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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
CORNEMUSE
CORNET
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FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
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HARMONICA
HARPE
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Non classifié
839
PIANO & CLAVIERS
Piano seul
563
Piano, Voix
399
Piano Facile
128
Piano, Voix et Guitare
71
Accompagnement Piano
45
Orgue
39
Instruments en Do
35
Piano Quatuor: piano, 2 violons, violoncelle
13
1 Piano, 4 mains
12
Piano Trio: piano, violon, violoncelle
12
Piano Quatuor: piano, violon, alto, violoncelle
3
Orgue, Trompette (duo)
2
Accordéon
2
Piano (partie séparée)
2
2 Pianos, 4 mains
2
Orgue, Piano (duo)
1
Piano Quintette: piano, 2 violons, alto, violoncelle
1
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GUITARES
Guitare notes et tablatures
27
Guitare
18
Ukulele
10
2 Guitares (duo)
5
Ligne De Mélodie, (Paroles) et Accords
4
Banjo
3
Guitare (partie séparée)
2
Dulcimer
2
Mandoline
2
Paroles et Accords
1
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1
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1
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VOIX
Chorale SATB
462
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422
Voix duo, Piano
230
Chorale 3 parties
215
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179
Voix duo
42
Chorale SSAA
22
Chorale TTBB
20
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8
Voix Soprano, Piano
8
Voix seule
5
Voix moyenne, Piano
5
Voix Baryton, Piano
3
Voix haute
3
Voix Tenor
2
Voix Tenor, Piano
2
Voix Soprano
1
Chorale SSAATTBB
1
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VENTS
2 Saxophones (duo)
128
Quintette de Saxophone: 5 saxophones
104
Ensemble de saxophones
57
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56
Saxophone, Clarinette (duo)
54
Quatuor de Saxophones: 4 saxophones
53
Flûte traversière et Piano
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Clarinette et Piano
50
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48
2 Flûtes traversières (duo)
48
2 Flûte à bec (duo)
42
Saxophone Alto et Piano
42
Clarinette, Violon (duo)
37
Hautbois, Piano (duo)
36
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35
Flûte, Clarinette (duo)
35
2 Clarinettes (duo)
35
Ensemble de Clarinettes
28
Clarinette
28
Flûte, Saxophone (duo)
20
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20
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20
Hautbois (partie séparée)
20
Flûte, Alto (duo)
19
2 Hautbois (duo)
18
Saxophone Alto
18
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17
Hautbois, Clarinette (duo)
17
Clarinette et Alto
17
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16
Saxophone (partie séparée)
16
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15
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13
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9
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9
Saxophone Tenor
9
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8
Flûte à bec Soprano
5
3 Saxophones (trio)
5
Clarinette (partie séparée)
5
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4
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4
Flute (partie séparée)
4
Hautbois, Violoncelle
3
Quatuor de Clarinettes: 4 clarinettes
3
Quatuor de Flûtes à bec
2
Saxophone et Orgue
2
Flûte, Violon, Piano
2
Hautbois
2
Flûte et Guitare
2
3 Clarinettes (trio)
2
Flûte, Hautbois, Clarinette (trio)
2
Trio de Flûtes: 3 flûtes
2
Flûte, Violoncelle, Piano (trio)
1
Saxophone
1
3 Flûtes à bec (trio)
1
Flûte à Bec
1
Flûte à bec Alto, Piano
1
Hautbois, violon (duo)
1
Flûte traversière, Orgue (duo)
1
Flûte, Violon et Violoncelle
1
Flûte, Hautbois (duo)
1
Flûte à bec Alto
1
Quintette de Clarinettes: 5 clarinettes
1
Clarinette, Guitare (duo)
1
Flûte à bec Soprano, Piano
1
Ensemble De Flûte à bec
1
Flûte et Trio à cordes
1
Saxophone et Guitare
1
Flûte irlandaise
1
5 Flûtes à bec
1
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CUIVRES
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
100
Quatuor de Cuivres : 2 trompettes, trombone, tuba
74
Ensemble de Trompettes
59
Trombone et Piano
56
Trompette, Piano
45
Trompette, Saxophone (duo)
37
Trompette
36
Quatuor de Cuivres: 2 trompettes, Cor, trombone
34
2 Trompettes (duo)
33
2 Trombones (duo)
32
Trompette, Trombone (duo)
29
Ensemble de Trombones
26
Cor et Piano
21
Quatuor de Cuivres
18
Trombone
16
Trompette, Cor (duo)
14
Cor
12
Trompette (partie séparée)
11
2 Euphoniums (duo)
10
Tuba et Piano
9
Cor anglais, Piano
8
Trombone (partie séparée)
7
Euphonium, Piano (duo)
6
Cor (partie séparée)
5
Ensemble de Cors
5
Tuba
4
Quatuor de cuivres: 4 trompettes
3
Cor, Violoncelle (duo)
3
Quatuor de cuivres: 4 trombones
3
Quatuor de cuivres: 4 cors
3
Quatuor de cuivres: 2 trompettes, 2 trombones
3
Tuba (partie séparée)
3
3 Trompettes (trio)
2
Trompette, Trombone, Piano
2
Trio de Cuivres
2
2 Tubas (duo)
1
4 Tubas
1
Ensemble de Tubas
1
Trompette, Violoncelle (duo)
1
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CORDES
Quatuor à cordes: 2 violons, alto, violoncelle
74
Violon et Piano
58
Violon, Violoncelle (duo)
48
Alto, Piano
44
Violoncelle, Piano
41
2 Violons (duo)
36
Violon
31
Violon, Alto (duo)
29
2 Violoncelles (duo)
22
Violoncelle
21
Piano Trio: Violon, Alto, Piano
20
2 Altos (duo)
19
Ensemble de Violons
17
Alto seul
17
Ensemble d'Altos
15
Harpe
13
Trio à Cordes: 2 violons, violoncelle
9
4 Violoncelles
6
Trio à Cordes: violon, alto, violoncelle
6
Alto (partie séparée)
4
Alto, Violoncelle (duo)
4
Violon (partie séparée)
3
Quintette à cordes: 2 violons, 2 altos, violoncelle
2
Quatuor à cordes : 4 altos
2
Quatuor à cordes: 4 violons
2
Ensemble de Violoncelles
1
Trio à cordes: 3 altos
1
Trio à cordes: 3 violins
1
Harpe, Voix
1
4 Harpes
1
Violon, Clarinette, Piano (trio)
1
Alto et Harpe
1
Trio à Cordes: 3 violoncelles
1
Trio à Cordes: 2 violons, alto
1
Harpe et Orgue
1
Violoncelle (partie séparée)
1
3 Harpes
1
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PERCUSSIONS & ORCHESTRES
Orchestre d'harmonie
206
Orchestre
52
Ensemble de cuivres
35
Orchestre à Cordes
29
Fanfare
16
Orchestre de chambre
13
Ensemble Jazz
10
Batterie (partie séparée)
10
Cloches
9
Jazz combo
6
Percussion (partie séparée)
4
Ensemble de Percussions
2
Marimba
1
Vibraphone
1
Batterie
1
Orchestre, Violon
1
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AUTRES
Vous avez sélectionné:
That Time of Year - Bass
Saxophone Alto et Piano
Partitions à imprimer
42 partitions trouvées
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The Most Wonderful Time Of The Year
Saxophone Alto et Piano
Alto Saxophone,Piano - Level 2 - Digital Download SKU: A0.627741 Composed by Eddie …
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Alto Saxophone,Piano - Level 2 - Digital Download SKU: A0.627741 Composed by Eddie Pola and George Wyle. Arranged by Stephen DeCesare. Christmas,Contemporary,Standards. Score and part. 14 pages. Exultet Music #6050717. Published by Exultet Music (A0.627741). The popular Christmas song that was made popular by Andy Williams has now been freshly arranged for an Alto Saxophone solo with Piano accompaniment. Accessible and appropriate for any school or concert setting.
$4.99
4.5 €
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Saxophone Alto et Piano
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Eddie Pola and George Wyle
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Stephen DeCesare
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The Most Wonderful Time Of The Year
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Exultet Music
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SheetMusicPlus
It's Been A Long, Long Time
Saxophone Alto et Piano
Alto Saxophone,Piano - Level 3 - Digital Download SKU: A0.592548 Composed by Jule S…
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Alto Saxophone,Piano - Level 3 - Digital Download SKU: A0.592548 Composed by Jule Styne. Arranged by David McKeown. Contemporary. Score and part. 6 pages. David McKeown #6366359. Published by David McKeown (A0.592548). It’s Been a Long Long Time is arranged as a solo for one Alto Saxophone with Piano accompaniment. It’s Been a Long Long Time is best known to modern audiences as the song at the end of The Avengers, Endgame, where Steve Rogers, after seventy years, finally gets his dance with Peggy Carter. The song of course, is much older. Two versions of It’s Been a Long Long Time topped the charts in late 1945, and as US servicemen returned from Europe and the Pacific, it perfectly caught the mood of the times. One version was by Bing Crosby, and the other by the Harry James Orchestra featuring Kitty Kallen on vocals. It is the latter version that is heard in Endgame and the one that forms the basis of this arrangement.Musicians at an intermediate standard will find It’s Been a Long Long Time ideal for formal and informal concert performances. with both solo instrument and piano enjoying plenty of melodic interest. The separate solo part is included with the piano score in the same pdf file. The overall performance time is just over two and a half minutes. Click the link above to listen to a full performance of the clarinet version on YouTube.To keep up with new titles, search for Dave McKeown Sheet Music Downloads on Facebook.There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$5.99
5.41 €
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Saxophone Alto et Piano
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Jule Styne
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David McKeown
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It's Been A Long, Long Time
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David McKeown
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SheetMusicPlus
Korsakov: Flight of the Bumblebee for Alto Sax & Piano
Saxophone Alto et Piano
Alto Saxophone,Piano - Level 5 - Digital Download SKU: A0.549254 Composed by Nikola…
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Alto Saxophone,Piano - Level 5 - Digital Download SKU: A0.549254 Composed by Nikolay Andreyevich Rimsky-Korsakov. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Standards. Score and part. 15 pages. Jmsgu3 #3473685. Published by jmsgu3 (A0.549254). Flight of the Bumblebee Flight of the Bumblebee is, to be sure, an orchestral interlude composed by Nikolai Rimsky-Korsakov for his opera The Tale of Tsar Saltan. Of course, Korsakov intended to portray a bumblebee's chaotic flying pattern musically. Nowadays, this piece is one of the comparatively more famous classical works because it frequently appears occasionally in popular culture. The piece appears notably in the opera at the close of Act III, Tableau 1. This is when the magic Swan-Bird changes the Prince (the son of the Tsar) into a bee so he can fly away to visit his father. Interestingly, at this point in the drama, his father, in effect, does not know that he is alive. Korsakov Background Nikolai Rimsky-Korsakov (1844 –1908) was a uniquely famous composer from Russia. He was likewise a member of an infamous assembly of composers called The Five. Korsakov was furthermore an expert in orchestration. His correspondingly most famous orchestral compositions- Capriccio Espagnol, the Russian Easter Festival Overture, and the Scheherazade suite- are essential monuments of the standard music repertoire. Also comparatively very important are his suites and excerpts from his 15 operas. Korsakov used Russian folklore and fairy tales, such as Scheherazade, in his music. Nationalistic Style Like fellow outspoken composer Balakirev, Korsakov believed in creating a nationalistic, Russia-centric style of classical music. The new style was called Orientalism. It similarly relied on native Russian materials, exotic scales, and experimental harmonic, melodic, and rhythmic procedures. This practice, conversely, ran counter to the developments in Western musical culture. Musical Developments Nevertheless, Korsakov developed an appreciation of Western musical techniques after he became a professor of musical composition, harmony, and orchestration at the Saint Petersburg Conservatory in 1871. Moreover, he undertook a rigorous three-year program of self-education. He mastered Western methods, incorporating them with the influences of Mikhail Glinka and other members of The Five. His techniques of composition and orchestration were additionally enriched by his exposure to the works of Richard Wagner. Naval Service Korsakov combined his music career accordingly with a career in the Russian military. He was in the first place an officer in the Russian Navy. In due time, he was appointed a civilian Inspector of Naval Bands. As a result, Korsakov expanded his knowledge of woodwind and brass playing, which heightened his orchestration capabilities. Legacy In due time, Korsakov contributed a significant number of Russian nationalist works. He also prepared, occasionally, compositions by The Five for presentation. This brought their works straightaway into the active classical repertoire as well. He also shaped an entire generation of younger composers as a music educator. Therefore, music historians consider Korsakov the foremost engineer of what the public considers the Russian composition style. He served as a transitional figure between The Five and the classically trained composers who became the norm over time. In addition to the Russians, he influenced non-Russian composers such as Ravel, Debussy, Dukas, and Respighi. Â
$32.95
29.74 €
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Saxophone Alto et Piano
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Nikolay Andreyevich Rimsky-Korsakov
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James M
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Korsakov: Flight of the Bumblebee for Alto Sax & Piano
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jmsgu3
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SheetMusicPlus
All Creatures Of Our God And King (for Alto Saxophone and Piano)
Saxophone Alto et Piano
Alto Saxophone,Piano - Level 2 - Digital Download SKU: A0.627382 Composed by Tradit…
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Alto Saxophone,Piano - Level 2 - Digital Download SKU: A0.627382 Composed by Traditional. Arranged by Stephen DeCesare. Christian,Praise & Worship,Sacred. Score and part. 12 pages. Exultet Music #5993741. Published by Exultet Music (A0.627382). The traditional hymn that has played throughout the Christian church for years has been freshly arranged with a contemporary sound for an Alto Saxophone solo with Piano accompaniment. Accessible and appropriate for any church or concert setting. Can be used many times throughout the liturgical year. An accompaniment track is also available.
$4.99
4.5 €
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Saxophone Alto et Piano
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Traditional
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Stephen DeCesare
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All Creatures Of Our God And King
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Exultet Music
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SheetMusicPlus
This Little Light Of Mine (Alto Saxophone and Piano)
Saxophone Alto et Piano
Alto Saxophone,Piano - Level 2 - Digital Download SKU: A0.1038394 By Stephen DeCesa…
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Alto Saxophone,Piano - Level 2 - Digital Download SKU: A0.1038394 By Stephen DeCesare. By Spiritual. Arranged by Stephen DeCesare. Broadway,Contemporary,Musical/Show,Praise & Worship,Sacred,Spiritual. Score and part. 10 pages. Exultet Music #643347. Published by Exultet Music (A0.1038394). A fresh, exciting new way that you can almost dance to that is scored for an Alto Saxophone solo with Piano accompaniment. Accessible and appropriate for any church or concert venue. Can be used many times throughout the liturgical year. An accompaniment track is also available.
$4.99
4.5 €
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Saxophone Alto et Piano
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Stephen DeCesare
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Stephen DeCesare
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This Little Light Of Mine
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Exultet Music
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SheetMusicPlus
Trumpet Voluntary, (Prince of Denmark's March), for Solo Alto Saxophone and Piano
Saxophone Alto et Piano
Alto Saxophone,Piano - Level 3 - Digital Download SKU: A0.587590 Composed by Jeremi…
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Alto Saxophone,Piano - Level 3 - Digital Download SKU: A0.587590 Composed by Jeremiah Clarke. Arranged by David McKeown. Baroque,Concert,Instructional,Standards,Wedding. Score and part. 7 pages. David McKeown #4367400. Published by David McKeown (A0.587590). The Prince of Denmark’s March is better known nowadays as the Trumpet Voluntary and is often used in wedding ceremonies. It was in fact written for organ, with the melody played on thetrumpet stop. Written around 1700, for many years this piece was mistakenly attributed to Henry Purcell. Only recently has it been established that the composer was Jeremiah Clarke, organist at St Paul’s Cathedral. It is somewhat ironic that this composer of a wedding mainstay was himself a victim of unrequited love. He consequently shot himself in the cathedral graveyard. This full version is arranged as a Solo for Alto Saxophone and Piano; the performance time is around two and a half minutes. Of course, performers, especially at weddings, may wish to abridge and shorten the arrangement. This is easily done as the different sections are self-contained and the repeat may be ignored. The single pdf file contains both the score and the solo instrumental part. Musicians at an intermediate level and above will find this ideal for formal and informal performances, with both the solo and accompaniment enjoying melodic interest. Teachers will enjoy using this arrangement as a fun way to help with strict time, full tone and dynamics.The short sample here and the full length version on the youtube link are from the Clarinet version of this arrangement.There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$4.60
4.15 €
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Saxophone Alto et Piano
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Jeremiah Clarke
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David McKeown
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Trumpet Voluntary,
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David McKeown
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SheetMusicPlus
The King Of Love My Shepherd Is (Alto Saxophone and Piano)
Saxophone Alto et Piano
Alto Saxophone,Piano - Level 2 - Digital Download SKU: A0.627857 Composed by Tradit…
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Alto Saxophone,Piano - Level 2 - Digital Download SKU: A0.627857 Composed by Traditional. Arranged by Stephen DeCesare. Christian,Contemporary,Praise & Worship,Religious,Sacred. Score and part. 12 pages. Exultet Music #6067143. Published by Exultet Music (A0.627857). One of the most well known melodies that has been set to the 23rd Psalm has been freshly arranged for an Alto Saxophone solo with Piano accompaniment. Accessible and appropriate for any church or concert setting. Can be used many times throughout the liturgical year. An accompaniment track is also available.
$4.99
4.5 €
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Saxophone Alto et Piano
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Traditional
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Stephen DeCesare
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The King Of Love My Shepherd Is
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Exultet Music
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SheetMusicPlus
Here I Am To Worship (light Of The World)
Saxophone Alto et Piano
Alto Saxophone,Piano - Level 2 - Digital Download SKU: A0.518992 By Phillips, Craig…
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Alto Saxophone,Piano - Level 2 - Digital Download SKU: A0.518992 By Phillips, Craig & Dean. By Tim Hughes. Arranged by Stephen DeCesare. Contemporary,Easter,Praise & Worship,Sacred,Standards. Score and part. 11 pages. Exultet Music #129660. Published by Exultet Music (A0.518992). The popular Praise and Worship ballad that is commonly sung at Christian churches, festivals and youth gatherings has now been freshly arranged for an Alto Saxophone with an uplifting Piano accompaniment. Accessible and appropriate for any church or concert setting. Can be used many times throughout the liturgical year.
$4.99
4.5 €
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Saxophone Alto et Piano
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Phillips, Craig & Dean
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Stephen DeCesare
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Here I Am To Worship
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Exultet Music
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SheetMusicPlus
A Thousand Years
Saxophone Alto et Piano
Alto Saxophone,Piano - Level 2 - Digital Download SKU: A0.1295040 By Christina Perr…
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Alto Saxophone,Piano - Level 2 - Digital Download SKU: A0.1295040 By Christina Perri. By Christina Perri and David Hodges. Arranged by Glauco Fernandes. Film/TV,Pop,Wedding. Score and part. 4 pages. Glauco Fernandes #885361. Published by Glauco Fernandes (A0.1295040). Alto Saxophone and Piano Sheet Music: Christina Perri's 'A Thousand Years'Immerse yourself in the timeless beauty of Christina Perri's A Thousand Years with our exclusive alto saxophone and piano sheet music arrangement. This arrangement is available for purchase on leading online sheet music platforms, offering a unique and captivating interpretation of the song.Our sheet music includes clear and detailed notation for the alto saxophone and piano. This comprehensive arrangement is suitable for both beginner and experienced musicians, ensuring an authentic and emotionally resonant performance.By acquiring our A Thousand Years alto saxophone and piano sheet music, you gain access to a valuable resource to enrich your musical repertoire. This music is versatile, making it suitable for various occasions, including weddings, recitals, and special performances.Stand out as a musician and captivate your audience with this timeless composition. Purchase our sheet music now to begin playing Christina Perri's A Thousand Years on the alto saxophone and piano and embark on a musical journey that explores the emotional depth of this piece. Share your unique interpretation with the world.Don't miss the opportunity to perform one of pop music's most beloved songs on the alto saxophone. Get our sheet music today and let Christina Perri's A Thousand Years inspire your musical aspirations.
$6.99
6.31 €
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Saxophone Alto et Piano
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Christina Perri
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Glauco Fernandes
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A Thousand Years
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Glauco Fernandes
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SheetMusicPlus
A Thousand Years
Saxophone Alto et Piano
Alto Saxophone,Piano - Level 2 - Digital Download SKU: A0.1295038 By Christina Perr…
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Alto Saxophone,Piano - Level 2 - Digital Download SKU: A0.1295038 By Christina Perri. By Christina Perri and David Hodges. Arranged by Glauco Fernandes. Film/TV,Pop,Wedding. Score and part. 4 pages. Glauco Fernandes #885359. Published by Glauco Fernandes (A0.1295038). Alto Saxophone and Piano Sheet Music with Chord Notations: Christina Perri's 'A Thousand Years'Embark on a musical journey with our exclusive alto saxophone and piano sheet music arrangement of Christina Perri's A Thousand Years, complete with chord notations. This arrangement is available for purchase on leading online sheet music platforms, offering a unique and captivating interpretation of the song.Our sheet music includes clear and detailed notation for the alto saxophone and piano, along with chord symbols for accompaniment. This comprehensive arrangement is suitable for both beginner and experienced musicians, ensuring an authentic and emotionally resonant performance.By acquiring our A Thousand Years alto saxophone and piano sheet music with chord notations, you gain access to a valuable resource to enrich your musical repertoire. This music is versatile, making it suitable for various occasions, including weddings, recitals, and special performances.Stand out as a musician and captivate your audience with this timeless composition. Purchase our sheet music now to begin playing Christina Perri's A Thousand Years on the alto saxophone and piano, enriched with chord notations, and embark on a musical journey that explores the emotional depth of this piece. Share your unique interpretation with the world.Don't miss the opportunity to perform one of pop music's most beloved songs on the alto saxophone, enhanced with chord notations. Get our sheet music today and let Christina Perri's A Thousand Years inspire your musical aspirations.
$6.99
6.31 €
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Saxophone Alto et Piano
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Christina Perri
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Glauco Fernandes
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A Thousand Years
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Glauco Fernandes
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SheetMusicPlus
Saint-Saëns: The Swan for Alto Sax & Piano
Saxophone Alto et Piano
Alto Saxophone,Piano - Level 3 - Digital Download SKU: A0.1314328 Composed by Camil…
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Alto Saxophone,Piano - Level 3 - Digital Download SKU: A0.1314328 Composed by Camille Saint-Saens. Arranged by James M. Guthrie. 19th Century,Chamber,Contest,Festival,Historic,Romantic Period. Score and part. 11 pages. Jmsgu3 #903072. Published by jmsgu3 (A0.1314328). Saint-Saëns: The Swan (Le Cygne) movement 13 from the Carnival of the Animals Suite. One of his most popular and widely recognized works, it is the only movement from the Carnival Suite that Saint-Saëns permitted to be performed publicly during his lifetime. This is an excellent recital encore to demonstrate melodic playing and strategic phrasing.The Carnival of the AnimalsThe Carnival of the Animals is an entertaining musical suite of fourteen movements by Camille Saint-Saëns. The work was composed for private performance by an ensemble of two pianos and solo instruments. The Swan (No. 13) is among the fourteen most famous movements. In its entirety, it lasts about 25 minutes.Saint-Saëns BackgroundCharles-Camille Saint-Saëns 1835 – 1921) was, by all means, in particular, a famous French composer, brilliant organist, and significant musical mastermind of the Romantic era. Indeed, his most famous compositions, in the long run, include his Piano Concerto No. 2 (1868), Cello Concerto No. 1 (1872), and the Danse macabre (1874). Notwithstanding, we must also add Violin Concerto No. 3 (1880), Symphony No. 3 (the Organ Symphony, 1886), and, it must be remembered, Carnival of the Animals (1886) to the list.ChildhoodIt is essential to realize that Saint-Saëns was undoubtedly, in fact, a child musical prodigy. Consequently, with this in mind, he made his concert debut, albeit at ten years old. Another critical point to remember is that he expressly studied at the Paris Conservatoire, then, despite reality, conversely followed a traditional career path as a church organist. Nevertheless, twenty years later, on the other hand, he left to become a successful freelance pianist and composer despite, as has been noted, his former employment situation. Furthermore, his performances were, after all, markedly in demand - not only in Europe but, above all, in the Americas all in all as well.YouthA point often overlooked is that in his youth, Saint-Saëns was undoubtedly excited about the modern music of the day. He was, in essence, fond of the music of his contemporaries, particularly Schumann, Liszt, and, for the most part, Wagner. In contrast, however, his compositions seemed, in fact, primarily confined within the conservative classical tradition. Be that as it may, he was, at the same time, nevertheless, a scholar of musical history.CriticismOn the whole, his conservatism, in fact, ultimately brought him into frequent conflict in his later years with composers of the impressionist and, in particular, the dodecaphonic schools of musical thought. A point often overlooked is that he included neoclassical elements in his music, contrary to some critics. Furthermore, in so doing, he provided the most compelling evidence that he predicted the techniques and works by Stravinsky and Les Six. To put it another way, given these points, he was regarded, perhaps for the most part unfairly, as a non-progressive reactionary henceforth around the time of his passing.LegacySaint-Saëns taught briefly in Paris, where his students included Gabriel Fauré. Maurice Ravel later studied with Fauré. In conclusion, both Ravel and Fauré were powerfully influenced by Saint-Saëns, whom they respected as a musical mastermind.
$32.95
29.74 €
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Saxophone Alto et Piano
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Camille Saint-Saens
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James M
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Saint-Saëns: The Swan for Alto Sax & Piano
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jmsgu3
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SheetMusicPlus
Fauré: Élégie Op. 24 for Alto Sax & Piano
Saxophone Alto et Piano
Alto Saxophone,Piano - Level 4 - Digital Download SKU: A0.549727 Composed by Gabrie…
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Alto Saxophone,Piano - Level 4 - Digital Download SKU: A0.549727 Composed by Gabriel Faure. Arranged by James M. Guthrie, ASCAP. Contemporary,Multicultural,Romantic Period,Standards,World. Score and part. 22 pages. Jmsgu3 #3531403. Published by jmsgu3 (A0.549727). Duration: ca. 7:00, Score: 12 pages, solo part: 2 pages, piano: 7 pages. An epic choice for a recital or funeral. Fauré Background: In the first place, Gabriel Fauré 1845 –1924) was a famous French composer, musician, and educator. Furthermore, his musical ideas influenced numerous 20th-century composers. Therefore, historians regard him as one of the leading French composers of his time. Famous Works: Among his most famous compositions, by and large, are the Pavane, Elegie (op. 24), Requiem, Sicilienne, Nocturnes for piano and the songs Après un rêve and Clair de lune. Inasmuch as his early works are well-known and relatively easy to perform, Faure’s music seems to have become gradually more difficult during his later life. In other words, his later works are somewhat esoteric and complex. Early Home Life: Fauré was in fact born into a well-cultivated family. His aptitude for music became particularly clear early on - when he was still a boy. Under these circumstances, his parents sent him to a music institution in Paris. Consequently, the training he received there prepared him for a career as a church organist and choirmaster. Middle Life: It is important to realize that Fauré studied music composition with the French musical mastermind Camille Saint-Saëns, who became his lifelong friend. Fauré eventually graduated from college and earned a living as an organist and educator. During this period, he had, on the whole, little time to compose. He consequently became more successful in his middle age, becoming organist of the Église de la Madeleine and director of the Paris Conservatoire. However, he still needed time on balance for composing. Therefore, given these points, he withdrew to the countryside during the summer to focus on composing. Later Life: Fauré was, in the final analysis, recognized in France as the foremost French composer of his time. The French government held a national musical tribute particularly for him in Paris. The French President notably headed the ceremony. Elsewhere, on the contrary, Fauré's music was slow to become accepted, except of course, in England. Legacy: Historians often describe Fauré's music in general as a transition between the end of Romanticism and the beginning of modernism. As an illustration, when Fauré was born, Chopin was still composing. However, by the time of Fauré's death, jazz and atonal music, in particular, had come to fruition. Fauré, by all means, suffered from increasing deafness in his later years. Some musicologists believe this to be indeed the cause of the esoteric nature of Faure’s final works.
$32.95
29.74 €
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Saxophone Alto et Piano
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Gabriel Faure
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James M
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Fauré: Élégie Op. 24 for Alto Sax & Piano
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jmsgu3
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SheetMusicPlus
Alto Sax - "And Can It Be?" Theme and Variations
Saxophone Alto et Piano
Alto Saxophone,Piano - Level 3 - Digital Download SKU: A0.844328 Composed by Lyrics…
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Alto Saxophone,Piano - Level 3 - Digital Download SKU: A0.844328 Composed by Lyrics: Charles Wesley, Music: Thomas Campbell, published 1738, and published 1825. Arranged by Dan Cutchen. Easter,Gospel,Sacred,Spiritual. Score and part. 15 pages. Dan Cutchen Music #3115903. Published by Dan Cutchen Music (A0.844328). This arrangement of And Can It Be That I Should Gain? is for alto saxophone solo and piano.A theme and variation treatment is used. For a piano background Mp3 track, search for: Alto Sax - And Can It Be? Theme and Variations-Accompaniment Track, Dan CutchenTime: approximately 6:00And Can It Be That I Should Gain? is a Christian hymn written by Charles Wesley. And Can It Be was written in 1738 to celebrate Wesley's conversion, which he regarded as having taken place on May 21 of that year. This beautiful hymn has been popular and enduring.And Can It Be That I Should Gain is perhaps one of the most joyfully poignant hymns penned by Charles Wesley (1707-1788). On Whitsunday (Pentecost), May 21, 1738, three days before his brother John experienced his heart strangely warmed,’ Charles was convalescing in the home of John Bray, a poor mechanic, when he heard a voice saying, In the name of Jesus of Nazareth, arise, and believe, and thou shalt be healed of all thy infirmities. The voice was most likely Mr. Bray’s sister who felt commanded to say these words in a dream.Anglican hymn writer Timothy Dudley-Smith, notes that the following then happened:Charles got out of bed and opening his Bible read from the Psalms: He have put a new song in my mouth, even praise unto our God, followed by the first verse of Isaiah 40, Comfort ye, comfort ye my people, saith your God. He wrote in his journal, I have found myself at peace with God, and rejoiced in the hope of love Christ (Dudley-Smith, 1987, 1).The statement from Mr. Bray’s sister sparked within Charles a conviction like he had never felt before. Moved and convicted in spirit, Charles wrestled with these words until he came to rest in his faith, knowing that it is by faith we are saved (Ephesians 2:8).Soon after this conversion experience, he wrote two hymns in celebration of the amazing love he had come to know: And Can It Be that I Should Gain and Where Shall My Wondering Soul Begin? (United Methodist Hymnal, 342)There has been some debate as to which hymn was written first, but most current scholarship accepts the latter as the first hymn written by Charles after his conversion experience. No matter its place in the chronology of Wesley's output, And Can It Be has been and remains one of his most remarkable hymns, expressing like no other the rapturous joy of receiving salvation.And Can It Be That I Should Gain. Hymnary.org, https://hymnary.org/text/and_can_it_be_that_i_should_gainDudley-Smith, Timothy. A Flame of Love: A Personal Choice of Charles Wesley’s Verse. London: Triangle SPCK, 1987.Timothy Dudley-Smith. And can it be that I should gain. The Canterbury Dictionary of Hymnology. Canterbury Press, accessed May 29, 2018, http://www.hymnology.co.uk/a/and-can-it-be-that-i-should-gain.Young, Carlton R. And Can It Be That I Should Gain. Companion to the United Methodist Hymnal. Abingdon Press, 1993.(Taken from: History of Hymns: And Can It Be That I Should Gain by DeAndre Johnson found at https://www.umcdiscipleship.org/resources)https://youtu.be/BSX9yYcNY2E
$7.00
6.32 €
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Saxophone Alto et Piano
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Lyrics: Charles Wesley, Music: Thomas Campbell, published 1738, and published 1825
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Dan Cutchen
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Alto Sax - "And Can It Be?" Theme and Variations
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Dan Cutchen Music
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SheetMusicPlus
Eagles' Victory Song
Saxophone Alto et Piano
Alto Saxophone,Piano - Level 1 - Digital Download SKU: A0.1182606 By Dirk Quinn Ban…
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Alto Saxophone,Piano - Level 1 - Digital Download SKU: A0.1182606 By Dirk Quinn Band. By Charles Borrelli and Roger Courtland. Arranged by Marcony Carvalho. 20th Century,March,Patriotic,Traditional. Score and part. 2 pages. Zedas Couve #782353. Published by Zedas Couve (A0.1182606). The Eagles' Victory Song was the creation of Charles Borrelli and Richard Courtland Harrison, a Washington, D.C. music teacher and arranger for jazz guitarist Charlie Byrd. The song was mistakenly credited to R. Courtland by the Copyright office and in various editions of Eagles programs from the late 1950s through the 1960s.In 1963, Jerry Wolman purchased the Philadelphia Eagles. Wolman was a sports fan growing up and loved hearing the Washington Redskins' fight song Hail to the Redskins at games. Spawning from his admiration for the Redskins' song, Wolman searched for musicians to implement a team song for the Eagles, and founded The Philadelphia Eagles' Sound of Brass band in 1964. The group included 200 musicians and dancers, and was led by Arlen Saylor, who was appointed as the Eagles' entertainment director in 1966 and is credited with penning an arrangement of the fight song that the band played at home games during halftime in the 1960s. Wolman's push to popularize the fight song flew under the radar, however, and in 1969 the Sound of Brass band was discontinued.The song came back into light in 1997, when Bobby Mansure, founder of an unofficial Eagles pep band, asked team management to allow the band to play in the parking lot during home games. Management gave Mansure's pep band an audition, allowing them to play at two preseason games to gauge fan reaction. The song went over so well that Mansure and the band retained a permanent position as the official Philadelphia Eagles Pep Band.In 1998, following Mansure's reintroduction of the song, Eagles management attempted to rebuild its popularity among fans by changing some aspects of the song: they modified the key, changed the opening lyric from Fight, Eagles Fight to Fly, Eagles Fly, and re-marketed the song with that as the title. In addition, they appended the popular E-A-G-L-E-S chant—which had emerged in the 1980s—to the end of the song. While management planned to play the song throughout the 1998 season, the Eagles' poor performance that year caused them to hold off reintroducing the song until the following year. The Eagles fared better during their 1999 season, and subsequently, the fight song was played after every score.
$4.99
4.5 €
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Saxophone Alto et Piano
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Dirk Quinn Band
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Marcony Carvalho
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Eagles' Victory Song
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Zedas Couve
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SheetMusicPlus
Mendelssohn: Wedding March for Alto Sax & Piano
Saxophone Alto et Piano
Alto Saxophone,Piano - Level 3 - Digital Download SKU: A0.549892 Composed by Felix …
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Alto Saxophone,Piano - Level 3 - Digital Download SKU: A0.549892 Composed by Felix Bartholdy Mendelssohn. Arranged by James M. Guthrie, ASCAP. Romantic Period,Standards,Wedding. Score and part. 23 pages. Jmsgu3 #3603399. Published by jmsgu3 (A0.549892). Score: 12 pages, piano part: 6 pages, alto sax part: 4 pages. duration: ca. 5'. This is the famous wedding march from Op. 61 composed in 1842 and commonly performed as a recessional march at the end of a wedding. The piece was originally composed for orchestra then arranged for organ and performed by Mendelssohn himself.Mendelssohn: Wedding March Mendelssohn’s Wedding March is so popular that it’s difficult to imagine a wedding without it. It seems like it’s been around for eternity. In any case, it was only 150 years or so ago that the Wedding March came about. It was performed in Potsdam for the first time in 1842, as a piece of Mendelssohn’s music for the Shakespeare play A Midsummer Night’s Dream. It was first used for a wedding in 1858 Mendelssohn Background Felix Mendelssohn (1809 –1847) was, by all means, a German mastermind composer, musician and orchestra conductor of the Romantic period. Consequently, Mendelssohn composed in the usual forms of the time - symphonies, concertos, oratorios, piano music, and chamber music. To summarize, his most famous works include his music for A Midsummer Night's Dream, the Italian Symphony, the Scottish Symphony, The Hebrides Overture, his later Concerto for Violin & Orchestra, and his Octet for Strings. His most well-known piano pieces, by and large, are the Songs Without Words. Artistic Standing Musical tastes change from time to time. Moreover, just such a change occurred in the late 19th and early 20th centuries. This plus rampant antisemitism brought a corresponding amount of undue criticism. Fortunately, however, his artistic inventiveness has indeed been critically re-evaluated. As a result, Mendelssohn is once again among the most prevalent composers of the Romantic era. Early Family Life Mendelssohn was, in fact, born into a prominent Jewish family. His grandfather was, notably, the philosopher Moses Mendelssohn. Felix was, in fact, raised without religion. At the age of seven, he was all of a sudden baptized as a Reformed Christian. He was, moreover, a child musical prodigy. Nevertheless, his parents did not attempt to exploit his talent. Early Adulthood Mendelssohn was, in general, successful in Germany. He conducted, in particular, a revival of the music of Johann Sebastian Bach, specifically with his presentation of the St Matthew Passion in 1829. Felix was truly in demand throughout Europe as a composer, conductor, and soloist. For example, he visited Britain ten times. There, he premiered, namely, many of his major works. His taste in music was. To be sure, inventive and well-crafted yet markedly conservative. This conservatism separated him by all means from more audacious musical colleagues like Liszt, Wagner, and Berlioz. Mendelssohn founded the Leipzig Conservatoire which, to clarify, became a defender of this conservative viewpoint. Mature Adulthood Schumann notably wrote that Mendelssohn was the Mozart of the nineteenth century, the most brilliant musician, the one who most clearly sees through the contradictions of the age and for the first time reconciles them. This observation points to a couple of features in particular that illustrate Mendelssohn's works and his artistic procedure. Musical Features In the first place, his musical style was fixed in his methodical mastery of the style of preceding masters. This being said, he certainly recognized and even developed early romanticism from the music of Beethoven and Weber. Secondly, it indicates that Mendelssohn sought to strengthen his inherited musical legacy rather than to exchange it with new forms and styles or replace it with exotic orchestration. Consequently, he diverged his contemporaries in the romantic period, such as Wagner, Berlioz, and Liszt. Mendelssohn revered Liszt's virtuos.
$32.95
29.74 €
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Saxophone Alto et Piano
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Felix Bartholdy Mendelssohn
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James M
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Mendelssohn: Wedding March for Alto Sax & Piano
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jmsgu3
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SheetMusicPlus
LUNA for violin, alto saxophone and piano
Saxophone Alto et Piano
Instrumental Duet,Piano Alto Saxophone,Instrumental Duet,Piano,Violin - Level 5 - Digital …
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Instrumental Duet,Piano Alto Saxophone,Instrumental Duet,Piano,Violin - Level 5 - Digital Download SKU: A0.876578 Composed by Daniel Cueto. 20th Century,Concert,Contemporary. Score and parts. 17 pages. Daniel Cueto #4980495. Published by Daniel Cueto (A0.876578). ABOUT THIS WORK:In 2016, the Russian Space Corporation announced its newest long-term project: a plan to establish a permanent human colony on the Moon by the year 2030. Several other nations - including Japan, China and the USA - have announced similar projects over the years. I began to think about this idea and its possible implications for human culture. An intriguing question came to mind: if a human settlement on the Moon is developed, would art works be created there? Would there be composers there, writing music?After enough time had passed, what would the music made by inhabitants of such remote colonies sound like?I started to imagine a music that combined well-known elements of the Western tradition with new patterns and concepts, these being an expression of the profoundly different daily-life experiences of living on the Moon. I heard, in my mind, a lonesome chant, performed with a view of a lunar night sky. After the song, a strange pulsating music, maybe a subtle depiction of a process of lunar tectonics. Connecting between these two elements, a third one emerged: a mysterious, oscillating motive, perpetually shifting back and forth between two harmonies; swaying, gently and forever, until lost to a cosmic silence…From these resonant impressions, a primitive sketch started to emerge; a voyage into an unexplored compositional region. A musical fantasy about a distant - yet still human - reality.
$14.99
13.53 €
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Saxophone Alto et Piano
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Daniel Cueto
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LUNA for violin, alto saxophone and piano
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Daniel Cueto
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SheetMusicPlus
Wichita Lineman
Saxophone Alto et Piano
Alto Saxophone,Piano - Level 3 - Digital Download SKU: A0.1078294 By Glen Campbell.…
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Alto Saxophone,Piano - Level 3 - Digital Download SKU: A0.1078294 By Glen Campbell. By Jimmy Webb. Arranged by James M. Guthrie. Country,Jazz,Pop,Standards,Wedding. Score and part. 12 pages. Jmsgu3 #682500. Published by jmsgu3 (A0.1078294). Score: 7 pages. Duration: 2:34Wichita Lineman is a 1968 song by the American singer-songwriter Jimmy Webb. The song has since been praised as one of the most influential and greatest recordings in popular music history. The song has been widely praised by critics and has been called a masterpiece of American music. In 2004, it was ranked number 201 on Rolling Stone's list of The 500 Greatest Songs of All Time. The song has also been praised for its poetic lyrics, as well as its use of electric guitar and strings to create a unique sound. The song has been covered by numerous artists, including Glen Campbell, who recorded a version that reached the top of the US Billboard Hot Country Songs chart in 1968. The song has also been featured in numerous films and television shows and has been referenced in popular culture. Wichita Lineman has been praised for its universal appeal, and its ability to connect with listeners.Wichita Lineman is a timeless classic that has become synonymous with loneliness. The song is about a telephone lineman who is alone in his work and in his life, looking out at the vast landscape in search of something he cannot find. The melancholy and longing of the song evoke the loneliness that many people feel, especially in a society that can often feel disconnected and isolated. Webb's lyrics and Campbell's vocals combine to create a song that is as beautiful as it is heartbreaking. It is a timeless song that captures the loneliness of many, and its enduring popularity over the years is a testament to its power.
$149.95
135.32 €
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Saxophone Alto et Piano
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Glen Campbell
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James M
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Wichita Lineman
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jmsgu3
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SheetMusicPlus
Great Is Thy Faithfulness
Saxophone Alto et Piano
Alto Saxophone,Piano - Level 2 - Digital Download SKU: A0.1047790 Composed by Phill…
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Alto Saxophone,Piano - Level 2 - Digital Download SKU: A0.1047790 Composed by Phillip Keveren, Thomas O. Chisholm, and William Runyan. Arranged by Stephen DeCesare. Contemporary,Praise & Worship,Sacred,Standards,Traditional. Score and part. 12 pages. Exultet Music #652229. Published by Exultet Music (A0.1047790). The popular Christian hymn that is based from the Old Testament Book of Lamentations 3:23 has now been freshly arranged in a tender 4/4 time signature for an Alto Saxophone solo with Piano accompaniment. Accessible and appropriate for any church or concert setting. Can be used many times throughout the liturgical year. An accompaniment track is also available.
$4.99
4.5 €
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Saxophone Alto et Piano
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Phillip Keveren, Thomas O
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Stephen DeCesare
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Great Is Thy Faithfulness
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Exultet Music
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SheetMusicPlus
He Ain't Heavy, He's My Brother
Saxophone Alto et Piano
Alto Saxophone,Piano - Level 3 - Digital Download SKU: A0.791245 By Neil Diamond. B…
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Alto Saxophone,Piano - Level 3 - Digital Download SKU: A0.791245 By Neil Diamond. By Bob Russell and Bobby Scott. Arranged by Kevin P Holdgate. Pop. Score and part. 8 pages. Kevin P Holdgate #5772015. Published by Kevin P Holdgate (A0.791245). KPHMS 'Solo' CollectionHe Ain't Heavy, He's My Brother is a ballad written by Bobby Scott and Bob Russell. Originally recorded by Kelly Gordon in 1969, the song became a worldwide hit for The Hollies later that year and a minor hit for Neil Diamond in 1970. It has been recorded by many artists in subsequent years.Scott and Russell were introduced to each other by Johnny Mercer, at a California nightclub. Although Russell was dying of lymphoma and the pair met only three times, they managed to collaborate on the song.This is an arrangement as a solo with piano accompaniment that I would judge to be around Grade 5/6 standard for most instruments.
$4.99
4.5 €
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Saxophone Alto et Piano
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Neil Diamond
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Kevin P Holdgate
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He Ain't Heavy, He's My Brother
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Kevin P Holdgate
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SheetMusicPlus
Handel: Largo (from Xerxes) for alto sax and piano
Saxophone Alto et Piano
Alto Saxophone,Piano - Level 3 - Digital Download SKU: A0.522293 Composed by G F Ha…
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Alto Saxophone,Piano - Level 3 - Digital Download SKU: A0.522293 Composed by G F Handel. Arranged by Colin Kirkpatrick. Christmas,Easter,Holiday. Score and part. 6 pages. Colin Kirkpatrick Publications #6637671. Published by Colin Kirkpatrick Publications (A0.522293). This piece is probably Handel’s best-known melody, although it began life as an operatic aria. The opera was called Xerxes, sometimes written Serses and pronounced something like “ZERT-seesâ€. It was commissioned by The King’s Theater in London and composed by Handel (who had become naturalized British and lived in London at the time) around 1737 and 1738. The opera is loosely based on the historical figure King Xerxes, who ruled from around 522-486 BC and was the fourth king of the Achaemenid Empire, a vast region that covered most of the present-day Middle East. The melody is often known simply as Handel’s Largo (despite being marked “Larghetto†in the musical score) and is the opening aria in the opera. The aria, known by its opening line Ombra mai fu is sung by Xerxes to a plane tree: “Tender and beautiful fronds of my beloved plane tree, let fate smile upon you...†Although this lovely melody has survived over the years, the opera itself was a complete failure when it was first performed in London in 1738. This arrangement is in E flat major concert (alto sax in C major) and the top note is the C above the treble clef and the piece generally requires the use of a long and sustained tone quality. The piano part has been kept as simple as possible. Being so well-known, this piece would make a popular encore number for a recital. The audio sample was performed by Alastair Penman https://www.alastairpenman.co.uk
$7.95
7.17 €
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Saxophone Alto et Piano
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G F Handel
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Colin Kirkpatrick
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Handel: Largo
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Colin Kirkpatrick Publications
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SheetMusicPlus
Auld Lang Syne (Alto Saxophone and Piano)
Saxophone Alto et Piano
Alto Saxophone,Piano - Level 2 - Digital Download SKU: A0.628396 Composed by Tradit…
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Alto Saxophone,Piano - Level 2 - Digital Download SKU: A0.628396 Composed by Traditional. Arranged by Stephen DeCesare. Christmas,Contemporary,Film/TV,Holiday. Score and part. 12 pages. Exultet Music #6133153. Published by Exultet Music (A0.628396). The traditional song that is used to bid farewell to the old year at the stroke of midnight on New Year's Eve as well as sung at funerals, graduations, and a farewell or ending to other occasions has been freshly adapted as a tender, sentimental arrangement and scored for an Alto Saxophone solo with Piano accompaniment. Accessible and appropriate for any venue or forum. An accompaniment track is also available. .
$4.99
4.5 €
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Saxophone Alto et Piano
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Traditional
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Stephen DeCesare
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Auld Lang Syne
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Exultet Music
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SheetMusicPlus
The Wedding Album, for Solo Alto Saxophone and Piano
Saxophone Alto et Piano
Alto Saxophone,Piano - Level 3 - Digital Download SKU: A0.587624 Composed by Variou…
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Alto Saxophone,Piano - Level 3 - Digital Download SKU: A0.587624 Composed by Various. Arranged by David McKeown. Baroque,Concert,Romantic Period,Standards,Wedding. Score and part. 24 pages. David McKeown #4594683. Published by David McKeown (A0.587624). The Wedding Album is a collection of four beautiful and timeless wedding favourites, arranged for Solo Alto Saxophone with Piano accompaniment. Whether for that Special Day, for a recital, or for your own entertainment, these arrangements are ideal for players at an intermediate level or higher. The 24-page file includes the piano accompaniments and the separate solo parts at the end. Ave Maria was written by Franz Schubert in 1825 as the sixth song in his song cycle based on Walter Scott’s poem The Lady of the Lake. It is perhaps the best known of all his melodies, adapted for piano by Franz Liszt, and for orchestra many times since. It is often sung with the Latin lyrics of the Catholic hymn of the same name and has been heard everywhere from the Disney movie Fantasia to the funeral of J.F. Kennedy. The Bridal March was written by Richard Wagner in 1850, scored for orchestra and chorus, and opening the third act of his opera, Lohingren. It is best known in the English-speaking world as Here Comes the Bride. Queen Victoria’s daughter used the music for her marriage in 1858, and its popularity has endured ever since.The Prince of Denmark’s March is better known nowadays as the Trumpet Voluntary and is often used in wedding ceremonies. It was in fact written for organ, with the melody played on thetrumpet stop. Written around 1700, for many years this piece was mistakenly attributed to Henry Purcell. Only recently has it been established that the composer was Jeremiah Clarke, organist at St Paul’s Cathedral. It is somewhat ironic that this composer of a wedding mainstay was himself a victim of unrequited love. He consequently shot himself in the cathedral graveyard. Felix Mendelssohn’s Wedding March was originally written in 1842 as incidental music to Shakespeare’s famousplay, Midsummer Night’s Dream. When Queen Victoria’s daughter used the music for her marriage in 1858, it became instantly popular and has remained a wedding favourite ever since.These four arrangements are also available as single titles for $3.99 each. You can find these along with many more top quality arrangements and compositions by David McKeown at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$9.99
9.02 €
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Saxophone Alto et Piano
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Various
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David McKeown
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The Wedding Album, for Solo Alto Saxophone and Piano
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David McKeown
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SheetMusicPlus
Steal Away, Gospel Song for Alto Saxophone and Piano
Saxophone Alto et Piano
Alto Saxophone,Piano - Level 2 - Digital Download SKU: A0.593275 Composed by Wallis…
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Alto Saxophone,Piano - Level 2 - Digital Download SKU: A0.593275 Composed by Wallis Willis. Arranged by David McKeown. Christian,Gospel,Praise & Worship,Sacred,Spiritual. Score and part. 4 pages. David McKeown #6418067. Published by David McKeown (A0.593275). Steal Away is a beautiful spiritual arranged here for Solo Alto Saxophone and Piano.The words and music of Steal Away are credited to Wallis Willis, a Native American freedman from Oklahoma. A local minister transcribed the song and within a few years it became a firm gospel favourite. The words have a meaning beyond the spiritual, with hidden references to the Underground Railway of the time that helped escaped slaves cross to Canada. In more recent times Steal Away to Jesus was arranged by Michael Tippett in 1944 and recorded famously by Mahalia Jackson and Nat King Cole.
$2.49
2.25 €
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Saxophone Alto et Piano
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Wallis Willis
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David McKeown
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Steal Away, Gospel Song for Alto Saxophone and Piano
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David McKeown
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SheetMusicPlus
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