English version
PARTITIONS GRATUITES
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
Accueil
Instrumentations
Compositeurs
Nouveautés
Top 100
Métronome
Portées musicales
ACHATS POUR MUSICIENS
Partitions Numériques
Librairie Musicale
Matériel de musique
Idées cadeaux
A propos de free-scores.com
Partitions
Gratuites
0
Partitions
Numériques
19
Librairie
Musicale
0
Matériel
de Musique
400
Partitions numériques
Accès après achat
Expédition postale
Téléchargement
TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
THANKSGIVING
Vendeurs (tous)
Musicnotes
Note4Piano
Noviscore
Profs-edition
Quickpartitions
SheetMusicPlus
Tomplay
Virtualsheetmusic
Pertinence
Ventes
Prix - au +
Prix + au -
Nouveautes
A-Z
difficulté (tous)
débutant
facile
intermédiaire
avancé
expert
avec audio
avec vidéo
avec play-along
Non classifié
354
PIANO & CLAVIERS
Piano seul
179
Piano, Voix et Guitare
33
Piano Facile
29
Piano, Voix
27
Instruments en Do
12
Accompagnement Piano
7
Orgue
7
1 Piano, 4 mains
4
Piano Trio: piano, violon, violoncelle
1
Piano Quatuor: piano, violon, alto, violoncelle
1
Instrumentations suivantes
Retracter
GUITARES
Guitare notes et tablatures
20
Guitare
8
Ligne De Mélodie, (Paroles) et Accords
5
Ukulele
4
Basse electrique
4
Paroles et Accords
3
2 Guitares (duo)
3
Mandoline
2
3 Guitares (trio)
1
4 Guitares (Quatuor)
1
Banjo
1
Instrumentations suivantes
Retracter
VOIX
Chorale SATB
54
Chorale 3 parties
17
Voix Soprano, Piano
11
Chorale SSAA
8
Voix duo, Piano
7
Chorale Unison
6
Chorale TTBB
6
Voix seule
4
Chorale 2 parties
4
Voix haute
1
Voix Tenor
1
Voix basse
1
Voix duo
1
Instrumentations suivantes
Retracter
VENTS
Saxophone
55
Quatuor de Saxophones: 4 saxophones
50
2 Saxophones (duo)
38
2 Flûtes traversières (duo)
26
Saxophone (partie séparée)
25
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
21
Saxophone Alto
20
Saxophone, Clarinette (duo)
19
2 Clarinettes (duo)
19
Quintette de Saxophone: 5 saxophones
19
Saxophone Alto et Piano
19
Clarinette
17
Flûte, Hautbois, Clarinette, Basson
17
Flûte traversière
12
Hautbois (partie séparée)
12
Saxophone Tenor
12
Clarinette, Violon (duo)
11
Flûte, Clarinette (duo)
11
Clarinette, Trompette (duo)
10
Hautbois, Piano (duo)
10
Quatuor de Clarinettes: 4 clarinettes
10
Saxophone Tenor et Piano
10
Flûte traversière et Piano
9
Flûte, Violon
8
Hautbois, Basson (duo)
8
Flûte, Alto (duo)
7
Saxophone Soprano
7
3 Saxophones (trio)
7
Hautbois, Clarinette (duo)
6
Hautbois, Flûte
6
Saxophone Baryton, Piano
6
Saxophone Soprano et Piano
6
2 Hautbois (duo)
6
Quatuor de Flûtes : 4 flûtes
6
3 Clarinettes (trio)
5
Clarinette et Piano
5
Ensemble de saxophones
5
Clarinette et Alto
5
Flûte, Saxophone (duo)
5
Flûte, Trompette (duo)
4
Flûte et Guitare
4
Ensemble de Flûtes
4
Trio de Flûtes: 3 flûtes
3
Ensemble de Clarinettes
3
Quintette de Clarinettes: 5 clarinettes
3
Clarinette, Violoncelle (duo)
3
Quintette de Flûte : 5 flûtes
3
Clarinette Basse, Piano
2
Flûte, Hautbois, Clarinette (trio)
2
Cor anglais, Piano
1
Flûte, Clarinette, Violon (trio)
1
Hautbois, Violoncelle
1
Clarinette Basse
1
Quatuor de Flûtes à bec
1
Saxophone et Orgue
1
Clarinette, Guitare (duo)
1
Ensemble de Hautbois
1
Flûte, Clarinette et Basson
1
Hautbois, Clarinette, Basson (trio d'anches)
1
Flûte, Hautbois (duo)
1
3 Flûtes à bec (trio)
1
Hautbois, violon (duo)
1
Instrumentations suivantes
Retracter
CUIVRES
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
35
Quatuor de Cuivres : 2 trompettes, trombone, tuba
26
Trombone
20
Trombone et Piano
19
Trompette, Saxophone (duo)
13
Trompette
10
Quatuor de Cuivres
9
Quatuor de Cuivres: 2 trompettes, Cor, trombone
8
2 Trompettes (duo)
6
Cor et Piano
6
2 Trombones (duo)
6
Trompette, Trombone (duo)
6
Trombone (partie séparée)
4
Tuba et Piano
4
Trompette, Piano
4
2 Euphoniums et 2 Tubas
2
Ensemble de Trombones
2
Quatuor de cuivres: 4 trombones
2
Euphonium, Piano (duo)
2
Ensemble de Tubas
1
Cor anglais, Piano
1
Tuba
1
Trombone basse
1
Instrumentations suivantes
Retracter
CORDES
Quatuor à cordes: 2 violons, alto, violoncelle
43
Violon, Violoncelle (duo)
19
Violon
17
Violon et Piano
12
2 Violons (duo)
11
Alto, Piano
10
Violon, Alto (duo)
10
Violoncelle, Piano
7
2 Violoncelles (duo)
7
Violoncelle
7
2 Altos (duo)
6
Violoncelle (partie séparée)
6
Trio à Cordes: 2 violons, violoncelle
5
Quintette à cordes: 2 violons, alto, violoncelle, basse
5
Contre Basse
3
Trio à Cordes: violon, alto, violoncelle
3
Contrebasse, Piano (duo)
2
4 Violoncelles
2
Alto, Violoncelle (duo)
2
Alto seul
2
Harpe
2
Violoncelle, Orchestre
1
Trio à Cordes: 2 violons, alto
1
Quatuor à cordes: 4 violons
1
Violon, Guitare (duo)
1
Quatuor à cordes : 4 altos
1
Piano Trio: Violon, Alto, Piano
1
Trio à Cordes: 3 violoncelles
1
Instrumentations suivantes
Retracter
PERCUSSIONS & ORCHESTRES
Orchestre d'harmonie
60
Orchestre
34
Ensemble de cuivres
22
Orchestre à Cordes
17
Ensemble Jazz
13
Orchestre de chambre
11
Ensemble de Percussions
6
Cloches
5
Jazz combo
5
Batterie
2
Piano et Orchestre
1
Instrumentations suivantes
Retracter
AUTRES
Vous avez sélectionné:
One Last Time
Saxophone Alto et Piano
Partitions à imprimer
19 partitions trouvées
<
1
Ali Ben Sou Alle: Grande Fantaisie Variée sur "Lucia di Lammermoor" for alto saxophone and piano
Saxophone Alto et Piano
Alto Saxophone,Piano - Level 4 - Digital Download SKU: A0.533508 Composed by Ali Be…
(+)
Alto Saxophone,Piano - Level 4 - Digital Download SKU: A0.533508 Composed by Ali Ben Sou Alle. Concert,Romantic Period,Standards. Score and part. 35 pages. Musik Fabrik Music Publishing #3002551. Published by Musik Fabrik Music Publishing (A0.533508). This fantasy uses motifs from Donizetti's opera. After the opening which uses motives from the Overture, the main melody of the famous Sextet is presented. The tenor aria from the last act is presented with several vrariations. Finally, motifs form the fmaous mad scene end the work in a brilliant valse.One of the most enigmatic figures in the history of the Saxophone, Ali Ben Sou Alle (Charles-Valentin Soualle) was born in 1820 in Arras, France. After receiving his first prize in Clarinet at the Paris Conservatory in 1844. he served as the director of music of The French Marine Band in Senegal, and then was named first clarinet solo at the Opéra-Comique in Paris. However, after the Revolution of 1848, Soualle was forced to flee France to England where he settled in London, playing in the Orchestra of the Queen's Theatre. His songs and piano pieces were published in London. While in London, Soualle met another exiled French musician, Louis Antoine Jullien, who conducted a light music series in London. Jullien encouraged Soualle to take up the saxophone, and after modifying the instrument by adding a single octave mechanism (the modern system used today) and keys for the lower register, Soualle became known as a virtuoso and began touring performing solo recitals (or mono-concerts, as they were called at the time) calling his modified saxophone the «turcophone ». He performed in all the European capitals and then traveled to Australia, New Zealand, Manilla, Java, through China and then to India where he finally settled in Mysore, becoming the director of the Royal Music for the Maharadjah. It was during this period that heconverted to Islam and changed his nmae to Ali ben Sou Alle (or Ali, son of Soualle). He subsequently travaled to Ile Maurice, to French Polynesia, the Cap of Natal and the Cap of Good Hope. All of these voyages were subjects of musical works which Soualle entitled Souvenirs de... and may perhaps have been part of a collection known as The Royal Album which was presented to the Prince of Wales after a royal concert. Soualle returned to Mysore in 1858 and was almost killed in the Indian Revolution. Around 1860, Soualle returned to France for health reasons and began publishing his own music. OnMarch 27 1865, he performed a command performance for the Emperor Napoleon III at the Tuileries Palace in the presence of the entire Imperial Family. After 1865, nothing more is known about him.
$19.95
18.37 €
#
Saxophone Alto et Piano
#
Ali Ben Sou Alle
#
Ali Ben Sou Alle: Grande Fantaisie Variée sur "Lucia di Lammermoor" for alto saxophone and piano
#
Musik Fabrik Music Publishing
#
SheetMusicPlus
Kaleidoscope (2007) for alto saxophone and piano
Saxophone Alto et Piano
Alto Saxophone,Piano - Digital Download SKU: A0.934203 Composed by Mark Zanter. Con…
(+)
Alto Saxophone,Piano - Digital Download SKU: A0.934203 Composed by Mark Zanter. Contemporary. Score and part. 32 pages. MJIC Music Publishing (ASCAP) #3130847. Published by MJIC Music Publishing (ASCAP) (A0.934203). Kaleidoscope (2007) commissioned by David Wright, was written while my wife and I were in residence at the David and Julia White Artists Colony, Costa Rica. The tropical location was stunning but , other than permitting luxurious amounts of time to work things out. it was not a direct source of inspiration for the work. Kaleidoscope employs the Fibonacci sequence (1+1+2+3+5+8…) to control surface rhythm and large sectional proportions. Though I am often explicitly concerned with proportion and its integration at various levels of most pieces I compose; I had never used Fib. because it seemed too easy, and I typically do not like to use processes that are external to a piece. None-the-less I really enjoyed working with the sequence and was pleasantly surprised when the last pitch in the saxophone, with a duration of 89 sixteenth notes, sounded just right.The work is suitable for advanced performers and is 13:00 minutes in duration. Performance materials available for purchase from the publisher: mjicmusicpublishing@gmail.com
$10.00
9.21 €
#
Saxophone Alto et Piano
#
Mark Zanter
#
#
Kaleidoscope
#
MJIC Music Publishing
#
SheetMusicPlus
Long Long Time
Saxophone Alto et Piano
Alto Saxophone,Piano - Level 2 - Digital Download SKU: A0.1175548 By Linda Ronstadt…
(+)
Alto Saxophone,Piano - Level 2 - Digital Download SKU: A0.1175548 By Linda Ronstadt. By Gary B. White. Arranged by SMMUS. Country,Film/TV,Pop,Singer/Songwriter,Wedding. Score and part. 4 pages. João Reis #775692. Published by João Reis (A0.1175548). An alto sax arrangement for the song Long long time - Mindy Mccready, Linda Ronstadt, from the TV show The Last of Us, HBO. With piano.
$6.99
6.44 €
#
Saxophone Alto et Piano
#
Linda Ronstadt
#
SMMUS
#
Long Long Time
#
João Reis
#
SheetMusicPlus
Long Long Time
Saxophone Alto et Piano
Alto Saxophone,Piano - Level 2 - Digital Download SKU: A0.1176116 By Linda Ronstadt…
(+)
Alto Saxophone,Piano - Level 2 - Digital Download SKU: A0.1176116 By Linda Ronstadt. By Gary B. White. Arranged by SMMUS. Country,Film/TV,Pop,Singer/Songwriter,Wedding. Score and part. 4 pages. João Reis #776244. Published by João Reis (A0.1176116). An alto sax arrangement for the song Long long time - Mindy Mccready, Linda Ronstadt, from the TV show The Last of Us, HBO. With piano and chords.
$6.99
6.44 €
#
Saxophone Alto et Piano
#
Linda Ronstadt
#
SMMUS
#
Long Long Time
#
João Reis
#
SheetMusicPlus
Sailor's Hornpipe - Alto Saxophone & Piano
Saxophone Alto et Piano
Alto Saxophone,Piano - Level 2 - Digital Download SKU: A0.735977 Composed by Henry …
(+)
Alto Saxophone,Piano - Level 2 - Digital Download SKU: A0.735977 Composed by Henry Wood. Arranged by Andrew Middleton. 20th Century,Romantic Period. Score and part. 8 pages. Andrew Middleton #5998949. Published by Andrew Middleton (A0.735977). Composed by Henry Wood in 1905, Sailor's Hornpipe (also known as Jack the Lad) is part of his suite Fantasia on British Sea Songs. Since it's first performance, this piece has been a tradition to the Last Night of Proms and is often played numerous times on the evening!For more updates on new arrangements follow my Facebook page on https://www.facebook.com/a.middletonmusic/ Or subscribe to my Youtube page at https://www.youtube.com/channel/UCClIYqddA2wMpdaxSq3BKEw?view_as=subscriber
$4.99
4.59 €
#
Saxophone Alto et Piano
#
Henry Wood
#
Andrew Middleton
#
Sailor's Hornpipe - Alto Saxophone & Piano
#
Andrew Middleton
#
SheetMusicPlus
Concerto for Alto Saxophone and Orchestra - piano reduction and part
Saxophone Alto et Piano
Piano Accompaniment, Alto Sax - Advanced - Digital Download Composed by Philip Orem. 21…
(+)
Piano Accompaniment, Alto Sax - Advanced - Digital Download Composed by Philip Orem. 21st Century, Contemporary Classical. 55 pages. Published by Philip Orem
This is a dramatic work for alto saxophone and orchestra featured on the CD, Concerto, released by Roven Records and available on iTunes. The concerto is in three movements that segue onto each other and is a reflection on Mary Oliver's poem, When Death Comes.<br> <br> The first movement is dark, at times mysterious at others forceful, the second more contemplative while the last is a joyful romp.<br> <br> Includes piano reduction and alto saxophone part.
$50.00
46.04 €
#
Saxophone Alto et Piano
#
Philip Orem
#
Concerto for Alto Saxophone and Orchestra - piano reduction and part
#
Philip Orem
#
SheetMusicPlus
Over The Rainbow
Saxophone Alto et Piano
Alto Saxophone,Piano - Level 2 - Digital Download SKU: A0.803426 By Judy Garland. B…
(+)
Alto Saxophone,Piano - Level 2 - Digital Download SKU: A0.803426 By Judy Garland. By Harold Arlen. Arranged by Robert Fisco. Contemporary. Score and part. 6 pages. Robert Fisco #6232719. Published by Robert Fisco (A0.803426). Solo arrangement for Alto Saxophone of the famous song Over The Rainbow from The Wizard of Oz. This arrangement comes with piano accompaniment and is just as fun to play along with the accompaniment as it is to play alone. Recommended level: high school and above (advanced middle school could work it up too!). The piano part is at an intermediate level, primarily because of the last time through the melody at the end. Approximate length: 2 minutes and 45 seconds.
$5.00
4.6 €
#
Saxophone Alto et Piano
#
Judy Garland
#
Robert Fisco
#
Over The Rainbow
#
Robert Fisco
#
SheetMusicPlus
Handel: Largo (from Xerxes) for alto sax and piano
Saxophone Alto et Piano
Alto Saxophone,Piano - Level 3 - Digital Download SKU: A0.522293 Composed by G F Ha…
(+)
Alto Saxophone,Piano - Level 3 - Digital Download SKU: A0.522293 Composed by G F Handel. Arranged by Colin Kirkpatrick. Christmas,Easter,Holiday. Score and part. 6 pages. Colin Kirkpatrick Publications #6637671. Published by Colin Kirkpatrick Publications (A0.522293). This piece is probably Handel’s best-known melody, although it began life as an operatic aria. The opera was called Xerxes, sometimes written Serses and pronounced something like “ZERT-seesâ€. It was commissioned by The King’s Theater in London and composed by Handel (who had become naturalized British and lived in London at the time) around 1737 and 1738. The opera is loosely based on the historical figure King Xerxes, who ruled from around 522-486 BC and was the fourth king of the Achaemenid Empire, a vast region that covered most of the present-day Middle East. The melody is often known simply as Handel’s Largo (despite being marked “Larghetto†in the musical score) and is the opening aria in the opera. The aria, known by its opening line Ombra mai fu is sung by Xerxes to a plane tree: “Tender and beautiful fronds of my beloved plane tree, let fate smile upon you...†Although this lovely melody has survived over the years, the opera itself was a complete failure when it was first performed in London in 1738. This arrangement is in E flat major concert (alto sax in C major) and the top note is the C above the treble clef and the piece generally requires the use of a long and sustained tone quality. The piano part has been kept as simple as possible. Being so well-known, this piece would make a popular encore number for a recital. The audio sample was performed by Alastair Penman https://www.alastairpenman.co.uk
$7.95
7.32 €
#
Saxophone Alto et Piano
#
G F Handel
#
Colin Kirkpatrick
#
Handel: Largo
#
Colin Kirkpatrick Publications
#
SheetMusicPlus
Beethoven: Adagio from Sonata Pathetique for Alto Sax & Piano
Saxophone Alto et Piano
Alto Saxophone,Piano - Level 3 - Digital Download SKU: A0.549639 Composed by Ludwig…
(+)
Alto Saxophone,Piano - Level 3 - Digital Download SKU: A0.549639 Composed by Ludwig van Beethoven. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Sacred,Standards. Score and part. 16 pages. Jmsgu3 #3516567. Published by jmsgu3 (A0.549639). Duration: ca 5:20, Score: 8 pages, solo part: 3 pages, piano part: 4 pages.One of Beethoven's finest and most famous works. Program for a recital, church meditation or school program.Bring your best espressivo and plan to rehearse the many subtle dynamic changes.Sonata Pathétique Op. 13 First of all, this is an arrangement of the second movement of Beethoven’s Sonata Pathétique. It seems like Beethoven wrote this piece before becoming troubled by deafness. Published in 1799, it consequently remains one of the most celebrated pieces Beethoven ever wrote. As a result of its popularity, the movement was therefore performed by Karl Haas. Hass recorded it for a popular radio show called: Adventures in Good Music. Beethoven Background Ludwig van Beethoven (1770 –1827) was certainly a German pianist. Above all, he was probably one of the greatest composers in history. As a result, he is a pivotal character in the progress between the Classical and Romantic periods. He is certainly one of the most famous and hence important of all composers. Seems like his most familiar and noteworthy works include symphonies 1-9; piano concertos 1-5; and furthermore, the violin concerto. Also, certainly of extreme importance are the noteworthy 32 sonatas for the piano; the string quartets 1-16; the Missa solemnis; and likewise, his only opera, Fidelio. Beethoven Overview First of all, Beethoven was born and consequently raised in Bonn. Upon turning 21 he moved to Vienna probably to study composition with Haydn. That’s when he consequently grew a reputation as a brilliant pianist. Furthermore, he probably stayed in Vienna for the rest of his life. In his late 20s, it seems like his hearing certainly began to decline. It slowly declined until consequently, he was nearly totally deaf probably by the last decade of his life. As a result, he stopped conducting and performing. Nevertheless, he continued to compose. As a result, some of his greatest works probably come from this period. First Period Seems like we often divide Beethoven’s life into three periods. Period 1 begins with Beethoven’s arrival in Vienna. Hence, during this period, he mastered the Viennese style of Haydn & Mozart. He consequently began increasing the size and scale of his works. Furthermore, he experimented with extreme dynamics, and likewise extreme tempi. He worked similarly with chromatic harmony. His First and Second Symphonies, therefore, belong to this period. Other important works also belong here: the first six string quartets and the Sonata Pathétique, Op. 13. Second Period His second period probably began as soon as he realized that he was going deaf. During this period, it seems like he became obsessed with the idea of heroism. His works consequently become even larger and more massive. The most noteworthy of these include the symphonies 3 – 8, piano concertos 5& 6, 5 string quartets, several important piano sonatas (Waldstein and Appassionata), the Kreutzer violin sonata, the violin concerto and his only opera: Fidelio. Third Period In contrast, Beethoven's third period is branded above all by works of incredible intellectual depth, formal innovation, and penetrating expression. It seems like he continued to expand his works. Consequently, the string quartet Op. 131 spills over into seven connected movements. Likewise, in the Ninth Symphony, he adds choral forces to his orchestra probably for the first time in history. Even more, other works from this period include his Missa solemnis, the final 5 string quartets (including the enormous Große Fuge) and the final five sonatas for piano. Register for free lifetime revisions and updates at www.jamesguthrie.co.
$24.95
22.97 €
#
Saxophone Alto et Piano
#
Ludwig van Beethoven
#
James M
#
piano concertos 1-5
#
Beethoven: Adagio from Sonata Pathetique for Alto Sax & Piano
#
jmsgu3
#
SheetMusicPlus
Saint-Saëns: The Swan for Alto Sax & Piano
Saxophone Alto et Piano
Alto Saxophone,Piano - Level 3 - Digital Download SKU: A0.1314328 Composed by Camil…
(+)
Alto Saxophone,Piano - Level 3 - Digital Download SKU: A0.1314328 Composed by Camille Saint-Saens. Arranged by James M. Guthrie. 19th Century,Chamber,Contest,Festival,Historic,Romantic Period. Score and part. 11 pages. Jmsgu3 #903072. Published by jmsgu3 (A0.1314328). Saint-Saëns: The Swan (Le Cygne) movement 13 from the Carnival of the Animals Suite. One of his most popular and widely recognized works, it is the only movement from the Carnival Suite that Saint-Saëns permitted to be performed publicly during his lifetime. This is an excellent recital encore to demonstrate melodic playing and strategic phrasing.The Carnival of the AnimalsThe Carnival of the Animals is an entertaining musical suite of fourteen movements by Camille Saint-Saëns. The work was composed for private performance by an ensemble of two pianos and solo instruments. The Swan (No. 13) is among the fourteen most famous movements. In its entirety, it lasts about 25 minutes.Saint-Saëns BackgroundCharles-Camille Saint-Saëns 1835 – 1921) was, by all means, in particular, a famous French composer, brilliant organist, and significant musical mastermind of the Romantic era. Indeed, his most famous compositions, in the long run, include his Piano Concerto No. 2 (1868), Cello Concerto No. 1 (1872), and the Danse macabre (1874). Notwithstanding, we must also add Violin Concerto No. 3 (1880), Symphony No. 3 (the Organ Symphony, 1886), and, it must be remembered, Carnival of the Animals (1886) to the list.ChildhoodIt is essential to realize that Saint-Saëns was undoubtedly, in fact, a child musical prodigy. Consequently, with this in mind, he made his concert debut, albeit at ten years old. Another critical point to remember is that he expressly studied at the Paris Conservatoire, then, despite reality, conversely followed a traditional career path as a church organist. Nevertheless, twenty years later, on the other hand, he left to become a successful freelance pianist and composer despite, as has been noted, his former employment situation. Furthermore, his performances were, after all, markedly in demand - not only in Europe but, above all, in the Americas all in all as well.YouthA point often overlooked is that in his youth, Saint-Saëns was undoubtedly excited about the modern music of the day. He was, in essence, fond of the music of his contemporaries, particularly Schumann, Liszt, and, for the most part, Wagner. In contrast, however, his compositions seemed, in fact, primarily confined within the conservative classical tradition. Be that as it may, he was, at the same time, nevertheless, a scholar of musical history.CriticismOn the whole, his conservatism, in fact, ultimately brought him into frequent conflict in his later years with composers of the impressionist and, in particular, the dodecaphonic schools of musical thought. A point often overlooked is that he included neoclassical elements in his music, contrary to some critics. Furthermore, in so doing, he provided the most compelling evidence that he predicted the techniques and works by Stravinsky and Les Six. To put it another way, given these points, he was regarded, perhaps for the most part unfairly, as a non-progressive reactionary henceforth around the time of his passing.LegacySaint-Saëns taught briefly in Paris, where his students included Gabriel Fauré. Maurice Ravel later studied with Fauré. In conclusion, both Ravel and Fauré were powerfully influenced by Saint-Saëns, whom they respected as a musical mastermind.
$32.95
30.34 €
#
Saxophone Alto et Piano
#
Camille Saint-Saens
#
James M
#
Saint-Saëns: The Swan for Alto Sax & Piano
#
jmsgu3
#
SheetMusicPlus
Schubert: Moment Musicaux for Alto Sax & Piano
Saxophone Alto et Piano
Alto Saxophone,Piano - Level 2 - Digital Download SKU: A0.549015 Composed by Franz …
(+)
Alto Saxophone,Piano - Level 2 - Digital Download SKU: A0.549015 Composed by Franz Schubert. Arranged by James M. Guthrie, ASCAP. Holiday,Romantic Period,Sacred,Standards. Score and part. 10 pages. Jmsgu3 #3447439. Published by jmsgu3 (A0.549015). Alto Sax version of Moment Musicaux, Op. 94 (D. 780) No. 3 by Franz Schubert, published in 1828. Duration: 1:53 Score 6 pg. 54 ms. Alto Sax 1 pg. Piano part 3 pg. One of Schubert's most well-known pieces. This is an effective recital encore due to its brevity and range of expression. Could work well for a variety of occasions: wedding receptions, church services (Easter), and anniversaries. It seems like a pleasant dance, unlike some previous dance music. Schubert improvised these dances at parties for his friends.  Although conceived on-the-fly, these dances are the work of a genius. Composers have similarly elevated dance music to artistic status. As a result, they freed it from the original purpose of dancing. Certainly, the older masters used the dance forms as vehicles for complex treatments. Here, however, Schubert retains the dance-like quality while finally expressing his innermost thoughts and emotions. The dance is certainly filled with a doleful expression, yet the texture remains even more light and refined. Therefore, to perform these with sensitivity we probably need to use a light but accurate touch. The accompaniment pattern needs to be crisp and delicate – probably even in the more forceful parts. The piano pedal should also be used very carefully so as a result not to blur the outline. Instead, it should contribute to the dynamic quality of the piece. Schubert Franz Schubert (1797–1828) was, in fact, a famous Austrian composer. Moreover, he composed during the late Classical and early Romantic periods. Schubert was comparatively prolific. He wrote more than 600 secular vocal works, seven symphonies, and, correspondingly, a massive amount of piano and chamber music. Critics agree, as a matter of fact, that his most famous works include his Piano Quintet in A major, D. 667 (also known as the Trout Quintet), the Symphony No. 8 in B minor, D. 759 (Unfinished Symphony), the last sonatas for piano (D. 958–960), and the song cycles Die schöne Müllerin (D. 795) and Winterreise (D. 911). Education Schubert was furthermore a musical child prodigy. He studied violin with his father as well as piano with his older brother. In addition, when Schubert was eleven he studied at Stadtkonvikt school, where he became familiar with the orchestral music of Haydn, Mozart, and likewise Beethoven. In due time he left school and returned home where he studied to become an educator; nevertheless, he continued studying composition with Antonio Salieri. Performance Eventually, Schubert was admitted to the Gesellschaft der Musikfreunde as a performer. This appointment straightaway established his name in Vienna as a composer and pianist. Finally, he gave his only composition recital in 1828. He died suddenly a few months later probably due to typhoid fever. Legacy Schubert’s music was by and large underappreciated while he was alive. There were all in all only a few enthusiasts in Vienna. After he died, however, interest in his work in fact increased. Felix Mendelssohn, Robert Schumann, Franz Liszt, Johannes Brahms, and other famous composers in due time discovered his compositions. Nowadays, historians rank Schubert expressly among the greatest composers of the era, and his music remains in general very popular.
$32.95
30.34 €
#
Saxophone Alto et Piano
#
Franz Schubert
#
James M
#
Schubert: Moment Musicaux for Alto Sax & Piano
#
jmsgu3
#
SheetMusicPlus
Scriabin: Prelude Op. 11 No. 2 for Alto Sax & Piano
Saxophone Alto et Piano
Alto Saxophone,Piano - Level 3 - Digital Download SKU: A0.549467 Composed by Alexan…
(+)
Alto Saxophone,Piano - Level 3 - Digital Download SKU: A0.549467 Composed by Alexander Scriabin. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Sacred,Standards. Score and part. 12 pages. Jmsgu3 #3499755. Published by jmsgu3 (A0.549467). Score: 8 pages, solo part: 2 pages, piano part: 2 pages. Duration: 3:10. An introspective and meditative work with a lot of dynamic and phrasing nuance. Works well for church meditations or recital encores.Background Op.11/2 Alto Clarinet version. First of all, Scriabin composed mostly for the solo piano and also the orchestra. This is probably because he was a gifted pianist and therefore certainly appreciated the piano. Scriabin grew up in the late Romantic period, consequently, he was fond of the great piano masters of the time. As a result, he wrote his first noteworthy compositions in the manner of Chopin and Liszt. Forms Likewise, Scriabin used many of the same forms as Chopin. These certainly include the étude, prelude, nocturne, and even the mazurka. In contrast, as he developed his own sense of style his music became more and more unusual. So, the last five of his Piano Sonatas do not have a key signature and therefore lean towards atonality. Philosophy Scriabin also developed a keen interest in philosophy and likewise poetry. He was above all particularly fascinated by Nietzsche, Delville, and Blavatsky. Consequently, he finally established his own ideas about metaphysics and certainly mysticism. Scriabin consequently advanced theories about the relationship between color and musical keys. Synesthesia He also may have experienced a condition called synesthesia where he could probably sense a response created from a different stimulus. Therefore, it was almost as if he could see music and hear colors. Scriabin, therefore, arranged the colors in a circle similar to the circle-of-fifths and assigned each key area a color. Finally, he assigned the key of C to the color red, while the key of G was orange. Similarly, he assigned D to yellow, A to green, and so forth. Strangely, he did not differentiate between major and minor key colors. Multimedia Hence, his ability to translate colors into music certainly gave Scriabin a most noteworthy interest in creating multimedia events. Furthermore, He designed his biggest work, the Mysterium, to last an entire week. Even more, Scriabin made plans not only for music, but also colored lights, incense, and dancing. He designed the performance to occur in the foothills of the Himalaya mountains. The Mysterium was never performed, and only sketches of the work remain. Modern Performances In modern times, we often experience performances of Scriabin’s most famous completed works accompanied by colored laser lights and incense. These are the Poem of Ecstasy (completed in 1908) and the Poem of Fire (completed in 1910). The lighting effects for these early performances were accomplished by the clavier à lumiéres. It was a keyboard instrument that projected colored light onto a screen.
$19.95
18.37 €
#
Saxophone Alto et Piano
#
Alexander Scriabin
#
James M
#
Scriabin: Prelude Op. 11 No. 2 for Alto Sax & Piano
#
jmsgu3
#
SheetMusicPlus
The Carnival of the Animals - 13. The Swan
Saxophone Alto et Piano
Alto Saxophone,Piano - Level 3 - Digital Download SKU: A0.948140 Composed by Camill…
(+)
Alto Saxophone,Piano - Level 3 - Digital Download SKU: A0.948140 Composed by Camille Saint-Saens. Arranged by Sam Bateman. Children,Contemporary,Romantic Period. Score and part. 10 pages. Sam Bateman #3434245. Published by Sam Bateman (A0.948140). And so we come to the second-to-last movement, which is The Swan. This was the only movement performed publicly during Saint-Saëns's lifetime, as he considered the rest of the suite too frivolous, or too silly, for his career as a serious composer. Understandably so, as it is considered by many to be one of the most beautiful pieces of music ever written, depicting a swan gracefully paddling across the surface of the water, with a calm, gentle mood. Quite ironically, the piece is in G major, which has gained a completely different meaning in Internet culture. But in any case, if you'd like to perform this piece on the alto saxophone, here it is for just 10 US dollars!If you'd like to hear some of my other arrangements, feel free to check out my YouTube channel, Sam Bateman's Music. If you would like to contact me for any inquiries or requests, feel free to email me at sambateman.music@gmail.com, and I'll respond back to you as soon as possible.
$10.00
9.21 €
#
Saxophone Alto et Piano
#
Camille Saint-Saens
#
Sam Bateman
#
The Carnival of the Animals - 13. The Swan
#
Sam Bateman
#
SheetMusicPlus
Chopin: Largo from Op. 65 for Alto Sax & Piano
Saxophone Alto et Piano
Alto Saxophone,Piano - Level 3 - Digital Download SKU: A0.551997 Composed by Freder…
(+)
Alto Saxophone,Piano - Level 3 - Digital Download SKU: A0.551997 Composed by Frederic Chopin. Arranged by James M. Guthrie. Holiday,Romantic Period,Standards,Wedding. Score and part. 6 pages. Jmsgu3 #6050947. Published by jmsgu3 (A0.551997). Sonata in G Minor for Piano & Cello, Op. 65, Movement III - Largo.Chopin performed this Sonata on his final recital in 1848.The Largo from Chopin's Cello Sonata in G minor, Op. 65 is a significant work as it is one of only nine compositions by Chopin published during his lifetime for instruments other than the piano. The Sonata is remarkable for the concentration of its material, with much of the music in the first movement growing out of the opening statement and specific thematic shapes appearing in all its movements. The Largo, in particular, is known for its expressive and lyrical nature, showcasing Chopin's ability to write beautifully for a non-piano instrument. The Sonata was first publicly performed by Chopin and the work's dedicatee, Auguste Franchomme, at the composer's last public concert in 1848. The historical context behind Chopin's Largo from Sonata Op. 65 is rooted in the composer's radical stylistic changes during 1845-1846, which included an increasing prevalence of contrapuntal textures and metric flexibility. The Sonata, including the Largo, is filled with doubts and hesitation, reflecting the composer's difficult decisions and arduous labors. The piece is also notable for its thematic references from Schubert's Winterreise, mirroring the circumstances of Chopin's life when he wrote the Sonata, particularly his separation from George Sand.
$32.95
30.34 €
#
Saxophone Alto et Piano
#
Frederic Chopin
#
James M
#
Cello, Op
#
Chopin: Largo from Op. 65 for Alto Sax & Piano
#
jmsgu3
#
SheetMusicPlus
Goodbye Yellow Brick Road
Saxophone Alto et Piano
Alto Saxophone,Piano - Level 3 - Digital Download SKU: A0.547875 By Elton John. By …
(+)
Alto Saxophone,Piano - Level 3 - Digital Download SKU: A0.547875 By Elton John. By Bernie Taupin and Elton John. Arranged by James M. Guthrie, ASCAP. Pop,Rock. Score and part. 11 pages. Jmsgu3 #3073385. Published by jmsgu3 (A0.547875). ALTO SAX & PIANOScore: 6 pages, solo part: 2 pages, piano part: 3 pages., Duration 3' 11 at half note = 60. Length: 51 measures. One of Elton John's greatest songs, this mega-hit is suitable for performance in church, nightclub, or recital hall. This song contains many advanced songwriting techniques and shows a complete mastery of advanced tonal harmony and voice leading. The verses are syllabic and arranged in 8 regular phrases. The last phrase is elided with a contrasting melismatic bridge that suddenly modulates to the lowered mediant, causing a foreign chromatic mediant relation. (F major to Ab major). Further drama is evoked by the voice-leading where an ascending leap of a minor 9th signals the beginning of the bridge. The bridge then modulates back to the original key for the refrain, which, like the verses is arranged in 8 regular phrases and elides once again into a final version of the bridge which functions this time as a coda.Â
$53.95
49.68 €
#
Saxophone Alto et Piano
#
Elton John
#
James M
#
Goodbye Yellow Brick Road
#
jmsgu3
#
SheetMusicPlus
Entry of the Gladiators - Alto Sax, Bari Sax and Piano
Saxophone Alto et Piano
Instrumental Duet,Piano Alto Saxophone,Baritone Saxophone,Instrumental Duet,Piano - Level …
(+)
Instrumental Duet,Piano Alto Saxophone,Baritone Saxophone,Instrumental Duet,Piano - Level 4 - Digital Download SKU: A0.721390 Composed by Julius Fucik. Arranged by Anne L Christopherson GRSM ARCM. Concert,Contemporary,Film/TV,Wedding. Score and parts. 18 pages. Music-Scores.com #4602499. Published by Music-Scores.com (A0.721390). Entry of the Gladiators has been called Grand Chromatic March, and Thunder and Blazes in 1901 in an arrangement by Laurendeau for windband. This arrangement became popular as a Screamer march, which is circus music to introduce clowns and stir up the crowd. It is also played for rousing concert performances, as in Last Night of the Proms. This version is for Mixed ensemble of Alto Sax, Baritone Sax and Piano.Playing time 2 minutes, 40 secondsArranged by Anne L Christopherson GRSM ARCM at www.music-scores.com.
$6.95
6.4 €
#
Saxophone Alto et Piano
#
Julius Fucik
#
Entry of the Gladiators - Alto Sax, Bari Sax and Piano
#
Music-Scores.com
#
SheetMusicPlus
It Is Well With My Soul (Eb instrument duet)
Saxophone Alto et Piano
Instrumental Duet,Piano Alto Saxophone,Instrumental Duet,Piano - Level 4 - Digital Downloa…
(+)
Instrumental Duet,Piano Alto Saxophone,Instrumental Duet,Piano - Level 4 - Digital Download SKU: A0.712465 Composed by Bliss. Arranged by Sandra Zylstra. Christian,Sacred. Score and parts. 10 pages. Sandra dee zylstra #5865113. Published by sandra dee zylstra (A0.712465). It Is Well With My Soul (When Peace Like A River) is a timeless hymn used in many churches. This late intermediate treble Eb instrument duet with piano accompaniment piece starts out with a quiet setting and builds. By the last verse you can picture the trumpet resounding! A separate instrument part is included and other instrument parts are also available. (Approximately 4 minutes, 9 pages) You can look at other arrangements by Sandra Zylstra on Sheet Music Plus: http://www.sheetmusicplus.com/formats/singles/sandra-zylstra/600092+3001855 and at Piano Pronto: Composers Community https://pianopronto.com/composers-community/sandra-zylstra/
$4.75
4.37 €
#
Saxophone Alto et Piano
#
the last verse you can picture the trumpet resounding! A separate instrument part is included and other instrument parts are also available
#
Bliss
#
Sandra Zylstra
#
It Is Well With My Soul
#
sandra dee zylstra
#
SheetMusicPlus
It Is Well With My Soul (Eb instrument duet, parts only)
Saxophone Alto et Piano
Instrumental Duet,Piano Alto Saxophone,Instrumental Duet,Piano - Level 4 - Digital Downloa…
(+)
Instrumental Duet,Piano Alto Saxophone,Instrumental Duet,Piano - Level 4 - Digital Download SKU: A0.712472 Composed by Bliss. Arranged by Sandra Zylstra. Christian,Sacred. Score and parts. 3 pages. Sandra dee zylstra #5865131. Published by sandra dee zylstra (A0.712472). It Is Well With My Soul (When Peace Like A River) is a timeless hymn used in many churches. By the last verse you can picture the trumpet resounding! This is the treble Eb instrument duet part only and instrument parts are available for the piano accompaniment, bass C, treble C, treble and bass C, Bb, Eb, and F instrument duets. (Approximately 4 minutes, 3 pages) You can look at other arrangements by Sandra Zylstra on Sheet Music Plus: http://www.sheetmusicplus.com/formats/singles/sandra-zylstra/600092+3001855 and at Piano Pronto: Composers Community https://pianopronto.com/composers-community/sandra-zylstra/
$3.00
2.76 €
#
Saxophone Alto et Piano
#
the last verse you can picture the trumpet resounding! This is the treble Eb instrument duet part only and instrument parts are available for the piano accompaniment, bass C, treble C, treble and bass C, Bb, Eb, and F instrument duets
#
Bliss
#
Sandra Zylstra
#
It Is Well With My Soul
#
sandra dee zylstra
#
SheetMusicPlus
<
1
© 2000 - 2024
Accueil
-
Nouveautés
-
Compositeurs
Mentions légales
-
Version intégrale
