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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Low Opera
Non classifié
482
Piano & claviers
Piano, Voix
739
Piano seul
197
Piano Facile
52
Piano, Voix et Guitare
33
Instruments en Do
25
1 Piano, 4 mains
23
Accompagnement Piano
11
Orgue
8
Piano Trio: piano, violon, violoncelle
5
Instrument seul et Orgue
2
Piano Quintette: piano, 2 violons, alto, violoncelle
1
2 Pianos, 4 mains
1
Piano Quatuor: piano, violon, alto, violoncelle
1
+ 8 instrumentations
Retracter
Guitares
Guitare
51
Guitare notes et tablatures
17
Ligne De Mélodie, (Paroles) et Accords
15
Ukulele
9
Piano, Guitare (duo)
2
4 Guitares (Quatuor)
2
Paroles et Accords
1
3 Guitares (trio)
1
+ 3 instrumentations
Retracter
Voix
Chorale SATB
48
Voix Soprano, Piano
48
Voix Alto, Piano
46
Voix basse, Piano
44
Voix Tenor, Piano
35
Voix Baryton, Piano
35
Chorale 3 parties
34
Chorale 2 parties
15
Chorale TTBB
12
Voix moyenne, Piano
8
Voix duo, Piano
6
Chorale SSAA
5
Voix haute
4
Voix duo
4
Chorale Unison
3
Voix Tenor
1
Voix Soprano
1
Voix Baryton
1
Chorale
1
Voix seule
1
Soli, choeur mixte et accompagnement
1
Voix basse
1
+ 17 instrumentations
Retracter
Vents
Flûte traversière et Piano
73
Hautbois, Piano (duo)
51
Harmonica
47
Clarinette et Piano
46
Quatuor de Saxophones: 4 saxophones
43
Quatuor de Clarinettes: 4 clarinettes
40
2 Flûtes traversières (duo)
38
Clarinette
37
Saxophone Alto et Piano
35
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
33
2 Saxophones (duo)
30
Flûte traversière
29
Hautbois (partie séparée)
22
Quatuor de Flûtes : 4 flûtes
22
Saxophone Soprano et Piano
21
2 Clarinettes (duo)
18
Flûte, Hautbois, Clarinette, Basson
17
Saxophone Tenor et Piano
15
Saxophone, Clarinette (duo)
14
Ensemble de Clarinettes
14
Saxophone Alto
14
Clarinette Basse, Piano
12
Clarinette, Violon (duo)
11
Saxophone Baryton, Piano
11
Flûte, Clarinette (duo)
11
Cor anglais, Piano
9
Quintette de Saxophone: 5 saxophones
9
Hautbois, Clarinette (duo)
8
Flûte, Trompette (duo)
8
Hautbois
8
2 Hautbois (duo)
8
Flûte, Violon
8
3 Saxophones (trio)
7
Saxophone, Violon (duo)
6
Flûte, Hautbois (duo)
6
Saxophone Soprano
6
Hautbois, Trompette (duo)
6
Quintette de Clarinettes: 5 clarinettes
6
Hautbois, violon (duo)
6
3 Clarinettes (trio)
6
Ensemble de saxophones
5
2 Flûte à bec (duo)
4
Saxophone Tenor
4
Clarinette, Trompette (duo)
4
Flûte à bec Soprano
4
5 Flûtes à bec
3
Cor Anglais
3
Flûte, Saxophone (duo)
3
Flûte, Alto (duo)
3
2 Clarinettes, Piano
3
Ensemble de Flûtes
2
Clarinette Basse
2
Hautbois, Basson (duo)
2
Saxophone (partie séparée)
2
Clarinette, Basson (duo)
2
3 Flûtes à bec (trio)
2
Saxophone Baryton
2
Flûte, Hautbois, Piano (trio)
2
Hautbois, Flûte
2
Instruments en Mib
2
Hautbois, Clarinette, Basson (trio d'anches)
2
Flûte, Violon, Piano
2
Clarinette et Alto
2
Flûte, Violoncelle
1
Cor anglais, Guitare (duo)
1
Flûte à bec Tenor
1
Clarinette, Violoncelle (duo)
1
2 Flûtes traversières, Piano
1
Clarinette, Trombone (duo)
1
Clarinette, Guitare (duo)
1
Flûte, Clarinette, Piano (trio)
1
Quintette de Flûte : 5 flûtes
1
Clarinette, Violoncelle, Piano (trio)
1
Flûte, trombone et piano
1
Trio de Flûtes: 3 flûtes
1
Flûte traversière, Basse continue
1
Flûte, Clarinette, Cor, Basson (Quartet)
1
Flûte à bec Soprano, Piano
1
Flûte, Violoncelle, Piano (trio)
1
Flûte et Guitare
1
Quatuor de Flûtes à bec
1
+ 76 instrumentations
Retracter
Cuivres
Cor et Piano
55
Trompette, Piano
47
Trombone et Piano
42
Cor
42
Tuba et Piano
36
Trompette
33
Trombone
28
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
25
Tuba
23
Quatuor de Cuivres : 2 trompettes, trombone, tuba
19
Trompette, Saxophone (duo)
12
Quatuor de cuivres: 4 trombones
12
Euphonium, Piano (duo)
11
2 Trompettes (duo)
11
2 Trombones (duo)
10
Cor anglais, Piano
9
Trompette, violon (duo)
6
Trombone, violoncelle (duo)
6
Quatuor de Cuivres: 2 trompettes, Cor, trombone
4
2 Cors (duo)
4
Cor Anglais
3
Ensemble de Trombones
3
Trompette, Trombone (duo)
3
Quatuor de cuivres: 4 cors
3
Quatuor de Cuivres
2
Instruments en Sib
2
4 Tubas
2
Euphonium
2
Bass Clef Instruments
2
2 Euphoniums et 2 Tubas
2
Cor anglais, Guitare (duo)
1
2 Cors, Piano
1
Trompette (partie séparée)
1
Trombone basse et Piano
1
2 Euphoniums (duo)
1
Quatuor de cuivres: Cor, Trombone, Tuba, Trompette Sib
1
Euphonium, Tuba (duo)
1
Quatuor de cuivres: 4 trompettes
1
+ 33 instrumentations
Retracter
Cordes
Violon et Piano
68
Quatuor à cordes: 2 violons, alto, violoncelle
64
Violoncelle, Piano
54
Alto, Piano
47
Violon
38
Violoncelle
33
Alto seul
26
Trio à Cordes: violon, alto, violoncelle
25
Contrebasse, Piano (duo)
24
Contre Basse
20
Violon, Violoncelle (duo)
19
2 Violons (duo)
16
Harpe
15
2 Violoncelles (duo)
14
2 Harpes (duo)
9
2 Altos (duo)
6
4 Violoncelles
5
Alto, Violoncelle (duo)
4
Alto (partie séparée)
4
Quatuor à cordes: 4 violons
4
Quintette à cordes: 2 violons, alto, violoncelle, basse
4
Trio à Cordes: 2 violons, violoncelle
3
Violon (partie séparée)
3
Trio à cordes: 3 violins
3
Violon, Alto (duo)
3
Harpe, Flûte (duo)
2
Violoncelle (partie séparée)
2
Trio à Cordes: 3 violoncelles
2
2 Altos, Piano
1
Violon, Guitare (duo)
1
Harpe et mandoline
1
Violoncelle , Guitare (duo)
1
Trio à cordes: 3 altos
1
Violoncelle, Orchestre
1
Alto et Basson
1
Contrebasse (partie séparée)
1
+ 31 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
98
Ensemble de cuivres
67
Orchestre
62
Orchestre à Cordes
40
Orchestre de chambre
20
Xylophone, Piano
10
Ensemble Jazz
6
Jazz combo
4
Marimba
4
Ensemble de Percussions
2
Xylophone
2
Piano et Orchestre
1
+ 7 instrumentations
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AUTRES INST…
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BASSE
BASSON
BATTERIE
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BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
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CLOCHES
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COR ANGLAIS
CORNEMUSE
CORNET
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DULCIMER
EUPHONIUM
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FLUTE A DIX…
FLUTE DE PA…
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GUITARE
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LUTH, THEOR…
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
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VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
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MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
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Vous avez sélectionné:
Low Opera
Saxophone Alto et Piano
Partitions à imprimer
35 partitions trouvées
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1
26
Toreador March (from the opera Carmen) - easy version
#
Saxophone Alto et Piano
#
DÉBUTANT
#
Georges Bizet
#
Rodrigo Faleiros
#
Toreador March
#
Rodrigo Faleiros
#
SheetMusicPlus
Alto Saxophone,Piano - Level 1 - SKU: A0.1473406 Composed by Georges Bizet. Arranged by Rodrigo Faleiros. 19th Century,Chamber,Opera,Romantic Period. Sc...
(+)
Alto Saxophone,Piano - Level 1 - SKU: A0.1473406 Composed by Georges Bizet. Arranged by Rodrigo Faleiros. 19th Century,Chamber,Opera,Romantic Period. Score and part. 3 pages. Rodrigo Faleiros #1050837. Published by Rodrigo Faleiros (A0.1473406). ••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••• This arrangement of the iconic Toreador March from the opera Carmen is crafted for solo alto sax with piano accompaniment. Designed with beginners in mind, the piece simplifies the original rhythm to ensure ease of play while maintaining the essence of the main theme. The challenging dotted 8th note followed by a 16th note rhythm is adapted to a more manageable 3/4 time signature, featuring straightforward half and quarter notes. This arrangement allows novice musicians to experience and perform one of the most recognizable themes in classical music with confidence and enjoyment. Key Features: Rhythm Simplification: Original dotted 8th note followed by a 16th note adapted to a 3/4 time signature using half and quarter notes Essence Retained: Maintains the main theme of the iconic Toreador March from the opera Carmen Piano Part: Includes chord symbols for easier play Performance: Allows novice musicians to confidently perform a recognizable classical piece Check out my other arrangements ➡️ clicking here ⬅️ •••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••.
$3.99
Toreador March (from the opera Carmen) - easy version
#
Saxophone Alto et Piano
#
DÉBUTANT
#
Georges Bizet
#
Rodrigo Faleiros
#
Toreador March
#
Rodrigo Faleiros
#
SheetMusicPlus
Alto Saxophone,Piano - Level 1 - SKU: A0.1473407 Composed by Georges Bizet. Arranged by Rodrigo Faleiros. 19th Century,Chamber,Opera,Romantic Period. Sc...
(+)
Alto Saxophone,Piano - Level 1 - SKU: A0.1473407 Composed by Georges Bizet. Arranged by Rodrigo Faleiros. 19th Century,Chamber,Opera,Romantic Period. Score and part. 3 pages. Rodrigo Faleiros #1050838. Published by Rodrigo Faleiros (A0.1473407). ••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••• This arrangement of the iconic Toreador March from the opera Carmen is crafted for solo alto sax with piano accompaniment. Designed with beginners in mind, the piece simplifies the original rhythm to ensure ease of play while maintaining the essence of the main theme. The challenging dotted 8th note followed by a 16th note rhythm is adapted to a more manageable 3/4 time signature, featuring straightforward half and quarter notes. This arrangement allows novice musicians to experience and perform one of the most recognizable themes in classical music with confidence and enjoyment. Key Features: Rhythm Simplification: Original dotted 8th note followed by a 16th note adapted to a 3/4 time signature using half and quarter notes Essence Retained: Maintains the main theme of the iconic Toreador March from the opera Carmen Performance: Allows novice musicians to confidently perform a recognizable classical piece Check out my other arrangements ➡️ clicking here ⬅️ •••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••.
$3.99
Toreador March (from the opera Carmen) - easy version
#
Saxophone Alto et Piano
#
DÉBUTANT
#
Georges Bizet
#
Rodrigo Faleiros
#
Toreador March
#
Rodrigo Faleiros
#
SheetMusicPlus
Alto Saxophone,Piano - Level 1 - SKU: A0.1473532 Composed by Georges Bizet. Arranged by Rodrigo Faleiros. 19th Century,Chamber,Opera,Romantic Period. Sc...
(+)
Alto Saxophone,Piano - Level 1 - SKU: A0.1473532 Composed by Georges Bizet. Arranged by Rodrigo Faleiros. 19th Century,Chamber,Opera,Romantic Period. Score and part. 3 pages. Rodrigo Faleiros #1050877. Published by Rodrigo Faleiros (A0.1473532). ••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••• This arrangement of the iconic Toreador March from the opera Carmen is crafted for solo alto sax with piano accompaniment. Designed with beginners in mind, the piece simplifies the original rhythm to ensure ease of play while maintaining the essence of the main theme. The challenging dotted 8th note followed by a 16th note rhythm is adapted to a more manageable 3/4 time signature, featuring straightforward half and quarter notes. This arrangement allows novice musicians to experience and perform one of the most recognizable themes in classical music with confidence and enjoyment. Key Features: Rhythm Simplification: Original dotted 8th note followed by a 16th note adapted to a 3/4 time signature using half and quarter notes Essence Retained: Maintains the main theme of the iconic Toreador March from the opera Carmen Piano Part: Includes chord symbols for easier play Performance: Allows novice musicians to confidently perform a recognizable classical piece Transposed to C Major: For a better sight reading and playing. Check out my other arrangements ➡️ clicking here ⬅️ •••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••.
$3.99
Toreador March (from the opera Carmen) - easy version
#
Saxophone Alto et Piano
#
DÉBUTANT
#
Georges Bizet
#
Rodrigo Faleiros
#
Toreador March
#
Rodrigo Faleiros
#
SheetMusicPlus
Alto Saxophone,Piano - Level 1 - SKU: A0.1473978 Composed by Georges Bizet. Arranged by Rodrigo Faleiros. 19th Century,Chamber,Opera,Romantic Period. Sc...
(+)
Alto Saxophone,Piano - Level 1 - SKU: A0.1473978 Composed by Georges Bizet. Arranged by Rodrigo Faleiros. 19th Century,Chamber,Opera,Romantic Period. Score and part. 3 pages. Rodrigo Faleiros #1050969. Published by Rodrigo Faleiros (A0.1473978). ••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••• This arrangement of the iconic Toreador March from the opera Carmen is crafted for solo alto sax with piano accompaniment. Designed with beginners in mind, the piece simplifies the original rhythm to ensure ease of play while maintaining the essence of the main theme. The challenging dotted 8th note followed by a 16th note rhythm is adapted to a more manageable 3/4 time signature, featuring straightforward half and quarter notes. This arrangement allows novice musicians to experience and perform one of the most recognizable themes in classical music with confidence and enjoyment. Key Features: Rhythm Simplification: Original dotted 8th note followed by a 16th note adapted to a 3/4 time signature using half and quarter notes Essence Retained: Maintains the main theme of the iconic Toreador March from the opera Carmen Performance: Allows novice musicians to confidently perform a recognizable classical piece Transposed to D Major: For a better sight reading and playing. Check out my other arrangements ➡️ clicking here ⬅️ •••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••.
$3.99
Toreador March (from the opera Carmen) - easy version
#
Saxophone Alto et Piano
#
DÉBUTANT
#
Georges Bizet
#
Rodrigo Faleiros
#
Toreador March
#
Rodrigo Faleiros
#
SheetMusicPlus
Alto Saxophone,Piano - Level 1 - SKU: A0.1473533 Composed by Georges Bizet. Arranged by Rodrigo Faleiros. 19th Century,Chamber,Opera,Romantic Period. Sc...
(+)
Alto Saxophone,Piano - Level 1 - SKU: A0.1473533 Composed by Georges Bizet. Arranged by Rodrigo Faleiros. 19th Century,Chamber,Opera,Romantic Period. Score and part. 3 pages. Rodrigo Faleiros #1050878. Published by Rodrigo Faleiros (A0.1473533). ••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••• This arrangement of the iconic Toreador March from the opera Carmen is crafted for solo alto sax with piano accompaniment. Designed with beginners in mind, the piece simplifies the original rhythm to ensure ease of play while maintaining the essence of the main theme. The challenging dotted 8th note followed by a 16th note rhythm is adapted to a more manageable 3/4 time signature, featuring straightforward half and quarter notes. This arrangement allows novice musicians to experience and perform one of the most recognizable themes in classical music with confidence and enjoyment. Key Features: Rhythm Simplification: Original dotted 8th note followed by a 16th note adapted to a 3/4 time signature using half and quarter notes Essence Retained: Maintains the main theme of the iconic Toreador March from the opera Carmen Performance: Allows novice musicians to confidently perform a recognizable classical piece Transposed to C Major: For a better sight reading and playing. Check out my other arrangements ➡️ clicking here ⬅️ •••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••.
$3.99
Toreador March (from the opera Carmen) - easy version
#
Saxophone Alto et Piano
#
DÉBUTANT
#
Georges Bizet
#
Rodrigo Faleiros
#
Toreador March
#
Rodrigo Faleiros
#
SheetMusicPlus
Alto Saxophone,Piano - Level 1 - SKU: A0.1473588 Composed by Georges Bizet. Arranged by Rodrigo Faleiros. 19th Century,Chamber,Opera,Romantic Period. Sc...
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Alto Saxophone,Piano - Level 1 - SKU: A0.1473588 Composed by Georges Bizet. Arranged by Rodrigo Faleiros. 19th Century,Chamber,Opera,Romantic Period. Score and part. 3 pages. Rodrigo Faleiros #1050924. Published by Rodrigo Faleiros (A0.1473588). ••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••• This arrangement of the iconic Toreador March from the opera Carmen is crafted for solo alto sax with piano accompaniment. Designed with beginners in mind, the piece simplifies the original rhythm to ensure ease of play while maintaining the essence of the main theme. The challenging dotted 8th note followed by a 16th note rhythm is adapted to a more manageable 3/4 time signature, featuring straightforward half and quarter notes. This arrangement allows novice musicians to experience and perform one of the most recognizable themes in classical music with confidence and enjoyment. Key Features: Rhythm Simplification: Original dotted 8th note followed by a 16th note adapted to a 3/4 time signature using half and quarter notes Essence Retained: Maintains the main theme of the iconic Toreador March from the opera Carmen Piano Part: Includes chord symbols for easier play Performance: Allows novice musicians to confidently perform a recognizable classical piece Transposed to Bb Major: For a better sight reading and playing. Check out my other arrangements ➡️ clicking here ⬅️ •••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••.
$3.99
Toreador March (from the opera Carmen) - easy version
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Saxophone Alto et Piano
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DÉBUTANT
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Georges Bizet
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Rodrigo Faleiros
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Toreador March
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Rodrigo Faleiros
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SheetMusicPlus
Alto Saxophone,Piano - Level 1 - SKU: A0.1473589 Composed by Georges Bizet. Arranged by Rodrigo Faleiros. 19th Century,Chamber,Opera,Romantic Period. Sc...
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Alto Saxophone,Piano - Level 1 - SKU: A0.1473589 Composed by Georges Bizet. Arranged by Rodrigo Faleiros. 19th Century,Chamber,Opera,Romantic Period. Score and part. 3 pages. Rodrigo Faleiros #1050926. Published by Rodrigo Faleiros (A0.1473589). ••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••• This arrangement of the iconic Toreador March from the opera Carmen is crafted for solo alto sax with piano accompaniment. Designed with beginners in mind, the piece simplifies the original rhythm to ensure ease of play while maintaining the essence of the main theme. The challenging dotted 8th note followed by a 16th note rhythm is adapted to a more manageable 3/4 time signature, featuring straightforward half and quarter notes. This arrangement allows novice musicians to experience and perform one of the most recognizable themes in classical music with confidence and enjoyment. Key Features: Rhythm Simplification: Original dotted 8th note followed by a 16th note adapted to a 3/4 time signature using half and quarter notes Essence Retained: Maintains the main theme of the iconic Toreador March from the opera Carmen Performance: Allows novice musicians to confidently perform a recognizable classical piece Transposed to Bb Major: For a better sight reading and playing. Check out my other arrangements ➡️ clicking here ⬅️ •••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••.
$3.99
Toreador March (from the opera Carmen) - easy version
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Saxophone Alto et Piano
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DÉBUTANT
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Georges Bizet
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Rodrigo Faleiros
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Toreador March
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Rodrigo Faleiros
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SheetMusicPlus
Alto Saxophone,Piano - Level 1 - SKU: A0.1473977 Composed by Georges Bizet. Arranged by Rodrigo Faleiros. 19th Century,Chamber,Opera,Romantic Period. Sc...
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Alto Saxophone,Piano - Level 1 - SKU: A0.1473977 Composed by Georges Bizet. Arranged by Rodrigo Faleiros. 19th Century,Chamber,Opera,Romantic Period. Score and part. 3 pages. Rodrigo Faleiros #1050967. Published by Rodrigo Faleiros (A0.1473977). ••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••• This arrangement of the iconic Toreador March from the opera Carmen is crafted for solo alto sax with piano accompaniment. Designed with beginners in mind, the piece simplifies the original rhythm to ensure ease of play while maintaining the essence of the main theme. The challenging dotted 8th note followed by a 16th note rhythm is adapted to a more manageable 3/4 time signature, featuring straightforward half and quarter notes. This arrangement allows novice musicians to experience and perform one of the most recognizable themes in classical music with confidence and enjoyment. Key Features: Rhythm Simplification: Original dotted 8th note followed by a 16th note adapted to a 3/4 time signature using half and quarter notes Essence Retained: Maintains the main theme of the iconic Toreador March from the opera Carmen Performance: Allows novice musicians to confidently perform a recognizable classical piece Transposed to D Major: For a better sight reading and playing. Check out my other arrangements ➡️ clicking here ⬅️ •••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••.
$3.99
Flower Duet from Lakme - 2 Alto Saxophones and Piano
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Saxophone Alto et Piano
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INTERMÉDIAIRE/AVANCÉ
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Delibes, Leo
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Anne Christopherson GRSM ARCM
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Flower Duet from Lakme - 2 Alt
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Music-Scores.com
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SheetMusicPlus
Alto Saxophone,Piano - Level 4 - SKU: A0.721355 Composed by Delibes, Leo. Arranged by Anne Christopherson GRSM ARCM. Concert,Contemporary,Opera,Wedding....
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Alto Saxophone,Piano - Level 4 - SKU: A0.721355 Composed by Delibes, Leo. Arranged by Anne Christopherson GRSM ARCM. Concert,Contemporary,Opera,Wedding. Score and part. 5 pages. Music-Scores.com #4352247. Published by Music-Scores.com (A0.721355). Flower Duet from Lakme. Also well known as the music for an advert for a famous airline.Arranged for 2 Alto Saxes and piano.Playing time about 1 minute, 15 seconds.Arranged by Anne Christopherson GRSM ARCM at www.music-scores.com.
$5.95
Marche Religieuse (from Alceste) by Gluck - Arranged for Saxophone and Piano
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Saxophone Alto et Piano
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INTERMÉDIAIRE
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Christoph Willibald Von Gluck
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Alexandre CARLIN
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Marche Religieuse
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Alexandre CARLIN
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SheetMusicPlus
Small Ensemble Alto Saxophone,Piano - Level 3 - SKU: A0.779846 Composed by Christoph Willibald Von Gluck. Arranged by Alexandre CARLIN. Classical,Contem...
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Small Ensemble Alto Saxophone,Piano - Level 3 - SKU: A0.779846 Composed by Christoph Willibald Von Gluck. Arranged by Alexandre CARLIN. Classical,Contemporary,Sacred,Wedding. Score and part. 10 pages. Alexandre CARLIN #5723927. Published by Alexandre CARLIN (A0.779846). Alceste is an opera composed by german composer Christoph Willibald Gluck in 1767. Gluck was famous for his operas in italian and french style, anouncing the classical era. Among his most famous works are Alceste, Orfeo ed Euridice and Iphigenie en Tauride.This arrangement of the very nice slow air Marche Religieuse can be played in concert or in Church as a sacred piece.8 pages score and 2 pages parts. Easy piano part.Available for Alto Sax or Soprano / Tenor Sax, all parts provided.Check out my other arrangements for saxophone ensemble : H0.296665-782780 - Stayin' alive by the Bee GeesH0.300145-953350 - YMCA by Village PeopleH0.303985-85500 - Blowin' in the wind by Bob DylanH0.295319-558700 - Moon river by Henry ManciniH0.295381-494880 - Louie Louie by Richard Berry
$8.99
Korsakov: Flight of the Bumblebee for Alto Sax & Piano
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Saxophone Alto et Piano
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AVANCÉ
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Classique
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Contemporain
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Nikolay Andreyevich Rimsky-Kor
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James M
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Korsakov: Flight of the Bumble
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jmsgu3
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SheetMusicPlus
Alto Saxophone,Piano - Level 5 - SKU: A0.549254 Composed by Nikolay Andreyevich Rimsky-Korsakov. Arranged by James M. Guthrie, ASCAP. Instructional,Roma...
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Alto Saxophone,Piano - Level 5 - SKU: A0.549254 Composed by Nikolay Andreyevich Rimsky-Korsakov. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Standards. Score and part. 15 pages. Jmsgu3 #3473685. Published by jmsgu3 (A0.549254). Flight of the Bumblebee Flight of the Bumblebee is, to be sure, an orchestral interlude composed by Nikolai Rimsky-Korsakov for his opera The Tale of Tsar Saltan. Of course, Korsakov intended to portray a bumblebee's chaotic flying pattern musically. Nowadays, this piece is one of the comparatively more famous classical works because it frequently appears occasionally in popular culture. The piece appears notably in the opera at the close of Act III, Tableau 1. This is when the magic Swan-Bird changes the Prince (the son of the Tsar) into a bee so he can fly away to visit his father. Interestingly, at this point in the drama, his father, in effect, does not know that he is alive. Korsakov Background Nikolai Rimsky-Korsakov (1844 –1908) was a uniquely famous composer from Russia. He was likewise a member of an infamous assembly of composers called The Five. Korsakov was furthermore an expert in orchestration. His correspondingly most famous orchestral compositions- Capriccio Espagnol, the Russian Easter Festival Overture, and the Scheherazade suite- are essential monuments of the standard music repertoire. Also comparatively very important are his suites and excerpts from his 15 operas. Korsakov used Russian folklore and fairy tales, such as Scheherazade, in his music. Nationalistic Style Like fellow outspoken composer Balakirev, Korsakov believed in creating a nationalistic, Russia-centric style of classical music. The new style was called Orientalism. It similarly relied on native Russian materials, exotic scales, and experimental harmonic, melodic, and rhythmic procedures. This practice, conversely, ran counter to the developments in Western musical culture. Musical Developments Nevertheless, Korsakov developed an appreciation of Western musical techniques after he became a professor of musical composition, harmony, and orchestration at the Saint Petersburg Conservatory in 1871. Moreover, he undertook a rigorous three-year program of self-education. He mastered Western methods, incorporating them with the influences of Mikhail Glinka and other members of The Five. His techniques of composition and orchestration were additionally enriched by his exposure to the works of Richard Wagner. Naval Service Korsakov combined his music career accordingly with a career in the Russian military. He was in the first place an officer in the Russian Navy. In due time, he was appointed a civilian Inspector of Naval Bands. As a result, Korsakov expanded his knowledge of woodwind and brass playing, which heightened his orchestration capabilities. Legacy In due time, Korsakov contributed a significant number of Russian nationalist works. He also prepared, occasionally, compositions by The Five for presentation. This brought their works straightaway into the active classical repertoire as well. He also shaped an entire generation of younger composers as a music educator. Therefore, music historians consider Korsakov the foremost engineer of what the public considers the Russian composition style. He served as a transitional figure between The Five and the classically trained composers who became the norm over time. In addition to the Russians, he influenced non-Russian composers such as Ravel, Debussy, Dukas, and Respighi. Â
$32.95
O Mio Babbino Caro - for alto sax solo (with piano accompaniment and chords)
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Saxophone Alto et Piano
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FACILE
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Giacomo Puccini
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Rodrigo Faleiros
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O Mio Babbino Caro - for alto
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Rodrigo Faleiros
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SheetMusicPlus
Alto Saxophone,Piano - Level 2 - SKU: A0.1379100 Composed by Giacomo Puccini. Arranged by Rodrigo Faleiros. 19th Century,Contest,Festival,Opera,Romantic...
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Alto Saxophone,Piano - Level 2 - SKU: A0.1379100 Composed by Giacomo Puccini. Arranged by Rodrigo Faleiros. 19th Century,Contest,Festival,Opera,Romantic Period. Score and part. 3 pages. Rodrigo Faleiros #963395. Published by Rodrigo Faleiros (A0.1379100). Enjoy the timeless beauty of Giacomo Puccini's opera Gianni Schicchi with our arrangement of the aria O Mio Babbino Caro for solo alto sax. This beloved aria, known for its tender expression of love and longing, is now reimagined for alto sax, allowing the melodic lines to shine with the accompaniment of a piano. With included chord symbols, this arrangement invites players to explore harmonies and add their personal touch to the performance, creating a captivating musical experience.Key Features: Alto Sax Showcase: Tailored for a solo alto sax, allowing for a captivating and expressive performance of the iconic aria. Piano Accompaniment: Enhance your performance and explore harmonies with included fully notated piano accompaniment with chord symbols. Instant : Begin your musical exploration promptly with our easy-to-access PDF download. Whether you're preparing for a recital, a concert, or simply savoring the beauty of Puccini's operatic masterpiece, this arrangement of O Mio Babbino Caro for alto sax and piano offers a poignant and unforgettable musical experience.Check out every other arrangement I've made for this and numerous other arias by clicking here.
$2.99
O Mio Babbino Caro - for alto sax solo (with piano accompaniment)
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Saxophone Alto et Piano
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FACILE
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Giacomo Puccini
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Rodrigo Faleiros
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O Mio Babbino Caro - for alto
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Rodrigo Faleiros
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SheetMusicPlus
Alto Saxophone,Piano - Level 2 - SKU: A0.1379071 Composed by Giacomo Puccini. Arranged by Rodrigo Faleiros. 19th Century,Contest,Festival,Opera,Romantic...
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Alto Saxophone,Piano - Level 2 - SKU: A0.1379071 Composed by Giacomo Puccini. Arranged by Rodrigo Faleiros. 19th Century,Contest,Festival,Opera,Romantic Period. Score and part. 3 pages. Rodrigo Faleiros #963428. Published by Rodrigo Faleiros (A0.1379071). Enjoy the timeless beauty of Giacomo Puccini's opera Gianni Schicchi with our arrangement of the aria O Mio Babbino Caro for solo alto sax. This beloved aria, known for its tender expression of love and longing, is now reimagined for alto sax, allowing the melodic lines to shine with the accompaniment of a piano. This arrangement invites players to add their personal touch to the performance, creating a captivating musical experience.Key Features: Alto Sax Showcase: Tailored for a solo alto sax, allowing for a captivating and expressive performance of the iconic aria. Piano Accompaniment: Enhance your performance and explore harmonies with included fully notated piano accompaniment. Instant : Begin your musical exploration promptly with our easy-to-access PDF download. Whether you're preparing for a recital, a concert, or simply savoring the beauty of Puccini's operatic masterpiece, this arrangement of O Mio Babbino Caro for alto sax and piano offers a poignant and unforgettable musical experience.Check out every other arrangement I've made for this and numerous other arias by clicking here.
$2.99
Lascia Ch'io Pianga, Aria from Rinaldo, by G F Handel, for Alto Saxophone and Piano
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Saxophone Alto et Piano
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FACILE
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G F Handel
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David McKeown
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Lascia Ch'io Pianga, Aria from
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David McKeown
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SheetMusicPlus
Alto Saxophone,Piano - Level 2 - SKU: A0.587925 Composed by G F Handel. Arranged by David McKeown. Baroque,Concert,Opera,Standards. Score and part. 4 pa...
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Alto Saxophone,Piano - Level 2 - SKU: A0.587925 Composed by G F Handel. Arranged by David McKeown. Baroque,Concert,Opera,Standards. Score and part. 4 pages. David McKeown #5044837. Published by David McKeown (A0.587925). Lascia ch’io Pianga is a beautiful aria from Handel’s Opera Rinaldo The opera premiered in London in 1711 and during his lifetime was the most successful of Handel’s operas. However, following his death there were no further productions until a school in London revived it in 1933. Handel used the melody of Lascia ch’io Pianga in two other works, but it is the version from Rinaldo that has achieved a deserved place in the concert hall, and a starring role in films like Farinelli.This version of Lascia ch’io Pianga is arranged as a Solo for Alto Saxophone and Piano and both parts are reasonably simple; the performance time is around three and a half minutes. The pdf file contains both the piano score and a separate solo part. You can listen to a full performance of this arrangement on Alto Saxophone via the YouTube link above.Musicians at an early intermediate level and above will find Lascia ch’io Pianga ideal for formal and informal performances, with both the solo and accompaniment enjoying melodic interest. Teachers will enjoy using this arrangement as a fun way to help with developing tone, phrasing and expression. There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$4.60
Ali Ben Sou Alle: Fantaisie sur Don Giovanni de Mozart for alto saxophone and piano
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Saxophone Alto et Piano
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INTERMÉDIAIRE
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Ali Ben Sou Alle, Wolfgang Ama
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Paul Wehage
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Ali Ben Sou Alle: Fantaisie su
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Musik Fabrik Music Publishing
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SheetMusicPlus
Alto Saxophone,Piano - Level 3 - SKU: A0.533347 Composed by Ali Ben Sou Alle, Wolfgang Amadeus Mozart. Arranged by Paul Wehage. Concert,Opera,Romantic P...
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Alto Saxophone,Piano - Level 3 - SKU: A0.533347 Composed by Ali Ben Sou Alle, Wolfgang Amadeus Mozart. Arranged by Paul Wehage. Concert,Opera,Romantic Period,Standards. Score and part. 22 pages. Musik Fabrik Music Publishing #2348197. Published by Musik Fabrik Music Publishing (A0.533347). One of the most enigmatic figures in the history of the Saxophone, Ali Ben Sou Alle (Charles-Valentin Soualle) was born in 1820 in Arras, France. After receiving his first prize in Clarinet at the Paris Conservatory in 1844. he served as the director ofmusic of The French Marine Band in Senegal, and then was named first clarinet solo at the Opéra-Comique in Paris. However, after the Revolution of 1848, Soualle was forced to flee France to England where he settled in London, playing in the Orchestra of the Queen's Theatre. His songs and piano pieces were published in London. While in London, Soualle met another exiled French musician, Louis Antoine Jullien, who conducted a light music series in London. Jullien encouraged Soualle to take up the saxophone, and after modifying the instrument by adding a single octave mechanism (the modern system used today) and keys for the lower register, Soualle became known as a virtuoso and began touring performing solo recitals (or mono-concerts, as they were called at the time) calling his modified saxophone the «turcophone ». He performed in all the European capitals and then traveled to Australia, New Zealand, Manilla, Java, through China and then to India where he finally settled in Mysore, becoming the director of the Royal Music for the Maharadjah. It was during this period that he converted to Islam and changed his nmae to Ali ben Sou Alle (or Ali, son of Soualle). He subsequently travaled to Ile Maurice, to French Polynesia, the Cap of Natal and the Cap of Good Hope. All of these voyages were subjects of musical works which Soualle entitled Souvenirs de... and may perhaps have been part of a collection known as The Royal Album which was presented to the Prince of Wales after a royal concert. Soualle returned to Mysore in 1858 and was almost killed in the Indian Revolution. Around 1860, Soualle returned to France for health reasons and began publishing his own music. On March 27 1865, he performed a command performance for the Emperor Napoleon III at the Tuileries Palace in the presence of the entire Imperial Family. After 1865, nothing more is known about him. Soualle not only performed on the clarinet, saxophone and piano, but also frequently sang during his concerts. He also wrote songs while he was in London. His opera fantasies are usually written for the Alto saxophone and are generally in the form of an introductory aria with cadenza, a theme with one or more variations and then a final waltz movement in rondo form with a final brillant variation. This specific work opens with motives from the Opera‘s overture, leading to Donna Anna’s 1st act aria Or sai, chi l'onore. The duet Là ci darem la mano is the subject of two variations followed by a brief interlude using Zerlina’s aria Batti, batti, o bel Masetto and then the final section is the duo Andiam’ Andiam ‘ Mio Bene between Don Giovanni and Zerlina which ends the Act I duet. The work ends with a brillant coda
$11.95
Ali Ben Sou Alle: Fantaisie sur le Barbier de Séville de Rossin for alto saxophone and piano
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Saxophone Alto et Piano
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INTERMÉDIAIRE/AVANCÉ
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Ali Ben Sou Alle, Gioachino Ro
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Paul Wehage
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Ali Ben Sou Alle: Fantaisie su
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Musik Fabrik Music Publishing
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SheetMusicPlus
Alto Saxophone,Piano - Level 4 - SKU: A0.533354 Composed by Ali Ben Sou Alle, Gioachino Rossini. Arranged by Paul Wehage. Concert,Opera,Romantic Period,...
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Alto Saxophone,Piano - Level 4 - SKU: A0.533354 Composed by Ali Ben Sou Alle, Gioachino Rossini. Arranged by Paul Wehage. Concert,Opera,Romantic Period,Standards. Score and part. 30 pages. Musik Fabrik Music Publishing #2363209. Published by Musik Fabrik Music Publishing (A0.533354). One of the most enigmatic figures in the history of the Saxophone, Ali Ben Sou Alle (Charles-Valentin Soualle) was born in1820 in Arras, France. After receiving his first prize in Clarinet at the Paris Conservatory in 1844. he served as the director ofmusic of The French Marine Band in Senegal, and then was named first clarinet solo at the Opéra-Comique in Paris. However, after the Revolution of 1848, Soualle was forced to flee France to England where he settled in London, playing in the Orchestra of the Queen's Theatre. His songs and piano pieces were published in London.While in London, Soualle met another exiled French musician, Louis Antoine Jullien, who conducted a light music series inLondon. Jullien encouraged Soualle to take up the saxophone, and after modifying the instrument by adding a single octavemechanism (the modern system used today) and keys for the lower register, Soualle became known as a virtuoso and begantouring performing solo recitals (or mono-concerts, as they were called at the time) calling his modified saxophone the«turcophone ». He performed in all the European capitals and then traveled to Australia, New Zealand, Manilla, Java, throughChina and then to India where he finally settled in Mysore, becoming the director of the Royal Music for the Maharadjah. It wasduring this period that he converted to Islam and changed his nmae to Ali ben Sou Alle (or Ali, son of Soualle). Hesubsequently travaled to Ile Maurice, to French Polynesia, the Cap of Natal and the Cap of Good Hope. All of these voyageswere subjects of musical works which Soualle entitled Souvenirs de... and may perhaps have been part of a collection knownas The Royal Album which was presented to the Prince of Wales after a royal concert. Soualle returned to Mysore in 1858 and was almost killed in the Indian Revolution.Around 1860, Soualle returned to France for health reasons and began publishing his own music. On March 27 1865, heperformed a command performance for the Emperor Napoleon III at the Tuileries Palace in the presence of the entire ImperialFamily. After 1865, nothing more is known about him.Fantaisie sur Le Barbier de Séville begins with the Count's 1st act cavatina Ecco ridente in cielà This is followed by a seriesof variations sur Rosina's Cabaletta Io sono docile. The second act finale Fredda ed immobile is then presented in a number of variations. Finally, the second part of the Count and Figaros first act duo (Ah che d'amore) brings the work to a brilliant finish.
$19.95
Ali Ben Sou Alle: Fantaisie sur la Somnambule de Bellini for alto saxophone and piano
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Saxophone Alto et Piano
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INTERMÉDIAIRE/AVANCÉ
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Ali Ben Sou Alle, Vincenzo Bel
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Paul Wehage
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Ali Ben Sou Alle: Fantaisie su
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Musik Fabrik Music Publishing
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SheetMusicPlus
Alto Saxophone,Piano - Level 4 - SKU: A0.533353 Composed by Ali Ben Sou Alle, Vincenzo Bellini. Arranged by Paul Wehage. Concert,Opera,Romantic Period,S...
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Alto Saxophone,Piano - Level 4 - SKU: A0.533353 Composed by Ali Ben Sou Alle, Vincenzo Bellini. Arranged by Paul Wehage. Concert,Opera,Romantic Period,Standards. Score and part. 28 pages. Musik Fabrik Music Publishing #2363203. Published by Musik Fabrik Music Publishing (A0.533353). One of the most enigmatic figures in the history of the Saxophone, Ali Ben Sou Alle (Charles-Valentin Soualle) was born in1820 in Arras, France. After receiving his first prize in Clarinet at the Paris Conservatory in 1844. he served as the director ofmusic of The French Marine Band in Senegal, and then was named first clarinet solo at the Opéra-Comique in Paris. However, after the Revolution of 1848, Soualle was forced to flee France to England where he settled in London, playing in the Orchestra of the Queen's Theatre. His songs and piano pieces were published in London.While in London, Soualle met another exiled French musician, Louis Antoine Jullien, who conducted a light music series inLondon. Jullien encouraged Soualle to take up the saxophone, and after modifying the instrument by adding a single octavemechanism (the modern system used today) and keys for the lower register, Soualle became known as a virtuoso and begantouring performing solo recitals (or mono-concerts, as they were called at the time) calling his modified saxophone the«turcophone ». He performed in all the European capitals and then traveled to Australia, New Zealand, Manilla, Java, throughChina and then to India where he finally settled in Mysore, becoming the director of the Royal Music for the Maharadjah. It wasduring this period that he converted to Islam and changed his nmae to Ali ben Sou Alle (or Ali, son of Soualle). Hesubsequently travaled to Ile Maurice, to French Polynesia, the Cap of Natal and the Cap of Good Hope. All of these voyageswere subjects of musical works which Soualle entitled Souvenirs de... and may perhaps have been part of a collection knownas The Royal Album which was presented to the Prince of Wales after a royal concert. Soualle returned to Mysore in 1858 and was almost killed in the Indian Revolution.Around 1860, Soualle returned to France for health reasons and began publishing his own music. On March 27 1865, heperformed a command performance for the Emperor Napoleon III at the Tuileries Palace in the presence of the entire ImperialFamily. After 1865, nothing more is known about him.This fantasy begins with motifs from the 1st act chorus « Sempre Felc’Amina » ». The Count’s first act aria « Vi ravisso, o loughi ameni » is followed by an extended cadenza and leads to Amina and Elvino’s first act duo « Prendi l’amel ti dono ». Amina’s second act aria « Ah non guige! » is presented with a brilliant variation to bring the work to a close.
$16.95
Louis Mayeur: Grande Fantaisie de Concert sur Rigoletto (de Verdi) for alto saxophone and piano
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Saxophone Alto et Piano
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INTERMÉDIAIRE/AVANCÉ
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1871, Mayeur was also named Sa
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Louis Adolphe Mayeur
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Paul Wehage
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Louis Mayeur: Grande Fantaisie
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Musik Fabrik Music Publishing
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SheetMusicPlus
Alto Saxophone,Piano - Level 4 - SKU: A0.534135 Composed by Louis Adolphe Mayeur. Arranged by Paul Wehage. Concert,Opera,Romantic Period,Standards. Scor...
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Alto Saxophone,Piano - Level 4 - SKU: A0.534135 Composed by Louis Adolphe Mayeur. Arranged by Paul Wehage. Concert,Opera,Romantic Period,Standards. Score and part. 29 pages. Musik Fabrik Music Publishing #3133401. Published by Musik Fabrik Music Publishing (A0.534135). Louis Adolphe Mayeur (1837 - 1894), was a Belgium clarinetist, saxophonist, composer and conductor who spent most of his musical career in France; Entering the French Military in 1855, he was a clarinetist in the Second Régiment of the Cuirassiers (Mounted Calvary) of the Garde Impériale. A student of Klosé at the Paris Conservatory, he received his First Prize in Clarinet in 1860. One of the inner circle of Adolphe Sax (along with fellow Belgiums Jules Demersseman and Jean-Baptiste Singelée, whose “Quartet for Saxophones“ was premièred with Mayeur playing and Demersseman conducting), Mayeur took up the saxophone and was quickly engaged as the saxophone soloist in the Opera House of Brussels, La Monnaie (the Mint). Sax commissioned a number of works from Mayeur for the saxophone, which were published by his company and used in his class at the Paris Conservatory.By 1871, Mayeur was also named Saxophone Solo with the Paris Opera, performing in opears and ballets by Halévy, Meyerbeer, Thomas, Saint-Saens, Massenet, Délibes and Paladlihe. It would appear that sometime during this period, his relations with Sax became difficult, culminating in his publications of works by Buffet-Crampon, one of Sax’s rival companies and one of the main protagonists in the series of lawsuits which led to Sax’s bankrupcy. Mayeur’s own declining health lead to his death in 1894.The Grande Fantaisie de Concert sur Rigoletto dates from 1877. The contrasting sections use motifs from arias and duets from Verdi’s opera. Florid cadenzas seperate the various sections, but those passages should be played in the manner of “bel canto†ornamentation, always lyrical and songlike. Versions are available from Musik Fabrik for Symhony Orchestra (on rental : 2222/2000/Timp/hp/strings) and for Concert Band (for sale). The score plus solo part for each of the versions is available for sale, as well as the individual parts for the concert band version
$16.95
Beethoven: Adagio from Sonata Pathetique for Alto Sax & Piano
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Saxophone Alto et Piano
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INTERMÉDIAIRE
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Classique
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Ludwig van Beethoven
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James M
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piano concertos 1-5
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Beethoven: Adagio from Sonata
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jmsgu3
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SheetMusicPlus
Alto Saxophone,Piano - Level 3 - SKU: A0.549639 Composed by Ludwig van Beethoven. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Pe...
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Alto Saxophone,Piano - Level 3 - SKU: A0.549639 Composed by Ludwig van Beethoven. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Sacred,Standards. Score and part. 16 pages. Jmsgu3 #3516567. Published by jmsgu3 (A0.549639). Duration: ca 5:20, Score: 8 pages, solo part: 3 pages, piano part: 4 pages.One of Beethoven's finest and most famous works. Program for a recital, church meditation or school program.Bring your best espressivo and plan to rehearse the many subtle dynamic changes.Sonata Pathétique Op. 13 First of all, this is an arrangement of the second movement of Beethoven’s Sonata Pathétique. It seems like Beethoven wrote this piece before becoming troubled by deafness. Published in 1799, it consequently remains one of the most celebrated pieces Beethoven ever wrote. As a result of its popularity, the movement was therefore performed by Karl Haas. Hass recorded it for a popular radio show called: Adventures in Good Music. Beethoven Background Ludwig van Beethoven (1770 –1827) was certainly a German pianist. Above all, he was probably one of the greatest composers in history. As a result, he is a pivotal character in the progress between the Classical and Romantic periods. He is certainly one of the most famous and hence important of all composers. Seems like his most familiar and noteworthy works include symphonies 1-9; piano concertos 1-5; and furthermore, the violin concerto. Also, certainly of extreme importance are the noteworthy 32 sonatas for the piano; the string quartets 1-16; the Missa solemnis; and likewise, his only opera, Fidelio. Beethoven Overview First of all, Beethoven was born and consequently raised in Bonn. Upon turning 21 he moved to Vienna probably to study composition with Haydn. That’s when he consequently grew a reputation as a brilliant pianist. Furthermore, he probably stayed in Vienna for the rest of his life. In his late 20s, it seems like his hearing certainly began to decline. It slowly declined until consequently, he was nearly totally deaf probably by the last decade of his life. As a result, he stopped conducting and performing. Nevertheless, he continued to compose. As a result, some of his greatest works probably come from this period. First Period Seems like we often divide Beethoven’s life into three periods. Period 1 begins with Beethoven’s arrival in Vienna. Hence, during this period, he mastered the Viennese style of Haydn & Mozart. He consequently began increasing the size and scale of his works. Furthermore, he experimented with extreme dynamics, and likewise extreme tempi. He worked similarly with chromatic harmony. His First and Second Symphonies, therefore, belong to this period. Other important works also belong here: the first six string quartets and the Sonata Pathétique, Op. 13. Second Period His second period probably began as soon as he realized that he was going deaf. During this period, it seems like he became obsessed with the idea of heroism. His works consequently become even larger and more massive. The most noteworthy of these include the symphonies 3 – 8, piano concertos 5& 6, 5 string quartets, several important piano sonatas (Waldstein and Appassionata), the Kreutzer violin sonata, the violin concerto and his only opera: Fidelio. Third Period In contrast, Beethoven's third period is branded above all by works of incredible intellectual depth, formal innovation, and penetrating expression. It seems like he continued to expand his works. Consequently, the string quartet Op. 131 spills over into seven connected movements. Likewise, in the Ninth Symphony, he adds choral forces to his orchestra probably for the first time in history. Even more, other works from this period include his Missa solemnis, the final 5 string quartets (including the enormous Große Fuge) and the final five sonatas for piano. Register for free lifetime revisions and updates at www.jamesguthrie.co.
$24.95
Bach: Bist du bei mir BWV 508 for Alto Sax & Piano
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Saxophone Alto et Piano
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FACILE
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Classique
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Johann Sebastian Bach
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James M
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Bach: Bist du bei mir BWV 508
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jmsgu3
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SheetMusicPlus
Alto Saxophone,Piano - Level 2 - SKU: A0.549235 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Easter,Standards,Wedding...
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Alto Saxophone,Piano - Level 2 - SKU: A0.549235 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Easter,Standards,Wedding. Score and part. 9 pages. Jmsgu3 #3468804. Published by jmsgu3 (A0.549235). J. S. Bach BWV 508. Bist du bei mir Bach adapted this aria from a lost Stölzel opera called Diomedes. He changed the original orchestral instrumentation to soprano, strings, and continuo.  He also modified the voice-leading making it sound more like a Bach composition. The work appears as BWV 508 No. 25 in the Anna Magdalena Notebook No. 2.  Source Only a few remnants of the original opera have survived. Historians speculate that Anna Magdalena got the song from the Leipzig Opera after the bankruptcy of 1720. Chances are good, though, that the tune was a favorite of everyone in Leipzig at the time.  Lyrics When thou art near, I go with joyTo death and to my rest.O how joyous would my end be,If your fair hands      Would close my faithful eyes. - Unknown Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and certainly the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy are the St. John Passion, and indeed the Christmas Oratorio.  History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer.  Style It seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival        Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV.  Voyager NASA launched two Voyager spacecraft in 1977. Onboard are phonograph records with sounds, music, and images of life on Earth. The purpose of the launch was to inform intelligent extraterrestrial life forms about conditions on Earth. The music on the disc is varied. There is Bach, Mozart, Beethoven, and Stravinsky among others. However, because Bach is so important in our music history, it contains three times more Bach than all the others combined.
$32.95
Ali Ben Sou Alle: Fantaisie sur La Favorita de Donizetti for alto saxophone and piano
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Saxophone Alto et Piano
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INTERMÉDIAIRE
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Ali Ben Sou Alle, Gaetano Doni
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Paul Wehage
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Ali Ben Sou Alle: Fantaisie su
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Musik Fabrik Music Publishing
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SheetMusicPlus
Alto Saxophone,Piano - Level 3 - SKU: A0.533348 Composed by Ali Ben Sou Alle, Gaetano Donizetti. Arranged by Paul Wehage. Concert,Opera,Romantic Period,...
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Alto Saxophone,Piano - Level 3 - SKU: A0.533348 Composed by Ali Ben Sou Alle, Gaetano Donizetti. Arranged by Paul Wehage. Concert,Opera,Romantic Period,Standards. Score and part. 23 pages. Musik Fabrik Music Publishing #2348199. Published by Musik Fabrik Music Publishing (A0.533348). One of the most enigmatic figures in the history of the Saxophone, Ali Ben Sou Alle (Charles-Valentin Soualle) was born in 1820 in Arras, France. After receiving his first prize in Clarinet at the Paris Conservatory in 1844. he served as the director ofmusic of The French Marine Band in Senegal, and then was named first clarinet solo at the Opéra-Comique in Paris. However, after the Revolution of 1848, Soualle was forced to flee France to England where he settled in London, playing in the Orchestra of the Queen's Theatre. His songs and piano pieces were published in London. While in London, Soualle met another exiled French musician, Louis Antoine Jullien, who conducted a light music series in London. Jullien encouraged Soualle to take up the saxophone, and after modifying the instrument by adding a single octave mechanism (the modern system used today) and keys for the lower register, Soualle became known as a virtuoso and began touring performing solo recitals (or mono-concerts, as they were called at the time) calling his modified saxophone the «turcophone ». He performed in all the European capitals and then traveled to Australia, New Zealand, Manilla, Java, through China and then to India where he finally settled in Mysore, becoming the director of the Royal Music for the Maharadjah. It was during this period that he converted to Islam and changed his nmae to Ali ben Sou Alle (or Ali, son of Soualle). He subsequently travaled to Ile Maurice, to French Polynesia, the Cap of Natal and the Cap of Good Hope. All of these voyages were subjects of musical works which Soualle entitled Souvenirs de... and may perhaps have been part of a collection known as The Royal Album which was presented to the Prince of Wales after a royal concert. Soualle returned to Mysore in 1858 and was almost killed in the Indian Revolution. Around 1860, Soualle returned to France for health reasons and began publishing his own music. On March 27 1865, he performed a command performance for the Emperor Napoleon III at the Tuileries Palace in the presence of the entire Imperial Family. After 1865, nothing more is known about him.Soualle not only performed on the clarinet, saxophone and piano, but also frequently sang during his concerts. He also wrotesongs while he was in London. His opera fantasies are usually written for the Alto saxophone. This particular fantasy usesthemes from the Third and fourth act sung by the hero et heroine which are marked in the score.
$11.95
Mack The Knife
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Saxophone Alto et Piano
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FACILE
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Bobby Darin
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Andrew Middleton
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Mack The Knife
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Andrew Middleton
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SheetMusicPlus
Alto Saxophone,Piano - Level 2 - SKU: A0.735571 By Bobby Darin. By Kurt Weill. Arranged by Andrew Middleton. Jazz,Pop. Score and part. 7 pages. Andrew M...
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Alto Saxophone,Piano - Level 2 - SKU: A0.735571 By Bobby Darin. By Kurt Weill. Arranged by Andrew Middleton. Jazz,Pop. Score and part. 7 pages. Andrew Middleton #5011727. Published by Andrew Middleton (A0.735571). From Kurt Weil's 1930s opera, The Three Penny Opera, Ballad of Mack the Knife arranged for alto saxophone and piano accompaniment.For more updates on new arrangements follow my Facebook page on https://www.facebook.com/a.middletonmusic/ Or subscribe to my Youtube page at https://www.youtube.com/channel/UCClIYqddA2wMpdaxSq3BKEw?view_as=subscriber
$4.99
Du und Du Waltz - Alto Saxophone & Piano
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Saxophone Alto et Piano
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INTERMÉDIAIRE
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Opera
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Classique
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Andrew Middleton
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Du und Du Waltz - Alto Saxopho
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Andrew Middleton
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SheetMusicPlus
Alto Saxophone,Piano - Level 3 - SKU: A0.735915 Arranged by Andrew Middleton. Opera,Romantic Period. Score and part. 5 pages. Andrew Middleton #5820777....
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Alto Saxophone,Piano - Level 3 - SKU: A0.735915 Arranged by Andrew Middleton. Opera,Romantic Period. Score and part. 5 pages. Andrew Middleton #5820777. Published by Andrew Middleton (A0.735915). Composed in 1874, Strauss used popular themes from his opera, Die Fledermaus, to create this waltz. This arranged is ideal for the intermediate performer and is also available for flute, oboe, clarinet, and bassoon too!For more updates on new arrangements follow my Facebook page on https://www.facebook.com/a.middletonmusic/ Or subscribe to my Youtube page at https://www.youtube.com/channel/UCClIYqddA2wMpdaxSq3BKEw?view_as=subscriber
$4.99
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