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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Sunday - Oboe
Non classifié
1 186
Piano & claviers
Piano seul
473
Piano, Voix
457
Orgue
260
Piano, Voix et Guitare
216
Piano Facile
119
Accompagnement Piano
23
Instruments en Do
16
Orgue, Trompette (duo)
14
Accordéon
11
Piano grosses notes
10
Piano Trio: piano, violon, violoncelle
8
1 Piano, 4 mains
7
Orgue, Piano (duo)
5
2 Pianos, 4 mains
4
Piano Quatuor: piano, 2 violons, violoncelle
4
Piano Quatuor: piano, violon, alto, violoncelle
4
Piano (partie séparée)
2
Piano Quintette: piano, 2 violons, alto, violoncelle
1
+ 13 instrumentations
Retracter
Guitares
Guitare notes et tablatures
77
Ligne De Mélodie, (Paroles) et Accords
59
Paroles et Accords
32
Guitare
29
Basse electrique
27
Ukulele
21
Mandoline
3
Guitare (partie séparée)
3
2 Dulcimers (duo)
2
3 Guitares (trio)
2
Piano, Guitare (duo)
1
Ensemble de guitares
1
2 Guitares (duo)
1
+ 8 instrumentations
Retracter
Voix
Chorale SATB
1 098
Chorale 2 parties
308
Chorale 3 parties
278
Chorale Unison
254
Voix duo, Piano
129
Chorale TTBB
58
Voix duo
43
Pack Instrumental pour Chorale
26
Voix seule
19
Chorale
12
Chorale SSAA
7
Voix moyenne, Piano
6
Voix Soprano, Piano
4
Voix haute
4
Chorale SSATB
2
Voix basse
2
Voix Baryton, Piano
1
Voix Soprano
1
Voix Tenor
1
Chorale SATTBB A Cappella
1
Chorale SSAATTBB
1
+ 16 instrumentations
Retracter
Vents
Flûte traversière et Piano
58
Clarinette et Piano
37
Flûte traversière
34
Clarinette
31
Saxophone Tenor et Piano
26
Saxophone Alto et Piano
25
Quatuor de Saxophones: 4 saxophones
23
Saxophone Tenor
22
Saxophone (partie séparée)
22
Saxophone Soprano et Piano
22
2 Saxophones (duo)
21
Saxophone Alto
19
Flûte, Clarinette (duo)
16
Saxophone
12
Saxophone Baryton, Piano
8
3 Saxophones (trio)
8
Clarinette (partie séparée)
8
Quintette de Saxophone: 5 saxophones
8
Saxophone et Orgue
7
Flute (partie séparée)
6
Cor anglais, Piano
6
2 Clarinettes (duo)
6
Flûte, Alto et Piano
5
Quatuor de Clarinettes: 4 clarinettes
5
Clarinette, Violoncelle, Piano (trio)
5
Clarinette Basse, Piano
5
Piccolo, Piano
4
Instruments en Mib
4
Clarinette, Guitare (duo)
4
2 Clarinettes, Piano
3
Ensemble de Clarinettes
3
2 Flûtes traversières, Piano
3
Flûte à bec Soprano, Piano
3
Ensemble de Flûtes
3
Flûte et Guitare
3
Quintette de Clarinettes: 5 clarinettes
2
Flûte, Violoncelle, Piano (trio)
2
2 Flûtes traversières (duo)
2
3 Clarinettes (trio)
2
Quintette de Flûte : 5 flûtes
2
Trio de Flûtes: 3 flûtes
2
Clarinette, Harpe (duo)
2
2 Flûte à bec (duo)
2
Flûte à bec Tenor
2
Flûte, Violon, Violoncelle et Piano
1
Flûte, Harpe et Violoncelle
1
Flûte à Bec, Piano
1
Clarinette, Violon (duo)
1
Clarinette, Basson (duo)
1
Flûte, Clarinette, Piano (trio)
1
Ensemble de saxophones
1
Piccolo
1
Clarinette, Alto et Piano (trio)
1
Flûte, trombone et piano
1
Quatuor de Flûtes à bec
1
Flûte à bec Alto, Piano
1
Quatuor de Flûtes : 4 flûtes
1
+ 52 instrumentations
Retracter
Cuivres
Trompette
44
Trombone et Piano
33
Trompette, Piano
26
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
25
Cor et Piano
20
Trombone
19
Quatuor de Cuivres : 2 trompettes, trombone, tuba
18
Trompette, Cor (duo)
15
Cor
14
Quatuor de Cuivres: 2 trompettes, Cor, trombone
13
Trombone (partie séparée)
13
Trompette (partie séparée)
12
2 Trompettes (duo)
11
Euphonium, Piano (duo)
9
Trombone, Orgue
7
Trompette, Trombone (duo)
6
Cor anglais, Piano
6
2 Trombones (duo)
5
Bass Clef Instruments
4
Cor (partie séparée)
4
Instruments en Sib
4
Quatuor de cuivres: 2 trompettes, 2 trombones
3
Tuba (partie séparée)
3
Quatuor de Cuivres
3
Tuba et Orgue
3
Tuba et Piano
3
2 Cors (duo)
2
Cor et Orgue
2
2 Euphoniums et 2 Tubas
2
Quatuor de cuivres: 4 cors
1
Ensemble de Cors
1
3 Tubas (trio)
1
Quatuor de cuivres: 4 trombones
1
Trombone basse et Piano
1
2 Trompettes, Clavier (piano ou orgue)
1
2 Tubas (duo)
1
Tuba
1
Ensemble de Trombones
1
3 Cors (trio)
1
3 Trombones (trio)
1
Euphonium
1
+ 36 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
69
Violon et Piano
69
Violon, Violoncelle (duo)
41
Violon
41
Violoncelle, Piano
36
Violoncelle
32
Alto seul
29
Alto, Piano
28
Trio à Cordes: violon, alto, violoncelle
14
Piano Trio: Violon, Alto, Piano
13
Violon, Alto (duo)
12
Violon (partie séparée)
10
Harpe
7
Alto (partie séparée)
7
Violoncelle, Orgue
6
2 Violons (duo)
6
2 Altos (duo)
4
4 Violoncelles
4
2 Violoncelles (duo)
4
Quatuor à cordes : 4 altos
4
Contrebasse, Piano (duo)
4
Contrebasse (partie séparée)
4
Trio à cordes: 3 violins
3
Violoncelle (partie séparée)
3
2 Violons, Piano
2
Harpe (partie séparée)
2
2 Harpes (duo)
2
Harpe, Flûte (duo)
2
Trio à Cordes: 2 violons, violoncelle
2
Quatuor à cordes: 4 violons
2
Harpe, Violon (duo)
2
Violon, Guitare (duo)
2
Quintette à cordes: 2 violons, alto, violoncelle, basse
1
Ensemble de Violoncelles
1
Trio à Cordes: 3 violoncelles
1
Trio à cordes: 3 altos
1
Ensemble de Violons
1
Alto, Violoncelle (duo)
1
Alto, Orgue
1
+ 34 instrumentations
Retracter
Orchestre & Percussions
Cloches
159
Orchestre
53
Orchestre d'harmonie
38
Orchestre à Cordes
25
Ensemble Jazz
22
Batterie
14
Jazz combo
11
Ensemble de cuivres
10
Orchestre de chambre
9
Percussion (partie séparée)
5
Batterie (partie séparée)
4
Ensemble de Percussions
2
Percussion
2
Timbales (partie séparée)
1
Xylophone, Piano
1
Timbales
1
Fanfare
1
Marimba
1
Vibraphone (partie séparée)
1
+ 14 instrumentations
Retracter
Autres
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
THANKSGIVING
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Note4Piano
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Vous avez sélectionné:
Sunday - Oboe
Saxophone Alto et Piano
Partitions à imprimer
25 partitions trouvées
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1
Beautiful Sunday
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Saxophone Alto et Piano
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FACILE
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Daniel Boone
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Kaiserin Rebecca
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Beautiful Sunday
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Kaiserin Rebecca
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SheetMusicPlus
Alto Saxophone,Piano - Level 2 - SKU: A0.1142618 By Daniel Boone. By David Balfe and Peter Charles Green. Arranged by Kaiserin Rebecca. Contemporary,Hol...
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Alto Saxophone,Piano - Level 2 - SKU: A0.1142618 By Daniel Boone. By David Balfe and Peter Charles Green. Arranged by Kaiserin Rebecca. Contemporary,Holiday,Instructional,Pop. Score and part. 2 pages. Kaiserin Rebecca #742987. Published by Kaiserin Rebecca (A0.1142618). For alto saxophone solo and piano accompaniment with chords. Key: F major. Duration: 2'14.
$8.99
O Come All Ye Faithful for Alto Sax & Piano
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Saxophone Alto et Piano
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DÉBUTANT
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Wade
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James M
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O Come All Ye Faithful for Alt
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jmsgu3
#
SheetMusicPlus
Alto Saxophone,Piano - Level 1 - SKU: A0.548508 Composed by Wade. Arranged by James M. Guthrie, ASCAP. Christian,Christmas. Score and part. 4 pages. Jms...
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Alto Saxophone,Piano - Level 1 - SKU: A0.548508 Composed by Wade. Arranged by James M. Guthrie, ASCAP. Christian,Christmas. Score and part. 4 pages. Jmsgu3 #3388099. Published by jmsgu3 (A0.548508). O Come All Ye Faithful arranged with new harmony for the final verse. Score: 3 pages. Part: 1 pageO Come, All Ye Faithful O Come, All Ye Faithful is an English translation of the Latin Christmas carol Adeste Fideles. No one knows exactly who wrote it, but one theory is that it was originally composed by King John IV of Portugal (1604–1656) and revised by John F. Wade and John Reading. Nowadays, we usually attribute it to John Wade. The oldest manuscript from 1751, is owned by Stonyhurst College in Lancashire. Lyrics The English translation O Come, All Ye Faithful was certainly written by Frederick Oakeley, a Catholic priest in 1841. This translation is the most common in English speaking states. To begin with, the hymn had only four verses. Later, the verses grew to eight. Often, various verses are omitted because otherwise, the song is just too long. Some believe the first Latin lyrics were written by St. Bonaventure (13th century) or King John IV of Portugal in the 17th. Though others think it was written by the Cistercian monks. King John IV King John IV of Portugal was called The Musician King. He became king in 1640. In addition to performing the duties of a king, he was also a composer and music journalist. King John built a very large music library. Unfortunately, the library was ruined in 1755 because of the massive earthquake of Lisbon. In addition to his library, the king started a Music School that produced many accomplished musicians. The king also worked diligently to get instrumental music approved by the Vatican for use in his churches. Aside from his authorship of Adeste Fideles, he is famous for another popular choral setting of the Crux Fidelis, a prevalent Lenten hymn. Performance in Context As mentioned above, verses are sometimes left out because all eight verses would take too long to perform. More to the point though, some of the verses may be unsuitable for whatever of the church calendar they are intended. The eighth verse deals with the Epiphany, so it makes sense to sing this on Epiphany Sunday, but not other Sundays. Similarly, other verses are used according to whether the event is Midnight Mass or regular daytime Mass.
$24.95
Jingle Bells for Alto Sax & Piano
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Saxophone Alto et Piano
#
DÉBUTANT
#
Noël
#
James Pierpont
#
James M
#
piano
#
Jingle Bells for Alto Sax &
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jmsgu3
#
SheetMusicPlus
Alto Saxophone,Piano - Level 1 - SKU: A0.548664 Composed by James Pierpont. Arranged by James M. Guthrie, ASCAP. Christmas. Score and part. 9 pages. Jms...
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Alto Saxophone,Piano - Level 1 - SKU: A0.548664 Composed by James Pierpont. Arranged by James M. Guthrie, ASCAP. Christmas. Score and part. 9 pages. Jmsgu3 #3408939. Published by jmsgu3 (A0.548664). Jingle Bells arranged for alto sax & piano. Jingle Bells is perhaps the most famous song in American music history. James L. Pierpont published the piece as One Horse Open Sleigh in the late 1850s. Since its introduction, people began to insist that Pierpont wrote it for a Sunday school choir. However, it seems unlikely that such a secular song would be considered appropriate during that historical period for Sunday school. Christmas Repertoire Pierpont wrote the song for the Thanksgiving holidays, but people began to think of it more as a Christmas song over time. Some choirs adopted it as part of their Christmas repertoire in the 1860s and 1870s. Jingle Bells was first recorded in 1889 on a wax cylinder. Origins No one knows where Pierpont composed the song. One theory suggests he wrote it in Medford, Massachusetts, in 1850. Sleigh races were undoubtedly famous in 19th-century Massachusetts. To this day, a commemorative placard appears in Medford Square, claiming it is the birthplace of Jingle Bells. Others suggest that he wrote it in Savannah, Georgia where he was an organist and music director at the Unitarian Church. This theory gained support from the copyright date of 1857. We know he was living in Savannah by then. Traffic Signals Horse-drawn sleighs are relatively quiet in the snow. Consequently, horses usually had bell-laden straps to avoid accidents at blind intersections. Sleigh drivers in 19th Century New England were constantly vigilant, listening for the sounds of approaching horse-drawn sleighs. The tune imitates the rhythm that the trotting horse bells produce. Social Context Jingle Bells was sung as a drinking song at local revelries: during the song, folks would rhythmically jingle the ice in their glasses. A sleigh ride allowed couples to be alone together. The term Jingle bells is a poetic descriptive adjective referring specifically to the more accurate term sleigh bells. In many arrangements, sleigh bells accentuate the rhythm during the song's chorus.Â
$24.95
When the Roll is Called Up Yonder, Gospel Hymn for Alto Saxophone and Piano
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Saxophone Alto et Piano
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FACILE
#
Musique Sacrée
#
Gospel Spirituel
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James Milton Black
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David McKeown
#
When the Roll is Called Up Yon
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David McKeown
#
SheetMusicPlus
Alto Saxophone,Piano - Level 2 - SKU: A0.593475 Composed by James Milton Black. Arranged by David McKeown. Christian,Gospel,Praise & Worship,Sacred,Spir...
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Alto Saxophone,Piano - Level 2 - SKU: A0.593475 Composed by James Milton Black. Arranged by David McKeown. Christian,Gospel,Praise & Worship,Sacred,Spiritual. Score and part. 4 pages. David McKeown #6421179. Published by David McKeown (A0.593475). When the Roll is Called Up Yonder is a beautiful gospel hymn arranged here for Solo Alto Saxophone and Piano.When the Roll is Called Up Yonder was written in 1893 by James Milton Black. Black ran a Sunday School class and when a child was missing from one Sunday’s roll call, he called on the family to find the child was suffering from pneumonia. After calling and paying for a doctor, Black was inspired to write this hymn.
$2.49
The King Of Glory (Alto Saxophone and Piano)
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Saxophone Alto et Piano
#
FACILE
#
Musique Sacrée
#
Stephen DeCesare
#
Stephen DeCesare
#
The King Of Glory
#
Exultet Music
#
SheetMusicPlus
Alto Saxophone,Piano - Level 2 - SKU: A0.1321053 By Stephen DeCesare. By Israeli folk melody. Arranged by Stephen DeCesare. Christian,Easter,Lent,Praise...
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Alto Saxophone,Piano - Level 2 - SKU: A0.1321053 By Stephen DeCesare. By Israeli folk melody. Arranged by Stephen DeCesare. Christian,Easter,Lent,Praise & Worship,Sacred. Score and part. 8 pages. Exultet Music #909500. Published by Exultet Music (A0.1321053). The hymn that has become a standard on such occassions such as Palm Sunday and Easter has been freshly arranged for an Alto Saxophone solo with Piano accompaniment. Â Accessible and appropriate for any church setting.
$4.99
Bach - Arioso from Cantata BWV 156 for Alto Saxophone and Piano
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Saxophone Alto et Piano
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FACILE
#
Classique
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Johann Sebastian Bach
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Harry Walker
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Bach - Arioso from Cantata BWV
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SCORE EDITIONS
#
SheetMusicPlus
Alto Saxophone,Piano - Level 2 - SKU: A0.1349699 Composed by Johann Sebastian Bach. Arranged by Harry Walker. Baroque,Classical,Religious,Wedding. Score...
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Alto Saxophone,Piano - Level 2 - SKU: A0.1349699 Composed by Johann Sebastian Bach. Arranged by Harry Walker. Baroque,Classical,Religious,Wedding. Score and part. 6 pages. SCORE EDITIONS #934472. Published by SCORE EDITIONS (A0.1349699). Cantata 156 was written for the third Sunday after Epiphany in 1729, and was first performed on January 23 of that year. The text is by Picander, one of Bach’s favorite librettists. of the four cantatas written by Bach for the feast (72, 73, 111, and 156), it was the last, and the only one scored for solo voice. Like Cantatas 73 and 111, it is a chorale cantata, employing a chorale melody in several movements. In this version, the composition was arranged for Alto Saxophone and Piano by Harry Walker.
$5.99
Via Dolorosa
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Saxophone Alto et Piano
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FACILE
#
Musique Sacrée
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Christian contemporain
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Sandi Patty
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Stephen DeCesare
#
Via Dolorosa
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Exultet Music
#
SheetMusicPlus
Alto Saxophone,Piano - Level 2 - SKU: A0.628646 By Sandi Patty. By Billy Sprague and Niles Borop. Arranged by Stephen DeCesare. Christian,Contemporary,P...
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Alto Saxophone,Piano - Level 2 - SKU: A0.628646 By Sandi Patty. By Billy Sprague and Niles Borop. Arranged by Stephen DeCesare. Christian,Contemporary,Praise & Worship,Sacred,Standards. Score and part. 12 pages. Exultet Music #6204257. Published by Exultet Music (A0.628646). The beautiful Passion song by Sandi Patty which talks about a street within the Old City of Jerusalem, held to be the path that Jesus walked on the way to his crucifixion. Perfect for Palm Sunday, Holy Week, Tenebrae and Good Friday. Also concert appropriate. Scored for an Alto Saxophone solo with Piano accompaniment.
$4.99
Arioso by Bach for Alto Sax and Piano
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Saxophone Alto et Piano
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DÉBUTANT
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Classique
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Johann Sebastian Bach
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Ander
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Arioso by Bach for Alto Sax an
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Woods Only, Arrangements
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SheetMusicPlus
Alto Saxophone,Piano - Level 1 - SKU: A0.1047133 Composed by Johann Sebastian Bach. Arranged by Ander. Baroque,Easter,Sacred,Traditional,Wedding. Score ...
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Alto Saxophone,Piano - Level 1 - SKU: A0.1047133 Composed by Johann Sebastian Bach. Arranged by Ander. Baroque,Easter,Sacred,Traditional,Wedding. Score and part. 4 pages. Woods Only, Arrangements #651662. Published by Woods Only, Arrangements (A0.1047133). This easy arrangement for alto sax and piano was adapted to be simple to perform and understand the structure of the original work for various levels of musical knowledge. It can be played freely by beginning students due to the ease imposed on the piece; however, this does not preclude it from being played by professionals and music teachers. It is also ideal for academic recitals, weddings, student method and ceremonies that are arranged in the same way as the piece contains. The Cantata 156 (BWV 156) was written for the third Sunday after Epiphany in 1729, and was first performed on January 23 of that year. The text is by Picander, one of Bach's favorite librettists. of the four cantatas written by Bach for the feast, it was the last and only one scored for solo voice. This is a choral cantata, employing a choral melody in several movements. Cantata 156, in fact, employs two different choral melodies and texts in the second and sixth movements. A cantata is a sung symphony consisting of several parts, one of which is the Arioso, which is the initial instrumental part.
$1.99
There is a Fountain (Alto Sax and Piano)
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Saxophone Alto et Piano
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INTERMÉDIAIRE
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Musique Sacrée
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William Cowper, Lowell Mason
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John A
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There is a Fountain
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John A. Dempsey
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SheetMusicPlus
Alto Saxophone,Piano - Level 3 - SKU: A0.524713 Composed by William Cowper, Lowell Mason. Arranged by John A. Dempsey. Christian,Easter,Praise & Worship...
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Alto Saxophone,Piano - Level 3 - SKU: A0.524713 Composed by William Cowper, Lowell Mason. Arranged by John A. Dempsey. Christian,Easter,Praise & Worship,Sacred,Traditional. Score and part. 12 pages. John A. Dempsey #6233247. Published by John A. Dempsey (A0.524713). This alto sax and piano duet of the moving hymn There is a Fountain is recommended for traditional church services and other worship events, as a prelude, postlude, an offertory or silent prayer accompaniment. Â Popular and appropriate year round, this music is especially welcome for the Lord's Supper as well as Easter worship, including Palm Sunday services, Good Friday worship and Easter sunrise services. Â 8 pages of music (that includes a separate two-page alto sax part). Â Concert Key (Piano): Bb major. Â Alto Sax Key: G major.
$6.99
Bach: I Stand At The Threshold for Alto Sax & Piano
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Saxophone Alto et Piano
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FACILE
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Classique
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Johann Sebastian Bach
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James M
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up
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Bach: I Stand At The Threshold
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jmsgu3
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SheetMusicPlus
Alto Saxophone,Piano - Level 2 - SKU: A0.549131 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Easter,Standards. Score ...
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Alto Saxophone,Piano - Level 2 - SKU: A0.549131 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Easter,Standards. Score and part. 5 pages. Jmsgu3 #3453247. Published by jmsgu3 (A0.549131). J. S. Bach: Sinfonia to the Cantata BWV 156 - I Stand At The Threshold. Composed for the 3rd Sunday of Epiphany. Duration: 2:50, Score 2 pg, solo part 1 pg. piano part - 2 pg. Performance level: Early intermediate & up. Program this during Epiphany, Lent, or Easter. Also makes a great recital encore to demonstrate phrasing control and melodic shaping.
$32.95
Hosanna, Loud Hosanna (Alto Saxophone - Piano accompaniment)
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Saxophone Alto et Piano
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FACILE
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Musique Sacrée
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Traditional
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Stephen DeCesare
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Hosanna, Loud Hosanna
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Exultet Music
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SheetMusicPlus
Alto Saxophone,Piano - Level 2 - SKU: A0.628875 Composed by Traditional. Arranged by Stephen DeCesare. Christian,Easter,Praise & Worship,Sacred. Score a...
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Alto Saxophone,Piano - Level 2 - SKU: A0.628875 Composed by Traditional. Arranged by Stephen DeCesare. Christian,Easter,Praise & Worship,Sacred. Score and part. 10 pages. Exultet Music #6234433. Published by Exultet Music (A0.628875). One of the most widely used hymns for Palm Sunday has now been freshly arranged and scored for an Alto Saxophone solo with Piano accompaniment. Accessible and appropriate for any church setting. An accompaniment track is also available.
$4.99
ARIOSO, by J. S. Bach (sinfonia) - for Alto Saxophone and accompaniment
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Saxophone Alto et Piano
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DÉBUTANT
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Classique
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Johann Sebastian Bach
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Leyandder Trustworthy
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ARIOSO, by J. S. Bach
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Leyandder Trustworthy
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SheetMusicPlus
Alto Saxophone,Piano - Level 1 - SKU: A0.964379 Composed by Johann Sebastian Bach. Arranged by Leyandder Trustworthy. Baroque,Instructional,Sacred,Stand...
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Alto Saxophone,Piano - Level 1 - SKU: A0.964379 Composed by Johann Sebastian Bach. Arranged by Leyandder Trustworthy. Baroque,Instructional,Sacred,Standards,World. Score and part. 2 pages. Leyandder Trustworthy #6321031. Published by Leyandder Trustworthy (A0.964379). Cantata 156 was written for the third Sunday after Epiphany in 1729, and was first performed on January 23 of that year. The text is by Picander, one of Bach's favorite librettists. of the four cantatas written by Bach for the feast (72, 73, 111 and 156), it was the last, and the only one scored for solo voice. Like Cantatas 73 and 111, it is a choral cantata, employing a choral melody in several movements. Cantata 156, in fact, employs two different melodies and choral texts in the second and sixth (final) movements, respectively; the second uses Machs mit mir, Gott, nach deiner Güt (Schein, 1628), which Herr, wie du willt, so schicks mit mir (Binemann, 1582) is reserved for the finale. This version of the piece was adapted for Alto Saxophone along with a piano accompaniment that comes with the product.
$1.99
Crown Him With Glory (treble Eb instrument duet, parts only)
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Saxophone Alto et Piano
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INTERMÉDIAIRE
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Musique Sacrée
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George Job Elvey, Holden, and
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Sandra Zylstra
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Crown Him With Glory
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sandra dee zylstra
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SheetMusicPlus
Instrumental Duet,Piano Alto Saxophone,Instrumental Duet,Piano - Level 3 - SKU: A0.712404 Composed by George Job Elvey, Holden, and Melchior Teschner. A...
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Instrumental Duet,Piano Alto Saxophone,Instrumental Duet,Piano - Level 3 - SKU: A0.712404 Composed by George Job Elvey, Holden, and Melchior Teschner. Arranged by Sandra Zylstra. Christian,Easter,Sacred. Score and parts. 2 pages. Sandra dee zylstra #5044487. Published by sandra dee zylstra (A0.712404). Crown Him With Glory is arranged with the songs All Hail the Power of Jesus Name, All Glory Laud and Honor and Crown Him With Many Crowns. This would make a great prelude or Postlude on Easter Sunday morning! This medley is arranged as an intermediate treble Eb instrument duet. This is the instrument part only. Duet combinations available are treble C, bass C, treble and bass C, treble Bb, treble Eb and treble F. (Approximately 3 minutes, 2 pages) Â You can look at other arrangements by Sandra Zylstra on Sheet Music Plus: http://www.sheetmusicplus.com/formats/singles/sandra-zylstra/600092+3001855Â and at Piano Pronto: Composers Community https://pianopronto.com/composers-community/sandra-zylstra/
$2.50
Bach: Wachet auf for Alto Sax & Piano
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Saxophone Alto et Piano
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FACILE
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Classique
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Johann Sebastian Bach
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James M
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Bach: Wachet auf for Alto Sax
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jmsgu3
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SheetMusicPlus
Alto Saxophone,Piano - Level 2 - SKU: A0.549842 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Concert,Easter,Sacred,St...
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Alto Saxophone,Piano - Level 2 - SKU: A0.549842 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Concert,Easter,Sacred,Standards. Score and part. 12 pages. Jmsgu3 #3554821. Published by jmsgu3 (A0.549842). Wachet auf, ruft uns die Stimme (Awake, the voice is calling us) from Cantata BWV 140. Duration: ca. 4:00, Score: 6 pages, solo part 1 page, piano part: 4 pages. Program this for church services during the Easter season, or as a recital encore.Wachet auf, ruft uns die Stimme (Awake, the Voice is calling us) also known as: Sleepers Awake Bach composed his church cantata Wachet auf (BWV 140) as part of his second annual cantata cycle covering the entire annual church calendar. It is based on the hymn of the same name by Philipp Nicolai (1599). The hymn text covers the readings for the 27th Sunday after Trinity. Bach designed the cantata in seven movements, setting the stanzas in various forms. Among these forms are the chorale fantasia, the chorale prelude, and a four-part chorale. He casts the new lyrics as recitatives – in a manner similar to the opera. Fourth Movement Bach writes the fourth movement, Zion hört die Wächter singen (Zion hears the watchmen singing), in the style of a chorale prelude with the chorale phrases performed as a strict cantus firmus. The phrases seem to enter at times erratically against the famous lyrical melody. The violins play this melody in unison as a foil against the cantus phrases. The violin melody is so independent and complete that when the cantus melody appears it catches the listener at times totally off-guard. Bach later transcribed this movement for organ (BWV 645). This transcription became No. 1 of the Six Schübler Chorales. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with the instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and certainly the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio. History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer. Style It seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV. .
$24.95
Christ Arose (treble Eb instrument duet)
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Saxophone Alto et Piano
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INTERMÉDIAIRE
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Musique Sacrée
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Lowry
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Sandra Zylstra
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Christ Arose
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sandra dee zylstra
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SheetMusicPlus
Instrumental Duet,Piano Alto Saxophone,Instrumental Duet,Piano - Level 3 - SKU: A0.712384 Composed by Lowry. Arranged by Sandra Zylstra. Christian,Easte...
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Instrumental Duet,Piano Alto Saxophone,Instrumental Duet,Piano - Level 3 - SKU: A0.712384 Composed by Lowry. Arranged by Sandra Zylstra. Christian,Easter,Sacred. Score and parts. 9 pages. Sandra dee zylstra #5044351. Published by sandra dee zylstra (A0.712384). Celebrate Easter Sunday morning with Christ Arose....Low in the grave He lay, Jesus my Savior…Hallelujah! Christ Arose! Enjoy playing this arrangement as an intermediate treble Eb instrument duet with piano accompaniment plus separate instrumental parts. Duet combinations available are treble C, bass C, treble and bass C, treble Bb, treble Eb and treble F. (Approximately 3 minutes, 8 pages) You can look at other arrangements by Sandra Zylstra on Sheet Music Plus: http://www.sheetmusicplus.com/formats/singles/sandra-zylstra/600092+3001855 and at Piano Pronto: Composers Community https://pianopronto.com/composers-community/sandra-zylstra/.
$4.25
Crown Him With Glory (treble Eb instrument duet)
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Saxophone Alto et Piano
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INTERMÉDIAIRE
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Musique Sacrée
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George Job Elvey, Holden, and
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Sandra Zylstra
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Crown Him With Glory
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sandra dee zylstra
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SheetMusicPlus
Instrumental Duet,Piano Alto Saxophone,Instrumental Duet,Piano - Level 3 - SKU: A0.712397 Composed by George Job Elvey, Holden, and Melchior Teschner. A...
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Instrumental Duet,Piano Alto Saxophone,Instrumental Duet,Piano - Level 3 - SKU: A0.712397 Composed by George Job Elvey, Holden, and Melchior Teschner. Arranged by Sandra Zylstra. Christian,Easter,Sacred. Score and parts. 8 pages. Sandra dee zylstra #5044423. Published by sandra dee zylstra (A0.712397). Crown Him With Glory is arranged with the songs All Hail the Power of Jesus Name, All Glory Laud and Honor and Crown Him With Many Crowns. This would make a great prelude or Postlude on Easter Sunday morning! This medley is arranged as an intermediate treble Eb instrument duet with piano accompaniment plus separate instrumental parts. Duet combinations available are treble C, bass C, treble and bass C, treble Bb, treble Eb and treble F. (Approximately 3 minutes, 7 pages) Â You can look at other arrangements by Sandra Zylstra on Sheet Music Plus: http://www.sheetmusicplus.com/formats/singles/sandra-zylstra/600092+3001855Â and at Piano Pronto: Composers Community https://pianopronto.com/composers-community/sandra-zylstra/.
$4.25
Must Jesus Bear The Cross Alone (Alto Saxophone and Piano)
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Saxophone Alto et Piano
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FACILE
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Musique Sacrée
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Gospel Spirituel
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George Nelson Allen
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Stephen DeCesare
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Must Jesus Bear The Cross Alon
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Exultet Music
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SheetMusicPlus
Alto Saxophone,Piano - Level 2 - SKU: A0.628546 Composed by George Nelson Allen. Arranged by Stephen DeCesare. Christian,Easter,Gospel,Sacred,Spiritual....
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Alto Saxophone,Piano - Level 2 - SKU: A0.628546 Composed by George Nelson Allen. Arranged by Stephen DeCesare. Christian,Easter,Gospel,Sacred,Spiritual. Score and part. 8 pages. Exultet Music #6168301. Published by Exultet Music (A0.628546). One of the most celebrated hymns that is sung throughout Lent, Palm Sunday or Good Friday has now been freshly arranged for an Alto Saxophone solo with Piano accompaniment. Accessible and appropriate for any church or concert setting. An accompaniment track is also available.
$4.99
Must Jesus Bear The Cross Alone (with "Lonesome Valley") (Alto Saxophone and Piano)
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Saxophone Alto et Piano
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FACILE
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Musique Sacrée
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George Nelson Allen, Spiritual
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Stephen DeCesare
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Must Jesus Bear The Cross Alon
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Exultet Music
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SheetMusicPlus
Alto Saxophone,Piano - Level 2 - SKU: A0.629135 Composed by George Nelson Allen, Spiritual. Arranged by Stephen DeCesare. Christian,Easter,Praise & Wors...
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Alto Saxophone,Piano - Level 2 - SKU: A0.629135 Composed by George Nelson Allen, Spiritual. Arranged by Stephen DeCesare. Christian,Easter,Praise & Worship,Sacred,Spiritual. Score and part. 12 pages. Exultet Music #6268831. Published by Exultet Music (A0.629135). Two of the most celebrated hymns that are sung throughout Lent, Palm Sunday or Good Friday have now been freshly joined together into one anthem and scored for an Alto Saxophone solo with Piano accompaniment. Accessible and appropriate for any church or concert setting. An accompaniment track is also available.
$4.99
Crown Him With Glory (treble Eb instrument solo)
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Saxophone Alto et Piano
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INTERMÉDIAIRE
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Musique Sacrée
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George Job Elvey, Holden, and
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Sandra Zylstra
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Crown Him With Glory
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sandra dee zylstra
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SheetMusicPlus
Alto Saxophone,Piano - Level 3 - SKU: A0.711874 Composed by George Job Elvey, Holden, and Melchior Teschner. Arranged by Sandra Zylstra. Christian,Easte...
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Alto Saxophone,Piano - Level 3 - SKU: A0.711874 Composed by George Job Elvey, Holden, and Melchior Teschner. Arranged by Sandra Zylstra. Christian,Easter,Sacred. Score and part. 6 pages. Sandra dee zylstra #9087. Published by sandra dee zylstra (A0.711874). Crown Him With Glory is arranged with the songs All Hail the Power of Jesus Name, All Glory Laud and Honor andCrown Him With Many Crowns. This would make a great prelude or postlude on Easter Sunday morning! This medley is arranged as an intermediate treble Eb instrument solo with piano accompaniment and a separate instrument part. (Approximately 3 minutes, 5 pages) You can look at other arrangements by Sandra Zylstra on Sheet Music Plus: http://www.sheetmusicplus.com/formats/singles/sandra-zylstra/600092+3001855 and at Piano Pronto: Composers Community https://pianopronto.com/composers-community/sandra-zylstra/ .
$3.75
Saeterjentens Sondag for Alto Saxophone & Piano
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Saxophone Alto et Piano
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FACILE
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Classique
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Ole Bull
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Daniel Leeman
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Saeterjentens Sondag for Alto
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Daniel Leeman
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SheetMusicPlus
Alto Saxophone,Piano - Level 2 - SKU: A0.870792 Composed by Ole Bull. Arranged by Daniel Leeman. Romantic Period. Score and part. 5 pages. Daniel Leeman...
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Alto Saxophone,Piano - Level 2 - SKU: A0.870792 Composed by Ole Bull. Arranged by Daniel Leeman. Romantic Period. Score and part. 5 pages. Daniel Leeman #3053463. Published by Daniel Leeman (A0.870792). A beautiful piece, written by Norwegian composer Ole Bull, Saeterjentens Sondag can be translated as Herdsgirl’s Sunday. This arrangement is for easy intermediate level players; while not technically demanding, the focus should be on the rolling melodic line and careful tonal control.
$4.99
Alto Sax - "And Can It Be?" Theme and Variations
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Saxophone Alto et Piano
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INTERMÉDIAIRE
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Musique Sacrée
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Lyrics: Charles Wesley, Music:
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Dan Cutchen
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Alto Sax - "And Can It Be
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Dan Cutchen Music
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SheetMusicPlus
Alto Saxophone,Piano - Level 3 - SKU: A0.844328 Composed by Lyrics: Charles Wesley, Music: Thomas Campbell, published 1738, and published 1825. Arranged...
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Alto Saxophone,Piano - Level 3 - SKU: A0.844328 Composed by Lyrics: Charles Wesley, Music: Thomas Campbell, published 1738, and published 1825. Arranged by Dan Cutchen. Easter,Gospel,Sacred,Spiritual. Score and part. 15 pages. Dan Cutchen Music #3115903. Published by Dan Cutchen Music (A0.844328). This arrangement of And Can It Be That I Should Gain? is for alto saxophone solo and piano.A theme and variation treatment is used. For a piano background Mp3 track, search for: Alto Sax - And Can It Be? Theme and Variations-Accompaniment Track, Dan CutchenTime: approximately 6:00And Can It Be That I Should Gain? is a Christian hymn written by Charles Wesley. And Can It Be was written in 1738 to celebrate Wesley's conversion, which he regarded as having taken place on May 21 of that year. This beautiful hymn has been popular and enduring.And Can It Be That I Should Gain is perhaps one of the most joyfully poignant hymns penned by Charles Wesley (1707-1788). On Whitsunday (Pentecost), May 21, 1738, three days before his brother John experienced his heart strangely warmed,’ Charles was convalescing in the home of John Bray, a poor mechanic, when he heard a voice saying, In the name of Jesus of Nazareth, arise, and believe, and thou shalt be healed of all thy infirmities. The voice was most likely Mr. Bray’s sister who felt commanded to say these words in a dream.Anglican hymn writer Timothy Dudley-Smith, notes that the following then happened:Charles got out of bed and opening his Bible read from the Psalms: He have put a new song in my mouth, even praise unto our God, followed by the first verse of Isaiah 40, Comfort ye, comfort ye my people, saith your God. He wrote in his journal, I have found myself at peace with God, and rejoiced in the hope of love Christ (Dudley-Smith, 1987, 1).The statement from Mr. Bray’s sister sparked within Charles a conviction like he had never felt before. Moved and convicted in spirit, Charles wrestled with these words until he came to rest in his faith, knowing that it is by faith we are saved (Ephesians 2:8).Soon after this conversion experience, he wrote two hymns in celebration of the amazing love he had come to know: And Can It Be that I Should Gain and Where Shall My Wondering Soul Begin? (United Methodist Hymnal, 342)There has been some debate as to which hymn was written first, but most current scholarship accepts the latter as the first hymn written by Charles after his conversion experience. No matter its place in the chronology of Wesley's output, And Can It Be has been and remains one of his most remarkable hymns, expressing like no other the rapturous joy of receiving salvation.And Can It Be That I Should Gain. Hymnary.org, https://hymnary.org/text/and_can_it_be_that_i_should_gainDudley-Smith, Timothy. A Flame of Love: A Personal Choice of Charles Wesley’s Verse. London: Triangle SPCK, 1987.Timothy Dudley-Smith. And can it be that I should gain. The Canterbury Dictionary of Hymnology. Canterbury Press, accessed May 29, 2018, http://www.hymnology.co.uk/a/and-can-it-be-that-i-should-gain.Young, Carlton R. And Can It Be That I Should Gain. Companion to the United Methodist Hymnal. Abingdon Press, 1993.(Taken from: History of Hymns: And Can It Be That I Should Gain by DeAndre Johnson found at https://www.umcdiscipleship.org/resources)https://youtu.be/BSX9yYcNY2E
$7.00
These Boots Are Made For Walkin'
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Saxophone Alto et Piano
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FACILE
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Jessica Simpson
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These Boots Are Made For Walki
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Mr Scribe
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SheetMusicPlus
Alto Saxophone,Piano - Level 2 - SKU: A0.1154437 By Jessica Simpson. By Lee Hazlewood. Arranged by ArboretumSunday, Cliff Stanton, and Fretsnreeds. 20th...
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Alto Saxophone,Piano - Level 2 - SKU: A0.1154437 By Jessica Simpson. By Lee Hazlewood. Arranged by ArboretumSunday, Cliff Stanton, and Fretsnreeds. 20th Century,Contemporary,Pop. Score and part. 4 pages. Mr Scribe #754722. Published by Mr Scribe (A0.1154437). This popular tune has been arranged for intermediate level, a piano part is included where the LH accompanies the Melody. Th Rh Doubles the melody if required.
$4.99
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Sunday - Oboe
