ensemble de Flûtes
13
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13
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10
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10
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7
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6
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6
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6
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5
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5
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5
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3
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3
Clarinette et Piano
2
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2
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2
Saxophone Alto
2
Flûte, Hautbois, Piano (trio)
2
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2
Clarinette
2
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2
Flûte, trombone et piano
2
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2
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2
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1
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1
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1
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1
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1
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1
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1
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1
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1
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1
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1
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3
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2
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2
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2
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1
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1
Cor anglais, Piano
1
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8
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2
Alto seul
2
2 Violoncelles (duo)
2
Alto, Piano
2
Violon, Alto (duo)
2
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2
2 Violons (duo)
1
Harpe
1
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1
Flûte, Contrebasse (duo)
1
Violon, Violoncelle (duo)
1
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34
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18
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Vous avez sélectionné:
LUTE Opera Romantic
SheetMusicPlus
Partitions à imprimer
6 partitions trouvées
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Emanuele Krakamp: Fantaisie sur la Traviata de Verdi, - alto saxophone and piano by Paul
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Saxophone Alto et Piano
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AVANCÉ
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Emanuele Krakamp
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Paul Wehage
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Emanuele Krakamp: Fantaisie su
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Musik Fabrik Music Publishing
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SheetMusicPlus
Alto Saxophone,Piano - Level 5 - SKU: A0.533263 Composed by Emanuele Krakamp. Arranged by Paul Wehage. Concert,Opera,Romantic Period,Standards. Score an...
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Alto Saxophone,Piano - Level 5 - SKU: A0.533263 Composed by Emanuele Krakamp. Arranged by Paul Wehage. Concert,Opera,Romantic Period,Standards. Score and part. 32 pages. Musik Fabrik Music Publishing #2151147. Published by Musik Fabrik Music Publishing (A0.533263). Emanuele Krakamp was born in Messina in 1813. He began studying music with his father. In 1841 he was named first flute in the royal orchestra of Naples and was also named flute professor of San Pietro a Majella Conservatory in 1860. Krakamp performed concerts in Europe, America, the Middle East and North Africa. The Fantasy Opus 248 based on themes from Verdi's Opera La Traviata is part of a group of three fantasies called La triade verdiana, first published in 1865. Krakamp died in Naples in 1883.The version for saxophone remains close to the original version for flute, with only a few register changes because of range issues. Some passages in the piano part have been re-enforced harmonically and the ending has been slightly changed, to create a more definitive ending. .
$19.95
Du und Du Waltz - Alto Saxophone & Piano
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Saxophone Alto et Piano
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INTERMÉDIAIRE
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Opera
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Classique
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Andrew Middleton
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Du und Du Waltz - Alto Saxopho
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Andrew Middleton
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SheetMusicPlus
Alto Saxophone,Piano - Level 3 - SKU: A0.735915 Arranged by Andrew Middleton. Opera,Romantic Period. Score and part. 5 pages. Andrew Middleton #5820777....
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Alto Saxophone,Piano - Level 3 - SKU: A0.735915 Arranged by Andrew Middleton. Opera,Romantic Period. Score and part. 5 pages. Andrew Middleton #5820777. Published by Andrew Middleton (A0.735915). Composed in 1874, Strauss used popular themes from his opera, Die Fledermaus, to create this waltz. This arranged is ideal for the intermediate performer and is also available for flute, oboe, clarinet, and bassoon too!For more updates on new arrangements follow my Facebook page on https://www.facebook.com/a.middletonmusic/ Or subscribe to my Youtube page at https://www.youtube.com/channel/UCClIYqddA2wMpdaxSq3BKEw?view_as=subscriber
$4.99
Roses of the South - Alto Saxophone & Piano
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Saxophone Alto et Piano
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FACILE
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Opera
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Classique
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Andrew Middleton
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Roses of the South - Alto Saxo
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Andrew Middleton
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SheetMusicPlus
Alto Saxophone,Piano - Level 2 - SKU: A0.735930 Arranged by Andrew Middleton. Opera,Romantic Period. Score and part. 5 pages. Andrew Middleton #5828857....
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Alto Saxophone,Piano - Level 2 - SKU: A0.735930 Arranged by Andrew Middleton. Opera,Romantic Period. Score and part. 5 pages. Andrew Middleton #5828857. Published by Andrew Middleton (A0.735930). Composed in 1880, Roses of the South is a waltz that uses themes from Strauss's own opera, Das Spitzentuch der Konigin. This arrangement for alto saxophone and piano is also available for flute, oboe, clarinet, and bassoon too!For more updates on new arrangements follow my Facebook page on https://www.facebook.com/a.middletonmusic/ Or subscribe to my Youtube page at https://www.youtube.com/channel/UCClIYqddA2wMpdaxSq3BKEw?view_as=subscriber
$4.99
Sullivan: The Lost Chord for Alto Sax & Piano
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Saxophone Alto et Piano
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INTERMÉDIAIRE/AVANCÉ
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Sir Arthur Seymour Sullivan
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James M
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dynamic control
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Sullivan: The Lost Chord for A
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jmsgu3
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SheetMusicPlus
Alto Saxophone,Piano - Level 4 - SKU: A0.549443 Composed by Sir Arthur Seymour Sullivan. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Per...
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Alto Saxophone,Piano - Level 4 - SKU: A0.549443 Composed by Sir Arthur Seymour Sullivan. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and part. 15 pages. Jmsgu3 #3494751. Published by jmsgu3 (A0.549443). Score: 10 pages, solo part: 2 pages, piano part: 3 pages. Duration: 4:25. Not difficult, but requires sensitivity & dynamic control. Suitable for recitals, church meditations, or school programs. School Years First of all, Sullivan attended music school at the Royal Academy of Music. Because Sullivan was so talented, the Academy awarded him the Mendelssohn Scholarship for two years in a row. He, therefore, studied with John Goss, who studied with Thomas Atwood, who in turn studied with Mozart. Sullivan similarly studied the piano at the Academy with Arthur O’Leary. Study Abroad During his first year, he also earned money by singing solos in the Chapel Royal. At the end of his second year, the Academy consequently continued his scholarship and sent him to study at the Leipzig Conservatoire. He certainly studied composition, and likewise counterpoint and piano. Hence, during his final year in Leipzig, Sullivan finally completed his graduation composition project: Incidental Music for Shakespeare’s The Tempest. Association with Gilbert It seems like Sullivan built the bulk of his composing career largely in the 1860s. As a result, he became famous for his incidental music for the Tempest and his Irish Symphony. He, therefore, began collaborating with the poet W. S. Gilbert in the 1870s. Rather than focus on serious opera, Gilbert and Sullivan, in contrast, concentrated on comic operas such as H. M. S. Pinafore, the Pirates of Penzance, and the Mikado. Therefore, certainly as a result of his education and experience, Sullivan composed a total of 24 operas, 11 symphonic works, and 10 choral pieces. Even more, he wrote a large number of noteworthy hymns such as Onward Christian Soldiers. Lost Chord Winds The general style of his music is maybe similar to Mendelssohn, Schumann, and perhaps Liszt. It seems like Sullivan was fond of writing distinct melodies for each character in his operettas. His melodies combine together as the characters did. Furthermore, he was a master orchestrator, and therefore played the flute, clarinet, trumpet, and trombone fluently. The Lost Chord Sullivan wrote his most noteworthy song the Lost Chord in 1877. As a result, it was a great success and was certainly performed all over the world by a variety of singers such as Enrico Caruso. Because Sullivan was the most famous composer in England, the Lost Chord became the most famous of all British or American songs of the 1870s and 1890s. Consequently, in 1888 Thomas Edison recorded The Lost Chord for the phonograph. It was one of the first songs ever recorded. Furthermore, Queen Victoria knighted Sullivan in 1883. Â
$26.95
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LUTE Opera Romantic 
