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Remembering Paris for Alto Sax
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Vous avez sélectionné:
Remembering Paris for Alto Sax
Saxophone Alto et Piano
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Saint-Saëns: The Swan for Alto Sax & Piano
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Saxophone Alto et Piano
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INTERMÉDIAIRE
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Classique
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Camille Saint-Saens
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James M
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Saint-Saëns: The Swan for
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jmsgu3
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SheetMusicPlus
Alto Saxophone,Piano - Level 3 - SKU: A0.1314328 Composed by Camille Saint-Saens. Arranged by James M. Guthrie. 19th Century,Chamber,Contest,Festival,Hi...
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Alto Saxophone,Piano - Level 3 - SKU: A0.1314328 Composed by Camille Saint-Saens. Arranged by James M. Guthrie. 19th Century,Chamber,Contest,Festival,Historic,Romantic Period. Score and part. 11 pages. Jmsgu3 #903072. Published by jmsgu3 (A0.1314328). Saint-Saëns: The Swan (Le Cygne) movement 13 from the Carnival of the Animals Suite. One of his most popular and widely recognized works, it is the only movement from the Carnival Suite that Saint-Saëns permitted to be performed publicly during his lifetime. This is an excellent recital encore to demonstrate melodic playing and strategic phrasing.The Carnival of the AnimalsThe Carnival of the Animals is an entertaining musical suite of fourteen movements by Camille Saint-Saëns. The work was composed for private performance by an ensemble of two pianos and solo instruments. The Swan (No. 13) is among the fourteen most famous movements. In its entirety, it lasts about 25 minutes.Saint-Saëns BackgroundCharles-Camille Saint-Saëns 1835 – 1921) was, by all means, in particular, a famous French composer, brilliant organist, and significant musical mastermind of the Romantic era. Indeed, his most famous compositions, in the long run, include his Piano Concerto No. 2 (1868), Cello Concerto No. 1 (1872), and the Danse macabre (1874). Notwithstanding, we must also add Violin Concerto No. 3 (1880), Symphony No. 3 (the Organ Symphony, 1886), and, it must be remembered, Carnival of the Animals (1886) to the list.ChildhoodIt is essential to realize that Saint-Saëns was undoubtedly, in fact, a child musical prodigy. Consequently, with this in mind, he made his concert debut, albeit at ten years old. Another critical point to remember is that he expressly studied at the Paris Conservatoire, then, despite reality, conversely followed a traditional career path as a church organist. Nevertheless, twenty years later, on the other hand, he left to become a successful freelance pianist and composer despite, as has been noted, his former employment situation. Furthermore, his performances were, after all, markedly in demand - not only in Europe but, above all, in the Americas all in all as well.YouthA point often overlooked is that in his youth, Saint-Saëns was undoubtedly excited about the modern music of the day. He was, in essence, fond of the music of his contemporaries, particularly Schumann, Liszt, and, for the most part, Wagner. In contrast, however, his compositions seemed, in fact, primarily confined within the conservative classical tradition. Be that as it may, he was, at the same time, nevertheless, a scholar of musical history.CriticismOn the whole, his conservatism, in fact, ultimately brought him into frequent conflict in his later years with composers of the impressionist and, in particular, the dodecaphonic schools of musical thought. A point often overlooked is that he included neoclassical elements in his music, contrary to some critics. Furthermore, in so doing, he provided the most compelling evidence that he predicted the techniques and works by Stravinsky and Les Six. To put it another way, given these points, he was regarded, perhaps for the most part unfairly, as a non-progressive reactionary henceforth around the time of his passing.LegacySaint-Saëns taught briefly in Paris, where his students included Gabriel Fauré. Maurice Ravel later studied with Fauré. In conclusion, both Ravel and Fauré were powerfully influenced by Saint-Saëns, whom they respected as a musical mastermind.
$32.95
Sonata for Alto Saxophone and Piano
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Saxophone Alto et Piano
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AVANCÉ
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Alexander Liebermann
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Sonata for Alto Saxophone and
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Abundant Silence
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SheetMusicPlus
Alto Saxophone,Piano - Level 5 - SKU: A0.1259267 Composed by Alexander Liebermann. 21st Century,Chamber,Classical,Contemporary. Score and part. 19 pages...
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Alto Saxophone,Piano - Level 5 - SKU: A0.1259267 Composed by Alexander Liebermann. 21st Century,Chamber,Classical,Contemporary. Score and part. 19 pages. Abundant Silence #852539. Published by Abundant Silence (A0.1259267). SONATA FOR ALTO SAXOPHONE AND PIANO, BY ALEXANDER LIEBERMANNFOR ALTO SAXOPHONE AND PIANO, ADVANCED, 12 PAGES“The Saxophone Sonata by Alexander Liebermann is a good example for subtle storytelling in contemporary music. In a unique style that, to my ears, perfectly reflects his Paris, Berlin, and New York background, Alexander gives the performers the opportunity to unfold their full potential by letting them express a broad variety of moods and colors. Thus, the listeners are taken into an eclectic ‘short story’ – a story that is remembered for a long time.â€â”€ Johannes Ernst, Saxophonist“Alexander Liebermann’s Sonata for Alto Saxophone and Piano is a great new addition to the saxophone’s recital repertoire. Idiomatically written – both in terms of style and technique – it is kept in a concise rhapsodic one-movement form and offers a well-balanced and contrasting display of drama, lyricism, and virtuosity. In the best sense of the word, it is a cool piece with big city flair. It is modern, but accessible. It has hints of jazz, but explores such colors with class and refinement. It is fun to play and thrilling to listen to.â€â”€ Henning Schröder, Saxophonist.
$24.75
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Remembering Paris for Alto Sax
