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Non classifié
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PIANO & CLAVIERS
Piano seul
21029
Piano, Voix
3908
Piano Facile
3753
1 Piano, 4 mains
590
Piano, Voix et Guitare
581
Accompagnement Piano
324
Piano Trio: piano, violon, violoncelle
185
2 Pianos, 4 mains
140
Orgue
106
Piano Quatuor: piano, violon, alto, violoncelle
60
Instruments en Do
46
Piano Quintette: piano, 2 violons, alto, violoncelle
32
Orgue, Piano (duo)
31
1 Piano, 6 mains
30
Clavecin
28
Piano Quatuor: piano, 2 violons, violoncelle
25
Piano (partie séparée)
21
Clavier
9
2 Pianos, 8 mains
7
Accordéon
6
Piano grosses notes
3
Orgue, Trompette (duo)
2
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GUITARES
Piano, Guitare (duo)
180
Guitare
109
Guitare notes et tablatures
47
Ligne De Mélodie, (Paroles) et Accords
28
2 Guitares (duo)
27
Ukulele
17
Basse electrique
9
4 Guitares (Quatuor)
8
Mandoline, Piano (duo)
3
2 Mandolines (duo)
2
Guitare (partie séparée)
2
Paroles et Accords
2
Banjo
2
3 Guitares (trio)
2
Mandoline
1
Dulcimer
1
2 Ukuleles
1
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VOIX
Chorale SATB
1836
Chorale 3 parties
683
Chorale 2 parties
683
Voix duo, Piano
243
Chorale Unison
239
Chorale TTBB
121
Chorale SSAA
81
Voix Soprano, Piano
75
Voix duo
49
Voix Alto, Piano
40
Voix Tenor, Piano
37
Voix Tenor
33
Voix haute
33
Chorale
26
Voix Soprano
25
Voix basse, Piano
16
Voix moyenne, Piano
13
Voix seule
10
Voix Mezzo-Soprano, Piano
7
Voix Baryton, Piano
7
Voix basse
3
Chorale SSAB, Piano
3
Chorale SSATTB
3
Male Voice
2
Chorale SSATB
2
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VENTS
Flûte traversière et Piano
1748
Clarinette et Piano
1420
Hautbois, Piano (duo)
1212
Saxophone Alto et Piano
1030
Saxophone Tenor et Piano
655
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
381
Saxophone Soprano et Piano
335
2 Saxophones (duo)
279
Clarinette
263
Quatuor de Saxophones: 4 saxophones
254
Saxophone Baryton, Piano
239
Flûte, Hautbois, Clarinette, Basson
215
2 Flûtes traversières (duo)
153
Quintette de Saxophone: 5 saxophones
140
Flûte traversière
131
Quatuor de Clarinettes: 4 clarinettes
122
2 Clarinettes (duo)
107
Clarinette Basse, Piano
103
Cor anglais, Piano
97
3 Saxophones (trio)
93
Quatuor de Flûtes : 4 flûtes
77
Saxophone Alto
74
Flûte à bec Soprano, Piano
70
3 Clarinettes (trio)
57
2 Hautbois (duo)
55
Saxophone Tenor
49
Flûte, Violon, Piano
48
Flûte à Bec
44
Quatuor de Flûtes à bec
42
Flûte, Violoncelle, Piano (trio)
41
Flûte, Clarinette (duo)
40
2 Flûte à bec (duo)
39
Hautbois
38
Ensemble de Clarinettes
38
Flûte, Hautbois, Clarinette (trio)
36
2 Flûtes traversières, Piano
36
Flûte à bec Soprano
34
Hautbois (partie séparée)
33
Flûte à bec Alto, Piano
32
Saxophone (partie séparée)
32
Trio de Flûtes: 3 flûtes
31
Hautbois, Clarinette, Basson (trio d'anches)
31
Flûte à bec Alto
29
Flûte, Clarinette, Piano (trio)
23
Saxophone Baryton
22
Piccolo, Piano
22
Saxophone Soprano
22
Quintette de Clarinettes: 5 clarinettes
20
Hautbois, Basson (duo)
19
Ensemble de Flûtes
19
5 Flûtes à bec
19
2 Saxophones, Piano
18
Flûte et Guitare
17
3 Flûtes à bec (trio)
16
Clarinette, Basson (duo)
16
2 Clarinettes, Piano
14
Flûte à bec Tenor
14
Ensemble de saxophones
13
Clarinette (partie séparée)
12
Flûte à Bec, Piano
12
Hautbois, Flûte
10
Hautbois, Clarinette (duo)
10
Flûte, Violon, Violoncelle et Piano
9
Flûte, Clarinette et Basson
8
Clarinette, Violoncelle, Piano (trio)
8
Flûte, Violoncelle
8
Clarinette, Violon (duo)
8
Clarinette, Guitare (duo)
8
Flûte, Basson et Piano
8
Flûte, Violon
7
Flûte, Hautbois (duo)
7
Clarinette et Alto
6
Hautbois, Basson et Piano
6
Flûte, Hautbois, Piano (trio)
6
Flûte, Alto (duo)
6
Flûte, trombone et piano
5
Saxophone, Clarinette (duo)
5
Flûte, Hautbois, Basson
5
Hautbois, Clarinette et Piano (Trio)
4
Flûte, Alto et Piano
4
Clarinette, Violoncelle (duo)
4
Flute (partie séparée)
4
Flûte traversière, Orgue (duo)
4
2 Clarinettes, Basson
4
Clarinette, Basson, Piano (trio)
4
Ensemble De Flûte à bec
3
2 Cors Anglais Et Pianoforte
3
Quintette de Flûte : 5 flûtes
3
Flûte à bec Alto, Basse continue
3
Hautbois, Violon, Piano
3
Flûte, Saxophone (duo)
3
3 Flûtes à bec, Piano
2
Hautbois, Violoncelle
2
Saxophone et Orgue
2
3 Hautbois
2
Flûte, Trombone (duo)
2
Saxophone et Piano
2
Clarinette, Trombone (duo)
2
Piccolo
2
Hautbois, Violoncelle et Piano
2
Hautbois, Guitare (duo)
2
Clarinette, Alto et Piano (trio)
2
Clarinette, Saxophone, Piano
1
Quintette de Clarinette: Clarinette, Quatuor à Cordes
1
Cor anglais, Guitare (duo)
1
2 Flûtes, 2 Clarinettes (Quatuor)
1
Flûte, Clarinette, Violon (trio)
1
2 Hautbois, Piano
1
Clarinette, trompette et piano
1
Cornemuse
1
Hautbois, Violin, Alto et Violoncelle (Quatuor)
1
Flûte, alto et harpe
1
Flûte irlandaise
1
Flûte à bec Soprano, Basse continue
1
Flûte, Trompette (duo)
1
2 Flûtes à bec, Piano
1
Clarinette, Tuba
1
Flute, harpe et violon
1
Clarinette, Trompette (duo)
1
Saxophone
1
Ensemble à vent
1
Clarinette, Contrebasse (duo)
1
Flûte et Quatuor à Cordes
1
Flûte, Clarinette, Cor, Basson (Quartet)
1
Clarinette, Orgue
1
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CUIVRES
Trombone et Piano
846
Trompette, Piano
803
Cor et Piano
605
Tuba et Piano
384
Trompette
285
Euphonium, Piano (duo)
213
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
206
Quatuor de Cuivres : 2 trompettes, trombone, tuba
102
Cor anglais, Piano
97
Trombone
96
Quatuor de Cuivres: 2 trompettes, Cor, trombone
91
2 Trompettes (duo)
68
2 Trombones (duo)
63
2 Cors (duo)
58
Cor
58
Tuba
43
Trompette, Trombone (duo)
26
Quatuor de Cuivres
24
Trombone basse et Piano
20
Quatuor de cuivres: 4 trombones
18
Trompette (partie séparée)
18
Tuba et Orgue
14
3 Trombones (trio)
14
Quatuor de cuivres: 4 cors
13
Trombone (partie séparée)
12
Trompette, Cor (duo)
12
2 Tubas (duo)
11
Trio de Cuivres
10
Euphonium
9
3 Trompettes (trio)
7
Trombone, Tuba (duo)
6
Quatuor de cuivres: 4 trompettes
6
2 Trompettes, Clavier (piano ou orgue)
6
2 Euphoniums (duo)
5
Trombone, Cor (duo)
5
4 Tubas
4
Trompette, Trombone, Piano
4
Tuba (partie séparée)
4
Cor (partie séparée)
4
Quatuor de cuivres: 2 trompettes, 2 trombones
3
Ensemble de Cors
3
2 Cors Anglais Et Pianoforte
3
Ensemble de Trombones
3
Ensemble de Trompettes
3
Cor, Tuba (duo)
3
Trompette, Saxophone (duo)
3
Trompette, Violoncelle et Piano
2
Euphonium, Tuba (duo)
2
Trompette, violon (duo)
2
Trombone, Orgue
2
Cor anglais, Guitare (duo)
1
Trompette, Tuba (duo)
1
2 Cors, Piano
1
3 Cors (trio)
1
2 Euphoniums et 2 Tubas
1
Trompette, Euphonium (duo)
1
Quintette de Cuivres: 2 trompettes, Cor, 2 trombones
1
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CORDES
Violon et Piano
2104
Violoncelle, Piano
1370
Alto, Piano
1142
Quatuor à cordes: 2 violons, alto, violoncelle
563
Contrebasse, Piano (duo)
318
Violon
175
Quintette à cordes: 2 violons, alto, violoncelle, basse
145
Violoncelle
143
2 Violons (duo)
111
Trio à Cordes: violon, alto, violoncelle
98
Alto seul
93
2 Violoncelles (duo)
83
Harpe
79
2 Altos (duo)
68
Violon, Violoncelle (duo)
66
Violon, Alto (duo)
60
Contre Basse
45
Piano Trio: Violon, Alto, Piano
37
Violon (partie séparée)
26
Alto (partie séparée)
22
Alto, Violoncelle (duo)
22
Quatuor à cordes: 4 violons
20
4 Violoncelles
19
Violoncelle, Contrebasse (duo)
18
Trio à Cordes: 2 violons, violoncelle
18
Quatuor à cordes : 4 altos
16
4 Contrebasses
12
2 Contrebasses (duo)
11
Trio à Cordes: 3 violoncelles
11
Harpe, Flûte (duo)
11
Contrebasse (partie séparée)
10
Trio à cordes: 3 violins
9
Trio à Cordes: 2 violons, alto
8
Violon, Guitare (duo)
7
Violon, Clarinette, Piano (trio)
6
Quintette à cordes : 2 violons, alto et 2 violoncelles
6
Trio à cordes: 3 altos
6
Quintette à cordes: 2 violons, 2 altos, violoncelle
5
2 Violons, Piano
5
Harpe, Violon (duo)
5
Violoncelle (partie séparée)
4
Harpe, Voix
4
Violoncelle , Guitare (duo)
4
Violoncelle, Basse continue
3
Harpe et Piano
3
Alto et Basson
3
2 Violoncelles, Piano
3
Violoncelle, Orgue
2
Alto et Harpe
2
Harpe et mandoline
2
3 Contrebasses
2
Alto, Guitare (duo)
2
2 Harpes (duo)
2
Violon, Basson (duo)
2
2 Altos, Piano
2
Flûte, Contrebasse (duo)
2
Violon, Orgue
1
Harpe, Violoncelle (duo)
1
Ensemble de Violoncelles
1
Violon, Violoncelle, Clarinette
1
Alto, Orgue
1
Violoncelle, Orchestre
1
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PERCUSSIONS & ORCHESTRES
Orchestre d'harmonie
402
Orchestre à Cordes
386
Jazz combo
365
Orchestre
343
Cloches
250
Ensemble Jazz
248
Orchestre de chambre
125
Ensemble de cuivres
76
Xylophone, Piano
56
Ensemble de Percussions
22
Marimba
12
Percussion (partie séparée)
11
Vibraphone
8
Ensemble d'École
7
Batterie
6
Xylophone
6
Piano et Orchestre
5
Fanfare
3
Orchestre, Violon
2
2 Xylophones
2
Marimba, Piano (duo)
2
Batterie (partie séparée)
2
Quintette de Cuivres: autres combinaisons
2
Caisse Claire
1
2 Marimbas
1
Instrumentation Flexible
1
Vibraphone et Marimba
1
Instrumentations suivantes
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The Swan, (Le Cygne), by Saint-Saens, for Alto Saxophone and Piano
Saxophone Alto et Piano
Piano Accompaniment, Alto Sax - Intermediate - Digital Download Composed by Camille S…
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Piano Accompaniment, Alto Sax - Intermediate - Digital Download Composed by Camille Saint- Saens (1835-1921). Arranged by David McKeown. Romantic Period, Repertoire, General Instructional, Recital. Score, Solo Part. 7 pages. Published by David McKeown
Le Cygne, or The Swan, is the penultimate movementof Camille Saint-Saëns’ 1886 suite, Carnivalof the Animals. Most often played as a solo piece for cello with piano,the original version was scored for solo instrument and two pianos. It was the only movement for the Carnivalthat the composer allowed to be heard in public during his lifetime. Thisversion for Alto Saxophone with Pianoaccompaniment has been arranged to best suit the key and pitch of the soloinstrument. The pdf file contains both the piano accompaniment and the separatesolo part.<br> <br> Musicians at an intermediate level and above willfind this ideal for formal and informal performances. The melody is expressiveand legato; the piano accompaniment is challenging in its constant semiquaverarpeggios. The overall performance time is around three minutes. The linked full-length youtube performance is the Clarinet version of this arrangement.<br> <br> Teacherswill enjoy using this arrangement as a fun way to help with expressive playing.The legato in both parts demand precise fingers.
$4.60
4.14 €
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Saxophone Alto et Piano
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Camille Saint- Saens
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The Swan,
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David McKeown
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SheetMusicPlus
Mendelssohn: Wedding March for Alto Sax & Piano
Saxophone Alto et Piano
Alto Saxophone,Piano - Level 3 - Digital Download SKU: A0.549892 Composed by Felix …
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Alto Saxophone,Piano - Level 3 - Digital Download SKU: A0.549892 Composed by Felix Bartholdy Mendelssohn. Arranged by James M. Guthrie, ASCAP. Romantic Period,Standards,Wedding. Score and part. 23 pages. Jmsgu3 #3603399. Published by jmsgu3 (A0.549892). Score: 12 pages, piano part: 6 pages, alto sax part: 4 pages. duration: ca. 5'. This is the famous wedding march from Op. 61 composed in 1842 and commonly performed as a recessional march at the end of a wedding. The piece was originally composed for orchestra then arranged for organ and performed by Mendelssohn himself.Mendelssohn: Wedding March Mendelssohn’s Wedding March is so popular that it’s difficult to imagine a wedding without it. It seems like it’s been around for eternity. In any case, it was only 150 years or so ago that the Wedding March came about. It was performed in Potsdam for the first time in 1842, as a piece of Mendelssohn’s music for the Shakespeare play A Midsummer Night’s Dream. It was first used for a wedding in 1858 Mendelssohn Background Felix Mendelssohn (1809 –1847) was, by all means, a German mastermind composer, musician and orchestra conductor of the Romantic period. Consequently, Mendelssohn composed in the usual forms of the time - symphonies, concertos, oratorios, piano music, and chamber music. To summarize, his most famous works include his music for A Midsummer Night's Dream, the Italian Symphony, the Scottish Symphony, The Hebrides Overture, his later Concerto for Violin & Orchestra, and his Octet for Strings. His most well-known piano pieces, by and large, are the Songs Without Words. Artistic Standing Musical tastes change from time to time. Moreover, just such a change occurred in the late 19th and early 20th centuries. This plus rampant antisemitism brought a corresponding amount of undue criticism. Fortunately, however, his artistic inventiveness has indeed been critically re-evaluated. As a result, Mendelssohn is once again among the most prevalent composers of the Romantic era. Early Family Life Mendelssohn was, in fact, born into a prominent Jewish family. His grandfather was, notably, the philosopher Moses Mendelssohn. Felix was, in fact, raised without religion. At the age of seven, he was all of a sudden baptized as a Reformed Christian. He was, moreover, a child musical prodigy. Nevertheless, his parents did not attempt to exploit his talent. Early Adulthood Mendelssohn was, in general, successful in Germany. He conducted, in particular, a revival of the music of Johann Sebastian Bach, specifically with his presentation of the St Matthew Passion in 1829. Felix was truly in demand throughout Europe as a composer, conductor, and soloist. For example, he visited Britain ten times. There, he premiered, namely, many of his major works. His taste in music was. To be sure, inventive and well-crafted yet markedly conservative. This conservatism separated him by all means from more audacious musical colleagues like Liszt, Wagner, and Berlioz. Mendelssohn founded the Leipzig Conservatoire which, to clarify, became a defender of this conservative viewpoint. Mature Adulthood Schumann notably wrote that Mendelssohn was the Mozart of the nineteenth century, the most brilliant musician, the one who most clearly sees through the contradictions of the age and for the first time reconciles them. This observation points to a couple of features in particular that illustrate Mendelssohn's works and his artistic procedure. Musical Features In the first place, his musical style was fixed in his methodical mastery of the style of preceding masters. This being said, he certainly recognized and even developed early romanticism from the music of Beethoven and Weber. Secondly, it indicates that Mendelssohn sought to strengthen his inherited musical legacy rather than to exchange it with new forms and styles or replace it with exotic orchestration. Consequently, he diverged his contemporaries in the romantic period, such as Wagner, Berlioz, and Liszt. Mendelssohn revered Liszt's virtuos.
$32.95
29.64 €
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Saxophone Alto et Piano
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Felix Bartholdy Mendelssohn
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James M
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Mendelssohn: Wedding March for Alto Sax & Piano
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jmsgu3
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SheetMusicPlus
Gymnopedie No.1 - alto sax and piano with FREE BACKING TRACK
Saxophone Alto et Piano
Alto Saxophone,Piano - Level 3 - Digital Download SKU: A0.564164 Composed by Erik S…
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Alto Saxophone,Piano - Level 3 - Digital Download SKU: A0.564164 Composed by Erik Satie. Arranged by Austin Ralphson. 20th Century,Contemporary,Romantic Period,Wedding. Score and part. 5 pages. Austin Ralphson #6270101. Published by Austin Ralphson (A0.564164). Originally published in 1888 as one of three short piano pieces, Satie's Gymnopédie No.1 has become a classic of the piano repertoire. It is presented here as an instrumental solo with piano accompaniment and is a firm favourite to play at any performance, from weddings to recitals to parties and beyond! This piece can either be played with a live pianist, or can be played along with the free backing track which is available from https://youtu.be/DM0lIKyLg28 (copy and paste into a new window) and also in the video screen above.This piece features in a collection of 5 beautiful solos which is available to purchase here for $9.99: https://armusiconline.com/b/lAY4nÂ
$3.99
3.59 €
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Saxophone Alto et Piano
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Erik Satie
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Austin Ralphson
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Gymnopedie No.1 - alto sax and piano with FREE BACKING TRACK
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Austin Ralphson
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SheetMusicPlus
Amazing Grace (alto saxophone solo and piano) - Score & parts
Saxophone Alto et Piano
Piano Accompaniment, Alto Sax - Intermediate - Digital Download Arranged by Anthony G…
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Piano Accompaniment, Alto Sax - Intermediate - Digital Download Arranged by Anthony Giamanco. Christian, General Worship, Repertoire, Funeral, Recital. Score, Set of Parts. 13 pages. Published by Anthony Giamanco Music
Amazing Grace is beautifully arranged for Alto Saxophone solo and piano. The sax has the melody throughout with slight variations, playable by an intermediate level saxophonist. The captivating piano accompaniment creates a distinctive mood with unexpected harmonies that give new life to the beloved hymn. A wonderful addition to the sacred repertoire for solo instrument and piano, this piece will make a lasting impression on your congregation or concert audience. Anthony Giamanco is a member of ASCAP. His many piano, organ,choir, and chamber works are in the catalogs of numerous publishers includingGIA, Shawnee Press, Alfred, Augsburg Fortress, Lorenz, and others. His piecesalso can be purchased through sheetmusicplus.com and JW Pepper. Anthony's musiccan be heard on his website, anthonygiamanco.com, and on YouTube. Contact info:tony@shalomlife.org.
$4.99
4.49 €
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Saxophone Alto et Piano
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Anthony Giamanco
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Amazing Grace
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Anthony Giamanco Music
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SheetMusicPlus
Mendelssohn: Song Without Words Op. 109 for Alto Sax & Piano
Saxophone Alto et Piano
Alto Saxophone,Piano - Level 3 - Digital Download SKU: A0.549489 Composed by Felix …
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Alto Saxophone,Piano - Level 3 - Digital Download SKU: A0.549489 Composed by Felix Bartholdy Mendelssohn. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and part. 20 pages. Jmsgu3 #3500661. Published by jmsgu3 (A0.549489). ALTO SAX & PIANO - Score: 11 pages, solo part: 3 pages, piano part: 5 pages. Duration: 4:20. This is a popular recital piece that would work well also in church or school programs. Mendelssohn Background Felix Mendelssohn (1809 –1847) was, by all means, a German mastermind composer, musician, and orchestra conductor of the Romantic period. Consequently, Mendelssohn composed in the usual forms of the time - symphonies, concertos, oratorios, piano music, and chamber music. To summarize, his most famous works include his music for A Midsummer Night's Dream, the Italian Symphony, the Scottish Symphony, The Hebrides Overture, his later Concerto for Violin & Orchestra, and his Octet for Strings. His most well-known piano pieces, by and large, are the Songs Without Words. Artistic Standing  Musical tastes change from time to time. Moreover, just such a change occurred in the late 19th and early 20th centuries. This plus rampant antisemitism brought a corresponding amount of undue criticism. Fortunately, however, his artistic inventiveness has indeed been critically re-evaluated. As a result, Mendelssohn is once again among the most prevalent composers of the Romantic era. Early Family Life Mendelssohn was, in fact, born into a prominent Jewish family. His grandfather was, notably, the philosopher Moses Mendelssohn. Felix was, in fact, raised without religion. At the age of seven, he was suddenly baptized as a Reformed Christian. He was, moreover, a child musical prodigy. Nevertheless, his parents did not attempt to exploit his talent. Early Adulthood Mendelssohn was, in general, successful in Germany. He conducted, in particular, a revival of the music of Johann Sebastian Bach, specifically with his presentation of the St Matthew Passion in 1829. Felix was truly in demand throughout Europe as a composer, conductor, and soloist. For example, he visited Britain ten times. There, he premiered, namely, many of his significant works. His taste in music was. To be sure, inventive and well-crafted yet markedly conservative. This conservatism separated him by all means from more audacious musical colleagues like Liszt, Wagner, and Berlioz. Mendelssohn founded the Leipzig Conservatoire which, to clarify, became a defender of this conservative viewpoint. Mature Adulthood Schumann notably wrote that Mendelssohn was the Mozart of the nineteenth century, the most brilliant musician, the one who most clearly sees through the contradictions of the age and for the first time reconciles them. This observation points to a couple of features in particular that illustrate Mendelssohn's works and his artistic procedure. Musical Features In the first place, his musical style was fixed in his systematic mastery of the style of preceding masters. This being said, he certainly recognized and even developed early romanticism from the music of Beethoven and Weber. Secondly, it indicates that Mendelssohn sought to strengthen his inherited musical legacy rather than to exchange it with new forms and styles or replace it with exotic orchestration. Consequently, he diverged his contemporaries in the romantic period, such as Wagner, Berlioz, and Liszt. Mendelssohn revered Liszt's virtuosity at the keyboard but found his music rather insubstantial.
$32.95
29.64 €
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Saxophone Alto et Piano
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Felix Bartholdy Mendelssohn
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James M
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Mendelssohn: Song Without Words Op. 109 for Alto Sax & Piano
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jmsgu3
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SheetMusicPlus
Ali Ben Sou Alle: Souvenir de Natal for alto saxophone and piano
Saxophone Alto et Piano
Alto Saxophone,Piano - Level 3 - Digital Download SKU: A0.533491 Composed by Ali Be…
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Alto Saxophone,Piano - Level 3 - Digital Download SKU: A0.533491 Composed by Ali Ben Sou Alle. Concert,Romantic Period,Standards. Score and part. 6 pages. Musik Fabrik Music Publishing #3000183. Published by Musik Fabrik Music Publishing (A0.533491). A lyric piece, celebrating Ali Ben Sou Alle's visit to Natal, which is now part of South Africa.One of the most enigmatic figures in the history of the Saxophone, Ali Ben Sou Alle (Charles-Valentin Soualle) was born in1820 in Arras, France. After receiving his first prize in Clarinet at the Paris Conservatory in 1844. he served as the director ofmusic of The French Marine Band in Senegal, and then was named first clarinet solo at the Opéra-Comique in Paris. However, after the Revolution of 1848, Soualle was forced to flee France to England where he settled in London, playing in the Orchestra of the Queen's Theatre. His songs and piano pieces were published in London.While in London, Soualle met another exiled French musician, Louis Antoine Jullien, who conducted a light music series inLondon. Jullien encouraged Soualle to take up the saxophone, and after modifying the instrument by adding a single octavemechanism (the modern system used today) and keys for the lower register, Soualle became known as a virtuoso and begantouring performing solo recitals (or mono-concerts, as they were called at the time) calling his modified saxophone the«turcophone ». He performed in all the European capitals and then traveled to Australia, New Zealand, Manilla, Java, throughChina and then to India where he finally settled in Mysore, becoming the director of the Royal Music for the Maharadjah. It wasduring this period that he converted to Islam and changed his nmae to Ali ben Sou Alle (or Ali, son of Soualle). Hesubsequently travaled to Ile Maurice, to French Polynesia, the Cap of Natal and the Cap of Good Hope. All of these voyageswere subjects of musical works which Soualle entitled Souvenirs de... and may perhaps have been part of a collection knownas The Royal Album which was presented to the Prince of Wales after a royal concert. Soualle returned to Mysore in 1858 and was almost killed in the Indian Revolution.Around 1860, Soualle returned to France for health reasons and began publishing his own music. On March 27 1865, heperformed a command performance for the Emperor Napoleon III at the Tuileries Palace in the presence of the entire ImperialFamily. After 1865, nothing more is known about him.
$9.95
8.95 €
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Saxophone Alto et Piano
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Ali Ben Sou Alle
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Ali Ben Sou Alle: Souvenir de Natal for alto saxophone and piano
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Musik Fabrik Music Publishing
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SheetMusicPlus
Ali Ben Sou Alle: Adieu, Valse de Concert for alto saxophone and piano
Saxophone Alto et Piano
Alto Saxophone,Piano - Level 3 - Digital Download SKU: A0.533505 Composed by Ali Be…
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Alto Saxophone,Piano - Level 3 - Digital Download SKU: A0.533505 Composed by Ali Ben Sou Alle. Concert,Romantic Period,Standards. Score and part. 21 pages. Musik Fabrik Music Publishing #3001087. Published by Musik Fabrik Music Publishing (A0.533505). The concert waltz Adieu begins with an introduction in the style of a Bel Canto aria. The Valse which follows is divided into several sections of contrasting styles and tonalites. The coda brings the piece to a calm and quiet close which is broken by a final fortissimo outburst.One of the most enigmatic figures in the history of the Saxophone, Ali Ben Sou Alle (Charles-Valentin Soualle) was born in 1820 in Arras, France. After receiving his first prize in Clarinet at the Paris Conservatory in 1844. he served as the director of music of The French Marine Band in Senegal, and then was named first clarinet solo at the Opéra-Comique in Paris. However, after the Revolution of 1848, Soualle was forced to flee France to England where he settled in London, playing in the Orchestra of the Queen's Theatre. His songs and piano pieces were published in London. While in London, Soualle met another exiled French musician, Louis Antoine Jullien, who conducted a light music series in London. Jullien encouraged Soualle to take up the saxophone, and after modifying the instrument by adding a single octave mechanism (the modern system used today) and keys for the lower register, Soualle became known as a virtuoso and began touring performing solo recitals (or mono-concerts, as they were called at the time) calling his modified saxophone the «turcophone ». He performed in all the European capitals and then traveled to Australia, New Zealand, Manilla, Java, through China and then to India where he finally settled in Mysore, becoming the director of the Royal Music for the Maharadjah. It was during this period that heconverted to Islam and changed his nmae to Ali ben Sou Alle (or Ali, son of Soualle). He subsequently travaled to Ile Maurice, to French Polynesia, the Cap of Natal and the Cap of Good Hope. All of these voyages were subjects of musical works which Soualle entitled Souvenirs de... and may perhaps have been part of a collection known as The Royal Album which was presented to the Prince of Wales after a royal concert. Soualle returned to Mysore in 1858 and was almost killed in the Indian Revolution. Around 1860, Soualle returned to France for health reasons and began publishing his own music. On March 27 1865, he performed a command performance for the Emperor Napoleon III at the Tuileries Palace in the presence of the entire Imperial Family. After 1865, nothing more is known about him.
$12.95
11.65 €
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Saxophone Alto et Piano
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Ali Ben Sou Alle
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Ali Ben Sou Alle: Adieu, Valse de Concert for alto saxophone and piano
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Musik Fabrik Music Publishing
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SheetMusicPlus
Traumerei (Kinderszenen No.7) - alto sax and piano with FREE BACKING TRACK to play along
Saxophone Alto et Piano
Alto Saxophone,Piano - Level 4 - Digital Download SKU: A0.564182 Composed by Robert…
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Alto Saxophone,Piano - Level 4 - Digital Download SKU: A0.564182 Composed by Robert Schumann. Arranged by Austin Ralphson. Film/TV,Romantic Period,Wedding. Score and part. 6 pages. Austin Ralphson #6274107. Published by Austin Ralphson (A0.564182). One of Robert Schumann's best known works, this lovely piano piece is subtitled Dreaming. Presented here as a solo with piano accompaniment, you can wallow in the beautiful harmonies whilst playing it!This piece can either be played with a live pianist, or can be played along with the free backing track which is available from https://youtu.be/QldOsevmSus (copy and paste into a new window) and also in the video screen above.This piece features in a collection of 5 beautiful solos which is available to purchase here for $9.99: https://armusiconline.com/b/lAY4n
$3.99
3.59 €
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Saxophone Alto et Piano
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Robert Schumann
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Austin Ralphson
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Traumerei
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Austin Ralphson
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SheetMusicPlus
Nocturne No. 20 for Alto Saxophone and Piano
Saxophone Alto et Piano
Alto Saxophone,Piano - Level 3 - Digital Download SKU: A0.528551 Composed by Freder…
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Alto Saxophone,Piano - Level 3 - Digital Download SKU: A0.528551 Composed by Frederic Chopin. Arranged by Diego Marani. Classical,Concert,Instructional,Romantic Period,Standards. Score and part. 5 pages. Diego Marani #6202163. Published by Diego Marani (A0.528551). The Nocturne No. 20 in C-sharp minor, Op. posth., Lento con gran espressione, is a solo piano piece composed by Frédéric Chopin in 1830 and published in 1870. This was also the piece played by Holocaust survivor and famed Polish pianist Władysław Szpilman (the central figure of the 2002 Roman Polanski film The Pianist) during the last live broadcast of Polish radio on September 23, 1939 when Warsaw was besieged by the German army.This arrangement for Alto Sax with Piano Accompaniment reflects faithfully the original for piano solo.
$8.99
8.09 €
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Saxophone Alto et Piano
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Frederic Chopin
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Diego Marani
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Nocturne No. 20 for Alto Saxophone and Piano
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Diego Marani
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SheetMusicPlus
Beethoven • Für Elise / Pour Elise • saxophone & piano sheet music
Saxophone Alto et Piano
Alto Saxophone,Piano - Level 3 - Digital Download SKU: A0.1412856 Composed by Ludwi…
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Alto Saxophone,Piano - Level 3 - Digital Download SKU: A0.1412856 Composed by Ludwig van Beethoven. Arranged by Benzaiten Editions. 19th Century,Classical,Instructional. Score and part. 11 pages. Benzaiten Editions #994860. Published by Benzaiten Editions (A0.1412856). Hey there! Ready to master Beethoven's Für Elise? Let's make some music ~!Beethoven • Für Elise / Pour Elise • saxophone & piano sheet music Benzaiten Editions' edition By purchasing our edition, You'll be able to download: Full score with all instruments of the arrangement (including piano accompaniment) Saxophone part About the song Für Elise or Pour Elise is a captivating piano piece by Ludwig van Beethoven, beloved for its haunting melody and delicate charm. Composed in the early 19th century, this musical gem continues to enchant listeners worldwide with its timeless beauty and emotive expression, making it a must-learn for any music enthusiast.
$4.99
4.49 €
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Saxophone Alto et Piano
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purchasing our edition, You'll be able to download:
Full score with all instruments of the arrangement
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Ludwig van Beethoven
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Benzaiten Editions
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Beethoven • Für Elise / Pour Elise • saxophone & piano sheet music
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Benzaiten Editions
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SheetMusicPlus
Tango Fantasy - Alto Sax & Piano
Saxophone Alto et Piano
Piano Accompaniment, Alto Sax - Advanced Intermediate - Digital Download Composed by …
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Piano Accompaniment, Alto Sax - Advanced Intermediate - Digital Download Composed by Wayne Liesching. Jazz, Latin Jazz. Score, Solo Part. 4 pages. Published by The Composer Man
'Tango Fantasy - Alto Sax & Piano'?: (Duration: 2.12) Higher Intermediate to the Advanced student.<br> SAMRO, CAPASSO.<br> Tango, is a passionate union between two dancers. The musical effect that I worked on was exactly that, the passionate union between two musical instruments. Throughout the piece, I endeavored to keep the central theme of the Tango rhythm playing out between the two instruments. I know that at some points I have moved away from the Tango idea, which is why I included the word fantasy in the title. So’ for most of the piece, the Tango theme is foremost, and whatever may or may not be Tango material is indeed a fantasy, an idea, a leaning toward the real thing, that is the Tango in Latin Style.<br> https://www.facebook.com/thecomposerman/ <br> https://drooble.com/wayne.liesching<br> www.thecomposerman.com<br> psallo.academyofmusic@gmail.com
$10.00
9 €
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Saxophone Alto et Piano
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Wayne Liesching
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Tango Fantasy - Alto Sax & Piano
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The Composer Man
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SheetMusicPlus
Debussy: Arabesque 2 for Alto Sax & Piano
Saxophone Alto et Piano
Alto Saxophone,Piano - Level 3 - Digital Download SKU: A0.551646 Composed by Claude…
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Alto Saxophone,Piano - Level 3 - Digital Download SKU: A0.551646 Composed by Claude Debussy (1862 – 1918). Arranged by James M. Guthrie. Holiday,Instructional,Romantic Period,Standards. Score and part. 22 pages. Jmsgu3 #5328999. Published by jmsgu3 (A0.551646). Debussy's Arabesques are considered one of the earliest expressions of French impressionism. They are a suite of two piano pieces that contain hints of Debussy's developing musical style. Although they did not receive much attention when they were first published, they are now regarded as early impressionist standards. Debussy seems to wander through modes and keys, achieving evocative scenes throughout both pieces. The Arabesques are essential in the history of music as they represent a significant development in the impressionist movement.Claude Debussy was a French composer born in 1862 who developed a highly original system of harmony and musical structure that expressed the ideals of the Impressionist and Symbolist painters and writers of his time. He is considered one of the most important and influential composers of the 20th century. Debussy's compositions, including his orchestral poems and piano music, helped establish the musical language for much of the twentieth century. Critics often credited Debussy with pioneering an impressionism genre, although Debussy consistently rejected the term. Debussy's best-known musical arabesque is his Prélude à l’après-midi d’un faune (1894).
$32.95
29.64 €
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Saxophone Alto et Piano
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Claude Debussy
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James M
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Debussy: Arabesque 2 for Alto Sax & Piano
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jmsgu3
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SheetMusicPlus
Debussy: Arabesque 1 for Alto Sax & Piano
Saxophone Alto et Piano
Alto Saxophone,Piano - Level 3 - Digital Download SKU: A0.551631 Composed by Claude…
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Alto Saxophone,Piano - Level 3 - Digital Download SKU: A0.551631 Composed by Claude Debussy (1862 – 1918). Arranged by James Guthrie, ASCAP. Instructional,New Age,Romantic Period,Standards. Score and part. 22 pages. Jmsgu3 #5325655. Published by jmsgu3 (A0.551631). Claude Debussy: Arabesque 1, Duration: ca. 3:30. Debussy's Arabesques are considered to be one of the earliest expressions of French impressionism. They are a suite of two piano pieces that contain hints of Debussy's developing musical style. Although they did not receive much attention when they were first published, they are now regarded as early impressionist standards. Debussy seems to wander through modes and keys, achieving evocative scenes throughout both pieces. The Arabesques are important in the history of music as they represent a significant development in the impressionist movement.Claude Debussy was a French composer born in 1862 who developed a highly original system of harmony and musical structure that expressed the ideals of the Impressionist and Symbolist painters and writers of his time. He is considered one of the most important and influential composers of the 20th century. Debussy's compositions, including his orchestral poems and piano music, helped establish the musical language for much of the twentieth century. Critics often credited Debussy with pioneering a genre called impressionism, although Debussy consistently rejected the term. Debussy's best-known musical arabesque is his Prélude à l’après-midi d’un faune (1894).
$32.95
29.64 €
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Saxophone Alto et Piano
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Claude Debussy
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James Guthrie, ASCAP
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Debussy: Arabesque 1 for Alto Sax & Piano
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jmsgu3
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SheetMusicPlus
Reprise (from "Spirited Away") // Alto Saxophone & Piano
Saxophone Alto et Piano
Piano Accompaniment, Alto Sax - Intermediate - Digital Download By Joe Hisaishi. Arra…
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Piano Accompaniment, Alto Sax - Intermediate - Digital Download By Joe Hisaishi. Arranged by Marc Papeghin. Score, Set of Parts. 16 pages. Published by Marc Papeghin
A faithful arrangement for Alto Saxophone & Piano of Joe Hisaishi's memorable piece from Spirited Away.
$6.99
6.29 €
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Saxophone Alto et Piano
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Joe Hisaishi
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Marc Papeghin
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Reprise
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Marc Papeghin
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SheetMusicPlus
Danza Diabolique (Alto sax. solo, piano acc.)
Saxophone Alto et Piano
Piano Accompaniment, Alto Sax - Intermediate - Digital Download Composed by Leonie Ca…
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Piano Accompaniment, Alto Sax - Intermediate - Digital Download Composed by Leonie Capararo. 21st Century, Latin Jazz, Latin, Recital. Individual Part, Score. 5 pages. Published by Notewell Music
An exciting dance in a Latin style in 5/8 time in Rondo form with repeated motifs and a big build up to the coda. the restless and relentless 5/8 groove will offer some challenges to the soloist and accompanist. A great 'show off' piece for a competition or recital. The range is perfect for the advancing Alto Saxophone player.
$5.00
4.5 €
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Saxophone Alto et Piano
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Leonie Capararo
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Danza Diabolique
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Notewell Music
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SheetMusicPlus
Turkish March for Alto Saxophone and Piano
Saxophone Alto et Piano
Alto Saxophone,Piano - Level 3 - Digital Download SKU: A0.528081 Composed by Wolfga…
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Alto Saxophone,Piano - Level 3 - Digital Download SKU: A0.528081 Composed by Wolfgang Amadeus Mozart. Arranged by Diego Marani. Classical,Concert,Instructional,Standards. Score and part. 7 pages. Diego Marani #4728373. Published by Diego Marani (A0.528081). The Piano Sonata No. 11 in A major, K. 331, by Wolfgang Amadeus Mozart is a piano sonata in three movements. The last one, marked Alla turca, popularly known as the Turkish Rondo or Turkish March, is often heard on its own and is one of Mozart's best-known piano pieces. This arrangement for Eb Alto Sax with Piano Accompaniment faithfully reproduces the original for piano.
$9.90
8.91 €
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Saxophone Alto et Piano
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Wolfgang Amadeus Mozart
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Diego Marani
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Turkish March for Alto Saxophone and Piano
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Diego Marani
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SheetMusicPlus
Largo al Factotum - Alto Sax and Piano (Full Score and Parts)
Saxophone Alto et Piano
Alto Saxophone,Piano - Level 3 - Digital Download SKU: A0.1456815 Composed by Gioac…
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Alto Saxophone,Piano - Level 3 - Digital Download SKU: A0.1456815 Composed by Gioachino Rossini. Arranged by César Madeira. 19th Century,Classical,Comedy,Opera,Romantic Period. Score and part. 33 pages. Sheet Music To Play Editions #1035889. Published by Sheet Music To Play Editions (A0.1456815). Largo al Factotum from Barbieri di Seviglia by Rossini. Arrangement for Alto Sax and Piano. With Full Score and Individual Parts. Enjoy it!Gioachino Antonio Rossini (1792 – 1868) was an Italian composer who gained fame for his 39 operas, although he also wrote many songs, some chamber music and piano pieces, and some sacred music. He set new standards for both comic and serious opera before retiring from large-scale composition while still in his thirties, at the height of his popularity.For Tutorials, Play Alongs or request New Arrangements, visit the YouTube Channel: Sheet Music To Play
$8.99
8.09 €
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Saxophone Alto et Piano
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Gioachino Rossini
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César Madeira
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Largo al Factotum - Alto Sax and Piano
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Sheet Music To Play Editions
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SheetMusicPlus
Ali Ben Sou Alle: Fantaisie sur Don Giovanni de Mozart for alto saxophone and piano
Saxophone Alto et Piano
Alto Saxophone,Piano - Level 3 - Digital Download SKU: A0.533347 Composed by Ali Be…
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Alto Saxophone,Piano - Level 3 - Digital Download SKU: A0.533347 Composed by Ali Ben Sou Alle, Wolfgang Amadeus Mozart. Arranged by Paul Wehage. Concert,Opera,Romantic Period,Standards. Score and part. 22 pages. Musik Fabrik Music Publishing #2348197. Published by Musik Fabrik Music Publishing (A0.533347). One of the most enigmatic figures in the history of the Saxophone, Ali Ben Sou Alle (Charles-Valentin Soualle) was born in 1820 in Arras, France. After receiving his first prize in Clarinet at the Paris Conservatory in 1844. he served as the director ofmusic of The French Marine Band in Senegal, and then was named first clarinet solo at the Opéra-Comique in Paris. However, after the Revolution of 1848, Soualle was forced to flee France to England where he settled in London, playing in the Orchestra of the Queen's Theatre. His songs and piano pieces were published in London. While in London, Soualle met another exiled French musician, Louis Antoine Jullien, who conducted a light music series in London. Jullien encouraged Soualle to take up the saxophone, and after modifying the instrument by adding a single octave mechanism (the modern system used today) and keys for the lower register, Soualle became known as a virtuoso and began touring performing solo recitals (or mono-concerts, as they were called at the time) calling his modified saxophone the «turcophone ». He performed in all the European capitals and then traveled to Australia, New Zealand, Manilla, Java, through China and then to India where he finally settled in Mysore, becoming the director of the Royal Music for the Maharadjah. It was during this period that he converted to Islam and changed his nmae to Ali ben Sou Alle (or Ali, son of Soualle). He subsequently travaled to Ile Maurice, to French Polynesia, the Cap of Natal and the Cap of Good Hope. All of these voyages were subjects of musical works which Soualle entitled Souvenirs de... and may perhaps have been part of a collection known as The Royal Album which was presented to the Prince of Wales after a royal concert. Soualle returned to Mysore in 1858 and was almost killed in the Indian Revolution. Around 1860, Soualle returned to France for health reasons and began publishing his own music. On March 27 1865, he performed a command performance for the Emperor Napoleon III at the Tuileries Palace in the presence of the entire Imperial Family. After 1865, nothing more is known about him. Soualle not only performed on the clarinet, saxophone and piano, but also frequently sang during his concerts. He also wrote songs while he was in London. His opera fantasies are usually written for the Alto saxophone and are generally in the form of an introductory aria with cadenza, a theme with one or more variations and then a final waltz movement in rondo form with a final brillant variation. This specific work opens with motives from the Opera‘s overture, leading to Donna Anna’s 1st act aria Or sai, chi l'onore. The duet Là ci darem la mano is the subject of two variations followed by a brief interlude using Zerlina’s aria Batti, batti, o bel Masetto and then the final section is the duo Andiam’ Andiam ‘ Mio Bene between Don Giovanni and Zerlina which ends the Act I duet. The work ends with a brillant coda
$11.95
10.75 €
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Saxophone Alto et Piano
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Ali Ben Sou Alle, Wolfgang Amadeus Mozart
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Paul Wehage
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Ali Ben Sou Alle: Fantaisie sur Don Giovanni de Mozart for alto saxophone and piano
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Musik Fabrik Music Publishing
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SheetMusicPlus
Ali Ben Sou Alle: Fantaisie sur La Favorita de Donizetti for alto saxophone and piano
Saxophone Alto et Piano
Alto Saxophone,Piano - Level 3 - Digital Download SKU: A0.533348 Composed by Ali Be…
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Alto Saxophone,Piano - Level 3 - Digital Download SKU: A0.533348 Composed by Ali Ben Sou Alle, Gaetano Donizetti. Arranged by Paul Wehage. Concert,Opera,Romantic Period,Standards. Score and part. 23 pages. Musik Fabrik Music Publishing #2348199. Published by Musik Fabrik Music Publishing (A0.533348). One of the most enigmatic figures in the history of the Saxophone, Ali Ben Sou Alle (Charles-Valentin Soualle) was born in 1820 in Arras, France. After receiving his first prize in Clarinet at the Paris Conservatory in 1844. he served as the director ofmusic of The French Marine Band in Senegal, and then was named first clarinet solo at the Opéra-Comique in Paris. However, after the Revolution of 1848, Soualle was forced to flee France to England where he settled in London, playing in the Orchestra of the Queen's Theatre. His songs and piano pieces were published in London. While in London, Soualle met another exiled French musician, Louis Antoine Jullien, who conducted a light music series in London. Jullien encouraged Soualle to take up the saxophone, and after modifying the instrument by adding a single octave mechanism (the modern system used today) and keys for the lower register, Soualle became known as a virtuoso and began touring performing solo recitals (or mono-concerts, as they were called at the time) calling his modified saxophone the «turcophone ». He performed in all the European capitals and then traveled to Australia, New Zealand, Manilla, Java, through China and then to India where he finally settled in Mysore, becoming the director of the Royal Music for the Maharadjah. It was during this period that he converted to Islam and changed his nmae to Ali ben Sou Alle (or Ali, son of Soualle). He subsequently travaled to Ile Maurice, to French Polynesia, the Cap of Natal and the Cap of Good Hope. All of these voyages were subjects of musical works which Soualle entitled Souvenirs de... and may perhaps have been part of a collection known as The Royal Album which was presented to the Prince of Wales after a royal concert. Soualle returned to Mysore in 1858 and was almost killed in the Indian Revolution. Around 1860, Soualle returned to France for health reasons and began publishing his own music. On March 27 1865, he performed a command performance for the Emperor Napoleon III at the Tuileries Palace in the presence of the entire Imperial Family. After 1865, nothing more is known about him.Soualle not only performed on the clarinet, saxophone and piano, but also frequently sang during his concerts. He also wrotesongs while he was in London. His opera fantasies are usually written for the Alto saxophone. This particular fantasy usesthemes from the Third and fourth act sung by the hero et heroine which are marked in the score.
$11.95
10.75 €
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Saxophone Alto et Piano
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Ali Ben Sou Alle, Gaetano Donizetti
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Paul Wehage
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Ali Ben Sou Alle: Fantaisie sur La Favorita de Donizetti for alto saxophone and piano
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Musik Fabrik Music Publishing
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SheetMusicPlus
Ali Ben Sou Alle: Fantaisie sur le Barbier de Séville de Rossin for alto saxophone and piano
Saxophone Alto et Piano
Alto Saxophone,Piano - Level 4 - Digital Download SKU: A0.533354 Composed by Ali Be…
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Alto Saxophone,Piano - Level 4 - Digital Download SKU: A0.533354 Composed by Ali Ben Sou Alle, Gioachino Rossini. Arranged by Paul Wehage. Concert,Opera,Romantic Period,Standards. Score and part. 30 pages. Musik Fabrik Music Publishing #2363209. Published by Musik Fabrik Music Publishing (A0.533354). One of the most enigmatic figures in the history of the Saxophone, Ali Ben Sou Alle (Charles-Valentin Soualle) was born in1820 in Arras, France. After receiving his first prize in Clarinet at the Paris Conservatory in 1844. he served as the director ofmusic of The French Marine Band in Senegal, and then was named first clarinet solo at the Opéra-Comique in Paris. However, after the Revolution of 1848, Soualle was forced to flee France to England where he settled in London, playing in the Orchestra of the Queen's Theatre. His songs and piano pieces were published in London.While in London, Soualle met another exiled French musician, Louis Antoine Jullien, who conducted a light music series inLondon. Jullien encouraged Soualle to take up the saxophone, and after modifying the instrument by adding a single octavemechanism (the modern system used today) and keys for the lower register, Soualle became known as a virtuoso and begantouring performing solo recitals (or mono-concerts, as they were called at the time) calling his modified saxophone the«turcophone ». He performed in all the European capitals and then traveled to Australia, New Zealand, Manilla, Java, throughChina and then to India where he finally settled in Mysore, becoming the director of the Royal Music for the Maharadjah. It wasduring this period that he converted to Islam and changed his nmae to Ali ben Sou Alle (or Ali, son of Soualle). Hesubsequently travaled to Ile Maurice, to French Polynesia, the Cap of Natal and the Cap of Good Hope. All of these voyageswere subjects of musical works which Soualle entitled Souvenirs de... and may perhaps have been part of a collection knownas The Royal Album which was presented to the Prince of Wales after a royal concert. Soualle returned to Mysore in 1858 and was almost killed in the Indian Revolution.Around 1860, Soualle returned to France for health reasons and began publishing his own music. On March 27 1865, heperformed a command performance for the Emperor Napoleon III at the Tuileries Palace in the presence of the entire ImperialFamily. After 1865, nothing more is known about him.Fantaisie sur Le Barbier de Séville begins with the Count's 1st act cavatina Ecco ridente in cielà This is followed by a seriesof variations sur Rosina's Cabaletta Io sono docile. The second act finale Fredda ed immobile is then presented in a number of variations. Finally, the second part of the Count and Figaros first act duo (Ah che d'amore) brings the work to a brilliant finish.
$19.95
17.95 €
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Saxophone Alto et Piano
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Ali Ben Sou Alle, Gioachino Rossini
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Paul Wehage
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Ali Ben Sou Alle: Fantaisie sur le Barbier de Séville de Rossin for alto saxophone and piano
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Musik Fabrik Music Publishing
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SheetMusicPlus
Ali Ben Sou Alle: Caprice sur La Prophète de Meyerbeer for alto saxophone and piano
Saxophone Alto et Piano
Alto Saxophone,Piano - Level 3 - Digital Download SKU: A0.533497 Composed by Ali Be…
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Alto Saxophone,Piano - Level 3 - Digital Download SKU: A0.533497 Composed by Ali Ben Sou Alle. Concert,Romantic Period,Standards. Score and part. 19 pages. Musik Fabrik Music Publishing #3000441. Published by Musik Fabrik Music Publishing (A0.533497). Meyerbeer’s Opera Le Prophète was one of the most influential works of the 19th century, inspiring Verdi, Wagner, Liszt andothers with its dramatic score. Caprice sur Le Prophète de Meyerbeer begins with an extended Aria with several cadenzas. The work ends with a Polka in Rondo form which has a brillant variation.One of the most enigmatic figures in the history of Wind Music, Ali Ben Sou Alle (Charles-Valentin Soualle) was born in 1820 in Arras, France. After receiving his first prize in Clarinet at the Paris Conservatory in 1844. he served as the director of music of The French Marine Band in Senegal, and then was named first clarinet solo at the Opéra-Comique in Paris. However, after the Revolution of 1848, Soualle was forced to flee France to England where he settled in London, playing in the Orchestra of the Queen's Theatre. His songs and piano pieces were published in London.While in London, Soualle met another exiled French musician, Louis Antoine Jullien, who conducted a light music series in London. Jullien encouraged Soualle to take up the saxophone, and after modifying the instrument by adding a single octave mechanism (the modern system used today) and keys for the lower register, Soualle became known as a virtuoso and began touring performing solo recitals (or mono-concerts, as they were called at the time) calling his modified saxophone the «turcophone ». He performed in all the European capitals and then traveled to Australia, New Zealand, Manilla, Java, through China and then to India where he finally settled in Mysore, becoming the director of the Royal Music for the Maharadjah. It was during this period that he converted to Islam and changed his nmae to Ali ben Sou Alle (or Ali, son of Soualle). He subsequently travaled to Ile Maurice, to French Polynesia, the Cap of Natal and the Cap of Good Hope. All of these voyages were subjects of musical works which Soualle entitled Souvenirs de... and may perhaps have been part of a collectionknown as The Royal Album which was presented to the Prince of Wales after a royal concert. Soualle returned to Mysore in 1858 and was almost killed in the Indian Revolution.Around 1860, Soualle returned to France for health reasons and began publishing his own music. On March 27 1865, he performed a command performance for the Emperor Napoleon III at the Tuileries Palace in the presence of the entire Imperial Family. After 1865, nothing more is known about him.
$11.95
10.75 €
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Saxophone Alto et Piano
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Ali Ben Sou Alle
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Ali Ben Sou Alle: Caprice sur La Prophète de Meyerbeer for alto saxophone and piano
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Musik Fabrik Music Publishing
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SheetMusicPlus
Ali Ben Sou Alle: Caprice sur "Jenny L'Ouvrière" for alto saxophone and piano
Saxophone Alto et Piano
Alto Saxophone,Piano - Level 3 - Digital Download SKU: A0.533506 Composed by Ali Be…
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Alto Saxophone,Piano - Level 3 - Digital Download SKU: A0.533506 Composed by Ali Ben Sou Alle. Concert,Romantic Period,Standards. Score and part. 13 pages. Musik Fabrik Music Publishing #3002369. Published by Musik Fabrik Music Publishing (A0.533506). Jenny L'Ouvrière is a popular romance from 1845 with music by Étienne Arnaud and words by Emile Barateau. The song speaks of an hardworking weaver who is poor, but also courageous and good. The pastorale-like theme is also presented in a more varied form.One of the most enigmatic figures in the history of the Saxophone, Ali Ben Sou Alle (Charles-Valentin Soualle) was born in 1820 in Arras, France. After receiving his first prize in Clarinet at the Paris Conservatory in 1844. he served as the director of music of The French Marine Band in Senegal, and then was named first clarinet solo at the Opéra-Comique in Paris. However, after the Revolution of 1848, Soualle was forced to flee France to England where he settled in London, playing in the Orchestra of the Queen's Theatre. His songs and piano pieces were published in London. While in London, Soualle met another exiled French musician, Louis Antoine Jullien, who conducted a light music series in London. Jullien encouraged Soualle to take up the saxophone, and after modifying the instrument by adding a single octave mechanism (the modern system used today) and keys for the lower register, Soualle became known as a virtuoso and began touring performing solo recitals (or mono-concerts, as they were called at the time) calling his modified saxophone the «turcophone ». He performed in all the European capitals and then traveled to Australia, New Zealand, Manilla, Java, through China and then to India where he finally settled in Mysore, becoming the director of the Royal Music for the Maharadjah. It was during this period that heconverted to Islam and changed his nmae to Ali ben Sou Alle (or Ali, son of Soualle). He subsequently travaled to Ile Maurice, to French Polynesia, the Cap of Natal and the Cap of Good Hope. All of these voyages were subjects of musical works which Soualle entitled Souvenirs de... and may perhaps have been part of a collection known as The Royal Album which was presented to the Prince of Wales after a royal concert. Soualle returned to Mysore in 1858 and was almost killed in the Indian Revolution. Around 1860, Soualle returned to France for health reasons and began publishing his own music. OnMarch 27 1865, he performed a command performance for the Emperor Napoleon III at the Tuileries Palace in the presence of the entire Imperial Family. After 1865, nothing more is known about him.
$10.35
9.31 €
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Saxophone Alto et Piano
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Ali Ben Sou Alle
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Ali Ben Sou Alle: Caprice sur "Jenny L'Ouvrière" for alto saxophone and piano
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Musik Fabrik Music Publishing
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SheetMusicPlus
Ali Ben Sou Alle: Fantaisie sur Robert le Diable for alto saxophone and piano
Saxophone Alto et Piano
Alto Saxophone,Piano - Level 4 - Digital Download SKU: A0.533499 Composed by Ali Be…
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Alto Saxophone,Piano - Level 4 - Digital Download SKU: A0.533499 Composed by Ali Ben Sou Alle. Concert,Romantic Period,Standards. Score and part. 28 pages. Musik Fabrik Music Publishing #3000445. Published by Musik Fabrik Music Publishing (A0.533499). Meyerbeer’s Opera Le Prophète was one of the most influential works of the 19th century, inspiring Verdi, Wagner, Liszt and others with its dramatic score. Caprice sur Le Prophète de Meyerbeer begins with an extended Aria with several cadenzas. The work ends with a Polka in Rondo form which has a brillant variation.One of the most enigmatic figures in the history of Wind Music, Ali Ben Sou Alle (Charles-Valentin Soualle) was born in 1820 in Arras, France. After receiving his first prize in Clarinet at the Paris Conservatory in 1844. he served as the director of music of The French Marine Band in Senegal, and then was named first clarinet solo at the Opéra-Comique in Paris. However, after the Revolution of 1848, Soualle was forced to flee France to England where he settled in London, playing in the Orchestra of the Queen's Theatre. His songs and piano pieces were published in London.While in London, Soualle met another exiled French musician, Louis Antoine Jullien, who conducted a light music series in London. Jullien encouraged Soualle to take up the saxophone, and after modifying the instrument by adding a single octave mechanism (the modern system used today) and keys for the lower register, Soualle became known as a virtuoso and began touring performing solo recitals (or mono-concerts, as they were called at the time) calling his modified saxophone the «turcophone ». He performed in all the European capitals and then traveled to Australia, New Zealand, Manilla, Java, through China and then to India where he finally settled in Mysore, becoming the director of the Royal Music for the Maharadjah. It was during this period that he converted to Islam and changed his nmae to Ali ben Sou Alle (or Ali, son of Soualle). He subsequently travaled to Ile Maurice, to French Polynesia, the Cap of Natal and the Cap of Good Hope. All of these voyages were subjects of musical works which Soualle entitled Souvenirs de... and may perhaps have been part of a collectionknown as The Royal Album which was presented to the Prince of Wales after a royal concert. Soualle returned to Mysore in 1858 and was almost killed in the Indian Revolution.Around 1860, Soualle returned to France for health reasons and began publishing his own music. On March 27 1865, he performed a command performance for the Emperor Napoleon III at the Tuileries Palace in the presence of the entire Imperial Family. After 1865, nothing more is known about him.
$19.95
17.95 €
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Saxophone Alto et Piano
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Ali Ben Sou Alle
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Ali Ben Sou Alle: Fantaisie sur Robert le Diable for alto saxophone and piano
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Musik Fabrik Music Publishing
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SheetMusicPlus
Ali Ben Sou Alle: Grande Fantaisie Variée sur "Lucia di Lammermoor" for alto saxophone and piano
Saxophone Alto et Piano
Alto Saxophone,Piano - Level 4 - Digital Download SKU: A0.533508 Composed by Ali Be…
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Alto Saxophone,Piano - Level 4 - Digital Download SKU: A0.533508 Composed by Ali Ben Sou Alle. Concert,Romantic Period,Standards. Score and part. 35 pages. Musik Fabrik Music Publishing #3002551. Published by Musik Fabrik Music Publishing (A0.533508). This fantasy uses motifs from Donizetti's opera. After the opening which uses motives from the Overture, the main melody of the famous Sextet is presented. The tenor aria from the last act is presented with several vrariations. Finally, motifs form the fmaous mad scene end the work in a brilliant valse.One of the most enigmatic figures in the history of the Saxophone, Ali Ben Sou Alle (Charles-Valentin Soualle) was born in 1820 in Arras, France. After receiving his first prize in Clarinet at the Paris Conservatory in 1844. he served as the director of music of The French Marine Band in Senegal, and then was named first clarinet solo at the Opéra-Comique in Paris. However, after the Revolution of 1848, Soualle was forced to flee France to England where he settled in London, playing in the Orchestra of the Queen's Theatre. His songs and piano pieces were published in London. While in London, Soualle met another exiled French musician, Louis Antoine Jullien, who conducted a light music series in London. Jullien encouraged Soualle to take up the saxophone, and after modifying the instrument by adding a single octave mechanism (the modern system used today) and keys for the lower register, Soualle became known as a virtuoso and began touring performing solo recitals (or mono-concerts, as they were called at the time) calling his modified saxophone the «turcophone ». He performed in all the European capitals and then traveled to Australia, New Zealand, Manilla, Java, through China and then to India where he finally settled in Mysore, becoming the director of the Royal Music for the Maharadjah. It was during this period that heconverted to Islam and changed his nmae to Ali ben Sou Alle (or Ali, son of Soualle). He subsequently travaled to Ile Maurice, to French Polynesia, the Cap of Natal and the Cap of Good Hope. All of these voyages were subjects of musical works which Soualle entitled Souvenirs de... and may perhaps have been part of a collection known as The Royal Album which was presented to the Prince of Wales after a royal concert. Soualle returned to Mysore in 1858 and was almost killed in the Indian Revolution. Around 1860, Soualle returned to France for health reasons and began publishing his own music. OnMarch 27 1865, he performed a command performance for the Emperor Napoleon III at the Tuileries Palace in the presence of the entire Imperial Family. After 1865, nothing more is known about him.
$19.95
17.95 €
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Saxophone Alto et Piano
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Ali Ben Sou Alle
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Ali Ben Sou Alle: Grande Fantaisie Variée sur "Lucia di Lammermoor" for alto saxophone and piano
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Musik Fabrik Music Publishing
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SheetMusicPlus
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