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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Musical interlude
Non classifié
107
Piano & claviers
Piano seul
94
Piano, Voix et Guitare
11
Orgue
11
Instruments en Do
5
Piano Facile
5
2 Pianos, 4 mains
4
Piano, Voix
3
Piano Trio: piano, violon, violoncelle
3
Piano Quatuor: piano, violon, alto, violoncelle
1
+ 4 instrumentations
Retracter
Guitares
Piano, Guitare (duo)
4
3 Guitares (trio)
2
Guitare
1
Voix
Chorale SATB
24
Chorale TTBB
5
Chorale 2 parties
4
Voix duo, Piano
2
Chorale 3 parties
1
Voix Alto, Piano
1
+ 1 instrumentations
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Vents
Hautbois, Piano (duo)
12
Flûte traversière et Piano
12
Saxophone Soprano et Piano
11
Clarinette et Piano
11
3 Saxophones (trio)
11
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
8
Saxophone Tenor et Piano
7
Saxophone Alto et Piano
7
Flûte, Clarinette, Piano (trio)
6
Quatuor de Flûtes : 4 flûtes
5
Flûte, Violon et Violoncelle
5
Quintette de Saxophone: 5 saxophones
5
Flûte, Hautbois, Piano (trio)
4
Clarinette, trompette et piano
4
Quatuor de Saxophones: 4 saxophones
4
Flûte, Clarinette et Basson
3
Flûte, Violoncelle, Piano (trio)
3
2 Clarinettes (duo)
3
2 Flûtes traversières, Piano
3
3 Clarinettes (trio)
3
Saxophone Alto
2
Flûte, trombone et piano
2
Quintette de Clarinettes: 5 clarinettes
2
Clarinette, Violoncelle, Piano (trio)
2
Flûte traversière
2
Quatuor de Clarinettes: 4 clarinettes
2
Flûte, Violon, Violoncelle et Piano
2
Flûte, Hautbois, Clarinette (trio)
2
2 Flûtes traversières (duo)
2
Trio de Flûtes: 3 flûtes
2
Saxophone Tenor
2
Ensemble de Clarinettes
2
Hautbois, Clarinette et Piano (Trio)
1
Flûte, Alto et Piano
1
Clarinette
1
Saxophone (partie séparée)
1
Quintette de Flûte : 5 flûtes
1
2 Clarinettes, Piano
1
Hautbois, Clarinette (duo)
1
Flûte, Basson et Piano
1
Flûte, Hautbois, Clarinette, Basson
1
Flûte, Hautbois, Basson
1
Flûte, Violon, Piano
1
Clarinette, Violon (duo)
1
+ 39 instrumentations
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Cuivres
Trombone et Piano
7
Trompette
7
Trompette, Piano
7
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
6
Quatuor de Cuivres: 2 trompettes, Cor, trombone
6
Quatuor de cuivres: 4 trombones
3
Quatuor de cuivres: 4 trompettes
3
Cor et Piano
2
Trombone
2
Euphonium, Piano (duo)
2
Trompette, Violoncelle et Piano
2
Quatuor de cuivres: 4 cors
2
Quatuor de Cuivres : 2 trompettes, trombone, tuba
1
Ensemble de Trompettes
1
Trompette, Trombone (duo)
1
Trompette, Euphonium (duo)
1
Ensemble de Trombones
1
+ 12 instrumentations
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Cordes
Violon et Piano
17
Alto, Piano
16
Quatuor à cordes: 2 violons, alto, violoncelle
16
Violoncelle, Piano
12
Trio à Cordes: violon, alto, violoncelle
6
Quatuor à cordes: 4 violons
4
2 Violons (duo)
4
Violoncelle
3
Violon
2
Violon, Trompette et Piano
2
Trio à cordes: 3 violins
2
Trio à Cordes: 3 violoncelles
2
2 Violoncelles (duo)
2
Trio à Cordes: 2 violons, violoncelle
2
Ensemble de Violons
1
4 Violoncelles
1
Violon, Clarinette, Piano (trio)
1
Ensemble d'Altos
1
+ 13 instrumentations
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Orchestre & Percussions
Orchestre d'harmonie
24
Orchestre
5
Cloches
4
Ensemble de cuivres
4
Ensemble Jazz
1
Orchestre à Cordes
1
Orchestre de chambre
1
+ 2 instrumentations
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Autres
Instruments
ACCORDEON
ALTO
AUTRES INST…
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BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
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CONTREBASSE
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COR ANGLAIS
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DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
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HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
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CLASSIQUE - BAROQUE …
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OLD TIME - EARLY ROC…
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POP ROCK - ROCK CLAS…
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Vous avez sélectionné:
Musical interlude
Saxophone Alto et Piano
Partitions à imprimer
7 partitions trouvées
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Korsakov: Flight of the Bumblebee for Alto Sax & Piano
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Saxophone Alto et Piano
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AVANCÉ
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Classique
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Contemporain
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Nikolay Andreyevich Rimsky-Kor
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James M
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Korsakov: Flight of the Bumble
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jmsgu3
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SheetMusicPlus
Alto Saxophone,Piano - Level 5 - SKU: A0.549254 Composed by Nikolay Andreyevich Rimsky-Korsakov. Arranged by James M. Guthrie, ASCAP. Instructional,Roma...
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Alto Saxophone,Piano - Level 5 - SKU: A0.549254 Composed by Nikolay Andreyevich Rimsky-Korsakov. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Standards. Score and part. 15 pages. Jmsgu3 #3473685. Published by jmsgu3 (A0.549254). Flight of the Bumblebee Flight of the Bumblebee is, to be sure, an orchestral interlude composed by Nikolai Rimsky-Korsakov for his opera The Tale of Tsar Saltan. Of course, Korsakov intended to portray a bumblebee's chaotic flying pattern musically. Nowadays, this piece is one of the comparatively more famous classical works because it frequently appears occasionally in popular culture. The piece appears notably in the opera at the close of Act III, Tableau 1. This is when the magic Swan-Bird changes the Prince (the son of the Tsar) into a bee so he can fly away to visit his father. Interestingly, at this point in the drama, his father, in effect, does not know that he is alive. Korsakov Background Nikolai Rimsky-Korsakov (1844 –1908) was a uniquely famous composer from Russia. He was likewise a member of an infamous assembly of composers called The Five. Korsakov was furthermore an expert in orchestration. His correspondingly most famous orchestral compositions- Capriccio Espagnol, the Russian Easter Festival Overture, and the Scheherazade suite- are essential monuments of the standard music repertoire. Also comparatively very important are his suites and excerpts from his 15 operas. Korsakov used Russian folklore and fairy tales, such as Scheherazade, in his music. Nationalistic Style Like fellow outspoken composer Balakirev, Korsakov believed in creating a nationalistic, Russia-centric style of classical music. The new style was called Orientalism. It similarly relied on native Russian materials, exotic scales, and experimental harmonic, melodic, and rhythmic procedures. This practice, conversely, ran counter to the developments in Western musical culture. Musical Developments Nevertheless, Korsakov developed an appreciation of Western musical techniques after he became a professor of musical composition, harmony, and orchestration at the Saint Petersburg Conservatory in 1871. Moreover, he undertook a rigorous three-year program of self-education. He mastered Western methods, incorporating them with the influences of Mikhail Glinka and other members of The Five. His techniques of composition and orchestration were additionally enriched by his exposure to the works of Richard Wagner. Naval Service Korsakov combined his music career accordingly with a career in the Russian military. He was in the first place an officer in the Russian Navy. In due time, he was appointed a civilian Inspector of Naval Bands. As a result, Korsakov expanded his knowledge of woodwind and brass playing, which heightened his orchestration capabilities. Legacy In due time, Korsakov contributed a significant number of Russian nationalist works. He also prepared, occasionally, compositions by The Five for presentation. This brought their works straightaway into the active classical repertoire as well. He also shaped an entire generation of younger composers as a music educator. Therefore, music historians consider Korsakov the foremost engineer of what the public considers the Russian composition style. He served as a transitional figure between The Five and the classically trained composers who became the norm over time. In addition to the Russians, he influenced non-Russian composers such as Ravel, Debussy, Dukas, and Respighi. Â
$32.95
We Have Heard the Joyful Sound (Jesus Saves): Alto Sax and Piano
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Saxophone Alto et Piano
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INTERMÉDIAIRE/AVANCÉ
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Celtique/Irlandais
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Musique Sacrée
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William J
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John A
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We Have Heard the Joyful Sound
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John A. Dempsey
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SheetMusicPlus
Alto Saxophone,Piano - Level 4 - SKU: A0.524659 Composed by William J. Kirkpatrick. Arranged by John A. Dempsey. Celtic,Christian,Irish,Sacred,Spiritual...
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Alto Saxophone,Piano - Level 4 - SKU: A0.524659 Composed by William J. Kirkpatrick. Arranged by John A. Dempsey. Celtic,Christian,Irish,Sacred,Spiritual,Traditional. Score and part. 16 pages. John A. Dempsey #6138965. Published by John A. Dempsey (A0.524659). This lively hymn arrangement is designed to inject energy and enthusiasm into your worship service with its jazzy rhythm, upbeat tempo and flavorful melody. Â This is an enduring hymn with eternal truth as its message. Â Musically influenced by both Cajun and Celtic styles, this duet arrangement for alto sax and piano is recommended for traditional church services, praise gatherings, youth rallies and other worship events, as a prelude, postlude, an offertory, interlude and special music. Â 12 pages of music (that includes a separate three-page alto sax part). Â Concert Key (Piano): Bb major. Â Alto Sax Key: G major.
$6.99
Ali Ben Sou Alle: Fantaisie sur Don Giovanni de Mozart for alto saxophone and piano
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Saxophone Alto et Piano
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INTERMÉDIAIRE
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Ali Ben Sou Alle, Wolfgang Ama
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Paul Wehage
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Ali Ben Sou Alle: Fantaisie su
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Musik Fabrik Music Publishing
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SheetMusicPlus
Alto Saxophone,Piano - Level 3 - SKU: A0.533347 Composed by Ali Ben Sou Alle, Wolfgang Amadeus Mozart. Arranged by Paul Wehage. Concert,Opera,Romantic P...
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Alto Saxophone,Piano - Level 3 - SKU: A0.533347 Composed by Ali Ben Sou Alle, Wolfgang Amadeus Mozart. Arranged by Paul Wehage. Concert,Opera,Romantic Period,Standards. Score and part. 22 pages. Musik Fabrik Music Publishing #2348197. Published by Musik Fabrik Music Publishing (A0.533347). One of the most enigmatic figures in the history of the Saxophone, Ali Ben Sou Alle (Charles-Valentin Soualle) was born in 1820 in Arras, France. After receiving his first prize in Clarinet at the Paris Conservatory in 1844. he served as the director ofmusic of The French Marine Band in Senegal, and then was named first clarinet solo at the Opéra-Comique in Paris. However, after the Revolution of 1848, Soualle was forced to flee France to England where he settled in London, playing in the Orchestra of the Queen's Theatre. His songs and piano pieces were published in London. While in London, Soualle met another exiled French musician, Louis Antoine Jullien, who conducted a light music series in London. Jullien encouraged Soualle to take up the saxophone, and after modifying the instrument by adding a single octave mechanism (the modern system used today) and keys for the lower register, Soualle became known as a virtuoso and began touring performing solo recitals (or mono-concerts, as they were called at the time) calling his modified saxophone the «turcophone ». He performed in all the European capitals and then traveled to Australia, New Zealand, Manilla, Java, through China and then to India where he finally settled in Mysore, becoming the director of the Royal Music for the Maharadjah. It was during this period that he converted to Islam and changed his nmae to Ali ben Sou Alle (or Ali, son of Soualle). He subsequently travaled to Ile Maurice, to French Polynesia, the Cap of Natal and the Cap of Good Hope. All of these voyages were subjects of musical works which Soualle entitled Souvenirs de... and may perhaps have been part of a collection known as The Royal Album which was presented to the Prince of Wales after a royal concert. Soualle returned to Mysore in 1858 and was almost killed in the Indian Revolution. Around 1860, Soualle returned to France for health reasons and began publishing his own music. On March 27 1865, he performed a command performance for the Emperor Napoleon III at the Tuileries Palace in the presence of the entire Imperial Family. After 1865, nothing more is known about him. Soualle not only performed on the clarinet, saxophone and piano, but also frequently sang during his concerts. He also wrote songs while he was in London. His opera fantasies are usually written for the Alto saxophone and are generally in the form of an introductory aria with cadenza, a theme with one or more variations and then a final waltz movement in rondo form with a final brillant variation. This specific work opens with motives from the Opera‘s overture, leading to Donna Anna’s 1st act aria Or sai, chi l'onore. The duet Là ci darem la mano is the subject of two variations followed by a brief interlude using Zerlina’s aria Batti, batti, o bel Masetto and then the final section is the duo Andiam’ Andiam ‘ Mio Bene between Don Giovanni and Zerlina which ends the Act I duet. The work ends with a brillant coda
$11.95
We Three Kings (Alto Sax and Piano)
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Saxophone Alto et Piano
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INTERMÉDIAIRE
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Noël
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Enrique Granados, John Henry H
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John A
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We Three Kings
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John A. Dempsey
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SheetMusicPlus
Alto Saxophone,Piano - Level 3 - SKU: A0.522977 Composed by Enrique Granados, John Henry Hopkins, Jr. Arranged by John A. Dempsey. Christian,Christmas,H...
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Alto Saxophone,Piano - Level 3 - SKU: A0.522977 Composed by Enrique Granados, John Henry Hopkins, Jr. Arranged by John A. Dempsey. Christian,Christmas,Holiday,Sacred,Traditional. Score and part. 15 pages. John A. Dempsey #3056971. Published by John A. Dempsey (A0.522977). Arranged here as a festive duet for alto sax and piano, the warm, evocative Christmas carol We Three Kings of Orient Are follows a musical path that merges with the wintry road leading to Enrique Granados' delicately beautiful Oriental.  A bit of holiday serendipity!  Recommended for Christmas concerts and holiday recitals as well as traditional Christmas church services and other worship events, including Christmas plays, pageants and programs.  Suggested worship uses: a prelude, postlude, an offertory, interlude, Christmas play overture, silent prayer accompaniment and special music.  11 pages of music (that includes a two-page alto sax part).  Concert Key (Piano): G minor.  Alto Sax Key: E minor.     We three kings of Orient are: bearing gifts we traverse afar   Field and fountain, moor and mountain - following yonder star.   O star of wonder, star of night; star with royal beauty bright,   Westward leading, still proceeding, guide us to Thy perfect light.
$6.99
Jesu, Joy of Man's Desiring (Alto Sax and Piano)
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Saxophone Alto et Piano
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INTERMÉDIAIRE
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Classique
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Johann Sebastian Bach
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John A
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Jesu, Joy of Man's Desiring
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John A. Dempsey
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SheetMusicPlus
Alto Saxophone,Piano - Level 3 - SKU: A0.524012 Composed by Johann Sebastian Bach. Arranged by John A. Dempsey. Baroque,Classical,Easter,Sacred,Wedding....
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Alto Saxophone,Piano - Level 3 - SKU: A0.524012 Composed by Johann Sebastian Bach. Arranged by John A. Dempsey. Baroque,Classical,Easter,Sacred,Wedding. Score and part. 15 pages. John A. Dempsey #4610539. Published by John A. Dempsey (A0.524012). A musical oasis of beauty and tranquility, Bach's Jesu, Joy of Man's Desiring is arranged here as a duet for alto sax and piano.  The gentle, flowing nature of this elegant instrumental makes this Baroque music a popular, traditional choice for weddings, as a prelude, unity candle accompaniment, a bridal march or a bridesmaid processional.  Effective as a performance piece for recitals and concerts, this music is also recommended  for traditional church services and other worship events, as a prelude, postlude, an offertory, interlude, special music and silent prayer accompaniment.  11 pages of music (that includes a separate two-page pullout alto sax part).  Concert Key (Piano): C major.  Alto Sax Key: A major.
$6.99
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Musical interlude
