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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Op. 20
Non classifié
220
Piano & claviers
Piano, Voix
264
Piano seul
236
Piano Facile
27
1 Piano, 4 mains
19
Orgue
14
2 Pianos, 4 mains
8
Piano Quatuor: piano, violon, alto, violoncelle
5
Piano Quintette: piano, 2 violons, alto, violoncelle
4
Piano Trio: piano, violon, violoncelle
3
Instruments en Do
1
Accordéon
1
Accompagnement Piano
1
+ 7 instrumentations
Retracter
Guitares
Guitare
18
2 Guitares (duo)
10
Guitare notes et tablatures
7
Ligne De Mélodie, (Paroles) et Accords
1
Voix
Chorale SATB
5
Chorale 3 parties
5
Voix basse, Piano
2
Voix haute, Piano
1
Voix seule
1
Voix Soprano, Piano
1
+ 1 instrumentations
Retracter
Vents
Flûte traversière et Piano
29
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
23
Clarinette et Piano
19
Quatuor de Clarinettes: 4 clarinettes
19
Quatuor de Saxophones: 4 saxophones
13
Hautbois, Piano (duo)
12
Saxophone Alto et Piano
11
Clarinette
10
2 Flûtes traversières (duo)
9
Clarinette Basse, Piano
9
Saxophone Tenor et Piano
8
Saxophone Soprano et Piano
8
Saxophone Baryton, Piano
8
Flûte traversière
7
Flûte, Hautbois, Clarinette, Basson
7
Quatuor de Flûtes : 4 flûtes
5
Cor anglais, Piano
5
2 Clarinettes (duo)
4
Harmonica
3
3 Flûtes à bec (trio)
3
Flûte, Violon, Piano
2
Flûte, Alto (duo)
2
Saxophone Tenor
2
Hautbois
2
Ensemble de Clarinettes
2
Clarinette et Alto
2
Hautbois, Basson (duo)
2
Flûte à Bec
2
Flûte, Clarinette et Basson
2
Flûte, Violoncelle
2
Clarinette, Basson (duo)
1
Hautbois et alto (duo)
1
Flûte, Trombone (duo)
1
Clarinette, Violoncelle (duo)
1
Cor anglais, Guitare (duo)
1
Quintette de Clarinettes: 5 clarinettes
1
Clarinette, Violon (duo)
1
3 Clarinettes (trio)
1
Trio de Flûtes: 3 flûtes
1
Saxophone (partie séparée)
1
Hautbois, Flûte
1
Ensemble à vent
1
Hautbois, Clarinette, Basson (trio d'anches)
1
Hautbois, Clarinette (duo)
1
Flûte, Hautbois, Piano (trio)
1
Piccolo, Piano
1
Saxophone Alto
1
Ensemble de saxophones
1
2 Saxophones (duo)
1
Quintette de Saxophone: 5 saxophones
1
Flûte, Clarinette (duo)
1
Flûte, Alto et Piano
1
Flûte, Tuba (duo)
1
Hautbois, Violoncelle
1
Flûte, Violoncelle, Guitare
1
+ 50 instrumentations
Retracter
Cuivres
Trombone et Piano
12
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
11
Cor et Piano
8
Tuba et Piano
7
Trompette, Piano
6
Quatuor de Cuivres : 2 trompettes, trombone, tuba
6
Cor
5
Trompette
5
Cor anglais, Piano
5
Euphonium, Piano (duo)
5
Trombone
4
Tuba
2
Quatuor de cuivres: 4 cors
1
Quatuor de Cuivres: 2 trompettes, Cor, trombone
1
Cor anglais, Guitare (duo)
1
Trombone, Tuba (duo)
1
Trombone basse et Piano
1
Quatuor de cuivres: 4 trombones
1
Quatuor de Cuivres
1
Ensemble de Trombones
1
3 Trompettes (trio)
1
Trio de Cuivres
1
Ensemble de Cors
1
Trombone, Violon (duo)
1
+ 19 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
66
Violon et Piano
33
Violoncelle, Piano
25
Violoncelle
24
Violon
24
Alto, Piano
17
Alto seul
14
Violon, Violoncelle (duo)
7
Trio à Cordes: violon, alto, violoncelle
7
2 Violons (duo)
7
Violon, Alto (duo)
6
Violon (partie séparée)
6
2 Violoncelles (duo)
4
Contrebasse, Piano (duo)
3
Trio à Cordes: 2 violons, violoncelle
3
Contre Basse
3
4 Violoncelles
3
2 Altos (duo)
3
Quintette à cordes: 2 violons, alto, violoncelle, basse
2
Violoncelle (partie séparée)
2
Alto (partie séparée)
2
Trio à cordes: 3 violins
2
Piano Trio: Violon, Alto, Piano
1
Trio à cordes
1
Alto, Guitare (duo)
1
Quintette à cordes: 2 violons, 2 altos, violoncelle
1
Violoncelle , Guitare (duo)
1
Trio à Cordes: 2 violons, alto
1
Alto, Violoncelle (duo)
1
Violon, Orgue
1
Violon, Basson (duo)
1
Violoncelle, Contrebasse (duo)
1
2 Violons, Piano
1
Violoncelle, Orchestre
1
Flûte, Contrebasse (duo)
1
Harpe, Violon (duo)
1
Quatuor à cordes : 4 altos
1
+ 32 instrumentations
Retracter
Orchestre & Percussions
Orchestre à Cordes
24
Orchestre
10
Orchestre de chambre
7
Orchestre d'harmonie
2
Orchestre, Violon
2
Piano et Orchestre
1
Ensemble de cuivres
1
Vibraphone (partie séparée)
1
+ 3 instrumentations
Retracter
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
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COUNTRY
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ENFANTS : EVEIL - IN…
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FLAMENCO
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FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
THANKSGIVING
Vendeurs (tous)
Musicnotes
Note4Piano
Noviscore
Profs-edition
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SheetMusicPlus
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Virtualsheetmusic
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Nouveautes
A-Z
difficulté (tous)
débutant
facile
intermédiaire
avancé
expert
avec audio
avec vidéo
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Vous avez sélectionné:
Op. 20
CLASSIQUE - BAROQUE - ROMANTIQUE
Saxophone Alto et Piano
Partitions à imprimer
11 partitions trouvées
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1
"Sonatine op.20-1" Alto Sax & Piano
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Saxophone Alto et Piano
#
INTERMÉDIAIRE
#
Classique
#
Kuhlau
#
pfkaori
#
"Sonatine op.20-1" A
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pfkaorimusic
#
SheetMusicPlus
Alto Saxophone,Piano - Level 3 - SKU: A0.1487439 By Kuhlau . By Kuhlau . Arranged by pfkaori. Classical. Score and part. 6 pages. Pfkaorimusic #106438...
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Alto Saxophone,Piano - Level 3 - SKU: A0.1487439 By Kuhlau . By Kuhlau . Arranged by pfkaori. Classical. Score and part. 6 pages. Pfkaorimusic #1064388. Published by pfkaorimusic (A0.1487439). Composition: Kuhlau Song: Sonatine op.20-1 Arrangement: Alto Sax & Piano *Both part scores available *Levels vary from person to person. *Sax in E♭.
$6.00
Zigeunerweisen Op.20
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Saxophone Alto et Piano
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DÉBUTANT
#
Classique
#
Pablo de Sarasate
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Zigeunerweisen Op.20
#
SheetmusicLAB
#
SheetMusicPlus
Alto Saxophone, Piano - Primer Level - SKU: P5.CL-ROM-4351 Composed by Pablo de Sarasate. Romantic Period. Score and Parts. 29 pages. SheetmusicLAB #CL-...
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Alto Saxophone, Piano - Primer Level - SKU: P5.CL-ROM-4351 Composed by Pablo de Sarasate. Romantic Period. Score and Parts. 29 pages. SheetmusicLAB #CL-ROM-4351. Published by SheetmusicLAB (P5.CL-ROM-4351). 8.3 x 11.7 inches.
$10.00
Mendelssohn: Song Without Words Op. 109 for Alto Sax & Piano
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Saxophone Alto et Piano
#
INTERMÉDIAIRE
#
Classique
#
Felix Bartholdy Mendelssohn
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James M
#
Mendelssohn: Song Without Word
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jmsgu3
#
SheetMusicPlus
Alto Saxophone,Piano - Level 3 - SKU: A0.549489 Composed by Felix Bartholdy Mendelssohn. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Per...
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Alto Saxophone,Piano - Level 3 - SKU: A0.549489 Composed by Felix Bartholdy Mendelssohn. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and part. 20 pages. Jmsgu3 #3500661. Published by jmsgu3 (A0.549489). ALTO SAX & PIANO - Score: 11 pages, solo part: 3 pages, piano part: 5 pages. Duration: 4:20. This is a popular recital piece that would work well also in church or school programs. Mendelssohn Background Felix Mendelssohn (1809 –1847) was, by all means, a German mastermind composer, musician, and orchestra conductor of the Romantic period. Consequently, Mendelssohn composed in the usual forms of the time - symphonies, concertos, oratorios, piano music, and chamber music. To summarize, his most famous works include his music for A Midsummer Night's Dream, the Italian Symphony, the Scottish Symphony, The Hebrides Overture, his later Concerto for Violin & Orchestra, and his Octet for Strings. His most well-known piano pieces, by and large, are the Songs Without Words. Artistic Standing  Musical tastes change from time to time. Moreover, just such a change occurred in the late 19th and early 20th centuries. This plus rampant antisemitism brought a corresponding amount of undue criticism. Fortunately, however, his artistic inventiveness has indeed been critically re-evaluated. As a result, Mendelssohn is once again among the most prevalent composers of the Romantic era. Early Family Life Mendelssohn was, in fact, born into a prominent Jewish family. His grandfather was, notably, the philosopher Moses Mendelssohn. Felix was, in fact, raised without religion. At the age of seven, he was suddenly baptized as a Reformed Christian. He was, moreover, a child musical prodigy. Nevertheless, his parents did not attempt to exploit his talent. Early Adulthood Mendelssohn was, in general, successful in Germany. He conducted, in particular, a revival of the music of Johann Sebastian Bach, specifically with his presentation of the St Matthew Passion in 1829. Felix was truly in demand throughout Europe as a composer, conductor, and soloist. For example, he visited Britain ten times. There, he premiered, namely, many of his significant works. His taste in music was. To be sure, inventive and well-crafted yet markedly conservative. This conservatism separated him by all means from more audacious musical colleagues like Liszt, Wagner, and Berlioz. Mendelssohn founded the Leipzig Conservatoire which, to clarify, became a defender of this conservative viewpoint. Mature Adulthood Schumann notably wrote that Mendelssohn was the Mozart of the nineteenth century, the most brilliant musician, the one who most clearly sees through the contradictions of the age and for the first time reconciles them. This observation points to a couple of features in particular that illustrate Mendelssohn's works and his artistic procedure. Musical Features In the first place, his musical style was fixed in his systematic mastery of the style of preceding masters. This being said, he certainly recognized and even developed early romanticism from the music of Beethoven and Weber. Secondly, it indicates that Mendelssohn sought to strengthen his inherited musical legacy rather than to exchange it with new forms and styles or replace it with exotic orchestration. Consequently, he diverged his contemporaries in the romantic period, such as Wagner, Berlioz, and Liszt. Mendelssohn revered Liszt's virtuosity at the keyboard but found his music rather insubstantial.
$32.95
Nocturne No. 20 for Alto Saxophone and Piano
#
Saxophone Alto et Piano
#
INTERMÉDIAIRE
#
Classique
#
Frederic Chopin
#
Diego Marani
#
Nocturne No. 20 for Alto Saxop
#
Diego Marani
#
SheetMusicPlus
Alto Saxophone,Piano - Level 3 - SKU: A0.528551 Composed by Frederic Chopin. Arranged by Diego Marani. Classical,Concert,Instructional,Romantic Period,S...
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Alto Saxophone,Piano - Level 3 - SKU: A0.528551 Composed by Frederic Chopin. Arranged by Diego Marani. Classical,Concert,Instructional,Romantic Period,Standards. Score and part. 5 pages. Diego Marani #6202163. Published by Diego Marani (A0.528551). The Nocturne No. 20 in C-sharp minor, Op. posth., Lento con gran espressione, is a solo piano piece composed by Frédéric Chopin in 1830 and published in 1870. This was also the piece played by Holocaust survivor and famed Polish pianist Władysław Szpilman (the central figure of the 2002 Roman Polanski film The Pianist) during the last live broadcast of Polish radio on September 23, 1939 when Warsaw was besieged by the German army.This arrangement for Alto Sax with Piano Accompaniment reflects faithfully the original for piano solo.
$8.99
Nocturne No.20 in C-Sharp minor - Alto Sax and Piano (Full Score and Parts)
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Saxophone Alto et Piano
#
INTERMÉDIAIRE/AVANCÉ
#
Classique
#
Frederic Chopin
#
César Madeira
#
Nocturne No.20 in C-Sharp mino
#
Sheet Music To Play Editions
#
SheetMusicPlus
Alto Saxophone,Piano - Level 4 - SKU: A0.1319738 Composed by Frederic Chopin. Arranged by César Madeira. Classical,Film/TV,Lent,Romantic Period,Weddi...
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Alto Saxophone,Piano - Level 4 - SKU: A0.1319738 Composed by Frederic Chopin. Arranged by César Madeira. Classical,Film/TV,Lent,Romantic Period,Wedding. Score and part. 13 pages. Sheet Music To Play Editions #908293. Published by Sheet Music To Play Editions (A0.1319738). Nocturne No.20 in C-Sharp minor, Op. posth. B.49. Arrangement for Alto Sax and Piano. With Full Score and Individual Parts. Enjoy it!Frédéric François Chopin (1810 - 1849), was a Polish composer and virtuoso pianist of the Romantic era who wrote primarily for solo piano. He has maintained worldwide renown as a leading musician of his era, one whose poetic genius was based on a professional technique that was without equal in his generation.For Tutorials, Play Alongs or request New Arrangements, visit the YouTube Channel: Sheet Music To Play
$8.99
Grieg: Notturno Op. 54 No. 4 for Alto Sax & Piano
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Saxophone Alto et Piano
#
FACILE
#
Classique
#
Edvard Grieg
#
James M
#
Grieg: Notturno Op. 54 No. 4 f
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jmsgu3
#
SheetMusicPlus
Alto Saxophone,Piano - Level 2 - SKU: A0.550028 Composed by Edvard Grieg. Arranged by James M. Guthrie. Contemporary,Multicultural,Romantic Period,Stand...
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Alto Saxophone,Piano - Level 2 - SKU: A0.550028 Composed by Edvard Grieg. Arranged by James M. Guthrie. Contemporary,Multicultural,Romantic Period,Standards,World. Score and part. 13 pages. Jmsgu3 #4580625. Published by jmsgu3 (A0.550028). Score: 7 pages. Duration: ca. 4:20. A very thought-provoking and expressive recital encore.
$32.95
Sonata Op. 19 #1
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Saxophone Alto et Piano
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Classique
#
Marcello, Benedetto
#
Nick M Lacanski
#
Sonata Op. 19 #1
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theupperstaff
#
SheetMusicPlus
Alto Saxophone,Piano - SKU: A0.937716 Composed by Marcello, Benedetto. Arranged by Nick M Lacanski. Baroque. Score and part. 20 pages. Theupperstaff #54...
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Alto Saxophone,Piano - SKU: A0.937716 Composed by Marcello, Benedetto. Arranged by Nick M Lacanski. Baroque. Score and part. 20 pages. Theupperstaff #543493. Published by theupperstaff (A0.937716). I like to call this series of arrangements – just the notes. Why? Because that’s exactly what you get. As a performer/instructor I longed for the day when I no longer needed to write over someone’s bowings, interpretations and fingerings.
$7.99
Danse Napolitaine
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Saxophone Alto et Piano
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INTERMÉDIAIRE
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Classique
#
Peter Ilyich Tchaikovsky
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John G
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Danse Napolitaine
#
Editions Marc Reift - Digital
#
SheetMusicPlus
Alto Saxophone & Piano - Grade 3 - SKU: R0.46234 Neapolitanischer Tanz / Neapolitan Dance. From Swan Lake Op. 20. Composed by Peter Ilyich Tchaik...
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Alto Saxophone & Piano - Grade 3 - SKU: R0.46234 Neapolitanischer Tanz / Neapolitan Dance. From Swan Lake Op. 20. Composed by Peter Ilyich Tchaikovsky. Arranged by John G. Mortimer. Alto Saxophone & Piano. Score and parts. 5 pages. Duration 2'16. Editions Marc Reift - Digital #46234. Published by Editions Marc Reift - Digital (R0.46234).
$13.95
Tchaikovsky: Scene 10 from Swan Lake for Alto Sax & Piano
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Saxophone Alto et Piano
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INTERMÉDIAIRE
#
Classique
#
Peter Ilyich Tchaikovsky
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James M
#
Tchaikovsky: Scene 10 from Swa
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jmsgu3
#
SheetMusicPlus
Alto Saxophone,Piano - Level 3 - SKU: A0.549597 Composed by Peter Ilyich Tchaikovsky. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period...
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Alto Saxophone,Piano - Level 3 - SKU: A0.549597 Composed by Peter Ilyich Tchaikovsky. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Standards. Score and part. 16 pages. Jmsgu3 #3512825. Published by jmsgu3 (A0.549597). Duration: 2:30, score: 8 pages, solo part: 2 pages, piano part: 5 pages. A well-known favorite masterpiece suitable for a recital or school program. Pyotr Ilyich Tchaikovsky Tchaikovsky is probably the most popular of the great composers in America. His music certainly appeals to musicians. Likewise, it appeals even to folks who don’t normally listen to serious music. This is probably because of his most noteworthy melodies. Above all, he writes with great emotion. This certainly makes a most noteworthy if not an unforgettable impact. Education First of all, He attended classes at the Russian Musical Society. Even more, He also attended the St. Petersburg Conservatory. There he studied music theory with Nikolai Zaremba. He also consequently studied composition with Anton Rubenstein. It seems like Rubenstein came under criticism from a group of Russian composers known as the Five. The Five The Five certainly rejected Western musical influences. They rather sought to use elements from Russian music. They furthermore wanted to use more exotic musical materials. Western Techniques More than other Russian composers, Tchaikovsky studied modern Western music. He certainly develops his music like the European masters. So, rather than repeating a motive, he moves to a new key. He then introduces a different theme in the new key. Hence, he maintained his independence from the Five. Even more, he became the first Russian composer of international stature. Influences Tchaikovsky was probably influenced in his ballet scoring by Léo Delibes. Richard Wagner influenced his symphonic writing. Tchaikovsky’s most famous works include the 1812 Overture, The Nutcracker Suite, and Swan Lake. Also famous are the Violin Concerto in D and the six symphonies. The greatest of the six symphonies may be No. 6, the Pathétique. Swan Lake Op. 20 Tchaikovsky composed Swan Lake in 1875-76. To begin with, most noteworthy the ballet failed to attract a positive reception. Over time, however, the ballet became probably one of the most popular of all of Tchaikovsky’s works. The ballet was certainly first performed by the Bolshoi Ballet in Moscow.
$32.95
Beethoven: Adagio from Sonata Pathetique for Alto Sax & Piano
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Saxophone Alto et Piano
#
INTERMÉDIAIRE
#
Classique
#
Ludwig van Beethoven
#
James M
#
piano concertos 1-5
#
Beethoven: Adagio from Sonata
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jmsgu3
#
SheetMusicPlus
Alto Saxophone,Piano - Level 3 - SKU: A0.549639 Composed by Ludwig van Beethoven. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Pe...
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Alto Saxophone,Piano - Level 3 - SKU: A0.549639 Composed by Ludwig van Beethoven. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Sacred,Standards. Score and part. 16 pages. Jmsgu3 #3516567. Published by jmsgu3 (A0.549639). Duration: ca 5:20, Score: 8 pages, solo part: 3 pages, piano part: 4 pages.One of Beethoven's finest and most famous works. Program for a recital, church meditation or school program.Bring your best espressivo and plan to rehearse the many subtle dynamic changes.Sonata Pathétique Op. 13 First of all, this is an arrangement of the second movement of Beethoven’s Sonata Pathétique. It seems like Beethoven wrote this piece before becoming troubled by deafness. Published in 1799, it consequently remains one of the most celebrated pieces Beethoven ever wrote. As a result of its popularity, the movement was therefore performed by Karl Haas. Hass recorded it for a popular radio show called: Adventures in Good Music. Beethoven Background Ludwig van Beethoven (1770 –1827) was certainly a German pianist. Above all, he was probably one of the greatest composers in history. As a result, he is a pivotal character in the progress between the Classical and Romantic periods. He is certainly one of the most famous and hence important of all composers. Seems like his most familiar and noteworthy works include symphonies 1-9; piano concertos 1-5; and furthermore, the violin concerto. Also, certainly of extreme importance are the noteworthy 32 sonatas for the piano; the string quartets 1-16; the Missa solemnis; and likewise, his only opera, Fidelio. Beethoven Overview First of all, Beethoven was born and consequently raised in Bonn. Upon turning 21 he moved to Vienna probably to study composition with Haydn. That’s when he consequently grew a reputation as a brilliant pianist. Furthermore, he probably stayed in Vienna for the rest of his life. In his late 20s, it seems like his hearing certainly began to decline. It slowly declined until consequently, he was nearly totally deaf probably by the last decade of his life. As a result, he stopped conducting and performing. Nevertheless, he continued to compose. As a result, some of his greatest works probably come from this period. First Period Seems like we often divide Beethoven’s life into three periods. Period 1 begins with Beethoven’s arrival in Vienna. Hence, during this period, he mastered the Viennese style of Haydn & Mozart. He consequently began increasing the size and scale of his works. Furthermore, he experimented with extreme dynamics, and likewise extreme tempi. He worked similarly with chromatic harmony. His First and Second Symphonies, therefore, belong to this period. Other important works also belong here: the first six string quartets and the Sonata Pathétique, Op. 13. Second Period His second period probably began as soon as he realized that he was going deaf. During this period, it seems like he became obsessed with the idea of heroism. His works consequently become even larger and more massive. The most noteworthy of these include the symphonies 3 – 8, piano concertos 5& 6, 5 string quartets, several important piano sonatas (Waldstein and Appassionata), the Kreutzer violin sonata, the violin concerto and his only opera: Fidelio. Third Period In contrast, Beethoven's third period is branded above all by works of incredible intellectual depth, formal innovation, and penetrating expression. It seems like he continued to expand his works. Consequently, the string quartet Op. 131 spills over into seven connected movements. Likewise, in the Ninth Symphony, he adds choral forces to his orchestra probably for the first time in history. Even more, other works from this period include his Missa solemnis, the final 5 string quartets (including the enormous Große Fuge) and the final five sonatas for piano. Register for free lifetime revisions and updates at www.jamesguthrie.co.
$24.95
Grieg: Anitra's Dance from Peer Gynt Suite for Alto Sax & Piano
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Saxophone Alto et Piano
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INTERMÉDIAIRE
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Classique
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Edvard Grieg
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James M
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Grieg: Anitra's Dance from Pee
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jmsgu3
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SheetMusicPlus
Alto Saxophone,Piano - Level 3 - SKU: A0.549555 Composed by Edvard Grieg. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Sta...
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Alto Saxophone,Piano - Level 3 - SKU: A0.549555 Composed by Edvard Grieg. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Standards,World. Score and part. 16 pages. Jmsgu3 #3507663. Published by jmsgu3 (A0.549555). Duration: ca. 3:20, Score: 10 pages, solo part: 2 pages, piano part: 3 pages. A delicate masterpiece, not very difficult - suitable for a recital encore. Grieg Background In the first place, Edvard Grieg (1843 –1907) was a Norwegian composer as well as a concert pianist. As a matter of fact, most music historians consider him one of the foremost Romantic era composers. Consequently, his music is part of the international standard classical repertoire. Grieg moreover used Norwegian folk music in his own compositions. Consequently, he ushered Norwegian music to transnational consciousness. Furthermore, he forged a national musical identity for Norway. It is important to realize that he did this in a manner similar to Jean Sibelius in Finland, and Bedřich Smetana in Bohemia. Legacy Grieg is especially celebrated in the city of Bergen. For example, the city has erected numerous statues depicting Grieg. Specifically, the city has named a concert hall (Grieg Hall), a music school (Grieg Academy) and a professional choir (Edvard Grieg Kor) after him. As a matter of fact, there is also a museum located at his former home in Troldhaugen. Peer Gynt Suite No. 1 (Op. 46) Grieg wrote incidental music for the purpose of illustrating a play by Ibsen known as Peer Gynt. The play includes, in particular, the famous selection entitled, In the Hall of the Mountain King. In this composition, Grieg indeed depicts the exploits of the scoundrel, Peer Gynt. In one famous episode, for example, Peer steals a bride at her wedding. For this reason, the people chase him, but soon Peer falls, thereupon striking his skull on a boulder. He wakens forthwith in a highland bounded by angry gnomes. Consequently, the music of In the Hall of the Mountain King represents the mad gnomes taunting Peer. Therefore, each time the theme repeats it gets louder and faster. In the end, Peer surprisingly escapes from the mountain. Holberg Suite and Misc. Summary It must be remembered that Grieg originally wrote his Holberg Suite for the piano. In other words, he only later arranged it for strings. Further, Grieg composed by and large many songs with lyrics by famous writers such as Heine, Goethe, Ibsen, Hans Christian Andersen, Rudyard Kipling, and others. On balance, Norwegian pianist Eva Knardahl recorded altogether Grieg’s whole piano catalog on LP in 1980. These recordings were released again on CD in 2006. In any event, Grieg himself performed and recorded the bulk of these pieces toward the end of his life.Register for free lifetime revisions and updates at www.jamesguthrie.com
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