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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Meditation from
Non classifié
311
Piano & claviers
Piano seul
334
Orgue
77
Piano Facile
32
Piano, Voix
21
Orgue, Trompette (duo)
14
Piano Trio: piano, violon, violoncelle
8
1 Piano, 4 mains
6
Piano Quatuor: piano, violon, alto, violoncelle
6
Instruments en Do
5
Piano, Voix et Guitare
5
Accompagnement Piano
4
Piano Quatuor: piano, 2 violons, violoncelle
1
Piano (partie séparée)
1
+ 8 instrumentations
Retracter
Guitares
Guitare
38
Guitare notes et tablatures
18
Guitare Pedal Steel
10
Ligne De Mélodie, (Paroles) et Accords
3
2 Guitares (duo)
3
Dulcimer
2
Ukulele
1
Paroles et Accords
1
+ 3 instrumentations
Retracter
Voix
Chorale SATB
82
Chorale 3 parties
21
Chorale 2 parties
11
Chorale SSAA
5
Chorale Unison
4
Voix duo
3
Voix haute
3
Chorale TTBB
3
Voix seule
2
Voix duo, Piano
2
Chorale SSATTB
1
Chorale SSAATTBB
1
Voix moyenne, Piano
1
Voix Soprano, Piano
1
Soli, choeur mixte et accompagnement
1
+ 10 instrumentations
Retracter
Vents
Flûte traversière et Piano
38
Hautbois, Piano (duo)
31
Clarinette et Piano
30
Saxophone Alto et Piano
21
Saxophone Tenor et Piano
17
Saxophone Soprano et Piano
15
Cor anglais, Piano
11
Clarinette Basse, Piano
11
Saxophone Baryton, Piano
11
Clarinette
10
Flûte traversière
8
Flûte, Violon, Piano
5
Ensemble de saxophones
5
Quatuor de Saxophones: 4 saxophones
5
Ensemble de Flûtes
5
2 Flûtes traversières (duo)
4
Quintette de Saxophone: 5 saxophones
4
Hautbois (partie séparée)
4
Saxophone Alto
3
Hautbois, Violoncelle
3
Clarinette, Harpe (duo)
3
Flûte, Hautbois, Clarinette, Basson
3
Quatuor de Clarinettes: 4 clarinettes
3
Flûte, Violoncelle
3
Quatuor de Flûtes : 4 flûtes
3
Saxophone et Orgue
2
Ensemble de Clarinettes
2
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
2
2 Clarinettes (duo)
2
Hautbois, Harpe
2
Piccolo, Piano
2
Saxophone
1
Flûte et Trio à cordes
1
Flûte, Alto (duo)
1
Clarinette, Guitare (duo)
1
Clarinette, Violoncelle (duo)
1
Quintette de Flûte : 5 flûtes
1
Clarinette, Violon (duo)
1
Clarinette et Alto
1
Hautbois, violon (duo)
1
Hautbois, Orgue
1
Hautbois, Clarinette, Basson (trio d'anches)
1
Flute (partie séparée)
1
Flute, harpe et violon
1
2 Hautbois (duo)
1
Clarinette, Orgue
1
Saxophone Tenor
1
Flûte, Violon
1
Flûte, Violoncelle, Piano (trio)
1
Hautbois et alto (duo)
1
+ 45 instrumentations
Retracter
Cuivres
Trompette, Piano
19
Trombone et Piano
18
Euphonium, Piano (duo)
16
Cor et Piano
13
Cor anglais, Piano
11
Trompette
8
Quatuor de Cuivres : 2 trompettes, trombone, tuba
7
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
5
Tuba et Piano
3
Quatuor de Cuivres: 2 trompettes, Cor, trombone
3
Cor
3
Trombone
3
Ensemble de Trombones
3
Trompette (partie séparée)
2
Trombone, Orgue
2
Cornet et orchestre
1
Trompette, violon (duo)
1
+ 12 instrumentations
Retracter
Cordes
Harpe
248
Violon et Piano
46
Quatuor à cordes: 2 violons, alto, violoncelle
43
Violoncelle, Piano
28
Alto, Piano
23
Violoncelle
14
Violon
11
Trio à Cordes: violon, alto, violoncelle
9
Trio à Cordes: 2 violons, violoncelle
4
Violon, Violoncelle (duo)
4
Harpe, Violon (duo)
4
Contrebasse, Piano (duo)
3
2 Violons (duo)
3
Alto seul
3
2 Violoncelles (duo)
2
Violon, Guitare (duo)
2
Trio à Cordes: 3 violoncelles
2
Alto (partie séparée)
2
2 Altos (duo)
2
Harpe, Flûte (duo)
2
2 Harpes (duo)
2
Contre Basse
2
Violoncelle , Guitare (duo)
1
Ensemble de Violons
1
Violon, Orgue
1
Alto, Violoncelle (duo)
1
Violoncelle, Orgue
1
Trio à cordes
1
Ensemble d'Altos
1
Violon (partie séparée)
1
Violon, Basson (duo)
1
+ 26 instrumentations
Retracter
Orchestre & Percussions
Cloches
22
Orchestre
12
Orchestre à Cordes
8
Orchestre de chambre
4
Ensemble de cuivres
4
Vibraphone
3
Orchestre d'harmonie
3
Marimba
2
Orchestre, Violon
2
3 Percussions
1
+ 5 instrumentations
Retracter
Autres
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
THANKSGIVING
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Note4Piano
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Vous avez sélectionné:
Meditation from
Saxophone Alto et Piano
Partitions à imprimer
21 partitions trouvées
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Jules Massenet: Meditation from Thais for alto saxophone & piano
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Saxophone Alto et Piano
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INTERMÉDIAIRE
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Classique
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Jules Massenet
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Virtualsheetmusic
This is an exclusive transcription for alto saxophone & piano of MEDIUM skill level from the original composition by Jules Massenet. This title is available as instant sheet music download. Contents: thais, meditation, meditazione, intermezzo / classical,wedding,french,festival,love...
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This is an exclusive transcription for alto saxophone & piano of MEDIUM skill level from the original composition by Jules Massenet. This title is available as instant sheet music download. Contents: thais, meditation, meditazione, intermezzo / classical,wedding,french,festival,love
$7.75
Meditation from Thais - Alto Saxophone and Piano
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Saxophone Alto et Piano
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AVANCÉ
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Massenet, Jules
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Anne L
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Meditation from Thais - Alto S
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Music-Scores.com
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SheetMusicPlus
Alto Saxophone,Piano - Level 5 - SKU: A0.722046 Composed by Massenet, Jules. Arranged by Anne L. Christopherson GRSM ARCM. Concert,Holiday,Love,Opera,Sa...
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Alto Saxophone,Piano - Level 5 - SKU: A0.722046 Composed by Massenet, Jules. Arranged by Anne L. Christopherson GRSM ARCM. Concert,Holiday,Love,Opera,Sacred,Wedding. Score and part. 7 pages. Music-Scores.com #5730539. Published by Music-Scores.com (A0.722046). Meditation from Thais, Act II. This opera, set in Egypt, explores a monks confused struggle between lust and religious ardour. This is a gorgeous piece, arranged for alto saxophone and piano.Duration: under 4 minutes.Arranged by Anne L. Christopherson GRSM ARCM at https://www.music-scores.com
$5.95
Meditation from Thais - Alto Sax and Piano (Full Score and Parts)
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Saxophone Alto et Piano
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INTERMÉDIAIRE
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Opera
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Classique
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Jules Massenet
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César Madeira
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Meditation from Thais - Alto S
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Sheet Music To Play Editions
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SheetMusicPlus
Alto Saxophone,Piano - Level 3 - SKU: A0.1199381 Composed by Jules Massenet. Arranged by César Madeira. 19th Century,20th Century,Classical,Opera,Rom...
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Alto Saxophone,Piano - Level 3 - SKU: A0.1199381 Composed by Jules Massenet. Arranged by César Madeira. 19th Century,20th Century,Classical,Opera,Romantic Period. Score and part. 14 pages. Sheet Music To Play Editions #798448. Published by Sheet Music To Play Editions (A0.1199381). Méditation from opera Thaïs by Massenet. Arrangement for Alto Sax and Piano. With Full Score and Individual Parts. Enjoy it!Jules Massenet (1842 - 1912) was a French composer. He is most famous for his operas, although he wrote a large amount of other music as well.For Tutorials, Play Alongs or request New Arrangements, visit the YouTube Channel: Sheet Music To Play
$7.99
Méditation from 'Thaïs' by Jules Massenet, for Alto Saxophone and Piano
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Saxophone Alto et Piano
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AVANCÉ
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Jules Massenet
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Len Rhodes
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Méditation from 'Tha&iu
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Len Rhodes Music
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SheetMusicPlus
Alto Saxophone,Piano - Level 5 - SKU: A0.739876 Composed by Jules Massenet. Arranged by Len Rhodes. 20th Century,Contemporary,Holiday,Romantic Period,We...
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Alto Saxophone,Piano - Level 5 - SKU: A0.739876 Composed by Jules Massenet. Arranged by Len Rhodes. 20th Century,Contemporary,Holiday,Romantic Period,Wedding. Score and part. 9 pages. Len Rhodes Music #3044137. Published by Len Rhodes Music (A0.739876). A new transcription for Alto Saxophone and Piano of this lyrical, reflective work from Massenet's opera, Thaïs. This piece was an immediate success at the time of the opera's premiere at the Paris Opera, and has remained popular ever since. Download includes Alto Saxophone part, and score.
$6.95
In the Language of Meditation for alto saxophone & piano
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Saxophone Alto et Piano
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AVANCÉ
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Contemporain
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Greg Bartholomew
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piano was made in 2014
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In the Language of Meditation
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Burke & Bagley
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SheetMusicPlus
Alto Saxophone,Piano - Level 5 - SKU: A0.787269 Composed by Greg Bartholomew. 20th Century,Concert,Contemporary. Score and part. 32 pages. Burke & Bagle...
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Alto Saxophone,Piano - Level 5 - SKU: A0.787269 Composed by Greg Bartholomew. 20th Century,Concert,Contemporary. Score and part. 32 pages. Burke & Bagley #17401. Published by Burke & Bagley (A0.787269). IN THE LANGUAGE OF MEDITATION was originally composed in 2013 for violist Brett Deubner and pianist Caroline Fauchet in memory of Ingrid Buschmann (1954 - 2013). The adaptation for alto saxophone & piano was made in 2014. Total duration: approx. 14 minutes. IN THE LANGUAGE OF MEDITATION is in three parts: I. Observations from a Rooftop Garden II. Contemplating a Mountain with Love III. Reflecting on a Visit with Birds Watch the premiere performance on YouTube: http://youtu.be/Vgc6jKsEMXw?list=PLC467B58A453D766A
$24.99
Thais (Meditation)
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Saxophone Alto et Piano
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DÉBUTANT
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Fabio Eduardo de Oliveira
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Fabio Eduardo de Oliveira
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Thais
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Fabio Eduardo
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SheetMusicPlus
Alto Saxophone,Piano - Level 1 - SKU: A0.1239114 By Fabio Eduardo de Oliveira. By J. Massenet. Arranged by Fabio Eduardo de Oliveira. 19th Century,20th ...
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Alto Saxophone,Piano - Level 1 - SKU: A0.1239114 By Fabio Eduardo de Oliveira. By J. Massenet. Arranged by Fabio Eduardo de Oliveira. 19th Century,20th Century,Classical,Film/TV,Wedding. Score and part. 4 pages. Fabio Eduardo #834509. Published by Fabio Eduardo (A0.1239114). FREE DOWNLOAD PLAYBACK https://www.fabioeduardomusiconline.com/freedownloadMéditation is a symphonic intermezzo from the opera Thaïs by French composer Jules Massenet. The piece is written for solo violin and orchestra. The opera premiered at the Opéra Garnier in Paris on March 16, 1894.
$1.99
Thais (Meditation) - Free Mp3 Playback + Solo and Piano Parts
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Saxophone Alto et Piano
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DÉBUTANT
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Fabio Eduardo de Oliveira
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Fabio Eduardo de Oliveira
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Thais
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Fabio Eduardo
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SheetMusicPlus
Alto Saxophone,Piano - Level 1 - SKU: A0.1269148 By Fabio Eduardo de Oliveira. By J. Massenet. Arranged by Fabio Eduardo de Oliveira. 20th Century,Class...
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Alto Saxophone,Piano - Level 1 - SKU: A0.1269148 By Fabio Eduardo de Oliveira. By J. Massenet. Arranged by Fabio Eduardo de Oliveira. 20th Century,Classical,Film/TV,Opera,Wedding. Score and part. 5 pages. Fabio Eduardo #861685. Published by Fabio Eduardo (A0.1269148). FREE Download Mp3 PlaybackMéditation is a symphonic intermezzo from the opera Thaïs by French composer Jules Massenet. The piece is written for solo violin and orchestra. The opera premiered at the Opéra Garnier in Paris on March 16, 1894.
$1.99
Beethoven: Adagio from Sonata Pathetique for Alto Sax & Piano
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Saxophone Alto et Piano
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INTERMÉDIAIRE
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Classique
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Ludwig van Beethoven
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James M
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piano concertos 1-5
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Beethoven: Adagio from Sonata
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jmsgu3
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SheetMusicPlus
Alto Saxophone,Piano - Level 3 - SKU: A0.549639 Composed by Ludwig van Beethoven. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Pe...
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Alto Saxophone,Piano - Level 3 - SKU: A0.549639 Composed by Ludwig van Beethoven. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Sacred,Standards. Score and part. 16 pages. Jmsgu3 #3516567. Published by jmsgu3 (A0.549639). Duration: ca 5:20, Score: 8 pages, solo part: 3 pages, piano part: 4 pages.One of Beethoven's finest and most famous works. Program for a recital, church meditation or school program.Bring your best espressivo and plan to rehearse the many subtle dynamic changes.Sonata Pathétique Op. 13 First of all, this is an arrangement of the second movement of Beethoven’s Sonata Pathétique. It seems like Beethoven wrote this piece before becoming troubled by deafness. Published in 1799, it consequently remains one of the most celebrated pieces Beethoven ever wrote. As a result of its popularity, the movement was therefore performed by Karl Haas. Hass recorded it for a popular radio show called: Adventures in Good Music. Beethoven Background Ludwig van Beethoven (1770 –1827) was certainly a German pianist. Above all, he was probably one of the greatest composers in history. As a result, he is a pivotal character in the progress between the Classical and Romantic periods. He is certainly one of the most famous and hence important of all composers. Seems like his most familiar and noteworthy works include symphonies 1-9; piano concertos 1-5; and furthermore, the violin concerto. Also, certainly of extreme importance are the noteworthy 32 sonatas for the piano; the string quartets 1-16; the Missa solemnis; and likewise, his only opera, Fidelio. Beethoven Overview First of all, Beethoven was born and consequently raised in Bonn. Upon turning 21 he moved to Vienna probably to study composition with Haydn. That’s when he consequently grew a reputation as a brilliant pianist. Furthermore, he probably stayed in Vienna for the rest of his life. In his late 20s, it seems like his hearing certainly began to decline. It slowly declined until consequently, he was nearly totally deaf probably by the last decade of his life. As a result, he stopped conducting and performing. Nevertheless, he continued to compose. As a result, some of his greatest works probably come from this period. First Period Seems like we often divide Beethoven’s life into three periods. Period 1 begins with Beethoven’s arrival in Vienna. Hence, during this period, he mastered the Viennese style of Haydn & Mozart. He consequently began increasing the size and scale of his works. Furthermore, he experimented with extreme dynamics, and likewise extreme tempi. He worked similarly with chromatic harmony. His First and Second Symphonies, therefore, belong to this period. Other important works also belong here: the first six string quartets and the Sonata Pathétique, Op. 13. Second Period His second period probably began as soon as he realized that he was going deaf. During this period, it seems like he became obsessed with the idea of heroism. His works consequently become even larger and more massive. The most noteworthy of these include the symphonies 3 – 8, piano concertos 5& 6, 5 string quartets, several important piano sonatas (Waldstein and Appassionata), the Kreutzer violin sonata, the violin concerto and his only opera: Fidelio. Third Period In contrast, Beethoven's third period is branded above all by works of incredible intellectual depth, formal innovation, and penetrating expression. It seems like he continued to expand his works. Consequently, the string quartet Op. 131 spills over into seven connected movements. Likewise, in the Ninth Symphony, he adds choral forces to his orchestra probably for the first time in history. Even more, other works from this period include his Missa solemnis, the final 5 string quartets (including the enormous Große Fuge) and the final five sonatas for piano. Register for free lifetime revisions and updates at www.jamesguthrie.co.
$24.95
Grieg: Morning Mood from Peer Gynt Suite for Alto Sax & Piano
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Saxophone Alto et Piano
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INTERMÉDIAIRE
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Classique
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Edvard Grieg
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James M
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Grieg: Morning Mood from Peer
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jmsgu3
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SheetMusicPlus
Alto Saxophone,Piano - Level 3 - SKU: A0.549511 Composed by Edvard Grieg. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Stan...
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Alto Saxophone,Piano - Level 3 - SKU: A0.549511 Composed by Edvard Grieg. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and part. 17 pages. Jmsgu3 #3502277. Published by jmsgu3 (A0.549511). Duration: ca. 4:00, Score: 9 pages, solo prt: 3 pages, piano part: 4 pages. Super-famous Instantly recognizable tune, not very difficult - suitable for a recital or church meditation.  Grieg Background In the first place, Edvard Grieg (1843 –1907) was a Norwegian composer as well as a concert pianist. As a matter of fact, most music historians consider him one of the foremost Romantic-era composers. Consequently, his music is part of the international standard classical repertoire. Grieg moreover used Norwegian folk music in his own compositions.  Consequently, he ushered Norwegian music to transnational consciousness. Furthermore, he forged a national musical identity for Norway. It is important to realize that he did this in a manner similar to Jean Sibelius in Finland, and BedÅ™ich Smetana in Bohemia. Legacy Grieg is especially celebrated in the city of Bergen. For example, the city has erected numerous statues depicting Grieg. Specifically, the city has named a concert hall (Grieg Hall), a music school (Grieg Academy), and a professional choir (Edvard Grieg Kor) after him. As a matter of fact, there is also a museum located at his former home in Troldhaugen. Peer Gynt Suite No. 1 (Op. 46) Grieg wrote incidental music for the purpose of illustrating a play by Ibsen known as Peer Gynt. The play includes, in particular, the famous selection entitled, In the Hall of the Mountain King. In this composition, Grieg depicts the exploits of the scoundrel, Peer Gynt. In one famous episode, for example, Peer steals a bride at her wedding. For this reason, the people chase him, but soon Peer falls, striking his skull on a boulder. He wakens forthwith in a highland bounded by angry gnomes. Consequently, the music of In the Hall of the Mountain King represents the mad gnomes taunting Peer. Therefore, each time the theme repeats it gets louder and faster. In the end, Peer surprisingly escapes from the mountain. Holberg Suite and Misc. Summary It must be remembered that Grieg originally wrote his Holberg Suite for the piano. In other words, he only later arranged it for strings. Further, Grieg composed many songs with lyrics by famous writers such as Heine, Goethe, Ibsen, Hans Christian Andersen, Rudyard Kipling, and others. On balance, Norwegian pianist Eva Knardahl recorded altogether Grieg’s whole piano catalog on LP in 1980. These recordings were released again on CD in 2006. In any event, Grieg himself performed and recorded the bulk of these pieces toward the end of his life. Â
$32.95
Grieg: Ase's Death from Peer Gynt Suite for Alto Sax & Piano
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Saxophone Alto et Piano
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INTERMÉDIAIRE
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Classique
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Edvard Grieg
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James M
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Grieg: Ase's Death from Peer G
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jmsgu3
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SheetMusicPlus
Alto Saxophone,Piano - Level 3 - SKU: A0.549533 Composed by Edvard Grieg. Arranged by James M. Guthrie, ASCAP. Concert,Contemporary,Romantic Period,Sacr...
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Alto Saxophone,Piano - Level 3 - SKU: A0.549533 Composed by Edvard Grieg. Arranged by James M. Guthrie, ASCAP. Concert,Contemporary,Romantic Period,Sacred,Standards. Score and part. 11 pages. Jmsgu3 #3505785. Published by jmsgu3 (A0.549533). Duration: ca. 3:40, Score: 5 pages, solo part: 2 pages, piano part: 3 pages. Super-famous instantly recognizable tune, not very difficult - suitable for a recital, funeral or church meditation. Grieg Background In the first place, Edvard Grieg (1843 –1907) was a Norwegian composer as well as a concert pianist. As a matter of fact, most music historians consider him one of the foremost Romantic era composers. Consequently, his music is part of the international standard classical repertoire. Grieg moreover used Norwegian folk music in his own compositions. Consequently, he ushered Norwegian music to transnational consciousness. Furthermore, he forged a national musical identity for Norway. It is important to realize that he did this in a manner similar to Jean Sibelius in Finland, and Bedřich Smetana in Bohemia. Legacy Grieg is especially celebrated in the city of Bergen. For example, the city has erected numerous statues depicting Grieg. Specifically, the city has named a concert hall (Grieg Hall), a music school (Grieg Academy) and a professional choir (Edvard Grieg Kor) after him. As a matter of fact, there is also a museum located at his former home in Troldhaugen. Peer Gynt Suite No. 1 (Op. 46) Grieg wrote incidental music for the purpose of illustrating a play by Ibsen known as Peer Gynt. The play includes, in particular, the famous selection entitled, In the Hall of the Mountain King. In this composition, Grieg indeed depicts the exploits of the scoundrel, Peer Gynt. In one famous episode, for example, Peer steals a bride at her wedding. For this reason, the people chase him, but soon Peer falls, thereupon striking his skull on a boulder. He wakens forthwith in a highland bounded by angry gnomes. Consequently, the music of In the Hall of the Mountain King represents the mad gnomes taunting Peer. Therefore, each time the theme repeats it gets louder and faster. In the end, Peer surprisingly escapes from the mountain. Holberg Suite and Misc. Summary It must be remembered that Grieg originally wrote his Holberg Suite for the piano. In other words, he only later arranged it for strings. Further, Grieg composed by and large many songs with lyrics by famous writers such as Heine, Goethe, Ibsen, Hans Christian Andersen, Rudyard Kipling, and others. On balance, Norwegian pianist Eva Knardahl recorded altogether Grieg’s whole piano catalog on LP in 1980. These recordings were released again on CD in 2006. In any event, Grieg himself performed and recorded the bulk of these pieces toward the end of his life.Register for free lifetime revisions and updates at www.jamesguthrie.com
$24.95
Bach: Largo from Concerto BWV 1056 for Alto Sax & Piano
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Saxophone Alto et Piano
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INTERMÉDIAIRE
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Classique
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Johann Sebastian Bach
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James M
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Valentine's Day.
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Bach: Largo from Concerto BWV
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jmsgu3
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SheetMusicPlus
Alto Saxophone,Piano - Level 3 - SKU: A0.550218 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie. Baroque,Holiday,Standards,Wedding. Scor...
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Alto Saxophone,Piano - Level 3 - SKU: A0.550218 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie. Baroque,Holiday,Standards,Wedding. Score and part. 13 pages. Jmsgu3 #4600729. Published by jmsgu3 (A0.550218). The very popular Largo from Concerto in G Minor BWV 1056. Duration: ca. 3:24. Ideal for meditation, weddings, recital encores, & Valentine's Day.
$28.95
DvoÅ™ák: Largo from the New World Symphony for Alto Sax & Piano
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Saxophone Alto et Piano
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FACILE
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Classique
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Antonin Dvorak
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James M
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DvoÅ™ák: Largo from
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jmsgu3
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SheetMusicPlus
Alto Saxophone,Piano - Level 2 - SKU: A0.549423 Composed by Antonin Dvorak. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,St...
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Alto Saxophone,Piano - Level 2 - SKU: A0.549423 Composed by Antonin Dvorak. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and part. 12 pages. Jmsgu3 #3494005. Published by jmsgu3 (A0.549423). Score: 7 pages, solo part: 2 pages, piano part: 3 pages. Duration: 4:25. Not difficult, but requires sensitivity & dynamic control. Suitable for recitals, church meditations, or school programs. Dvořák Background AntonÃn Dvořák (1841 –1904) was, of course, a composer from Czechoslovakia. As a matter of fact, he was among the first Bohemian composers to attain universal recognition. It is important to realize that the late Romantic Nationalist period featured composers who used traditional and folk elements to portray the character of their nation. In particular, we see this in the music of Grieg (Norway), Finland (Sibelius), and Smetana (Bohemia).  Dvořák relied markedly on rhythms and other characteristics of Moravian and Bohemian folk music. Ascent to Fame Dvořák was truly a child musical prodigy on the violin. The premiere performances of his compositions notably occurred in 1872 and 1873. He submitted his First Symphony in particular to a German competition, but it failed to win. Consequently, in 1874 he presented two more symphonies to the Austrian State Prize for Composition. Johannes Brahms was the principal of the jury and was accordingly very impressed. They forthwith awarded the prize to Dvořák in 1874, 1876, and 1877. At this point, Brahms thereupon endorsed Dvořák to the publisher Simrock. Later, the publisher commissioned Dvořák to compose the Slavonic Dances, Op. 46. These became popular overnight and, as a result, Dvořák's worldwide status was launched. International Status Dvořák visited England upon invitation nine times. On each visit, he frequently conducted performances of his own compositions. He conducted concerts of his music, especially in Moscow and St. Petersburg. Eventually, the Prague Conservatory in fact appointed Dvořák as a professor. There, to be sure, he wrote his famous Dumky Trio. United States Consequently, the National Conservatory of Music of America appointed him as director in 1892. As a result, Dvořák composed his two most famous symphonic works: the Symphony No. 9 (From the New World), which spread his name universally, and his Concerto for Cello and Orchestra, one of the most famous of all cello works. Moreover, he wrote his most celebrated American String Quartet during this time. At the same time, because of his growing recognition in Europe and his homesickness for his own country, he left to return to Bohemia in 1895. Â
$32.95
Handel: Largo from Xerxes for Alto Sax & Piano
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Saxophone Alto et Piano
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INTERMÉDIAIRE
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Classique
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George Frideric Handel
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James M
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Handel: Largo from Xerxes for
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jmsgu3
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SheetMusicPlus
Alto Saxophone,Piano - Level 3 - SKU: A0.549383 Composed by George Frideric Handel. Arranged by James M. Guthrie, ASCAP. Baroque,Sacred,Standards,Weddin...
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Alto Saxophone,Piano - Level 3 - SKU: A0.549383 Composed by George Frideric Handel. Arranged by James M. Guthrie, ASCAP. Baroque,Sacred,Standards,Wedding. Score and part. 9 pages. Jmsgu3 #3492297. Published by jmsgu3 (A0.549383). Duration: 4:55, Score: 6 pages, Solo part: 1 page, piano part: 2 pages. A very famous aria (Ombra mai fu) from XerxesSuitable for any venue requiring meditative music. Excellent choice for a recital encore. Xerxes Xerxes is, in fact, an opera seria in three acts by Handel. Moreover, Handel conducted the premiere performance in London in 1738. Handel casts the opera in Persia in 470 BC. The part of Xerxes was indeed originally sung by a soprano castrato. Nowadays, the part is generally sung by a mezzo-soprano or conversely a counter-tenor. In the first place, Xerxes sings an opening aria, Ombra mai fu to a plane tree. Handel sets this aria to one of his most truly famous melodies. Although many refer to it traditionally as Handel’s Largo, Handel has, on the contrary, clearly marked Larghetto in the score. Handel Background George Frideric Handel (1685 - 1759) was born in Germany but eventually became a British citizen. Nonetheless, he was a famous Baroque composer. In fact, he became famous for his operas, oratorios, anthems, and organ concertos. Handel studied music and, by and large, worked as a composer in Germany and Italy before moving to London. On the whole, Handel was very familiar with the contemporary music of Italy and Germany. Career in England It is essential to realize that Italian opera was all the rage in England at the time. Moreover, Handel was really good at writing them. Therefore, he started not one but three opera companies in England. Alexander's Feast was a huge success in 1736, but Handel began composing English choral works. After success with the Messiah in 1742) he certainly never again wrote an Italian opera. Consequently, he died in 1759, a treasured genius. Accordingly, the English government gave him full state honors at his funeral. Hence, he is buried in Westminster Abbey in London. Legacy Music historians agree that Handel was in general one of the greatest composers of the Baroque era.  To demonstrate, his works such as the Messiah, Water Music, and Music for the Royal Fireworks remain consistently popular up to the present time. He especially composed the coronation anthem, Zadok the Priest for the coronation of George II. Nevertheless, it has specifically been performed at every succeeding British coronation since. His oratorio Solomon has by all means also continued to be prevalent. As a matter of fact, Sinfonia from act 3 was featured in the 2012 London Olympics opening ceremony. Handel was particularly prolific. To enumerate, he wrote over forty operas.  Since the late 1960s, we have expressly experienced a revival of baroque music. Similarly, we have especially seen a pique of interest in historically informed musical performances. Since his death in 1779, interest in Handel's music has all in all, expanded. Â
$32.95
Meditation from "Thais" (for Alto Saxophone and Piano)
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Saxophone Alto et Piano
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Jules Massenet
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Harry Walker
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Meditation from "Thais"
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SCORE EDITIONS
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SheetMusicPlus
Composed by Jules Massenet (1842-1912). Arranged by Harry Walker. Romantic Period, Repertoire. 9 pages. Published by SCORE EDITIONS...
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Composed by Jules Massenet (1842-1912). Arranged by Harry Walker. Romantic Period, Repertoire. 9 pages. Published by SCORE EDITIONS
$5.99
Jules Massenet: Meditation from Thais - alto saxophone and piano
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Saxophone Alto et Piano
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Classique
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Jules Massenet
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Paul Wehage
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Jules Massenet: Meditation fro
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Musik Fabrik
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SheetMusicPlus
Composed by Jules Massenet (1842-1912). Arranged by Paul Wehage. Romantic Period, Opera, Repertoire, Recital. Score, Solo Part. 10 pages. Published by Musik Fab...
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Composed by Jules Massenet (1842-1912). Arranged by Paul Wehage. Romantic Period, Opera, Repertoire, Recital. Score, Solo Part. 10 pages. Published by Musik Fabrik (S0.132847). - Score,Solo Part - Romantic Period,Opera,Repertoire,Recital - Musik Fabrik
$10.95
Meditation from Thais for Alto Saxophone and Piano
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Saxophone Alto et Piano
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Classique
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Jules Massenet
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Diego Marani
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Meditation from Thais for Alto
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Diego Marani
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SheetMusicPlus
Composed by Jules Massenet (1842-1912) and Jules Massenet (1842-1912). Arranged by Diego Marani. Romantic Period, Classical Period, Opera, Repertoire, Classroom...
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Composed by Jules Massenet (1842-1912) and Jules Massenet (1842-1912). Arranged by Diego Marani. Romantic Period, Classical Period, Opera, Repertoire, Classroom. Individual Part, Piano Reduction. 10 pages. Published by Diego Marani (S0.153169). - Individual Part,Piano Reduction - Romantic Period,Classical Period,Opera,Repertoire,Classroom - Diego Marani
$8.90
Bach-Gounod: Ave Maria, Schwencke version for Alto Sax & Piano
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Saxophone Alto et Piano
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FACILE
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J
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James M
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Bach-Gounod: Ave Maria, Schwen
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jmsgu3
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SheetMusicPlus
Alto Saxophone,Piano - Level 2 - SKU: A0.550919 Composed by J. S. Bach - Gounod. Arranged by James M. Guthrie, ASCAP. Christmas,Contemporary,Easter,Wedd...
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Alto Saxophone,Piano - Level 2 - SKU: A0.550919 Composed by J. S. Bach - Gounod. Arranged by James M. Guthrie, ASCAP. Christmas,Contemporary,Easter,Wedding. Score and part. 11 pages. Jmsgu3 #4888291. Published by jmsgu3 (A0.550919). This arrangement features the controversial Schwencke measure (ms. 27) that was originally introduced in 1783 by Christian Friedrich Gottlieb Schwencke. The convenient 1st & 2nd endings provide an option for extended performance. Duration with repeat - 4:50. Score: 6 pages. Solo part: 2 pages, piano part: 4 pages. Based on Prelude #1 in C Major from the Well-Tempered Clavier, Book 1. Well suited for church meditations or school programs or recital encores. Ave Maria Ave Maria is a Catholic prayer that consequently asks for the mother of Jesus (Mary) to intercede. Charles Gounod composed a famous version of the Ave Maria. He was a French Romantic composer who overlaid a new melody on an existing Bach chord progression. The progression is from Bach’s Prelude No. 1 from Well-Tempered Clavier I. This version, as well as Schubert’s version, have become essential items at weddings, masses, and funerals. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio.  History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as a court composer.  Style It seems like Bach created an engaging new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival        Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV. Â
$32.95
Bach-Gounod: Ave Maria for Alto Sax & Piano
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Saxophone Alto et Piano
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FACILE
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Bach-Gounod
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James M
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Bach-Gounod: Ave Maria for Alt
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jmsgu3
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SheetMusicPlus
Alto Saxophone,Piano - Level 2 - SKU: A0.549364 Composed by Bach-Gounod. Arranged by James M. Guthrie, ASCAP. Christmas,Contemporary,Easter,Wedding. Sco...
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Alto Saxophone,Piano - Level 2 - SKU: A0.549364 Composed by Bach-Gounod. Arranged by James M. Guthrie, ASCAP. Christmas,Contemporary,Easter,Wedding. Score and part. 11 pages. Jmsgu3 #3490139. Published by jmsgu3 (A0.549364). This arrangement follows the original Bach prelude and so excludes the extra measure that Schwencke introduced in 1783. If you prefer the extra measure, please see Bach-Gounod: Ave Maria, Schwencke version for Alto Sax & Piano, S0.661763. The convenient 1st & 2nd endings provide an option for extended performance with minimal page turns for the accompanist. The duration with repeat is about 4:50. Score: 6 pages. Solo part: 1 page, piano part: 4 pages. Based on Prelude #1 in C Major from the Well-Tempered Clavier, Book 1. Well suited for church meditations or school programs or recital encores. Ave Maria Ave Maria is a Catholic prayer that consequently asks for the mother of Jesus (Mary) to intercede. Charles Gounod composed a famous version of the Ave Maria. He was a French Romantic composer who overlaid a new melody on an existing Bach chord progression. The progression is from Bach’s Prelude No. 1 from Well-Tempered Clavier I. This version, as well as Schubert’s version, have become essential items at weddings, masses, and funerals. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio.  History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer.  Style It seems like Bach created an engaging new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival        Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV. Â
$32.95
Scriabin: Prelude Op. 11 No. 2 for Alto Sax & Piano
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Saxophone Alto et Piano
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INTERMÉDIAIRE
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Alexander Scriabin
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James M
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Scriabin: Prelude Op. 11 No. 2
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jmsgu3
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SheetMusicPlus
Alto Saxophone,Piano - Level 3 - SKU: A0.549467 Composed by Alexander Scriabin. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Peri...
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Alto Saxophone,Piano - Level 3 - SKU: A0.549467 Composed by Alexander Scriabin. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Sacred,Standards. Score and part. 12 pages. Jmsgu3 #3499755. Published by jmsgu3 (A0.549467). Score: 8 pages, solo part: 2 pages, piano part: 2 pages. Duration: 3:10. An introspective and meditative work with a lot of dynamic and phrasing nuance. Works well for church meditations or recital encores.Background Op.11/2 Alto Clarinet version. First of all, Scriabin composed mostly for the solo piano and also the orchestra. This is probably because he was a gifted pianist and therefore certainly appreciated the piano. Scriabin grew up in the late Romantic period, consequently, he was fond of the great piano masters of the time. As a result, he wrote his first noteworthy compositions in the manner of Chopin and Liszt. Forms Likewise, Scriabin used many of the same forms as Chopin. These certainly include the étude, prelude, nocturne, and even the mazurka. In contrast, as he developed his own sense of style his music became more and more unusual. So, the last five of his Piano Sonatas do not have a key signature and therefore lean towards atonality. Philosophy Scriabin also developed a keen interest in philosophy and likewise poetry. He was above all particularly fascinated by Nietzsche, Delville, and Blavatsky. Consequently, he finally established his own ideas about metaphysics and certainly mysticism. Scriabin consequently advanced theories about the relationship between color and musical keys. Synesthesia He also may have experienced a condition called synesthesia where he could probably sense a response created from a different stimulus. Therefore, it was almost as if he could see music and hear colors. Scriabin, therefore, arranged the colors in a circle similar to the circle-of-fifths and assigned each key area a color. Finally, he assigned the key of C to the color red, while the key of G was orange. Similarly, he assigned D to yellow, A to green, and so forth. Strangely, he did not differentiate between major and minor key colors. Multimedia Hence, his ability to translate colors into music certainly gave Scriabin a most noteworthy interest in creating multimedia events. Furthermore, He designed his biggest work, the Mysterium, to last an entire week. Even more, Scriabin made plans not only for music, but also colored lights, incense, and dancing. He designed the performance to occur in the foothills of the Himalaya mountains. The Mysterium was never performed, and only sketches of the work remain. Modern Performances In modern times, we often experience performances of Scriabin’s most famous completed works accompanied by colored laser lights and incense. These are the Poem of Ecstasy (completed in 1908) and the Poem of Fire (completed in 1910). The lighting effects for these early performances were accomplished by the clavier à lumiéres. It was a keyboard instrument that projected colored light onto a screen.
$19.95
Bohm: Calm as the Night for Alto Sax & Piano
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Saxophone Alto et Piano
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INTERMÉDIAIRE
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Carl Bohm
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James M
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Bohm: Calm as the Night for Al
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jmsgu3
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SheetMusicPlus
Alto Saxophone,Piano - Level 3 - SKU: A0.549402 Composed by Carl Bohm. Arranged by James M. Guthrie, ASCAP. Romantic Period,Sacred,Standards,Wedding. Sc...
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Alto Saxophone,Piano - Level 3 - SKU: A0.549402 Composed by Carl Bohm. Arranged by James M. Guthrie, ASCAP. Romantic Period,Sacred,Standards,Wedding. Score and part. 12 pages. Jmsgu3 #3493313. Published by jmsgu3 (A0.549402). Duration: ca. 4:00, Score: 7 pages, solo part: 2 page, piano part: 3 pages. A very popular number for weddings, also effective for meditations and recital encores. Carl Bohm Carl Bohm, sometimes spelled with a K as in Karl Bohm, was born in 1844 and died in 1920. Bohm was a German composer, pianist, and songwriter. He was famous for writing songs with a light and optimistic atmosphere. Some of his most famous songs are Calm as the Night, Twilight, May Bells, Enfant Cheri, and The Fountain. In addition to his songs, he was a very popular composer of string quartets and string trios. His music was very popular and profitable. His publisher used some of the profits from sales of Bohm’s work to prepare the works of Johannes Brahms for publication. Output He certainly was prolific, not only with individual compositions but collections and albums of original music, such as the Bohm Album for the Pianoforte. The quality of his melodies is remarkable. They have a familiar quality similar to folk-songs. It’s no wonder they have become so popular.  His greatest masterpiece may well be the famous Calm as the Night as it is so well finished and refined. This song comes to us from a collection known simply as Lieder Op. 326. Calm as the Night (Still wie die Nacht) is listed as Number 27 in the collection. The song is scored for vocal duet and piano. The lyrics for Bohm’s Still wie die Nacht are anonymous. Lyrics: Still wie die Nacht Und tief wie das Meer, Soll deine Liebe sein! Wenn du mich liebst, So wie ich dich, Will ich dein eigen sein. Heiß wie der Stahl Und fest wie der Stein Soll deine Liebe sein! English: As quiet as the night And deep as the sea, Your love should be! If you love me The same as I love you, I want to be yours. As hot as steel And as firm as a rock, Your love should be!
$26.95
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