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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
One Night A Year
Non classifié
113
Piano & claviers
Piano seul
70
Piano, Voix
17
Piano Facile
12
Piano, Voix et Guitare
9
Instruments en Do
7
Piano Trio: piano, violon, violoncelle
4
Piano Quatuor: piano, violon, alto, violoncelle
3
Orgue
2
1 Piano, 4 mains
1
+ 4 instrumentations
Retracter
Guitares
Guitare notes et tablatures
15
Guitare
3
Ligne De Mélodie, (Paroles) et Accords
3
Basse electrique
3
Piano, Guitare (duo)
2
Voix
Chorale SATB
24
Chorale 3 parties
8
Chorale SSAA
2
Chorale Unison
2
Chorale TTBB
2
Voix Tenor, Piano
1
Chorale 2 parties
1
Voix Alto, Piano
1
+ 3 instrumentations
Retracter
Vents
Saxophone Alto
12
Saxophone Tenor
12
Saxophone Alto et Piano
12
Saxophone Tenor et Piano
11
Saxophone (partie séparée)
10
Saxophone Soprano et Piano
8
Flûte traversière et Piano
8
Clarinette et Piano
6
Quatuor de Saxophones: 4 saxophones
6
Ensemble de saxophones
6
Quintette de Saxophone: 5 saxophones
6
Flûte traversière
6
Saxophone Soprano
5
Saxophone Baryton, Piano
5
Hautbois, Piano (duo)
5
Flûte, Hautbois, Clarinette, Basson
4
Clarinette
4
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
4
2 Saxophones (duo)
3
Quatuor de Clarinettes: 4 clarinettes
2
Flute (partie séparée)
2
Ensemble de Clarinettes
2
Clarinette Basse, Piano
2
Hautbois (partie séparée)
2
Cor anglais, Piano
2
Hautbois
1
Ensemble de Flûtes
1
Piccolo, Piano
1
Flute, harpe et violon
1
2 Flûtes traversières (duo)
1
Quintette de Clarinettes: 5 clarinettes
1
Quatuor de Flûtes : 4 flûtes
1
Quintette de Flûte : 5 flûtes
1
+ 28 instrumentations
Retracter
Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
25
Quatuor de Cuivres : 2 trompettes, trombone, tuba
15
Trombone et Piano
13
Trompette
10
Trombone
9
Quatuor de Cuivres
5
Quatuor de Cuivres: 2 trompettes, Cor, trombone
5
Cor et Piano
5
Tuba et Piano
3
Trompette (partie séparée)
2
Ensemble de Trombones
2
Euphonium, Piano (duo)
2
Cor anglais, Piano
2
Trompette, Piano
2
Cor
2
Trompette, Trombone, Piano
1
Ensemble de Tubas
1
Euphonium
1
Quatuor de cuivres: 2 trompettes, 2 trombones
1
Trombone (partie séparée)
1
2 Trombones (duo)
1
2 Tubas (duo)
1
+ 17 instrumentations
Retracter
Cordes
Violon
14
Quatuor à cordes: 2 violons, alto, violoncelle
12
Harpe
10
Violoncelle
9
Violon et Piano
9
Violoncelle, Piano
5
Alto, Piano
5
Harpe, Voix
2
Quintette à cordes: 2 violons, alto, violoncelle, basse
2
Trio à Cordes: 2 violons, violoncelle
2
Trio à Cordes: violon, alto, violoncelle
2
Alto seul
1
Violon, Clarinette, Piano (trio)
1
2 Violons (duo)
1
Violon, Alto (duo)
1
Ensemble de Violons
1
Alto, Guitare (duo)
1
Violon, Violoncelle (duo)
1
Ensemble d'Altos
1
Trio à Cordes: 3 violoncelles
1
Contre Basse
1
3 Harpes
1
+ 17 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
49
Orchestre
17
Orchestre à Cordes
13
Ensemble de cuivres
8
Orchestre de chambre
3
Jazz combo
3
Ensemble Jazz
2
Ensemble de Percussions
2
Fanfare
1
Batterie
1
+ 5 instrumentations
Retracter
Autres
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Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
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BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
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JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
THANKSGIVING
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Note4Piano
Noviscore
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SheetMusicPlus
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Vous avez sélectionné:
One Night A Year
Saxophone Alto et Piano
Partitions à imprimer
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1
LUNA for violin, alto saxophone and piano
Saxophone Alto et Piano
Instrumental Duet,Piano Alto Saxophone,Instrumental Duet,Piano,Violin - Level 5 - Digital …
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Instrumental Duet,Piano Alto Saxophone,Instrumental Duet,Piano,Violin - Level 5 - Digital Download SKU: A0.876578 Composed by Daniel Cueto. 20th Century,Concert,Contemporary. Score and parts. 17 pages. Daniel Cueto #4980495. Published by Daniel Cueto (A0.876578). ABOUT THIS WORK:In 2016, the Russian Space Corporation announced its newest long-term project: a plan to establish a permanent human colony on the Moon by the year 2030. Several other nations - including Japan, China and the USA - have announced similar projects over the years. I began to think about this idea and its possible implications for human culture. An intriguing question came to mind: if a human settlement on the Moon is developed, would art works be created there? Would there be composers there, writing music?After enough time had passed, what would the music made by inhabitants of such remote colonies sound like?I started to imagine a music that combined well-known elements of the Western tradition with new patterns and concepts, these being an expression of the profoundly different daily-life experiences of living on the Moon. I heard, in my mind, a lonesome chant, performed with a view of a lunar night sky. After the song, a strange pulsating music, maybe a subtle depiction of a process of lunar tectonics. Connecting between these two elements, a third one emerged: a mysterious, oscillating motive, perpetually shifting back and forth between two harmonies; swaying, gently and forever, until lost to a cosmic silence…From these resonant impressions, a primitive sketch started to emerge; a voyage into an unexplored compositional region. A musical fantasy about a distant - yet still human - reality.
$14.99
13.82 €
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Saxophone Alto et Piano
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Daniel Cueto
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LUNA for violin, alto saxophone and piano
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Daniel Cueto
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SheetMusicPlus
O Holy Night for Alto Sax & Piano
Saxophone Alto et Piano
Alto Saxophone,Piano - Level 1 - Digital Download SKU: A0.548668 Composed by Adam. …
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Alto Saxophone,Piano - Level 1 - Digital Download SKU: A0.548668 Composed by Adam. Arranged by James M. Guthrie, ASCAP. Christian,Christmas. Score and part. 10 pages. Jmsgu3 #3410421. Published by jmsgu3 (A0.548668). O Holy Night arranged for alto sax & piano. Duration: 4:56, 44 ms. Score: 5 pg Part: 2 pg, piano part: 3 pg.Cantique de Noël The French composer Adolphe Adam was already famous as a composer of many successful ballets and operas. Then, in the 1840’s he wrote his most famous work - O Holy Night. The original song title was Minuit Chretiens or Cantique de Noël. Placide Cappeau provided the original song lyrics. The song was first performed in Roquemaure by the opera singer Emily Laurey at midnight mass in 1847. It became very popular among the French, much the way that Silent Night was famous elsewhere. In the 1850’s John S. Dwight, a Unitarian minister and music teacher translated the song into English. Adolphe Adam In his younger years, Adam studied organ and composition at the Paris Conservatoire. He also played the timpani in the Conservatoire orchestra. Adam used his savings and borrowed money to open a new opera house - the fourth opera house in Paris in 1847. Unfortunately, the Revolution of 1848 forced him to close. He taught composition at the Paris Conservatoire from 1849 until his death in 1856. Placide Cappeau The poet Cappeau was an advocate of the French Enlightenment philosopher Voltaire. Voltaire was renowned for criticizing the Catholic church, religious intolerance, and dogma in general. Consequently, Cappeau made the Redeemer figure in his song a kind of reformer of injustices, in particular, the problem of original sin. To begin with, people recognized Cappeau’s theology as eccentric, probably even doubtful. Theology In the earlier form of Minuit, the Christ figure descends to intervene with His Father’s plan to punish mankind. Traditional doctrine pronounces that Christ came from love, not to intervene. This version also declares that Christ appeared to expunge the original sin of Adam. Cappeau removed this part from him poem years later, because he just didn’t believe it. He preferred to portray Christ as the reformer of disparity and unfairness. Before long, the writer/politician Alphonse de Lamartine referred to the Minuit as the the Marseillaise of religion. Most French churchmen agreed with this idea but certainly did not consider it a tribute. Register for free lifetime updates and revisions at www.jamesguthrie.com
$24.95
23 €
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Saxophone Alto et Piano
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Adam
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James M
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piano
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O Holy Night for Alto Sax & Piano
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jmsgu3
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SheetMusicPlus
Five Festive Favourites - Alto Saxophone and Piano
Saxophone Alto et Piano
Alto Saxophone,Piano - Level 4 - Digital Download SKU: A0.735562 Composed by Variou…
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Alto Saxophone,Piano - Level 4 - Digital Download SKU: A0.735562 Composed by Various. Arranged by Andrew Middleton. Christmas,Romantic Period. Score and part. 62 pages. Andrew Middleton #4986217. Published by Andrew Middleton (A0.735562). Sometimes at Christmas Jingle Bells is played too much and by the 25th December we can't stand to hear another rendition of Silent Night. Five Festive Favourites is a collection of pieces that have an association to the festive period with out a night of Christmas in their titles! So if you're looking for something different this year, try these arrangements for alto saxophone and piano. All five pieces are available to purchase separately too!For more updates on new arrangements follow my Facebook page on https://www.facebook.com/a.middletonmusic/ Or subscribe to my Youtube page at https://www.youtube.com/channel/UCClIYqddA2wMpdaxSq3BKEw?view_as=subscriber
$10.00
9.22 €
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Saxophone Alto et Piano
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Various
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Andrew Middleton
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Five Festive Favourites - Alto Saxophone and Piano
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Andrew Middleton
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SheetMusicPlus
Lullabye (Goodnight, My Angel)
Saxophone Alto et Piano
Alto Saxophone,Piano - Level 3 - Digital Download SKU: A0.796636 By Billy Joel. By …
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Alto Saxophone,Piano - Level 3 - Digital Download SKU: A0.796636 By Billy Joel. By Billy Joel. Arranged by Gary D. Belshaw (ASCAP). Pop,Rock. Score and part. 7 pages. DR GARY D BELSHAW #3141353. Published by DR GARY D BELSHAW (A0.796636). How would you answer a 7-year-old's question, Where do we go when we die? This achingly beautiful melody is Billy Joel's answer. The hint of Medieval ambience came from Joel's plans to make this song part of a suite, with lyrics sung in Latin. The song has been covered more than 2 dozen times. Don't let our version become maudlin or morose; it's got plenty of meaning without getting gushy or sentimental. Perfect for any and every social occasion, as well as recitals and concerts.Thank you for considering this work; your opinions are valuable to us. Follow Gary D.Belshaw Music on Facebook and Twitter (@GaryDBelshawMus).
$5.99
5.52 €
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Saxophone Alto et Piano
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Billy Joel
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Gary D
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Lullabye
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DR GARY D BELSHAW
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SheetMusicPlus
Pomp and Circumstance March No. 1 for Alto Saxophone and Piano
Saxophone Alto et Piano
Alto Saxophone,Piano - Level 3 - Digital Download SKU: A0.1041586 Composed by Edwar…
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Alto Saxophone,Piano - Level 3 - Digital Download SKU: A0.1041586 Composed by Edward Elgar. Arranged by Diego Marani. Classical,Instructional,Patriotic,Romantic Period,Standards. Score and part. 15 pages. Diego Marani #646345. Published by Diego Marani (A0.1041586). The best known March of the set, it had its premiere in Liverpool on 19 October 1901, with Elgar conducting the Liverpool Orchestral Society. The Trio contains the tune known as Land of Hope and Glory. In 1902 the tune was re-used, in modified form, for the Land of hope and glory section of his Coronation Ode for King Edward VII. The words were further modified to fit the original tune, and the result has since become a fixture at the Last Night of the Proms, and an English sporting anthem. In the United States, the Trio section Land of Hope and Glory of March No. 1 is often known simply as Pomp and Circumstance or as The Graduation March and is played as the processional tune at virtually all high school and some college graduation ceremonies. It was first played at such a ceremony on 28 June 1905, at Yale University, where the Professor of Music Samuel Sanford had invited his friend Elgar to attend commencement and receive an honorary doctorate of music. Elgar accepted, and Sanford made certain he was the star of the proceedings, engaging the New Haven Symphony Orchestra, the College Choir, the Glee Club, the music faculty members, and New York musicians to perform two parts from Elgar's oratorio The Light of Life and, as the graduates and officials marched out, Pomp and Circumstance March No. 1. Elgar repaid the compliment by dedicating his Introduction and Allegro to Sanford later that year. The tune soon became de rigueur at American graduations, used primarily as a processional at the opening of the ceremony. This arrangement for alto sax with piano is suitable for classroom, repertoire and recital.
$9.99
9.21 €
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Saxophone Alto et Piano
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Edward Elgar
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Diego Marani
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Pomp and Circumstance March No. 1 for Alto Saxophone and Piano
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Diego Marani
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SheetMusicPlus
Auld Lang Syne (Alto Saxophone and Piano)
Saxophone Alto et Piano
Alto Saxophone,Piano - Level 2 - Digital Download SKU: A0.628396 Composed by Tradit…
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Alto Saxophone,Piano - Level 2 - Digital Download SKU: A0.628396 Composed by Traditional. Arranged by Stephen DeCesare. Christmas,Contemporary,Film/TV,Holiday. Score and part. 12 pages. Exultet Music #6133153. Published by Exultet Music (A0.628396). The traditional song that is used to bid farewell to the old year at the stroke of midnight on New Year's Eve as well as sung at funerals, graduations, and a farewell or ending to other occasions has been freshly adapted as a tender, sentimental arrangement and scored for an Alto Saxophone solo with Piano accompaniment. Accessible and appropriate for any venue or forum. An accompaniment track is also available. .
$4.99
4.6 €
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Saxophone Alto et Piano
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Traditional
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Stephen DeCesare
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Auld Lang Syne
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Exultet Music
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SheetMusicPlus
The Wedding Album, for Solo Alto Saxophone and Piano
Saxophone Alto et Piano
Alto Saxophone,Piano - Level 3 - Digital Download SKU: A0.587624 Composed by Variou…
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Alto Saxophone,Piano - Level 3 - Digital Download SKU: A0.587624 Composed by Various. Arranged by David McKeown. Baroque,Concert,Romantic Period,Standards,Wedding. Score and part. 24 pages. David McKeown #4594683. Published by David McKeown (A0.587624). The Wedding Album is a collection of four beautiful and timeless wedding favourites, arranged for Solo Alto Saxophone with Piano accompaniment. Whether for that Special Day, for a recital, or for your own entertainment, these arrangements are ideal for players at an intermediate level or higher. The 24-page file includes the piano accompaniments and the separate solo parts at the end. Ave Maria was written by Franz Schubert in 1825 as the sixth song in his song cycle based on Walter Scott’s poem The Lady of the Lake. It is perhaps the best known of all his melodies, adapted for piano by Franz Liszt, and for orchestra many times since. It is often sung with the Latin lyrics of the Catholic hymn of the same name and has been heard everywhere from the Disney movie Fantasia to the funeral of J.F. Kennedy. The Bridal March was written by Richard Wagner in 1850, scored for orchestra and chorus, and opening the third act of his opera, Lohingren. It is best known in the English-speaking world as Here Comes the Bride. Queen Victoria’s daughter used the music for her marriage in 1858, and its popularity has endured ever since.The Prince of Denmark’s March is better known nowadays as the Trumpet Voluntary and is often used in wedding ceremonies. It was in fact written for organ, with the melody played on thetrumpet stop. Written around 1700, for many years this piece was mistakenly attributed to Henry Purcell. Only recently has it been established that the composer was Jeremiah Clarke, organist at St Paul’s Cathedral. It is somewhat ironic that this composer of a wedding mainstay was himself a victim of unrequited love. He consequently shot himself in the cathedral graveyard. Felix Mendelssohn’s Wedding March was originally written in 1842 as incidental music to Shakespeare’s famousplay, Midsummer Night’s Dream. When Queen Victoria’s daughter used the music for her marriage in 1858, it became instantly popular and has remained a wedding favourite ever since.These four arrangements are also available as single titles for $3.99 each. You can find these along with many more top quality arrangements and compositions by David McKeown at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$9.99
9.21 €
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Saxophone Alto et Piano
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Various
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David McKeown
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The Wedding Album, for Solo Alto Saxophone and Piano
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David McKeown
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SheetMusicPlus
Sullivan: The Lost Chord for Alto Sax & Piano
Saxophone Alto et Piano
Alto Saxophone,Piano - Level 4 - Digital Download SKU: A0.549443 Composed by Sir Ar…
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Alto Saxophone,Piano - Level 4 - Digital Download SKU: A0.549443 Composed by Sir Arthur Seymour Sullivan. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and part. 15 pages. Jmsgu3 #3494751. Published by jmsgu3 (A0.549443). Score: 10 pages, solo part: 2 pages, piano part: 3 pages. Duration: 4:25. Not difficult, but requires sensitivity & dynamic control. Suitable for recitals, church meditations, or school programs. School Years First of all, Sullivan attended music school at the Royal Academy of Music. Because Sullivan was so talented, the Academy awarded him the Mendelssohn Scholarship for two years in a row. He, therefore, studied with John Goss, who studied with Thomas Atwood, who in turn studied with Mozart. Sullivan similarly studied the piano at the Academy with Arthur O’Leary. Study Abroad During his first year, he also earned money by singing solos in the Chapel Royal. At the end of his second year, the Academy consequently continued his scholarship and sent him to study at the Leipzig Conservatoire. He certainly studied composition, and likewise counterpoint and piano. Hence, during his final year in Leipzig, Sullivan finally completed his graduation composition project: Incidental Music for Shakespeare’s The Tempest. Association with Gilbert It seems like Sullivan built the bulk of his composing career largely in the 1860s. As a result, he became famous for his incidental music for the Tempest and his Irish Symphony. He, therefore, began collaborating with the poet W. S. Gilbert in the 1870s. Rather than focus on serious opera, Gilbert and Sullivan, in contrast, concentrated on comic operas such as H. M. S. Pinafore, the Pirates of Penzance, and the Mikado. Therefore, certainly as a result of his education and experience, Sullivan composed a total of 24 operas, 11 symphonic works, and 10 choral pieces. Even more, he wrote a large number of noteworthy hymns such as Onward Christian Soldiers. Lost Chord Winds The general style of his music is maybe similar to Mendelssohn, Schumann, and perhaps Liszt. It seems like Sullivan was fond of writing distinct melodies for each character in his operettas. His melodies combine together as the characters did. Furthermore, he was a master orchestrator, and therefore played the flute, clarinet, trumpet, and trombone fluently. The Lost Chord Sullivan wrote his most noteworthy song the Lost Chord in 1877. As a result, it was a great success and was certainly performed all over the world by a variety of singers such as Enrico Caruso. Because Sullivan was the most famous composer in England, the Lost Chord became the most famous of all British or American songs of the 1870s and 1890s. Consequently, in 1888 Thomas Edison recorded The Lost Chord for the phonograph. It was one of the first songs ever recorded. Furthermore, Queen Victoria knighted Sullivan in 1883. Â
$26.95
24.85 €
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Saxophone Alto et Piano
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Sir Arthur Seymour Sullivan
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James M
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dynamic control
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Sullivan: The Lost Chord for Alto Sax & Piano
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jmsgu3
#
SheetMusicPlus
Sorry Seems To Be The Hardest Word
Saxophone Alto et Piano
Alto Saxophone,Piano - Level 3 - Digital Download SKU: A0.747042 By Elton John. By …
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Alto Saxophone,Piano - Level 3 - Digital Download SKU: A0.747042 By Elton John. By Bernie Taupin and Elton John. Arranged by Keith Terrett. Pop,Rock. Score and part. 6 pages. Keith Terrett #5946219. Published by Keith Terrett (A0.747042). Arranged for Eb Alto Saxophone & Piano, Sorry Seems to Be the Hardest Word is a song written by Elton John and Bernie Taupin. It was recorded by Elton John and released in 1976, both as a single and as part of the Blue Moves album. It was John's second single released by The Rocket Record Company. The song is a mournful ballad about a romantic relationship which is falling apart.The song also appeared the following year on Greatest Hits Volume II, though for copyright reasons it no longer appears on the current version of that album. It now appears on Greatest Hits 1976–1986, The Very Best of Elton John and in Greatest Hits 1970–2002, as well as a number of other compilations.The song was covered in 2002 by English boy band Blue for their second studio album, One Love (2002). The song was recorded as a collaboration with Elton John, and was the second single from the album. It peaked at number one on the UK Singles Chart on 15 December 2002 and also reached number one in Hungary and the Netherlands. It peaked within the top 10 in an additional 16 countries.In 2004, Elton John and Ray Charles performed the song on Charles' duet album, Genius Loves Company. It would turn out to be the last recording Charles ever did before his death that June. The duet was nominated for a Grammy Award for Best Pop Collaboration with Vocals. It was also performed by smooth jazz saxophonist Kenny G on the soprano saxophone featuring Richard Marx on his 2004 album At Last...The Duets Album later that year.The song was a Top 20 hit, reaching No. 11 in the United Kingdom, No. 6 in the United States and No. 3 in Canada. In addition, the song went to No. 1 on the US and Canadian Adult Contemporary charts. In the US, it was certified Gold on 25 January 1977 by the RIAA.The single was the lead single for the eight-track remix compilation Good Morning to the Night in collaboration with Australian remixer Pnau, which came out on 16 July 2012.
$9.99
9.21 €
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Saxophone Alto et Piano
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Elton John
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Keith Terrett
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Sorry Seems To Be The Hardest Word
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Keith Terrett
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SheetMusicPlus
I Write The Songs
Saxophone Alto et Piano
Alto Saxophone,Piano - Level 3 - Digital Download SKU: A0.549333 By Barry Manilow. …
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Alto Saxophone,Piano - Level 3 - Digital Download SKU: A0.549333 By Barry Manilow. By Bruce Johnston. Arranged by James M. Guthrie, ASCAP. Contemporary,Rock. Score and part. 8 pages. Jmsgu3 #3486247. Published by jmsgu3 (A0.549333). Duration: ca. 3:00, score: 5 pages, solo part: 1 page, piano part: 2 pages.Very famous song suitable for church, recital or nightclub. I Write the Songs is a popular song written by Bruce Johnston in 1975 and made famous by Barry Manilow. Manilow's version reached number one on the Billboard Hot 100 chart in January 1976[2] after spending two weeks atop the Billboard adult contemporary chart in December 1975.[3] It won a Grammy Award for Song of the Year and was nominated for Record of the Year in 1977.[3] Billboard ranked it as the No. 13 song of 1976.[4]The original version was recorded by The Captain & Tennille, who worked with Johnston in the early 1970s with The Beach Boys. It appears on their 1975 album, Love Will Keep Us Together. The first release of I Write the Songs as a single was by then teen-idol David Cassidy from his 1975 solo album The Higher They Climb, which was also produced by Bruce Johnston. Cassidy's version reached #11 on the UK Singles Chart in August of that year.[5]Johnston has stated that, for him, the I in the song is God,[2] and that songs come from the spirit of creativity in all of us. He has said that the song is not about his Beach Boys bandmate Brian Wilson.[6]Manilow was initially reluctant to record the song, stating in his autobiography Sweet Life: The problem with the song was that if you didn't listen carefully to the lyric, you would think that the singer was singing about himself. It could be misinterpreted as a monumental ego trip.[3] After persuasion by Clive Davis, then president of Arista Records, Manilow recorded the song, and his version of I Write the Songs was the first single taken from the album Tryin' to Get the Feeling. It first charted on the Billboard Hot 100 on November 15, 1975, reaching the top of the chart nine weeks later, on January 17, 1976. Wikipedia
$39.95
36.83 €
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Saxophone Alto et Piano
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Barry Manilow
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James M
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I Write The Songs
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jmsgu3
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SheetMusicPlus
He Ain't Heavy, He's My Brother
Saxophone Alto et Piano
Alto Saxophone,Piano - Level 3 - Digital Download SKU: A0.791245 By Neil Diamond. B…
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Alto Saxophone,Piano - Level 3 - Digital Download SKU: A0.791245 By Neil Diamond. By Bob Russell and Bobby Scott. Arranged by Kevin P Holdgate. Pop. Score and part. 8 pages. Kevin P Holdgate #5772015. Published by Kevin P Holdgate (A0.791245). KPHMS 'Solo' CollectionHe Ain't Heavy, He's My Brother is a ballad written by Bobby Scott and Bob Russell. Originally recorded by Kelly Gordon in 1969, the song became a worldwide hit for The Hollies later that year and a minor hit for Neil Diamond in 1970. It has been recorded by many artists in subsequent years.Scott and Russell were introduced to each other by Johnny Mercer, at a California nightclub. Although Russell was dying of lymphoma and the pair met only three times, they managed to collaborate on the song.This is an arrangement as a solo with piano accompaniment that I would judge to be around Grade 5/6 standard for most instruments.
$4.99
4.6 €
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Saxophone Alto et Piano
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Neil Diamond
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Kevin P Holdgate
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He Ain't Heavy, He's My Brother
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Kevin P Holdgate
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SheetMusicPlus
Mendelssohn: Wedding March for Alto Sax & Piano
Saxophone Alto et Piano
Alto Saxophone,Piano - Level 3 - Digital Download SKU: A0.549892 Composed by Felix …
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Alto Saxophone,Piano - Level 3 - Digital Download SKU: A0.549892 Composed by Felix Bartholdy Mendelssohn. Arranged by James M. Guthrie, ASCAP. Romantic Period,Standards,Wedding. Score and part. 23 pages. Jmsgu3 #3603399. Published by jmsgu3 (A0.549892). Score: 12 pages, piano part: 6 pages, alto sax part: 4 pages. duration: ca. 5'. This is the famous wedding march from Op. 61 composed in 1842 and commonly performed as a recessional march at the end of a wedding. The piece was originally composed for orchestra then arranged for organ and performed by Mendelssohn himself.Mendelssohn: Wedding March Mendelssohn’s Wedding March is so popular that it’s difficult to imagine a wedding without it. It seems like it’s been around for eternity. In any case, it was only 150 years or so ago that the Wedding March came about. It was performed in Potsdam for the first time in 1842, as a piece of Mendelssohn’s music for the Shakespeare play A Midsummer Night’s Dream. It was first used for a wedding in 1858 Mendelssohn Background Felix Mendelssohn (1809 –1847) was, by all means, a German mastermind composer, musician and orchestra conductor of the Romantic period. Consequently, Mendelssohn composed in the usual forms of the time - symphonies, concertos, oratorios, piano music, and chamber music. To summarize, his most famous works include his music for A Midsummer Night's Dream, the Italian Symphony, the Scottish Symphony, The Hebrides Overture, his later Concerto for Violin & Orchestra, and his Octet for Strings. His most well-known piano pieces, by and large, are the Songs Without Words. Artistic Standing Musical tastes change from time to time. Moreover, just such a change occurred in the late 19th and early 20th centuries. This plus rampant antisemitism brought a corresponding amount of undue criticism. Fortunately, however, his artistic inventiveness has indeed been critically re-evaluated. As a result, Mendelssohn is once again among the most prevalent composers of the Romantic era. Early Family Life Mendelssohn was, in fact, born into a prominent Jewish family. His grandfather was, notably, the philosopher Moses Mendelssohn. Felix was, in fact, raised without religion. At the age of seven, he was all of a sudden baptized as a Reformed Christian. He was, moreover, a child musical prodigy. Nevertheless, his parents did not attempt to exploit his talent. Early Adulthood Mendelssohn was, in general, successful in Germany. He conducted, in particular, a revival of the music of Johann Sebastian Bach, specifically with his presentation of the St Matthew Passion in 1829. Felix was truly in demand throughout Europe as a composer, conductor, and soloist. For example, he visited Britain ten times. There, he premiered, namely, many of his major works. His taste in music was. To be sure, inventive and well-crafted yet markedly conservative. This conservatism separated him by all means from more audacious musical colleagues like Liszt, Wagner, and Berlioz. Mendelssohn founded the Leipzig Conservatoire which, to clarify, became a defender of this conservative viewpoint. Mature Adulthood Schumann notably wrote that Mendelssohn was the Mozart of the nineteenth century, the most brilliant musician, the one who most clearly sees through the contradictions of the age and for the first time reconciles them. This observation points to a couple of features in particular that illustrate Mendelssohn's works and his artistic procedure. Musical Features In the first place, his musical style was fixed in his methodical mastery of the style of preceding masters. This being said, he certainly recognized and even developed early romanticism from the music of Beethoven and Weber. Secondly, it indicates that Mendelssohn sought to strengthen his inherited musical legacy rather than to exchange it with new forms and styles or replace it with exotic orchestration. Consequently, he diverged his contemporaries in the romantic period, such as Wagner, Berlioz, and Liszt. Mendelssohn revered Liszt's virtuos.
$32.95
30.38 €
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Saxophone Alto et Piano
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Felix Bartholdy Mendelssohn
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James M
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Mendelssohn: Wedding March for Alto Sax & Piano
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jmsgu3
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SheetMusicPlus
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One Night A Year
