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--INSTRUMENTS--
ACCORDEON
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Mark Rice
Non classifié
116
Piano & claviers
Piano seul
28
Piano Facile
8
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6
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4
Orgue
2
Instruments en Do
2
2 Pianos, 4 mains
2
Piano (partie séparée)
2
Piano Trio: piano, violon, violoncelle
1
Orgue, Piano (duo)
1
Clavecin
1
2 Pianos, 8 mains
1
+ 7 instrumentations
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Guitares
Basse electrique
3
Guitare
2
Piano, Guitare (duo)
2
Mandoline
2
Guitare, Violon, Violoncelle (trio)
1
Guitare (partie séparée)
1
Guitare notes et tablatures
1
+ 2 instrumentations
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Voix
Chorale SATB
23
Pack Instrumental pour Chorale
14
Chorale TTBB
4
Voix Soprano, Piano
3
Voix duo
2
Chorale SSAA
2
Chorale 3 parties
2
Chorale 2 parties
1
Chorale Unison
1
+ 4 instrumentations
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Vents
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
45
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45
Saxophone (partie séparée)
12
Ensemble de Clarinettes
6
Saxophone Alto et Piano
4
Flûte, Hautbois, Clarinette, Basson
4
Quatuor de Clarinettes: 4 clarinettes
4
Clarinette et Piano
3
Saxophone Alto
3
Hautbois, Piano (duo)
3
Quintette de Flûte : 5 flûtes
3
Saxophone Tenor
3
Saxophone Soprano et Piano
3
Flûte traversière et Piano
3
Flûte traversière
3
Saxophone Tenor et Piano
2
Flûte et Guitare
2
Quintette de Clarinettes: 5 clarinettes
2
Ensemble de Flûtes
2
Ensemble de saxophones
1
2 Flûtes traversières (duo)
1
Flûte, Violon, Piano
1
Hautbois (partie séparée)
1
Flûte, Clarinette, Piano (trio)
1
Clarinette Basse
1
Clarinette
1
+ 21 instrumentations
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Quatuor de Cuivres : 2 trompettes, trombone, tuba
23
Trompette (partie séparée)
12
Trombone (partie séparée)
7
Ensemble de Trombones
4
Trompette
4
Trombone et Piano
3
Trombone
3
Trompette, Piano
2
Ensemble de Trompettes
2
Tuba et Piano
1
Cor et Piano
1
2 Trombones (duo)
1
+ 7 instrumentations
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Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
18
Harpe
9
Violon
7
Violon et Piano
6
Trio à Cordes: violon, alto, violoncelle
6
Violoncelle
6
Quintette à cordes: 2 violons, alto, violoncelle, basse
5
Ensemble de Violons
4
Ensemble d'Altos
4
Alto, Piano
3
Violoncelle, Piano
3
Contrebasse (partie séparée)
3
2 Violons (duo)
3
Violon, Violoncelle (duo)
1
Alto seul
1
Violoncelle , Guitare (duo)
1
Violon (partie séparée)
1
+ 12 instrumentations
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Orchestre & Percussions
Orchestre d'harmonie
30
Orchestre à Cordes
16
Ensemble Jazz
8
Batterie (partie séparée)
1
Jazz combo
1
Batterie
1
Orchestre
1
Cloches
1
Ensemble de cuivres
1
Orchestre de chambre
1
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
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MARIMBA
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ORGUE
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Crtitères actifs :
Mark Rice
Saxophone Alto et Piano
Partitions à imprimer
4 partitions trouvées
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How Deep Is Your Love
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Saxophone Alto et Piano
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INTERMÉDIAIRE
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Bee Gees
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Fishel Pustilnik
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How Deep Is Your Love
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F & N Enterprise
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SheetMusicPlus
Instrumental Duet,Piano Alto Saxophone,Baritone Saxophone,Instrumental Duet,Piano - Level 3 - SKU: A0.636003 By Bee Gees. By Barry Gibb, Maurice Gibb, a...
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Instrumental Duet,Piano Alto Saxophone,Baritone Saxophone,Instrumental Duet,Piano - Level 3 - SKU: A0.636003 By Bee Gees. By Barry Gibb, Maurice Gibb, and Robin Gibb. Arranged by Fishel Pustilnik. Dance,Disco. Score and parts. 8 pages. F & N Enterprise #6118491. Published by F & N Enterprise (A0.636003). An excellent arrangement of the famous Song How Deep Is Your Love for Alto Sax and Piano-Jazz/Pop Version. The video for Violin and Piano: https://youtu.be/ommadQAgAgo The composition is easy to read, fun to play, and sound professional when performed. Arranged by Fishel Pustilnik, a very well known as Composer/Publisher. His books Jazz & Pop Piano Paradise (Volumes 1-5) have become a commercial success and a hit with music teachers and students in Canada. (Thousands of books already sold in Canada). They are also starting to enter the US, Brazil, Norway, Russia, Holland, Israel, Belgium, Sweden, Finland, Greece, Latvia, and the UK markets. This is a wonderful new publication. These pieces offer much appeal for the young pianist and excellent choice for a supplementary book for students from Grade 3 to 8. Lore Ruschiensky, Editor, (from the review in The Canadian Music Teacher) Yesterday I spent at least two pleasure-filled hours playing through your imaginatively inventive compositions. Congratulations! I trust students will decide to program your well crafted and entertaining works on recitals and examinations. Review from Dr. Jack Behrens, B.Sc. (Julliard), Ph.D. (Harvard), Director of Academic Studies, The Glenn Gould School I liked this book the best so far. Great work! You have a gift for melody and your arrangements are very playable. Congratulations on the 3rd Volume. Mark Carlstein, Hal Leonard, Keyboard Publications.
$4.99
Somewhere, My Love
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Saxophone Alto et Piano
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INTERMÉDIAIRE
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Contemporain
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Maurice Jarre
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Fishel Pustilnik
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Somewhere, My Love
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F & N Enterprise
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SheetMusicPlus
Instrumental Duet,Piano Alto Saxophone,Baritone Saxophone,Instrumental Duet,Piano - Level 3 - SKU: A0.636314 Composed by Maurice Jarre. Arranged by Fish...
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Instrumental Duet,Piano Alto Saxophone,Baritone Saxophone,Instrumental Duet,Piano - Level 3 - SKU: A0.636314 Composed by Maurice Jarre. Arranged by Fishel Pustilnik. Contemporary. Score and parts. 11 pages. F & N Enterprise #6365525. Published by F & N Enterprise (A0.636314). An excellent arrangement of the famous Song Somewhere My Lovefor Alto Sax and Piano-Jazz/Pop Version. The video for Violin and Piano: https://youtu.be/eRF5iKLvRN4The composition is easy to read, fun to play, and sound professional when performed. Arranged by Fishel Pustilnik, a very well known as Composer/Publisher. His books Jazz & Pop Piano Paradise (Volumes 1-5) have become a commercial success and a hit with music teachers and students in Canada. (Thousands of books already sold in Canada). They are also starting to enter the US, Brazil, Norway, Russia, Holland, Israel, Belgium, Sweden, Finland, Greece, Latvia, and the UK markets. This is a wonderful new publication. These pieces offer much appeal for the young pianist and excellent choice for a supplementary book for students from Grade 3 to 8. Lore Ruschiensky, Editor, (from the review in The Canadian Music Teacher) Yesterday I spent at least two pleasure-filled hours playing through your imaginatively inventive compositions. Congratulations! I trust students will decide to program your well crafted and entertaining works on recitals and examinations. Review from Dr. Jack Behrens, B.Sc. (Julliard), Ph.D. (Harvard), Director of Academic Studies, The Glenn Gould School I liked this book the best so far. Great work! You have a gift for melody and your arrangements are very playable. Congratulations on the 3rd Volume. Mark Carlstein, Hal Leonard, Keyboard Publications.
$4.99
Saint-Saëns: The Swan for Alto Sax & Piano
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Saxophone Alto et Piano
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INTERMÉDIAIRE
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Classique
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Camille Saint-Saens
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James M
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Saint-Saëns: The Swan for
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jmsgu3
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SheetMusicPlus
Alto Saxophone,Piano - Level 3 - SKU: A0.1314328 Composed by Camille Saint-Saens. Arranged by James M. Guthrie. 19th Century,Chamber,Contest,Festival,Hi...
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Alto Saxophone,Piano - Level 3 - SKU: A0.1314328 Composed by Camille Saint-Saens. Arranged by James M. Guthrie. 19th Century,Chamber,Contest,Festival,Historic,Romantic Period. Score and part. 11 pages. Jmsgu3 #903072. Published by jmsgu3 (A0.1314328). Saint-Saëns: The Swan (Le Cygne) movement 13 from the Carnival of the Animals Suite. One of his most popular and widely recognized works, it is the only movement from the Carnival Suite that Saint-Saëns permitted to be performed publicly during his lifetime. This is an excellent recital encore to demonstrate melodic playing and strategic phrasing.The Carnival of the AnimalsThe Carnival of the Animals is an entertaining musical suite of fourteen movements by Camille Saint-Saëns. The work was composed for private performance by an ensemble of two pianos and solo instruments. The Swan (No. 13) is among the fourteen most famous movements. In its entirety, it lasts about 25 minutes.Saint-Saëns BackgroundCharles-Camille Saint-Saëns 1835 – 1921) was, by all means, in particular, a famous French composer, brilliant organist, and significant musical mastermind of the Romantic era. Indeed, his most famous compositions, in the long run, include his Piano Concerto No. 2 (1868), Cello Concerto No. 1 (1872), and the Danse macabre (1874). Notwithstanding, we must also add Violin Concerto No. 3 (1880), Symphony No. 3 (the Organ Symphony, 1886), and, it must be remembered, Carnival of the Animals (1886) to the list.ChildhoodIt is essential to realize that Saint-Saëns was undoubtedly, in fact, a child musical prodigy. Consequently, with this in mind, he made his concert debut, albeit at ten years old. Another critical point to remember is that he expressly studied at the Paris Conservatoire, then, despite reality, conversely followed a traditional career path as a church organist. Nevertheless, twenty years later, on the other hand, he left to become a successful freelance pianist and composer despite, as has been noted, his former employment situation. Furthermore, his performances were, after all, markedly in demand - not only in Europe but, above all, in the Americas all in all as well.YouthA point often overlooked is that in his youth, Saint-Saëns was undoubtedly excited about the modern music of the day. He was, in essence, fond of the music of his contemporaries, particularly Schumann, Liszt, and, for the most part, Wagner. In contrast, however, his compositions seemed, in fact, primarily confined within the conservative classical tradition. Be that as it may, he was, at the same time, nevertheless, a scholar of musical history.CriticismOn the whole, his conservatism, in fact, ultimately brought him into frequent conflict in his later years with composers of the impressionist and, in particular, the dodecaphonic schools of musical thought. A point often overlooked is that he included neoclassical elements in his music, contrary to some critics. Furthermore, in so doing, he provided the most compelling evidence that he predicted the techniques and works by Stravinsky and Les Six. To put it another way, given these points, he was regarded, perhaps for the most part unfairly, as a non-progressive reactionary henceforth around the time of his passing.LegacySaint-Saëns taught briefly in Paris, where his students included Gabriel Fauré. Maurice Ravel later studied with Fauré. In conclusion, both Ravel and Fauré were powerfully influenced by Saint-Saëns, whom they respected as a musical mastermind.
$32.95
Ali Ben Sou Alle: Fantaisie sur La Favorita de Donizetti for alto saxophone and piano
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Saxophone Alto et Piano
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INTERMÉDIAIRE
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Ali Ben Sou Alle, Gaetano Doni
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Paul Wehage
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Ali Ben Sou Alle: Fantaisie su
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Musik Fabrik Music Publishing
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SheetMusicPlus
Alto Saxophone,Piano - Level 3 - SKU: A0.533348 Composed by Ali Ben Sou Alle, Gaetano Donizetti. Arranged by Paul Wehage. Concert,Opera,Romantic Period,...
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Alto Saxophone,Piano - Level 3 - SKU: A0.533348 Composed by Ali Ben Sou Alle, Gaetano Donizetti. Arranged by Paul Wehage. Concert,Opera,Romantic Period,Standards. Score and part. 23 pages. Musik Fabrik Music Publishing #2348199. Published by Musik Fabrik Music Publishing (A0.533348). One of the most enigmatic figures in the history of the Saxophone, Ali Ben Sou Alle (Charles-Valentin Soualle) was born in 1820 in Arras, France. After receiving his first prize in Clarinet at the Paris Conservatory in 1844. he served as the director ofmusic of The French Marine Band in Senegal, and then was named first clarinet solo at the Opéra-Comique in Paris. However, after the Revolution of 1848, Soualle was forced to flee France to England where he settled in London, playing in the Orchestra of the Queen's Theatre. His songs and piano pieces were published in London. While in London, Soualle met another exiled French musician, Louis Antoine Jullien, who conducted a light music series in London. Jullien encouraged Soualle to take up the saxophone, and after modifying the instrument by adding a single octave mechanism (the modern system used today) and keys for the lower register, Soualle became known as a virtuoso and began touring performing solo recitals (or mono-concerts, as they were called at the time) calling his modified saxophone the «turcophone ». He performed in all the European capitals and then traveled to Australia, New Zealand, Manilla, Java, through China and then to India where he finally settled in Mysore, becoming the director of the Royal Music for the Maharadjah. It was during this period that he converted to Islam and changed his nmae to Ali ben Sou Alle (or Ali, son of Soualle). He subsequently travaled to Ile Maurice, to French Polynesia, the Cap of Natal and the Cap of Good Hope. All of these voyages were subjects of musical works which Soualle entitled Souvenirs de... and may perhaps have been part of a collection known as The Royal Album which was presented to the Prince of Wales after a royal concert. Soualle returned to Mysore in 1858 and was almost killed in the Indian Revolution. Around 1860, Soualle returned to France for health reasons and began publishing his own music. On March 27 1865, he performed a command performance for the Emperor Napoleon III at the Tuileries Palace in the presence of the entire Imperial Family. After 1865, nothing more is known about him.Soualle not only performed on the clarinet, saxophone and piano, but also frequently sang during his concerts. He also wrotesongs while he was in London. His opera fantasies are usually written for the Alto saxophone. This particular fantasy usesthemes from the Third and fourth act sung by the hero et heroine which are marked in the score.
$11.95
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Mark Rice