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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
She's Mine
Non classifié
636
Piano & claviers
Piano seul
283
Piano, Voix
154
Piano, Voix et Guitare
61
Piano Facile
50
Orgue
31
Instruments en Do
16
Piano grosses notes
11
Piano Trio: piano, violon, violoncelle
7
1 Piano, 4 mains
7
Accordéon
4
Piano Quatuor: piano, violon, alto, violoncelle
3
Piano (partie séparée)
3
2 Pianos, 4 mains
3
Orgue, Piano (duo)
3
Accompagnement Piano
2
Orgue, Trompette (duo)
2
Piano Quintette: piano, 2 violons, alto, violoncelle
1
+ 12 instrumentations
Retracter
Guitares
Guitare
60
Guitare notes et tablatures
42
Ligne De Mélodie, (Paroles) et Accords
12
Basse electrique
7
Paroles et Accords
5
Guitare (partie séparée)
3
Basse électrique (partie séparée)
2
2 Guitares (duo)
2
Banjo
2
Dobro
1
4 Guitares (Quatuor)
1
Ukulele
1
Dulcimer
1
Piano, Guitare (duo)
1
+ 9 instrumentations
Retracter
Voix
Chorale SATB
173
Chorale 3 parties
34
Voix haute
29
Chorale TTBB
22
Chorale Unison
19
Chorale 2 parties
17
Chorale SSAA
14
Voix seule
8
Voix Soprano, Piano
7
Voix moyenne, Piano
6
Voix duo, Piano
5
Voix Tenor, Piano
5
Chorale SSAATTBB
2
Voix duo
2
Voix Baryton, Piano
2
Voix Tenor
1
Soli, choeur mixte et accompagnement
1
Voix, Guitare
1
Chorale SSATB
1
Chorale
1
+ 15 instrumentations
Retracter
Vents
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
55
Flûte traversière
44
Clarinette
43
Hautbois (partie séparée)
40
Saxophone Alto
40
Quatuor de Saxophones: 4 saxophones
39
Saxophone (partie séparée)
36
Saxophone Tenor
34
Flûte traversière et Piano
28
Clarinette et Piano
26
Hautbois, Piano (duo)
26
Quintette de Flûte : 5 flûtes
25
Quatuor de Clarinettes: 4 clarinettes
24
Clarinette (partie séparée)
22
2 Saxophones (duo)
19
Saxophone Alto et Piano
19
Quintette de Clarinettes: 5 clarinettes
19
Quatuor de Flûtes : 4 flûtes
17
2 Flûtes traversières (duo)
17
Quintette de Saxophone: 5 saxophones
16
Saxophone Tenor et Piano
14
Flûte, Hautbois, Clarinette, Basson
13
Saxophone Soprano et Piano
11
Flûte à Bec
10
Saxophone, Clarinette (duo)
10
2 Clarinettes (duo)
10
Cor anglais, Piano
9
Ensemble de Clarinettes
9
Flute (partie séparée)
9
Saxophone
8
Ensemble de saxophones
8
Ensemble de Flûtes
7
Saxophone Baryton, Piano
7
Clarinette, Violon (duo)
7
Clarinette, Trompette (duo)
6
Clarinette Basse, Piano
6
Flûte, Saxophone (duo)
6
2 Hautbois (duo)
6
3 Clarinettes (trio)
5
Flûte, Clarinette (duo)
5
Trio de Flûtes: 3 flûtes
5
Clarinette et Alto
4
Flûte et Guitare
4
Flûte, Alto (duo)
3
Clarinette, Violoncelle (duo)
3
3 Saxophones (trio)
3
Flûte, Violon
2
Hautbois
2
Clarinette, Guitare (duo)
2
Flûte, Violon, Piano
2
Hautbois, Violoncelle
2
Hautbois, Basson (duo)
2
Quatuor de Flûtes à bec
2
Hautbois, Flûte
2
Flûte, Clarinette, Piano (trio)
1
Flûte, trombone et piano
1
Hautbois, Clarinette, Basson (trio d'anches)
1
Hautbois, Clarinette (duo)
1
Flûte, Trompette (duo)
1
Hautbois, violon (duo)
1
Flûte à bec Soprano, Piano
1
2 Clarinettes, Piano
1
Hautbois et alto (duo)
1
Flûte, Clarinette et Basson
1
2 Flûtes traversières, Piano
1
Flûte à bec Alto, Piano
1
Flûte, Hautbois, Basson
1
Flûte, Violoncelle
1
+ 63 instrumentations
Retracter
Cuivres
Trompette (partie séparée)
47
Trompette
45
Trombone
35
Trombone (partie séparée)
31
Quatuor de Cuivres : 2 trompettes, trombone, tuba
28
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
26
Cor
20
Ensemble de Trombones
19
Trombone et Piano
18
Cor (partie séparée)
16
Trompette, Piano
13
Tuba (partie séparée)
11
Quatuor de cuivres: 4 trombones
11
Cor et Piano
9
Cor anglais, Piano
9
Euphonium, Piano (duo)
8
Tuba et Piano
7
Trompette, Saxophone (duo)
6
Quatuor de Cuivres: 2 trompettes, Cor, trombone
5
Tuba
4
Trompette, Trombone (duo)
3
2 Cors (duo)
2
Trompette, violon (duo)
1
3 Tubas (trio)
1
2 Euphoniums et 2 Tubas
1
2 Trompettes (duo)
1
Trompette, Violoncelle et Piano
1
2 Trombones (duo)
1
3 Trombones (trio)
1
Cor, Violoncelle (duo)
1
Trombone basse et Piano
1
Quatuor de cuivres: 4 cors
1
Euphonium
1
Trio de Cuivres
1
+ 29 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
82
Violon
68
Violoncelle
51
Violon et Piano
34
Alto seul
31
Trio à Cordes: violon, alto, violoncelle
26
Violon, Violoncelle (duo)
23
Alto (partie séparée)
21
Violon (partie séparée)
21
Alto, Piano
19
Violoncelle, Piano
18
Harpe
14
Contrebasse (partie séparée)
14
2 Violons (duo)
13
2 Violoncelles (duo)
10
2 Altos (duo)
8
Violon, Alto (duo)
8
Violoncelle (partie séparée)
6
Trio à Cordes: 2 violons, violoncelle
6
Contrebasse, Piano (duo)
5
Trio à Cordes: 3 violoncelles
3
4 Violoncelles
3
Quintette à cordes: 2 violons, 2 altos, violoncelle
3
Alto, Violoncelle (duo)
3
Quintette à cordes: 2 violons, alto, violoncelle, basse
2
Harpe, Voix
2
Harpe, Flûte (duo)
1
2 Violons, Piano
1
Violon, Basson (duo)
1
Piano Trio: Violon, Alto, Piano
1
Violon, Guitare (duo)
1
Trio à Cordes: 2 violons, alto
1
Trio à cordes: 3 violins
1
Contre Basse
1
Trio à cordes: 3 altos
1
+ 30 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
122
Orchestre à Cordes
60
Orchestre
31
Percussion (partie séparée)
21
Cloches
18
Orchestre de chambre
16
Ensemble de cuivres
14
Ensemble Jazz
13
Jazz combo
9
Batterie (partie séparée)
9
Batterie
6
Fanfare
5
Timbales (partie séparée)
4
Xylophone, Piano
1
Piano et Orchestre
1
+ 10 instrumentations
Retracter
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ACCORDEON
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BASSE
BASSON
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CITHARE
CLAIRON
CLARINETTE
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COR ANGLAIS
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DULCIMER
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FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
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HAUTBOIS
LIVRES
LUTH, THEOR…
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PERCU. ORCH…
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TROMBONE
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VIOLONCELLE
XYLOPHONE
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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
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ASIE
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CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
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FLAMENCO
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FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
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JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
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THANKSGIVING
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Vous avez sélectionné:
She's Mine
Saxophone Alto et Piano
Partitions à imprimer
19 partitions trouvées
<
1
This Nearly Was Mine from South Pacific
Saxophone Alto et Piano
Instrumental Duet,Piano Alto Saxophone,Double Bass,Instrumental Duet,Piano - Level 4 - Dig…
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Instrumental Duet,Piano Alto Saxophone,Double Bass,Instrumental Duet,Piano - Level 4 - Digital Download SKU: A0.790006 Composed by Richard Rodgers. Arranged by W. Brent Sawyer. Broadway. Score and parts. 18 pages. Diamond S Music #3533741. Published by Diamond S Music (A0.790006). THIS NEARLY WAS MINE from South Pacific. For SOLO ALTO SAX AND PIANO ACCOMPANIMENT (with optional Double Bass).This beautiful and exciting arrangement is from the beloved Rodgers & Hammerstein ground-breaking 1949 Broadway musical, South Pacific. This arrangement begins very simply with the soloist unaccompanied. Then the piano comes in with a dream-like delicacy with expands into a rich and lush accompaniment. The bridge gets a little spicier with a jazz waltz feel and then expands back to a warmth before a final key change that turns into a big theatrical ending. This is sure to be a real crowd pleaser. The piano accompaniment is quite difficult but there are alternate passages included to simplify the most difficult passages. There is an optional BASS part included that would add to the performance. There is no drum part included, but a drummer could easily improvised from the Bass part which would add a lot as well. Other similar arrangements from this publisher can be found at: https://www.sheetmusicplus.com/publishers/diamond-s-music/6940
$10.00
9.22 €
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Saxophone Alto et Piano
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Richard Rodgers
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W
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This Nearly Was Mine from South Pacific
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Diamond S Music
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SheetMusicPlus
The Light of the World is Jesus/This Little Light of Mine--alto sax solo
Saxophone Alto et Piano
Alto Saxophone,Piano - Level 4 - Digital Download SKU: A0.786667 Composed by P. P. …
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Alto Saxophone,Piano - Level 4 - Digital Download SKU: A0.786667 Composed by P. P. Bliss, traditional. Arranged by Beka Wilson. Christian,Gospel,Sacred,Spiritual. Score and part. 5 pages. Beka Wilson #6365677. Published by Beka Wilson (A0.786667). This upbeat arrangement of The Light of the World is Jesus mixed with the children’s song This Little Light of Mine would be a perfect occasion song for any church service, but it would add a special emphasis to missions conferences or other similar events. Length: around 2,5 minutesLevel: intermediate for most instruments5 pages (includes score and separate solo part)This arrangement is available as a solo for flute, oboe, clarinet, bassoon, alto sax, tenor sax, F horn, trumpet, trombone, violin, viola, and cello.
$6.99
6.44 €
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Saxophone Alto et Piano
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P
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Beka Wilson
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The Light of the World is Jesus/This Little Light of Mine--alto sax solo
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Beka Wilson
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SheetMusicPlus
Con-Tse-To
Saxophone Alto et Piano
Composed by Gregory Fritze. 21st Century, Contemporary Classical, Post-Modern, Jazz, …
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Composed by Gregory Fritze. 21st Century, Contemporary Classical, Post-Modern, Jazz, Bebop. Piano Reduction, Solo Part. 44 pages. Published by Musica Nova USA
Con-Tse-To – a Concerto for Alto Saxophone and Concert Band was composed in 2013 at the request of Kenneth Tse. It is in three movements – 1. Pasodoble Melanie, 2. Lamento and 3. Danza Jubiloso. First performance was July 14, 2013 for the Hong Kong International Saxophone Symposium at the Hong Kong Academy for Performing Arts. Hong Kong Chamber Wind Philharmonic; Victor Tam, Conductor; Kenneth Tse, Saxophone Soloist.<br> <br> The first movement – Pasodoble Melanie, is in the traditional form of the march in Spain knownas the Pasodoble. It has a beginning theme in traditional march style using Spanish flavor harmoniesand melodies. As the Spanish pasodoble is in the same form as American marches, the second theme isthe “Trio” section. In the Spanish pasodoble, it is customary to have the first presentation of this secondtheme played extremely softly in the clarinets. It is also common during the repeat of the Trio to have a soloist such as a piccolo displaying an obligato of great virtuosic melodies in counterpoint to the clarinets. I felt this would be a very appropriate place for an alto saxophone obligato. In this pasodoble the thirdpresentation of the Trio is shortened to allow for the first cadenza. Since I met Kenneth Tse for the first time in Buñol (Valencia), Spain, I thought it would be very appropriate to use this traditional form for the firstmovement for his concerto. It is a Spanish custom for a composer to give a pasodoble composition as a gift such as to a musician or politician and the title of the piece often references the name of recipient’s wife. Kenneth Tse’s wife’s name is Melanie so this movement is dedicated to her.<br> <br> The second movement – Lamento was adapted from a melody of mine “El año del Trumpetista” originally composed in 2010. I thought the beautiful sound of Dr. Tse’s saxophone playing would be very complimentary for this melody.<br> <br> The third movement – Danza Jubiloso is in allegro tempo with the first theme based on leaps of afourth and an octave in duple meter. The second theme is mostly in 7/8 meter. There is also a bit of a jazz element of harmonies and the added instruments of a drum set and jazz double bass in pizzicato.<br> <br> Con-Tse-To was awarded Finalist category in the Band Composition Competition of the American Prize in 2017. One of only two Concertos with Band awarded that year. The full band instrumentation is available on Musica Nova USA.<br> <br> Gregory Fritze is a prize-winning composer and Fulbright Scholar, as well as an active performer. He recently retired from Berklee College of Music where he was Professor and Chair of Composition, serving on the faculty from 1979 to 2016. He has written over ninety compositions for orchestra, band, chamberensembles and soloists. He has won over fifty composition awards both nationally and internationally. His compositions include works published by several publishers in the United States, South America and Europe that have been performed extensively throughout the world.<br> <br> He has been a frequent traveler to Spain since 1993 and has promoted compositions by Spanish composers around the world. He is the only composer who has been commissioned six times by Spanishbands for Certamen competitions, with each band winning first prize.<br> <br> His compositions are recorded on Albany Records, MSR Classics, Crystal Records, Mark Records and others. He has been a guest lecturer, conductor and performer at many colleges, universities and music festivals in the United States, Canada, Japan, South America and Europe. He was born in Allentown, Pennsylvania in 1954 and has Composition degrees from the Boston Conservatory and Indiana University. He now resides in Daytona Beach Shores, Florida.<br> <br> The piano transcription was done by Derek Remeš.Con-Tse-To – a Concerto for Alto Saxophone and Concert Band was composed in 2013 at the request of Kenneth Tse. It is in three movements – 1. Pasodoble Melanie, 2. Lamento and 3. Danza Jubiloso. First performance was July 14, 2013 for the Hong Kong International Saxophone Symposium at the Hong Kong Academy for Performing Arts. Hong Kong Chamber Wind Philharmonic; Victor Tam, Conductor; Kenneth Tse, Saxophone Soloist.<br> <br> The first movement – Pasodoble Melanie, is in the traditional form of the march in Spain knownas the Pasodoble. It has a beginning theme in traditional march style using Spanish flavor harmoniesand melodies. As the Spanish pasodoble is in the same form as American marches, the second theme isthe “Trio” section. In the Spanish pasodoble, it is customary to have the first presentation of this secondtheme played extremely softly in the clarinets. It is also common during the repeat of the Trio to have a soloist such as a piccolo displaying an obligato of great virtuosic melodies in counterpoint to the clarinets. I felt this would be a very appropriate place for an alto saxophone obligato. In this pasodoble the thirdpresentation of the Trio is shortened to allow for the first cadenza. Since I met Kenneth Tse for the first time in Buñol (Valencia), Spain, I thought it would be very appropriate to use this traditional form for the firstmovement for his concerto. It is a Spanish custom for a composer to give a pasodoble composition as a gift such as to a musician or politician and the title of the piece often references the name of recipient’s wife. Kenneth Tse’s wife’s name is Melanie so this movement is dedicated to her.<br> <br> The second movement – Lamento was adapted from a melody of mine “El año del Trumpetista” originally composed in 2010. I thought the beautiful sound of Dr. Tse’s saxophone playing would be very complimentary for this melody.<br> <br> The third movement – Danza Jubiloso is in allegro tempo with the first theme based on leaps of afourth and an octave in duple meter. The second theme is mostly in 7/8 meter. There is also a bit of a jazz element of harmonies and the added instruments of a drum set and jazz double bass in pizzicato.<br> <br> Con-Tse-To was awarded Finalist category in the Band Composition Competition of the American Prize in 2017. One of only two Concertos with Band awarded that year. The full band instrumentation is available on Musica Nova USA.<br> <br> Gregory Fritze is a prize-winning composer and Fulbright Scholar, as well as an active performer. He recently retired from Berklee College of Music where he was Professor and Chair of Composition, serving on the faculty from 1979 to 2016. He has written over ninety compositions for orchestra, band, chamberensembles and soloists. He has won over fifty composition awards both nationally and internationally. His compositions include works published by several publishers in the United States, South America and Europe that have been performed extensively throughout the world.<br> <br> He has been a frequent traveler to Spain since 1993 and has promoted compositions by Spanish composers around the world. He is the only composer who has been commissioned six times by Spanishbands for Certamen competitions, with each band winning first prize.<br> <br> His compositions are recorded on Albany Records, MSR Classics, Crystal Records, Mark Records and others. He has been a guest lecturer, conductor and performer at many colleges, universities and music festivals in the United States, Canada, Japan, South America and Europe. He was born in Allentown, Pennsylvania in 1954 and has Composition degrees from the Boston Conservatory and Indiana University. He now resides in Daytona Beach Shores, Florida.<br> <br> The piano transcription was done by Derek Remeš.
$20.00
18.44 €
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Saxophone Alto et Piano
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Gregory Fritze
#
Con-Tse-To
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Musica Nova USA
#
SheetMusicPlus
18 Gospel Hymns Vol.2 for Solo Alto Saxophone and Piano
Saxophone Alto et Piano
Composed by Various. Arranged by David McKeown. Christian, Gospel, Spiritual, Sacred, …
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Composed by Various. Arranged by David McKeown. Christian, Gospel, Spiritual, Sacred, Praise & Worship. Score, Solo Part. 49 pages. Published by David McKeown
18 Easy Gospel Hymns Vol.2 for Solo Alto Saxophone and Piano is a beautiful collection of your best-loved Gospel Hymns and Spirituals. They are arranged simply in the most suitable range and key for the solo instrument. The preview only shows a few pages of the piano score, but this is followed by a separate solo instrumental part, adding up to 49 pages of quality music.<br> <br> <br> <br> The standard is early intermediate. Players with a year or two’s experience will enjoy playing these Gospel hymns, with plenty of interest in both the solo and the piano parts. These hymns are ideal for use in concerts or worship, formal or informal. <br> <br> <br> <br> The hymns are in alphabetical order and are as follows<br> <br> <br> <br> · O Mary Don’t You Weep,<br> <br> · O When the Saints, <br> <br> · Old Time Religion, <br> <br> · Onward Christian Soldiers, <br> <br> · Rock of Ages, <br> <br> · Shall We Gather at the River, <br> <br> · Stand Up, Stand Up for Jesus,<br> <br> · Standing in the Need of Prayer,<br> <br> · Swing Low Sweet Chariot,<br> <br> · Steal Away,<br> <br> · There is a Fountain Filled with Blood,<br> <br> · There is Power in the Blood,<br> <br> · This Little Light of Mine,<br> <br> · Wade in the Water, <br> <br> · Were You There? <br> <br> · What a Friend We Have in Jesus, <br> <br> · When the Roll Is Called Up Yonder, <br> <br> · When We All Get to Heaven. <br> <br> <br> <br> If you like these Gospel Hymns, then there are another eighteen just like them in Volume 1. To find them copy and paste 18 Easy Gospel Hymns Vol.1 for Solo Alto Saxophone and Piano in the Search Bar above. There are also duet versions of these Gospel hymns available on Sheet Music Plus, and more advanced duet arrangements of your Gospel favourites in the 10 Gospel Duets series.<br> <br> <br> <br> To keep up with new titles, search for Dave McKeown Sheet Music Downloads on Facebook.18 Easy Gospel Hymns Vol.2 for Solo Alto Saxophone and Piano is a beautiful collection of your best-loved Gospel Hymns and Spirituals. They are arranged simply in the most suitable range and key for the solo instrument. The preview only shows a few pages of the piano score, but this is followed by a separate solo instrumental part, adding up to 49 pages of quality music.<br> <br> <br> <br> The standard is early intermediate. Players with a year or two’s experience will enjoy playing these Gospel hymns, with plenty of interest in both the solo and the piano parts. These hymns are ideal for use in concerts or worship, formal or informal. <br> <br> <br> <br> The hymns are in alphabetical order and are as follows<br> <br> <br> <br> · O Mary Don’t You Weep,<br> <br> · O When the Saints, <br> <br> · Old Time Religion, <br> <br> · Onward Christian Soldiers, <br> <br> · Rock of Ages, <br> <br> · Shall We Gather at the River, <br> <br> · Stand Up, Stand Up for Jesus,<br> <br> · Standing in the Need of Prayer,<br> <br> · Swing Low Sweet Chariot,<br> <br> · Steal Away,<br> <br> · There is a Fountain Filled with Blood,<br> <br> · There is Power in the Blood,<br> <br> · This Little Light of Mine,<br> <br> · Wade in the Water, <br> <br> · Were You There? <br> <br> · What a Friend We Have in Jesus, <br> <br> · When the Roll Is Called Up Yonder, <br> <br> · When We All Get to Heaven. <br> <br> <br> <br> If you like these Gospel Hymns, then there are another eighteen just like them in Volume 1. To find them copy and paste 18 Easy Gospel Hymns Vol.1 for Solo Alto Saxophone and Piano in the Search Bar above. There are also duet versions of these Gospel hymns available on Sheet Music Plus, and more advanced duet arrangements of your Gospel favourites in the 10 Gospel Duets series.<br> <br> <br> <br> To keep up with new titles, search for Dave McKeown Sheet Music Downloads on Facebook.
$8.49
7.83 €
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Saxophone Alto et Piano
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Various
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Worship
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18 Gospel Hymns Vol.2 for Solo Alto Saxophone and Piano
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David McKeown
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SheetMusicPlus
Oh Shenandoah (for alto saxophone and piano)
Saxophone Alto et Piano
Composed by Traditional. Arranged by Colin Kirkpatrick. Folk, Fourth of July, Annive…
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Composed by Traditional. Arranged by Colin Kirkpatrick. Folk, Fourth of July, Anniversary, Wedding, Americana. Set of Parts. 9 pages. Published by Colin Kirkpatrick Publications
This beautiful song is one of the most popular American folk songs, evoking images of the river life of yesteryear. It is sure to be a popular addition to your saxophone recital, or it would make an excellent encore piece. The top note is D (written) above the treble staff and the duration is 03:55.<br> <br> As with most folk songs, there are many different versions of Shenandoah, and it’s impossible to determine the song’s exact provenance with any degree of certainty. It probably has its origins among the French Canadians who traded with Native Americans around the Great Lakes during the sixteenth century. In most versions of the song, the lyrics tell of a seafarer, possibly a canoeing fur-trader, who was in love with the daughter of Shenandoah, a Native American Chief who lived in what is now the state of Virginia. Shenandoah was a real person: an individual of commanding presence who lived for over a hundred years. <br> <br> Sailors heading down the Mississippi picked up the song and made it a capstan shanty, which they sang while hauling in the anchor. By the mid-1800s versions of the song were heard almost everywhere the clipper ships ventured. Shenandoah was one of the most popular capstan shanties, a slow song which set a manageable pace for the crew in a heavy and lengthy task. Add this lovely American song to your repertoire today!This beautiful song is one of the most popular American folk songs, evoking images of the river life of yesteryear. It is sure to be a popular addition to your saxophone recital, or it would make an excellent encore piece. The top note is D (written) above the treble staff and the duration is 03:55.<br> <br> As with most folk songs, there are many different versions of Shenandoah, and it’s impossible to determine the song’s exact provenance with any degree of certainty. It probably has its origins among the French Canadians who traded with Native Americans around the Great Lakes during the sixteenth century. In most versions of the song, the lyrics tell of a seafarer, possibly a canoeing fur-trader, who was in love with the daughter of Shenandoah, a Native American Chief who lived in what is now the state of Virginia. Shenandoah was a real person: an individual of commanding presence who lived for over a hundred years. <br> <br> Sailors heading down the Mississippi picked up the song and made it a capstan shanty, which they sang while hauling in the anchor. By the mid-1800s versions of the song were heard almost everywhere the clipper ships ventured. Shenandoah was one of the most popular capstan shanties, a slow song which set a manageable pace for the crew in a heavy and lengthy task. Add this lovely American song to your repertoire today!
$6.99
6.44 €
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Saxophone Alto et Piano
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Traditional
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Colin Kirkpatrick
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Oh Shenandoah
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Colin Kirkpatrick Publications
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SheetMusicPlus
Hips Don't Lie
Saxophone Alto et Piano
Alto Saxophone,Piano - Level 3 - Digital Download SKU: A0.960420 By Shakira Featuri…
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Alto Saxophone,Piano - Level 3 - Digital Download SKU: A0.960420 By Shakira Featuring Wyclef Jean. By Jerry Duplessis, Latavia Parker, Luis Diaz, Omar Alfanno, Shakira, and Wyclef Jean. Arranged by Jasmine Brown. Pop. Score and part. 13 pages. Jasmine Brown #6400707. Published by Jasmine Brown (A0.960420). Shakira's Hips Don't Lie for alto saxophone and piano with optional improvised solos. Fun Latin piece ideal for amateurs.
$4.99
4.6 €
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Saxophone Alto et Piano
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Shakira Featuring Wyclef Jean
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Jasmine Brown
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Hips Don't Lie
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Jasmine Brown
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SheetMusicPlus
Sicilienne (Maria-Theresia von Paradis) for Alto Saxophone and Piano
Saxophone Alto et Piano
Alto Saxophone,Piano - Level 3 - Digital Download SKU: A0.1502732 Composed by Maria…
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Alto Saxophone,Piano - Level 3 - Digital Download SKU: A0.1502732 Composed by Maria Theresia von Paradis. Arranged by Harry Walker. Chamber,Classical,Contest,Festival. Score and part. 7 pages. SCORE EDITIONS #1078401. Published by SCORE EDITIONS (A0.1502732). Sicilienne is a charming and melodious piece attributed to Austrian composer Maria Theresia von Paradis, a prominent figure in 18th-century music. Despite debates about its true authorship, the piece remains a beloved masterpiece due to its lyrical simplicity and elegance. This timeless work enchants listeners and performers alike with its pastoral melody and serene lyricism. Sicilienne offers a glimpse into von Paradis's talent and musical sensitivity, maintaining its popularity in concert programs worldwide. Its simple and elegant beauty ensures that it will be cherished for generations to come. In this version, the composition was arranged for Alto Saxophone and Piano by Harry Walker.
$5.99
5.52 €
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Saxophone Alto et Piano
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Maria Theresia von Paradis
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Harry Walker
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Sicilienne
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SCORE EDITIONS
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SheetMusicPlus
9 Spirituals for Solo Alto Saxophone and Piano
Saxophone Alto et Piano
Alto Saxophone,Piano - Level 3 - Digital Download SKU: A0.1493001 Composed by Tradi…
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Alto Saxophone,Piano - Level 3 - Digital Download SKU: A0.1493001 Composed by Traditional. Arranged by Tim Curd. Blues,Jazz,Religious,Spiritual,Traditional. Score and part. 24 pages. Tim Curd #1069691. Published by Tim Curd (A0.1493001). 9 Spirituals for Solo Alto Saxophone and PianA selection of spirituals arranged in a variety of stlyles including jazzy and blusey.O When The Saints, Swing Low Sweet Chariot, This Little Light Of Mine, Joshua Fit The Battle Of Jericho, Deep River, Michael Row The Boat Ashore,Kum Ba Yah, He’s Got The Whole World In His Hands, Amazing Grace.Grades 1-4Solo part and piano parts included
$9.99
9.21 €
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Saxophone Alto et Piano
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Traditional
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Tim Curd
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9 Spirituals for Solo Alto Saxophone and Piano
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Tim Curd
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SheetMusicPlus
Rock And Roll Music
Saxophone Alto et Piano
Alto Saxophone,Piano - Level 4 - Digital Download SKU: A0.765075 By Chuck Berry. By…
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Alto Saxophone,Piano - Level 4 - Digital Download SKU: A0.765075 By Chuck Berry. By Chuck Berry. Arranged by Barbara Arens. 20th Century,Jazz,Pop,Rock,Standards. Score and part. 7 pages. Barbara Arens #372257. Published by Barbara Arens (A0.765075). This is such a wonderful piece - I don't know which I love more, Chuck Berry's original or the Beatles' cover! An advanced piano pupil of mine wanted to play it with a saxaphonist, so I made this arrangement for them. Fun!
$9.99
9.21 €
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Saxophone Alto et Piano
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Chuck Berry
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Barbara Arens
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Rock And Roll Music
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Barbara Arens
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SheetMusicPlus
Balm in Gilead (Arrangements Lvl 1-3 for ALTO SAX + Written Accomp) HYMN
Saxophone Alto et Piano
Alto Saxophone,Piano - Level 1 - Digital Download SKU: A0.875039 Composed by Black …
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Alto Saxophone,Piano - Level 1 - Digital Download SKU: A0.875039 Composed by Black American Spiritual. Arranged by Dr Jerry Nelson. Christian,Sacred,Spiritual. Score and part. 5 pages. Jerry Nelson #3691391. Published by Jerry Nelson (A0.875039). This lush arrangement recorded with the London Concert Orchestra,moves you gracefully from Challenge Level 1 thru 3 using Jerry Nelson's unique Dual Staff System. Bonus (3 performance options): Written Pno Accomp included, plus Chord Chart for live rhythm. Or perform with this spirited Orchestral Accompaniment Track (#SO.432357). Time 3:51 Visit www.JerryNelsonMusic.com for your FREE 16-minute Mega-Medley Arrangement and Track. Whether you play winds or strings or '88 keys', for a goldmine of awesome arrangements at multiple challenge levels, SEARCH Jerry Nelson (plus your instrument's name). You may include a Title... or Genre (Ex: Style, specific Holiday, Musical Period).
$4.99
4.6 €
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Saxophone Alto et Piano
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Black American Spiritual
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Dr Jerry Nelson
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Balm in Gilead
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Jerry Nelson
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SheetMusicPlus
Africa
Saxophone Alto et Piano
Alto Saxophone,Piano - Level 3 - Digital Download SKU: A0.1087082 By Toto. By David…
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Alto Saxophone,Piano - Level 3 - Digital Download SKU: A0.1087082 By Toto. By David Paich and Jeff Porcaro. Arranged by Lawrence H Underwood. 20th Century,Contemporary,Film/TV,Pop,Rock. Score and part. 10 pages. Lawrence H Underwood #691279. Published by Lawrence H Underwood (A0.1087082). Toto’s iconic hit. . .now available as an instrumental solo with piano accompaniment! Great for intermediate or advanced performers – sure to be an audience favorite! This eminently playable arrangement was lovingly crafted by Lawrence Underwood and is available in versions for solo flute, oboe, bassoon, clarinet, bass clarinet, alto sax, tenor sax, bari sax, horn in F, trumpet, trombone, baritone/euphonium, tuba, mallet percussion, violin, viola, cello, or double bass (with piano accompaniment).
$5.99
5.52 €
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Saxophone Alto et Piano
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Toto
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Lawrence H Underwood
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Africa
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Lawrence H Underwood
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SheetMusicPlus
Mendelssohn: Wedding March for Alto Sax & Piano
Saxophone Alto et Piano
Alto Saxophone,Piano - Level 3 - Digital Download SKU: A0.549892 Composed by Felix …
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Alto Saxophone,Piano - Level 3 - Digital Download SKU: A0.549892 Composed by Felix Bartholdy Mendelssohn. Arranged by James M. Guthrie, ASCAP. Romantic Period,Standards,Wedding. Score and part. 23 pages. Jmsgu3 #3603399. Published by jmsgu3 (A0.549892). Score: 12 pages, piano part: 6 pages, alto sax part: 4 pages. duration: ca. 5'. This is the famous wedding march from Op. 61 composed in 1842 and commonly performed as a recessional march at the end of a wedding. The piece was originally composed for orchestra then arranged for organ and performed by Mendelssohn himself.Mendelssohn: Wedding March Mendelssohn’s Wedding March is so popular that it’s difficult to imagine a wedding without it. It seems like it’s been around for eternity. In any case, it was only 150 years or so ago that the Wedding March came about. It was performed in Potsdam for the first time in 1842, as a piece of Mendelssohn’s music for the Shakespeare play A Midsummer Night’s Dream. It was first used for a wedding in 1858 Mendelssohn Background Felix Mendelssohn (1809 –1847) was, by all means, a German mastermind composer, musician and orchestra conductor of the Romantic period. Consequently, Mendelssohn composed in the usual forms of the time - symphonies, concertos, oratorios, piano music, and chamber music. To summarize, his most famous works include his music for A Midsummer Night's Dream, the Italian Symphony, the Scottish Symphony, The Hebrides Overture, his later Concerto for Violin & Orchestra, and his Octet for Strings. His most well-known piano pieces, by and large, are the Songs Without Words. Artistic Standing Musical tastes change from time to time. Moreover, just such a change occurred in the late 19th and early 20th centuries. This plus rampant antisemitism brought a corresponding amount of undue criticism. Fortunately, however, his artistic inventiveness has indeed been critically re-evaluated. As a result, Mendelssohn is once again among the most prevalent composers of the Romantic era. Early Family Life Mendelssohn was, in fact, born into a prominent Jewish family. His grandfather was, notably, the philosopher Moses Mendelssohn. Felix was, in fact, raised without religion. At the age of seven, he was all of a sudden baptized as a Reformed Christian. He was, moreover, a child musical prodigy. Nevertheless, his parents did not attempt to exploit his talent. Early Adulthood Mendelssohn was, in general, successful in Germany. He conducted, in particular, a revival of the music of Johann Sebastian Bach, specifically with his presentation of the St Matthew Passion in 1829. Felix was truly in demand throughout Europe as a composer, conductor, and soloist. For example, he visited Britain ten times. There, he premiered, namely, many of his major works. His taste in music was. To be sure, inventive and well-crafted yet markedly conservative. This conservatism separated him by all means from more audacious musical colleagues like Liszt, Wagner, and Berlioz. Mendelssohn founded the Leipzig Conservatoire which, to clarify, became a defender of this conservative viewpoint. Mature Adulthood Schumann notably wrote that Mendelssohn was the Mozart of the nineteenth century, the most brilliant musician, the one who most clearly sees through the contradictions of the age and for the first time reconciles them. This observation points to a couple of features in particular that illustrate Mendelssohn's works and his artistic procedure. Musical Features In the first place, his musical style was fixed in his methodical mastery of the style of preceding masters. This being said, he certainly recognized and even developed early romanticism from the music of Beethoven and Weber. Secondly, it indicates that Mendelssohn sought to strengthen his inherited musical legacy rather than to exchange it with new forms and styles or replace it with exotic orchestration. Consequently, he diverged his contemporaries in the romantic period, such as Wagner, Berlioz, and Liszt. Mendelssohn revered Liszt's virtuos.
$32.95
30.38 €
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Saxophone Alto et Piano
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Felix Bartholdy Mendelssohn
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James M
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Mendelssohn: Wedding March for Alto Sax & Piano
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jmsgu3
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SheetMusicPlus
Ruby and Steel (for alto saxophone and piano)
Saxophone Alto et Piano
Alto Saxophone,Piano - Level 4 - Digital Download SKU: A0.971650 Composed by Jeffre…
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Alto Saxophone,Piano - Level 4 - Digital Download SKU: A0.971650 Composed by Jeffrey Hoover. 20th Century,Contemporary. Score and part. 25 pages. Musicart Publications #4628067. Published by Musicart Publications (A0.971650). Ruby and Steel (duration 7 min.) is a fantasy work for alto saxophone and piano, reflecting on the physical qualities and contrasts between an unlikely pairing of materials – nature's precious gemstone ruby and the manmade material steel. The ideas of the red glow of molten steel and the red light of ruby are held in common. Establishing a modern yet Romantic atmosphere, an extended piano solo opens the work. The music is developed through a thematic transformation process: gestures of earlier music reappears as transformations of its previous selves. The interaction (both musical dialogue and subsequent agreement) between piano and saxophone is a prominent characteristic, along with ebb-and-flow of tempo. As with several other compositions by Jeffrey Hoover, there is an abstract painting–Ruby and Steel–created by Hoover as a visual interpretation of the musicJeffrey Hoover's work– music ranging from soloist to symphony orchestra –has received recognition through the prestigious Trieste prize, awards from Mu Phi Epsilon, the Lancaster Fine Arts Festival, grants, publications fellowships and more than 20 commissions. He is a member of the ACME roster of Mu Phi Epsilon, recognized for distinguished achievement as a composer. One unique aspect of Hoover’s work is when he combines composition with his paintings, creating synergetic art that intrigues and captivate audiences and performers alike. His paintings are seen in exhibitions and in concerts where his paintings are projected while musicians perform his music. Whether making interdisciplinary works, or traditional stand-alone sonic or visual art, Hoover shapes his work through inner vision and practical experience. Jeffrey Hoover’s background as a performer includes both classical and jazz music, as saxophonist and conductor. His book The Arts and Society: Making New Worlds is published by Kendall Hunt Publishing.Jeffrey Hoover was born on September 11, 1959, in Anderson, Indiana. He holds a Ph.D. in Fine Arts (Composition and Interdisciplinary Fine Arts) from Texas Tech University, as well as a M.M. and Bch.Sc. from Ball State University. His career in higher education has included both music faculty and arts administrative appointments.
$19.95
18.39 €
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Saxophone Alto et Piano
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Jeffrey Hoover
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Ruby and Steel
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Musicart Publications
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SheetMusicPlus
A Whole New World
Saxophone Alto et Piano
Alto Saxophone,Piano - Level 3 - Digital Download SKU: A0.1458224 Composed by Alan …
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Alto Saxophone,Piano - Level 3 - Digital Download SKU: A0.1458224 Composed by Alan Menken and Tim Rice. Arranged by Harry Walker. Broadway,Film/TV,Musical/Show,Pop,Singer/Songwriter,Wedding. Score and part. 11 pages. SCORE EDITIONS #1037200. Published by SCORE EDITIONS (A0.1458224). A Whole New World is the signature song from Disney's 1992 animated feature film Aladdin, with music by Alan Menken and lyrics by Tim Rice. A duet originally recorded by singers Brad Kane and Lea Salonga in their respective roles as the singing voices of the main characters Aladdin and Jasmine, the ballad serves as both the film's love and theme song. Lyrically, A Whole New World describes Aladdin showing the confined princess a life of freedom and the pair's acknowledgment of their love for each other while riding on a magic carpet. In this version, the composition was arranged for Alto Saxophone and Piano by Harry Walker.
$5.99
5.52 €
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Saxophone Alto et Piano
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Alan Menken and Tim Rice
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Harry Walker
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A Whole New World
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SCORE EDITIONS
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SheetMusicPlus
Come, Thou Fount of Every Blessing (Jupiter) - Solo Alto Sax & Piano
Saxophone Alto et Piano
Alto Saxophone,Piano - Level 3 - Digital Download SKU: A0.723282 Composed by Gustav…
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Alto Saxophone,Piano - Level 3 - Digital Download SKU: A0.723282 Composed by Gustav Holst / John Wyeth. Arranged by Garrett Breeze. Christian,Concert,Contemporary,Graduation,Sacred. Score and part. 11 pages. Lagom Music #6083315. Published by Lagom Music (A0.723282). This beautiful solo arrangement is one of composer Garrett Breeze’s most memorable works as it seamlessly weaves together two of England’s most beloved hymn tunes: Nettleton and Thaxted. Nettleton is most commonly heard today as the tune for the popular hymn Come, Thou Fount of Every Blessing. Thaxted has a prominent place in classical repertoire as the focal point of Gustav Holst’s Jupiter from The Planets. Suitable for church services, weddings, graduations, and recitals.Visit https://garrettbreeze.com to read my blog and discover new music!
$5.99
5.52 €
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Saxophone Alto et Piano
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Gustav Holst / John Wyeth
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Garrett Breeze
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Come, Thou Fount of Every Blessing
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Lagom Music
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SheetMusicPlus
Mendelssohn: Song Without Words Op. 109 for Alto Sax & Piano
Saxophone Alto et Piano
Alto Saxophone,Piano - Level 3 - Digital Download SKU: A0.549489 Composed by Felix …
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Alto Saxophone,Piano - Level 3 - Digital Download SKU: A0.549489 Composed by Felix Bartholdy Mendelssohn. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and part. 20 pages. Jmsgu3 #3500661. Published by jmsgu3 (A0.549489). ALTO SAX & PIANO - Score: 11 pages, solo part: 3 pages, piano part: 5 pages. Duration: 4:20. This is a popular recital piece that would work well also in church or school programs. Mendelssohn Background Felix Mendelssohn (1809 –1847) was, by all means, a German mastermind composer, musician, and orchestra conductor of the Romantic period. Consequently, Mendelssohn composed in the usual forms of the time - symphonies, concertos, oratorios, piano music, and chamber music. To summarize, his most famous works include his music for A Midsummer Night's Dream, the Italian Symphony, the Scottish Symphony, The Hebrides Overture, his later Concerto for Violin & Orchestra, and his Octet for Strings. His most well-known piano pieces, by and large, are the Songs Without Words. Artistic Standing  Musical tastes change from time to time. Moreover, just such a change occurred in the late 19th and early 20th centuries. This plus rampant antisemitism brought a corresponding amount of undue criticism. Fortunately, however, his artistic inventiveness has indeed been critically re-evaluated. As a result, Mendelssohn is once again among the most prevalent composers of the Romantic era. Early Family Life Mendelssohn was, in fact, born into a prominent Jewish family. His grandfather was, notably, the philosopher Moses Mendelssohn. Felix was, in fact, raised without religion. At the age of seven, he was suddenly baptized as a Reformed Christian. He was, moreover, a child musical prodigy. Nevertheless, his parents did not attempt to exploit his talent. Early Adulthood Mendelssohn was, in general, successful in Germany. He conducted, in particular, a revival of the music of Johann Sebastian Bach, specifically with his presentation of the St Matthew Passion in 1829. Felix was truly in demand throughout Europe as a composer, conductor, and soloist. For example, he visited Britain ten times. There, he premiered, namely, many of his significant works. His taste in music was. To be sure, inventive and well-crafted yet markedly conservative. This conservatism separated him by all means from more audacious musical colleagues like Liszt, Wagner, and Berlioz. Mendelssohn founded the Leipzig Conservatoire which, to clarify, became a defender of this conservative viewpoint. Mature Adulthood Schumann notably wrote that Mendelssohn was the Mozart of the nineteenth century, the most brilliant musician, the one who most clearly sees through the contradictions of the age and for the first time reconciles them. This observation points to a couple of features in particular that illustrate Mendelssohn's works and his artistic procedure. Musical Features In the first place, his musical style was fixed in his systematic mastery of the style of preceding masters. This being said, he certainly recognized and even developed early romanticism from the music of Beethoven and Weber. Secondly, it indicates that Mendelssohn sought to strengthen his inherited musical legacy rather than to exchange it with new forms and styles or replace it with exotic orchestration. Consequently, he diverged his contemporaries in the romantic period, such as Wagner, Berlioz, and Liszt. Mendelssohn revered Liszt's virtuosity at the keyboard but found his music rather insubstantial.
$32.95
30.38 €
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Saxophone Alto et Piano
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Felix Bartholdy Mendelssohn
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James M
#
Mendelssohn: Song Without Words Op. 109 for Alto Sax & Piano
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jmsgu3
#
SheetMusicPlus
Mazurka Op. 38 no. 2
Saxophone Alto et Piano
Alto Saxophone,Piano - Level 3 - Digital Download SKU: A0.1473473 By Nikolay Andrey…
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Alto Saxophone,Piano - Level 3 - Digital Download SKU: A0.1473473 By Nikolay Andreyevich Rimsky-Korsakov. By Nikolay Andreyevich Rimsky-Korsakov. Arranged by Ian Fitze. 19th Century,Contest,Festival,Folk,Instructional,Romantic Period. Score and part. 8 pages. Ian Fitze #1051271. Published by Ian Fitze (A0.1473473). Visit my website at IAN FITZE MUSICAL ARRANGEMENTS for a complete catalogue of my works including FREE DOWNLOADS.This is a moderately challenging piece adapted for instrumental solo with Piano accompaniment. From Wikipedia: The Mazurka (Polish: mazurek) is a Polish musical form based on stylised folk dances in triple meter, usually at a lively tempo, with character defined mostly by the prominent mazur's strong accents unsystematically placed on the second or third beat.Rimsky Korsakoff makes good use of melodies and counter-melodies throughout.A fun piece for both soloist and accompanist to put together.
$1.99
1.83 €
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Saxophone Alto et Piano
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Nikolay Andreyevich Rimsky-Korsakov
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Ian Fitze
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Mazurka Op. 38 no. 2
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Ian Fitze
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SheetMusicPlus
Maybe This Time
Saxophone Alto et Piano
Instrumental Duet,Piano Alto Saxophone,Baritone Saxophone,Instrumental Duet,Piano - Level …
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Instrumental Duet,Piano Alto Saxophone,Baritone Saxophone,Instrumental Duet,Piano - Level 3 - Digital Download SKU: A0.735324 Composed by John Kander. Arranged by Andrew Middleton. 20th Century. Score and parts. 5 pages. Andrew Middleton #4356085. Published by Andrew Middleton (A0.735324). From the musical Cabaret and made famous by Liza Minelli's icon voice, Maybe This Time arranged for alto saxophone and piano. This arrangement would also be suitable for baritone saxophone too!For more updates on new arrangements follow my Facebook page on https://www.facebook.com/a.middletonmusic/ Or subscribe to my Youtube page at https://www.youtube.com/channel/UCClIYqddA2wMpdaxSq3BKEw?view_as=subscriber
$4.99
4.6 €
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Saxophone Alto et Piano
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John Kander
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Andrew Middleton
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Maybe This Time
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Andrew Middleton
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SheetMusicPlus
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