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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
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SYNTHETISEUR
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AFRICAIN
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Non classifié
315
PIANO & CLAVIERS
Piano seul
159
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Piano, Voix et Guitare
44
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18
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11
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8
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4
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1 Piano, 4 mains
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Guitare
9
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5
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4
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3
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Piano, Guitare (duo)
2
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2
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1
4 Guitares (Quatuor)
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179
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24
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5
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3
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2
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1
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1
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1
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VENTS
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
41
Quatuor de Clarinettes: 4 clarinettes
30
Flûte traversière et Piano
24
Ensemble de Clarinettes
19
Quatuor de Flûtes : 4 flûtes
18
Clarinette et Piano
16
Saxophone Soprano et Piano
16
Hautbois, Piano (duo)
16
Saxophone Tenor et Piano
13
Quatuor de Saxophones: 4 saxophones
12
Ensemble de Flûtes
12
Saxophone Alto et Piano
11
2 Saxophones (duo)
8
2 Clarinettes (duo)
8
Quintette de Clarinettes: 5 clarinettes
8
3 Saxophones (trio)
7
Flûte, Hautbois, Clarinette, Basson
6
Flûte, Violon et Violoncelle
6
2 Flûtes traversières (duo)
6
3 Clarinettes (trio)
6
Cor anglais, Piano
6
Clarinette, Violon (duo)
6
Clarinette (partie séparée)
6
Clarinette, Trompette (duo)
4
Trio de Flûtes: 3 flûtes
4
Ensemble de saxophones
4
Clarinette, Violoncelle, Piano (trio)
4
Flûte, Violoncelle, Piano (trio)
4
2 Flûtes traversières, Piano
4
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3
Flûte, trombone et piano
3
Saxophone, Clarinette (duo)
3
Flûte, Clarinette (duo)
3
Saxophone Baryton, Piano
3
2 Clarinettes, Piano
3
Flûte, Clarinette, Piano (trio)
3
Flûte, Violon, Piano
3
Flûte, Hautbois, Clarinette (trio)
2
Saxophone et Harpe
2
Clarinette, Guitare (duo)
2
Clarinette et Alto
2
2 Hautbois (duo)
2
Clarinette, trompette et piano
2
Quintette de Saxophone: 5 saxophones
2
Clarinette
2
Quintette de Flûte : 5 flûtes
2
Flûte, Clarinette et Basson
2
Hautbois (partie séparée)
2
Flûte, Alto (duo)
2
Flûte, Hautbois, Piano (trio)
2
Flûte traversière
2
Clarinette Basse, Piano
1
Flûte, Basson et Piano
1
Flûte, Saxophone (duo)
1
Flute (partie séparée)
1
Hautbois, Harpe
1
Hautbois, Flûte
1
Flûte, Alto et Piano
1
Flûte à bec Alto, Piano
1
Flûte à bec Alto
1
Clarinette, Harpe (duo)
1
Flûte à bec Soprano, Piano
1
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CUIVRES
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
22
Trombone et Piano
14
Trompette, Piano
12
Quatuor de Cuivres: 2 trompettes, Cor, trombone
6
Cor anglais, Piano
6
Euphonium, Piano (duo)
4
Trombone (partie séparée)
4
Trompette, Saxophone (duo)
4
Trompette, Trombone (duo)
3
Trompette (partie séparée)
3
Tuba (partie séparée)
3
Cor et Piano
3
Cor (partie séparée)
3
Quatuor de cuivres: 4 trombones
2
Tuba et Piano
1
Ensemble de Tubas
1
Trompette, Harpe
1
Trompette, Violoncelle et Piano
1
Cor et Harpe
1
3 Trompettes (trio)
1
Quatuor de Cuivres : 2 trompettes, trombone, tuba
1
Quatuor de Cuivres
1
Trompette
1
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CORDES
Violon et Piano
23
Quatuor à cordes: 2 violons, alto, violoncelle
20
Alto, Piano
19
Violoncelle, Piano
12
Trio à Cordes: violon, alto, violoncelle
8
Violon (partie séparée)
7
Harpe
5
Trio à cordes: 3 violins
4
Violon, Alto (duo)
3
2 Violoncelles (duo)
3
Trio à Cordes: 2 violons, violoncelle
3
Violon, Violoncelle (duo)
2
Alto (partie séparée)
2
Quatuor à cordes: 4 violons
2
Violoncelle (partie séparée)
2
2 Violons (duo)
2
Contrebasse (partie séparée)
2
Violon, Clarinette, Piano (trio)
2
Piano Trio: Violon, Alto, Piano
1
Harpe, Violoncelle (duo)
1
Violoncelle
1
Harpe, Flûte (duo)
1
Violon
1
Quintette à cordes: 2 violons, alto, violoncelle, basse
1
Harpe, Trombone (duo)
1
Harpe, Voix
1
Alto et Harpe
1
Violoncelle , Guitare (duo)
1
Harpe, Violon (duo)
1
4 Violoncelles
1
Instrumentations suivantes
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PERCUSSIONS & ORCHESTRES
Orchestre d'harmonie
163
Orchestre
28
Ensemble de cuivres
11
Cloches
11
Orchestre à Cordes
10
Percussion (partie séparée)
5
Orchestre de chambre
3
Marimba
2
Ensemble Jazz
2
Vibraphone
2
Ensemble de Percussions
1
Orchestre Symphonique
1
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AUTRES
Vous avez sélectionné:
Ray Of Light
Saxophone Alto et Piano
Partitions à imprimer
11 partitions trouvées
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1
Korsakov: Flight of the Bumblebee for Alto Sax & Piano
Saxophone Alto et Piano
Alto Saxophone,Piano - Level 5 - Digital Download SKU: A0.549254 Composed by Nikola…
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Alto Saxophone,Piano - Level 5 - Digital Download SKU: A0.549254 Composed by Nikolay Andreyevich Rimsky-Korsakov. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Standards. Score and part. 15 pages. Jmsgu3 #3473685. Published by jmsgu3 (A0.549254). Flight of the Bumblebee Flight of the Bumblebee is, to be sure, an orchestral interlude composed by Nikolai Rimsky-Korsakov for his opera The Tale of Tsar Saltan. Of course, Korsakov intended to portray a bumblebee's chaotic flying pattern musically. Nowadays, this piece is one of the comparatively more famous classical works because it frequently appears occasionally in popular culture. The piece appears notably in the opera at the close of Act III, Tableau 1. This is when the magic Swan-Bird changes the Prince (the son of the Tsar) into a bee so he can fly away to visit his father. Interestingly, at this point in the drama, his father, in effect, does not know that he is alive. Korsakov Background Nikolai Rimsky-Korsakov (1844 –1908) was a uniquely famous composer from Russia. He was likewise a member of an infamous assembly of composers called The Five. Korsakov was furthermore an expert in orchestration. His correspondingly most famous orchestral compositions- Capriccio Espagnol, the Russian Easter Festival Overture, and the Scheherazade suite- are essential monuments of the standard music repertoire. Also comparatively very important are his suites and excerpts from his 15 operas. Korsakov used Russian folklore and fairy tales, such as Scheherazade, in his music. Nationalistic Style Like fellow outspoken composer Balakirev, Korsakov believed in creating a nationalistic, Russia-centric style of classical music. The new style was called Orientalism. It similarly relied on native Russian materials, exotic scales, and experimental harmonic, melodic, and rhythmic procedures. This practice, conversely, ran counter to the developments in Western musical culture. Musical Developments Nevertheless, Korsakov developed an appreciation of Western musical techniques after he became a professor of musical composition, harmony, and orchestration at the Saint Petersburg Conservatory in 1871. Moreover, he undertook a rigorous three-year program of self-education. He mastered Western methods, incorporating them with the influences of Mikhail Glinka and other members of The Five. His techniques of composition and orchestration were additionally enriched by his exposure to the works of Richard Wagner. Naval Service Korsakov combined his music career accordingly with a career in the Russian military. He was in the first place an officer in the Russian Navy. In due time, he was appointed a civilian Inspector of Naval Bands. As a result, Korsakov expanded his knowledge of woodwind and brass playing, which heightened his orchestration capabilities. Legacy In due time, Korsakov contributed a significant number of Russian nationalist works. He also prepared, occasionally, compositions by The Five for presentation. This brought their works straightaway into the active classical repertoire as well. He also shaped an entire generation of younger composers as a music educator. Therefore, music historians consider Korsakov the foremost engineer of what the public considers the Russian composition style. He served as a transitional figure between The Five and the classically trained composers who became the norm over time. In addition to the Russians, he influenced non-Russian composers such as Ravel, Debussy, Dukas, and Respighi. Â
$32.95
30.26 €
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Saxophone Alto et Piano
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Nikolay Andreyevich Rimsky-Korsakov
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James M
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Korsakov: Flight of the Bumblebee for Alto Sax & Piano
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jmsgu3
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SheetMusicPlus
O Little Town of Bethlehem (Alto Sax and Piano)
Saxophone Alto et Piano
Alto Saxophone,Piano - Level 3 - Digital Download SKU: A0.523432 Composed by Lewis …
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Alto Saxophone,Piano - Level 3 - Digital Download SKU: A0.523432 Composed by Lewis H. Redner, Edward MacDowell. Arranged by John A. Dempsey. Christian,Christmas,Holiday,Sacred,Traditional. Score and part. 14 pages. John A. Dempsey #3478115. Published by John A. Dempsey (A0.523432). Above thy deep and dreamless sleep the silent stars go by. Â A favorite Christmas carol with its everlasting light, O Little Town of Bethlehem is arranged here as a duet for alto sax and piano. Â The incidental music composed by Edward MacDowell is the beautiful To a Wild Rose from his Woodland Sketches. Â Recommended for Christmas plays, pageants and programs, holiday recitals and Christmas concerts as well as traditional Christmas church services and other seasonal worship events, as a prelude, postlude, an offertory, interlude, Christmas play overture, silent prayer accompaniment and special music. Â 10 pages of music (that includes a separate two-page alto sax part). Â Key: C major.
$6.99
6.42 €
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Saxophone Alto et Piano
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Lewis H
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John A
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O Little Town of Bethlehem
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John A. Dempsey
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SheetMusicPlus
Sunlight in the Cathedral (Alto Sax and Piano)
Saxophone Alto et Piano
Alto Saxophone,Piano - Level 3 - Digital Download SKU: A0.524388 Composed by John A…
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Alto Saxophone,Piano - Level 3 - Digital Download SKU: A0.524388 Composed by John A. Dempsey. Christian,Christmas,Classical,Sacred,Wedding. Score and part. 12 pages. John A. Dempsey #5375255. Published by John A. Dempsey (A0.524388). This warm, flowing prelude, a celebration of faith and hope, is arranged here as a duet for alto sax and piano. Â Recommended for concerts, recitals, weddings, traditional church services an other worship events. Â Suggested worship uses: a prelude, postlude, an offertory, interlude, silent prayer accompaniment and special music. Â Suggested wedding uses: a prelude, unity candle music, a bridesmaid processional and a wedding march. Â 8 pages of music (that includes a separate two-page alto sax part). Â Concert Key (Piano): Bb major. Â Alto Sax Key: G major.
$6.99
6.42 €
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Saxophone Alto et Piano
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John A
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Sunlight in the Cathedral
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John A. Dempsey
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SheetMusicPlus
Be Thou My Vision (Alto Sax and Piano)
Saxophone Alto et Piano
Alto Saxophone,Piano - Level 3 - Digital Download SKU: A0.1244156 Composed by Tradi…
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Alto Saxophone,Piano - Level 3 - Digital Download SKU: A0.1244156 Composed by Traditional Irish Melody. Arranged by John A. Dempsey. Celtic,Christian,Irish,Praise & Worship,Sacred,Traditional. Score and part. 13 pages. John A. Dempsey #839133. Published by John A. Dempsey (A0.1244156). Arranged as a prayerful, serene duet for alto sax and piano, this beautiful Christian hymn of Irish origin is recommended for traditional church services and other worship events, as a prelude, postlude, an offertory, interlude, silent prayer accompaniment and special music.  Also suitable for wedding music as a prelude, recessional, bridesmaid processional and unity candle accompaniment.  Concert Key: C major.  9 pages of music (that includes a separate two-page alto sax part)                                 Be Thou my vision, O Lord of my heart;           Naught be all else to me, save that Thou art:       Thou my best thought, by day or by night          Waking or sleeping, Thy presence my light.
$6.99
6.42 €
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Saxophone Alto et Piano
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Traditional Irish Melody
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John A
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Be Thou My Vision
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John A. Dempsey
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SheetMusicPlus
Badinerie - J.S.Bach - for Alto Sax and Piano
Saxophone Alto et Piano
Alto Saxophone,Piano - Level 4 - Digital Download SKU: A0.1304473 Composed by Johan…
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Alto Saxophone,Piano - Level 4 - Digital Download SKU: A0.1304473 Composed by Johann Sebastian Bach. Arranged by Raymond Fenech. Baroque,Christmas,Contest,Easter,Festival,Multicultural,World. Score and part. 9 pages. Raymond Fenech #893964. Published by Raymond Fenech (A0.1304473). The second of Bach’s four orchestral suites is actually the one he composed last, in Leipzig around 1739, and is probably the last orchestral music of any kind that he wrote. It is basically a solo flute concerto in the form of a dance suite, and an extraordinarily difficult flute concerto at that. A badinerie is a sort of character piece in 18th-century suites, with no particular dance rhythm or meter. This one has a full measure of the light and lively bantering the title implies, which has made it also popular with jazz arrangers. The Duration is approx. 1.32 minutes and the level is Advanced Intermediate.
$3.99
3.66 €
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Saxophone Alto et Piano
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Johann Sebastian Bach
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Raymond Fenech
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Badinerie - J.S.Bach - for Alto Sax and Piano
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Raymond Fenech
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SheetMusicPlus
O Holy Night for Alto Sax & Piano
Saxophone Alto et Piano
Alto Saxophone,Piano - Level 1 - Digital Download SKU: A0.548668 Composed by Adam. …
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Alto Saxophone,Piano - Level 1 - Digital Download SKU: A0.548668 Composed by Adam. Arranged by James M. Guthrie, ASCAP. Christian,Christmas. Score and part. 10 pages. Jmsgu3 #3410421. Published by jmsgu3 (A0.548668). O Holy Night arranged for alto sax & piano. Duration: 4:56, 44 ms. Score: 5 pg Part: 2 pg, piano part: 3 pg.Cantique de Noël The French composer Adolphe Adam was already famous as a composer of many successful ballets and operas. Then, in the 1840’s he wrote his most famous work - O Holy Night. The original song title was Minuit Chretiens or Cantique de Noël. Placide Cappeau provided the original song lyrics. The song was first performed in Roquemaure by the opera singer Emily Laurey at midnight mass in 1847. It became very popular among the French, much the way that Silent Night was famous elsewhere. In the 1850’s John S. Dwight, a Unitarian minister and music teacher translated the song into English. Adolphe Adam In his younger years, Adam studied organ and composition at the Paris Conservatoire. He also played the timpani in the Conservatoire orchestra. Adam used his savings and borrowed money to open a new opera house - the fourth opera house in Paris in 1847. Unfortunately, the Revolution of 1848 forced him to close. He taught composition at the Paris Conservatoire from 1849 until his death in 1856. Placide Cappeau The poet Cappeau was an advocate of the French Enlightenment philosopher Voltaire. Voltaire was renowned for criticizing the Catholic church, religious intolerance, and dogma in general. Consequently, Cappeau made the Redeemer figure in his song a kind of reformer of injustices, in particular, the problem of original sin. To begin with, people recognized Cappeau’s theology as eccentric, probably even doubtful. Theology In the earlier form of Minuit, the Christ figure descends to intervene with His Father’s plan to punish mankind. Traditional doctrine pronounces that Christ came from love, not to intervene. This version also declares that Christ appeared to expunge the original sin of Adam. Cappeau removed this part from him poem years later, because he just didn’t believe it. He preferred to portray Christ as the reformer of disparity and unfairness. Before long, the writer/politician Alphonse de Lamartine referred to the Minuit as the the Marseillaise of religion. Most French churchmen agreed with this idea but certainly did not consider it a tribute. Register for free lifetime updates and revisions at www.jamesguthrie.com
$24.95
22.91 €
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Saxophone Alto et Piano
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Adam
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James M
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piano
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O Holy Night for Alto Sax & Piano
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jmsgu3
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SheetMusicPlus
We Three Kings (Alto Sax and Piano)
Saxophone Alto et Piano
Alto Saxophone,Piano - Level 3 - Digital Download SKU: A0.522977 Composed by Enriqu…
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Alto Saxophone,Piano - Level 3 - Digital Download SKU: A0.522977 Composed by Enrique Granados, John Henry Hopkins, Jr. Arranged by John A. Dempsey. Christian,Christmas,Holiday,Sacred,Traditional. Score and part. 15 pages. John A. Dempsey #3056971. Published by John A. Dempsey (A0.522977). Arranged here as a festive duet for alto sax and piano, the warm, evocative Christmas carol We Three Kings of Orient Are follows a musical path that merges with the wintry road leading to Enrique Granados' delicately beautiful Oriental.  A bit of holiday serendipity!  Recommended for Christmas concerts and holiday recitals as well as traditional Christmas church services and other worship events, including Christmas plays, pageants and programs.  Suggested worship uses: a prelude, postlude, an offertory, interlude, Christmas play overture, silent prayer accompaniment and special music.  11 pages of music (that includes a two-page alto sax part).  Concert Key (Piano): G minor.  Alto Sax Key: E minor.     We three kings of Orient are: bearing gifts we traverse afar   Field and fountain, moor and mountain - following yonder star.   O star of wonder, star of night; star with royal beauty bright,   Westward leading, still proceeding, guide us to Thy perfect light.
$6.99
6.42 €
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Saxophone Alto et Piano
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Enrique Granados, John Henry Hopkins, Jr
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John A
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We Three Kings
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John A. Dempsey
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SheetMusicPlus
Ave Maria
Saxophone Alto et Piano
Alto Saxophone,Piano - Digital Download SKU: A0.492381 Composed by Charles Francois…
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Alto Saxophone,Piano - Digital Download SKU: A0.492381 Composed by Charles Francois Gounod and Johann Sebastian Bach. Arranged by Ãlvaro César Procópio Valgas. Classical. Score and part. 5 pages. Published by Ãlvaro César (A0.492381). Ave Maria is a popular and much-recorded setting of the Latin prayer Ave Maria, originally published in 1853 as Méditation sur le Premier Prélude de Piano de J.S. Bach. The piece consists of a melody by the French Romantic composer Charles Gounod that he superimposed over an only very slightly changed version of Bach's Prelude No. 1 in C major, BWV 846, from Book I of his The Well-Tempered Clavier, published in 1722.
$2.00
1.84 €
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Saxophone Alto et Piano
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Charles Francois Gounod and Johann Sebastian Bach
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Ave Maria
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Ãlvaro César
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SheetMusicPlus
18 Gospel Hymns Vol.2 for Solo Alto Saxophone and Piano
Saxophone Alto et Piano
Composed by Various. Arranged by David McKeown. Christian, Gospel, Spiritual, Sacred, …
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Composed by Various. Arranged by David McKeown. Christian, Gospel, Spiritual, Sacred, Praise & Worship. Score, Solo Part. 49 pages. Published by David McKeown
18 Easy Gospel Hymns Vol.2 for Solo Alto Saxophone and Piano is a beautiful collection of your best-loved Gospel Hymns and Spirituals. They are arranged simply in the most suitable range and key for the solo instrument. The preview only shows a few pages of the piano score, but this is followed by a separate solo instrumental part, adding up to 49 pages of quality music.<br> <br> <br> <br> The standard is early intermediate. Players with a year or two’s experience will enjoy playing these Gospel hymns, with plenty of interest in both the solo and the piano parts. These hymns are ideal for use in concerts or worship, formal or informal. <br> <br> <br> <br> The hymns are in alphabetical order and are as follows<br> <br> <br> <br> · O Mary Don’t You Weep,<br> <br> · O When the Saints, <br> <br> · Old Time Religion, <br> <br> · Onward Christian Soldiers, <br> <br> · Rock of Ages, <br> <br> · Shall We Gather at the River, <br> <br> · Stand Up, Stand Up for Jesus,<br> <br> · Standing in the Need of Prayer,<br> <br> · Swing Low Sweet Chariot,<br> <br> · Steal Away,<br> <br> · There is a Fountain Filled with Blood,<br> <br> · There is Power in the Blood,<br> <br> · This Little Light of Mine,<br> <br> · Wade in the Water, <br> <br> · Were You There? <br> <br> · What a Friend We Have in Jesus, <br> <br> · When the Roll Is Called Up Yonder, <br> <br> · When We All Get to Heaven. <br> <br> <br> <br> If you like these Gospel Hymns, then there are another eighteen just like them in Volume 1. To find them copy and paste 18 Easy Gospel Hymns Vol.1 for Solo Alto Saxophone and Piano in the Search Bar above. There are also duet versions of these Gospel hymns available on Sheet Music Plus, and more advanced duet arrangements of your Gospel favourites in the 10 Gospel Duets series.<br> <br> <br> <br> To keep up with new titles, search for Dave McKeown Sheet Music Downloads on Facebook.
$8.49
7.8 €
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Saxophone Alto et Piano
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Various
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Worship
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18 Gospel Hymns Vol.2 for Solo Alto Saxophone and Piano
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David McKeown
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SheetMusicPlus
Bach-Gounod: Ave Maria for Alto Saxophone and Piano
Saxophone Alto et Piano
Composed by J. S. Bach - C. Gounod. Arranged by Colin Kirkpatrick. Praise & Wors…
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Composed by J. S. Bach - C. Gounod. Arranged by Colin Kirkpatrick. Praise & Worship, Easter, Wedding, Bar or Bat Mitzvah, Funeral. Score, Solo Part. 6 pages. Published by Colin Kirkpatrick Publications
This ever-popular piece is often performed at weddings, funerals and many other solemn<br> <br> ceremonial events. It has always been a favorite among instrumental players and often used in<br> <br> recitals or concert encores. This arrangement by Colin Kirkpatrick has been transposed into B<br> <br> flat to feature the middle to upper range of the saxophone. In is ideal for the intermediate<br> <br> player who can manage a top “b” with confidence.<br> In 1853, the well-known French composer Charles Gounod added his own melody over a rippling<br> <br> keyboard accompaniment which was a slightly adapted version of the Prelude No. 1 in C major,<br> <br> BWV846, from Book I of J. S. Bach's The Well-Tempered Clavier, published in 1722. The title of<br> <br> the “combined” piece was Méditation sur le Premier Prélude de Piano de S. Bach. Gounod’s<br> <br> original arrangement transposed Bach’s keyboard part from C major into F major and it was<br> <br> scored for violin (or cello), organ and piano. In 1859, the French music publishing company<br> <br> Jacques-Léopold Heugel brought out a vocal version based on the familiar Latin text. Ave Maria<br> <br> (Hail Mary) is a traditional Catholic prayer addressed to the Virgin Mary, the mother of Jesus.<br> The version of Bach's prelude which Gounod used included the so-called "Schwencke measure" (m.<br> <br> 27 in this arrangement), a measure (bar) allegedly added by the German composer and pianist<br> <br> Christian Friedrich Gottlieb Schwencke (1767-1822) in an attempt to correct what was considered<br> <br> a harmonic weakness in the original. Whether there actually was a “harmonic weakness” (or<br> <br> possibly an error in the manuscript) remains a matter of conjecture but the fact remains that<br> <br> the most familiar-sounding version of this piece, recorded countless times by both singers and<br> <br> instrumentalists includes this Schwencke measure. It is therefore included in this arrangement.<br> Some published arrangements show minor inconsistencies in the rhythm of the melody. This<br> <br> arrangement uses the familiar rhythm of the Ave Maria version as it appeared in the 1859<br> <br> edition.
$7.95
7.3 €
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Saxophone Alto et Piano
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J
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Colin Kirkpatrick
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Bach-Gounod: Ave Maria for Alto Saxophone and Piano
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Colin Kirkpatrick Publications
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SheetMusicPlus
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